Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2574
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2651
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2654 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -formView: Symfony\Component\Form\FormView {#2690 …}
  -form: Symfony\Component\Form\Form {#2840 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 2840
    -nom: "Soul Junction"
    -informationComplementaire: null
    -description: """
      - The Red Garland Quintet "Soul Junction" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      Presented in tip-on jackets with Obi strip\r\n
      Recorded November 1957 at Van Gelder Studio, Soul Junction is an album by jazz pianist and composer Red Garland. Also featuring the legendary John Coltrane (tenor saxophone) and Donald Byrd (trumpet) amongst others, the album features five cuts including the Garland penned title track. Features Red Garland (piano), John Coltrane (tenor saxophone), Donald Byrd (trumpet), George Joyner (bass) and Art Taylor (drums).\r\n
      \r\n
      This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Red Garland (piano), John Coltrane (tenor saxophone), Donald Byrd (trumpet), George Joyner (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qTPT0JVsDcI&list=RDqTPT0JVsDcI&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0869"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Junction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Woody'N You"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Birk's Works"
      ]
      [
        "ordre" => 5
        "nom" => "2. I've Got It Bad"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hallelujah"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1758402304 {#1876
      date: 2025-09-20 21:05:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770042265 {#1869
      date: 2026-02-02 14:24:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soul-junction-concord-craft-recordings-0869"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3114
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 2840
    -nom: "Soul Junction"
    -informationComplementaire: null
    -description: """
      - The Red Garland Quintet "Soul Junction" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      Presented in tip-on jackets with Obi strip\r\n
      Recorded November 1957 at Van Gelder Studio, Soul Junction is an album by jazz pianist and composer Red Garland. Also featuring the legendary John Coltrane (tenor saxophone) and Donald Byrd (trumpet) amongst others, the album features five cuts including the Garland penned title track. Features Red Garland (piano), John Coltrane (tenor saxophone), Donald Byrd (trumpet), George Joyner (bass) and Art Taylor (drums).\r\n
      \r\n
      This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Red Garland (piano), John Coltrane (tenor saxophone), Donald Byrd (trumpet), George Joyner (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qTPT0JVsDcI&list=RDqTPT0JVsDcI&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0869"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Junction"
      ]
      [
        "ordre" => 2
        "nom" => "2. Woody'N You"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Birk's Works"
      ]
      [
        "ordre" => 5
        "nom" => "2. I've Got It Bad"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hallelujah"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1758402304 {#1876
      date: 2025-09-20 21:05:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770042265 {#1869
      date: 2026-02-02 14:24:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soul-junction-concord-craft-recordings-0869"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 2793
    -nom: "Let It Be  (4 LP) Deluxe Edition"
    -informationComplementaire: null
    -description: """
      - Coming October 24, 2025 pre-order your copy today !\r\n
      - Deluxe (4 LP) Set with Newly Remastered Audio !\r\n
      - Features Unreleased Material from the Let It Be Sessions & Previously Unreleased 1984 Live Recording !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 156 / 500 !\r\n
      \r\n
      Let It Be by The Replacements - Paul Westerberg, Bob Stinson, Tommy Stinson, and Chris Mars originally released by highly revered indie label Twin/Tone Records, is widely hailed as one of the greatest albums of the 1980s and a cornerstone of indie rock.\r\n
      \r\n
      The deluxe edition gathers a wide range of unreleased material from the Let It Be sessions, including alternate versions of "Gary's Got a Boner" and "Favorite Thing", as well as previously unreleased outtakes "Who's Gonna Take Us Alive" and "Street Girl". The alternate version of "Androgynous" features a different vocal take and the full piano intro, restored for the first time. All five bonus tracks from 2008's Let It Be (Expanded Edition) are included here, newly remastered for this set.\r\n
      \r\n
      The collection also includes Goodnight! Go Home!, an unreleased 28-song performance recorded in August 1984 at the Cubby Bear in Chicago. Sourced from an audience tape and newly remastered, it finds the Minneapolis quartet charging through material from the not-yet-released album "I Will Dare" and "Unsatisfied", early favorites "Color Me Impressed" and "Takin' a Ride", and characteristically offbeat covers "Help Me Rhonda / Little G.T.O". originally done by The Beach Boys/Ronny & the Daytonas and "Can't Get Enough" (Bad Company).
