Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2633
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2636 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -formView: Symfony\Component\Form\FormView {#2672 …}
  -form: Symfony\Component\Form\Form {#2822 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 561
    -nom: "Back To Back"
    -informationComplementaire: null
    -description: """
      "... successful enough to spawn a successor album Side by Side. Both albums have long been collectables with jazz lovers as well as audiophiles, as they contribute top-notch music with fabulous sound. ... the new mastering by the late George Marino of Sterling Sound brings out more detail and texture to the instrumental sound than the original. Sterling Sound's reissues of the 1960s material from the MGM period have been dramatically better than the reissues. The improvement here is real but not as dramatic. Still, this is a first-class reissue". - Recording = 9.5/10; Music = 9/10 — Dennis D. Davis, Hi-Fi +, Issue 96\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington's band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington's unique piano playing could come to the fore and Hodges' irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made a relaxed, perfectly integrated set of music that truly swings the blues.\r\n
      \r\n
      Originally released in 1959.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Harry "Sweets" Edison (trumpet), Les Spann (guitar), Al Hall, Sam Jones (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xwEjNghXCZ0&list=RDxwEjNghXCZ0&start_radio=1"
    -referenceProduit: "Analogue Productions AVRJ 6055-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wabash Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Basin Street Blues"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Beale Street Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Weary Blues"
      ]
      [
        "ordre" => 7
        "nom" => "2. St. Louis Blues"
      ]
      [
        "ordre" => 8
        "nom" => "Side D :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Loveless Love"
      ]
      [
        "ordre" => 10
        "nom" => "2. Royal Garden Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1353570726 {#1875
      date: 2012-11-22 07:52:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868689 {#1868
      date: 2025-12-04 17:18:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-back-analogue-productions-avrj-6055-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3097
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 561
    -nom: "Back To Back"
    -informationComplementaire: null
    -description: """
      "... successful enough to spawn a successor album Side by Side. Both albums have long been collectables with jazz lovers as well as audiophiles, as they contribute top-notch music with fabulous sound. ... the new mastering by the late George Marino of Sterling Sound brings out more detail and texture to the instrumental sound than the original. Sterling Sound's reissues of the 1960s material from the MGM period have been dramatically better than the reissues. The improvement here is real but not as dramatic. Still, this is a first-class reissue". - Recording = 9.5/10; Music = 9/10 — Dennis D. Davis, Hi-Fi +, Issue 96\r\n
      \r\n
      "...these are all truly classic Verve titles that you simply don't want to miss... most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Several times in his career star alto-saxophone soloist Johnny Hodges struck out on his own, only to return each time to Duke Ellington's band. There seemed to be a constant tension between them, though it was old hat by the time of this recording. In the enclosed notes, critic Michael Ullman examines this complex relationship, suggesting that the blues classics chosen for this program may have been neutral ground. A place where Ellington's unique piano playing could come to the fore and Hodges' irrepressible sensuality could have free rein. This is one of the very best small-group records Ellington ever made a relaxed, perfectly integrated set of music that truly swings the blues.\r\n
      \r\n
      Originally released in 1959.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Harry "Sweets" Edison (trumpet), Les Spann (guitar), Al Hall, Sam Jones (bass), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xwEjNghXCZ0&list=RDxwEjNghXCZ0&start_radio=1"
    -referenceProduit: "Analogue Productions AVRJ 6055-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wabash Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Basin Street Blues"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Beale Street Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Weary Blues"
      ]
      [
        "ordre" => 7
        "nom" => "2. St. Louis Blues"
      ]
      [
        "ordre" => 8
        "nom" => "Side D :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Loveless Love"
      ]
      [
        "ordre" => 10
        "nom" => "2. Royal Garden Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1353570726 {#1875
      date: 2012-11-22 07:52:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868689 {#1868
      date: 2025-12-04 17:18:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-back-analogue-productions-avrj-6055-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2037
