Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2413
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2490
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2493 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
  -formView: Symfony\Component\Form\FormView {#2529 …}
  -form: Symfony\Component\Form\Form {#2679 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1883
    -id: 3021
    -nom: "What Were Once Vices Are Now Habits - (2 LP) 45 RPM"
    -informationComplementaire: "Entre rock, soul et liberté californienne, "What Were Once Vices Are Now Habits" capture l’esprit d’une époque en mutation, porté par le hit intemporel "Black Water". Un classique chaleureux aux harmonies inoubliables signé The Doobie Brothers."
    -description: """
      Sorti en 1974, "What Were Once Vices Are Now Habits" marque un tournant majeur dans la carrière des Doobie Brothers. L’album mélange avec fluidité rock, folk, country et soul, tout en affirmant une identité sonore plus riche et plus maîtrisée que leurs précédents projets.\r\n
      \r\n
      Porté par le succès phénoménal du titre "Black Water", premier numéro 1 du groupe, cet opus incarne à la fois l’énergie brute de la scène californienne et une maturité musicale nouvelle, notamment grâce à l’apport de Patrick Simmons et Tom Johnston, dont les styles se complètent parfaitement.\r\n
      \r\n
      Entre harmonies vocales soignées, guitares chaleureuses et influences sudistes, l’album oscille entre insouciance et introspection, explorant les excès, les contradictions et l’évolution personnelle comme le suggère son titre.\r\n
      \r\n
      Un disque charnière, à la fois accessible et profond, qui consolide définitivement la place des Doobie Brothers dans le paysage rock des années 70.\r\n
      \r\n
      Musicians : \r\n
      Tom Johnston, Patrick Simmons (acoustic & electric guitars, lead & backing vocals), Tiran Porter (bass, backing vocals), John Hartman (drums, percussion), Michael Hossack (drums), Keith Knudsen (drums, backing vocals), Jeff “Skunk” Baxter (pedal steel guitar), Bill Payne (organ, piano, clavinet), James Booker (piano), Arlo Guthrie (autoharp), Eddie Guzman (congas, timbales, percussion), Milt Holland (tabla, vibraphone, marimba, pandeiro, percussion), The Memphis Horns : Wayne Jackson (trumpet), Andrew Love (tenor saxophone), James Mitchell (baritone saxophone), Jack Hale (trombone), Novi Novog (viola), Ted Templeman (percussion). \r\n
      \r\n
      - The Doobie Brothers Expand Their Palette on the Soulful What Were Once Vices Are Now Habits: Double-Platinum Album Features the N° 1 Hit “Black Water” and the Memphis Horns !\r\n
      \r\n
      - Hear the Feel-Good 1974 Record in Reference-Grade Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Plays with Striking Clarity, Dynamics, and Presence !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      "And I ain't got no worries / 'Cause I ain't in no hurry at all". The capstone to the chorus of the Doobie Brothers' N° 1 hit "Black Water" sums up the feel-good emotions and Southern-styled charm of What Were Once Vices Are Now Habits. As the group's most diverse and ambitious effort upon its release in 1974, the album finds the sextet expanding its stylistic parameters while holding firm on its signature blend of rock, country, and R&B. More than five decades later, it stands along with the band's other early and mid-70s records as an indispensable staple of a Hall of Fame career. \r\n
      \r\n
      And now, it plays with reference-grade sonics. Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) of What Were Once Vices Are Now Habits affords the work the luxurious room of a 45 RPM version for the first time. Because of the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, big dynamics, and spot-on imaging. Everything sounds crisp and clear. \r\n
      \r\n
      From the decision to run acoustic guitars through Leslie speakers on “Another Park, Another Sunday” to the naturalism of the shaded vocal harmonies that grace the memorable refrains to the famous a capella parts of “Black Water”, the brilliance of Ted Templeman’s production shines. Akin to Toulouse Street and The Captain and Me, nothing is overdone. \r\n
      \r\n
      Aspects that make the songs welcoming and digestible voices that naturally rise and fall, notes that carry and decay, bass lines you can follow from beginning to end, strategically placed percussive details, warm tones, well-defined separation between the players come across on this collectible reissue with effortless presence, balance, and realism. As for the spaciousness? Listen to a few bars of the opening “Song to See You Through” and try not to shake your head in disbelief at what you hear.\r\n