      """
    -prixVente: "139.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Paul Westerberg (guitar, keyboards, piano, lead vocals), Bob Stinson (lead guitar), Tommy Stinson (bass guitar), Peter Buck (guitar), Chris Mars (drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 4
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=E3dFmNolsPA&list=PLNPGM2D7aODd32yBzIGoWwXlPbZcXycC4&index=5"
    -referenceProduit: "Rhino Records 8215"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Will Dare (2025 Remaster)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Favorite Thing (2025 Remaster)"
      ]
      [
        "ordre" => 3
        "nom" => "3. We're Comin' Out (2025 Remaster)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tommy Gets His Tonsils Out (2025 Remaster)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Androgynous (2025 Remaster)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Black Diamond (2025 Remaster)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Unsatisfied (2025 Remaster)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Seen Your Video (2025 Remaster)"
      ]
      [
        "ordre" => 10
        "nom" => "3. Gary's Got a Boner (2025 Remaster)"
      ]
      [
        "ordre" => 11
        "nom" => "4. Sixteen Blue (2025 Remaster)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Answering Machine (2025 Remaster)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Gary's Got a Boner (Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "2. Favorite Thing (Alternate Version)"
      ]
      [
        "ordre" => 16
        "nom" => "3. Perfectly Lethal (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 17
        "nom" => "4. Temptation Eyes (Outtake) [2025 Remaster]"
      ]
      [
        "ordre" => 18
        "nom" => "5. Who's Gonna Take Us Alive"
      ]
      [
        "ordre" => 19
        "nom" => "6. Heartbeat, It's a Lovebeat (2025 Remaster) 7. Answering Machine (Home Demo #1)"
      ]
      [
        "ordre" => 20
        "nom" => "8. Answering Machine (Home Demo #2)"
      ]
      [
        "ordre" => 21
        "nom" => "Side D : "
      ]
      [
        "ordre" => 22
        "nom" => "1. Street Girl (Takes 1 and 2)"
      ]
      [
        "ordre" => 23
        "nom" => "2. Sixteen Blue (Alternate Version) [2025 Remaster]"
      ]
      [
        "ordre" => 24
        "nom" => "3. Unsatisfied (Alternate Mix) [Full-Length Version]"
      ]
      [
        "ordre" => 25
        "nom" => "4. Androgynous (Alternate Version)"
      ]
      [
        "ordre" => 26
        "nom" => "5. 20th Century Boy (2025 Remaster)"
      ]
      [
        "ordre" => 27
        "nom" => "6. Hey Good Lookin' (Live at Merlyn's, Madison, WI) [2025 Remaster]"
      ]
      [
        "ordre" => 28
        "nom" => "Side E :"
      ]
      [
        "ordre" => 29
        "nom" => "1. Can't Hardly Wait (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 30
        "nom" => "2. Left In The Dark (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 31
        "nom" => "3. Unsatisfied (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 32
        "nom" => "4. I Will Dare (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 33
        "nom" => "5. Favorite Thing (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 34
        "nom" => "6. Kids Don't Follow (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 35
        "nom" => "Side F : "
      ]
      [
        "ordre" => 36
        "nom" => "1. Run It (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 37
        "nom" => "2. Color Me Impressed (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 38
        "nom" => "3. Hayday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 39
        "nom" => "4. Nowhere Is My Home (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 40
        "nom" => "5. Love You Till Friday (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 41
        "nom" => "6. Help Me Rhonda/Little G.T.O. (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 42
        "nom" => "7. Takin A Ride (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 43
        "nom" => "Side G : "
      ]
      [
        "ordre" => 44
        "nom" => "1. Tommy Gets His Tonsils Out (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 45
        "nom" => "2. Gary's Got A Boner (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 46
        "nom" => "3. Johnny's Gonna Die (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 47
        "nom" => "4. Can't Get Enough (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 48
        "nom" => "5. I'm in Trouble (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 49
        "nom" => "6. Don't Ask Why (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 50
        "nom" => "7. Take Me Down to the Hospital (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 51
        "nom" => "Side H :"
      ]
      [
        "ordre" => 52
        "nom" => "1. Shiftless When Idle (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 53
        "nom" => "2. Mr. Whirly (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 54
        "nom" => "3. Hitchin' a Ride (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 55
        "nom" => "4. Black Diamond (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 56
        "nom" => "5. 20th Century Boy (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 57
        "nom" => "6. Go (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 58
        "nom" => "7. Gimme Noise (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 59
        "nom" => "8. White and Lazy (Live at Cubby Bear, Chicago, IL, 8/17/84)"
      ]
      [
        "ordre" => 60
        "nom" => ""
      ]
      [
        "ordre" => 61
        "nom" => ""
      ]
      [
        "ordre" => 62
        "nom" => ""
      ]
      [
        "ordre" => 63
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3228
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
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    -id: 2844
    -nom: "Sonny's Dream (Birth Of The New Cool)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
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      - The Sonny Criss Orchestra "Sonny's Dream (Birth Of The New Cool)" !\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3279
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2066
    -id: 2844
    -nom: "Sonny's Dream (Birth Of The New Cool)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
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      - The Sonny Criss Orchestra "Sonny's Dream (Birth Of The New Cool)" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with Obi strip !\r\n
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      Sonny's Dream (Birth of the New Cool) is a 1968 album by jazz sax player Sonny Criss, released on Prestige. Featuring cuts written and arranged by Horace Tapscott, Criss is joined by Conte Candoli, Teddy Edwards, Tommy Flanagan, and more. Identified by The Penguin Guide to Jazz as part of their "core collection," this new edition is released as part of the OJC Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Printing Tip-On Jacket.