    -nom: "Duke Ellington Meets Coleman Hawkins"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "One of the great Ellington albums, one of the great Hawkins albums and one of the great albums of the 1960s". - The New York Times\r\n
      \r\n
      Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s and continued to be successful until their deaths, their only recorded encounter was the LP Duke Ellington Meets Coleman Hawkins (Impulse AS-26), taped in 1962 and presented here in its entirety.\r\n
      \r\n
      Hawkins had been an admirer of Duke Ellington's music for at least 35 years at this point and Ellington had suggested they record together at least 20 years prior to their actual meeting in 1962. Although it would have been preferable to hear the tenor sax great performing with the full orchestra, his meeting with Ellington and an all-star group taken out of the big band does feature such greats as Ray Nance on cornet and violin, trombonist Lawrence Brown, altoist Johnny Hodges, and baritonist Harry Carney. High points include an exuberant "The Jeep Is Jumpin'", an interesting remake of "Mood Indigo", and a few new Ellington pieces. This delightful music is recommended in one form or another.\r\n
      \r\n
      Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey, on August 18, 1962 and released in February 1963 by Impulse! Records.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Coleman Hawkins (tenor saxophone), Duke Ellington (piano), Ray Nance (cornet, violin),  Johnny Hodges (alto saxophone), Harry Carney (baritone saxophone, bass clarinet), Aaron Bell (bass), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rN6UlJEXySY"
    -referenceProduit: "Acoustic Sounds Series 79501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Limbo Jazz "
      ]
      [
        "ordre" => 2
        "nom" => "2. Mood Indigo "
      ]
      [
        "ordre" => 3
        "nom" => "3. Ray Charles' Place "
      ]
      [
        "ordre" => 4
        "nom" => "4. Wanderlust"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. You Dirty Dog "
      ]
      [
        "ordre" => 7
        "nom" => "2. Self Portrait "
      ]
      [
        "ordre" => 8
        "nom" => "3. The Jeep Is Jumpin' "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Ricitic"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1620991072 {#2041
      date: 2021-05-14 11:17:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868253 {#2042
      date: 2025-12-04 17:10:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-meets-coleman-hawkins-acoustic-sounds-series-79501"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3211
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2037
    -nom: "Duke Ellington Meets Coleman Hawkins"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "One of the great Ellington albums, one of the great Hawkins albums and one of the great albums of the 1960s". - The New York Times\r\n
      \r\n
      Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s and continued to be successful until their deaths, their only recorded encounter was the LP Duke Ellington Meets Coleman Hawkins (Impulse AS-26), taped in 1962 and presented here in its entirety.\r\n
      \r\n
      Hawkins had been an admirer of Duke Ellington's music for at least 35 years at this point and Ellington had suggested they record together at least 20 years prior to their actual meeting in 1962. Although it would have been preferable to hear the tenor sax great performing with the full orchestra, his meeting with Ellington and an all-star group taken out of the big band does feature such greats as Ray Nance on cornet and violin, trombonist Lawrence Brown, altoist Johnny Hodges, and baritonist Harry Carney. High points include an exuberant "The Jeep Is Jumpin'", an interesting remake of "Mood Indigo", and a few new Ellington pieces. This delightful music is recommended in one form or another.\r\n
      \r\n
      Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey, on August 18, 1962 and released in February 1963 by Impulse! Records.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Coleman Hawkins (tenor saxophone), Duke Ellington (piano), Ray Nance (cornet, violin),  Johnny Hodges (alto saxophone), Harry Carney (baritone saxophone, bass clarinet), Aaron Bell (bass), Sam Woodyard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rN6UlJEXySY"
    -referenceProduit: "Acoustic Sounds Series 79501"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Limbo Jazz "
      ]
      [
        "ordre" => 2
        "nom" => "2. Mood Indigo "
      ]
      [
        "ordre" => 3
        "nom" => "3. Ray Charles' Place "
      ]
      [
        "ordre" => 4
        "nom" => "4. Wanderlust"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. You Dirty Dog "
      ]
      [
        "ordre" => 7
        "nom" => "2. Self Portrait "
      ]
      [
        "ordre" => 8
        "nom" => "3. The Jeep Is Jumpin' "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Ricitic"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1620991072 {#2041
      date: 2021-05-14 11:17:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868253 {#2042
