Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2646
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2723
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2726 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
  -formView: Symfony\Component\Form\FormView {#2762 …}
  -form: Symfony\Component\Form\Form {#2912 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Ethan Farmer (bass guitar), James Knowles (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YKXeaHxmUU"
    -referenceProduit: "Pure Pleasure Records 26058"
    -titreMorceau: [
      [
        "nom" => "1. Born Under A Bad Sign "
        "ordre" => 7
      ]
      [
        "nom" => "1.Too Sorry "
        "ordre" => 1
      ]
      [
        "nom" => "2. Dirty Pool "
        "ordre" => 2
      ]
      [
        "nom" => "2. Right Place, Wrong Time "
        "ordre" => 8
      ]
      [
        "nom" => "3. I Ain’t Superstitious "
        "ordre" => 3
      ]
      [
        "nom" => "3. Telephone Song "
        "ordre" => 9
      ]
      [
        "nom" => "4. Kansas City "
        "ordre" => 4
      ]
      [
        "nom" => "4. Merry Christmas Baby"
        "ordre" => 10
      ]
      [
        "nom" => "5. Floodin’ In California"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1617434574 {#1929
      date: 2021-04-03 07:22:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1623256575 {#1922
      date: 2021-06-09 16:36:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dirty-pool-pure-pleasure-records-26058"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3183
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2007
    -nom: "Dirty Pool"
    -informationComplementaire: ""
    -description: """
      180 gram vinyl !\r\n
      \r\n
      Remastering by Cicely Baston at Alchemy/Air Mastering, London !\r\n
      \r\n
      Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago's famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King and Stevie Ray Vaughan.\r\n
      \r\n
      While early records such as Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison / Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid '90's.\r\n
      \r\n
      "The title song of the second album by that outfit, 'Dirty Pool', is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.\r\n
      \r\n
      Indeed, three tracks on this 1997 release, including 'Dirty Pool', were SRV tunes. Other standards, like 'Kansas City' and 'Floodin' in California' also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor's guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.\r\n
      \r\n
      This rare combination of qualities really comes out in a slow blues tune like his solo in 'Dirty Pool', which after repeated listens, still makes me head shake in disbelief when I hear it.\r\n
      \r\n
      "'Too Sorry' is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I've heard from a lead guitarist since Vaughan; listen to 'I Ain't Superstitious', 'Born Under A Bad Sign' and the funky 'Telephone Song' for your proof.\r\n
      \r\n
      It also helps that Taylor's drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer's peppering bass lines in and 'Floodin' in California' is the textbook way electric blues bass should be. Overall, a tight little band.\r\n
      \r\n
      "Taylor's vocals certainly won't draw any comparisons to the Wide-Brimmed-Hatted One but he holds his own just fine until it's cuttin' time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away". - S. Victor Aaron\r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Ethan Farmer (bass guitar), James Knowles (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YKXeaHxmUU"
    -referenceProduit: "Pure Pleasure Records 26058"
    -titreMorceau: [
      [
        "nom" => "1. Born Under A Bad Sign "
        "ordre" => 7
      ]
      [
        "nom" => "1.Too Sorry "
        "ordre" => 1
      ]
      [
        "nom" => "2. Dirty Pool "
        "ordre" => 2
      ]
      [
        "nom" => "2. Right Place, Wrong Time "
        "ordre" => 8
      ]
      [
        "nom" => "3. I Ain’t Superstitious "
        "ordre" => 3
      ]
      [
        "nom" => "3. Telephone Song "
        "ordre" => 9
      ]
      [
        "nom" => "4. Kansas City "
        "ordre" => 4
      ]
      [
        "nom" => "4. Merry Christmas Baby"
        "ordre" => 10
      ]
      [
        "nom" => "5. Floodin’ In California"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1617434574 {#1929
      date: 2021-04-03 07:22:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1623256575 {#1922
      date: 2021-06-09 16:36:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dirty-pool-pure-pleasure-records-26058"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2054
    -nom: "Powerhouse"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl LP reissue !\r\n
      \r\n
      Remastered by Mike Milchner at Sonic Vision !\r\n
      \r\n
      Lacquer cutting by Clint Holley and Dave Polster at Well Made Music !\r\n
      \r\n
      LPs pressed at Gotta Groove Records !\r\n
      \r\n
      Added liner notes by Pat Thomas, author of Listen Whitey ! The Sounds of Black Power !\r\n
      \r\n
      Chester Thompson is one of the most decorated and distinguished keyboardists in R&B and rock 'n' roll, let alone the San Francisco Bay area musical scene. Playing with legendary Bay area bands Tower of Power and Santana, Powerhouse was his 1971 recording debut as a bandleader.\r\n
      \r\n
      It's little wonder that this album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly... it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove.\r\n
      \r\n
      Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue !\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chester Thompson (organ), Rudolph Johnson (saxophone), Al Hall (trombone), Raymond Pounds (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=osPk9lHIsBc"
    -referenceProduit: "Real Gone Music 1202"
    -titreMorceau: [
      [
        "nom" => "1. Mr. T "
        "ordre" => 1
      ]
      [
        "nom" => "1. Weird Harold "
        "ordre" => 4
      ]
      [
        "nom" => "2. Powerhouse"
        "ordre" => 5
      ]
      [
        "nom" => "2. Trip One"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1622629695 {#2095
      date: 2021-06-02 10:28:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1622630200 {#2096
      date: 2021-06-02 10:36:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-powerhouse-real-gone-music-1202"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3297
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2054
    -nom: "Powerhouse"
    -informationComplementaire: ""
    -description: """
      First-ever vinyl LP reissue !\r\n
      \r\n
      Remastered by Mike Milchner at Sonic Vision !\r\n
      \r\n
      Lacquer cutting by Clint Holley and Dave Polster at Well Made Music !\r\n
      \r\n
      LPs pressed at Gotta Groove Records !\r\n
      \r\n
      Added liner notes by Pat Thomas, author of Listen Whitey ! The Sounds of Black Power !\r\n
      \r\n
      Chester Thompson is one of the most decorated and distinguished keyboardists in R&B and rock 'n' roll, let alone the San Francisco Bay area musical scene. Playing with legendary Bay area bands Tower of Power and Santana, Powerhouse was his 1971 recording debut as a bandleader.\r\n
      \r\n
      It's little wonder that this album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by its title honestly... it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove.\r\n
      \r\n
      Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue !\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chester Thompson (organ), Rudolph Johnson (saxophone), Al Hall (trombone), Raymond Pounds (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=osPk9lHIsBc"
    -referenceProduit: "Real Gone Music 1202"
    -titreMorceau: [
      [
        "nom" => "1. Mr. T "
        "ordre" => 1
      ]
      [
        "nom" => "1. Weird Harold "
        "ordre" => 4
      ]
      [
        "nom" => "2. Powerhouse"
        "ordre" => 5
      ]
      [
        "nom" => "2. Trip One"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1622629695 {#2095
      date: 2021-06-02 10:28:15.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1622630200 {#2096
      date: 2021-06-02 10:36:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-powerhouse-real-gone-music-1202"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2053
    -nom: "Billy Bang : Music From The Film Lucky Man "
    -informationComplementaire: ""
    -description: """
      "Bang was a genuine original, whose radicalism of method was always balanced by a powerful lyrical sense, a driving inner beat and the earthiness of the blues". - The Guardian\r\n
      \r\n
      BBE Music presents Lucky Man, music from the eponymous documentary film charting jazz violinist and Vietnam veteran Billy Bang's brave return to the country, 40 years after the war.\r\n
      \r\n
      The film Lucky Man by Jean-Marie Boulet & Markus Hansen follows Billy Bang as he returns to the battlefields of his past, this time with a violin in-hand instead of a rifle. The documentary follows Billy as he travels the length and breadth of Vietnam to collaborate with local musicians, discover the culture he never got to experience the first time around, and to try to find some closure for the haunting trauma that still lingers within.\r\n
      \r\n
      The trip took place in 2008, three years before Billy Bang's passing and these never-before released field recordings, lovingly polished at The Carvery studio in London, capture the musician's many poignant musical encounters along the way. The journey took him from Ho Chi Minh City and the Mekong Delta, through to the highlands and the Banhar and Jorai gongs of the Montagnards, north across the 17th parallel, climaxing with "Mystery of the Mekong", his collaboration with the Hanoi Symphony Orchestra.\r\n
      \r\n