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -description: """
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      - Mastered by Steve Hoffman & Bob Attiyeh !\r\n
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      - Executive producer : Randy Bellous !\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3330
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      - 180 gram vinyl, 45 RPM !\r\n
      - Mastered by Steve Hoffman & Bob Attiyeh !\r\n
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      - Executive producer : Randy Bellous !\r\n
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[
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    -id: 2114
    -nom: "Left Coastin'"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl, 45 RPM !\r\n
      - Recorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013 !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Executive producers: Craig and Diane Martin !\r\n
      \r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3383
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      - 180 gram vinyl, 45 RPM !\r\n
      - Recorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013 !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Executive producers: Craig and Diane Martin !\r\n
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      """
    -prixVente: "38.00"
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[
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    -id: 2115
    -nom: "Simpler Times"
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    -description: """
      - 180 gram vinyl, 45 RPM !\r\n
      - Recorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013 !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Executive producer : Lucile Grieder !\r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Misha Adair Bigos (piano), Gary Wicks (bass), JJ Kirkpatrick (trumpet), Andrew James Boyle (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=o9v5SogYa1Q"
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App\Twig\Components\GestionPanierFavoriComponents {#3431
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    -description: """
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      - Recorded in the Brain and Creativity Institute's Cammilleri Hall at USC, October 24-26, 2013 !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Executive producer : Lucile Grieder !\r\n
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      """
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    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o9v5SogYa1Q"
    -referenceProduit: "Yarlung Records 7612-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Bicycles"
      ]
      [
        "ordre" => 2
        "nom" => "2. Los Barriles"
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        "ordre" => 3
        "nom" => "Side B : "
      ]
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        "ordre" => 4
        "nom" => "1. Blue Corn Moon"
      ]
      [
        "ordre" => 5
        "nom" => "2. For Sebastian"
      ]
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        "ordre" => 6
        "nom" => "3. Sketches Of A Melancholy Bass"
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        "nom" => "4. Simpler Times"
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    }
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    -slug: "vinyles-simpler-times-yarlung-records-7612-45"
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[
  "produit" => App\Entity\Produit {#2129
    -id: 2784
    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
      \r\n
      Having constructed their own instruments from the likes of oil drums, vacuum cleaners, blenders, washboards, and various scraps, the Stooges eschewed structure and embraced experimentalism, improvisation, and personality. They used their lack of experience to their advantage, a trait manifested via the crude makeup and basic minimalism of nearly every note recorded for The Stooges. \r\n
      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
      As for the best-known cuts ? The Stooges rehearsed and memorized them before entering the Hit Factory with their producer, Velvet Underground alumni John Cale. Echoing the recurrent sound of a metal press stamping out automotive panels, and drenched in dirty reverb, the opening “1969” balances the band’s street-walking aggression, dance-baiting attack, and dissatisfied ennui, the rhymed lyrics popping with truthful flair and Ron Asheton’s guitar functioning as a supercharged stun gun. A love ballad like none other, “Ann”, the first song Pop wrote for the ensemble, initially peers through a beaded curtain before its mysticism gives way to menace and distortion.\r\n
      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Scott Asheton (drums), John Cale (viola)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ie531yTt3Ug&list=RDie531yTt3Ug&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 2-605"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 1969"
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        "nom" => "1. We Will Fall"
      ]
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        "nom" => "Side C :"
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        "ordre" => 6
        "nom" => "1. No Fun"
      ]
      [
        "ordre" => 7
        "nom" => "2. Real Cool Time"
      ]
      [
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        "nom" => "Side D : "
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        "nom" => "1. Ann"
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        "nom" => "2. Not Right"
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      [