      date: 2025-12-04 17:10:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-meets-coleman-hawkins-acoustic-sounds-series-79501"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2063
    -id: 2038
    -nom: "Duke Ellington & John Coltrane"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The classic 1962 album Duke Ellington & John Coltrane introduces the rising jazz saxophone innovator performing with the long-established piano institution Duke Ellington.\r\n
      \r\n
      Perhaps looking to renew his inspiration or maybe simply wanting to broaden his horizons, Duke Ellington began a string of collaborations in the second half of his career whereas before that, his own band was stimulus enough. Whatever the reason, almost all of his collaborations succeeded at high levels, although none of his shared sessions are more intriguing on the surface than this 1962 date with the preeminent sax star of the day.\r\n
      \r\n
      "In reality, the record amounts to 'Coltrane Plays Ellington' (plus one Coltrane original) because the tenor man is the whole show and what a show it is. Only Coltrane could be as 'fiercely tender', and there's no better forum for his sensitive side than the music of Ellington and Billy Strayhorn, who contributes the album's true vertex, 'My Little Brown Book'. The rhythm section alternates between Duke's and Trane's, each adding a different texture to the proceedings. Ellington is wise enough to appreciate the nature of the session, and he is quite content to feed chords in service of the young master proving the old master's open mind and good taste. Hearing Coltrane seize 'In a Sentimental Mood' is thanks enough". - Marc Greilsamer\r\n
      \r\n
      At a gathering of Ellington band alumni organized by Jazz at Lincoln Center, bassist John Lamb recalled the sessions for Duke Ellington & John Coltrane : "There was no music on that whole date. Nobody had a chart. We came in and we were standing there, waiting to see what would happen. 'Trane would go and sit on the piano bench with Duke. They didn't talk, but Duke would be singing and 'Trane would go... Then, after they did that for a few minutes, they got up. 'Trane would go to his microphone, Duke would start playing, and the rhythm section, we had to do for ourselves, you know. That's it. He didn't even tell you the key. He could communicate without words, and 'Trane could hear it". On "Take the Coltrane", the two play in a quartet of Coltrane's bandmates of the day, bassist Jimmy Garrison and drummer Elvin Jones (Ellington men Lamb and drummer Sam Woodyard also played on the album). - JazzIz Magazine\r\n
      \r\n
      Recorded on September 26, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey.
      """
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    -id: 2038
    -nom: "Duke Ellington & John Coltrane"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The classic 1962 album Duke Ellington & John Coltrane introduces the rising jazz saxophone innovator performing with the long-established piano institution Duke Ellington.\r\n
      \r\n
      Perhaps looking to renew his inspiration or maybe simply wanting to broaden his horizons, Duke Ellington began a string of collaborations in the second half of his career whereas before that, his own band was stimulus enough. Whatever the reason, almost all of his collaborations succeeded at high levels, although none of his shared sessions are more intriguing on the surface than this 1962 date with the preeminent sax star of the day.\r\n
      \r\n
      "In reality, the record amounts to 'Coltrane Plays Ellington' (plus one Coltrane original) because the tenor man is the whole show and what a show it is. Only Coltrane could be as 'fiercely tender', and there's no better forum for his sensitive side than the music of Ellington and Billy Strayhorn, who contributes the album's true vertex, 'My Little Brown Book'. The rhythm section alternates between Duke's and Trane's, each adding a different texture to the proceedings. Ellington is wise enough to appreciate the nature of the session, and he is quite content to feed chords in service of the young master proving the old master's open mind and good taste. Hearing Coltrane seize 'In a Sentimental Mood' is thanks enough". - Marc Greilsamer\r\n
      \r\n
      At a gathering of Ellington band alumni organized by Jazz at Lincoln Center, bassist John Lamb recalled the sessions for Duke Ellington & John Coltrane : "There was no music on that whole date. Nobody had a chart. We came in and we were standing there, waiting to see what would happen. 'Trane would go and sit on the piano bench with Duke. They didn't talk, but Duke would be singing and 'Trane would go... Then, after they did that for a few minutes, they got up. 'Trane would go to his microphone, Duke would start playing, and the rhythm section, we had to do for ourselves, you know. That's it. He didn't even tell you the key. He could communicate without words, and 'Trane could hear it". On "Take the Coltrane", the two play in a quartet of Coltrane's bandmates of the day, bassist Jimmy Garrison and drummer Elvin Jones (Ellington men Lamb and drummer Sam Woodyard also played on the album). - JazzIz Magazine\r\n
      \r\n
      Recorded on September 26, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey.
