Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2529
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2606
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2609 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
  -formView: Symfony\Component\Form\FormView {#2645 …}
  -form: Symfony\Component\Form\Form {#2795 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 421
    -nom: "Tigerlily"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Natalie Merchant (piano, organ, vibraphone, vocals), John Holbrook (organ, electric guitar), Katell Keineg (background vocals), Barrie Maguire (bass, 12 string guitar), Jennifer Turner (acoustic & electric guitar, background vocals), Matt Henderson (bass, electric guitar), Eric Schenkman (electric guitar), Jay Ungar (violin), Michelle Kinney (cello), Adrian Lopez Guevarra (percussion), Peter Yanowitz (drums, percussion).\r\n
      \r\n
      A VOCAL PERFORMANCE FOR THE AGES, SPINNING MAJESTIC WEBS OF MELLOW ATMOSPHERE WOVEN WITH RHYTHMIC TEXTURES AND LOW-KEY MOVEMENTS.\r\n
      \r\n
      - 1/2" / 15 IPS / Dolby SR analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      The 10,000 Maniacs were at their peak when scintillating singer Natalie Merchant announced that she was leaving the band to pursue a solo career. On her gorgeously detailed folk-pop debut Tigerlily, Merchant turns in a vocal performance for the ages, spinning majestic webs of mellow atmosphere woven with rhythmic textures and low-key movements. This 1995 set is a mood masterpiece.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Natalie Merchant (piano, organ, vibraphone, vocals), John Holbrook (organ, electric guitar), Katell Keineg (background vocals), Barrie Maguire (bass, 12 string guitar), Jennifer Turner (acoustic & electric guitar, background vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_n3XLyDkxZ4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. San Andreas Fault"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wonder"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beloved Wife"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. River"
      ]
      [
        "ordre" => 6
        "nom" => "2. Carnival"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I May Know the Word"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Letter"
      ]
      [
        "ordre" => 10
        "nom" => "3. Cowboy Romance"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Jealousy"
      ]
      [
        "ordre" => 13
        "nom" => "2. Where I Go"
      ]
      [
        "ordre" => 14
        "nom" => "3. Seven Years"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1298389402 {#1896
      date: 2011-02-22 15:43:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769065528 {#1889
      date: 2026-01-22 07:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tigerlily-mobile-fidelity-sound-lab-mfsl-2-45-008"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3070
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 421
    -nom: "Tigerlily"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Natalie Merchant (piano, organ, vibraphone, vocals), John Holbrook (organ, electric guitar), Katell Keineg (background vocals), Barrie Maguire (bass, 12 string guitar), Jennifer Turner (acoustic & electric guitar, background vocals), Matt Henderson (bass, electric guitar), Eric Schenkman (electric guitar), Jay Ungar (violin), Michelle Kinney (cello), Adrian Lopez Guevarra (percussion), Peter Yanowitz (drums, percussion).\r\n
      \r\n
      A VOCAL PERFORMANCE FOR THE AGES, SPINNING MAJESTIC WEBS OF MELLOW ATMOSPHERE WOVEN WITH RHYTHMIC TEXTURES AND LOW-KEY MOVEMENTS.\r\n
      \r\n
      - 1/2" / 15 IPS / Dolby SR analog master to DSD 64 to analog console to lathe\r\n
      \r\n
      The 10,000 Maniacs were at their peak when scintillating singer Natalie Merchant announced that she was leaving the band to pursue a solo career. On her gorgeously detailed folk-pop debut Tigerlily, Merchant turns in a vocal performance for the ages, spinning majestic webs of mellow atmosphere woven with rhythmic textures and low-key movements. This 1995 set is a mood masterpiece.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Natalie Merchant (piano, organ, vibraphone, vocals), John Holbrook (organ, electric guitar), Katell Keineg (background vocals), Barrie Maguire (bass, 12 string guitar), Jennifer Turner (acoustic & electric guitar, background vocals)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_n3XLyDkxZ4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. San Andreas Fault"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wonder"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beloved Wife"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. River"
      ]
      [
        "ordre" => 6
        "nom" => "2. Carnival"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I May Know the Word"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Letter"
      ]
      [
        "ordre" => 10
        "nom" => "3. Cowboy Romance"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Jealousy"
      ]
      [
        "ordre" => 13
        "nom" => "2. Where I Go"
      ]
      [
        "ordre" => 14
        "nom" => "3. Seven Years"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1298389402 {#1896
      date: 2011-02-22 15:43:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769065528 {#1889
      date: 2026-01-22 07:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tigerlily-mobile-fidelity-sound-lab-mfsl-2-45-008"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 2194
    -nom: "There Goes Rhymin' Simon - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Paul Simon's Soulful 1973 Album Features Tremendous Vocals and Strong Narrative Lyrics : There Goes Rhymin' Simon Includes "Kodachrome" !\r\n
      - Sourced from the Original Master Tapes with Mobile Fidelity's One-Step Process: UD1S 180 gram 45 RPM (2 LP) Box Set Sounds Phenomenal and Is Limited to 10000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Demonstrating a deep-seated flair for soul and R&B, Paul Simon recruited gospel backup singers and traveled to the Muscle Shoals Sound Studios to further refine the vibrant sounds he desired for There Goes Rhymin' Simon. Clearly, his instincts proved correct. Many rightly consider the iconic singer-songwriter's third album a masterpiece one that, per critic Robert Christgau, "suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness".\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the 1973 effort for generations to come. Surpassing the sonics of any prior version, it strips away any remaining barriers to provide a clear, super-dynamic view of a record nominated for two Grammy Awards and that climbed to the #2 position on the Billboard charts. The expanse and depth of the soundstage, fullness of detail, varied textures of the percussion, and natural rise and decay of individual notes reach demonstration-grade levels.\r\n
      \r\n
      Visually, the lavish packaging and gorgeous presentation of the UD1S There Goes Rhymin' Simon pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      The newly revealed transparency, presence, balance, immediacy, and dark-black backgrounds provided by Mobile Fidelity's UD1S set showcase the scope and craft of Simon's alluring melodies – not to mention the vocal performances that, arguably, remain the album's standout element. Simon's singing hits peaks on There Goes Rhymin' Simon that equal or best those on any of his other works, Simon and Garfunkel included. Assured, natural, and supple, his baritone resonates with a realism and extension that immerse you in the song. At certain times, he lets loose; during others, he becomes a gentle balladeer on par with a prized jazz chanteur. Such versatility alone remains staggering, but he also receives support on two tracks by the legendary Dixie Hummingbirds. The pairing is nothing short of magical.\r\n
      \r\n
      Ditto Allen Toussaint's horn arrangements on "Tenderness" and Quincy Jones' string charts for "Something So Right". The title of the latter tune could serve as the catch-all statement for There Goes Rhymin' Simon nothing seems out of place, overlooked, overcooked, or underdone. The same goes for the playing of the cadre of session pros heard on the record. A partial lineup: Southern virtuoso Pete Carr (Joan Baez, Bob Seger, Rod Stewart), Muscle Shoals Rhythm Section member Jimmy Johnson, and R&B master Cornell Dupree on guitar; Muscle Shoals Sound Studio founder David Hood, Blue Note veteran Bob Cranshaw, and Astral Weeks contributor Vernie Robbins on bass; Fourplay founder Bob James on Fender Rhodes and keyboards; soul-jazz expert Grady Tate and Aretha Franklin collaborator Rich Marotta on drums. Mercy.\r\n
      \r\n
      The proof of the consummate chemistry, of course, resides in the final results, which run the gamut from Jamaican-leaning rhythms and orchestral flourishes to steady blues currents and New Orleans-soaked brass accents. Simon's instinct for strong narrative conveyed with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery. Taking a pulse on episodes such Watergate and the Vietnam War, the singer meditates on experiences universal to everyone in America never more saliently than on "American Tune", an anthem musically based on a hymnal and whose lyrics continue to hold true today. Similarly, Simon spins gleeful absurdity, antisocial behavior, and pensive reflection into truth on "Kodachrome", a number-two smash that permanently established him as a solo star.\r\n
      \r\n
      Hits and singles aside, There Goes Rhymin' Simon stands as as a cohesive statement woven together, to quote Rolling Stone critic Stephen Holden, as "a rich and moving song cycle, one in which each cut reflects on every other to create and ever-widening series of refractions". Indeed, everything looks worse in black and white, and Mobile Fidelity's UD1S set plays with the greens of summers and those nice bright colors.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar), Pete Carr (guitar, electric guitar), Bob Cranshaw, David Hood (bass), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8rlDTK6QI-w"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Kodachrome"
      ]
      [
        "ordre" => 1
        "nom" => "2. Tenderness"
      ]
      [
        "ordre" => 2
        "nom" => "3. Take Me to the Mardi Gras"
      ]
      [
        "ordre" => 3
        "nom" => "4. Something So Right"
      ]
      [
        "ordre" => 4
        "nom" => "5. One Man's Ceiling Is Another Man's Floor"
      ]
      [
        "ordre" => 5
        "nom" => "6. American Tune"
      ]
      [
        "ordre" => 6
        "nom" => "7. Was a Sunny Day"
      ]
      [
        "ordre" => 7
        "nom" => "8. Learn How to Fall"
      ]
      [
        "ordre" => 8
        "nom" => "9. St. Judy's Comet"
      ]
      [
        "ordre" => 9
        "nom" => "10. Loves Me Like a Rock"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1641573332 {#2032
      date: 2022-01-07 16:35:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768830007 {#2033
      date: 2026-01-19 13:40:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-there-goes-rhymin-simon-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3184
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 2194
    -nom: "There Goes Rhymin' Simon - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Paul Simon's Soulful 1973 Album Features Tremendous Vocals and Strong Narrative Lyrics : There Goes Rhymin' Simon Includes "Kodachrome" !\r\n
      - Sourced from the Original Master Tapes with Mobile Fidelity's One-Step Process: UD1S 180 gram 45 RPM (2 LP) Box Set Sounds Phenomenal and Is Limited to 10000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Demonstrating a deep-seated flair for soul and R&B, Paul Simon recruited gospel backup singers and traveled to the Muscle Shoals Sound Studios to further refine the vibrant sounds he desired for There Goes Rhymin' Simon. Clearly, his instincts proved correct. Many rightly consider the iconic singer-songwriter's third album a masterpiece one that, per critic Robert Christgau, "suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness".\r\n
      \r\n
      Limited to 10000 numbered copies, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition enhances the 1973 effort for generations to come. Surpassing the sonics of any prior version, it strips away any remaining barriers to provide a clear, super-dynamic view of a record nominated for two Grammy Awards and that climbed to the #2 position on the Billboard charts. The expanse and depth of the soundstage, fullness of detail, varied textures of the percussion, and natural rise and decay of individual notes reach demonstration-grade levels.\r\n
      \r\n
      Visually, the lavish packaging and gorgeous presentation of the UD1S There Goes Rhymin' Simon pressing befit its select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      The newly revealed transparency, presence, balance, immediacy, and dark-black backgrounds provided by Mobile Fidelity's UD1S set showcase the scope and craft of Simon's alluring melodies – not to mention the vocal performances that, arguably, remain the album's standout element. Simon's singing hits peaks on There Goes Rhymin' Simon that equal or best those on any of his other works, Simon and Garfunkel included. Assured, natural, and supple, his baritone resonates with a realism and extension that immerse you in the song. At certain times, he lets loose; during others, he becomes a gentle balladeer on par with a prized jazz chanteur. Such versatility alone remains staggering, but he also receives support on two tracks by the legendary Dixie Hummingbirds. The pairing is nothing short of magical.\r\n
      \r\n
      Ditto Allen Toussaint's horn arrangements on "Tenderness" and Quincy Jones' string charts for "Something So Right". The title of the latter tune could serve as the catch-all statement for There Goes Rhymin' Simon nothing seems out of place, overlooked, overcooked, or underdone. The same goes for the playing of the cadre of session pros heard on the record. A partial lineup: Southern virtuoso Pete Carr (Joan Baez, Bob Seger, Rod Stewart), Muscle Shoals Rhythm Section member Jimmy Johnson, and R&B master Cornell Dupree on guitar; Muscle Shoals Sound Studio founder David Hood, Blue Note veteran Bob Cranshaw, and Astral Weeks contributor Vernie Robbins on bass; Fourplay founder Bob James on Fender Rhodes and keyboards; soul-jazz expert Grady Tate and Aretha Franklin collaborator Rich Marotta on drums. Mercy.\r\n
      \r\n