      \r\n
      Just as important as the sound, What Were Once Vices Are Now Habits pulls you in with one memorable tune after another. It’s a collective effort, with the material reflecting the strengths of each member and their special guests. At every turn, the record defies easy categorization yet sparks with amiable vibes built for cruising down the highway, hanging out on a lazy afternoon, and throwing a few cold ones back on a hot day. \r\n
      \r\n
      Having reached #4 on the Billboard Album charts, spawned three singles, and sold more than two million copies, it's safe to say the public wanted a piece of what the Doobie Brothers were slinging. Besides, who could resist? \r\n
      \r\n
      The band invited the Memphis Horns to inject brassy soul on three tracks. It secured Steely Dan virtuoso Jeff “Skunk” Baxter to supply pedal-steel guitar on “Tell Me What You Want (And I’ll Give You What You Need)” and recruited Arlo Guthrie to play autoharp on the same cut. The Doobie Brothers sat legendary New Orleans pianist James Booker at the 88s for “Down in the Track”. They tapped Little Feat co-founder Bill Payne to lay down organ on two songs and clavinet on another. The instrumental expansion extends to Novi Novog bowing the viola, Eddie Guzman tapping congas, and Milt Holland tackling tabla, vibraphone, marimba, and pandeiro. \r\n
      \r\n
      The fruits of those labors, as well as the sharp songwriting of band anchors Tom Johnston and Patrick Simmons, resonate amid a record without a dull moment over its nearly 45 minute length. The Doobie Brothers’ loose boogies, swaggering strolls, country-leaning reflections, and let-your-hair-down romps buzz with magnetic riffs, swampy grooves, and seamless matrices of acoustic and electric guitar chords. They're in evidence on the back-and-forth grit of “Road Angel,” swagger of “Pursuit on 53rd St.”, rhythmic quick-step of “Eyes of Silver”, and prog devices of “Daughters of the Sea”. \r\n
      \r\n
      To paraphrase the band on “Tell Me What You Want (And I’ll Give You What You Need)” : Easy, cool, and breezy. What a feeling, indeed.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1812 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (acoustic & electric guitars, lead & backing vocals), Tiran Porter (bass, backing vocals), John Hartman (drums, percussion), Michael Hossack (drums), Keith Knudsen (drums, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RsP3rFJJk1Y&list=RDRsP3rFJJk1Y&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-598"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Song to See You Through"
      ]
      [
        "ordre" => 2
        "nom" => "2. Spirit"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pursuit on 53rd St. "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Black Water"
      ]
      [
        "ordre" => 6
        "nom" => "2. Eyes of Silver"
      ]
      [
        "ordre" => 7
        "nom" => "3. Road Angel "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. You Just Can’t Stop It"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tell Me What You Want (And I’ll Give You What You Need)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Down in the Track "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Another Park, Another Sunday"
      ]
      [
        "ordre" => 14
        "nom" => "2. Daughters of the Sea"
      ]
      [
        "ordre" => 15
        "nom" => "3. Flying Cloud"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1773732499 {#1870
      date: 2026-03-17 07:28:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773733744 {#1894
      date: 2026-03-17 07:49:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-what-were-once-vices-are-now-habits-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-598"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2966
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#1883
    -id: 3021
    -nom: "What Were Once Vices Are Now Habits - (2 LP) 45 RPM"
    -informationComplementaire: "Entre rock, soul et liberté californienne, "What Were Once Vices Are Now Habits" capture l’esprit d’une époque en mutation, porté par le hit intemporel "Black Water". Un classique chaleureux aux harmonies inoubliables signé The Doobie Brothers."