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        "nom" => "3. Little Doll"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3477
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    -id: 2784
    -nom: "The Stooges (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Always a Real Cool Time The Stooges’ Primal Self-Titled Debut Changed Rock ‘n’ Roll and Anticipated Punk, Includes “I Wanna Be Your Dog” and “No Fun” !\r\n
      - Experience the Groundbreaking 1969 Record in Definitive Sound and Celebrate Elektra 75, Mobile Fidelity’s Numbered Edition 180 gram  45 RPM (2 LP) Set Plays with Revealing Liveliness, Detail, and Physicality !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Few albums inspired the reactions and registered the impact of the Stooges’ primordial self-titled debut. To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact its songs reflect the band’s Detroit surroundings and youthful malaise. \r\n
      \r\n
      Originally deemed by Rolling Stone “loud, boring, tasteless, unimaginative and childish” sentiments shared by many critics only later to be included on the magazine’s 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-years-away punk scene. Time further proved the band’s stomping, clattering rock ‘n’ roll way ahead of the curve given the work is now cited on endless “Best Album” lists. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time Iggy Pop and Co.’s groundbreaking statement is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. \r\n
      \r\n
      The sonic characteristics that help make The Stooges unique the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah; the in-the-red overdrive; the vibrant handclaps; the nearly detached timbre of Pop’s vocal sneer; the grit, grime, and grind of the stacked rhythms come across with involving clarity, liveliness, detail, and dimensionality. For all of their twisted density and savage tonality, songs project with a deep openness and large dynamic. It’s maybe as close as music has ever come to literally vibrating. \r\n
      \r\n
      Indeed, everything Pop, bassist Dave Alexander, and brothers Ron and Scott Asheton create on The Stooges is utterly corporeal. The genesis of the band’s then-inimitable approach traces back to the Motor City’s industrial facilities; the urge to tear down the pretense of the hippie movement; the feeling of being an outsider amid a society reckoning with a collision of cultures; and the genuine desire to be completely original. With Pop as the only true musician in the quartet, the Stooges pursued a do-it-yourself ethic that had no precedent in their era.\r\n
      \r\n
      Having constructed their own instruments from the likes of oil drums, vacuum cleaners, blenders, washboards, and various scraps, the Stooges eschewed structure and embraced experimentalism, improvisation, and personality. They used their lack of experience to their advantage, a trait manifested via the crude makeup and basic minimalism of nearly every note recorded for The Stooges. \r\n
      \r\n
      Three tracks “Real Cool Time”, “Not Right”, “Little Doll” were essentially developed on the spot after the band, which seldom bothered with fixed arrangements and flew by the seat of its pants to see what would transpire onstage, realized it needed more material to fill out the album. That requirement also explains why the chanted mantra “We Will Fall” stretches beyond the 10 minute mark as it feeds into the fractured, psychedelic mood coursing throughout the effort.\r\n
      \r\n
      As for the best-known cuts ? The Stooges rehearsed and memorized them before entering the Hit Factory with their producer, Velvet Underground alumni John Cale. Echoing the recurrent sound of a metal press stamping out automotive panels, and drenched in dirty reverb, the opening “1969” balances the band’s street-walking aggression, dance-baiting attack, and dissatisfied ennui, the rhymed lyrics popping with truthful flair and Ron Asheton’s guitar functioning as a supercharged stun gun. A love ballad like none other, “Ann”, the first song Pop wrote for the ensemble, initially peers through a beaded curtain before its mysticism gives way to menace and distortion.\r\n
      \r\n
      Nothing more aptly captures the Stooges’ essence than “I Wanna Be Your Dog”, a modern staple since covered by dozens of artists. Ranked the 314th Greatest Song of All Time by Rolling Stone, and based around a combination sleigh bells/one-note piano riff and rudimentary guitar chord sequence that maintains a non-varying pattern for nearly the entire duration, the steamrolling track hypnotizes by way of a groove that could extend for hours without growing tiresome. Its simple brilliance and scuzzy ooze are matched by the scuffed, scraping “No Fun”, an expressive pout almost nimble in build albeit edgy, dangerous, and explosive in practice. Just like Pop himself. \r\n
      \r\n
      Decades on, every moment of The Stooges remains a real cool time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Scott Asheton (drums), John Cale (viola)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ie531yTt3Ug&list=RDie531yTt3Ug&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 2-605"
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[
  "produit" => App\Entity\Produit {#2148
    -id: 1716
    -nom: "Monk's Dream"
    -informationComplementaire: null
    -description: """
      - Heavy-weight 180 gram audiophile all-analog pressing !\r\n
      - Mastered by Kevin Gray from the original master tapes and pressed at RTI !\r\n
      \r\n