      The proof of the consummate chemistry, of course, resides in the final results, which run the gamut from Jamaican-leaning rhythms and orchestral flourishes to steady blues currents and New Orleans-soaked brass accents. Simon's instinct for strong narrative conveyed with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery. Taking a pulse on episodes such Watergate and the Vietnam War, the singer meditates on experiences universal to everyone in America never more saliently than on "American Tune", an anthem musically based on a hymnal and whose lyrics continue to hold true today. Similarly, Simon spins gleeful absurdity, antisocial behavior, and pensive reflection into truth on "Kodachrome", a number-two smash that permanently established him as a solo star.\r\n
      \r\n
      Hits and singles aside, There Goes Rhymin' Simon stands as as a cohesive statement woven together, to quote Rolling Stone critic Stephen Holden, as "a rich and moving song cycle, one in which each cut reflects on every other to create and ever-widening series of refractions". Indeed, everything looks worse in black and white, and Mobile Fidelity's UD1S set plays with the greens of summers and those nice bright colors.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Paul Simon (guitar), Pete Carr (guitar, electric guitar), Bob Cranshaw, David Hood (bass), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8rlDTK6QI-w"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Kodachrome"
      ]
      [
        "ordre" => 1
        "nom" => "2. Tenderness"
      ]
      [
        "ordre" => 2
        "nom" => "3. Take Me to the Mardi Gras"
      ]
      [
        "ordre" => 3
        "nom" => "4. Something So Right"
      ]
      [
        "ordre" => 4
        "nom" => "5. One Man's Ceiling Is Another Man's Floor"
      ]
      [
        "ordre" => 5
        "nom" => "6. American Tune"
      ]
      [
        "ordre" => 6
        "nom" => "7. Was a Sunny Day"
      ]
      [
        "ordre" => 7
        "nom" => "8. Learn How to Fall"
      ]
      [
        "ordre" => 8
        "nom" => "9. St. Judy's Comet"
      ]
      [
        "ordre" => 9
        "nom" => "10. Loves Me Like a Rock"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1641573332 {#2032
      date: 2022-01-07 16:35:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768830007 {#2033
      date: 2026-01-19 13:40:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-there-goes-rhymin-simon-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 2271
    -nom: "Storms of Life"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar), Fred Newell, Keith Stegall, Steve Gibson, Greg Jennings (electric guitar), Larry Byrom (acoustic & electric guitar), Mark O'Connor (fiddle, mandolin), Doyle Grisham (steel guitar), Hoot Hester (fiddle), Jerry Douglas (dobro), Don Jackson (clarinet), Paul Overstreet, Lisa Silver, Diane Stegall, Baillie & the Boys, Thomas Brannon, Paul Davis, Phil Forrest (background vocals), Michael Rhodes, Jack Williams, David Hungate (bass guitar), Blaine Sprouse (fiddle), Terry McMillan, Kirk "Jelly Roll" Johnson (harmonica, percussion), Larrie Londin, James Stroud, Eddie Bayers (drums).\r\n
      \r\n
      - MASTERED FROM THE ORIGINAL ANALOG TAPES AND PRESSED AT RTI FOR AUDIOPHILE SOUND !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nobody could have predicted the impact Randy Travis' proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis' impeccable vocals, Storms of Life spurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP's brilliance looms larger than ever.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed on ultra-quiet vinyl at RTI, and issued in partnership with Warner Nashville in commemoration of the record's 35th anniversary, Mobile Fidelity's numbered-edition 180 gram vinyl LP of Storms of Life stands as the first contemporary country audiophile reissue and a testament to Travis' Country Music Hall of Fame legacy. Housed in a single-pocket tip-on gatefold sleeve with new artwork, the quadruple-platinum album now boasts stellar transparency, breathtaking clarity, broad dynamics, and gorgeous tonalities that allow listeners the opportunity to experience one of the greatest vocalists in recent memory with unparalleled intimacy, realism, and breadth.\r\n
      \r\n
      Produced by Kyle Lehning, and shaped to go against the mellowness and softness that were part of the then-current county-pop mold boosted by the popularity of Urban Cowboy, Storms of Life features fully formed architecture and expert instrumental support that benefit from the meticulous sonic restoration. Details such as the patient swell and bloom of pedal-steel guitars; rise and carry of background vocalists; bluesy drift of harmonicas; depth of pianos; airiness, snap and twang of acoustic guitars; back-porch sweetness of fiddles and mandolins; and grounding pace of the drums come across with reference-quality sound. Each contributor gets their own space in the mix. Music aficionados take note: Jerry Douglas, Mark O'Connor, Eddie Bayers, and David Hungate are just a few of the prized session musicians involved.\r\n
      \r\n
      For all the merit afforded by the blend of honky tonk, country and western, and balladry, nothing eclipses what Travis brings to the project. Coupled with the back-to-basics songwriting, his inimitable presence is why Storms of Life remains as fresh today as it was the year Top Gun premiered in cinemas. He approaches every song with an uncanny modesty, his conservational drawl and casual demeanor nearly concealing the power, reach, and artisan-like effortlessness that inhabit each note he sings. Akin to groundbreaking icons such as Frank Sinatra and Hank Williams, Travis never overdoes it; rather, he relies on instinct, and combined with his golden pipes, never sounds less than completely invested.\r\n
      \r\n
      On Storms of Life, the gateway to a sterling career laden with hit albums and major awards, Travis uses such assets to maximum effect. Evidence of his greatness arrives immediately on the opening "On the Other Hand", a clever take on an oft-worn country topic (unfaithfulness) and whose title ranks as one of the finest puns in the genre. Rich, steady, calm, and seemingly able to reach down into any bystander's soul, Travis' voice straddles tenderness and ache, reflecting the difficult situational divide facing the narrator, whose heart tugs him in one direction and his obligation another. It isn't the only instance where the then 27 year-old wades into messy emotional territory and retains an unshakable penchant for balance and spareness.\r\n
      \r\n
      Indeed, the aptly named Storms of Life largely concerns itself with the human condition and the memories, ruminations, meditations, wishes, and regrets that accompany it. On the two-stepping title track, Travis chronicles his circumstances with humor and color all the while emerging with a keen perspective. Busted relationships inform the upbeat, string- and choir-accented "Diggin' up Bones" and sentimental albeit sad "No Place Like Home". For "Reasons I Cheat", the protagonist makes no apologies for his behavior as Travis uncorks deep, grainy syllables amid the quiet that threaten to freeze the listener in place.\r\n
      \r\n
      Akin to the understatement he shows on the lost-love story "1982" and toe-tapping "There'll Always Be a Honky Tonk Somewhere", Travis unlike some of the song narrators remains in control throughout Storms of Life. For nearly 32 minutes, his spareness, articulation, subtlety, ease, and refinement set a template that has still yet to be matched in country music.\r\n
      \r\n
      Please note : The catalog number for Storms of Life is misprinted on the LP jacket spine as "MFSV 1-511" instead of the correct "MFSL 1-511". This title is normal 180 gram LP release, not a SuperVinyl release.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xahoyq6VYrM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-511"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. On the Other Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Storms of Life"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Heart Cracked (But It Did Not Break)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Diggin' up Bones"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Place Like Home"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. 1982"
      ]
      [
        "ordre" => 8
        "nom" => "2. Send My Body"
      ]
      [
        "ordre" => 9
        "nom" => "3. Messin' with My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "4. Reasons I Cheat"
      ]
      [
        "ordre" => 11
        "nom" => "5. There'll Always Be a Honky Tonk Somewhere"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1458 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1663048922 {#2048
      date: 2022-09-13 06:02:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768751562 {#2049
      date: 2026-01-18 15:52:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-storms-of-life-mobile-fidelity-sound-lab-mfsl-1-511"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3235
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2051
    -id: 2271
    -nom: "Storms of Life"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar), Fred Newell, Keith Stegall, Steve Gibson, Greg Jennings (electric guitar), Larry Byrom (acoustic & electric guitar), Mark O'Connor (fiddle, mandolin), Doyle Grisham (steel guitar), Hoot Hester (fiddle), Jerry Douglas (dobro), Don Jackson (clarinet), Paul Overstreet, Lisa Silver, Diane Stegall, Baillie & the Boys, Thomas Brannon, Paul Davis, Phil Forrest (background vocals), Michael Rhodes, Jack Williams, David Hungate (bass guitar), Blaine Sprouse (fiddle), Terry McMillan, Kirk "Jelly Roll" Johnson (harmonica, percussion), Larrie Londin, James Stroud, Eddie Bayers (drums).\r\n
      \r\n
      - MASTERED FROM THE ORIGINAL ANALOG TAPES AND PRESSED AT RTI FOR AUDIOPHILE SOUND !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Nobody could have predicted the impact Randy Travis' proper debut would make on country music when it was released in 1986. Recorded by a virtually unknown singer-songwriter who had once been rejected by every major label, and bolstered by production and arrangements that spotlight Travis' impeccable vocals, Storms of Life spurred a stylistic sea change that would soon sweep Nashville and place the North Carolina native at the center of the neotraditionalist movement. More than three decades later, the LP's brilliance looms larger than ever.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed on ultra-quiet vinyl at RTI, and issued in partnership with Warner Nashville in commemoration of the record's 35th anniversary, Mobile Fidelity's numbered-edition 180 gram vinyl LP of Storms of Life stands as the first contemporary country audiophile reissue and a testament to Travis' Country Music Hall of Fame legacy. Housed in a single-pocket tip-on gatefold sleeve with new artwork, the quadruple-platinum album now boasts stellar transparency, breathtaking clarity, broad dynamics, and gorgeous tonalities that allow listeners the opportunity to experience one of the greatest vocalists in recent memory with unparalleled intimacy, realism, and breadth.\r\n
      \r\n
      Produced by Kyle Lehning, and shaped to go against the mellowness and softness that were part of the then-current county-pop mold boosted by the popularity of Urban Cowboy, Storms of Life features fully formed architecture and expert instrumental support that benefit from the meticulous sonic restoration. Details such as the patient swell and bloom of pedal-steel guitars; rise and carry of background vocalists; bluesy drift of harmonicas; depth of pianos; airiness, snap and twang of acoustic guitars; back-porch sweetness of fiddles and mandolins; and grounding pace of the drums come across with reference-quality sound. Each contributor gets their own space in the mix. Music aficionados take note: Jerry Douglas, Mark O'Connor, Eddie Bayers, and David Hungate are just a few of the prized session musicians involved.\r\n
      \r\n
      For all the merit afforded by the blend of honky tonk, country and western, and balladry, nothing eclipses what Travis brings to the project. Coupled with the back-to-basics songwriting, his inimitable presence is why Storms of Life remains as fresh today as it was the year Top Gun premiered in cinemas. He approaches every song with an uncanny modesty, his conservational drawl and casual demeanor nearly concealing the power, reach, and artisan-like effortlessness that inhabit each note he sings. Akin to groundbreaking icons such as Frank Sinatra and Hank Williams, Travis never overdoes it; rather, he relies on instinct, and combined with his golden pipes, never sounds less than completely invested.\r\n
      \r\n
      On Storms of Life, the gateway to a sterling career laden with hit albums and major awards, Travis uses such assets to maximum effect. Evidence of his greatness arrives immediately on the opening "On the Other Hand", a clever take on an oft-worn country topic (unfaithfulness) and whose title ranks as one of the finest puns in the genre. Rich, steady, calm, and seemingly able to reach down into any bystander's soul, Travis' voice straddles tenderness and ache, reflecting the difficult situational divide facing the narrator, whose heart tugs him in one direction and his obligation another. It isn't the only instance where the then 27 year-old wades into messy emotional territory and retains an unshakable penchant for balance and spareness.\r\n
      \r\n
      Indeed, the aptly named Storms of Life largely concerns itself with the human condition and the memories, ruminations, meditations, wishes, and regrets that accompany it. On the two-stepping title track, Travis chronicles his circumstances with humor and color all the while emerging with a keen perspective. Busted relationships inform the upbeat, string- and choir-accented "Diggin' up Bones" and sentimental albeit sad "No Place Like Home". For "Reasons I Cheat", the protagonist makes no apologies for his behavior as Travis uncorks deep, grainy syllables amid the quiet that threaten to freeze the listener in place.\r\n
      \r\n
      Akin to the understatement he shows on the lost-love story "1982" and toe-tapping "There'll Always Be a Honky Tonk Somewhere", Travis unlike some of the song narrators remains in control throughout Storms of Life. For nearly 32 minutes, his spareness, articulation, subtlety, ease, and refinement set a template that has still yet to be matched in country music.\r\n
      \r\n