    -description: """
      Sorti en 1974, "What Were Once Vices Are Now Habits" marque un tournant majeur dans la carrière des Doobie Brothers. L’album mélange avec fluidité rock, folk, country et soul, tout en affirmant une identité sonore plus riche et plus maîtrisée que leurs précédents projets.\r\n
      \r\n
      Porté par le succès phénoménal du titre "Black Water", premier numéro 1 du groupe, cet opus incarne à la fois l’énergie brute de la scène californienne et une maturité musicale nouvelle, notamment grâce à l’apport de Patrick Simmons et Tom Johnston, dont les styles se complètent parfaitement.\r\n
      \r\n
      Entre harmonies vocales soignées, guitares chaleureuses et influences sudistes, l’album oscille entre insouciance et introspection, explorant les excès, les contradictions et l’évolution personnelle comme le suggère son titre.\r\n
      \r\n
      Un disque charnière, à la fois accessible et profond, qui consolide définitivement la place des Doobie Brothers dans le paysage rock des années 70.\r\n
      \r\n
      Musicians : \r\n
      Tom Johnston, Patrick Simmons (acoustic & electric guitars, lead & backing vocals), Tiran Porter (bass, backing vocals), John Hartman (drums, percussion), Michael Hossack (drums), Keith Knudsen (drums, backing vocals), Jeff “Skunk” Baxter (pedal steel guitar), Bill Payne (organ, piano, clavinet), James Booker (piano), Arlo Guthrie (autoharp), Eddie Guzman (congas, timbales, percussion), Milt Holland (tabla, vibraphone, marimba, pandeiro, percussion), The Memphis Horns : Wayne Jackson (trumpet), Andrew Love (tenor saxophone), James Mitchell (baritone saxophone), Jack Hale (trombone), Novi Novog (viola), Ted Templeman (percussion). \r\n
      \r\n
      - The Doobie Brothers Expand Their Palette on the Soulful What Were Once Vices Are Now Habits: Double-Platinum Album Features the N° 1 Hit “Black Water” and the Memphis Horns !\r\n
      \r\n
      - Hear the Feel-Good 1974 Record in Reference-Grade Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Plays with Striking Clarity, Dynamics, and Presence !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      "And I ain't got no worries / 'Cause I ain't in no hurry at all". The capstone to the chorus of the Doobie Brothers' N° 1 hit "Black Water" sums up the feel-good emotions and Southern-styled charm of What Were Once Vices Are Now Habits. As the group's most diverse and ambitious effort upon its release in 1974, the album finds the sextet expanding its stylistic parameters while holding firm on its signature blend of rock, country, and R&B. More than five decades later, it stands along with the band's other early and mid-70s records as an indispensable staple of a Hall of Fame career. \r\n
      \r\n
      And now, it plays with reference-grade sonics. Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) of What Were Once Vices Are Now Habits affords the work the luxurious room of a 45 RPM version for the first time. Because of the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, big dynamics, and spot-on imaging. Everything sounds crisp and clear. \r\n
      \r\n
      From the decision to run acoustic guitars through Leslie speakers on “Another Park, Another Sunday” to the naturalism of the shaded vocal harmonies that grace the memorable refrains to the famous a capella parts of “Black Water”, the brilliance of Ted Templeman’s production shines. Akin to Toulouse Street and The Captain and Me, nothing is overdone. \r\n
      \r\n
      Aspects that make the songs welcoming and digestible voices that naturally rise and fall, notes that carry and decay, bass lines you can follow from beginning to end, strategically placed percussive details, warm tones, well-defined separation between the players come across on this collectible reissue with effortless presence, balance, and realism. As for the spaciousness? Listen to a few bars of the opening “Song to See You Through” and try not to shake your head in disbelief at what you hear.\r\n
      \r\n
      Just as important as the sound, What Were Once Vices Are Now Habits pulls you in with one memorable tune after another. It’s a collective effort, with the material reflecting the strengths of each member and their special guests. At every turn, the record defies easy categorization yet sparks with amiable vibes built for cruising down the highway, hanging out on a lazy afternoon, and throwing a few cold ones back on a hot day. \r\n
      \r\n
      Having reached #4 on the Billboard Album charts, spawned three singles, and sold more than two million copies, it's safe to say the public wanted a piece of what the Doobie Brothers were slinging. Besides, who could resist? \r\n
      \r\n
      The band invited the Memphis Horns to inject brassy soul on three tracks. It secured Steely Dan virtuoso Jeff “Skunk” Baxter to supply pedal-steel guitar on “Tell Me What You Want (And I’ll Give You What You Need)” and recruited Arlo Guthrie to play autoharp on the same cut. The Doobie Brothers sat legendary New Orleans pianist James Booker at the 88s for “Down in the Track”. They tapped Little Feat co-founder Bill Payne to lay down organ on two songs and clavinet on another. The instrumental expansion extends to Novi Novog bowing the viola, Eddie Guzman tapping congas, and Milt Holland tackling tabla, vibraphone, marimba, and pandeiro. \r\n
      \r\n
      The fruits of those labors, as well as the sharp songwriting of band anchors Tom Johnston and Patrick Simmons, resonate amid a record without a dull moment over its nearly 45 minute length. The Doobie Brothers’ loose boogies, swaggering strolls, country-leaning reflections, and let-your-hair-down romps buzz with magnetic riffs, swampy grooves, and seamless matrices of acoustic and electric guitar chords. They're in evidence on the back-and-forth grit of “Road Angel,” swagger of “Pursuit on 53rd St.”, rhythmic quick-step of “Eyes of Silver”, and prog devices of “Daughters of the Sea”. \r\n