      """
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[
  "produit" => App\Entity\Produit {#2079
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
      All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. - a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.\r\n
      \r\n
      If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=b2pI2CbBJPY"
    -referenceProduit: "AAPJ 056"
    -titreMorceau: [
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        "nom" => "1. Three J’s Blues"
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        "ordre" => 7
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        "ordre" => 8
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        "ordre" => 9
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        "ordre" => 10
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3313
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    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
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      \r\n
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      """
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[
  "produit" => App\Entity\Produit {#2095
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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App\Twig\Components\GestionPanierFavoriComponents {#3366
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  +produit: App\Entity\Produit {#2095
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
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      """
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[
  "produit" => App\Entity\Produit {#2108
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3414
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2108
    -id: 2404
    -nom: "Historically Speaking : The Duke"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Harry Carney (baritone saxophone, bass clarinet), Jimmy Woode (bass), Paul Gonsalves (tenor saxophone), Jimmy Hamilton (tenor saxophone, clarinet), Britt Woodman, John Sanders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Ray Nance, Willie Cooke (trumpet), Sam Woodyard (drums).\r\n
      \r\n
      Recorded for Bethlehem Records in 1956, Duke Ellington's Historically Speaking is an album of updated arrangements of earlier Duke classics, including "East St. Louis Toodle-Oo", "In a Mellow Tone," and "Creole Love Call". The orchestra, with the recent return of saxophonist Johnny Hodges to the Ellington fold and the modernizing influence of drummer Sam Woodyard on drums, sounds rejuvenated, making this album a strong contender for one of Ellington's finer efforts of the 1950's. Personnel includes: Duke Ellington (conductor, piano); Russell Procope (clarinet, alto saxophone); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (bass saxophone); Cat Anderson, Willie Cook, Clark Terry (trumpet); Ray Nance, Britt Woodman, John Saunders, Quentin Jackson (trombone); Jimmy Woode (bass); Sam Woodyard (drums). Remastered on 180 gram vinyl LP.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2124
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Festival Junction"
      ]
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        "ordre" => 2
        "nom" => "2. Blues to Be There"
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      [
        "ordre" => 3
        "nom" => "3. Newport Up"
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
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        "ordre" => 6
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2126 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2130 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3462
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  +produit: App\Entity\Produit {#2124
    -id: 570
    -nom: "Ellington at Newport"
    -informationComplementaire: "Re-release"
    -description: """
      Musicians :\r\n
      Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone), Russell Procope (alto saxophone, clarinet), Paul Gonsalves (tenor saxophone), Harry Carney (baritone saxophone), Jimmy Hamilton (clarinet), Jimmy Woode (double bass), Al Lucas (bass), Jimmy Grissom (vocals), Sam Woodyard (drums).\r\n
      \r\n
      Pandemonium : Historic 1956 Live Set Triggered Spontaneous Audience Outburst That Fed Directly into Feel, Outcome of Performance !\r\n
      \r\n
      DUKE ELLINGTON'S HISTORIC LIVE SET TRIGGERED SPONTANEOUS AUDIENCE OUTBURST THAT FED DIRECTLY INTO THE FEEL AND OUTCOME OF HIS PERFORMANCE\r\n
      \r\n
      - 1/2" / 30 IPS analog copy to analog console to lathe !\r\n
      \r\n
      It spurred Duke Ellington's comeback into the mainstream. It captures a performance so energetic, wild, unexpected, and unprecedented that the music literally caused thousands of people to jump up and stand on their chairs, worrying officials that a riot might ensue. It is jazz of the highest order, played at an almost rock n' roll pace, and with an enthusiastic pep that confirms Ellington and his ensemble fed off the crowd's reaction as the collective lit into each new stanza. It is Ellington's best-selling album. It is Ellington at Newport.\r\n