      Please note : The catalog number for Storms of Life is misprinted on the LP jacket spine as "MFSV 1-511" instead of the correct "MFSL 1-511". This title is normal 180 gram LP release, not a SuperVinyl release.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Randy Travis (lead vocals), Shane Keister, Bobby Wood, Dennis Burnside (keyboards), Kyle Lehning (keyboards, background vocals), Bobby Thompson, Mark Casstevens, Mark Hembree, Kenny Bell (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Xahoyq6VYrM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-511"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. On the Other Hand"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Storms of Life"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Heart Cracked (But It Did Not Break)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Diggin' up Bones"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Place Like Home"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. 1982"
      ]
      [
        "ordre" => 8
        "nom" => "2. Send My Body"
      ]
      [
        "ordre" => 9
        "nom" => "3. Messin' with My Mind"
      ]
      [
        "ordre" => 10
        "nom" => "4. Reasons I Cheat"
      ]
      [
        "ordre" => 11
        "nom" => "5. There'll Always Be a Honky Tonk Somewhere"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1458 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2057 …}
    -enregistreLe: DateTime @1663048922 {#2048
      date: 2022-09-13 06:02:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768751562 {#2049
      date: 2026-01-18 15:52:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-storms-of-life-mobile-fidelity-sound-lab-mfsl-1-511"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2067
    -id: 2651
    -nom: "Street Songs"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute), Tom McDermott (guitar, percussion), Aaron Dublin, California St. Clair, Daniel LeMelle, Levi Ruffin, Jr., Lisa Sarna, Oscar Alston, Teena Marie, Victor Reed (handclaps), Stevie Wonder (harmonica), Punk Funk Horns (horns), Erskine Williams (keyboards, organ Hammond B3, clavinet), Armando Peraza, Bugsy Wilcox, Nate Hughes, Raul Rekow (percussion), Levi Ruffin, Jr. (synthesizer "String Ensemble, OBX", backing vocals), Gerald Albright  (tenor flute), John Ervin (trombone, flute), Fernando Harkless, Roy Poper (trumpet), Cliff Ervin (trumpet, piccolo flute, flugelhorn), Donny Keider (vibraphone), Larry Hansen (violin), JoAnne McDuffy, Lisa Sarna, Melvin Franklin, Otis Williams, Richard Street, Jane't DuBois, Jackie Ruffin, Julia Waters Tillman, Lawrence Hilton Jacobs, Levi Ruffin, Jr., Marci Thomas, Maxine Waters Willard, Pattie Brooks, Rick James, Teena Marie (vocals), Lanise Hughes, Narada Michael Walden, Steve Price (drums).\r\n
      \r\n
      - Rick James Blends Brazen Attitude, Fearless Sexuality, and Shrewd Charisma on Street Songs : Punk-Funk Album Aims for the Hips and Head, Includes the Timeless Hit “Super Freak” !\r\n
      \r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Presents 1981 Smash in Audiophile Sound for the First Time !\r\n
      \r\n
      - 1/4” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Punk funk” was a relatively unknown concept before 1981. But once Street Songs took the charts by storm that year, the world soon knew about what became Rick James’ signature style. And how. True to its name, Street Songs blends outspoken sexuality, brazen attitude, and edgy commentary amid contagious R&B-fueled arrangements that simultaneously aim for the hips, head, and various nether regions. And it’s never sounded better. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 4000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents James’ platinum-certified effort in audiophile quality for the first time. Playing with crisp dynamics, lively textures, airy headroom, and revealing clarity, this collectible edition of the record that stayed at the N° 1 spot on the R&B Album Charts for 20 weeks invites you to get closer to music that beckons you to turn your space into a private dance floor.  \r\n
      \r\n
      Then again, you’ll likely be so taken by how the taut bass lines, snappy rhythms, and four-on-the-floor beats all rendered in stunning detail and with full-bodied architecture come across with such accuracy and presence, you might stay pinned to your seat. On this pressing, the soundstaging, imaging, and lit-fuse energy of Street Songs reach new heights. Everything from the rubbery feel of the guitar lines to the depth of James’ temperature-raising vocals to the scale of the horn charts emerges as if James and his ace session crew set up in your room.\r\n
      \r\n
      The Buffalo native and his ensemble waste no time getting their message across. On the album-opening “Give It to Me Baby”, James and company lay down a mix of sleek funk and pulsing disco that practically activates the bright lights of a discotheque and stimulates the libido of anyone within earshot. Having reached No. 1 on the Billboard Hot Soul charts, the song is pure sex and just one of the carnal delights on a record that embraces the subject as fearlessly as James does his identity. \r\n
      \r\n
      Of course, the most famous of James’ erotic excursions the timeless “Super Freak” hit N° 1 on Hot Dance Club Play charts, N° 16 on the Hot 100, and, later, N° 153 on Rolling Stone’s list of the Top 500 Songs of All Time. Bolstered by a quavering keyboard theme and electro riffs, the much-sampled track worms itself inside your muscles with smile-inducing subject matter, gliding vocals, nimble movements, a hot tenor-saxophone solo, and backing vocals by the Temptations. \r\n
      \r\n
      The iconic Motown group isn’t the only celebrated guest artist on the Grammy-nominated Street Songs. James’ then-labelmate, Stevie Wonder, lends harmonica to the frank sociopolitical narrative on “Mr. Policeman”, a protest tune that also manages to stroll ’n’ strut via simmering organ, staggering brass accents, and James’ gritty vocal performance. In addition to contributing backing vocals on several cuts, Teena Marie turns in one of the album’s signature moments on “Fire and Desire,” a romantic old-school duet with James that impresses with smoothness, sensitivity, and smokiness. \r\n
      \r\n
      High-profile colleagues aside, James remains the undisputed star, a figure whose leather-and-latex attire, braided hair, and natural swagger made him misunderstood by some in the mainstream and embraced by everyone in the know as a true original. As a testament to his magnetism and skills, his charisma and rawness seemingly seep through every note, whether on the balladic sweep of the risqué “Make Love to Me” or strident, poke-and-prod persuasion of the moonwalking “Call Me Up”. \r\n
      \r\n
      On the closing “Below the Funk (Pass the J),” an uptempo autobiographical tale that addresses the visionary musician’s second-favorite love, the singer acknowledges his upbringing and inseparable connection with his roots an homage to where he began and a toast to where he’s gone.\r\n
      \r\n
      Rick James, keepin’ it real on Street Songs, still as real as it gets.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnKc4zi0MLA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-578"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give It to Me Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ghetto Life"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Make Love to Me"
      ]
      [
        "ordre" => 5
        "nom" => "2. Mr. Policeman"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Super Freak"
      ]
      [
        "ordre" => 8
        "nom" => "2. Fire and Desire"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. all Me Up"
      ]
      [
        "ordre" => 11
        "nom" => "2. Below the Funk (Pass the J)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1740557981 {#2064
      date: 2025-02-26 08:19:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768663121 {#2065
      date: 2026-01-17 15:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-street-songs-mobile-fidelity-sound-lab-mfsl-2-578"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3286
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2067
    -id: 2651
    -nom: "Street Songs"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute), Tom McDermott (guitar, percussion), Aaron Dublin, California St. Clair, Daniel LeMelle, Levi Ruffin, Jr., Lisa Sarna, Oscar Alston, Teena Marie, Victor Reed (handclaps), Stevie Wonder (harmonica), Punk Funk Horns (horns), Erskine Williams (keyboards, organ Hammond B3, clavinet), Armando Peraza, Bugsy Wilcox, Nate Hughes, Raul Rekow (percussion), Levi Ruffin, Jr. (synthesizer "String Ensemble, OBX", backing vocals), Gerald Albright  (tenor flute), John Ervin (trombone, flute), Fernando Harkless, Roy Poper (trumpet), Cliff Ervin (trumpet, piccolo flute, flugelhorn), Donny Keider (vibraphone), Larry Hansen (violin), JoAnne McDuffy, Lisa Sarna, Melvin Franklin, Otis Williams, Richard Street, Jane't DuBois, Jackie Ruffin, Julia Waters Tillman, Lawrence Hilton Jacobs, Levi Ruffin, Jr., Marci Thomas, Maxine Waters Willard, Pattie Brooks, Rick James, Teena Marie (vocals), Lanise Hughes, Narada Michael Walden, Steve Price (drums).\r\n
      \r\n
      - Rick James Blends Brazen Attitude, Fearless Sexuality, and Shrewd Charisma on Street Songs : Punk-Funk Album Aims for the Hips and Head, Includes the Timeless Hit “Super Freak” !\r\n
      \r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Presents 1981 Smash in Audiophile Sound for the First Time !\r\n
      \r\n
      - 1/4” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Punk funk” was a relatively unknown concept before 1981. But once Street Songs took the charts by storm that year, the world soon knew about what became Rick James’ signature style. And how. True to its name, Street Songs blends outspoken sexuality, brazen attitude, and edgy commentary amid contagious R&B-fueled arrangements that simultaneously aim for the hips, head, and various nether regions. And it’s never sounded better. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 4000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents James’ platinum-certified effort in audiophile quality for the first time. Playing with crisp dynamics, lively textures, airy headroom, and revealing clarity, this collectible edition of the record that stayed at the N° 1 spot on the R&B Album Charts for 20 weeks invites you to get closer to music that beckons you to turn your space into a private dance floor.  \r\n
      \r\n
      Then again, you’ll likely be so taken by how the taut bass lines, snappy rhythms, and four-on-the-floor beats all rendered in stunning detail and with full-bodied architecture come across with such accuracy and presence, you might stay pinned to your seat. On this pressing, the soundstaging, imaging, and lit-fuse energy of Street Songs reach new heights. Everything from the rubbery feel of the guitar lines to the depth of James’ temperature-raising vocals to the scale of the horn charts emerges as if James and his ace session crew set up in your room.\r\n
      \r\n
      The Buffalo native and his ensemble waste no time getting their message across. On the album-opening “Give It to Me Baby”, James and company lay down a mix of sleek funk and pulsing disco that practically activates the bright lights of a discotheque and stimulates the libido of anyone within earshot. Having reached No. 1 on the Billboard Hot Soul charts, the song is pure sex and just one of the carnal delights on a record that embraces the subject as fearlessly as James does his identity. \r\n
      \r\n
      Of course, the most famous of James’ erotic excursions the timeless “Super Freak” hit N° 1 on Hot Dance Club Play charts, N° 16 on the Hot 100, and, later, N° 153 on Rolling Stone’s list of the Top 500 Songs of All Time. Bolstered by a quavering keyboard theme and electro riffs, the much-sampled track worms itself inside your muscles with smile-inducing subject matter, gliding vocals, nimble movements, a hot tenor-saxophone solo, and backing vocals by the Temptations. \r\n
      \r\n
      The iconic Motown group isn’t the only celebrated guest artist on the Grammy-nominated Street Songs. James’ then-labelmate, Stevie Wonder, lends harmonica to the frank sociopolitical narrative on “Mr. Policeman”, a protest tune that also manages to stroll ’n’ strut via simmering organ, staggering brass accents, and James’ gritty vocal performance. In addition to contributing backing vocals on several cuts, Teena Marie turns in one of the album’s signature moments on “Fire and Desire,” a romantic old-school duet with James that impresses with smoothness, sensitivity, and smokiness. \r\n
      \r\n
      High-profile colleagues aside, James remains the undisputed star, a figure whose leather-and-latex attire, braided hair, and natural swagger made him misunderstood by some in the mainstream and embraced by everyone in the know as a true original. As a testament to his magnetism and skills, his charisma and rawness seemingly seep through every note, whether on the balladic sweep of the risqué “Make Love to Me” or strident, poke-and-prod persuasion of the moonwalking “Call Me Up”. \r\n
      \r\n
      On the closing “Below the Funk (Pass the J),” an uptempo autobiographical tale that addresses the visionary musician’s second-favorite love, the singer acknowledges his upbringing and inseparable connection with his roots an homage to where he began and a toast to where he’s gone.\r\n
      \r\n
      Rick James, keepin’ it real on Street Songs, still as real as it gets.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnKc4zi0MLA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-578"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give It to Me Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ghetto Life"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Make Love to Me"
      ]
      [
        "ordre" => 5
        "nom" => "2. Mr. Policeman"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Super Freak"
      ]
      [
        "ordre" => 8
        "nom" => "2. Fire and Desire"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. all Me Up"
      ]
      [
        "ordre" => 11
        "nom" => "2. Below the Funk (Pass the J)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1740557981 {#2064
      date: 2025-02-26 08:19:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768663121 {#2065
      date: 2026-01-17 15:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-street-songs-mobile-fidelity-sound-lab-mfsl-2-578"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2083
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gVaCe1DN4TE&list=OLAK5uy_lC5OGVbwZbFHcPb4qTk8lZG6XYOqo4QEY&index=3"
    -referenceProduit: "Mobile Fidelity Sound Lab 3-540"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Meditation"
      ]
      [
        "ordre" => 1
        "nom" => "2. Going Home"
      ]
      [
        "ordre" => 2
        "nom" => "3. A-1 Funk"
      ]
      [
        "ordre" => 3
        "nom" => "4. Every Step of the Way"
      ]
      [
        "ordre" => 4
