Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2558
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2635
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -formView: Symfony\Component\Form\FormView {#2674 …}
  -form: Symfony\Component\Form\Form {#2824 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1834
    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Ethan Farmer (bass guitar), James Knowles (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YKXeaHxmUU"
    -referenceProduit: "Pure Pleasure Records 26058"
    -titreMorceau: [
      [
        "nom" => "1. Born Under A Bad Sign "
        "ordre" => 7
      ]
      [
        "nom" => "1.Too Sorry "
        "ordre" => 1
      ]
      [
        "nom" => "2. Dirty Pool "
        "ordre" => 2
      ]
      [
        "nom" => "2. Right Place, Wrong Time "
        "ordre" => 8
      ]
      [
        "nom" => "3. I Ain’t Superstitious "
        "ordre" => 3
      ]
      [
        "nom" => "3. Telephone Song "
        "ordre" => 9
      ]
      [
        "nom" => "4. Kansas City "
        "ordre" => 4
      ]
      [
        "nom" => "4. Merry Christmas Baby"
        "ordre" => 10
      ]
      [
        "nom" => "5. Floodin’ In California"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2026 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1900 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2014 …}
    -enregistreLe: DateTime @1617434574 {#1830
      date: 2021-04-03 07:22:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1623256575 {#1875
      date: 2021-06-09 16:36:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2020 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dirty-pool-pure-pleasure-records-26058"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3099
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#1834
    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Ethan Farmer (bass guitar), James Knowles (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YKXeaHxmUU"
    -referenceProduit: "Pure Pleasure Records 26058"
    -titreMorceau: [
      [
        "nom" => "1. Born Under A Bad Sign "
        "ordre" => 7
      ]
      [
        "nom" => "1.Too Sorry "
        "ordre" => 1
      ]
      [
        "nom" => "2. Dirty Pool "
        "ordre" => 2
      ]
      [
        "nom" => "2. Right Place, Wrong Time "
        "ordre" => 8
      ]
      [
        "nom" => "3. I Ain’t Superstitious "
        "ordre" => 3
      ]
      [
        "nom" => "3. Telephone Song "
        "ordre" => 9
      ]
      [
        "nom" => "4. Kansas City "
        "ordre" => 4
      ]
      [
        "nom" => "4. Merry Christmas Baby"
        "ordre" => 10
      ]
      [
        "nom" => "5. Floodin’ In California"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1895 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2026 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1900 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2014 …}
    -enregistreLe: DateTime @1617434574 {#1830
      date: 2021-04-03 07:22:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1623256575 {#1875
      date: 2021-06-09 16:36:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2020 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dirty-pool-pure-pleasure-records-26058"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2043
    -id: 1959
    -nom: "The New Orleans Collection  (Clear Vinyl)"
    -informationComplementaire: ""
    -description: """
      Newvelle Presents : The New Orleans Collection limited edition vinyl bundle !\r\n
      \r\n
      Four 180 gram LPs on clear vinyl featuring four new recordings by New Orleans music legends !\r\n
      \r\n
      Featuring Irma Thomas, Ellis Marsalis, Little Freddie King, and Jon Cleary !\r\n
      \r\n
      Recorded in New Orleans in 2020 by Misha Kachkachishvili at Esplanade Studio !\r\n
      \r\n
      Mixed by Marc Urselli, mastered by Alex DeTurk !\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Yes, this was digitally recorded but if you still insist that means it can't sound great and can't produce three dimensional images, well after hearing this if you're still in that camp, you've got some loose bits. Great microphones, skilled engineering and of course a big beautiful former church are key to the uniformly excellent sound here... Alex DeTurk at The Bunker cut the lacquers and QRP in Salina, KS pressed on 180 gram vinyl. While I’m reviewing this using test pressings, I bought this set without hearing a note and I’m glad I did! It’s well-worth the asking price". "The New Orleans Collection Newvelle's Crescent City Excent Adventure" Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      From jazz label Newvelle Records, Newvelle Presents: The New Orleans Collection features four clear vinyl 180 gram LPs featuring performances by the soul queen herself Irma Thomas, the late joyful jazz pianist and musical mentor to many Ellis Marsalis, the inimitable Delta blues guitarist Little Freddie King, and the wildly expressive funk and R&B pianist Jon Cleary ! Recorded in the spring of 2020, (Ellis passed at the age of 85 in March 2020) these four new recordings from the greatest generation of New Orleans artists are produced and pressed with the uncompromising quality that Newvelle fans have come to expect from the label.\r\n
      \r\n
      The vinyl is pressed at the world-renowned Quality Record Pressings, makers of the world's finest-sounding LPs !\r\n
      What makes Newvelle so special that discerning audiophiles would want to invest $200 without having a chance to preview these releases? The easy answer is that Newvelle LPs sound absolutely spectacular in every way. Here's their mission statement.\r\n
      \r\n
      "We set out to build a series of records, of all new music, that cut no corners sonically or artistically. Each year Newvelle records... records, exclusively on vinyl and with curated artwork and literature. We built a model that treats musicians right and uses the full available canvas of vinyl to make something unique and beautiful".\r\n
      \r\n
      So, give us the details. What's Newvelle serving up in this special vinyl bundle package ? We'll tell you.\r\n
      \r\n
      The legacy and breadth of New Orleans music is beautifully represented in this limited edition collection of four single-sleeved records on clear vinyl. The New Orleans Collection is a physical testament to the vibrancy of New Orleans music-preserving the legacy of New Orleans for generations of listeners, present and future.\r\n
      \r\n
      New Orleans Featured Artists\r\n
      IRMA THOMAS\r\n
      \r\n
      Returning to the studio for her first album in over a decade, soul powerhouse Irma Thomas is back. With vocals that will sweep you away into a different time and space, Irma Thomas is rooted by her phenomenal accompanying band featuring Preservation Hall Jazz Band pianist Kyle Roussel, Johnny Vidacovich on drums, and the late Alfred "Uganda" Roberts on percussion. Roberts and Vidacovich played together since the late '60s as rhythm partners for many of the '60s and '70s R&B greats, including Professor Longhair.\r\n
