Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2587
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2434 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2664
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2667 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2434 …}
  -formView: Symfony\Component\Form\FormView {#2703 …}
  -form: Symfony\Component\Form\Form {#2853 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. A Big Hunk"
      ]
      [
        "ordre" => 7
        "nom" => "2. All Shook Up"
      ]
      [
        "ordre" => 8
        "nom" => "3. (Let Me Be Your) Teddy Bear"
      ]
      [
        "ordre" => 9
        "nom" => "4. Jailhouse Rock"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wear My Ring Around Your Neck"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :  "
      ]
      [
        "ordre" => 12
        "nom" => "1. Love Me tender"
      ]
      [
        "ordre" => 13
        "nom" => "2. Stuck On You"
      ]
      [
        "ordre" => 14
        "nom" => "3. It's Now or Never"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Are You Lonesome Tonight"
      ]
      [
        "ordre" => 17
        "nom" => "2. Surrender"
      ]
      [
        "ordre" => 18
        "nom" => "3. (Marie's The Name) His Latest Flame"
      ]
      [
        "ordre" => 19
        "nom" => "4. Little Sister"
      ]
      [
        "ordre" => 20
        "nom" => "Side E : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Can't Help Falling In Love"
      ]
      [
        "ordre" => 22
        "nom" => "2. Good Luck Charm"
      ]
      [
        "ordre" => 23
        "nom" => "3. She's Not You"
      ]
      [
        "ordre" => 24
        "nom" => "4. Return To Sender"
      ]
      [
        "ordre" => 25
        "nom" => "Side F : "
      ]
      [
        "ordre" => 26
        "nom" => "1. (You're The) Devil In Disguise"
      ]
      [
        "ordre" => 27
        "nom" => "2. Crying In The Chapel"
      ]
      [
        "ordre" => 28
        "nom" => "3. In The Ghetto"
      ]
      [
        "ordre" => 29
        "nom" => "4. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1278691290 {#1876
      date: 2010-07-09 16:01:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777115264 {#1869
      date: 2026-04-25 11:07:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-24-karat-hits-aapj-2040-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3127
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. A Big Hunk"
      ]
      [
        "ordre" => 7
        "nom" => "2. All Shook Up"
      ]
      [
        "ordre" => 8
        "nom" => "3. (Let Me Be Your) Teddy Bear"
      ]
      [
        "ordre" => 9
        "nom" => "4. Jailhouse Rock"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wear My Ring Around Your Neck"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :  "
      ]
      [
        "ordre" => 12
        "nom" => "1. Love Me tender"
      ]
      [
        "ordre" => 13
        "nom" => "2. Stuck On You"
      ]
      [
        "ordre" => 14
        "nom" => "3. It's Now or Never"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Are You Lonesome Tonight"
      ]
      [
        "ordre" => 17
        "nom" => "2. Surrender"
      ]
      [
        "ordre" => 18
        "nom" => "3. (Marie's The Name) His Latest Flame"
      ]
      [
        "ordre" => 19
        "nom" => "4. Little Sister"
      ]
      [
        "ordre" => 20
        "nom" => "Side E : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Can't Help Falling In Love"
      ]
      [
        "ordre" => 22
        "nom" => "2. Good Luck Charm"
      ]
      [
        "ordre" => 23
        "nom" => "3. She's Not You"
      ]
      [
        "ordre" => 24
        "nom" => "4. Return To Sender"
      ]
      [
        "ordre" => 25
        "nom" => "Side F : "
      ]
      [
        "ordre" => 26
        "nom" => "1. (You're The) Devil In Disguise"
      ]
      [
        "ordre" => 27
        "nom" => "2. Crying In The Chapel"
      ]
      [
        "ordre" => 28
        "nom" => "3. In The Ghetto"
      ]
      [
        "ordre" => 29
        "nom" => "4. Suspicious Minds"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
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    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1278691290 {#1876
      date: 2010-07-09 16:01:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777115264 {#1869
      date: 2026-04-25 11:07:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-24-karat-hits-aapj-2040-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2434 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3241
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 3046
    -nom: "Africav/ Brass"
    -informationComplementaire: "Un souffle nouveau traverse le jazz. Avec "Africa / Brass", John Coltrane transcende le jazz en mêlant puissance orchestrale et profondeur spirituelle. Un album emblématique du label Impulse ! Records, à la fois intense, hypnotique et intemporel."