        "nom" => "5. Black Magic Woman"
      ]
      [
        "ordre" => 5
        "nom" => "6. Gypsy Queen"
      ]
      [
        "ordre" => 6
        "nom" => "7. Oye Como Va"
      ]
      [
        "ordre" => 7
        "nom" => "8. Yours Is the Light"
      ]
      [
        "ordre" => 8
        "nom" => "9. Batuka"
      ]
      [
        "ordre" => 9
        "nom" => "10. Xibaba (She-Ba-Ba)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Stone Flower (Introduction)"
      ]
      [
        "ordre" => 11
        "nom" => "12. Waiting"
      ]
      [
        "ordre" => 12
        "nom" => "13. Castillos de Arena, Pt. 1 (Sand Castle)"
      ]
      [
        "ordre" => 13
        "nom" => "14. Free Angela"
      ]
      [
        "ordre" => 14
        "nom" => "15. Samba de Sausalito"
      ]
      [
        "ordre" => 15
        "nom" => "16. Mantra"
      ]
      [
        "ordre" => 16
        "nom" => "17. Kyoto"
      ]
      [
        "ordre" => 17
        "nom" => "18. Castillos de Arena, Pt. 2 (Sand Castle)"
      ]
      [
        "ordre" => 18
        "nom" => "19. Se a Cabó"
      ]
      [
        "ordre" => 19
        "nom" => "20. Samba Pa Ti"
      ]
      [
        "ordre" => 20
        "nom" => "21. Savor"
      ]
      [
        "ordre" => 21
        "nom" => "22. Toussaint l’Overture"
      ]
      [
        "ordre" => 22
        "nom" => "23. Incident at Neshabur"
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
      [
        "ordre" => 24
        "nom" => ""
      ]
      [
        "ordre" => 25
        "nom" => ""
      ]
      [
        "ordre" => 26
        "nom" => ""
      ]
      [
        "ordre" => 27
        "nom" => ""
      ]
      [
        "ordre" => 28
        "nom" => ""
      ]
      [
        "ordre" => 29
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1549006756 {#2080
      date: 2019-02-01 07:39:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768550218 {#2081
      date: 2026-01-16 07:56:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lotus-3-lp-limited-numbered-edition-photo-inserts-posters-mobile-fidelity-sound-lab-3-540"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3337
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2083
    -id: 1533
    -nom: "Lotus - (3 LP - Limited Numbered Edition / Photo Inserts + Posters)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion), Richard Kermode (Hammond organ, electric piano, keyboards, percussion), Doug Rauch (bass guitar), Michael Shrieve (drums, Latin percussion), Armando Peraza (congas, bongos, Latin percussion), José “Chepito” Areas (timbales, congas, Latin percussion), Leon Thomas (maracas, vocals, percussion).\r\n
      \r\n
      One of the Most Exhilarating Live Albums Ever Released: Santana’s Lotus Documents Indispensable 1973 Performances Distinguished by Passionate Soulfulness, Chemistry, and Inventiveness\r\n
      \r\n
      Mobile Fidelity’s 180 gram 33 RPM (3 LP) Set Features Reference Sound and Deluxe Trifold Packaging Faithful to That of the Original Japanese Import : Strictly Limited to 5000 Numbered Copies, Includes Four Photo Inserts and Two Fold-Out Posters\r\n
      \r\n
      1/2" / 15 IPS / four-track analog master to two-track DSD 256 to analog console to lathe\r\n
      \r\n
      The bizarre legacy of Lotus transcends its status as both the definitive onstage document of Santana’s career and one of the most spectacular live albums ever released. Originally issued in 1974, the triple LP contains exhilarating performances recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Lotus also remained the only completely live Santana album for almost two decades and took nearly as long to see domestic release.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 5,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity’s 180 gram (3 LP) set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the indispensable fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R&B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance free of harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand.\r\n
      \r\n
      You also get a generous taste of the ambience of the venue, and a definite sense of the interplay and improvisation that transpired as much by feel as by architectural necessity. The weight of the bass, extension of the highs, punch of the mids, texture and reverberation of the percussion : Mobile Fidelity’s organic version of Lotus stakes an immediate claim to demonstration-disc status of how a live recording should sound. And look. Paying homage to the original, this reissue includes four double-sided flat photo inserts and two 24 x 36 inch double-sided fold-out posters. (Note : It does not have an obi strip or red Japanese insert.)\r\n
      \r\n
      Exclusively released in Japan before it slowly made it across the seas to the United States as a pricey import, Lotus became a hot topic among in-the-know connoisseurs. Hip record stores struggled to keep the record in the bins. Italy, New Zealand, and Europe got their own versions of the in-demand set before the end of 1975. American listeners weren’t so lucky. To satisfy their fix, they had to turn to the imports.\r\n
      \r\n
      The same year Stateside fans began paying a premium to hear the two hours of magic on Lotus, CBS released Santana’s Greatest Hits an introductory compilation that went on to sell more than seven million copies. Another 17 years passed before Lotus hit American shelves as a domestic set in the form of two-CD and two-cassette editions. It didn’t become available on domestic vinyl until 2013 on a version that has long been out of print.\r\n
      \r\n
      In addition to the magnificent instrumental prowess and daring of the arrangements, the historical importance of Lotus has only grown as time and Santana evolved. Five members of the Caravanserai Tour octet percussionists/drummers Michael Shrieve and Jose “Chepito” Areas, vocalist Leon Thomas, keyboardist Richard Kermode, bassist Doug Rauch departed by the end of 1974. As such, along with the late 1973 studio effort Welcome, Lotus stands as the high-water mark of Santana’s early and mid-70s fusion period before the lineup changed and the group transitioned into more experimental territory.\r\n
      \r\n
      Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana’s first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Though the extended drum solo “Kyoto” may not conform to everyone’s idea of essential listening, every moment here sees Carlos Santana and company finding new gears and playing as if their lives depend on it.\r\n
      \r\n
      You can feel the passion it on takes of “Every Step of the Way,” “Mantra,” Se a Cabo”, “Toussaint L’Overture”, and the scorching “Incident at Neshabur”. Renditions of Santna’s more “mainstream” fare “Black Magic Woman”, “Oyo Como Va”, “Gypsy Queen” touch on similarly elevated planes. Taking the meaning of title of the ambitious album to heart, Santana revolves around themes of rebirth and launches into a mystical universe in which peacefulness, sensitivity, beauty, and boundless creativity orbit a fiery sun. Black magic, indeed.\r\n
      \r\n
      “Santana’s new two-keyboard approach made for a more layered and expansive sound, and the remastered vinyl captures the deep, wide soundstage that resulted, and the percussion comes through with great clarity”. - The Absolute Sound
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, Latin percussion, Echoplex (lead guitar & effects), vocals), Tom Coster (Hammond organ, electric piano, Yamaha organ, keyboards, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gVaCe1DN4TE&list=OLAK5uy_lC5OGVbwZbFHcPb4qTk8lZG6XYOqo4QEY&index=3"
    -referenceProduit: "Mobile Fidelity Sound Lab 3-540"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Meditation"
      ]
      [
        "ordre" => 1
        "nom" => "2. Going Home"
      ]
      [
        "ordre" => 2
        "nom" => "3. A-1 Funk"
      ]
      [
        "ordre" => 3
        "nom" => "4. Every Step of the Way"
      ]
      [
        "ordre" => 4
        "nom" => "5. Black Magic Woman"
      ]
      [
        "ordre" => 5
        "nom" => "6. Gypsy Queen"
      ]
      [
        "ordre" => 6
        "nom" => "7. Oye Como Va"
      ]
      [
        "ordre" => 7
        "nom" => "8. Yours Is the Light"
      ]
      [
        "ordre" => 8
        "nom" => "9. Batuka"
      ]
      [
        "ordre" => 9
        "nom" => "10. Xibaba (She-Ba-Ba)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Stone Flower (Introduction)"
      ]
      [
        "ordre" => 11
        "nom" => "12. Waiting"
      ]
      [
        "ordre" => 12
        "nom" => "13. Castillos de Arena, Pt. 1 (Sand Castle)"
      ]
      [
        "ordre" => 13
        "nom" => "14. Free Angela"
      ]
      [
        "ordre" => 14
        "nom" => "15. Samba de Sausalito"
      ]
      [
        "ordre" => 15
        "nom" => "16. Mantra"
      ]
      [
        "ordre" => 16
        "nom" => "17. Kyoto"
      ]
      [
        "ordre" => 17
        "nom" => "18. Castillos de Arena, Pt. 2 (Sand Castle)"
      ]
      [
        "ordre" => 18
        "nom" => "19. Se a Cabó"
      ]
      [
        "ordre" => 19
        "nom" => "20. Samba Pa Ti"
      ]
      [
        "ordre" => 20
        "nom" => "21. Savor"
      ]
      [
        "ordre" => 21
        "nom" => "22. Toussaint l’Overture"
      ]
      [
        "ordre" => 22
        "nom" => "23. Incident at Neshabur"
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
      [
        "ordre" => 24
        "nom" => ""
      ]
      [
        "ordre" => 25
        "nom" => ""
      ]
      [
        "ordre" => 26
        "nom" => ""
      ]
      [
        "ordre" => 27
        "nom" => ""
      ]
      [
        "ordre" => 28
        "nom" => ""
      ]
      [
        "ordre" => 29
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1549006756 {#2080
      date: 2019-02-01 07:39:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768550218 {#2081
      date: 2026-01-16 07:56:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2091 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lotus-3-lp-limited-numbered-edition-photo-inserts-posters-mobile-fidelity-sound-lab-3-540"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2099
    -id: 1590
    -nom: "Santana III"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals), Michael Shrieve (drums, percussion, vibraphone).\r\n
      \r\n
      MUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE "WORLD MUSIC" BECAME A GENRE !\r\n
      \r\n
      The final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good.\r\n
      \r\n
      Embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band : Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas "Coke" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.\r\n
      \r\n
      From the opening "Batuka", peppered with Schon's stirring guitar lines, to the sensitive "Everything Is Coming Our Way", infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on "Guarjira" to the distinctive "No One to Depend On", a lively take on the cha-cha-cha.\r\n
      \r\n
      A globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of true world craft.\r\n
      \r\n
      The Silver Label LP of Santana III breathes with sumptuous warmth and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on "No One to Depend On") fill the soundstage, replete with the kind of depth and dynamics one expects from a first-rate audiophile recording.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bGO7tuCauw0"
    -referenceProduit: "Mobile Fidelity Sound Lab 1-039"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Batuka"
      ]
      [
        "ordre" => 2
        "nom" => "2. No One to Depend On"
      ]
      [
        "ordre" => 3
        "nom" => "3. Taboo"
      ]
      [
        "ordre" => 4
        "nom" => "4. Toussaint L'Overture"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Everybody's Everything"
      ]
      [
        "ordre" => 7
        "nom" => "2. Guajira"
      ]
      [
        "ordre" => 8
        "nom" => "3. Jungle Strut"
      ]
      [
        "ordre" => 9
        "nom" => "4. Everything's Coming Our Way"
      ]
      [
        "ordre" => 10
        "nom" => "5. Para los Rumberos"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1551698095 {#2096
      date: 2019-03-04 11:14:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548880 {#2097
      date: 2026-01-16 07:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-iii-mobile-fidelity-sound-lab-1-039"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3390
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2099
    -id: 1590
    -nom: "Santana III"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals), Michael Shrieve (drums, percussion, vibraphone).\r\n
      \r\n
      MUSICAL MAGIC THAT TRULY SPANS THE GLOBE YEARS BEFORE "WORLD MUSIC" BECAME A GENRE !\r\n
      \r\n
      The final Santana album recorded with the leader's famed Woodstock lineup, one of the most capable and explosive bands ever assembled, Santana III (commonly referred to as The Third Album) is a beacon of Latin-tinged rock, melodic creativity, and cohesive interplay. The record also marks the debut of young guitar virtuoso Neal Schon, who functions as the ideal foil to Santana, whose playing on this 1971 set rivals that of the finest in his career. If not for arriving after the monumental Abraxas, it is likely Santana III would be mentioned in the same breath as groundbreaking psychedelic classics such as Bitches Brew. It's that good.\r\n
      \r\n
      Embracing the concept that all of the members should share their musical ideas, Santana added two crucial components to his band : Schon, discovered at the age of 15 playing in a Palo Alto club, and Thomas "Coke" Escovedo, who during the sessions temporarily replaced ill percussionist Chepito Areas, and whose percussive assistance helped define the album's feel. With Schon in the fold, Santana strives for the unknown, and yet, manages to stave off the numbing excesses that define much of the period's output.\r\n
      \r\n
      From the opening "Batuka", peppered with Schon's stirring guitar lines, to the sensitive "Everything Is Coming Our Way", infused with a mesmerizing Hammond organ underpinning that supports Santana's vocal pathos, the record teams with inventiveness. Involving albeit accessible concoctions of funk, jazz, rock, blues, and soul run throughout the set. Spanish-styled flavors infuse a majority of the material, ranging from the salsa piano on "Guarjira" to the distinctive "No One to Depend On", a lively take on the cha-cha-cha.\r\n
      \r\n