      \r\n
      Providing the brass for the album are Andrew Baham on trumpet, Roderick Pauling on Saxophone, and Terrence Taplin on Trombone. Thomas is supported by vocal backing from Paggy Prine, Sierra Green, and Kyshona Armstrong. And, bridging two great American musical traditions, Paul Defiglia and Stephen Daly join the band to contribute bass and guitar all the way from Nashville.\r\n
      \r\n
      LITTLE FREDDIE KING\r\n
      \r\n
      You've never met anyone quite like the charismatic Delta blues guitarist and vocalist, Little Freddie King. Born in Mississippi, King rode the rails to New Orleans at the age of 14, began to study guitar, and soon found himself performing in juke joints across the city. King mastered his craft and recorded the first electric blues album (Harmonica Williams and Little Freddie King) before setting off to tour with John Lee Hooker and Bo Diddley. King is backed by his longtime band members ‘Wacko' Wade Wright on drums and Robert Louis diTullio, Jr. on harmonica. Adding a new element to the music, the album also features the playing of Nashville guitarists Paul Defiglia and Stephen Daly as well as piano accompaniment by Elan Mehler. This project captures the authentic, incredibly raw style that King embodies, but it also expands on his forms of expression with solo, acoustic, and even gospel influence.\r\n
      \r\n
      ELLIS MARSALIS & JASON MARSALIS\r\n
      \r\n
      Jazz pianist Ellis Marsalis joined Newvelle Records in the studio just a few weeks before his passing in March 2020. This album, his last recording, finds him returning to some of his earliest works. In addition to a few new pieces, Marsalis revisits works from the earliest days of the modern jazz movement in New Orleans. He remembers moments that impacted the trajectory of the genre-such as when Coltrane came to listen to Marsalis and James Black and was blown away by their use of mixed meter. Ellis is joined on several songs by his youngest son Jason Marsalis on the vibraphone, and on one track with special accompaniment by Jason's daughter Marley Marsalis on percussion and piano.\r\n
      \r\n
      JON CLEARY\r\n
      \r\n
      Funk, jazz, R&B-these genres are so deeply rooted in New Orleans that it's no wonder the young British pianist Jon Cleary was compelled to move to the city to play. In the early '80s, he was painting the bar at the famous Maple Leaf Bar, where he listened to James Booker play live every week while soaking in the sounds of New Orleans piano greats such as Huey "Piano" Smith, Mac Rebennack, Fats Domino, and Professor Longhair. Now, four decades later, New Orleans has fully embraced Cleary as one of its own. Coming full circle for this recording, Cleary is backed by James Booker's rhythm section from his last studio album Classified James Singleton on upright bass and Johnny Vidacovich on drums. They are joined on several tracks by James Rivers, a legendary New Orleans saxophone player who played on many New Orleans funk and R&B classics from Big Chief to Carnival Time.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vTmTDBdU234"
    -referenceProduit: "Newvelle Records"
    -titreMorceau: [
      [
        "nom" => "ELLIS MARSALIS & JASON MARSALIS"
        "ordre" => 2
      ]
      [
        "nom" => "IRMA THOMAS"
        "ordre" => 0
      ]
      [
        "nom" => "JON CLEARY"
        "ordre" => 3
      ]
      [
        "nom" => "LITTLE FREDDIE KING"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2045 …}
    -label: Proxies\__CG__\App\Entity\Label {#2048 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2057 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2050 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1606554306 {#2040
      date: 2020-11-28 09:05:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621867099 {#2041
      date: 2021-05-24 14:38:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2054 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-new-orleans-collection-clear-vinyl-newvelle-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3213
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2043
    -id: 1959
    -nom: "The New Orleans Collection  (Clear Vinyl)"
    -informationComplementaire: ""
    -description: """
      Newvelle Presents : The New Orleans Collection limited edition vinyl bundle !\r\n
      \r\n
      Four 180 gram LPs on clear vinyl featuring four new recordings by New Orleans music legends !\r\n
      \r\n
      Featuring Irma Thomas, Ellis Marsalis, Little Freddie King, and Jon Cleary !\r\n
      \r\n
      Recorded in New Orleans in 2020 by Misha Kachkachishvili at Esplanade Studio !\r\n
      \r\n
      Mixed by Marc Urselli, mastered by Alex DeTurk !\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Yes, this was digitally recorded but if you still insist that means it can't sound great and can't produce three dimensional images, well after hearing this if you're still in that camp, you've got some loose bits. Great microphones, skilled engineering and of course a big beautiful former church are key to the uniformly excellent sound here... Alex DeTurk at The Bunker cut the lacquers and QRP in Salina, KS pressed on 180 gram vinyl. While I’m reviewing this using test pressings, I bought this set without hearing a note and I’m glad I did! It’s well-worth the asking price". "The New Orleans Collection Newvelle's Crescent City Excent Adventure" Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      From jazz label Newvelle Records, Newvelle Presents: The New Orleans Collection features four clear vinyl 180 gram LPs featuring performances by the soul queen herself Irma Thomas, the late joyful jazz pianist and musical mentor to many Ellis Marsalis, the inimitable Delta blues guitarist Little Freddie King, and the wildly expressive funk and R&B pianist Jon Cleary ! Recorded in the spring of 2020, (Ellis passed at the age of 85 in March 2020) these four new recordings from the greatest generation of New Orleans artists are produced and pressed with the uncompromising quality that Newvelle fans have come to expect from the label.\r\n
      \r\n
      The vinyl is pressed at the world-renowned Quality Record Pressings, makers of the world's finest-sounding LPs !\r\n
      What makes Newvelle so special that discerning audiophiles would want to invest $200 without having a chance to preview these releases? The easy answer is that Newvelle LPs sound absolutely spectacular in every way. Here's their mission statement.\r\n
      \r\n
      "We set out to build a series of records, of all new music, that cut no corners sonically or artistically. Each year Newvelle records... records, exclusively on vinyl and with curated artwork and literature. We built a model that treats musicians right and uses the full available canvas of vinyl to make something unique and beautiful".\r\n