      \r\n
      Like few records before or since, the 1956 set owes as much to context and circumstance as it does instrumental execution. Years prior to his appearance in Rhode Island, Ellington had suffered lackadaisical record sales and a falling out of the public eye, as bop and hard bop supplanted tradition big bands. Yet in preparation for the event, Ellington worked on experimental ideas and a reshaping of some of his standards.\r\n
      \r\n
      The iconic arranger/composer's foresight comes into fruition throughout the white-hot set, never more so than on "Diminuendo and Crescendo In Blue", on which tenor saxophonist Paul Gonsalves erases all rules and outlays a 27 chorus solo that left everyone in awe and prompted them to stand on chairs, dance feverishly, and hoot and holler to an extent that caused Ellington to ultimately cool things off. The improvisational flight epitomizes boldness, freedom, risk, and, to the bandleader, an assuredly loud response to the critics that had believed his well was tapped.\r\n
      \r\n
      The songs in advance of the climactic moment are no less exciting; Ellington and his 15-piece collective manhandle notes with ease, swinging and sliding through "Festival Junction" with a requisite balance of poise and panache, and kicking heels on "Newport Up" via Ellington's spry piano riffs, Jimmy Hamilton's spicy clarinet feeds, and Clark Terry's trumpet runs. In every way, Ellington at Newport is as quintessential as Kind of Blue, Giant Steps, and Way Out West.\r\n
      \r\n
      And now, the 1956 classic can be experienced in a fidelity never before as authentic or transparent on any pressing. Mastered on Mobile Fidelity's renowned mastering system and pressed at Fidelity Record Pressing, this numbered-edition Silver Label Series LP of Ellington's triumph boasts tremendous separation, deeper low frequencies, clearer highs, and front-to-back dynamics. Horns blare with multi-hued color, the Duke's 88s ring out with treble finesse, and the rhythm section claims an added presence buried on previous editions.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Cat Anderson, Willie Cook, Clark Terry  (trumpet), Ray Nance (trumpet, vocals), Quentin Jackson,  Lawrence Brown, John Sanders, Britt Woodman (trombone), Johnny Hodges (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Cyyud_-h-8w"
    -referenceProduit: "Mobile Fidelity Sound Lab MOFI 1-035"
    -titreMorceau: [
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      [
        "ordre" => 3
        "nom" => "3. Newport Up"
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Jeep’s Blues"
      ]
      [
        "ordre" => 6
        "nom" => "2. Diminuendo and Crescendo In Blue"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2126 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2140
    -id: 508
    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
      \r\n
      An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.\r\n
      \r\n
      The dancing mood of the album should not prevent us from attentively listening to these exceptional recordings. After all, this is the Ellington orchestra and all the arrangements are full of new twists and innovative voices and improvisations.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=5rt8H4jWnyE&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B&index=3"
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        "nom" => "3. Tenderly"
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        "nom" => "4. Dancing In the Dark"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2146 …}
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      date: 2025-12-04 08:39:09.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3510
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2140
    -id: 508
    -nom: "Indigos"
    -informationComplementaire: null
    -description: """
      180 Gram pressing mastered from the original analog tapes by Kevin Gray !\r\n
      \r\n
      Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.\r\n
      \r\n
      An all-analog shot of pure Duke at his most soulfully nocturnal. From the cats who brought you Time Further Out and Friday and Saturday Nights At the Blackhawk. Impex Records is making your nights a little cooler.\r\n
      \r\n
      The dancing mood of the album should not prevent us from attentively listening to these exceptional recordings. After all, this is the Ellington orchestra and all the arrangements are full of new twists and innovative voices and improvisations.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
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      date: 2025-12-04 08:39:09.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-indigos-impex-records-imp-6011"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2156
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
      Impex is also debuting a super-quiet, super-limited-edition solid Indigo purple vinyl edition! Made in collaboration with our friends at the Los Angeles Orange County Audio Society in honor of their 30th Anniversary, we carefully selected vinyl chips, with help from the vinyl gurus at RTI, to craft one of the quietest color LPs ever made without dramatically changing the tonal excellence of the original recording !\r\n