      A globe-spanning armada of percussive instruments – timbales, congas, drums, vibes, tambourines, and more as well as the existence of a three-person percussion team that fits in harmoniously with Santana, Schon, and company makes Santana III a masterful accomplishment in musical chemistry and the exploration of true world craft.\r\n
      \r\n
      The Silver Label LP of Santana III breathes with sumptuous warmth and you-are-there realism. The tension of Schon's guitar lines, the album's open sound, and extensive use of studio echoes (check the presence of the backward echo on "No One to Depend On") fill the soundstage, replete with the kind of depth and dynamics one expects from a first-rate audiophile recording.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Neal Schon (guitar), Gregg Rolie (piano, organ, vocals), David Brown (bass), Coke Escovedo (percussion, backing vocals), Michael P. R. Carabello (congas, percussion, tambourine, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bGO7tuCauw0"
    -referenceProduit: "Mobile Fidelity Sound Lab 1-039"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Batuka"
      ]
      [
        "ordre" => 2
        "nom" => "2. No One to Depend On"
      ]
      [
        "ordre" => 3
        "nom" => "3. Taboo"
      ]
      [
        "ordre" => 4
        "nom" => "4. Toussaint L'Overture"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Everybody's Everything"
      ]
      [
        "ordre" => 7
        "nom" => "2. Guajira"
      ]
      [
        "ordre" => 8
        "nom" => "3. Jungle Strut"
      ]
      [
        "ordre" => 9
        "nom" => "4. Everything's Coming Our Way"
      ]
      [
        "ordre" => 10
        "nom" => "5. Para los Rumberos"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1551698095 {#2096
      date: 2019-03-04 11:14:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548880 {#2097
      date: 2026-01-16 07:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-iii-mobile-fidelity-sound-lab-1-039"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 2646
    -nom: "Amigos"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble, Hohner Clavinet D6, background vocals), David Brown (bass guitar), Armando Peraza (congas, bongos, background vocals), Ivory Stone, Julia Tillman Waters, Maxine Willard Waters (background vocals), Leon "Ndugu" Chancler (drums, timbales, Remo Rototoms, percussion, congas, background vocals).\r\n
      \r\n
      - Carlos Santana and Company Return to a Dynamic Blend of R&B, Latin, Funk, and Rock: Amigos Aims for the Hips, Spreads Joy, and Includes the Brilliant “Europa (Earth’s Cry Heaven’s Smile)”\r\n
      - Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities. \r\n
      \r\n
      Mastered at Mobile Fidelity’s in-house studio in California, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Amigos presents the 1976 album in audiophile sound for the first time on a domestic release. Part of the reissue label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help reveal the intricate details, distinguished tones, and cohesive interplay that cause Santana’s music to take flight. \r\n
      \r\n
      The enhanced aural perspectives extend not only to Carlos Santana’s intoxicating fills and solos, but to the rich tapestry of the rhythmic, melodic, and vocal elements that help Amigos feel as fresh today as it did several decades ago. This LP shines a beaming light on the surrounding musicians that simultaneously feed off and inspire their bandleader. The solidity and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the grip and weight of the low-end frequencies; and, possibly the most enticing traits, the textures of the acoustic guitars, numerous percussive devices, and then-modern synthesizers: all come across with tremendous presence and energy. \r\n
      \r\n
      Entirely appropriate for a set that kicks from the start, with the opening “Dance Sister Dance (Baila Mi Hermana)” true to the song title’s combination directive-invitation meaning. Tropical, soulful, upbeat, and liberating, it beckons hips to shake and delicious libations to pour. Clinking cowbells, spirited background vocals, hand-tapped congas, and Carlos Santana’s six-string magma pour forth with abundance. The song sets the mood and expectations for a record that contains not an ounce of filler, and which inspires and spreads joy at practically every turn. \r\n
      \r\n
      On the gold-certified Amigos, the ensemble never seems to run short of zest or happiness. Key in on the Latin bite and searing guitar architecture of “Take Me With You”, an instrumental that shifts tempo at its midpoint and sparkles with a samba-like outro that aims to put everyone in earshot on the dance floor. Surrender to the slow-burn of “Tell Me You Are Tired”, sent up with Greg Walker’s sympathetic vocals and spun around with whirling funk accents. Marvel at the Spanish guitar introduction, Mexican folk foundation, group vocals, and extroverted grooves of the forward-propulsive “Gitano”, with lead singing by conga / bongo expert Armando Peraza.  \r\n
      \r\n
      Having reached the Top 10 in the United States and spawned the hit “Let It Shine”, Amigos marked the final stint for bassist David Brown, the last of the group’s famed Woodstock lineup to depart. His contributions feel especially spirited throughout the album, compass readings that the group uses to chart their course. Just listen to how his passages pop on “Let Me” and frame the can’t-get-it-out-of-your-head “what you need is what you want” refrain. And while Carlos Santana remains the centerpiece of the brilliant and meditative “Europa (Earth’s Cry Heaven’s Smile)”, Brown serves as a trustworthy anchor and friendly advocate.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lUwCUITkGwo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-557"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dance Sister Dance"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take Me With You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Let Me"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Gitano"
      ]
      [
        "ordre" => 6
        "nom" => "2. Tell Me Are You Tired"
      ]
      [
        "ordre" => 7
        "nom" => "3. Europa"
      ]
      [
        "ordre" => 8
        "nom" => "4. Let It Shine"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1740175689 {#2109
      date: 2025-02-21 22:08:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548680 {#2110
      date: 2026-01-16 07:31:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amigos-mobile-fidelity-sound-lab-mfsl-1-557"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3438
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2112
    -id: 2646
    -nom: "Amigos"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble, Hohner Clavinet D6, background vocals), David Brown (bass guitar), Armando Peraza (congas, bongos, background vocals), Ivory Stone, Julia Tillman Waters, Maxine Willard Waters (background vocals), Leon "Ndugu" Chancler (drums, timbales, Remo Rototoms, percussion, congas, background vocals).\r\n
      \r\n
      - Carlos Santana and Company Return to a Dynamic Blend of R&B, Latin, Funk, and Rock: Amigos Aims for the Hips, Spreads Joy, and Includes the Brilliant “Europa (Earth’s Cry Heaven’s Smile)”\r\n
      - Mobile Fidelity’s Reissue of the 1976 Effort Plays with Involving Energy, Presence, and Depth: 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies\r\n
      - 1/4" / 15 IPS / Dolby A Analog Copy to DSD 256 to analog console to lathe !\r\n
      \r\n
      Amigos has been beloved for decades by both long-time and recent Santana admirers, with multiple generations of fans drawn in by the record’s contagious blend of R&B, Latin, rock, and funk elements. As well as its immense accessibility. Coming off a series of albums that heavily leaned into jazz fusion, the band returns to the more dynamic and concise approaches of its earlier works without losing the sense of adventurousness, craftsmanship, and virtuosity that turned it into a juggernaut embraced by both the mainstream and experimentally minded communities. \r\n
      \r\n
      Mastered at Mobile Fidelity’s in-house studio in California, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Amigos presents the 1976 album in audiophile sound for the first time on a domestic release. Part of the reissue label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help reveal the intricate details, distinguished tones, and cohesive interplay that cause Santana’s music to take flight. \r\n
      \r\n
      The enhanced aural perspectives extend not only to Carlos Santana’s intoxicating fills and solos, but to the rich tapestry of the rhythmic, melodic, and vocal elements that help Amigos feel as fresh today as it did several decades ago. This LP shines a beaming light on the surrounding musicians that simultaneously feed off and inspire their bandleader. The solidity and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the grip and weight of the low-end frequencies; and, possibly the most enticing traits, the textures of the acoustic guitars, numerous percussive devices, and then-modern synthesizers: all come across with tremendous presence and energy. \r\n
      \r\n
      Entirely appropriate for a set that kicks from the start, with the opening “Dance Sister Dance (Baila Mi Hermana)” true to the song title’s combination directive-invitation meaning. Tropical, soulful, upbeat, and liberating, it beckons hips to shake and delicious libations to pour. Clinking cowbells, spirited background vocals, hand-tapped congas, and Carlos Santana’s six-string magma pour forth with abundance. The song sets the mood and expectations for a record that contains not an ounce of filler, and which inspires and spreads joy at practically every turn. \r\n
      \r\n
      On the gold-certified Amigos, the ensemble never seems to run short of zest or happiness. Key in on the Latin bite and searing guitar architecture of “Take Me With You”, an instrumental that shifts tempo at its midpoint and sparkles with a samba-like outro that aims to put everyone in earshot on the dance floor. Surrender to the slow-burn of “Tell Me You Are Tired”, sent up with Greg Walker’s sympathetic vocals and spun around with whirling funk accents. Marvel at the Spanish guitar introduction, Mexican folk foundation, group vocals, and extroverted grooves of the forward-propulsive “Gitano”, with lead singing by conga / bongo expert Armando Peraza.  \r\n
      \r\n
      Having reached the Top 10 in the United States and spawned the hit “Let It Shine”, Amigos marked the final stint for bassist David Brown, the last of the group’s famed Woodstock lineup to depart. His contributions feel especially spirited throughout the album, compass readings that the group uses to chart their course. Just listen to how his passages pop on “Let Me” and frame the can’t-get-it-out-of-your-head “what you need is what you want” refrain. And while Carlos Santana remains the centerpiece of the brilliant and meditative “Europa (Earth’s Cry Heaven’s Smile)”, Brown serves as a trustworthy anchor and friendly advocate.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitars, percussion, congas, güiro, background vocals), Greg Walker (vocals), Tom Coster (acoustic piano, Fender Rhodes electric piano, Hammond organ, Moog synthesizer, ARP Pro Soloist, ARP Odyssey, ARP String Ensemble)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=lUwCUITkGwo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-557"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dance Sister Dance"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take Me With You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Let Me"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Gitano"
      ]
      [
        "ordre" => 6
        "nom" => "2. Tell Me Are You Tired"
      ]
      [
        "ordre" => 7
        "nom" => "3. Europa"
      ]
      [
        "ordre" => 8
        "nom" => "4. Let It Shine"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1740175689 {#2109
      date: 2025-02-21 22:08:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548680 {#2110
      date: 2026-01-16 07:31:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-amigos-mobile-fidelity-sound-lab-mfsl-1-557"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2125
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Waves Within"
      ]
      [
        "ordre" => 3
        "nom" => "3. Look Up (To See What's Coming Down)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just In Time To See The Sun"
      ]
      [
        "ordre" => 5
        "nom" => "5. Song Of The Wind"
      ]
      [
        "ordre" => 6
        "nom" => "6. All The Love Of The Universe"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Future Primitive"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stone Flower"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Fuente Del Ritmo"
      ]
      [
        "ordre" => 11
        "nom" => "4. Every Step Of The Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1730448251 {#2122
      date: 2024-11-01 08:04:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548523 {#2123
      date: 2026-01-16 07:28:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-caravanserai-mobile-fidelity-sound-lab-mfsl-1-524"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3486
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2125
    -id: 2586
    -nom: "Caravanserai"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar), Wendy Haas (piano), Tom Rutley (acoustic bass), Tom Coster (electric piano), Hadley Caliman (saxophone), flute), Lenny White (castanets), Rico Reyes (vocals), James Mingo Lewis (acoustic piano, percussion, congas, bongos, vocals), Armando Peraza (percussion, bongos), Michael Shrieve (drums, percussion, vocals), José "Chepito" Areas (percussion, congas, timbales, bongos).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES FOR DEFINITIVE SOUND: MOBILE FIDELITY 180 gram 33 RPM LP PLAYS WITH SUPERB DETAIL, CLARITY, AIRINESS, AND NATURALISM !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Filled with harmonious performances that reflect the definition of its title a place at which ideas, products, and culture are freely traded Caravanserai marks the start of Carlos Santana's foray into the jazz-fusion territory that would inform his career for the better part of the next two decades. Inspired by Miles Davis' pioneering period work, and aiming to discover and develop inner peace within a musical realm, the guitarist sets off on a quest to find his equivalent of the spiritual dimensions John Coltrane channels on A Love Supreme. The daring move paid dividends: The namesake band's 1972 album landed in the Top 10, sold more than a million copies, and established Santana as a visionary who refused to cater to commercialism.\r\n
      \r\n