      \r\n
      To paraphrase the band on “Tell Me What You Want (And I’ll Give You What You Need)” : Easy, cool, and breezy. What a feeling, indeed.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1812 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (acoustic & electric guitars, lead & backing vocals), Tiran Porter (bass, backing vocals), John Hartman (drums, percussion), Michael Hossack (drums), Keith Knudsen (drums, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RsP3rFJJk1Y&list=RDRsP3rFJJk1Y&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-598"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Song to See You Through"
      ]
      [
        "ordre" => 2
        "nom" => "2. Spirit"
      ]
      [
        "ordre" => 3
        "nom" => "3. Pursuit on 53rd St. "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Black Water"
      ]
      [
        "ordre" => 6
        "nom" => "2. Eyes of Silver"
      ]
      [
        "ordre" => 7
        "nom" => "3. Road Angel "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. You Just Can’t Stop It"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tell Me What You Want (And I’ll Give You What You Need)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Down in the Track "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Another Park, Another Sunday"
      ]
      [
        "ordre" => 14
        "nom" => "2. Daughters of the Sea"
      ]
      [
        "ordre" => 15
        "nom" => "3. Flying Cloud"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1773732499 {#1870
      date: 2026-03-17 07:28:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773733744 {#1894
      date: 2026-03-17 07:49:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-what-were-once-vices-are-now-habits-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-598"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2027
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1812 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "2. Clear as the Driven Snow"
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        "nom" => "Side C :"
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        "nom" => "2. South City Midnight Lady"
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      [
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      ]
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        "nom" => "2. Busted Down Around O’Connelly Corners"
      ]
      [
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        "nom" => "3. Ukiah"
      ]
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        "ordre" => 14
        "nom" => "4. The Captain and Me"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
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    }
    -modifierLe: DateTime @1771863868 {#2025
      date: 2026-02-23 16:24:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2032 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-captain-and-me-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-597"
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App\Twig\Components\GestionPanierFavoriComponents {#3057
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2027
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1812 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
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        "nom" => "1. Natural Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. Long Train Runnin’"
      ]
      [
        "ordre" => 3
        "nom" => "3. China Grove"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dark Eyed Cajun Woman"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear as the Driven Snow"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Without You"
      ]
      [
        "ordre" => 9
        "nom" => "2. South City Midnight Lady"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Evil Woman"
      ]
      [
        "ordre" => 12
        "nom" => "2. Busted Down Around O’Connelly Corners"
      ]
      [
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        "nom" => "3. Ukiah"
      ]
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        "nom" => "4. The Captain and Me"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2035 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2030 …}
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    }
    -modifierLe: DateTime @1771863868 {#2025
      date: 2026-02-23 16:24:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2032 …}
    -disponible: null
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    -slug: "vinyles-the-captain-and-me-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-597"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2040
    -id: 2709
    -nom: "Minute by Minute"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar), Tiran Porter (bass guitar, backing vocals), John Hartman (drums, percussion), Keith Knudsen (drums, backing vocals), Bobby LaKind (congas, backing vocals), Novi Novog (viola), Herb Pedersen (banjo), Ted Templeman (percussion, background vocals), Chet McCracken (drums).\r\n
      \r\n
      - The Doobie Brothers Create the Template for Yacht Rock : Grammy-Winning Smash Minute by Minute Features “What a Fool Believes”, Superb Harmonies, and Soulful Melodies !\r\n
      - Sourced from the Original Analog Master Tapes and Given Extra Groove Space: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set of 1978 Album Plays with Incredible Openness and Depth !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Minute by Minute saved the Doobie Brothers even as it nearly broke the band. Created when the group felt uncertain of its place in the music world, the album catapulted the sextet to new commercial heights and signaled a distinct change in direction that the mainstream wholeheartedly embraced. Having sold more than three million copies and stayed on the charts for more than a year, the four-time Grammy-winning Minute by Minute remains a pop landmark all the more impressive given few initially believed in its potential.\r\n
