Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2413
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2490
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2493 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
  -formView: Symfony\Component\Form\FormView {#2529 …}
  -form: Symfony\Component\Form\Form {#2679 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1883
    -id: 2342
    -nom: "Hejira - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Joni Mitchell (acoustic & electric guitar, vocals), Chuck Findley, Tom Scott (horns), Abe Most (clarinet), Neil Young (harmonica), Victor Feldman (vibraphone), Larry Carlton (electric guitar), Max Bennett (bass guitar), Jaco Pastorius (fretless bass), Chuck Domanico (double bass), Bobbye Hall (percussion), John Guerin (drums)  \r\n
      \r\n
      - 1976 ALBUM PLAYS WITH IMMERSIVE SOUND ULTRADISC ONE-STEP BOX SET !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      The eccentric title of Joni Mitchell's eighth studio album, Hejira, reflects the liberating circumstances that inspired the revered record as well as the explorative nature of the restless music, dense songwriting, and resilient moods. A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of "leaving the dream, no blame" or, "running away, honorably." Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work deemed the 133rd Greatest Album of All Time by Rolling Stone also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. Viewed by many fans as the Canadian native's finest hour, Hejira comes across like nine short films that will linger in your mind on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (acoustic & electric guitar, vocals), Chuck Findley, Tom Scott (horns), Abe Most (clarinet), Neil Young (harmonica), Victor Feldman (vibraphone), Larry Carlton (electric guitar),  Max Bennett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i4KBohkaHDE"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-053"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Coyote"
      ]
      [
        "ordre" => 1
        "nom" => "2. Amelia"
      ]
      [
        "ordre" => 2
        "nom" => "3. Furry Sings the Blues"
      ]
      [
        "ordre" => 3
        "nom" => "4. A Strange Boy"
      ]
      [
        "ordre" => 4
        "nom" => "5. Hejira"
      ]
      [
        "ordre" => 5
        "nom" => "6. Song for Sharon"
      ]
      [
        "ordre" => 6
        "nom" => "7. Black Crow"
      ]
      [
        "ordre" => 7
        "nom" => "8. Blue Motel Room"
      ]
      [
        "ordre" => 8
        "nom" => "9. Refuge of the Roads"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1671629600 {#1870
      date: 2022-12-21 13:33:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769798724 {#1894
      date: 2026-01-30 18:45:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hejira-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-053"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2966
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#1883
    -id: 2342
    -nom: "Hejira - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Joni Mitchell (acoustic & electric guitar, vocals), Chuck Findley, Tom Scott (horns), Abe Most (clarinet), Neil Young (harmonica), Victor Feldman (vibraphone), Larry Carlton (electric guitar), Max Bennett (bass guitar), Jaco Pastorius (fretless bass), Chuck Domanico (double bass), Bobbye Hall (percussion), John Guerin (drums)  \r\n
      \r\n
      - 1976 ALBUM PLAYS WITH IMMERSIVE SOUND ULTRADISC ONE-STEP BOX SET !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      The eccentric title of Joni Mitchell's eighth studio album, Hejira, reflects the liberating circumstances that inspired the revered record as well as the explorative nature of the restless music, dense songwriting, and resilient moods. A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of "leaving the dream, no blame" or, "running away, honorably." Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work deemed the 133rd Greatest Album of All Time by Rolling Stone also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. Viewed by many fans as the Canadian native's finest hour, Hejira comes across like nine short films that will linger in your mind on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (acoustic & electric guitar, vocals), Chuck Findley, Tom Scott (horns), Abe Most (clarinet), Neil Young (harmonica), Victor Feldman (vibraphone), Larry Carlton (electric guitar),  Max Bennett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i4KBohkaHDE"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-053"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Coyote"
      ]
      [
        "ordre" => 1
        "nom" => "2. Amelia"
      ]
      [
        "ordre" => 2
        "nom" => "3. Furry Sings the Blues"
      ]
      [
        "ordre" => 3
        "nom" => "4. A Strange Boy"