      Sourced from the original master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180g 33RPM LP brims with atmospheric texture, three-dimensional spaciousness, and revealing microdynamics. This collectible audiophile reissue exposes the natural feel of Santana and drummer Mike Shrieve's production, allowing the music to emerge with refreshing airiness, intimate presence, and organic balance. Whether the sound pertains to the brassy reach of a saxophone, bloom of an acoustic bass, intricate wash of an organ, or trailing note of an echo, Caravanserai projects with superb detail and clarity. This is an album whose meanings and scope tremendously benefit from such enhanced closeness, warmth, and tonality.\r\n
      \r\n
      Just consider the quote from Indian monk-yogi Paramahansa Yolanda gracing the album's inner cover : "The body melts into the universe. The universe melts into the soundless voice. The sound melts into the all-shining light. And the light enters the bosom of infinite joy". Yolanda's words serve as a guide: Caravanserai feels at once cosmic, hopeful, bright, festive. Though grounded and centered, its songs seem to float in an otherworldly stratosphere; its liberating passages and pulsing rhythms don't touch the ground. Arrangements point forward and skyward, drawing attention to a higher consciousness and away from earthly pursuits. The effect is beautiful, uplifting, freeing.\r\n
      \r\n
      Soulfulness and spirituality course throughout Caravanserai. Its deep emotionalism and heartfelt expressiveness are on par with the most personalized playing of Santana's career. Distinct from instrumentally based albums centered around jams performed for the sake of virtuosity, Caravanserai retains a cohesive focus and purpose. It is foremost an album of songs connected by melody, groove, and relative concision. It makes demands on not just the ears but the heart and mind. Directly and indirectly invoking concepts like purifying, cleansing, and sharing, it invites you to listen and concentrate with undivided attention.\r\n
      \r\n
      The final Santana record to feature guitarist Neil Schon and organist Greg Rollie for more than four decades, Caravanserai displays no hint of the discord that would soon cause the lineup to splinter. Functioning as a unified collective with an all-for-one mentality, the band arrives at intersections at which rock, Latin, jazz, and funk speak a common language. Santana, Schon, Rollie, bassist Douglas Rauch, and company delve into the boundless and then-novel  possibilities of fusion without exploiting technique, taxing patience, or running adrift.\r\n
      \r\n
      Opening with the sound of chirping crickets which immediately announces the album's preoccupation with nature and harmonious existence in the universe Caravanserai brings listeners into a world unlike that on any other record. Designed to be heard in sequence, the 10 track LP doubles as an immersive adventure into the known and unknown. In addition to the exceptional musicality, the band embraces a metaphysical vibe that suits the wordless messages conveyed in aptly titled songs such as the explorative "Waves Within" and funk-laden "Look Up (To See What's Coming Down)". On the radiant "Song of the Wind", Santana and Schon trade sun-bound solos atop a subtle foundation laid by Rollie's organ. So it goes on Caravanserai : As Santana shines, so does his band.\r\n
      \r\n
      The record's second half ventures deeper into the mystic. "All the Love in the Universe" incorporates sitar-like elements and harmonious chants; the mediative "Future Primitive" uses quiet as an instrument; the Brazilian-spiced "Stone Flower" sees the group setting lyrics to an Antonio Carlos Jobim tune; Cuban accents, timbales, and bongos pop on the danceable "La Fuente del Ritmo", featuring contributions by jazz legend and then-new recruit Armando Peraza. On the epic closer "Every Step of the Way," the group nods to Miles Davis' space-jazz oeuvre before transitioning to a woodwinds-meet-conga-meets-guitar blowout topped off by an orchestral arrangement.\r\n
      \r\n
      It's a lot to absorb. This reissue invites you to listen again and again and experience everything that makes the album inimitable.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar & lead guitar, percussion, vocals), Neal Schon, Douglas Rodrigues (guitar), Gregg Rolie (organ, piano, electric piano, vocals), Douglas Rauch (bass, guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIRBshlXUDk"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-524"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Eternal Caravan Of Reincarnation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Waves Within"
      ]
      [
        "ordre" => 3
        "nom" => "3. Look Up (To See What's Coming Down)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just In Time To See The Sun"
      ]
      [
        "ordre" => 5
        "nom" => "5. Song Of The Wind"
      ]
      [
        "ordre" => 6
        "nom" => "6. All The Love Of The Universe"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Future Primitive"
      ]
      [
        "ordre" => 9
        "nom" => "2. Stone Flower"
      ]
      [
        "ordre" => 10
        "nom" => "3. La Fuente Del Ritmo"
      ]
      [
        "ordre" => 11
        "nom" => "4. Every Step Of The Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1730448251 {#2122
      date: 2024-11-01 08:04:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548523 {#2123
      date: 2026-01-16 07:28:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-caravanserai-mobile-fidelity-sound-lab-mfsl-1-524"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 2596
    -nom: "Inner Secrets"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals), Armando Peraza, Raul Rekow (percussion, backing vocals), Pete Escovedo (percussion), Graham Lear (drums).\r\n
      \r\n
      SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation and adopting those constructs into appealing songs that surprise, delight, and inspire flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Inner Secrets presents the 1978 album in audiophile sound for the first time on a domestic reissue. Part of the label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help expose the critical details, dynamics, and tones that really allow Santana’s music to soar.\r\n
      \r\n
      As for Carlos Santana’s signature guitar voicing, spicy leads, and acrobatic solos? Hear them with newfound definition and enhanced clarity all the better to appreciate the dexterity, vision, and soulfulness on display. Those characteristics extend to the contributions from the other players on Inner Secrets, including Graham Lear’s invigorating drumming and David Margen’s foundational bass lines. They form a solid rhythmic foundation capable of veering from disco grooves to moody pop and radio-friendly classic rock.\r\n
      \r\n
      Home to three Top 100 singles, Inner Secrets marks another turning point in Santana’s evolution. It is the band’s first project without keyboardist Tom Coster since the latter arrived in 1972. Gone, too, from the lineup is original percussionist Jose Areas. In their places are Chris Rhyme and Pete Escovedo, respectively, with the latter having debuted on the studio portion of the preceding Moonflower (1977). Multi-instrumentalist Chris Solberg counts as the other notable new addition. All three pros play key roles on a work that witnesses Santana moving away from fusion-laden fare and toward mainstream-oriented material.\r\n
      \r\n
      Obvious evidence of that transformation arrives in the form of four inspired covers, including renditions of Buddy Holly’s “Well All Right”, Four Tops’ “One Chain (Don’t Make No Prison)”, Classic IV’s “Stormy”, and Traffic’s “Dealer” with the latter tune soldered into “Spanish Rose”. Santana’s focused approach is also reflected in the structures and lengths of the songs. No track lasts longer than six minutes and 15 seconds. Yet the band packs an array of contagious melodies, complex passages, and passionate performances into the tightened-up frameworks.\r\n
      \r\n
      In addition to the instrumental prowess, Inner Secrets especially benefits from the singing of Greg Walker. Carlos Santana called Walker’s technique a “combination of street and church music; 'street' being raw, sexy, warm, and naked; 'church' being spiritual, inspirational, soulful, and sincere”. Those elements further punctuate Inner Secrets and ensure the album stands as a bookend to the group’s peak era. Wham!, indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=JtySIRhFrXM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-559"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dealer / Spanish Rose"
      ]
      [
        "ordre" => 2
        "nom" => "2. Move On"
      ]
      [
        "ordre" => 3
        "nom" => "3. One Chain (Don't Make No Prison)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stormy"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Well All Right"
      ]
      [
        "ordre" => 7
        "nom" => "2. Open Invitation"
      ]
      [
        "ordre" => 8
        "nom" => "3. Life Is a Lady / Holiday"
      ]
      [
        "ordre" => 9
        "nom" => "4. The Facts of Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wham!"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1732436693 {#2135
      date: 2024-11-24 08:24:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548177 {#2136
      date: 2026-01-16 07:22:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-inner-secrets-mobile-fidelity-sound-lab-mfsl-1-559"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3534
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2138
    -id: 2596
    -nom: "Inner Secrets"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals), Armando Peraza, Raul Rekow (percussion, backing vocals), Pete Escovedo (percussion), Graham Lear (drums).\r\n
      \r\n
      SANTANA MOVES TOWARD THE ROCK MAINSTREAM: INNER SECRETS FEATURES THREE TOP 100 SINGLES, PASSIONATE PERFORMANCES, AND TIGHTENED-UP FRAMEWORKS !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM LP Exposes Critical Details and Tones That Make the 1978 Album Soar !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carlos Santana refused to sit still or commit to one style during his fantastically adventurous stretch in the 1970s. That prolific decade witnessed his namesake band release nine studio albums, one hybrid live-studio double album, and a triple live set. The group’s penchant for exploration and mutation and adopting those constructs into appealing songs that surprise, delight, and inspire flares throughout Inner Secrets, a gold-certified effort that finds the collective reaching heights it would not again realize for another 10 years.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM LP of Inner Secrets presents the 1978 album in audiophile sound for the first time on a domestic reissue. Part of the label’s Santana series, this collectible version features quiet surfaces and black backgrounds that help expose the critical details, dynamics, and tones that really allow Santana’s music to soar.\r\n
      \r\n
      As for Carlos Santana’s signature guitar voicing, spicy leads, and acrobatic solos? Hear them with newfound definition and enhanced clarity all the better to appreciate the dexterity, vision, and soulfulness on display. Those characteristics extend to the contributions from the other players on Inner Secrets, including Graham Lear’s invigorating drumming and David Margen’s foundational bass lines. They form a solid rhythmic foundation capable of veering from disco grooves to moody pop and radio-friendly classic rock.\r\n
      \r\n
      Home to three Top 100 singles, Inner Secrets marks another turning point in Santana’s evolution. It is the band’s first project without keyboardist Tom Coster since the latter arrived in 1972. Gone, too, from the lineup is original percussionist Jose Areas. In their places are Chris Rhyme and Pete Escovedo, respectively, with the latter having debuted on the studio portion of the preceding Moonflower (1977). Multi-instrumentalist Chris Solberg counts as the other notable new addition. All three pros play key roles on a work that witnesses Santana moving away from fusion-laden fare and toward mainstream-oriented material.\r\n
      \r\n
      Obvious evidence of that transformation arrives in the form of four inspired covers, including renditions of Buddy Holly’s “Well All Right”, Four Tops’ “One Chain (Don’t Make No Prison)”, Classic IV’s “Stormy”, and Traffic’s “Dealer” with the latter tune soldered into “Spanish Rose”. Santana’s focused approach is also reflected in the structures and lengths of the songs. No track lasts longer than six minutes and 15 seconds. Yet the band packs an array of contagious melodies, complex passages, and passionate performances into the tightened-up frameworks.\r\n
      \r\n
      In addition to the instrumental prowess, Inner Secrets especially benefits from the singing of Greg Walker. Carlos Santana called Walker’s technique a “combination of street and church music; 'street' being raw, sexy, warm, and naked; 'church' being spiritual, inspirational, soulful, and sincere”. Those elements further punctuate Inner Secrets and ensure the album stands as a bookend to the group’s peak era. Wham!, indeed.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Chris Solberg (guitar, backing vocals), Chris Rhyne (keyboards), David Margen (bass), Greg Walker (lead vocals), Dennis Lambert (clavinet, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=JtySIRhFrXM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-559"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dealer / Spanish Rose"
      ]
      [
        "ordre" => 2
        "nom" => "2. Move On"
      ]
      [
        "ordre" => 3
        "nom" => "3. One Chain (Don't Make No Prison)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stormy"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Well All Right"
      ]
      [
        "ordre" => 7
        "nom" => "2. Open Invitation"
      ]
      [
        "ordre" => 8
        "nom" => "3. Life Is a Lady / Holiday"
      ]
      [
        "ordre" => 9
        "nom" => "4. The Facts of Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wham!"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2146 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2139 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2141 …}
    -enregistreLe: DateTime @1732436693 {#2135
      date: 2024-11-24 08:24:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768548177 {#2136
      date: 2026-01-16 07:22:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2143 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-inner-secrets-mobile-fidelity-sound-lab-mfsl-1-559"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2151