      \r\n
      So, give us the details. What's Newvelle serving up in this special vinyl bundle package ? We'll tell you.\r\n
      \r\n
      The legacy and breadth of New Orleans music is beautifully represented in this limited edition collection of four single-sleeved records on clear vinyl. The New Orleans Collection is a physical testament to the vibrancy of New Orleans music-preserving the legacy of New Orleans for generations of listeners, present and future.\r\n
      \r\n
      New Orleans Featured Artists\r\n
      IRMA THOMAS\r\n
      \r\n
      Returning to the studio for her first album in over a decade, soul powerhouse Irma Thomas is back. With vocals that will sweep you away into a different time and space, Irma Thomas is rooted by her phenomenal accompanying band featuring Preservation Hall Jazz Band pianist Kyle Roussel, Johnny Vidacovich on drums, and the late Alfred "Uganda" Roberts on percussion. Roberts and Vidacovich played together since the late '60s as rhythm partners for many of the '60s and '70s R&B greats, including Professor Longhair.\r\n
      \r\n
      Providing the brass for the album are Andrew Baham on trumpet, Roderick Pauling on Saxophone, and Terrence Taplin on Trombone. Thomas is supported by vocal backing from Paggy Prine, Sierra Green, and Kyshona Armstrong. And, bridging two great American musical traditions, Paul Defiglia and Stephen Daly join the band to contribute bass and guitar all the way from Nashville.\r\n
      \r\n
      LITTLE FREDDIE KING\r\n
      \r\n
      You've never met anyone quite like the charismatic Delta blues guitarist and vocalist, Little Freddie King. Born in Mississippi, King rode the rails to New Orleans at the age of 14, began to study guitar, and soon found himself performing in juke joints across the city. King mastered his craft and recorded the first electric blues album (Harmonica Williams and Little Freddie King) before setting off to tour with John Lee Hooker and Bo Diddley. King is backed by his longtime band members ‘Wacko' Wade Wright on drums and Robert Louis diTullio, Jr. on harmonica. Adding a new element to the music, the album also features the playing of Nashville guitarists Paul Defiglia and Stephen Daly as well as piano accompaniment by Elan Mehler. This project captures the authentic, incredibly raw style that King embodies, but it also expands on his forms of expression with solo, acoustic, and even gospel influence.\r\n
      \r\n
      ELLIS MARSALIS & JASON MARSALIS\r\n
      \r\n
      Jazz pianist Ellis Marsalis joined Newvelle Records in the studio just a few weeks before his passing in March 2020. This album, his last recording, finds him returning to some of his earliest works. In addition to a few new pieces, Marsalis revisits works from the earliest days of the modern jazz movement in New Orleans. He remembers moments that impacted the trajectory of the genre-such as when Coltrane came to listen to Marsalis and James Black and was blown away by their use of mixed meter. Ellis is joined on several songs by his youngest son Jason Marsalis on the vibraphone, and on one track with special accompaniment by Jason's daughter Marley Marsalis on percussion and piano.\r\n
      \r\n
      JON CLEARY\r\n
      \r\n
      Funk, jazz, R&B-these genres are so deeply rooted in New Orleans that it's no wonder the young British pianist Jon Cleary was compelled to move to the city to play. In the early '80s, he was painting the bar at the famous Maple Leaf Bar, where he listened to James Booker play live every week while soaking in the sounds of New Orleans piano greats such as Huey "Piano" Smith, Mac Rebennack, Fats Domino, and Professor Longhair. Now, four decades later, New Orleans has fully embraced Cleary as one of its own. Coming full circle for this recording, Cleary is backed by James Booker's rhythm section from his last studio album Classified James Singleton on upright bass and Johnny Vidacovich on drums. They are joined on several tracks by James Rivers, a legendary New Orleans saxophone player who played on many New Orleans funk and R&B classics from Big Chief to Carnival Time.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2045 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2068
    -id: 452
    -nom: "In Session"
    -informationComplementaire: ""
    -description: """
      In Session, recorded in 1983, is the only known recording of Albert King and Stevie Ray Vaughan performing together. Its long-overdue commercial release (the album didn't come out until 1999) stands as a fitting tribute to the genius of two of the greatest musicians ever to have played the blues on electric guitar.\r\n
      \r\n
      Anyone who's witnessed a much-anticipated jam session only to be disappointed with each participant deferring to the other, the end result being that neither ever got out of first gear will welcome this pairing of two giants of blues guitar. Albert King and Stevie Ray Vaughan obviously shared a mutual admiration, but it simply wasn't in either one's makeup to a) be intimidated or b) take a backseat to anyone. Not without kicking up a little dust.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Albert King, Stevie Ray Vaughan (guitar, vocals), Tony Llorens (organ, piano), Gus Thornton (bass), Michael Llorens (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=ebnGzxNcjFc"
    -referenceProduit: "STX 7501-1"
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App\Twig\Components\GestionPanierFavoriComponents {#3264
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    -id: 452
    -nom: "In Session"
    -informationComplementaire: ""
    -description: """
      In Session, recorded in 1983, is the only known recording of Albert King and Stevie Ray Vaughan performing together. Its long-overdue commercial release (the album didn't come out until 1999) stands as a fitting tribute to the genius of two of the greatest musicians ever to have played the blues on electric guitar.\r\n
      \r\n
      Anyone who's witnessed a much-anticipated jam session only to be disappointed with each participant deferring to the other, the end result being that neither ever got out of first gear will welcome this pairing of two giants of blues guitar. Albert King and Stevie Ray Vaughan obviously shared a mutual admiration, but it simply wasn't in either one's makeup to a) be intimidated or b) take a backseat to anyone. Not without kicking up a little dust.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Albert King, Stevie Ray Vaughan (guitar, vocals), Tony Llorens (organ, piano), Gus Thornton (bass), Michael Llorens (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=ebnGzxNcjFc"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2070 …}
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      date: 2021-02-10 08:05:48.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