      The album Lucky Man is composed of recordings captured throughout Billy Bang's travels in Vietnam, interspersed with his candid thoughts about music, art, war, and his return to the country. Tran Manh Tuan, the saxophonist featured on "Jungle Lullaby" is well known in Saigon, where he owns a club called Sax n'Art, in which the live collaboration was recorded. In the more rural Kon Tum province, The Banhar Gong Group of Kuntum perform one of their traditional pieces, over which Billy's off-the-cuff improvisation simply soars. The Phu Dong Family Band (a collective comprising an incredible 25 members of leader Duc Dau's family) appears on "New Saigon Phunk" and "Song for Don Cherry", recorded in their native Ho Chi Minh City. Duc Dau is also a collector of ancient traditional instruments, and he plays a primitive stone Lithophone called a Dan Da with Billy in an energetic and exciting live jam that feels more like a duel at points.Born in 1947, Billy Bang was only 18 years old when he was drafted and shipped out to Vietnam. He served only one tour of duty, but his traumatic experiences there would haunt him for the rest of his life. Small in stature, Bang became a "tunnel rat", searching for North Vietnamese soldiers in booby-trapped tunnels with only a flashlight and a .45 pistol. On his return to the USA, Billy felt lost, haunted and stateless. He fell into revolutionary politics, alcohol and drugs, and on a trip to a pawnshop to purchase guns, chose to pick up up a $25 violin instead.\r\n
      \r\n
      Having played violin, drums and flute before the War, Billy Bang found music to be a perfect medium through which to channel his emotions and trauma, initially under the mentorship of early free-jazz exponent Leroy Jenkins. Bang soon became a fixture in New York's fertile "loft jazz" scene, and went on to perform with the Sun Ra Arkestra in the 1980s.\r\n
      \r\n
      A prolific composer, recording artist and sideman, Billy Bang started to address his Vietnam memories more directly with his music on 2001's critically acclaimed album Vietnam, The Aftermath, which also featured fellow veteran Ted Daniel. The 2005 follow-up Vietnam: Reflections featured four American Vietnam war veterans and two Vietnamese musicians. This project, Lucky Man, completes Billy Bang's trilogy of Vietnam-themed works with a courageous solo voyage into the unknown; embarking on a new creative challenge while confronting a past he could never quite get over.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=X8m0z_pP9q4"
    -referenceProduit: "BBE 650"
    -titreMorceau: [
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        "nom" => "1. Lucky Man : Billy reflecting on memories and feelings "
        "ordre" => 13
      ]
      [
        "nom" => "1. Lucky Man : Flashback Memories "
        "ordre" => 9
      ]
      [
        "nom" => "1. Lucky Man : Flashlight and a 45 Tunnel Memories "
        "ordre" => 20
      ]
      [
        "nom" => "1. Lucky Man : Introduction "
        "ordre" => 1
      ]
      [
        "nom" => "1. Lucky Man : Quynh Anh Pham's memories about her father "
        "ordre" => 16
      ]
      [
        "nom" => "1. Lucky Man : The Sun Rising - Introduction to Song for Don Cherry "
        "ordre" => 6
      ]
      [
        "nom" => "2. Billy playing with the Banhar Gong Group of Kuntum (traditional and improvised) "
        "ordre" => 2
      ]
      [
        "nom" => "2. Dan Da "
        "ordre" => 17
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      [
        "nom" => "2. Jungle Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "2. Lucky Man Title Music : Vietnam 1967 Battle Composition "
        "ordre" => 21
      ]
      [
        "nom" => "2. New Saigon Phunk "
        "ordre" => 10
      ]
      [
        "nom" => "2. Song for Don Cherry"
        "ordre" => 7
      ]
      [
        "nom" => "3. Lucky Man : Billy speaking about music and art "
        "ordre" => 18
      ]
      [
        "nom" => "3. Lucky Man : Flashback Tunnel Reflections "
        "ordre" => 3
      ]
      [
        "nom" => "3. Lucky Man : Teach Me Banhar "
        "ordre" => 22
      ]
      [
        "nom" => "3. Lucky Man : Traditional Vietnamese Catru Music "
        "ordre" => 11
      ]
      [
        "nom" => "4. Mystery of the Mekong "
        "ordre" => 4
      ]
      [
        "nom" => "4. Traditional Quan Ho "
        "ordre" => 23
      ]
      [
        "nom" => "5. Lucky Man : Billy reflecting on America, music and being left alone "
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      ]
      [
        "nom" => "6. Moments for the KIAMIA, Solo in a Hotel interior courtyard "
        "ordre" => 25
      ]
      [
        "nom" => "7. Lucky Man : Quynh Anh Pham Lullaby"
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      ]
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        "nom" => "Side A : "
        "ordre" => 0
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      ]
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        "ordre" => 19
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3348
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  +produit: App\Entity\Produit {#2117
    -id: 2053
    -nom: "Billy Bang : Music From The Film Lucky Man "
    -informationComplementaire: ""
    -description: """
      "Bang was a genuine original, whose radicalism of method was always balanced by a powerful lyrical sense, a driving inner beat and the earthiness of the blues". - The Guardian\r\n
      \r\n
      BBE Music presents Lucky Man, music from the eponymous documentary film charting jazz violinist and Vietnam veteran Billy Bang's brave return to the country, 40 years after the war.\r\n
      \r\n
      The film Lucky Man by Jean-Marie Boulet & Markus Hansen follows Billy Bang as he returns to the battlefields of his past, this time with a violin in-hand instead of a rifle. The documentary follows Billy as he travels the length and breadth of Vietnam to collaborate with local musicians, discover the culture he never got to experience the first time around, and to try to find some closure for the haunting trauma that still lingers within.\r\n
      \r\n
      The trip took place in 2008, three years before Billy Bang's passing and these never-before released field recordings, lovingly polished at The Carvery studio in London, capture the musician's many poignant musical encounters along the way. The journey took him from Ho Chi Minh City and the Mekong Delta, through to the highlands and the Banhar and Jorai gongs of the Montagnards, north across the 17th parallel, climaxing with "Mystery of the Mekong", his collaboration with the Hanoi Symphony Orchestra.\r\n
      \r\n
      The album Lucky Man is composed of recordings captured throughout Billy Bang's travels in Vietnam, interspersed with his candid thoughts about music, art, war, and his return to the country. Tran Manh Tuan, the saxophonist featured on "Jungle Lullaby" is well known in Saigon, where he owns a club called Sax n'Art, in which the live collaboration was recorded. In the more rural Kon Tum province, The Banhar Gong Group of Kuntum perform one of their traditional pieces, over which Billy's off-the-cuff improvisation simply soars. The Phu Dong Family Band (a collective comprising an incredible 25 members of leader Duc Dau's family) appears on "New Saigon Phunk" and "Song for Don Cherry", recorded in their native Ho Chi Minh City. Duc Dau is also a collector of ancient traditional instruments, and he plays a primitive stone Lithophone called a Dan Da with Billy in an energetic and exciting live jam that feels more like a duel at points.Born in 1947, Billy Bang was only 18 years old when he was drafted and shipped out to Vietnam. He served only one tour of duty, but his traumatic experiences there would haunt him for the rest of his life. Small in stature, Bang became a "tunnel rat", searching for North Vietnamese soldiers in booby-trapped tunnels with only a flashlight and a .45 pistol. On his return to the USA, Billy felt lost, haunted and stateless. He fell into revolutionary politics, alcohol and drugs, and on a trip to a pawnshop to purchase guns, chose to pick up up a $25 violin instead.\r\n
      \r\n
      Having played violin, drums and flute before the War, Billy Bang found music to be a perfect medium through which to channel his emotions and trauma, initially under the mentorship of early free-jazz exponent Leroy Jenkins. Bang soon became a fixture in New York's fertile "loft jazz" scene, and went on to perform with the Sun Ra Arkestra in the 1980s.\r\n
      \r\n
      A prolific composer, recording artist and sideman, Billy Bang started to address his Vietnam memories more directly with his music on 2001's critically acclaimed album Vietnam, The Aftermath, which also featured fellow veteran Ted Daniel. The 2005 follow-up Vietnam: Reflections featured four American Vietnam war veterans and two Vietnamese musicians. This project, Lucky Man, completes Billy Bang's trilogy of Vietnam-themed works with a courageous solo voyage into the unknown; embarking on a new creative challenge while confronting a past he could never quite get over.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=X8m0z_pP9q4"
    -referenceProduit: "BBE 650"
    -titreMorceau: [
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        "nom" => "1. Lucky Man : Billy reflecting on memories and feelings "
        "ordre" => 13
      ]
      [
        "nom" => "1. Lucky Man : Flashback Memories "
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      ]
      [
        "nom" => "1. Lucky Man : Flashlight and a 45 Tunnel Memories "
        "ordre" => 20
      ]
      [
        "nom" => "1. Lucky Man : Introduction "
        "ordre" => 1
      ]
      [
        "nom" => "1. Lucky Man : Quynh Anh Pham's memories about her father "
        "ordre" => 16
      ]
      [
        "nom" => "1. Lucky Man : The Sun Rising - Introduction to Song for Don Cherry "
        "ordre" => 6
      ]
      [
        "nom" => "2. Billy playing with the Banhar Gong Group of Kuntum (traditional and improvised) "
        "ordre" => 2
      ]
      [
        "nom" => "2. Dan Da "
        "ordre" => 17
      ]
      [
        "nom" => "2. Jungle Lullaby"
        "ordre" => 14
      ]
      [
        "nom" => "2. Lucky Man Title Music : Vietnam 1967 Battle Composition "
        "ordre" => 21
      ]
      [
        "nom" => "2. New Saigon Phunk "
        "ordre" => 10
      ]
      [
        "nom" => "2. Song for Don Cherry"
        "ordre" => 7
      ]
      [
        "nom" => "3. Lucky Man : Billy speaking about music and art "
        "ordre" => 18
      ]