      ]
      [
        "ordre" => 4
        "nom" => "5. Hejira"
      ]
      [
        "ordre" => 5
        "nom" => "6. Song for Sharon"
      ]
      [
        "ordre" => 6
        "nom" => "7. Black Crow"
      ]
      [
        "ordre" => 7
        "nom" => "8. Blue Motel Room"
      ]
      [
        "ordre" => 8
        "nom" => "9. Refuge of the Roads"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1671629600 {#1870
      date: 2022-12-21 13:33:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769798724 {#1894
      date: 2026-01-30 18:45:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hejira-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-053"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2027
    -id: 2569
    -nom: "Court and Spark - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark : Ranked the 110th Greatest Album of All Time by Rolling Stone !\r\n
      - Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) Plays with Definitive Detail and Clarity : Pressed on MoFi SuperVinyl and Strictly Limited to 5000 Numbered Copies, Box Set Includes New Liner Notes !\r\n
      - 1/4” / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing on MoFi SuperVinyl, strictly limited to 5,000 numbered copies, and featuring new liner notes, Mobile Fidelity's UltraDisc One-Step 180 ram 45 RPM (2 LP) box set presents the 1974 classic with definitive detail, tonality, and directness. Marking the first time the revered LP has received audiophile-quality treatment, it's one of six iconic 1970s Mitchell records Mobile Fidelity is reissuing on vinyl and SACD sets.\r\n
      \r\n
      Benefitting from a virtually nonexistent noise floor, dead-quiet surfaces, and superior groove definition, this collectible edition reproduces without compromise the textures, details, and breathtaking craftsmanship that help make Court and Spark into what many fans believe is the Canadian native’s finest hour. Notes bloom and decay as they do amid an acoustic live environment. Soundstages extend far and deep, with black backgrounds and balanced tones adding to the uncanny realism.\r\n
      \r\n
      The reference-grade presence and openness put in transparent view Mitchell’s incisive words and unique phrasing, as well as the contributions of her prized support musicians including Tom Scott and the L.A. Express as well as guest turns by the likes of David Crosby, Graham Nash, Jose Feliciano, and Robbie Robertson. Mitchell, experimenting with the melodic parameters of guitar and piano, is rightly found at the center of it all. The jazz-rock rhythms of drummer John Guerin, slippery guitar lines of Larry Carlton, vibrant horns and reeds laid down by Scott crucial to the songs’ shape-shifting arrangements — can now also be heard with fresh ears. \r\n
      \r\n
      Visually and physically, the packaging of the Court and Spark UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendor of the recording. This reissue is for listeners who desire to engage themselves in everything involved with the album, including Mitchell’s “The Mountain Loves the Sea” painting a picture of waves embracing and receding away from a mountain, a metaphor for the record’s lyrical themes on the cover art.\r\n
      \r\n
      Pitching deceptively light compositions against underlying tensions, Court and Spark witnesses the singer-songwriter finding her footing with a group of top-shelf musicians who seemingly understand her visions as well as expanding her lyrical palette and venturing further into territory no artist had dared explore. Mitchell’s accessibly complex structures, beat-propelled rhythms, and spirited interplay with Scott & Co. both give the music a different identity than her prior efforts and point in the directions she soon headed.\r\n
      \r\n
      Lyrically, Court and Spark matches the wit, integrity, originality, and intellect of anything in Mitchell’s oeuvre no small feat. Offsetting positives with negatives, and considering circumstances from multiple angles, Mitchell explores issues connected to love and freedom, certainty and confusion, and trust and fear with unfettered boldness and introspective empathy. She teeters between surrender and retreat, and spends a majority of the record sussing out the complications and sacrifices involved with such actions. \r\n
      \r\n
      Mitchell addresses the transactional nature of desire (the intimate title track, the upbeat “Raised on Robbery”, complete with rock ‘n’ roll pep from Robertson and zesty sax from Scott); anticipation and disappointment of romance (“Car on a Hill”, “”Down to You); fame and celebrity (“A Free Man in Paris”, “People’s Parties”); and sanity (the dark and stormy “Trouble Child”, a satirical cover of Annie Ross’ “Twisted”). Throughout, she sings with an emotionally penetrating beauty and devastating honesty that teaches about ourselves. \r\n
      \r\n