      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
    -referenceProduit: "Impex Records IMP 6058-45"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
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    -modifierLe: DateTime @1764837416 {#2154
      date: 2025-12-04 08:36:56.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3558
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2156
    -id: 748
    -nom: "Ellington Indigos (2LP) 45 RPM - (Indigo Purple Vinyl)"
    -informationComplementaire: "65th Anniversary (Limited Numbered Edition)"
    -description: """
      - Ellington Indigos 65th Anniversary Edition !\r\n
      - First time on Impex 180 gram 45 RPM (2 LP) !\r\n
      - All-analog mastering by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at RTI !\r\n
      - Four bonus tracks !\r\n
      - 16 page booklet with new notes and archival photos !\r\n
      - Strictly limited to 3000 numbered copies !\r\n
      \r\n
      Duke Ellington's gorgeous 1958 release, already an audiophile stand out on Impex 33 1/3 RPM vinyl and 24k Gold CD, gets all the stops pulled out on this 65th Anniversary 45 RPM (2 LP) ! Exclusive new packaging and all-analog mastering provides experiential and immersive musical engagement that has The Absolute Sound's Wayne Garcia calling it "A musical masterpiece, sonic knockout. What a record !" - 5/5 music - 5/5 sonics\r\n
      \r\n
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      \r\n
      Strictly limited to 3000 standard black HQ 180 gram pressings, Ellington Indigos on 45 RPM HQ 180 will once again redefine definitive for this timeless jazz orchestra standard !
      """
    -prixVente: "159.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington and His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=8-2UKI6vIv4&list=PLPRYDN3eHzakszGqEjurkseY7Oq7pZg3B"
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      [
        "ordre" => 7
        "nom" => "3. Willow Weep for Me"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Tenderly"
      ]
      [
        "ordre" => 10
        "nom" => "2. Dancing In the Dark"
      ]
      [
        "ordre" => 11
        "nom" => "3. Night and Day"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. All the Things You Are"
      ]
      [
        "ordre" => 14
        "nom" => "2. The Sky Fell Down"
      ]
      [
        "ordre" => 15
        "nom" => "3. Love (My Heart, My Mind, My Everything)"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
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    }
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      date: 2025-12-04 08:36:56.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2173
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "2. Sophisticated Lady"
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        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
      ]
      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3606
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2173
    -id: 726
    -nom: "Masterpieces by Ellington (Mono)"
    -informationComplementaire: null
    -description: """
      - A historic record - recorded just four years removed from the dawn of the analog tape era !\r\n
      - Remastered by Ryan Smith at Sterling Sound from the original analog tapes !\r\n
      - Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. You won't have to die to get a copy. $30 will do and it's well worth the money. A true classic both musically and sonically and a historical work of art you can now own". — Music = 11/11; Sound = 11/11 — Michael Fremer, AnalogPlanet.com. Read the whole review here.\r\n
      Masterpieces By Ellington shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.\r\n
      Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.\r\n
      \r\n
      The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.\r\n
      \r\n
      This album wouldn't have been possible without a chain of events starting at the end of World War II. Recorded in December 1950, just five years after Germany fell to the Allies, revealing the Germans' advances in magnetic tape recording, Ellington's master work holds its wonder still today and the recording quality hands-down betters the sound of many modern-day albums.\r\n
      \r\n
      1944-45 : Magnetic tape for sound recording spread to America after an American soldier, Jack Mullin, serving with the U.S. Army Signal Corps in the final months of WW II, received two suitcased-sized AEG 'Magnetophon' high-fidelity recorders and 50 reels of Farben recording tape that had fallen into American hands via the capture of a German radio station at Bad Nauheim. German engineers had perfected the technique of using Alternating Current bias — the addition of an inaudible high-fequency signal (from 40 to 150kHz) to improve the sound quality of most audio recordings by reducing distortion and noise.\r\n
      \r\n