      [
        "nom" => "3. Lucky Man : Flashback Tunnel Reflections "
        "ordre" => 3
      ]
      [
        "nom" => "3. Lucky Man : Teach Me Banhar "
        "ordre" => 22
      ]
      [
        "nom" => "3. Lucky Man : Traditional Vietnamese Catru Music "
        "ordre" => 11
      ]
      [
        "nom" => "4. Mystery of the Mekong "
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      ]
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      ]
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        "nom" => "5. Lucky Man : Billy reflecting on America, music and being left alone "
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      ]
      [
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      ]
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        "ordre" => 19
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -modifierLe: DateTime @1622629131 {#2115
      date: 2021-06-02 10:18:51.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-billy-bang-music-from-the-film-lucky-man-bbe-650"
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}

[
  "produit" => App\Entity\Produit {#2136
    -id: 1959
    -nom: "The New Orleans Collection  (Clear Vinyl)"
    -informationComplementaire: ""
    -description: """
      Newvelle Presents : The New Orleans Collection limited edition vinyl bundle !\r\n
      \r\n
      Four 180 gram LPs on clear vinyl featuring four new recordings by New Orleans music legends !\r\n
      \r\n
      Featuring Irma Thomas, Ellis Marsalis, Little Freddie King, and Jon Cleary !\r\n
      \r\n
      Recorded in New Orleans in 2020 by Misha Kachkachishvili at Esplanade Studio !\r\n
      \r\n
      Mixed by Marc Urselli, mastered by Alex DeTurk !\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Yes, this was digitally recorded but if you still insist that means it can't sound great and can't produce three dimensional images, well after hearing this if you're still in that camp, you've got some loose bits. Great microphones, skilled engineering and of course a big beautiful former church are key to the uniformly excellent sound here... Alex DeTurk at The Bunker cut the lacquers and QRP in Salina, KS pressed on 180 gram vinyl. While I’m reviewing this using test pressings, I bought this set without hearing a note and I’m glad I did! It’s well-worth the asking price". "The New Orleans Collection Newvelle's Crescent City Excent Adventure" Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      From jazz label Newvelle Records, Newvelle Presents: The New Orleans Collection features four clear vinyl 180 gram LPs featuring performances by the soul queen herself Irma Thomas, the late joyful jazz pianist and musical mentor to many Ellis Marsalis, the inimitable Delta blues guitarist Little Freddie King, and the wildly expressive funk and R&B pianist Jon Cleary ! Recorded in the spring of 2020, (Ellis passed at the age of 85 in March 2020) these four new recordings from the greatest generation of New Orleans artists are produced and pressed with the uncompromising quality that Newvelle fans have come to expect from the label.\r\n
      \r\n
      The vinyl is pressed at the world-renowned Quality Record Pressings, makers of the world's finest-sounding LPs !\r\n
      What makes Newvelle so special that discerning audiophiles would want to invest $200 without having a chance to preview these releases? The easy answer is that Newvelle LPs sound absolutely spectacular in every way. Here's their mission statement.\r\n
      \r\n
      "We set out to build a series of records, of all new music, that cut no corners sonically or artistically. Each year Newvelle records... records, exclusively on vinyl and with curated artwork and literature. We built a model that treats musicians right and uses the full available canvas of vinyl to make something unique and beautiful".\r\n
      \r\n
      So, give us the details. What's Newvelle serving up in this special vinyl bundle package ? We'll tell you.\r\n
      \r\n
      The legacy and breadth of New Orleans music is beautifully represented in this limited edition collection of four single-sleeved records on clear vinyl. The New Orleans Collection is a physical testament to the vibrancy of New Orleans music-preserving the legacy of New Orleans for generations of listeners, present and future.\r\n
      \r\n
      New Orleans Featured Artists\r\n
      IRMA THOMAS\r\n
      \r\n
      Returning to the studio for her first album in over a decade, soul powerhouse Irma Thomas is back. With vocals that will sweep you away into a different time and space, Irma Thomas is rooted by her phenomenal accompanying band featuring Preservation Hall Jazz Band pianist Kyle Roussel, Johnny Vidacovich on drums, and the late Alfred "Uganda" Roberts on percussion. Roberts and Vidacovich played together since the late '60s as rhythm partners for many of the '60s and '70s R&B greats, including Professor Longhair.\r\n
      \r\n
      Providing the brass for the album are Andrew Baham on trumpet, Roderick Pauling on Saxophone, and Terrence Taplin on Trombone. Thomas is supported by vocal backing from Paggy Prine, Sierra Green, and Kyshona Armstrong. And, bridging two great American musical traditions, Paul Defiglia and Stephen Daly join the band to contribute bass and guitar all the way from Nashville.\r\n
      \r\n
      LITTLE FREDDIE KING\r\n
      \r\n
      You've never met anyone quite like the charismatic Delta blues guitarist and vocalist, Little Freddie King. Born in Mississippi, King rode the rails to New Orleans at the age of 14, began to study guitar, and soon found himself performing in juke joints across the city. King mastered his craft and recorded the first electric blues album (Harmonica Williams and Little Freddie King) before setting off to tour with John Lee Hooker and Bo Diddley. King is backed by his longtime band members ‘Wacko' Wade Wright on drums and Robert Louis diTullio, Jr. on harmonica. Adding a new element to the music, the album also features the playing of Nashville guitarists Paul Defiglia and Stephen Daly as well as piano accompaniment by Elan Mehler. This project captures the authentic, incredibly raw style that King embodies, but it also expands on his forms of expression with solo, acoustic, and even gospel influence.\r\n
      \r\n
      ELLIS MARSALIS & JASON MARSALIS\r\n
      \r\n
      Jazz pianist Ellis Marsalis joined Newvelle Records in the studio just a few weeks before his passing in March 2020. This album, his last recording, finds him returning to some of his earliest works. In addition to a few new pieces, Marsalis revisits works from the earliest days of the modern jazz movement in New Orleans. He remembers moments that impacted the trajectory of the genre-such as when Coltrane came to listen to Marsalis and James Black and was blown away by their use of mixed meter. Ellis is joined on several songs by his youngest son Jason Marsalis on the vibraphone, and on one track with special accompaniment by Jason's daughter Marley Marsalis on percussion and piano.\r\n
      \r\n
      JON CLEARY\r\n
      \r\n
      Funk, jazz, R&B-these genres are so deeply rooted in New Orleans that it's no wonder the young British pianist Jon Cleary was compelled to move to the city to play. In the early '80s, he was painting the bar at the famous Maple Leaf Bar, where he listened to James Booker play live every week while soaking in the sounds of New Orleans piano greats such as Huey "Piano" Smith, Mac Rebennack, Fats Domino, and Professor Longhair. Now, four decades later, New Orleans has fully embraced Cleary as one of its own. Coming full circle for this recording, Cleary is backed by James Booker's rhythm section from his last studio album Classified James Singleton on upright bass and Johnny Vidacovich on drums. They are joined on several tracks by James Rivers, a legendary New Orleans saxophone player who played on many New Orleans funk and R&B classics from Big Chief to Carnival Time.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vTmTDBdU234"
    -referenceProduit: "Newvelle Records"
    -titreMorceau: [
      [
        "nom" => "ELLIS MARSALIS & JASON MARSALIS"
        "ordre" => 2
      ]
      [
        "nom" => "IRMA THOMAS"
        "ordre" => 0
      ]
      [
        "nom" => "JON CLEARY"
        "ordre" => 3
      ]
      [
        "nom" => "LITTLE FREDDIE KING"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
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    }
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      date: 2021-05-24 14:38:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-the-new-orleans-collection-clear-vinyl-newvelle-records"
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App\Twig\Components\GestionPanierFavoriComponents {#3399
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 1959
    -nom: "The New Orleans Collection  (Clear Vinyl)"
    -informationComplementaire: ""
    -description: """
      Newvelle Presents : The New Orleans Collection limited edition vinyl bundle !\r\n
      \r\n
      Four 180 gram LPs on clear vinyl featuring four new recordings by New Orleans music legends !\r\n
      \r\n
      Featuring Irma Thomas, Ellis Marsalis, Little Freddie King, and Jon Cleary !\r\n
      \r\n
      Recorded in New Orleans in 2020 by Misha Kachkachishvili at Esplanade Studio !\r\n
      \r\n
      Mixed by Marc Urselli, mastered by Alex DeTurk !\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Yes, this was digitally recorded but if you still insist that means it can't sound great and can't produce three dimensional images, well after hearing this if you're still in that camp, you've got some loose bits. Great microphones, skilled engineering and of course a big beautiful former church are key to the uniformly excellent sound here... Alex DeTurk at The Bunker cut the lacquers and QRP in Salina, KS pressed on 180 gram vinyl. While I’m reviewing this using test pressings, I bought this set without hearing a note and I’m glad I did! It’s well-worth the asking price". "The New Orleans Collection Newvelle's Crescent City Excent Adventure" Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      From jazz label Newvelle Records, Newvelle Presents: The New Orleans Collection features four clear vinyl 180 gram LPs featuring performances by the soul queen herself Irma Thomas, the late joyful jazz pianist and musical mentor to many Ellis Marsalis, the inimitable Delta blues guitarist Little Freddie King, and the wildly expressive funk and R&B pianist Jon Cleary ! Recorded in the spring of 2020, (Ellis passed at the age of 85 in March 2020) these four new recordings from the greatest generation of New Orleans artists are produced and pressed with the uncompromising quality that Newvelle fans have come to expect from the label.\r\n