      "Monk's Dream is the Columbia Records debut release featuring the Thelonious Monk Quartet: Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums). Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years. Although he would perform and record supported by various other musicians, the tight almost telepathic dimensions that these four shared has rarely been equalled in any genre... Monk's Dream is recommended, with something for every degree of Monk enthusiast". - Lindsay Planer, All Music Guide\r\n
      \r\n
      With the arrival Thelonious Sphere Monk, modern music let alone modern culture simply hasn't been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the "stride" masters of James P. Johnson and Willie "the Lion" Smith to the tonal freedom and kinetics of the "avant garde".\r\n
      \r\n
      And he shares with Edward "Duke" Ellington the distinction of being one of the century's greatest American composers. At the same time, his commitment to originality in all aspects of life-in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano has led fans and detractors alike to call him "eccentric", "mad" or even "taciturn", Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.\r\n
      \r\n
      After extended negotiations, Monk signed in 1962 to Columbia Records, one of the big four American record labels of the day along with RCA Victor, Capitol, and Decca. Monk's relationship with Riverside had soured over disagreements concerning royalty payments and had concluded with a brace of European live albums; he had not recorded a studio album since 5 by Monk by 5 in June 1959.\r\n
      \r\n
      Working with producer Teo Macero on his debut for the label, the sessions in the first week of November had a stable line-up that had been with him for two years: tenor saxophonist Charlie Rouse (who worked with Monk from 1959 to 1970), bassist John Ore, and drummer Frankie Dunlop. Monk's Dream, his earliest Columbia album, was released in 1963. Monk's Dream would become the best-selling LP of his lifetime, and on February 28, 1964, he appeared on the cover of Time magazine, being featured in the article "The Loneliest Monk".
      """
    -prixVente: "85.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano), Charlie Rouse (tenor saxophone), John Ore (bass), Frankie Dunlop (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=icFRHJ9VZaw"
    -referenceProduit: "Impex Records CS 8765"
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        "nom" => "4. Five Spot Blues"
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Bolivar Blues"
      ]
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        "ordre" => 7
        "nom" => "2. Just A Gigolo"
      ]
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        "nom" => "3. Bye-Ya"
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        "nom" => "4. Sweet And Lovely"
      ]
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      date: 2026-02-02 13:41:56.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3528
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2148
    -id: 1716
    -nom: "Monk's Dream"
    -informationComplementaire: null
    -description: """
      - Heavy-weight 180 gram audiophile all-analog pressing !\r\n
      - Mastered by Kevin Gray from the original master tapes and pressed at RTI !\r\n
      \r\n
      "Monk's Dream is the Columbia Records debut release featuring the Thelonious Monk Quartet: Monk (piano), Charlie Rouse (tenor sax), John Ore (bass), and Frankie Dunlop (drums). Jazz scholars and enthusiasts alike also heralded this combo as the best Monk had been involved with for several years. Although he would perform and record supported by various other musicians, the tight almost telepathic dimensions that these four shared has rarely been equalled in any genre... Monk's Dream is recommended, with something for every degree of Monk enthusiast". - Lindsay Planer, All Music Guide\r\n
      \r\n
      With the arrival Thelonious Sphere Monk, modern music let alone modern culture simply hasn't been the same. Recognized as one of the most inventive pianists of any musical genre, Monk achieved a startlingly original sound that even his most devoted followers have been unable to successfully imitate. His musical vision was both ahead of its time and deeply rooted in tradition, spanning the entire history of the music from the "stride" masters of James P. Johnson and Willie "the Lion" Smith to the tonal freedom and kinetics of the "avant garde".\r\n
      \r\n
      And he shares with Edward "Duke" Ellington the distinction of being one of the century's greatest American composers. At the same time, his commitment to originality in all aspects of life-in fashion, in his creative use of language and economy of words, in his biting humor, even in the way he danced away from the piano has led fans and detractors alike to call him "eccentric", "mad" or even "taciturn", Consequently, Monk has become perhaps the most talked about and least understood artist in the history of jazz.\r\n
      \r\n
      After extended negotiations, Monk signed in 1962 to Columbia Records, one of the big four American record labels of the day along with RCA Victor, Capitol, and Decca. Monk's relationship with Riverside had soured over disagreements concerning royalty payments and had concluded with a brace of European live albums; he had not recorded a studio album since 5 by Monk by 5 in June 1959.\r\n
      \r\n
      Working with producer Teo Macero on his debut for the label, the sessions in the first week of November had a stable line-up that had been with him for two years: tenor saxophonist Charlie Rouse (who worked with Monk from 1959 to 1970), bassist John Ore, and drummer Frankie Dunlop. Monk's Dream, his earliest Columbia album, was released in 1963. Monk's Dream would become the best-selling LP of his lifetime, and on February 28, 1964, he appeared on the cover of Time magazine, being featured in the article "The Loneliest Monk".