      \r\n
      Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition reissue presents the 1978 effort on 180 gram 45 RPM (2 LP) for the first time on what is the definitive-sounding vinyl version of the Rock & Roll Hall of Famers’ biggest-selling record. Produced by Ted Templeman the same year he helmed Van Halen’s breakthrough debut, Minute by Minute features non-congested openness, snappy rhythms, wonderful tonal balance, exceptionally clear vocals, and the right equilibrium of fine polish and bluesy grit.\r\n
      \r\n
      All those facets emerge with previously unrealized definition, transparency, smoothness, and solidity on this audiophile reissue. The levels of separation, dynamics, and imaging help bring the Doobie Brothers onto a wide, depth, multi-dimensional soundstage located feet away from your listening position. Templeton’s knack for capturing the full frequency spectrum in a vibrant, realistic manner pays dividends throughout this collectible version, which also benefits from the extra groove space and dead-quiet vinyl surfaces. As for chief architect Michael McDonald’s elastic, sky-high falsetto ? Experience its range like never before.\r\n
      \r\n
      When the Doobie Brothers laid down the tracks at Warner Bros. Record Studios in Hollywood, CA, it was apparent they would continue to shift from the boogie-infused, country-referencing rock that helped define their successful run of albums from the early to the mid ‘70s. As he does on the ensemble’s prior studio outing, McDonald still the newest recruit again takes center stage. The Steely Dan collaborator uses his versatile baritone, perfectionist-oriented arrangement skills, and penchant for unusual chord stylings to give many songs rich, soulful, jazz-tinted foundations.\r\n
      \r\n
      Nowhere is that strategy more apparent than on “What a Fool Believes,” the easygoing No. 1 smash that won the Grammy Awards for Song of the Year and Record of the Year and which Rolling Stone named the 343rd Greatest Song of All Time. Perhaps the Doobie Brothers didn’t invent “yacht rock” with the warm, hook-laden favorite and the other similarly minded cuts on the radio-friendly Minute by Minute look to the Top 20 title track, relaxed “Open Your Eyes”, and horn-accompanied “Dependin’ on You” for further evidence but the band essentially created the template many others would follow.\r\n
      \r\n
      Save for the pickin’ instrumental “Steamer Lane Breakdown”, they’re practically everywhere. Rising and falling above the twilight organ melody on “You Never Change”. Interwoven amid the catchy piano riffs and bass-guided rhythms of the opening “Here to Love You”, which establishes a romantic, mellow albeit adult-oriented mood that never lets up. Breezing through the feel-good emotions of “Sweet Feelin’", a comforting collaboration with Nicolette Larson.\r\n
      \r\n
      Everything happens naturally, and as a result of the Doobie Brothers wanting to rebound from the slightly disappointing reception of their preceding LP. Credit the band for trusting its instincts. Early feedback on the laidback, R&B-laced fare from friends and record executives wasn’t positive, and even a few band members liked the pop sound but wondered about the album and how it would be received.\r\n
      \r\n
      The rest, as they say, is history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Rq-7NgH-hcs&list=RDRq-7NgH-hcs&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-601"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Here to Love You"
        "ordre" => 1
      ]
      [
        "nom" => "2. What a Fool Believes"
        "ordre" => 2
      ]
      [
        "nom" => "3. Minute by Minute"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Dependin’ on You"
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Stop to Watch the Wheels"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Open Your Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "2. Sweet Feelin’"
        "ordre" => 9
      ]
      [
        "nom" => "3. Steamer Lane Breakdown"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. You Never Change"
        "ordre" => 12
      ]
      [
        "nom" => "2. How Do the Fools Survive ?"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2041 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1754418909 {#2037
      date: 2025-08-05 18:35:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762499426 {#2038
      date: 2025-11-07 07:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-minute-by-minute-mobile-fidelity-sound-lab-mfsl-2-601"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3105
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2040
    -id: 2709
    -nom: "Minute by Minute"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar), Tiran Porter (bass guitar, backing vocals), John Hartman (drums, percussion), Keith Knudsen (drums, backing vocals), Bobby LaKind (congas, backing vocals), Novi Novog (viola), Herb Pedersen (banjo), Ted Templeman (percussion, background vocals), Chet McCracken (drums).\r\n
      \r\n
      - The Doobie Brothers Create the Template for Yacht Rock : Grammy-Winning Smash Minute by Minute Features “What a Fool Believes”, Superb Harmonies, and Soulful Melodies !\r\n