      \r\n
      The vinyl is pressed at the world-renowned Quality Record Pressings, makers of the world's finest-sounding LPs !\r\n
      What makes Newvelle so special that discerning audiophiles would want to invest $200 without having a chance to preview these releases? The easy answer is that Newvelle LPs sound absolutely spectacular in every way. Here's their mission statement.\r\n
      \r\n
      "We set out to build a series of records, of all new music, that cut no corners sonically or artistically. Each year Newvelle records... records, exclusively on vinyl and with curated artwork and literature. We built a model that treats musicians right and uses the full available canvas of vinyl to make something unique and beautiful".\r\n
      \r\n
      So, give us the details. What's Newvelle serving up in this special vinyl bundle package ? We'll tell you.\r\n
      \r\n
      The legacy and breadth of New Orleans music is beautifully represented in this limited edition collection of four single-sleeved records on clear vinyl. The New Orleans Collection is a physical testament to the vibrancy of New Orleans music-preserving the legacy of New Orleans for generations of listeners, present and future.\r\n
      \r\n
      New Orleans Featured Artists\r\n
      IRMA THOMAS\r\n
      \r\n
      Returning to the studio for her first album in over a decade, soul powerhouse Irma Thomas is back. With vocals that will sweep you away into a different time and space, Irma Thomas is rooted by her phenomenal accompanying band featuring Preservation Hall Jazz Band pianist Kyle Roussel, Johnny Vidacovich on drums, and the late Alfred "Uganda" Roberts on percussion. Roberts and Vidacovich played together since the late '60s as rhythm partners for many of the '60s and '70s R&B greats, including Professor Longhair.\r\n
      \r\n
      Providing the brass for the album are Andrew Baham on trumpet, Roderick Pauling on Saxophone, and Terrence Taplin on Trombone. Thomas is supported by vocal backing from Paggy Prine, Sierra Green, and Kyshona Armstrong. And, bridging two great American musical traditions, Paul Defiglia and Stephen Daly join the band to contribute bass and guitar all the way from Nashville.\r\n
      \r\n
      LITTLE FREDDIE KING\r\n
      \r\n
      You've never met anyone quite like the charismatic Delta blues guitarist and vocalist, Little Freddie King. Born in Mississippi, King rode the rails to New Orleans at the age of 14, began to study guitar, and soon found himself performing in juke joints across the city. King mastered his craft and recorded the first electric blues album (Harmonica Williams and Little Freddie King) before setting off to tour with John Lee Hooker and Bo Diddley. King is backed by his longtime band members ‘Wacko' Wade Wright on drums and Robert Louis diTullio, Jr. on harmonica. Adding a new element to the music, the album also features the playing of Nashville guitarists Paul Defiglia and Stephen Daly as well as piano accompaniment by Elan Mehler. This project captures the authentic, incredibly raw style that King embodies, but it also expands on his forms of expression with solo, acoustic, and even gospel influence.\r\n
      \r\n
      ELLIS MARSALIS & JASON MARSALIS\r\n
      \r\n
      Jazz pianist Ellis Marsalis joined Newvelle Records in the studio just a few weeks before his passing in March 2020. This album, his last recording, finds him returning to some of his earliest works. In addition to a few new pieces, Marsalis revisits works from the earliest days of the modern jazz movement in New Orleans. He remembers moments that impacted the trajectory of the genre-such as when Coltrane came to listen to Marsalis and James Black and was blown away by their use of mixed meter. Ellis is joined on several songs by his youngest son Jason Marsalis on the vibraphone, and on one track with special accompaniment by Jason's daughter Marley Marsalis on percussion and piano.\r\n
      \r\n
      JON CLEARY\r\n
      \r\n
      Funk, jazz, R&B-these genres are so deeply rooted in New Orleans that it's no wonder the young British pianist Jon Cleary was compelled to move to the city to play. In the early '80s, he was painting the bar at the famous Maple Leaf Bar, where he listened to James Booker play live every week while soaking in the sounds of New Orleans piano greats such as Huey "Piano" Smith, Mac Rebennack, Fats Domino, and Professor Longhair. Now, four decades later, New Orleans has fully embraced Cleary as one of its own. Coming full circle for this recording, Cleary is backed by James Booker's rhythm section from his last studio album Classified James Singleton on upright bass and Johnny Vidacovich on drums. They are joined on several tracks by James Rivers, a legendary New Orleans saxophone player who played on many New Orleans funk and R&B classics from Big Chief to Carnival Time.\r\n
      \r\n
      \r\n
      \r\n
      """
    -prixVente: "399.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vTmTDBdU234"
    -referenceProduit: "Newvelle Records"
    -titreMorceau: [
      [
        "nom" => "ELLIS MARSALIS & JASON MARSALIS"
        "ordre" => 2
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        "nom" => "IRMA THOMAS"
        "ordre" => 0
      ]
      [
        "nom" => "JON CLEARY"
        "ordre" => 3
      ]
      [
        "nom" => "LITTLE FREDDIE KING"
        "ordre" => 1
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2141 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2143 …}
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    }
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      date: 2021-05-24 14:38:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-the-new-orleans-collection-clear-vinyl-newvelle-records"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
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[
  "produit" => App\Entity\Produit {#2161
    -id: 1986
    -nom: "Moanin'"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958's Moanin' featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt was the perfect crystallization of the band's bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin' due to the popularity of Timmons' unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" and "Blues March".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xbBVY3oZC5c"
    -referenceProduit: "Blue Note Records 84003"
    -titreMorceau: [
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        "nom" => "1. Moanin'"
        "ordre" => 1
      ]
      [
        "nom" => "1. The Drum Thunder Suite"
        "ordre" => 5
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        "nom" => "2. Are You Real"
        "ordre" => 2
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      [
        "nom" => "2. Blues March"
        "ordre" => 6
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      [
        "nom" => "3. Come Rain or Come Shine"
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
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      date: 2021-02-16 10:25:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866995 {#2152
      date: 2021-05-24 14:36:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moanin-blue-note-records-84003"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3450
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2161
    -id: 1986
    -nom: "Moanin'"
    -informationComplementaire: ""
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958's Moanin' featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt was the perfect crystallization of the band's bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin' due to the popularity of Timmons' unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" and "Blues March".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Art Blakey (drums), Lee Morgan (trumpet), Benny Golson (tenor saxophone), Bobby Timmons (piano), Jymie Merritt (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xbBVY3oZC5c"
    -referenceProduit: "Blue Note Records 84003"
    -titreMorceau: [
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        "nom" => "1. Moanin'"
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        "nom" => "1. The Drum Thunder Suite"
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        "nom" => "2. Are You Real"
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      [
        "nom" => "2. Blues March"
        "ordre" => 6
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      [
        "nom" => "3. Along Came Betty"
        "ordre" => 3
      ]
      [
        "nom" => "3. Come Rain or Come Shine"
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      [
        "nom" => "Side A : "
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      ]
      [
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        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2163 …}
    -label: Proxies\__CG__\App\Entity\Label {#2166 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …}
    -enregistreLe: DateTime @1613471146 {#2153
      date: 2021-02-16 10:25:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866995 {#2152
      date: 2021-05-24 14:36:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-moanin-blue-note-records-84003"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2180
    -id: 2016
    -nom: "The Poet"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, The Waters (backing vocals), David Shields, Nathan East (bass), David T. Walker (guitar), Regina Womack, Sally Womack, Tondalei, Vincent Womack (handclaps), Dorothy Ashby (harp), Dale Ramsey, Patrick Moten (keyboards), Eddie Bongo Brown, Paulinho De Costa (percussion), James Gadson (drums).\r\n
      \r\n
      - 40th Anniversary !\r\n
      \r\n
      - 180 gram Vinyl !\r\n
      \r\n
      - Remastered from original tapes !\r\n