      """
    -prixVente: "85.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano), Charlie Rouse (tenor saxophone), John Ore (bass), Frankie Dunlop (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=icFRHJ9VZaw"
    -referenceProduit: "Impex Records CS 8765"
    -titreMorceau: [
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        "nom" => "2. Body And Soul"
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        "ordre" => 3
        "nom" => "3. Bright Mississippi"
      ]
      [
        "ordre" => 4
        "nom" => "4. Five Spot Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Bolivar Blues"
      ]
      [
        "ordre" => 7
        "nom" => "2. Just A Gigolo"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bye-Ya"
      ]
      [
        "ordre" => 9
        "nom" => "4. Sweet And Lovely"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2153 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2162 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2155 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2157 …}
    -enregistreLe: DateTime @1564726589 {#2145
      date: 2019-08-02 06:16:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770039716 {#2146
      date: 2026-02-02 13:41:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2159 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-monk-s-dream-impex-records-cs-8765"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2167
    -id: 994
    -nom: "Family Style"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DA_V0W3qtMY"
    -referenceProduit: "Analogue Productions AAPP 0100"
    -titreMorceau: [
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        "nom" => "4. Good Texan"
      ]
      [
        "ordre" => 5
        "nom" => "5. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 9
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 10
        "nom" => "4. Baboom/Mama Said"
      ]
      [
        "ordre" => 11
        "nom" => "5. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1470461494 {#2164
      date: 2016-08-06 05:31:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038207 {#2165
      date: 2026-02-02 13:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-analogue-productions-aapp-0100"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3579
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2167
    -id: 994
    -nom: "Family Style"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DA_V0W3qtMY"
    -referenceProduit: "Analogue Productions AAPP 0100"
    -titreMorceau: [
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        "nom" => "5. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Long Way From Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 9
        "nom" => "3. Telephone Song"
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      [
        "ordre" => 10
        "nom" => "4. Baboom/Mama Said"
      ]
      [
        "ordre" => 11
        "nom" => "5. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …}
    -enregistreLe: DateTime @1470461494 {#2164
      date: 2016-08-06 05:31:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038207 {#2165
      date: 2026-02-02 13:16:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-analogue-productions-aapp-0100"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2186
    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
    -referenceProduit: "Analogue Productions AAPP 0100-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "Side B : "
      ]
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        "ordre" => 4
        "nom" => "1. D/FW"
      ]
      [
        "ordre" => 5
        "nom" => "2. Good Texan"
      ]
      [
        "ordre" => 6
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      ]
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      ]
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      ]
      [
        "ordre" => 9
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 10
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Baboom/Mama Said"
      ]
      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1485674098 {#2183
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    }
    -modifierLe: DateTime @1770038111 {#2184
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
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    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3632
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2186
    -id: 1120
    -nom: "Family Style (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered from the original tapes by Ryan Smith at Sterling Sound !\r\n
      - 180 gram pressing by Quality Record Pressings !\r\n
      \r\n
      With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.\r\n
      \r\n
      Stevie Ray had made music beyond the powers of most musicians but for this 1990 studio collaboration he returned to the things he loved: upbeat music and working with the brother he idolized his whole life. In his early years, Stevie Ray Vaughan often remarked that he would like to do an album with his brother. He fulfilled that wish in his very last studio performance, which was released nearly a month after his death. The liner notes end with "Thanks Mama V. for letting us play". With slick production from Nile Rodgers and employing neither guitarist's band (Double Trouble nor the Fabulous Thunderbirds), this is bluesy, but far from purist. Jimmie makes his vocal debut on "White Boots" and "Good Texan" and the brothers blur the lines between their expected guitar styles - Stevie sometimes going for a less sustained twang, Jimmie moving into Albert King territory.\r\n
      \r\n
      As we did with our vaunted box set reissues, Texas Hurricane, again Analogue Productions is bringing you the finest-sounding Stevie Ray Vaughan collections ever preserved on 180 gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed of course at Quality Record Pressings. \r\n
      \r\n
      There's not a link in this chain that wasn't absolute first-rate. The absolute best that money can buy. We're passionate about the blues AND Stevie Ray and the passion shows up here in spades.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stevie Ray Vaughan (guitar, vocals), Jimmie Vaughan (guitar, vocals), Al Berry, Preston Hubbard (bass), Stan Harrison, Steve Elson (saxophone), Richard Hilton (piano, keyboards), Larry Aberman, Doyle Bramhall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mYLGcymAXN4"