      1947 : Mullin became an American pioneer in the field of magnetic tape sound recording, after working to modify and improve the machines. He gave two demonstrations of the recorders at Radio Center in Hollywood in October 1947. A later demonstration for singer/entertainer Bing Crosby led to the use of magnetic tape for recording Crosby's radio programs. Crosby became the first star to use tape to pre-record radio broadcasts.\r\n
      \r\n
      1948 : Crosby invested $50,000 in local electronics firm, Ampex, and the tiny six-man concern soon became the world leader in the development of tape recording. Ampex revolutionized the radio and recording industry with its famous Model 200 tape deck, developed directly from Mullin's modified Magnetophones. Units marked serial No. 1 and 2 were delivered in April 1948 in time to record and edit the 27th Bing Crosby show of the 1947-48 season. A 200A at the time retailed for $4,000 nearly as much as a standard single-family home.\r\n
      \r\n
      Crosby gave one of the first production tape decks to musician Les Paul, which led to Paul's invention of multitrack recording. The first production model 200A recorders are delivered to ABC and placed in service across the country. This marked the first widespread professional use of magnetic tape recording. Working with Mullin, Ampex rapidly developed 2 track stereo and then 3-track recorders. Mullin and Ampex developed a working monochrome videotape recorder by 1956.\r\n
      \r\n
      Here's where it gets really interesting, as The Duke and history made matchless audiophile magic. It took Columbia Records until December 1950 two years into the LP era, and the transition from disc to magnetic tape recording, to get Duke Ellington and his orchestra into the recording studio to cut a long-playing record.\r\n
      \r\n
      June 1948 : Vinyl LPs had taken over as the standard for pressing records by the 1940s; in 1948 Columbia Records introduced its 12-inch Microgroove LP or Long Play record, which could hold at least 20 minutes per side. The first classical long-playing record, and the first 12" LP of any kind catalog no. Columbia Masterworks Set ML 4001 was Mendelssohn's Concerto in E Minor for Violin and Orchestra, Op. 64, played by violinist Nathan Milstein with the Philharmonic Symphony Orchestra of New York, conducted by Bruno Walter.\r\n
      \r\n
      December 19, 1950. Masterpieces by Ellington recorded at Columbia's 30th Street Studio. Released in 1951. Recording engineers Fred Plaut and Harold Chapman. Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second. (3M-111 tape was also introduced in 1948, the year the Model 200 debuted).\r\n
      \r\n
      Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. Masterpieces was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).\r\n
      \r\n
      Masterpieces is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.\r\n
      \r\n
      "Even in this august company, 'The Tattooed Bride' is a swinging virtuoso piece that, as everyone present must have known, couldn't possibly have been captured in this manner in any era before this session this was also one of the last sessions to feature the classic Ellington lineup with Johnny Hodges, Lawrence Brown, and Sonny Greer, before their exodus altered the band's sound, and so it's a doubly precious piece (as is the whole album), among the last written specifically for this lineup". - AllMusic.com
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=txEuMLvRclw&list=RDtxEuMLvRclw&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 4418"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Mood Indigo"
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      [
        "ordre" => 2
        "nom" => "2. Sophisticated Lady"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. The Tattooed Bride"
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      [
        "ordre" => 5
        "nom" => "2. Solitude"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    }
    -modifierLe: DateTime @1764836036 {#2167
      date: 2025-12-04 08:13:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-mono-analogue-productions-aapj-4418"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2186
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Summertime "
      ]
      [
        "ordre" => 2
        "nom" => "2. Laura "
      ]
      [
        "ordre" => 3
        "nom" => "3. I Can't Get Started "
      ]
      [
        "ordre" => 4
        "nom" => "4. My Funny Valentine "
      ]
      [
        "ordre" => 5
        "nom" => "5. Everything but You "
      ]
      [
        "ordre" => 6
        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2110 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
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      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2184
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
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App\Twig\Components\GestionPanierFavoriComponents {#3654
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2186
    -id: 2349
    -nom: "Duke Ellington Presents..."