      \r\n
      Bobby Womack's classic 1980s albums The Poet and The Poet II have been remastered for reissue on heavyweight 180 gram vinyl LP in Spring 2021 ! The Poet was released in 1981 and reestablished Womack's credentials as a master songwriter and performer. It reached N° 1 on Billboard's R&B album chart, fueled by the success of the single "If You Think You're Lonely Now". Other standout tracks from this hugely acclaimed set included "So Many Sides Of You", "Just My Imagination", "Secrets", "Where Do We Go From Here", and "Lay Your Lovin' On Me". \r\n
      \r\n
      "The Poet was split into two distinct musical moods", writes Bill Dahl in the new liner notes for the reissue. "The first side of the album placed Bobby in uptempo settings and let the infectious grooves flow freely. Side two cast Bobby as the romantic balladeer, a seductive image that had long sent his legion of female fans into a frenzy".\r\n
      The original tapes, long believed to be lost, have been recovered and are sourced for the remasters of The Poet. This 180 gram vinyl reissue makes the album available on the format for the first time in decades. The historic album is packaged with extensive liner notes by R&B scholar Bill Dahl.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, The Waters (backing vocals), David Shields, Nathan East (bass), David T. Walker (guitar), Regina Womack, Sally Womack, Tondalei, Vincent Womack (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DHeGyk2pZ60"
    -referenceProduit: "Abkco Records 87891"
    -titreMorceau: [
      [
        "nom" => "1. Games "
        "ordre" => 7
      ]
      [
        "nom" => "1. So Many Sides Of You \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. If You Think You're Lonely Now "
        "ordre" => 8
      ]
      [
        "nom" => "2. Lay Your Lovin' On Me \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Secrets \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. Where Do We Go From Here"
        "ordre" => 9
      ]
      [
        "nom" => "4. Just My Imagination \t"
        "ordre" => 4
      ]
      [
        "nom" => "5. Stand Up "
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2185 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1619763878 {#2177
      date: 2021-04-30 06:24:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866507 {#2178
      date: 2021-05-24 14:28:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-poet-abkco-records-87891"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3501
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2180
    -id: 2016
    -nom: "The Poet"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, The Waters (backing vocals), David Shields, Nathan East (bass), David T. Walker (guitar), Regina Womack, Sally Womack, Tondalei, Vincent Womack (handclaps), Dorothy Ashby (harp), Dale Ramsey, Patrick Moten (keyboards), Eddie Bongo Brown, Paulinho De Costa (percussion), James Gadson (drums).\r\n
      \r\n
      - 40th Anniversary !\r\n
      \r\n
      - 180 gram Vinyl !\r\n
      \r\n
      - Remastered from original tapes !\r\n
      \r\n
      Bobby Womack's classic 1980s albums The Poet and The Poet II have been remastered for reissue on heavyweight 180 gram vinyl LP in Spring 2021 ! The Poet was released in 1981 and reestablished Womack's credentials as a master songwriter and performer. It reached N° 1 on Billboard's R&B album chart, fueled by the success of the single "If You Think You're Lonely Now". Other standout tracks from this hugely acclaimed set included "So Many Sides Of You", "Just My Imagination", "Secrets", "Where Do We Go From Here", and "Lay Your Lovin' On Me". \r\n
      \r\n
      "The Poet was split into two distinct musical moods", writes Bill Dahl in the new liner notes for the reissue. "The first side of the album placed Bobby in uptempo settings and let the infectious grooves flow freely. Side two cast Bobby as the romantic balladeer, a seductive image that had long sent his legion of female fans into a frenzy".\r\n
      The original tapes, long believed to be lost, have been recovered and are sourced for the remasters of The Poet. This 180 gram vinyl reissue makes the album available on the format for the first time in decades. The historic album is packaged with extensive liner notes by R&B scholar Bill Dahl.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, The Waters (backing vocals), David Shields, Nathan East (bass), David T. Walker (guitar), Regina Womack, Sally Womack, Tondalei, Vincent Womack (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DHeGyk2pZ60"
    -referenceProduit: "Abkco Records 87891"
    -titreMorceau: [
      [
        "nom" => "1. Games "
        "ordre" => 7
      ]
      [
        "nom" => "1. So Many Sides Of You \t"
        "ordre" => 1
      ]
      [
        "nom" => "2. If You Think You're Lonely Now "
        "ordre" => 8
      ]
      [
        "nom" => "2. Lay Your Lovin' On Me \t"
        "ordre" => 2
      ]
      [
        "nom" => "3. Secrets \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. Where Do We Go From Here"
        "ordre" => 9
      ]
      [
        "nom" => "4. Just My Imagination \t"
        "ordre" => 4
      ]
      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2185 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
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      date: 2021-04-30 06:24:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621866507 {#2178
      date: 2021-05-24 14:28:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-poet-abkco-records-87891"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 2017
    -nom: "The Poet II"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, James Gadson, Kathy Bloxson, Regina Womack, The Waters, Valentinos (backing vocals), Courtney Sappington, David T. Walker, George Benson, Robert Palmer (guitar), Dorothy Ashby (harp), Fernando Harkless, Fred Wesley, Harry Kim, Sidney Mulgrow, Thurmon Green, Wilton Felder (horns), Michael Wycoff (keyboards),  David Shields (bass), Denzil "Broadway" Miller (synthesizer), Rusty Hamilton (synthesizer, harmonica), Paulino DeCosta (percussion), Fred Johnson (electronic drums), James E. Gadson (drums).\r\n
      \r\n
      - 40th Anniversary !\r\n
      \r\n
      - 180 gram Vinyl !\r\n
      \r\n
      - Remastered from original tapes !\r\n
      \r\n
      Bobby Womack's classic 1980s albums The Poet and The Poet II have been remastered for reissue on heavyweight 180 gram vinyl LP in Spring 2021 ! The \r\n
      massive success of 1981's The Poet set the stage for the recording of The Poet II in 1983. As with its predecessor, The Poet II found both commercial and critical success on both sides of the Atlantic. \r\n
      \r\n
      Among the album's highlights are three duets with Patti LaBelle, including "Love Has Finally Come At Last" which ultimately rose to N° 3 on Billboard's Hot Soul Singles chart. Master guitarist and smooth soul star George Benson, who had recorded his breakthrough instrumental version of Womack's "Breezin'" in the mid-1970s, also appears here. Other key tracks included "Tell Me Why" and "It Takes a Lot of Strength to Say Goodbye", on a set co-produced by Womack, James Gadson, and former Rolling Stones co-manager and stylemaker Andrew Oldham. \r\n
      \r\n
      The original tapes, long believed to be lost, have been recovered and are sourced for the remasters of The Poet. This 180 gram vinyl reissue makes the album available on the format for the first time in decades. The historic album is packaged with extensive liner notes by R&B scholar Bill Dahl.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, James Gadson, Kathy Bloxson, Regina Womack, The Waters, Valentinos (backing vocals), Courtney Sappington, David T. Walker, George Benson, Robert Palmer (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zkGRGqzH_Bs"
    -referenceProduit: "Abkco Records 87901"
    -titreMorceau: [
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        "nom" => "5. Tryin' To Get Over You "
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      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2185 …}
    -style: App\Entity\Style {#1507 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
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    }
    -modifierLe: DateTime @1621866481 {#2197
      date: 2021-05-24 14:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-poet-ii-abkco-records-87901"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3554
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2199
    -id: 2017
    -nom: "The Poet II"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, James Gadson, Kathy Bloxson, Regina Womack, The Waters, Valentinos (backing vocals), Courtney Sappington, David T. Walker, George Benson, Robert Palmer (guitar), Dorothy Ashby (harp), Fernando Harkless, Fred Wesley, Harry Kim, Sidney Mulgrow, Thurmon Green, Wilton Felder (horns), Michael Wycoff (keyboards),  David Shields (bass), Denzil "Broadway" Miller (synthesizer), Rusty Hamilton (synthesizer, harmonica), Paulino DeCosta (percussion), Fred Johnson (electronic drums), James E. Gadson (drums).\r\n
      \r\n
      - 40th Anniversary !\r\n
      \r\n
      - 180 gram Vinyl !\r\n
      \r\n
      - Remastered from original tapes !\r\n
      \r\n
      Bobby Womack's classic 1980s albums The Poet and The Poet II have been remastered for reissue on heavyweight 180 gram vinyl LP in Spring 2021 ! The \r\n
      massive success of 1981's The Poet set the stage for the recording of The Poet II in 1983. As with its predecessor, The Poet II found both commercial and critical success on both sides of the Atlantic. \r\n
      \r\n
      Among the album's highlights are three duets with Patti LaBelle, including "Love Has Finally Come At Last" which ultimately rose to N° 3 on Billboard's Hot Soul Singles chart. Master guitarist and smooth soul star George Benson, who had recorded his breakthrough instrumental version of Womack's "Breezin'" in the mid-1970s, also appears here. Other key tracks included "Tell Me Why" and "It Takes a Lot of Strength to Say Goodbye", on a set co-produced by Womack, James Gadson, and former Rolling Stones co-manager and stylemaker Andrew Oldham. \r\n
      \r\n