    -referenceProduit: "Analogue Productions AAPP 0100-45"
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        "nom" => "2. Good Texan"
      ]
      [
        "ordre" => 6
        "nom" => "3. Hillbillies From Outerspace"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
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      [
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        "nom" => "1. Long Way From Home"
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      [
        "ordre" => 9
        "nom" => "2. Tick Tock"
      ]
      [
        "ordre" => 10
        "nom" => "3. Telephone Song"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Baboom/Mama Said"
      ]
      [
        "ordre" => 13
        "nom" => "2. Brothers"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2169 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2194 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2187 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2189 …}
    -enregistreLe: DateTime @1485674098 {#2183
      date: 2017-01-29 07:14:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770038111 {#2184
      date: 2026-02-02 13:15:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2191 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-family-style-2-lp-45-rpm-analogue-productions-aapp-0100-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2199
    -id: 2555
    -nom: "Loaded (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Final Velvet Underground album featuring founding member and songwriter Lou Reed !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970.\r\n
      \r\n
      Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits". Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record 40 minutes long, five songs to a side, and not a single wasted note".\r\n
      \r\n
      Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun', 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record", wrote Paste contributor Jeff Gonick\r\n
      \r\n
      Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lou Reed (rhythm guitar, piano, vocals), Doug Yule (organ, piano, bass, drums, lead & acoustic guitar, vocals), Sterling Morrison (lead & rhythm guitar), Adrian Barber, Bill Yule, Tommy (percussion), Moe Tucker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uHxLawJONeQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 034-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Loves The Sun"
      ]
      [
        "ordre" => 2
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      [
        "ordre" => 3
        "nom" => "3. Rock & Roll"
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      [
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Cool It Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. New Age"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Head Held High"
      ]
      [
        "ordre" => 9
        "nom" => "2. Lonesome Cowboy Bill"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Found A Reason"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Train Round The Bend"
      ]
      [
        "ordre" => 13
        "nom" => "2. Oh ! Sweet Nuthin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1726552380 {#2196
      date: 2024-09-17 05:53:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037912 {#2197
      date: 2026-02-02 13:11:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-loaded-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-034-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3678
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 2555
    -nom: "Loaded (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Final Velvet Underground album featuring founding member and songwriter Lou Reed !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      After The Velvet Underground cut three albums for the jazz-oriented Verve label that earned them lots of notoriety but negligible sales, the group signed with industry powerhouse Atlantic Records in 1970.\r\n
      \r\n
      Label head Ahmet Ertegun supposedly asked Lou Reed to avoid sex and drugs in his songs, and instead focus on making an album "loaded with hits". Loaded was the result. It was the group's swan song, with Reed leaving the group shortly before its release. With John Cale long gone from the band, Doug Yule highly prominent (he sings lead on four of the ten tracks), and Maureen Tucker absent on maternity leave, this is hardly a purist's Velvet Underground album. Still, AllMusic gives the album 5 Stars and Pitchfork calls it a "perfect rock 'n' roll record 40 minutes long, five songs to a side, and not a single wasted note".\r\n
      \r\n
      Loaded is the sort of proper album that feels like a greatest hits collection, with each track thoroughly inhabiting and mastering a dominant rock archetype. Although the songs "Sweet Jane" and "Rock & Roll" distinguished the band as a "seminal proto-punk" act, "The trifecta of 'Who Loves the Sun', 'Sweet Jane' and 'Rock & Roll' is among the best three-song openings on any rock and roll record", wrote Paste contributor Jeff Gonick\r\n
      \r\n
      Analogue Productions has given Loaded the deserving full reissue treatment: Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lou Reed (rhythm guitar, piano, vocals), Doug Yule (organ, piano, bass, drums, lead & acoustic guitar, vocals), Sterling Morrison (lead & rhythm guitar), Adrian Barber, Bill Yule, Tommy (percussion), Moe Tucker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uHxLawJONeQ"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 034-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
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      ]
      [
        "ordre" => 2
        "nom" => "2. Sweet Jane"
      ]
      [
        "ordre" => 3
        "nom" => "3. Rock & Roll"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Cool It Down"
      ]
      [
        "ordre" => 6
        "nom" => "2. New Age"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Head Held High"
      ]
      [
        "ordre" => 9
        "nom" => "2. Lonesome Cowboy Bill"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Found A Reason"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Train Round The Bend"
      ]
      [
        "ordre" => 13
        "nom" => "2. Oh ! Sweet Nuthin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …}
    -enregistreLe: DateTime @1726552380 {#2196