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone), Paul Gonsalves (tenor saxophone), Britt Woodman, John Saunders, Quentin Jackson (trombone), Cat Anderson, Clark Terry, Willie Cook (trumpet), Ray Nance (trumpet, violin), Sam Woodyard (drums.\r\n
      \r\n
      - 180 gram vinyl reissue !\r\n
      - New 2022 DMM cut utilizing remastered audio files from 2014 !\r\n
      - Duke Ellington's big band classic on Bethlehem !\r\n
      - Pressed at Precision Record Pressing in Canada !\r\n
      \r\n
      Legendary American pianist, composer and bandleader Duke Ellington recorded this album for the Bethlehem label in 1956. AllMusic rated the album 21/2 stars, and stated "... the music is quite enjoyable and it is interesting to hear Duke Ellington playing such tunes as "Laura", "My Funny Valentine", and "Indian Summer".\r\n
      \r\n
      The remastered 96kHz / 24-bit audio files used for this pressing were from a 2014 remastering. A new Direct Metal Mastering cut in 2022 utilizing those files produced the pressing stampers.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Jimmy Woode (bass), Harry Carney (bass clarinet, baritone saxophone), Russell Procope (clarinet, alto saxophone), Jimmy Hamilton (clarinet, tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YUf_Jcm9j7E"
    -referenceProduit: "Bethlehem Records 6174"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Summertime "
      ]
      [
        "ordre" => 2
        "nom" => "2. Laura "
      ]
      [
        "ordre" => 3
        "nom" => "3. I Can't Get Started "
      ]
      [
        "ordre" => 4
        "nom" => "4. My Funny Valentine "
      ]
      [
        "ordre" => 5
        "nom" => "5. Everything but You "
      ]
      [
        "ordre" => 6
        "nom" => "6. Frustration"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Cotton Tail "
      ]
      [
        "ordre" => 9
        "nom" => "2. Day Dream "
      ]
      [
        "ordre" => 10
        "nom" => "3. Deep Purple "
      ]
      [
        "ordre" => 11
        "nom" => "4. Indian Summer "
      ]
      [
        "ordre" => 12
        "nom" => "5. Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2110 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1674117295 {#2183
      date: 2023-01-19 08:34:55.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835613 {#2184
      date: 2025-12-04 08:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-duke-ellington-presents-bethlehem-records-6174"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z9CfWuUIhvk&list=PLL-NbN8uTOijEsoYqLkgqDYeAaN1OLGRo"
    -referenceProduit: "Blue Note Tone Poet Series 6101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Money Jungle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Le Fleurs Africaines (African Flower)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Very Special"
      ]
      [
        "ordre" => 4
        "nom" => "4. Warm Valley"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Wig Wise"
      ]
      [
        "ordre" => 7
        "nom" => "2. Caravan"
      ]
      [
        "ordre" => 8
        "nom" => "3. Solitude"
      ]
      [
        "ordre" => 9
        "nom" => "\t"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2201 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2210 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2203 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2205 …}
    -enregistreLe: DateTime @1755204472 {#2196
      date: 2025-08-14 20:47:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835328 {#2197
      date: 2025-12-04 08:02:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-money-jungle-blue-note-tone-poet-series-6101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3702
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2635 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2199
    -id: 2763
    -nom: "Money Jungle"
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude", and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Duke Ellington (piano), Charles Mingus (bass), Max Roach (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z9CfWuUIhvk&list=PLL-NbN8uTOijEsoYqLkgqDYeAaN1OLGRo"
    -referenceProduit: "Blue Note Tone Poet Series 6101"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Money Jungle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Le Fleurs Africaines (African Flower)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Very Special"
      ]
      [
        "ordre" => 4
        "nom" => "4. Warm Valley"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Wig Wise"
      ]
      [
        "ordre" => 7
        "nom" => "2. Caravan"
      ]
      [
        "ordre" => 8
        "nom" => "3. Solitude"
      ]
      [
        "ordre" => 9
        "nom" => "\t"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2081 …}
    -label: Proxies\__CG__\App\Entity\Label {#2201 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2210 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2203 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2205 …}
    -enregistreLe: DateTime @1755204472 {#2196
      date: 2025-08-14 20:47:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764835328 {#2197
      date: 2025-12-04 08:02:08.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2207 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-money-jungle-blue-note-tone-poet-series-6101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3898
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2403 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3899 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3947 …}
  +isValidated: false
  +validatedFields: []
}