      The original tapes, long believed to be lost, have been recovered and are sourced for the remasters of The Poet. This 180 gram vinyl reissue makes the album available on the format for the first time in decades. The historic album is packaged with extensive liner notes by R&B scholar Bill Dahl.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bobby Womack (guitar, vocals), Cecil Womack, Curtis Womack, Friendly Womack, James Gadson, Kathy Bloxson, Regina Womack, The Waters, Valentinos (backing vocals), Courtney Sappington, David T. Walker, George Benson, Robert Palmer (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=zkGRGqzH_Bs"
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      ]
      [
        "nom" => "4. American Dream"
        "ordre" => 10
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      [
        "nom" => "4. Surprise Surprise \t"
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      [
        "nom" => "5. Tryin' To Get Over You "
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      [
        "nom" => "Side A : "
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      [
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        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2182 …}
    -label: Proxies\__CG__\App\Entity\Label {#2185 …}
    -style: App\Entity\Style {#1507 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
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    }
    -modifierLe: DateTime @1621866481 {#2197
      date: 2021-05-24 14:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2212
    -id: 1870
    -nom: "Winds Of War and Peace"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl by Quality Record Pressings Now a 2LP at 45 RPM !\r\n
      \r\n
      Stoughton Printing tip-on gatefold jacket with new images !\r\n
      \r\n
      Remastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      \r\n
      200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Praise for our 33 1/3 Analogue Productions reissue !\r\n
      \r\n
      Positive Feedback magazine Writer's Choice Awards for 2017 !\r\n
      \r\n
      "It's a sonic spectacular and while perhaps you are skeptical about this, it makes for damn entertaining listening. ... If your system is capable of wide dynamic swings and deep bass, you'll definitely enjoy cranking up this record! The original, cut by Doug Sax, ...is obviously no 'slouch', but this Kevin Gray-mastered reissue is even better overall. The bottom remains solid and dynamic while the midrange is far more transparent, having lost a 'milky' quality that made it sound as if it had been recorded in an airplane hangar. ...if chamber is more your style and/or more suited to your system I'd recommend Sonatas For Violin and Piano (Analogue Productions APC-8722) performed by David Abel (violin) and Julie Steinberg (piano). Incidentally, Wilson's catalogue numbers begin with the release year, so this one was issued in 1987. These chamber music recordings were designed to create the sensation of the performers playing in your room as opposed to you being in a venue. ...The QRP pressings produce pitch black backgrounds with which the originals cannot begin to compete. Plus the music is sublime and/or bombastic !" - Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      On Winds of War and Peace, conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. "Liberty Fanfare" was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's "Commando March" composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's "Festival Fanfare March," was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes "Victory at Sea", "El Camino Real", "A Santa Cecilla" and "Symphonic Dance N° 3".\r\n
      \r\n
      Although the 33 1/3 reissue of this recording by Analogue Productions was outstanding, our 45 RPM version raises the quality bar even higher. With wider grooves, you'll hear sound that reveals more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for.\r\n
      \r\n
      The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The musicians for this recording session represented a superb mix of seasoned and assured professionals.\r\n
      \r\n
      Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America.\r\n
      \r\n
      Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9yiU9tV3hno"
    -referenceProduit: "Analogue Productions AAPC 8823-45"
    -titreMorceau: [
      [
        "nom" => "1. A Santa Cecilia 3 "
        "ordre" => 9
      ]
      [
        "nom" => "1. El Camino Real "
        "ordre" => 7
      ]
      [
        "nom" => "1. Liberty Fanfare "
        "ordre" => 1
      ]
      [
        "nom" => "1. Victory At Sea "
        "ordre" => 5
      ]
      [
        "nom" => "2. Commando March "
        "ordre" => 2
      ]
      [
        "nom" => "2. Symphonic Dance #3"
        "ordre" => 10
      ]
      [
        "nom" => "3. Festival Fanfare "
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
    -label: Proxies\__CG__\App\Entity\Label {#2217 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2219 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1591371017 {#2209
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    }
    -modifierLe: DateTime @1621851726 {#2210
      date: 2021-05-24 10:22:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
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    -slug: "vinyles-winds-of-war-and-peace-analogue-productions-aapc-8823-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3600
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2212
    -id: 1870
    -nom: "Winds Of War and Peace"
    -informationComplementaire: ""
    -description: """
      200 gram vinyl by Quality Record Pressings Now a 2LP at 45 RPM !\r\n
      \r\n
      Stoughton Printing tip-on gatefold jacket with new images !\r\n
      \r\n
      Remastered by Kevin Gray at Cohearent Audio from the original analog tape !\r\n
      \r\n
      200 gram pressing by Quality Record Pressings !\r\n
      \r\n
      Praise for our 33 1/3 Analogue Productions reissue !\r\n
      \r\n
      Positive Feedback magazine Writer's Choice Awards for 2017 !\r\n
      \r\n
      "It's a sonic spectacular and while perhaps you are skeptical about this, it makes for damn entertaining listening. ... If your system is capable of wide dynamic swings and deep bass, you'll definitely enjoy cranking up this record! The original, cut by Doug Sax, ...is obviously no 'slouch', but this Kevin Gray-mastered reissue is even better overall. The bottom remains solid and dynamic while the midrange is far more transparent, having lost a 'milky' quality that made it sound as if it had been recorded in an airplane hangar. ...if chamber is more your style and/or more suited to your system I'd recommend Sonatas For Violin and Piano (Analogue Productions APC-8722) performed by David Abel (violin) and Julie Steinberg (piano). Incidentally, Wilson's catalogue numbers begin with the release year, so this one was issued in 1987. These chamber music recordings were designed to create the sensation of the performers playing in your room as opposed to you being in a venue. ...The QRP pressings produce pitch black backgrounds with which the originals cannot begin to compete. Plus the music is sublime and/or bombastic !" - Michael Fremer, AnalogPlanet.com.\r\n
      \r\n
      On Winds of War and Peace, conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. "Liberty Fanfare" was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's "Commando March" composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's "Festival Fanfare March," was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes "Victory at Sea", "El Camino Real", "A Santa Cecilla" and "Symphonic Dance N° 3".\r\n
      \r\n
      Although the 33 1/3 reissue of this recording by Analogue Productions was outstanding, our 45 RPM version raises the quality bar even higher. With wider grooves, you'll hear sound that reveals more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for.\r\n
      \r\n
      The musicians in the National Symphonic Winds come from the premier military bands of the United States as well as the Virginia Symphony Orchestra. The musicians for this recording session represented a superb mix of seasoned and assured professionals.\r\n
      \r\n
      Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America.\r\n
      \r\n
      Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "National Symphonic Winds conducted by Lowell Graham"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9yiU9tV3hno"
    -referenceProduit: "Analogue Productions AAPC 8823-45"
    -titreMorceau: [
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        "nom" => "1. A Santa Cecilia 3 "
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        "nom" => "1. El Camino Real "
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      [
        "nom" => "1. Liberty Fanfare "
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        "nom" => "1. Victory At Sea "
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      [
        "nom" => "2. Symphonic Dance #3"
        "ordre" => 10
      ]
      [
        "nom" => "3. Festival Fanfare "
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      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
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    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2226 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2221 …}
    -enregistreLe: DateTime @1591371017 {#2209
      date: 2020-06-05 15:30:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621851726 {#2210
      date: 2021-05-24 10:22:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2223 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-winds-of-war-and-peace-analogue-productions-aapc-8823-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2231
    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      "...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 RPM pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good ! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 RPM, clean your stylus occassionally, and get ready to be transported to nirvana". - Dan Babineau, Tone Audio, N° 14 2008, www.tonepublications.com\r\n
      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
    -referenceProduit: "ABNJ 84063"
    -titreMorceau: [