      Or, as Mitchell relays on “People’s Parties”: “Laughing and crying/You know it’s the same release”.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (piano, vocals), Jim Hughart, Max Bennett, Wilton Felder (bass), Larry Carlton (electric guitar), Joe Sample (electric piano), Tom Scott (woodwind, reeds), John Guerin (drums, percussion),"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XZLVYoO6r9g"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => " 1. Court And Spark"
      ]
      [
        "ordre" => 1
        "nom" => "2. Help Me"
      ]
      [
        "ordre" => 2
        "nom" => "3. Free Man in Paris"
      ]
      [
        "ordre" => 3
        "nom" => "4. People's Parties"
      ]
      [
        "ordre" => 4
        "nom" => "5. Same Situation"
      ]
      [
        "ordre" => 5
        "nom" => "6. Car on a Hill"
      ]
      [
        "ordre" => 6
        "nom" => "7. Down to You"
      ]
      [
        "ordre" => 7
        "nom" => "8. Just Like This Train"
      ]
      [
        "ordre" => 8
        "nom" => "9. Raised on Robbery"
      ]
      [
        "ordre" => 9
        "nom" => "10. Trouble Child"
      ]
      [
        "ordre" => 10
        "nom" => "11. Twisted"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2035 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2028 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2030 …}
    -enregistreLe: DateTime @1728139373 {#2024
      date: 2024-10-05 14:42:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769798432 {#2025
      date: 2026-01-30 18:40:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2032 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-court-and-spark-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-052"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3057
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2027
    -id: 2569
    -nom: "Court and Spark - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark : Ranked the 110th Greatest Album of All Time by Rolling Stone !\r\n
      - Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) Plays with Definitive Detail and Clarity : Pressed on MoFi SuperVinyl and Strictly Limited to 5000 Numbered Copies, Box Set Includes New Liner Notes !\r\n
      - 1/4” / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing on MoFi SuperVinyl, strictly limited to 5,000 numbered copies, and featuring new liner notes, Mobile Fidelity's UltraDisc One-Step 180 ram 45 RPM (2 LP) box set presents the 1974 classic with definitive detail, tonality, and directness. Marking the first time the revered LP has received audiophile-quality treatment, it's one of six iconic 1970s Mitchell records Mobile Fidelity is reissuing on vinyl and SACD sets.\r\n
      \r\n
      Benefitting from a virtually nonexistent noise floor, dead-quiet surfaces, and superior groove definition, this collectible edition reproduces without compromise the textures, details, and breathtaking craftsmanship that help make Court and Spark into what many fans believe is the Canadian native’s finest hour. Notes bloom and decay as they do amid an acoustic live environment. Soundstages extend far and deep, with black backgrounds and balanced tones adding to the uncanny realism.\r\n
      \r\n
      The reference-grade presence and openness put in transparent view Mitchell’s incisive words and unique phrasing, as well as the contributions of her prized support musicians including Tom Scott and the L.A. Express as well as guest turns by the likes of David Crosby, Graham Nash, Jose Feliciano, and Robbie Robertson. Mitchell, experimenting with the melodic parameters of guitar and piano, is rightly found at the center of it all. The jazz-rock rhythms of drummer John Guerin, slippery guitar lines of Larry Carlton, vibrant horns and reeds laid down by Scott crucial to the songs’ shape-shifting arrangements — can now also be heard with fresh ears. \r\n
      \r\n
      Visually and physically, the packaging of the Court and Spark UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendor of the recording. This reissue is for listeners who desire to engage themselves in everything involved with the album, including Mitchell’s “The Mountain Loves the Sea” painting a picture of waves embracing and receding away from a mountain, a metaphor for the record’s lyrical themes on the cover art.\r\n
      \r\n
      Pitching deceptively light compositions against underlying tensions, Court and Spark witnesses the singer-songwriter finding her footing with a group of top-shelf musicians who seemingly understand her visions as well as expanding her lyrical palette and venturing further into territory no artist had dared explore. Mitchell’s accessibly complex structures, beat-propelled rhythms, and spirited interplay with Scott & Co. both give the music a different identity than her prior efforts and point in the directions she soon headed.\r\n