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[
  "produit" => App\Entity\Produit {#2087
    -id: 1955
    -nom: "Charles Brown's Cool Christmas Blues"
    -informationComplementaire: ""
    -description: "This pressing marks the very first vinyl release of the blues titan's 1994 Christmas album. Nominated for Best Traditional Blues Album at the 1995 Grammy Awards, this release offers a warm, laid-back set of primarily original material-including Brown's modern yuletide classics "Please Come Home for Christmas" and the Top 10 chart hit "Merry Christmas Baby", while he puts his own stellar twist on "Silent Night". Lacquers were cut by George Horn and Anne-Marie Suenram at Fantasy Studios."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Charles Brown (piano, celeste, vocals), Clifford Solomon (tenor saxophone), Dannon Caron (guitar), Ruth Davies (acoustic bass), Gaylord Birch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Pjpt4kpzNpM"
    -referenceProduit: "Craft Recordings 0286"
    -titreMorceau: [
      [
        "nom" => "1. A Song For Christmas "
        "ordre" => 8
      ]
      [
        "nom" => "1. Merry Christmas Baby "
        "ordre" => 1
      ]
      [
        "nom" => "2. Santa's Blues "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stay With Me "
        "ordre" => 9
      ]
      [
        "nom" => "3. Blue Holiday "
        "ordre" => 3
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      [
        "nom" => "3. To Someone That I Love "
        "ordre" => 10
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      [
        "nom" => "4. Christmas In Heaven "
        "ordre" => 11
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      [
        "nom" => "4. Silent Night "
        "ordre" => 4
      ]
      [
        "nom" => "5. Bringing In A Brand New Year"
        "ordre" => 12
      ]
      [
        "nom" => "5. Christmas Comes But Once A Year "
        "ordre" => 5
      ]
      [
        "nom" => "6. Please Come Home For Christmas"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
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        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2089 …}
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      date: 2020-11-21 20:06:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3315
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2087
    -id: 1955
    -nom: "Charles Brown's Cool Christmas Blues"
    -informationComplementaire: ""
    -description: "This pressing marks the very first vinyl release of the blues titan's 1994 Christmas album. Nominated for Best Traditional Blues Album at the 1995 Grammy Awards, this release offers a warm, laid-back set of primarily original material-including Brown's modern yuletide classics "Please Come Home for Christmas" and the Top 10 chart hit "Merry Christmas Baby", while he puts his own stellar twist on "Silent Night". Lacquers were cut by George Horn and Anne-Marie Suenram at Fantasy Studios."
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Charles Brown (piano, celeste, vocals), Clifford Solomon (tenor saxophone), Dannon Caron (guitar), Ruth Davies (acoustic bass), Gaylord Birch (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Pjpt4kpzNpM"
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        "nom" => "1. A Song For Christmas "
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        "nom" => "1. Merry Christmas Baby "
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      [
        "nom" => "2. Santa's Blues "
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      [
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      [
        "nom" => "5. Christmas Comes But Once A Year "
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[
  "produit" => App\Entity\Produit {#2106
    -id: 777
    -nom: "Man Child"
    -informationComplementaire: ""
    -description: """
      "Blue enthusiasts in St. Louis have known about Marquise Knox since he was fifteen years old and already demonstrating vocal skills and stage presence that rivaled veteran performers two or three times his age. Now people elsewhere are beginning to catch on; Knox has been fielding requests to appear at blues festivals across the United States and in Europe, in addition to his busy gigging schedule at home". Winner of Best Blues Artist 2010 - Riverfront Times, 2010.\r\n
      \r\n
      "...how Knox managed to ingest the anima of a 60-year-old in a 17-year-old's mind/body is part of the mystery that makes this LP so compelling...When you realise that he composed nearly all of the material, you'll want to see his birth certificate. Exquisite guitar-driven blues that promises much for the future". Sound Quality = 90% out of 100% - Ken Kessler, HiFi News, November 2010.\r\n
      \r\n
      "...when you reflect this set was cut at the age of sixteen, the prospects he will be the most notable blues artist of his generation seems a Done Deal...as always there's a lot of flashy and loud player claiming to wear The Raiment Of The Blues-Man, but our bet is Marquise Knox is right now the finest blues artist of his generation, and will be the blues figure to beat for years to come". - Tom "Papa" Ray, owner of Vintage Vinyl in St. Louis, host of The Soul Selector on KDHX 88.1 FM in St. Louis.\r\n
      \r\n
      "...a set that I can unhesitatingly recommend". - Mick Rainsford, Blues In Britain.\r\n
      \r\n
      Man Child is the title of Marquise Knox's national debut, and for good reason. Yes, he was just 16 years old at this recording, but no, this is not another one of those guitar-hero, someday-my-vocals-may-mature, I might one day write my own material records. This kid is flat-out for real! This is a man-sized offering of serious, mature blues. In fact, it's the maturity that provides the shock value here. Sixteen years old ? Listen to that voice and you'll swear he's lying about his age. Guitar licks that are tasty and restrained, none of this hyper-active, self-absorbed speed metal that somehow gets confused with blues.\r\n
      \r\n
      Marquise has already won the approval of B.B. King, Henry Townsend, Robert Lockwood Jr., Big George Brock, Bob Margolin, Sam Lay…Read those names again. Do you really think we're talking about a novelty act here ???\r\n
      \r\n
      And he's an original. All but one of the tracks on Man Child were penned by Marquise, and most of them were written in the studio, on-the-fly, a skill learned at least partially by one of Marquise's main heroes, Henry Townsend.??\r\n
      \r\n
      This is a 16 year old, inner-city kid who somehow has decided to become a dead-serious bluesman of the old-school variety. That just doesn't happen anymore.??Clear the way for the Man Child.\r\n
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Marquise Knox (guitar, harmonica, vocals), Michael Burks (guitar), Don Garrett (bass), Wayne Sharp (piano), Chuck "Popcorn" Louden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IdvhKh4ViLM"