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        "nom" => "1. Philly Twist"
        "ordre" => 1
      ]
      [
        "nom" => "1. Sunset"
        "ordre" => 4
      ]
      [
        "nom" => "1. Whistle Stop"
        "ordre" => 6
      ]
      [
        "nom" => "1. Windmill"
        "ordre" => 9
      ]
      [
        "nom" => "2. Buffalo"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dorham's Epitaph"
        "ordre" => 10
      ]
      [
        "nom" => "2. Sunrise in Mexico"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2217 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2242 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1291928459 {#2228
      date: 2010-12-09 21:00:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621598735 {#2229
      date: 2021-05-21 12:05:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-abnj-84063"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3651
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2231
    -id: 406
    -nom: "Whistle Stop"
    -informationComplementaire: "OUT OF PRINT ! 45 RPM Limited Edition N° 1736"
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "These are simply amazing pressings. I have no regrets whatsoever about signing up for this subscription. The folks I'd invited over last Saturday are by no means audiophiles, but they couldn't believe that they were listening to vinyl, or that recordings that were 40+ years old could sound so good. I'm working hard to turn them into vinyl converts. These discs are the icing on the cake !" – Tim Bingaman, Acoustic Sounds customer\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
      "...these first five Acoustic Sounds Blue Note re-issues are pure bop genius...The best news is that Kevin Gray and Steve Hoffman were keen enough to do nothing more than gently clean up the masters, bringing us even closer to the hard bop edge. The 45 RPM pressings that I received were all super quiet with every last drop of resolution from the master tapes. I had almost forgotten just how good Paul Chambers and Phil Joe were together as the backbone of these groups. I've always loved this music but I didn't remember it sounding this good ! Hank Mobley offers us some brilliant sax bits on one of Kenny Dorham's finest recordings, Whistle Stop and Dexter Gordon's performance blew me away as well. The biggest surprise were the Lee Morgan records. I suggest turning these up loud, since they possess unlimited energy and some hooks that will knock you out. Amazing! Just a small warning: Once you start playing these Blue Note recordings you will be hooked. The good news is that Acoustic Sounds is working on at least 20 more of these jazz gems. So make sure your turntable has a setting for 45 RPM, clean your stylus occassionally, and get ready to be transported to nirvana". - Dan Babineau, Tone Audio, N° 14 2008, www.tonepublications.com\r\n
      \r\n
      Rightfully considered one of Kenny Dorham's best, this album features great originals and great trumpet playing. The superb cast consists of Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. The title tune and "Philly Twist" are often heard, but the entire album represents a great composing achievement for KD.\r\n
      \r\n
      Recorded in 1961.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=EMpkHkvDBMY"
    -referenceProduit: "ABNJ 84063"
    -titreMorceau: [
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        "nom" => "1. Philly Twist"
        "ordre" => 1
      ]
      [
        "nom" => "1. Sunset"
        "ordre" => 4
      ]
      [
        "nom" => "1. Whistle Stop"
        "ordre" => 6
      ]
      [
        "nom" => "1. Windmill"
        "ordre" => 9
      ]
      [
        "nom" => "2. Buffalo"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dorham's Epitaph"
        "ordre" => 10
      ]
      [
        "nom" => "2. Sunrise in Mexico"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 5
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2233 …}
    -label: Proxies\__CG__\App\Entity\Label {#2217 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2242 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2237 …}
    -enregistreLe: DateTime @1291928459 {#2228
      date: 2010-12-09 21:00:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1621598735 {#2229
      date: 2021-05-21 12:05:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-abnj-84063"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2247
    -id: 1973
    -nom: "Passing Ships"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone), Dizzy Reece, Woody Shaw (trumpet), Lenny White (drums).\r\n
      \r\n
      - Double LP, 180 gram\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape\r\n
      \r\n
      - Plated and pressed at RTI\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Andrew Hill is one of the most distinctive pianists, composers in jazz. Recorded in 1969, this album sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_RbmeL_amO8"
    -referenceProduit: "Blue Note Tone Poet Series 87401"
    -titreMorceau: [
      [
        "nom" => "1. Cascade "
        "ordre" => 8
      ]
      [
        "nom" => "1. Noon Tide "
        "ordre" => 5
      ]
      [
        "nom" => "1. Sideways"
        "ordre" => 1
      ]
      [
        "nom" => "2. Passing Ships "
        "ordre" => 2
      ]
      [
        "nom" => "2. The Brown Queen"
        "ordre" => 6
      ]
      [
        "nom" => "2. Tomorrow"
        "ordre" => 9
      ]
      [
        "nom" => "3. Plantation Bag"
        "ordre" => 3
      ]
      [
        "nom" => "Face D : "
        "ordre" => 10
      ]
      [
        "nom" => "Face D blank"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
    -label: Proxies\__CG__\App\Entity\Label {#2252 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1610637836 {#2244
      date: 2021-01-14 15:23:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1620898320 {#2245
      date: 2021-05-13 09:32:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-passing-ships-blue-note-tone-poet-series-87401"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3702
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2247
    -id: 1973
    -nom: "Passing Ships"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone), Dizzy Reece, Woody Shaw (trumpet), Lenny White (drums).\r\n
      \r\n
      - Double LP, 180 gram\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape\r\n
      \r\n
      - Plated and pressed at RTI\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Andrew Hill is one of the most distinctive pianists, composers in jazz. Recorded in 1969, this album sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180 gram vinyl in deluxe gatefold packaging.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Andrew Hill (piano), Ron Carter (bass), Joe Farrell (bass clarinet, alto flute, English horn, soprano  & tenor saxophone), Howard Johnson (bass clarinet, tuba), Robert Northern (French horn), Julian Priester (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_RbmeL_amO8"
    -referenceProduit: "Blue Note Tone Poet Series 87401"
    -titreMorceau: [
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        "nom" => "1. Noon Tide "
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        "ordre" => 1
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      [
        "nom" => "2. Passing Ships "
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        "nom" => "2. The Brown Queen"
        "ordre" => 6
      ]
      [
        "nom" => "2. Tomorrow"
        "ordre" => 9
      ]
      [
        "nom" => "3. Plantation Bag"
        "ordre" => 3
      ]
      [
        "nom" => "Face D : "
        "ordre" => 10
      ]
      [
        "nom" => "Face D blank"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
    -label: Proxies\__CG__\App\Entity\Label {#2252 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1610637836 {#2244
      date: 2021-01-14 15:23:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1620898320 {#2245
      date: 2021-05-13 09:32:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-passing-ships-blue-note-tone-poet-series-87401"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

[
  "produit" => App\Entity\Produit {#2268
    -id: 1930
    -nom: "Chet Baker Sings : It Could Happen To You"
    -informationComplementaire: ""
    -description: """
      180 gram Vinyl LP Reissue Cut from the Original Analog Masters by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Few musicians have embodied the romantic and ultimately tragic jazz figure as totally as Chet Baker. Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles-based musician rose to fame in the early '50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York-based label Riverside, Baker had become known for his trademark West Coast "cool jazz" style. However, these recordings which paired the artist with some of the best East Coast players demonstrate Baker's versatility as a modern trumpeter who could play with even the hardest boppers.\r\n
      \r\n
      Baker's 1958 recording session debut for Riverside, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like "Old Devil Moon", "You're Driving Me Crazy", and "How Long Has This Been Going On ?" Baker's only album for Riverside not produced by the label's co-founder, Orrin Keepnews (who initially objected to his partner Bill Grauer's unilateral signing of Baker), the essential Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chet Baker (trumpet), Kenny Drew (piano), George Morrow, Sam Jones (bass), Philly Joe Jones, Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=h8nogpQr6so"
    -referenceProduit: "Craft Recordings 0357"
    -titreMorceau: [
      [
        "nom" => "1. Do It The Hard Way "
        "ordre" => 1
      ]
      [
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        "nom" => "2. Everything Happens To Me "
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        "nom" => "2. I'm Old Fashioned "
        "ordre" => 2
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        "nom" => "3. Dancing On The Ceiling "
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        "nom" => "3. You're Driving Me Crazy "
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      [
        "nom" => "4. How Long Has This Been Going On ?"