      \r\n
      Lyrically, Court and Spark matches the wit, integrity, originality, and intellect of anything in Mitchell’s oeuvre no small feat. Offsetting positives with negatives, and considering circumstances from multiple angles, Mitchell explores issues connected to love and freedom, certainty and confusion, and trust and fear with unfettered boldness and introspective empathy. She teeters between surrender and retreat, and spends a majority of the record sussing out the complications and sacrifices involved with such actions. \r\n
      \r\n
      Mitchell addresses the transactional nature of desire (the intimate title track, the upbeat “Raised on Robbery”, complete with rock ‘n’ roll pep from Robertson and zesty sax from Scott); anticipation and disappointment of romance (“Car on a Hill”, “”Down to You); fame and celebrity (“A Free Man in Paris”, “People’s Parties”); and sanity (the dark and stormy “Trouble Child”, a satirical cover of Annie Ross’ “Twisted”). Throughout, she sings with an emotionally penetrating beauty and devastating honesty that teaches about ourselves. \r\n
      \r\n
      Or, as Mitchell relays on “People’s Parties”: “Laughing and crying/You know it’s the same release”.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (piano, vocals), Jim Hughart, Max Bennett, Wilton Felder (bass), Larry Carlton (electric guitar), Joe Sample (electric piano), Tom Scott (woodwind, reeds), John Guerin (drums, percussion),"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XZLVYoO6r9g"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => " 1. Court And Spark"
      ]
      [
        "ordre" => 1
        "nom" => "2. Help Me"
      ]
      [
        "ordre" => 2
        "nom" => "3. Free Man in Paris"
      ]
      [
        "ordre" => 3
        "nom" => "4. People's Parties"
      ]
      [
        "ordre" => 4
        "nom" => "5. Same Situation"
      ]
      [
        "ordre" => 5
        "nom" => "6. Car on a Hill"
      ]
      [
        "ordre" => 6
        "nom" => "7. Down to You"
      ]
      [
        "ordre" => 7
        "nom" => "8. Just Like This Train"
      ]
      [
        "ordre" => 8
        "nom" => "9. Raised on Robbery"
      ]
      [
        "ordre" => 9
        "nom" => "10. Trouble Child"
      ]
      [
        "ordre" => 10
        "nom" => "11. Twisted"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2035 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2030 …}
    -enregistreLe: DateTime @1728139373 {#2024
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    }
    -modifierLe: DateTime @1769798432 {#2025
      date: 2026-01-30 18:40:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-court-and-spark-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-052"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2040
    -id: 2340
    -nom: "Ladies Of The Canyon - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - ULTRADISC ONE-STEP PRESENTS LANDMARK 1970 ALBUM IN UNPARALLELED SOUND !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area – her house is depicted in a watercolor painting she made for the record's cover – the Canadian icon turned to her immediate surroundings for inspiration all the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The rather upbeat Ladies of the Canyon also finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard. Deemed "powerful and brilliant" upon release by The New York Times, this 1970 set marks the first of six consecutive masterworks Mitchell made and an album that deserves to be heard in the finest-possible fidelity on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (guitars, keyboards, vocals), Teresa Adams (cello),  Paul Horn (clarinet, flute), Jim Horn (baritone saxophone), The Lookout Mountain United Downstairs Choir (vocal chorus), Milt Holland (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j_g8QQubIdA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL45UD1S2-049"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Morning Morgantown "
      ]
      [
        "ordre" => 1
        "nom" => "2. For Free "
      ]
      [
        "ordre" => 2
        "nom" => "3. Conversation "
      ]
      [
        "ordre" => 3
        "nom" => "4. Ladies of the Canyon "
      ]
      [
        "ordre" => 4
        "nom" => "5. Willy "
      ]
      [
        "ordre" => 5
        "nom" => "6. The Arrangement "
      ]
      [
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        "nom" => "7. Rainy Day House "
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      [
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        "nom" => "8. The Priest "
      ]
      [
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        "nom" => "9. Blue Boy "
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      [
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        "nom" => "10. Big Yellow Taxi \t11."