      - Sourced from the Original Analog Master Tapes and Given Extra Groove Space: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set of 1978 Album Plays with Incredible Openness and Depth !\r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Minute by Minute saved the Doobie Brothers even as it nearly broke the band. Created when the group felt uncertain of its place in the music world, the album catapulted the sextet to new commercial heights and signaled a distinct change in direction that the mainstream wholeheartedly embraced. Having sold more than three million copies and stayed on the charts for more than a year, the four-time Grammy-winning Minute by Minute remains a pop landmark all the more impressive given few initially believed in its potential.\r\n
      \r\n
      Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition reissue presents the 1978 effort on 180 gram 45 RPM (2 LP) for the first time on what is the definitive-sounding vinyl version of the Rock & Roll Hall of Famers’ biggest-selling record. Produced by Ted Templeman the same year he helmed Van Halen’s breakthrough debut, Minute by Minute features non-congested openness, snappy rhythms, wonderful tonal balance, exceptionally clear vocals, and the right equilibrium of fine polish and bluesy grit.\r\n
      \r\n
      All those facets emerge with previously unrealized definition, transparency, smoothness, and solidity on this audiophile reissue. The levels of separation, dynamics, and imaging help bring the Doobie Brothers onto a wide, depth, multi-dimensional soundstage located feet away from your listening position. Templeton’s knack for capturing the full frequency spectrum in a vibrant, realistic manner pays dividends throughout this collectible version, which also benefits from the extra groove space and dead-quiet vinyl surfaces. As for chief architect Michael McDonald’s elastic, sky-high falsetto ? Experience its range like never before.\r\n
      \r\n
      When the Doobie Brothers laid down the tracks at Warner Bros. Record Studios in Hollywood, CA, it was apparent they would continue to shift from the boogie-infused, country-referencing rock that helped define their successful run of albums from the early to the mid ‘70s. As he does on the ensemble’s prior studio outing, McDonald still the newest recruit again takes center stage. The Steely Dan collaborator uses his versatile baritone, perfectionist-oriented arrangement skills, and penchant for unusual chord stylings to give many songs rich, soulful, jazz-tinted foundations.\r\n
      \r\n
      Nowhere is that strategy more apparent than on “What a Fool Believes,” the easygoing No. 1 smash that won the Grammy Awards for Song of the Year and Record of the Year and which Rolling Stone named the 343rd Greatest Song of All Time. Perhaps the Doobie Brothers didn’t invent “yacht rock” with the warm, hook-laden favorite and the other similarly minded cuts on the radio-friendly Minute by Minute look to the Top 20 title track, relaxed “Open Your Eyes”, and horn-accompanied “Dependin’ on You” for further evidence but the band essentially created the template many others would follow.\r\n
      \r\n
      Save for the pickin’ instrumental “Steamer Lane Breakdown”, they’re practically everywhere. Rising and falling above the twilight organ melody on “You Never Change”. Interwoven amid the catchy piano riffs and bass-guided rhythms of the opening “Here to Love You”, which establishes a romantic, mellow albeit adult-oriented mood that never lets up. Breezing through the feel-good emotions of “Sweet Feelin’", a comforting collaboration with Nicolette Larson.\r\n
      \r\n
      Everything happens naturally, and as a result of the Doobie Brothers wanting to rebound from the slightly disappointing reception of their preceding LP. Credit the band for trusting its instincts. Early feedback on the laidback, R&B-laced fare from friends and record executives wasn’t positive, and even a few band members liked the pop sound but wondered about the album and how it would be received.\r\n
      \r\n
      The rest, as they say, is history.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Michael McDonald (keyboards, synthesizers,  lead & backing vocals), Patrick Simmons (guitars, lead & backing vocals), Jeff "Skunk" Baxter (guitars, pedal steel guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Rq-7NgH-hcs&list=RDRq-7NgH-hcs&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-601"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Here to Love You"
        "ordre" => 1
      ]
      [
        "nom" => "2. What a Fool Believes"
        "ordre" => 2
      ]
      [
        "nom" => "3. Minute by Minute"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Dependin’ on You"
        "ordre" => 5
      ]
      [
        "nom" => "2. Don’t Stop to Watch the Wheels"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Open Your Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "2. Sweet Feelin’"
        "ordre" => 9
      ]
      [
        "nom" => "3. Steamer Lane Breakdown"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. You Never Change"
        "ordre" => 12
      ]
      [
        "nom" => "2. How Do the Fools Survive ?"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2041 …}
    -typeMasterTape: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1754418909 {#2037
      date: 2025-08-05 18:35:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762499426 {#2038
      date: 2025-11-07 07:10:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-minute-by-minute-mobile-fidelity-sound-lab-mfsl-2-601"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

[
  "produit" => App\Entity\Produit {#2053
    -id: 2824
    -nom: "Toulouse Street  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - The Doobie Brothers "Toulouse Street" !\r\n
      - 180 gram 45 RPM (2 LP) !\r\n
      - Experience the 1972 album in definitive sound !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      \r\n
      Mobile Fidelity's numbered edition set features extraordinary soundstages, vivid dynamics, and natural, airy openness\r\n
      \r\n