      date: 2024-09-17 05:53:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037912 {#2197
      date: 2026-02-02 13:11:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-loaded-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-034-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

[
  "produit" => App\Entity\Produit {#2218
    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This classic album belongs in your jazz collection because it symbolizes the moment the legend began. It's raw, it's real, and it's ridiculously cool. If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story. Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).\r\n
      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvin Rhyne (Hammond organ B3), Paul Parker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=2XKl84X0U_8&list=RD2XKl84X0U_8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 213-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Round Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The End Of A Love Affair"
      ]
      [
        "ordre" => 5
        "nom" => "2. Whisper Not"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ecorah"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Satin Doll"
      ]
      [
        "ordre" => 9
        "nom" => "2. Missile Blues"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Too Late Now"
      ]
      [
        "ordre" => 12
        "nom" => "2. Jingles"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2229 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2222 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2224 …}
    -enregistreLe: DateTime @1767880549 {#2215
      date: 2026-01-08 13:55:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037643 {#2216
      date: 2026-02-02 13:07:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2226 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-dynamic-new-sound-guitar-organ-drums-analogue-productions-aapj-213-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3729
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2653 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2218
    -id: 2945
    -nom: "A Dynamic New Sound - Guitar/Organ/Drums"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Analogue Productions)"
    -description: """
      - The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      The Wes Montgomery Trio "A Dynamic New Sound : Guitar/Organ/Drums", was the album that said : "Hello world, Wes has arrived and he brought friends !".\r\n
      \r\n
      Before Full House brought the fire, The Wes Montgomery Trio brought the vibe. Released in 1959, this was Montgomery's debut on Riverside Records and let's just say, he didn't exactly tiptoe onto the scene. He kicked the door in with thumb-picking swagger, octave magic, and tone so warm it could toast bread.\r\n
      \r\n
      So, what's the deal with this album ?\r\n
      \r\n
      It's right there in the subtitle : Guitar. Organ. Drums. That's it. No bass, no brass, no safety net. Just Wes on guitar, the criminally underrated Melvin Rhyne on Hammond B-3 organ (talk about groove!), and Paul Parker on drums keeping it tight and tasteful. The result ? A sound so lean and soulful, it practically invented the jazz organ trio aesthetic we know and love today. Wes' tone? Velvet meets voltage. Melvin's organ work ? Church on Sunday meets smoky after-hours club. Paul's drumming? Like a good bartender never flashy, but always exactly what you need.\r\n
      \r\n
      This was a bold move : no bass, no piano, just pure stripped-down swing and it worked. Why ? Because these guys listened to each other. They locked in and gave Wes the space to shine. You can hear the joy in the playing, the energy of three guys who knew they were onto something.\r\n
      \r\n
      Jazz fans didn't just nod politely they flipped. Critics called it fresh, hip, and boundary-pushing. Montgomery's style, which fused bluesy soulfulness with dazzling technical control, immediately caught ears. This wasn't just a good debut it was a statement. And it sold, helping launch Wes into the jazz stratosphere.\r\n
      \r\n
      We've given this timeless album the full Analogue Productions treatment: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This classic album belongs in your jazz collection because it symbolizes the moment the legend began. It's raw, it's real, and it's ridiculously cool. If jazz history were a superhero movie, The Wes Montgomery Trio would be the thrilling origin story. Plus, it grooves hard enough to make your neighbors forgive you for playing it at full volume (again).\r\n
      \r\n
      Go ahead make room on the shelf. This one earns it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Wes Montgomery (guitar), Melvin Rhyne (Hammond organ B3), Paul Parker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=2XKl84X0U_8&list=RD2XKl84X0U_8&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 213-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Round Midnight"
      ]
      [
        "ordre" => 2
        "nom" => "2. Yesterdays"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The End Of A Love Affair"
      ]
      [
        "ordre" => 5
        "nom" => "2. Whisper Not"
      ]
      [
        "ordre" => 6
        "nom" => "3. Ecorah"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Satin Doll"
      ]
      [
        "ordre" => 9
        "nom" => "2. Missile Blues"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Too Late Now"
      ]
      [
        "ordre" => 12
        "nom" => "2. Jingles"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#2172 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2229 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2222 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2224 …}
    -enregistreLe: DateTime @1767880549 {#2215
      date: 2026-01-08 13:55:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770037643 {#2216
      date: 2026-02-02 13:07:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2226 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-dynamic-new-sound-guitar-organ-drums-analogue-productions-aapj-213-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3930
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2421 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3931 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3979 …}
  +isValidated: false
  +validatedFields: []
}