    -referenceProduit: "APO 2022"
    -titreMorceau: [
      [
        "nom" => "1. Love Making Machine"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2108 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3366
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      "Blue enthusiasts in St. Louis have known about Marquise Knox since he was fifteen years old and already demonstrating vocal skills and stage presence that rivaled veteran performers two or three times his age. Now people elsewhere are beginning to catch on; Knox has been fielding requests to appear at blues festivals across the United States and in Europe, in addition to his busy gigging schedule at home". Winner of Best Blues Artist 2010 - Riverfront Times, 2010.\r\n
      \r\n
      "...how Knox managed to ingest the anima of a 60-year-old in a 17-year-old's mind/body is part of the mystery that makes this LP so compelling...When you realise that he composed nearly all of the material, you'll want to see his birth certificate. Exquisite guitar-driven blues that promises much for the future". Sound Quality = 90% out of 100% - Ken Kessler, HiFi News, November 2010.\r\n
      \r\n
      "...when you reflect this set was cut at the age of sixteen, the prospects he will be the most notable blues artist of his generation seems a Done Deal...as always there's a lot of flashy and loud player claiming to wear The Raiment Of The Blues-Man, but our bet is Marquise Knox is right now the finest blues artist of his generation, and will be the blues figure to beat for years to come". - Tom "Papa" Ray, owner of Vintage Vinyl in St. Louis, host of The Soul Selector on KDHX 88.1 FM in St. Louis.\r\n
      \r\n
      "...a set that I can unhesitatingly recommend". - Mick Rainsford, Blues In Britain.\r\n
      \r\n
      Man Child is the title of Marquise Knox's national debut, and for good reason. Yes, he was just 16 years old at this recording, but no, this is not another one of those guitar-hero, someday-my-vocals-may-mature, I might one day write my own material records. This kid is flat-out for real! This is a man-sized offering of serious, mature blues. In fact, it's the maturity that provides the shock value here. Sixteen years old ? Listen to that voice and you'll swear he's lying about his age. Guitar licks that are tasty and restrained, none of this hyper-active, self-absorbed speed metal that somehow gets confused with blues.\r\n
      \r\n
      Marquise has already won the approval of B.B. King, Henry Townsend, Robert Lockwood Jr., Big George Brock, Bob Margolin, Sam Lay…Read those names again. Do you really think we're talking about a novelty act here ???\r\n
      \r\n
      And he's an original. All but one of the tracks on Man Child were penned by Marquise, and most of them were written in the studio, on-the-fly, a skill learned at least partially by one of Marquise's main heroes, Henry Townsend.??\r\n
      \r\n
      This is a 16 year old, inner-city kid who somehow has decided to become a dead-serious bluesman of the old-school variety. That just doesn't happen anymore.??Clear the way for the Man Child.\r\n
      """
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[
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    -id: 773
    -nom: "Calvin Cooke, Aubrey Ghent & The Campbell Brothers "
    -informationComplementaire: "Direct-To-Disc D2D"
    -description: """
      Analogue Productions Originals 2012 Direct-to-Disc Sessions !\r\n
      \r\n
      Pressed at Quality Record Pressings, Salina, Kansas !\r\n
      \r\n
      Cutting engineer - Kevin Gray !\r\n
      \r\n
      The 2012 Blues Masters at the Crossroads was loaded with talent, but ultimately dominated by soaring steel guitar. Many of the top musicians from the Sacred Steel gospel tradition arrived in town for the big gig, and here we have some of the finest: Calvin Cooke and Aubrey Ghent, backed by the Campbell Brothers.\r\n
      \r\n
      Calvin is a surprising powerhouse with a cherubic smile. You'd never guess how much music he can make with his three-legged lap steel, and his unique tuning helps identify his sound immediately, among the dozens of steel players who began in the House of God church.\r\n
      \r\n
      Aubrey takes over on the flip side. His hands fly and he literally makes his lap steel speak. Aubrey's sweet sound and serious expression mask his subtly building tempo and rising sound. He's a minister with a lineage that virtually demands he be a top notch player. His uncle and father were slide kings and thankfully, he has a son who is rumored to be the next generation superstar.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
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    -nom: "Calvin Cooke, Aubrey Ghent & The Campbell Brothers "
    -informationComplementaire: "Direct-To-Disc D2D"
    -description: """
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    -prixVente: "38.00"
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[
  "produit" => App\Entity\Produit {#2138
    -id: 766
    -nom: "Plays The Blues For You"
    -informationComplementaire: ""
    -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kavKbLCm870"
    -referenceProduit: "Pure Pleasure Records PPAN 020"
    -titreMorceau: [
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App\Twig\Components\GestionPanierFavoriComponents {#3465
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  +produit: App\Entity\Produit {#2138
    -id: 766
    -nom: "Plays The Blues For You"
    -informationComplementaire: ""
    -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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}

[
  "produit" => App\Entity\Produit {#2154
    -id: 642
    -nom: "The Lowdown Back Porch Blues"
    -informationComplementaire: ""
    -description: """
      The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n
      \r\n
      One of these artists is Louisiana Red. Formerly known as Iverson Minter, he survived a devastating childhood (Red’s mother died of pneumonia and his father was lynched by the Klu Klux Klan in Alabama) to make his mark on the blues scene. After a stint in the army he joined the legions of blues men who emigrated north to begin a new life. He briefly played with John Lee Hooker before getting an audition with Roulette Records. His trademark guitar/harmonica and vocals extended his recording and performance stature for decades.\r\n
      \r\n