      For all intents and purposes, Toulouse Street functions as the Doobie Brothers' debut. Though it released a self-titled effort in 1971, the band admitted the latter album was rushed and reflected the results of a group that had barely spent any time together. Toulouse Street unfolded amid far more favorable circumstances. Overflowing with feel-good vibes, it also touted key lineup changes that proved crucial to the band's success. And it's how most listeners discovered Tom Johnston and Co., setting the stage for a dominant run during the 1970s that ultimately led to the Doobie Brothers' induction into the Rock and Roll Hall of Fame.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Toulouse Street offers the 1972 set in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, vivid dynamics, and incredible imaging. Ted Templeman's excellent production shines like never before.\r\n
      \r\n
      Open, airy, and organic: Toulouse Street epitomizes why countless music lovers swear allegiance to '70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, well-defined separation between the players come across on this collectible reissue with involving presence, balance, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place. No wonder Templeman's work earned him a promotion to staff producer at Warner Bros.\r\n
      \r\n
      With all due respect to Templeton's contributions, the Doobie Brothers are really who make Toulouse Street cook. They deserve the highest praise for performing a batch of songs that more than five decades since their debut have lost none of their charm. The arrival of bassist Tiran Porter and second drummer Michael Hossack gave the band a formidable rhythm section (and two-drummer configuration) whose innate chemistry, groove, and flow are evident throughout Toulouse Street and which would form the backbone of the Doobie Brothers for subsequent years.\r\n
      \r\n
      Fresh from ironing out the kinks on the group's debut, vocalist-guitarists Patrick Simmons and Tom Johnston showcase a songwriting depth that elevated the Doobie Brothers into the upper echelon of their era's crowded Southern rock / country-rock field. Two massive singles and platinum certification served as proof, as did rave reviews by the likes of tastemakers such as Rolling Stone. Unimaginative comparisons to Eagles, Little Feat, and Three Dogs Night aside, the Doobie Brothers firmly establish their own distinctive style on Toulouse Street.\r\n
      \r\n
      Drawing on folk, R&B, and gospel disciplines, and marrying them as needed with a foundation of catchy Southern-reared blues, rock, and country, the collective turns in 10 tunes that grab you and refuse to let go. The energetic, wind-in-your-hair, top-down highway ride of the two tracks that open Toulouse Street "Listen to the Music" and "Rockin' Down the Highway" set both the musical and narrative tone that carries throughout the album. Acoustically strummed guitars; back-porch vocals; jangling chords; purring bass lines; a bit of bar-band riffing; high harmonies: They invite you to sink into the grooves as if they were a comfortable sofa.\r\n
      \r\n
      The Doobie Brothers further showcase their knack for hybrid combinations on the soft island reggae of "Mamaloi", mystical balladry of the title track, dual-lead jam "Disciple", and earthy bite of "Snake Man". And they absolutely nail the three smart covers. "Jesus Is Just Alright" hit the Top 40, but a swampy take of Seals & Croft's "Cotton Mouth" and peppy rendition of Sonny Boy Williamson II's classic blues "Don't Start Me to Talkin'" warrant equal attention despite being deep cuts. They also demonstrate the judicious use of auxiliary instruments such as piano, organ, and horns, all arranged with uncanny symmetry.\r\n
      \r\n
      It's like the man says: Listen to the music. All the time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitars, vocals), Tiran Porter (bass, vocals), Bill Payne (keyboards), Sneaky Pete Kleinow (pedal steel guitar), Marc Benno (guitar), Milt Holland (percussion), John Hartman, Michael Hossack (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U9V8H372_dQ&list=RDU9V8H372_dQ&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-596"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Listen to the Music"
        "ordre" => 1
      ]
      [
        "nom" => "2. Rockin’ Down the Highway"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Mamaloi"
        "ordre" => 4
      ]
      [
        "nom" => "2. Toulouse Street"
        "ordre" => 5
      ]
      [
        "nom" => "3. Cotton Mouth"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Don’t Start Me to Talkin’"
        "ordre" => 8
      ]
      [
        "nom" => "2. Jesus Is Just Alright"
        "ordre" => 9
      ]
      [
        "nom" => "3. White Sun"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Disciple"
        "ordre" => 12
      ]
      [
        "nom" => "2. Snake Man"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2061 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2056 …}
    -enregistreLe: DateTime @1757702347 {#2050
      date: 2025-09-12 18:39:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762499383 {#2051
      date: 2025-11-07 07:09:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-toulouse-street-numbered-limited-edition-mobile-fidelity-sound-lab-2-596"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3153
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2492 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2066 …}
  +produit: App\Entity\Produit {#2053
    -id: 2824
    -nom: "Toulouse Street  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - The Doobie Brothers "Toulouse Street" !\r\n
      - 180 gram 45 RPM (2 LP) !\r\n
      - Experience the 1972 album in definitive sound !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      \r\n