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        "nom" => "4. It Could Happen To You "
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        "nom" => "5. My Heart Stood Still "
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        "nom" => "5. Old Devil Moon"
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        "nom" => "Side B : "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2270 …}
    -label: Proxies\__CG__\App\Entity\Label {#2273 …}
    -style: App\Entity\Style {#1502 …}
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    -modifierLe: DateTime @1617522412 {#2263
      date: 2021-04-04 07:46:52.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3753
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2268
    -id: 1930
    -nom: "Chet Baker Sings : It Could Happen To You"
    -informationComplementaire: ""
    -description: """
      180 gram Vinyl LP Reissue Cut from the Original Analog Masters by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      Few musicians have embodied the romantic and ultimately tragic jazz figure as totally as Chet Baker. Unschooled yet eloquent in his music, and a fast-liver who survived for nearly six decades, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenious approaches to jazz singing. The Los Angeles-based musician rose to fame in the early '50s, playing with established artists like Charlie Parker, Gerry Mulligan and pianist Russ Freeman partnerships which would solidify his status as a major jazz star. By the end of the decade, when he signed a four-album deal with the New York-based label Riverside, Baker had become known for his trademark West Coast "cool jazz" style. However, these recordings which paired the artist with some of the best East Coast players demonstrate Baker's versatility as a modern trumpeter who could play with even the hardest boppers.\r\n
      \r\n
      Baker's 1958 recording session debut for Riverside, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like "Old Devil Moon", "You're Driving Me Crazy", and "How Long Has This Been Going On ?" Baker's only album for Riverside not produced by the label's co-founder, Orrin Keepnews (who initially objected to his partner Bill Grauer's unilateral signing of Baker), the essential Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. \r\n
      """
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-chet-baker-sings-it-could-happen-to-you-craft-recordings-0357"
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}

[
  "produit" => App\Entity\Produit {#2287
    -id: 1905
    -nom: "Blackbirds"
    -informationComplementaire: ""
    -description: """
      Blackbirds, whose release will coincide with Bettye LaVette's induction into the Blues Music Hall of Fame, represents another step in the 5x Grammy-nominated vocalist's artistic evolution. Working again with Things Have Changed producer Steve Jordan, who also plays drums, and a group of celebrated musicians (Smokey Hormel on guitar, Monty Croft on vibes, bassist Tom Barney and veteran keyboardist Leon Pendarvis), LaVette delivers impassioned readings of songs associated with African American female vocalists of the 1950s. \r\n
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      Nina Simone's "I Hold No Grudge", which was suggested for LaVette by the original writer, Angelo Badalamenti, captures the defiance we associate with Simone while adding warmth and hopefulness. "Save Your Love for Me", popularized by Nancy Wilson, reflects LaVette's development as a vocal stylist who, through the warmth and precision with which she caresses each lyric, creates the kind of intimate mood once associated with smoky nightclubs and after-hours spots. Meanwhile, "Strange Fruit", first performed by Billie Holiday, is a harrowing critique of American racism that still says much about the country today. "I didn't want to do it in any way that had been done before", LaVette says of "Strange Fruit" an explanation that speaks to her process for the album as a whole "but I wanted it to be dramatic". The ideal, she adds, is for "your interpretation to be as interesting as that original one". \r\n
      \r\n
      To that end, LaVette chose songs that she could personalize into reflections of her own experience. Paul McCartney's "Blackbird", while anomalous in that it isn't connected with a particular female vocalist, nonetheless fits into the project's scope because it speaks for the struggles faced by these women LaVette's musical forebears as they worked to build and maintain their careers. "All my life", LaVette sings, shifting McCartney's original lyrics into the first person, "I have waited for this moment to arrive". In curating the songs for Blackbirds, LaVette has established a dialogue with the great women who preceded her while reaffirming herself as a vital, living presence.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bettye LaVettes (vocals), Smokey Hormel (guitar), Monty Croft (vibes), Tom Barney (bass), Leon Pendarvis (keyboards), Steve Jordan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Fn0syI6v8Xg"
    -referenceProduit: "Verve Records 72501"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2289 …}
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    }
    -modifierLe: DateTime @1617521961 {#2285
      date: 2021-04-04 07:39:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2298 …}
    -disponible: null
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    -slug: "vinyles-blackbirds-verve-records-72501"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3804
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2725 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2287
    -id: 1905
    -nom: "Blackbirds"
    -informationComplementaire: ""
    -description: """
      Blackbirds, whose release will coincide with Bettye LaVette's induction into the Blues Music Hall of Fame, represents another step in the 5x Grammy-nominated vocalist's artistic evolution. Working again with Things Have Changed producer Steve Jordan, who also plays drums, and a group of celebrated musicians (Smokey Hormel on guitar, Monty Croft on vibes, bassist Tom Barney and veteran keyboardist Leon Pendarvis), LaVette delivers impassioned readings of songs associated with African American female vocalists of the 1950s. \r\n
      \r\n
      Nina Simone's "I Hold No Grudge", which was suggested for LaVette by the original writer, Angelo Badalamenti, captures the defiance we associate with Simone while adding warmth and hopefulness. "Save Your Love for Me", popularized by Nancy Wilson, reflects LaVette's development as a vocal stylist who, through the warmth and precision with which she caresses each lyric, creates the kind of intimate mood once associated with smoky nightclubs and after-hours spots. Meanwhile, "Strange Fruit", first performed by Billie Holiday, is a harrowing critique of American racism that still says much about the country today. "I didn't want to do it in any way that had been done before", LaVette says of "Strange Fruit" an explanation that speaks to her process for the album as a whole "but I wanted it to be dramatic". The ideal, she adds, is for "your interpretation to be as interesting as that original one". \r\n
      \r\n
      To that end, LaVette chose songs that she could personalize into reflections of her own experience. Paul McCartney's "Blackbird", while anomalous in that it isn't connected with a particular female vocalist, nonetheless fits into the project's scope because it speaks for the struggles faced by these women LaVette's musical forebears as they worked to build and maintain their careers. "All my life", LaVette sings, shifting McCartney's original lyrics into the first person, "I have waited for this moment to arrive". In curating the songs for Blackbirds, LaVette has established a dialogue with the great women who preceded her while reaffirming herself as a vital, living presence.\r\n
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        "ordre" => 6
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2289 …}
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    -modifierLe: DateTime @1617521961 {#2285
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#4005
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2493 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#4006 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4054 …}
  +isValidated: false
  +validatedFields: []
}