    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
      [
        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
      [
        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Se a Cabo"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mother's Daughter"
      ]
      [
        "ordre" => 9
        "nom" => "3. Samba Pa Ti"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
        "ordre" => 11
        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
    -enregistreLe: DateTime @1728032887 {#2148
      date: 2024-10-04 09:08:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547984 {#2149
      date: 2026-01-16 07:19:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-abraxas-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-539"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3582
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2151
    -id: 2565
    -nom: "Abraxas - (Limited Numbered Edition Super Vinyl)"
    -informationComplementaire: null
    -description: """
      - Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman”, Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time !\r\n
      - Sourced from the Original Analog Master Tapes for Exceptional Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the N° 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.\r\n
      \r\n
      Sourced from the original analog tapes, housed in a Stoughton gatefold jacket, and improving upon the label's critically acclaimed out-of-print 180 gram LP pressing, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP teems with information, clarity, textures, and colors. The result: Spacious, airy, and you-are-there sonics that further benefit from the characteristics of MoFi SuperVinyl: an ultra-low noise floor, superior groove definition, and dead-quiet surfaces. \r\n
      \r\n
      Experience Abraxas the way it is meant to be heard, with the instruments and musicians placed in the proper channels. This collectible version captures the full tonal range of Santana’s guitar and nuances of his distinctive touch. Passages and notes are brought to the forefront and properly scaled, enhancing your emotional connection to this iconic record.\r\n
      \r\n
      Filled with celebratory vibes, bluesy jams, mellow vocals, and hip-shaking grooves, Abraxas picks up on the momentum of Santana's self-titled 1969 debut. Drifting into more versatile territory, Santana reimagines what’s possible in melding various disciplines and styles. Mysticism and spirituality abound amid performances featuring a thrilling assembly of purring organs, conga beats, and fluid bass lines. And that says nothing of the bandleader’s extraordinary guitar playing.\r\n
      \r\n
      Wild, free, and loose, the group conjures the feeling of mountains and rivers on the opening instrumental “Singing Winds, Crying Beasts,” leads a salsa parade on a definitive version of Tito Puente’s “Oye Como Va”, and explores its sensual side on “Samba Pa Ti”, a track indicative of the album’s Latin vibes and percussion. Sonically, Abraxas takes advantage of then-advanced studio techniques such as cross-fading and state-of-the-art mixing. As The Mojo Collection explains: “Dissatisfied with the sound of their debut, the group brought in as a co-producer veteran jazz engineer Fred Catero, whose skills proved invaluable in balancing the new range of musical flavors Santana [was] bringing into its sound: the result was a giant step on from [the band’s] debut”.\r\n
      \r\n
      Like the group’s debut, Abraxas long laid claim to one of the biggest production gaffes in music history. Until Mobile Fidelity corrected the error with its 2008 LP and gold CD reissues, Abraxas had never been heard correctly. For nearly four decades, copies were produced with the left and right channels reversed. So, in addition to showcasing reach-out-and-touch it sound, this SuperVinyl edition gets all the specifications right.\r\n
      \r\n
      Please note: The provenance information printed on the back cover of Mobile Fidelity's Abraxas SuperVinyl reissue mistakenly lists “DSD 256” instead of the correct “DSD 64” rate. The sticker affixed to the outer plastic sleeve/bag of this LP reflects this correction. The complete correct provenance is : 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, vocals), Dave Brown (bass guitar), Jose Areas (timbales, congas), Mike Carabello (congas), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9m9wwP4LNOQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-539"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => " 1. Singing Winds"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crying Beasts"
      ]
      [
        "ordre" => 3
        "nom" => "3. Black Magic Woman / Gypsy Queen"
      ]
      [
        "ordre" => 4
        "nom" => "4. Oye Como Va"
      ]
      [
        "ordre" => 5
        "nom" => "5. Incident at Neshabur"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Se a Cabo"
      ]
      [
        "ordre" => 8
        "nom" => "2. Mother's Daughter"
      ]
      [
        "ordre" => 9
        "nom" => "3. Samba Pa Ti"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hope You're Feeling Better"
      ]
      [
        "ordre" => 11
        "nom" => "5. El Nicoya"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …}
    -enregistreLe: DateTime @1728032887 {#2148
      date: 2024-10-04 09:08:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547984 {#2149
      date: 2026-01-16 07:19:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-abraxas-limited-numbered-edition-super-vinyl-mobile-fidelity-sound-lab-mfsl-1-539"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2164
    -id: 1989
    -nom: "Santana (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Santana's self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader's most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents.\r\n
      \r\n
      Deluxe 45 RPM Version Features Extra-Wide Grooves : Richest, Most Dynamic and Realistic Sound of Any Version\r\n
      \r\n
      Lyrical, Splendorous, Rapturous, Psychedelic, and Bluesy Debut Set a New Musical Standard : Experience This Paradigm the Way the Artist Intended\r\n
      \r\n
      Santana?s self-titled debut album announces the arrival of a new Guitar god. Made during the legendary bandleader?s most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents. Befitting such a classic, Mobile Fidelity?s 45 RPM 2 LP version of this epic work presents the music in the richest, most dynamic and realistic sound it?s ever enjoyed.\r\n
      \r\n
      Improving upon the label's critically acclaimed 180 gram LP pressing, this deluxe 45RPM set is mastered from the original master tapes and overflows with the information, textures, and colors afforded by wider grooves. The result : Spacious, airy, and you-are-there sonics that trump all prior versions. In addition to correcting the imaging, Mobile Fidelity?s collectable version captures the full tonal range of Santana's guitar and nuances of his distinctive touch. It all brings you closer to the music and enhances your emotional connection to this stellar album.\r\n
      \r\n
      Indeed, separation between Carlos Santana?s fluid fills, spicy solos, and broiling grooves and pianist Gregg Rolie?s soulful Hammond organ runs allows the music to come alive with a newfound freshness and radiance. Songs simmer, with each passage bursting forth with vibrant color. Just like the equally essential follow-up Abraxas, Santana also lays claim to one of the biggest (and unfortunate) production gaffes in music history. Until Mobile Fidelity fixed the error with its 180 gram LP and 24K Gold releases, Santana had never been heard correctly.\r\n
      \r\n
      For nearly four decades, copies were produced with the left and right channels reversed, meaning that everything was placed in a backwards manner. This even extended to compilations on which individual songs from Santana were included. Rest assured that, in addition to boasting reference audiophile sonics, this 180g 45 RPM 2 LP set gets all the specifications exactly right. And with a record of this magnitude, you want everything to be perfect.\r\n
      \r\n
      Bound by natural chemistry and earthy spirituality, the record?s innovative synthesis of myriad styles goes beyond anything that came before?as well as nearly everything that?s followed. Playing with the finest band that the iconic guitarist ever had, Santana doesn?t water down any exotic roots or simply incorporate mainstream Western styles into a Latin framework. This is a true hybrid, responsible for opening up borders, transcending cultural divides, and, most importantly, exhilarating the senses.\r\n
      \r\n
      Released weeks before the band blew minds at Woodstock, the groundbreaking record stands alongside Miles Davis? Bitches Brew and Jeff Beck?s Beck-Ola as a pillar of rock fusion. Featuring the Top Ten radio smash ?Evil Ways? and jam favorite ?Soul Sacrifice,? it hasn?t aged a day. Hear like never before why Rolling Stone says Santana is #149 on its list of the Greatest Albums of All Time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (piano, organ, vocals), Dave Brown (bass), José Chepito Areas, Mike Carrabello (congas, timbales, percussion), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4Fef0YlyRVg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-012"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Waiting"
      ]
      [
        "ordre" => 2
        "nom" => "2. Evil Ways"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Shades of Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. Savor"
      ]
      [
        "ordre" => 6
        "nom" => "3. Jingo"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Persuasion"
      ]
      [
        "ordre" => 9
        "nom" => "2. Treat"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. You Just Don't Care"
      ]
      [
        "ordre" => 12
        "nom" => "2. Soul Sacrifice"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …}
    -enregistreLe: DateTime @1614807544 {#2161
      date: 2021-03-03 21:39:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547799 {#2162
      date: 2026-01-16 07:16:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-45-012"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3630
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2164
    -id: 1989
    -nom: "Santana (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Santana's self-titled debut album announces the arrival of a new Guitar God. Made during the legendary bandleader's most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents.\r\n
      \r\n
      Deluxe 45 RPM Version Features Extra-Wide Grooves : Richest, Most Dynamic and Realistic Sound of Any Version\r\n
      \r\n
      Lyrical, Splendorous, Rapturous, Psychedelic, and Bluesy Debut Set a New Musical Standard : Experience This Paradigm the Way the Artist Intended\r\n
      \r\n
      Santana?s self-titled debut album announces the arrival of a new Guitar god. Made during the legendary bandleader?s most fruitful and creative period, the classic 1969 set functions as an accessible entry point into the tangy worlds of Latin music by way of an intoxicating blend of Afro-Cuban percussion, jazzy tempos, exotic leads, bluesy riffs, and psychedelic accents. Befitting such a classic, Mobile Fidelity?s 45 RPM 2 LP version of this epic work presents the music in the richest, most dynamic and realistic sound it?s ever enjoyed.\r\n
      \r\n
      Improving upon the label's critically acclaimed 180 gram LP pressing, this deluxe 45RPM set is mastered from the original master tapes and overflows with the information, textures, and colors afforded by wider grooves. The result : Spacious, airy, and you-are-there sonics that trump all prior versions. In addition to correcting the imaging, Mobile Fidelity?s collectable version captures the full tonal range of Santana's guitar and nuances of his distinctive touch. It all brings you closer to the music and enhances your emotional connection to this stellar album.\r\n
      \r\n
      Indeed, separation between Carlos Santana?s fluid fills, spicy solos, and broiling grooves and pianist Gregg Rolie?s soulful Hammond organ runs allows the music to come alive with a newfound freshness and radiance. Songs simmer, with each passage bursting forth with vibrant color. Just like the equally essential follow-up Abraxas, Santana also lays claim to one of the biggest (and unfortunate) production gaffes in music history. Until Mobile Fidelity fixed the error with its 180 gram LP and 24K Gold releases, Santana had never been heard correctly.\r\n
      \r\n
      For nearly four decades, copies were produced with the left and right channels reversed, meaning that everything was placed in a backwards manner. This even extended to compilations on which individual songs from Santana were included. Rest assured that, in addition to boasting reference audiophile sonics, this 180g 45 RPM 2 LP set gets all the specifications exactly right. And with a record of this magnitude, you want everything to be perfect.\r\n
      \r\n
      Bound by natural chemistry and earthy spirituality, the record?s innovative synthesis of myriad styles goes beyond anything that came before?as well as nearly everything that?s followed. Playing with the finest band that the iconic guitarist ever had, Santana doesn?t water down any exotic roots or simply incorporate mainstream Western styles into a Latin framework. This is a true hybrid, responsible for opening up borders, transcending cultural divides, and, most importantly, exhilarating the senses.\r\n
      \r\n
      Released weeks before the band blew minds at Woodstock, the groundbreaking record stands alongside Miles Davis? Bitches Brew and Jeff Beck?s Beck-Ola as a pillar of rock fusion. Featuring the Top Ten radio smash ?Evil Ways? and jam favorite ?Soul Sacrifice,? it hasn?t aged a day. Hear like never before why Rolling Stone says Santana is #149 on its list of the Greatest Albums of All Time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1878 …}
    -musicienOrchestre: "Carlos Santana (guitar, vocals), Gregg Rolie (piano, organ, vocals), Dave Brown (bass), José Chepito Areas, Mike Carrabello (congas, timbales, percussion), Mike Shrieve (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4Fef0YlyRVg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-45-012"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Waiting"
      ]
      [
        "ordre" => 2
        "nom" => "2. Evil Ways"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Shades of Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. Savor"
      ]
      [
        "ordre" => 6