      Mobile Fidelity's numbered edition set features extraordinary soundstages, vivid dynamics, and natural, airy openness\r\n
      \r\n
      For all intents and purposes, Toulouse Street functions as the Doobie Brothers' debut. Though it released a self-titled effort in 1971, the band admitted the latter album was rushed and reflected the results of a group that had barely spent any time together. Toulouse Street unfolded amid far more favorable circumstances. Overflowing with feel-good vibes, it also touted key lineup changes that proved crucial to the band's success. And it's how most listeners discovered Tom Johnston and Co., setting the stage for a dominant run during the 1970s that ultimately led to the Doobie Brothers' induction into the Rock and Roll Hall of Fame.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) of Toulouse Street offers the 1972 set in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music benefits from extraordinary soundstages, ultra-quiet backgrounds, vivid dynamics, and incredible imaging. Ted Templeman's excellent production shines like never before.\r\n
      \r\n
      Open, airy, and organic: Toulouse Street epitomizes why countless music lovers swear allegiance to '70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, well-defined separation between the players come across on this collectible reissue with involving presence, balance, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place. No wonder Templeman's work earned him a promotion to staff producer at Warner Bros.\r\n
      \r\n
      With all due respect to Templeton's contributions, the Doobie Brothers are really who make Toulouse Street cook. They deserve the highest praise for performing a batch of songs that more than five decades since their debut have lost none of their charm. The arrival of bassist Tiran Porter and second drummer Michael Hossack gave the band a formidable rhythm section (and two-drummer configuration) whose innate chemistry, groove, and flow are evident throughout Toulouse Street and which would form the backbone of the Doobie Brothers for subsequent years.\r\n
      \r\n
      Fresh from ironing out the kinks on the group's debut, vocalist-guitarists Patrick Simmons and Tom Johnston showcase a songwriting depth that elevated the Doobie Brothers into the upper echelon of their era's crowded Southern rock / country-rock field. Two massive singles and platinum certification served as proof, as did rave reviews by the likes of tastemakers such as Rolling Stone. Unimaginative comparisons to Eagles, Little Feat, and Three Dogs Night aside, the Doobie Brothers firmly establish their own distinctive style on Toulouse Street.\r\n
      \r\n
      Drawing on folk, R&B, and gospel disciplines, and marrying them as needed with a foundation of catchy Southern-reared blues, rock, and country, the collective turns in 10 tunes that grab you and refuse to let go. The energetic, wind-in-your-hair, top-down highway ride of the two tracks that open Toulouse Street "Listen to the Music" and "Rockin' Down the Highway" set both the musical and narrative tone that carries throughout the album. Acoustically strummed guitars; back-porch vocals; jangling chords; purring bass lines; a bit of bar-band riffing; high harmonies: They invite you to sink into the grooves as if they were a comfortable sofa.\r\n
      \r\n
      The Doobie Brothers further showcase their knack for hybrid combinations on the soft island reggae of "Mamaloi", mystical balladry of the title track, dual-lead jam "Disciple", and earthy bite of "Snake Man". And they absolutely nail the three smart covers. "Jesus Is Just Alright" hit the Top 40, but a swampy take of Seals & Croft's "Cotton Mouth" and peppy rendition of Sonny Boy Williamson II's classic blues "Don't Start Me to Talkin'" warrant equal attention despite being deep cuts. They also demonstrate the judicious use of auxiliary instruments such as piano, organ, and horns, all arranged with uncanny symmetry.\r\n
      \r\n
      It's like the man says: Listen to the music. All the time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitars, vocals), Tiran Porter (bass, vocals), Bill Payne (keyboards), Sneaky Pete Kleinow (pedal steel guitar), Marc Benno (guitar), Milt Holland (percussion), John Hartman, Michael Hossack (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U9V8H372_dQ&list=RDU9V8H372_dQ&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-596"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Listen to the Music"
        "ordre" => 1
      ]
      [
        "nom" => "2. Rockin’ Down the Highway"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Mamaloi"
        "ordre" => 4
      ]
      [
        "nom" => "2. Toulouse Street"
        "ordre" => 5
      ]
      [
        "nom" => "3. Cotton Mouth"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Don’t Start Me to Talkin’"
        "ordre" => 8
      ]
      [
        "nom" => "2. Jesus Is Just Alright"
        "ordre" => 9
      ]
      [
        "nom" => "3. White Sun"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Disciple"
        "ordre" => 12
      ]
      [
        "nom" => "2. Snake Man"
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2061 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2056 …}
    -enregistreLe: DateTime @1757702347 {#2050
      date: 2025-09-12 18:39:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762499383 {#2051
      date: 2025-11-07 07:09:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-toulouse-street-numbered-limited-edition-mobile-fidelity-sound-lab-2-596"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3345
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2260 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3346 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3394 …}
  +isValidated: false
  +validatedFields: []
}