      Pure Pleasure Records has re-issued his 1963 debut, Lowdown, Back Porch Blues on 180-gram vinyl. Performing a mix of traditional and original (although there are some ‘dubious” songwriting credits) compositions, Louisiana Red is backed by a bassist (Karl Lynch) and drummer (Panama Francis). Side One gets off to a rowdy start with the self-introductory gem, “Red’s Blues”. There is a socio-political narrative to the song, but it includes a touch of humor. Red’s vocals and guitar are emotive. The blues framework is standard, updating Delta blues in Chicago hooks. “Working Man’s Blues” examines the hardship of balancing hard work and blues music. A certain highlight is the autobiographical “I’m Louisiana Red”. The jam is anchored by a rolling bass line and recounts life in Vicksburg (…”142 in the shade, 162 in the house…”). The listener is treated to a cross section of material, both lowdown (“Sweet Aleese”) and unadulterated, up tempo mojo (“Keep Your Hands Off My Woman”).\r\n
      \r\n
      Side Two opens with another disdainful commentary (“Ride On Red, Ride On”) on Southern dysfunction. Louisiana Red, with a harmonica-fueled lead, celebrates “life above the Mason-Dixon line”. This artist is more specific and topical than his peers. His vocals demonstrate a unique, idiosyncratic phrasing with occasional modulation. He refers to himself in both the first and third person, especially on “I Wonder Who”. The re-mastered vinyl captures the fluid tonality of Louisiana Red’s unique voice. All of the grittiness is present, but with very limited distortion, especially on electric guitar. The rhythm section is mixed well and provides a bottom anchor to the recording. The Lowdown Back Porch Blues should be part of any blues collection. - Robbie Gerson\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Louisiana Red (guitars, harmonica, vocals) Karl Lynch (bass), Panama Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-di0ej2N2bg"
    -referenceProduit: "Pure Pleasure Records R 25200"
    -titreMorceau: [
      [
        "nom" => "1. Red's Dream"
        "ordre" => 1
      ]
      [
        "nom" => "10. Sad News"
        "ordre" => 11
      ]
      [
        "nom" => "11. Two Fifty Three"
        "ordre" => 12
      ]
      [
        "nom" => "12. Don't Cry"
        "ordre" => 13
      ]
      [
        "nom" => "2. Working Man Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. I'm Louisiana Red"
        "ordre" => 3
      ]
      [
        "nom" => "4. Sweet Aleese"
        "ordre" => 4
      ]
      [
        "nom" => "5. Keep Your Hands Off My Woman"
        "ordre" => 5
      ]
      [
        "nom" => "6. I'm A Roaming Stranger"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ride On Red, Ride On"
        "ordre" => 8
      ]
      [
        "nom" => "8. I Wonder Who"
        "ordre" => 9
      ]
      [
        "nom" => "9. The Seventh Son"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1375684080 {#2151
      date: 2013-08-05 06:28:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575103752 {#2152
      date: 2019-11-30 08:49:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-lowdown-back-porch-blues-pure-pleasure-records-r-25200"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3516
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2154
    -id: 642
    -nom: "The Lowdown Back Porch Blues"
    -informationComplementaire: ""
    -description: """
      The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n
      \r\n
      One of these artists is Louisiana Red. Formerly known as Iverson Minter, he survived a devastating childhood (Red’s mother died of pneumonia and his father was lynched by the Klu Klux Klan in Alabama) to make his mark on the blues scene. After a stint in the army he joined the legions of blues men who emigrated north to begin a new life. He briefly played with John Lee Hooker before getting an audition with Roulette Records. His trademark guitar/harmonica and vocals extended his recording and performance stature for decades.\r\n
      \r\n
      Pure Pleasure Records has re-issued his 1963 debut, Lowdown, Back Porch Blues on 180-gram vinyl. Performing a mix of traditional and original (although there are some ‘dubious” songwriting credits) compositions, Louisiana Red is backed by a bassist (Karl Lynch) and drummer (Panama Francis). Side One gets off to a rowdy start with the self-introductory gem, “Red’s Blues”. There is a socio-political narrative to the song, but it includes a touch of humor. Red’s vocals and guitar are emotive. The blues framework is standard, updating Delta blues in Chicago hooks. “Working Man’s Blues” examines the hardship of balancing hard work and blues music. A certain highlight is the autobiographical “I’m Louisiana Red”. The jam is anchored by a rolling bass line and recounts life in Vicksburg (…”142 in the shade, 162 in the house…”). The listener is treated to a cross section of material, both lowdown (“Sweet Aleese”) and unadulterated, up tempo mojo (“Keep Your Hands Off My Woman”).\r\n
      \r\n
      Side Two opens with another disdainful commentary (“Ride On Red, Ride On”) on Southern dysfunction. Louisiana Red, with a harmonica-fueled lead, celebrates “life above the Mason-Dixon line”. This artist is more specific and topical than his peers. His vocals demonstrate a unique, idiosyncratic phrasing with occasional modulation. He refers to himself in both the first and third person, especially on “I Wonder Who”. The re-mastered vinyl captures the fluid tonality of Louisiana Red’s unique voice. All of the grittiness is present, but with very limited distortion, especially on electric guitar. The rhythm section is mixed well and provides a bottom anchor to the recording. The Lowdown Back Porch Blues should be part of any blues collection. - Robbie Gerson\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Louisiana Red (guitars, harmonica, vocals) Karl Lynch (bass), Panama Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-di0ej2N2bg"
    -referenceProduit: "Pure Pleasure Records R 25200"
    -titreMorceau: [
      [
        "nom" => "1. Red's Dream"
        "ordre" => 1
      ]
      [
        "nom" => "10. Sad News"
        "ordre" => 11
      ]
      [
        "nom" => "11. Two Fifty Three"
        "ordre" => 12
      ]
      [
        "nom" => "12. Don't Cry"
        "ordre" => 13
      ]
      [
        "nom" => "2. Working Man Blues"
        "ordre" => 2
      ]
      [
        "nom" => "3. I'm Louisiana Red"
        "ordre" => 3
      ]
      [
        "nom" => "4. Sweet Aleese"
        "ordre" => 4
      ]
      [
        "nom" => "5. Keep Your Hands Off My Woman"
        "ordre" => 5
      ]
      [
        "nom" => "6. I'm A Roaming Stranger"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ride On Red, Ride On"
        "ordre" => 8
      ]
      [
        "nom" => "8. I Wonder Who"
        "ordre" => 9
      ]
      [
        "nom" => "9. The Seventh Son"
        "ordre" => 10
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …}
    -enregistreLe: DateTime @1375684080 {#2151
      date: 2013-08-05 06:28:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575103752 {#2152
      date: 2019-11-30 08:49:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-lowdown-back-porch-blues-pure-pleasure-records-r-25200"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2170
    -id: 490