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      [
        "ordre" => 10
        "nom" => "Woodstock "
      ]
      [
        "ordre" => 11
        "nom" => "12. The Circle Game"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
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    }
    -modifierLe: DateTime @1769798217 {#2038
      date: 2026-01-30 18:36:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ladies-of-the-canyon-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-mfsl45ud1s2-049"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3105
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2040
    -id: 2340
    -nom: "Ladies Of The Canyon - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - ULTRADISC ONE-STEP PRESENTS LANDMARK 1970 ALBUM IN UNPARALLELED SOUND !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area – her house is depicted in a watercolor painting she made for the record's cover – the Canadian icon turned to her immediate surroundings for inspiration all the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The rather upbeat Ladies of the Canyon also finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard. Deemed "powerful and brilliant" upon release by The New York Times, this 1970 set marks the first of six consecutive masterworks Mitchell made and an album that deserves to be heard in the finest-possible fidelity on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (guitars, keyboards, vocals), Teresa Adams (cello),  Paul Horn (clarinet, flute), Jim Horn (baritone saxophone), The Lookout Mountain United Downstairs Choir (vocal chorus), Milt Holland (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j_g8QQubIdA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL45UD1S2-049"
    -titreMorceau: [
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      ]
      [
        "ordre" => 10
        "nom" => "Woodstock "
      ]
      [
        "ordre" => 11
        "nom" => "12. The Circle Game"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1671440927 {#2037
      date: 2022-12-19 09:08:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769798217 {#2038
      date: 2026-01-30 18:36:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ladies-of-the-canyon-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-mfsl45ud1s2-049"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2053
    -id: 2339
    -nom: "Blue - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - BLUE REACHES NEW AUDIOPHILE HEIGHTS ON ULTRADISC ONE-STEP !\r\n
      - 1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Blue would literally change everything shortly after its release in June 1971. But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (guitar, piano, vocals), Stephen Stills (bass, guitar), James Taylor (guitar), Sneeky Pete (pedal steel guitar), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wq2jhs19_V8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-050"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. All I Want "
      ]
      [
        "ordre" => 1
        "nom" => "2. My Old Man "
      ]
      [
        "ordre" => 2
        "nom" => "3. Little Green "
      ]
      [
        "ordre" => 3
        "nom" => "4. Carey "
      ]
      [
        "ordre" => 4
        "nom" => "5. Blue "
      ]
      [
        "ordre" => 5
        "nom" => "6. California "
      ]
      [
        "ordre" => 6
        "nom" => "7. This Flight Tonight "
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      [
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        "nom" => "9. A Case of You "
      ]
      [
        "ordre" => 9
        "nom" => "10. The Last Time I Saw Richard"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
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    -modifierLe: DateTime @1769798099 {#2051
      date: 2026-01-30 18:34:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-blue-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-050"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3153
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2053
    -id: 2339
    -nom: "Blue - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - BLUE REACHES NEW AUDIOPHILE HEIGHTS ON ULTRADISC ONE-STEP !\r\n
      - 1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Blue would literally change everything shortly after its release in June 1971. But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Joni Mitchell (guitar, piano, vocals), Stephen Stills (bass, guitar), James Taylor (guitar), Sneeky Pete (pedal steel guitar), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wq2jhs19_V8"
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      ]
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        "ordre" => 9
        "nom" => "10. The Last Time I Saw Richard"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
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    -modifierLe: DateTime @1769798099 {#2051
      date: 2026-01-30 18:34:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
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    -slug: "vinyles-blue-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-050"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3345
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3346 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3394 …}
  +isValidated: false
  +validatedFields: []
}