        "nom" => "3. Jingo"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Persuasion"
      ]
      [
        "ordre" => 9
        "nom" => "2. Treat"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. You Just Don't Care"
      ]
      [
        "ordre" => 12
        "nom" => "2. Soul Sacrifice"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …}
    -enregistreLe: DateTime @1614807544 {#2161
      date: 2021-03-03 21:39:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547799 {#2162
      date: 2026-01-16 07:16:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-santana-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-45-012"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

[
  "produit" => App\Entity\Produit {#2177
    -id: 2642
    -nom: "Moonflower"
    -informationComplementaire: null
    -description: """
      - Santana Bridges the Divide Between Live and Studio Material on Moonflower : 1977 Double Album Features Extraordinary Performances, Soulful Vibes, and Dynamic Mix of Latin, Rock, Funk, and Blues\r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM (2 LP) Set Plays with Audiophile-Quality Detail, Balance, and Imaging\r\n
      - 1/4” / 15 IPS original analog non-Dolby master to DSD 256 to analog console to lathe\r\n
      \r\n
      Though it may seem strange now, Moonflower stood for nearly 15 years as Santana’s first and only live record released in the United States. This despite the fact that roughly half of the double album consists of new studio songs, including a zesty cover of the Zombies classic “She’s Not There” that reached the Top 30 of the singles charts. \r\n
      \r\n
      However unconventional, the “split” strategy went over like gangbusters. Moonflower reached the Top 10 of the Billboard Top 200 and achieved double-platinum status feats the group would not again replicate for 22 years. These, and the beautiful quality of the program itself, are among the reasons why the 1977 effort remains viewed by critics and fans alike as must-have Santana.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM (2 LP) set of Moonflower presents the record in audiophile sound for the first time on a domestic reissue. Part of the MoFi’s Santana catalog restoration series, this collectible version features quiet surfaces and black backgrounds that expose the critical details, liquid tones, and dynamic interplay central to Santana’s music. \r\n
      \r\n
      The enhanced sonics extend not only to Carlos Santana’s six-string wizardry, but to the rhythmic, melodic, and vocal elements that course throughout both the studio and live cuts on Moonflower. The grip and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the extension and weight of the low-end frequencies; the rich textures of the guitars, percussive devices, and keyboards: all appear amid wide, balanced soundstages and image with right-sized dimensionality. \r\n
      \r\n
      Significantly rooted in the styles and approaches that inform the group’s first three records, Moonflower captures the final appearances of iconic percussionist Jose “Chepito” Areas and go-to keyboardist Tom Coster on a Santana album. As he did during the preceding five-year stretch, Coster inhabits a large role here, sharing songwriting credits on a majority of the new cuts and helping steer the arrangements toward spiritually minded albeit concise directions that encompass vibrant Latin, rock, and blues themes that began to escape the ensemble shortly after his departure. \r\n
      \r\n
      Close your eyes and feel the warmth of the sun on the R&B-kissed “I’ll Be Waiting”, anchored by Carlos Santana’s gliding fretwork and Greg Walker’s creamy vocals. Enter the cosmic universe of “Zulu”, on which Coster’s nimble phrasing opens the gate to polyrhythmic beats, knotty grooves, and interlocking funk. Grab the album cover and drift off to paradise amid the equally evocative “Flor d’Luna (Moonflower)”, a romantic slow dance that Carlos Santana ensures tiptoes en route to its blissful destination. Channeling a different spirit animal, the guitarist later lets loose on the hard-hitting “El Morocco”, on which he seemingly engages in a shootout with himself and wades into the rippling psychedelia that elevated the band’s early material.\r\n
      \r\n
      Speaking of the past, Moonflower triumphs on that level as well. In more ways than one, the live selections and the caliber of the performances chosen for inclusion represent an abbreviated greatest-hits survey of the band up to that point. And, at the very least, a convincing argument about why Santana had progressed into one of the most formidable bands you could hope to see on a stage in the mid ‘70s. \r\n
      \r\n
      Simultaneously representative and illustrative of the group’s breadth, tracks stem from the collective’s eponymous debut, Abraxas, and Santana III as well as the then-more recent Amigos and Festival. Whether you fall for the sidewinding spell of a spicy rendition of “Black Magic Woman / Gypsy Queen”, lose your head to the positively epic momentum of “Soul Sacrifice / Head, Hands & Feet”, or keep dropping the needle on the savory grace of the brilliant reading of “Europa (Earth’s Cry Heaven’s Smile)”, this pressing of Moonflower puts you and Santana’s first-chapter legacy in good hands.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, percussion, vocals), Greg Walker (vocals), Tom Coster, Tommy Coster Jr. (keyboards), Pablo Tellez (bass, vocals), David Margen (bass), Raul Rekow, José "Chepito" Areas, Pete Escovedo (percussion), Graham Lear (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jN_m4xP2-yg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-558"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dawn / Go Within"
      ]
      [
        "ordre" => 2
        "nom" => "2. Carnaval"
      ]
      [
        "ordre" => 3
        "nom" => "3. Let the Children Play"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jugando"
      ]
      [
        "ordre" => 5
        "nom" => "5. I’ll Be Waiting"
      ]
      [
        "ordre" => 6
        "nom" => "6. Zulu"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Bahia"
      ]
      [
        "ordre" => 9
        "nom" => "2. Black Magic Woman"
      ]
      [
        "ordre" => 10
        "nom" => "3.Gypsy Queen"
      ]
      [
        "ordre" => 11
        "nom" => "4. Dance Sister Dance (Baila Mi Hermana)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Europa (Earth’s Cry Heaven’s Smile)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C : "
      ]
      [
        "ordre" => 14
        "nom" => "1. She’s Not There"
      ]
      [
        "ordre" => 15
        "nom" => "2. Flor d’Luna (Moonflower)"
      ]
      [
        "ordre" => 16
        "nom" => "3. Soul Sacrifice "
      ]
      [
        "ordre" => 17
        "nom" => "4. Head, Hands & Feet"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. El Morocco"
      ]
      [
        "ordre" => 20
        "nom" => "2. Transcendence"
      ]
      [
        "ordre" => 21
        "nom" => "3. Savor"
      ]
      [
        "ordre" => 22
        "nom" => "4. Toussaint L’Overture"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1739866220 {#2174
      date: 2025-02-18 08:10:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547631 {#2175
      date: 2026-01-16 07:13:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moonflower-mobile-fidelity-sound-lab-mfsl-2-558"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3678
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2608 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2177
    -id: 2642
    -nom: "Moonflower"
    -informationComplementaire: null
    -description: """
      - Santana Bridges the Divide Between Live and Studio Material on Moonflower : 1977 Double Album Features Extraordinary Performances, Soulful Vibes, and Dynamic Mix of Latin, Rock, Funk, and Blues\r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 3000 Numbered Copies: Mobile Fidelity’s 180 gram 33 RPM (2 LP) Set Plays with Audiophile-Quality Detail, Balance, and Imaging\r\n
      - 1/4” / 15 IPS original analog non-Dolby master to DSD 256 to analog console to lathe\r\n
      \r\n
      Though it may seem strange now, Moonflower stood for nearly 15 years as Santana’s first and only live record released in the United States. This despite the fact that roughly half of the double album consists of new studio songs, including a zesty cover of the Zombies classic “She’s Not There” that reached the Top 30 of the singles charts. \r\n
      \r\n
      However unconventional, the “split” strategy went over like gangbusters. Moonflower reached the Top 10 of the Billboard Top 200 and achieved double-platinum status feats the group would not again replicate for 22 years. These, and the beautiful quality of the program itself, are among the reasons why the 1977 effort remains viewed by critics and fans alike as must-have Santana.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram 33 RPM (2 LP) set of Moonflower presents the record in audiophile sound for the first time on a domestic reissue. Part of the MoFi’s Santana catalog restoration series, this collectible version features quiet surfaces and black backgrounds that expose the critical details, liquid tones, and dynamic interplay central to Santana’s music. \r\n
      \r\n
      The enhanced sonics extend not only to Carlos Santana’s six-string wizardry, but to the rhythmic, melodic, and vocal elements that course throughout both the studio and live cuts on Moonflower. The grip and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; the extension and weight of the low-end frequencies; the rich textures of the guitars, percussive devices, and keyboards: all appear amid wide, balanced soundstages and image with right-sized dimensionality. \r\n
      \r\n
      Significantly rooted in the styles and approaches that inform the group’s first three records, Moonflower captures the final appearances of iconic percussionist Jose “Chepito” Areas and go-to keyboardist Tom Coster on a Santana album. As he did during the preceding five-year stretch, Coster inhabits a large role here, sharing songwriting credits on a majority of the new cuts and helping steer the arrangements toward spiritually minded albeit concise directions that encompass vibrant Latin, rock, and blues themes that began to escape the ensemble shortly after his departure. \r\n
      \r\n
      Close your eyes and feel the warmth of the sun on the R&B-kissed “I’ll Be Waiting”, anchored by Carlos Santana’s gliding fretwork and Greg Walker’s creamy vocals. Enter the cosmic universe of “Zulu”, on which Coster’s nimble phrasing opens the gate to polyrhythmic beats, knotty grooves, and interlocking funk. Grab the album cover and drift off to paradise amid the equally evocative “Flor d’Luna (Moonflower)”, a romantic slow dance that Carlos Santana ensures tiptoes en route to its blissful destination. Channeling a different spirit animal, the guitarist later lets loose on the hard-hitting “El Morocco”, on which he seemingly engages in a shootout with himself and wades into the rippling psychedelia that elevated the band’s early material.\r\n
      \r\n
      Speaking of the past, Moonflower triumphs on that level as well. In more ways than one, the live selections and the caliber of the performances chosen for inclusion represent an abbreviated greatest-hits survey of the band up to that point. And, at the very least, a convincing argument about why Santana had progressed into one of the most formidable bands you could hope to see on a stage in the mid ‘70s. \r\n
      \r\n
      Simultaneously representative and illustrative of the group’s breadth, tracks stem from the collective’s eponymous debut, Abraxas, and Santana III as well as the then-more recent Amigos and Festival. Whether you fall for the sidewinding spell of a spicy rendition of “Black Magic Woman / Gypsy Queen”, lose your head to the positively epic momentum of “Soul Sacrifice / Head, Hands & Feet”, or keep dropping the needle on the savory grace of the brilliant reading of “Europa (Earth’s Cry Heaven’s Smile)”, this pressing of Moonflower puts you and Santana’s first-chapter legacy in good hands.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Carlos Santana (guitar, percussion, vocals), Greg Walker (vocals), Tom Coster, Tommy Coster Jr. (keyboards), Pablo Tellez (bass, vocals), David Margen (bass), Raul Rekow, José "Chepito" Areas, Pete Escovedo (percussion), Graham Lear (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jN_m4xP2-yg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-558"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dawn / Go Within"
      ]
      [
        "ordre" => 2
        "nom" => "2. Carnaval"
      ]
      [
        "ordre" => 3
        "nom" => "3. Let the Children Play"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jugando"
      ]
      [
        "ordre" => 5
        "nom" => "5. I’ll Be Waiting"
      ]
      [
        "ordre" => 6
        "nom" => "6. Zulu"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Bahia"
      ]
      [
        "ordre" => 9
        "nom" => "2. Black Magic Woman"
      ]
      [
        "ordre" => 10
        "nom" => "3.Gypsy Queen"
      ]
      [
        "ordre" => 11
        "nom" => "4. Dance Sister Dance (Baila Mi Hermana)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Europa (Earth’s Cry Heaven’s Smile)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C : "
      ]
      [
        "ordre" => 14
        "nom" => "1. She’s Not There"
      ]
      [
        "ordre" => 15
        "nom" => "2. Flor d’Luna (Moonflower)"
      ]
      [
        "ordre" => 16
        "nom" => "3. Soul Sacrifice "
      ]
      [
        "ordre" => 17
        "nom" => "4. Head, Hands & Feet"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. El Morocco"
      ]
      [
        "ordre" => 20
        "nom" => "2. Transcendence"
      ]
      [
        "ordre" => 21
        "nom" => "3. Savor"
      ]
      [
        "ordre" => 22
        "nom" => "4. Toussaint L’Overture"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2185 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2178 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2180 …}
    -enregistreLe: DateTime @1739866220 {#2174
      date: 2025-02-18 08:10:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768547631 {#2175
      date: 2026-01-16 07:13:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2182 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moonflower-mobile-fidelity-sound-lab-mfsl-2-558"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3875
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2376 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3876 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3924 …}
  +isValidated: false
  +validatedFields: []
}