    -nom: "Singin’ The Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone), Willard McDaniel (piano), Jake Porter (trumpet), Floyd Newman (alto & baritone saxophone), Jesse Price, Jesse Sailes (drums). \r\n
      \r\n
      "Singin' The Blues" was issued as Crown 5020 in spring 1957 and featured some of B.B. King's best-loved songs up to that point. The LP included four #1 R&B hits : '3 O'Clock Blues' and 'You Know I Love You' (1952), 'Please Love Me' (1953) and 'You Upset Me Baby' (1954); four other top ten hits; plus 'Blind Love' from 1953 and covers of Tampa Red's 'Crying Won't Help You' (1955) and Gatemouth Moore's 'Did You Ever Love A Woman' from 1956. \r\n
      \r\n
      To fill out the album, a superior alternate take of 'Sweet Little Angel' was included. As John Broven observes in his notes: "In 1957 "Singin' The Blues" gave the first real indication that B.B. King was destined to be a major star. - Tony Burke\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q-fQd3uoPjQ"
    -referenceProduit: "Pure Pleasure Records PPAN CLP 5020"
    -titreMorceau: [
      [
        "nom" => "1. Please Love Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. Woke Up This Morning"
        "ordre" => 8
      ]
      [
        "nom" => "2. You Know I Love You"
        "ordre" => 9
      ]
      [
        "nom" => "2. You Upset Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. Everyday I Have the Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. Sweet Little Angel"
        "ordre" => 10
      ]
      [
        "nom" => "4. Bad Luck"
        "ordre" => 4
      ]
      [
        "nom" => "4. Ten Long Years"
        "ordre" => 11
      ]
      [
        "nom" => "5. 3 O'Clock Blues"
        "ordre" => 5
      ]
      [
        "nom" => "5. Did You Ever Love a Woman"
        "ordre" => 12
      ]
      [
        "nom" => "6. Blind Love"
        "ordre" => 6
      ]
      [
        "nom" => "6. Crying Won't Help You"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1326180706 {#2167
      date: 2012-01-10 07:31:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574692609 {#2168
      date: 2019-11-25 14:36:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-singin-the-blues-pure-pleasure-records-ppan-clp-5020"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3567
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2170
    -id: 490
    -nom: "Singin’ The Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone), Willard McDaniel (piano), Jake Porter (trumpet), Floyd Newman (alto & baritone saxophone), Jesse Price, Jesse Sailes (drums). \r\n
      \r\n
      "Singin' The Blues" was issued as Crown 5020 in spring 1957 and featured some of B.B. King's best-loved songs up to that point. The LP included four #1 R&B hits : '3 O'Clock Blues' and 'You Know I Love You' (1952), 'Please Love Me' (1953) and 'You Upset Me Baby' (1954); four other top ten hits; plus 'Blind Love' from 1953 and covers of Tampa Red's 'Crying Won't Help You' (1955) and Gatemouth Moore's 'Did You Ever Love A Woman' from 1956. \r\n
      \r\n
      To fill out the album, a superior alternate take of 'Sweet Little Angel' was included. As John Broven observes in his notes: "In 1957 "Singin' The Blues" gave the first real indication that B.B. King was destined to be a major star. - Tony Burke\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q-fQd3uoPjQ"
    -referenceProduit: "Pure Pleasure Records PPAN CLP 5020"
    -titreMorceau: [
      [
        "nom" => "1. Please Love Me"
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        "nom" => "1. Woke Up This Morning"
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      [
        "nom" => "2. You Know I Love You"
        "ordre" => 9
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      [
        "nom" => "2. You Upset Me Baby"
        "ordre" => 2
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      [
        "nom" => "3. Everyday I Have the Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. Sweet Little Angel"
        "ordre" => 10
      ]
      [
        "nom" => "4. Bad Luck"
        "ordre" => 4
      ]
      [
        "nom" => "4. Ten Long Years"
        "ordre" => 11
      ]
      [
        "nom" => "5. 3 O'Clock Blues"
        "ordre" => 5
      ]
      [
        "nom" => "5. Did You Ever Love a Woman"
        "ordre" => 12
      ]
      [
        "nom" => "6. Blind Love"
        "ordre" => 6
      ]
      [
        "nom" => "6. Crying Won't Help You"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1326180706 {#2167
      date: 2012-01-10 07:31:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574692609 {#2168
      date: 2019-11-25 14:36:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-singin-the-blues-pure-pleasure-records-ppan-clp-5020"
  }
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}

[
  "produit" => App\Entity\Produit {#2186
    -id: 722
    -nom: "Richland Woman Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar), Alvin Youngblood Hart, Angela Strehli, Maria Muldaur, Tracy Nelson (vocals).\r\n
      \r\n
      Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur inspired by a trip to Memphis' Beale Street digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin "Youngblood" Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. \r\n
      \r\n
      Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in "Me and My Chauffeur Blues" ("the way you ride so easy, I can't turn you down") or longing for her Southern home after moving north during the Depression in Bessie Smith's "Far Away Blues", the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.. - Hal Horowitz /AMG\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: "Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SCrrwnlITGc"
    -referenceProduit: "Pure Pleasure Records PPAN SP 1270"
    -titreMorceau: [
      [
        "nom" => "1. My Man Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Richland Woman Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Grasshoppers In My Pillow"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Girlish Days"
        "ordre" => 9
      ]
      [
        "nom" => "3. Far Away Blues"
        "ordre" => 10
      ]
      [
        "nom" => "3. It’s A Blessing"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got To Move"
        "ordre" => 11
      ]
      [
        "nom" => "4. Me And My Chauffeur Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Lonesome Desert Blues"
        "ordre" => 12
      ]
      [
        "nom" => "5. Put It Right Here"
        "ordre" => 5
      ]
      [
        "nom" => "6. I’m Goin’ Back Home"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Of A Man"
        "ordre" => 13
      ]
      [
        "nom" => "7. I Belong To That Band"
        "ordre" => 14
      ]
      [
        "nom" => "8. It’s A Blessing (Reprise)"
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1415952427 {#2183
      date: 2014-11-14 08:07:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574665865 {#2184
      date: 2019-11-25 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
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    -slug: "vinyles-richland-woman-blues-pure-pleasure-records-ppan-sp-1270"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3618
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2186
    -id: 722
    -nom: "Richland Woman Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar), Alvin Youngblood Hart, Angela Strehli, Maria Muldaur, Tracy Nelson (vocals).\r\n
      \r\n
      Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur inspired by a trip to Memphis' Beale Street digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin "Youngblood" Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. \r\n
      \r\n
      Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in "Me and My Chauffeur Blues" ("the way you ride so easy, I can't turn you down") or longing for her Southern home after moving north during the Depression in Bessie Smith's "Far Away Blues", the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.. - Hal Horowitz /AMG\r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SCrrwnlITGc"
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        "ordre" => 10
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        "nom" => "3. It’s A Blessing"
        "ordre" => 3
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      [
        "nom" => "4. I Got To Move"
        "ordre" => 11
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        "ordre" => 12
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        "ordre" => 5
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      [
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        "ordre" => 13
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      [
        "nom" => "7. I Belong To That Band"
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        "nom" => "8. It’s A Blessing (Reprise)"
        "ordre" => 15
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      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
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    -modifierLe: DateTime @1574665865 {#2184
      date: 2019-11-25 07:11:05.0 UTC (+00:00)
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}

[
  "produit" => App\Entity\Produit {#2202
    -id: 1298
    -nom: "The Soul Sounds Of Solomon Burke"
    -informationComplementaire: ""
    -description: """
      With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy Award.\r\n
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      By the age of 9, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At 12 he began hosting his own gospel radio show, "Solomon's Temple", and touring the gospel circuits billed as the "Wonder Boy Preacher". In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.\r\n
      \r\n
      At Atlantic Burke made some of the first soul records by setting his gospel "preaching" style in song forms borrowed from R&B, rock & roll and other secular music styles.. He was a major influence on Mick Jagger, who covered Burke-related songs "You Can Make It If You Try", "Everybody Needs Somebody to Love", "If You Need Me" and "Cry to Me" on early Rolling Stones albums. Otis Redding also covered Burke's R&B variation on the traditional folk ballad "Down in the Valley".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tEyLxhBiYWg"
    -referenceProduit: "Pure Pleasure Records 18158"
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        "ordre" => 1
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        "ordre" => 8
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        "ordre" => 2
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      [
        "nom" => "4. Keep A Light In The Window"
        "ordre" => 4
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      [
        "nom" => "4. Woman, How Do You Make Me Love You Like You Do"
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      [
        "nom" => "5. It's Just A Matter Of Time"
        "ordre" => 12
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      [
        "nom" => "6. Detroit City"
        "ordre" => 6
      ]
      [
        "nom" => "6. Presents For Christmas"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1525241674 {#2199
      date: 2018-05-02 06:14:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1573977627 {#2200
      date: 2019-11-17 08:00:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soul-sounds-of-solomon-burke-pure-pleasure-records-18158"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3669
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1808 …}
  +produit: App\Entity\Produit {#2202
    -id: 1298
    -nom: "The Soul Sounds Of Solomon Burke"
    -informationComplementaire: ""
    -description: """
      With his big, powerful voice and fervent but controlled emotionality, Solomon Burke was one of the early pioneers of soul music, though his contributions were not fully recognized until the new millennium, when he belatedly won his first Grammy Award.\r\n
      \r\n
      By the age of 9, Solomon Burke (b. March 21, 1940, Philadelphia, PA) was a preacher and choir soloist at his family's Philadelphia church, the House of God for All People. At 12 he began hosting his own gospel radio show, "Solomon's Temple", and touring the gospel circuits billed as the "Wonder Boy Preacher". In 1955 he began recording both religious and secular music for Apollo and Singular before signing with Atlantic Records in 1960.\r\n
      \r\n
      At Atlantic Burke made some of the first soul records by setting his gospel "preaching" style in song forms borrowed from R&B, rock & roll and other secular music styles.. He was a major influence on Mick Jagger, who covered Burke-related songs "You Can Make It If You Try", "Everybody Needs Somebody to Love", "If You Need Me" and "Cry to Me" on early Rolling Stones albums. Otis Redding also covered Burke's R&B variation on the traditional folk ballad "Down in the Valley".
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1703 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=tEyLxhBiYWg"
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      [
        "nom" => "6. Presents For Christmas"
        "ordre" => 13
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#1909 …}
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    -enregistreLe: DateTime @1525241674 {#2199
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    }
    -modifierLe: DateTime @1573977627 {#2200
      date: 2019-11-17 08:00:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-soul-sounds-of-solomon-burke-pure-pleasure-records-18158"
  }
  +optionPrix: null
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  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3869
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3870 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3918 …}
  +isValidated: false
  +validatedFields: []
}