    -description: """
      Paru en 1961 sur le mythique label Impulse! Records, "Africa / Brass" marque un tournant majeur dans la trajectoire de John Coltrane. Derrière l’appellation de son quartet se cache en réalité une formation élargie, enrichie d’un ensemble de cuivres et de bois qui donne à l’album une dimension orchestrale inédite dans son œuvre.\r\n
      \r\n
      Arrangé en grande partie par Eric Dolphy et McCoy Tyner, le disque déploie une musique à la fois dense, modale et hypnotique. La pièce titre, "Africa", s’étire comme une transe profonde, portée par des ostinatos puissants et une section de cuivres majestueuse. À l’inverse, Greensleeves revisite un thème traditionnel avec une sensibilité méditative et une élégance presque spirituelle.\r\n
      \r\n
      Entre exploration sonore et rigueur structurelle, "Africa / Brass" témoigne de l’ambition de Coltrane d’élargir les frontières du jazz, annonçant déjà ses grandes fresques à venir. Un album à la fois monumental et introspectif, essentiel pour comprendre l’évolution du jazz des années 60.\r\n
      \r\n
      Musicians : \r\n
      John Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums), Booker Little, Freddie Hubbard (trumpet), Eric Dolphy (alto saxophone, bass clarinet, flute), Pat Patrick (baritone saxophone), Julius Watkins, Jim Buffington, Bob Northern, Donald Corrado, Robert Swisshelm (French horns), Julian Priester, Charles Greenlee, Carl Bowman (euphoniums), Britt Woodman (trombone), Bill Barber (tuba), Garvin Bushell (woodwinds), Art Davis (bass).\r\n
      \r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      John Coltrane's incandescent 1961 classic, Africa / Brass was recorded by the legendary Rudy Van Gelder, produced by Bob Thiele, and is a showcase for bold, fearless and visionary music.  It was recorded during a period where many African countries were becoming independent, and African music and art were becoming better known in America, though not as well known in European colonial powers like France, Belgium, or England.\r\n
      \r\n
      Africa/Brass was Coletrane's monumental debut for Impulse! Records a sonic manifesto that shattered the boundaries of hard bop to reveal something primal and sophisticated. Under the visionary arrangements of Eric Dolphy and McCoy Tyner, the ensemble creates a dense, shimmering "drone" a revolutionary harmonic foundation that allows Coltrane to soar. His playing is more than skillful; it's athletic. \r\n
      \r\n
      Coltrane's working quartet is augmented by a larger ensemble that brings the total to 21 musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. The interlocking brass lines move with the clockwork accuracy of a chamber orchestra, but breathe with the sweat and soul of a midnight jam session.
      """
    -prixVente: "60.00"
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[
  "produit" => App\Entity\Produit {#2064
    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
      \r\n
      Accompagnés notamment de Bobby Timmons au piano et de Louis Hayes à la batterie, les musiciens livrent un jazz puissant et expressif, où se mêlent influences blues, gospel et bebop. L’album incarne parfaitement l’esprit du hard bop, une musique vivante, ancrée dans la tradition mais tournée vers l’avenir.\r\n
      \r\n
      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
      \r\n
      - The Young Lions "The Young Lions" !\r\n
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      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      The Young Lions was recorded at Bell Sound Studios in NYC in 1960 and released in 1961 on Vee-Jay Records. It includes four songs composed by Wayne Shorter, and one by Lee Morgan. The album title references Irwin Shaw's popular 1948 novel of the same name. In the album's liner notes, saxophonist Cannonball Adderley uses Shaw's novel to make an argument about jazz, claiming that there is a tension in modern jazz between tradition and the avant-garde. He suggests that conformity to either traditionalism or the avant-garde is stifling of "true genius".
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Ky1ZQ4ni6mk&list=PLUJ7V33M1wR1CpJHBiDJxUqy4prEgLxqG"
    -referenceProduit: "Craft Recordings (OJC Series) CR 00966"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3292
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  +produit: App\Entity\Produit {#2064
    -id: 3045
    -nom: "The Young Lions"
    -informationComplementaire: "Avant d’être des icônes, ils étaient jeunes, audacieux et affamés de musique. The Young Lions raconte ce moment unique où Lee Morgan, Wayne Shorter et leurs compagnons capturent l’énergie brute d’une génération prête à marquer l’histoire du jazz."
    -description: """
      The Young Lions est un album emblématique du hard bop, enregistré en 1960 et réunissant une génération montante de musiciens destinés à marquer durablement l’histoire du jazz. Sous l’impulsion du trompettiste Lee Morgan et du saxophoniste Wayne Shorter, cet enregistrement capture l’énergie brute, l’audace et la créativité de jeunes artistes en pleine ascension.\r\n
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      \r\n
      À la fois témoignage d’une époque et tremplin pour des carrières exceptionnelles, "The Young Lions" reste une œuvre essentielle pour tout amateur de jazz.\r\n
      \r\n
      - The Young Lions "The Young Lions" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
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[
  "produit" => App\Entity\Produit {#2085
    -id: 3048
    -nom: "Introducing Lee Morgan"
    -informationComplementaire: "Un prodige de 18 ans, un son déjà légendaire. Avec "Introducing Lee Morgan", plongez aux origines d’un génie du jazz. Une session vibrante et maîtrisée, où chaque note annonce la naissance d’une icône. Le début d’une légende. À écouter absolument !"
    -description: """
      Introducing Lee Morgan est le premier album du trompettiste Lee Morgan, enregistré en 1956 alors qu’il n’a que 18 ans. Véritable révélation précoce, ce disque s’inscrit dans la grande tradition du hard bop, mêlant virtuosité technique, expressivité blues et énergie rythmique.\r\n
      \r\n
      Entouré de musiciens d’exception, dont Hank Mobley au saxophone ténor, Lee Morgan impose déjà un style puissant et affirmé. La section rythmique, avec Hank Jones, Doug Watkins et Art Taylor, offre un écrin solide et élégant à cette session devenue emblématique.\r\n
      \r\n
      Entre reprises inspirées et compositions originales, cet album capture l’émergence d’un des plus grands trompettistes de l’histoire du jazz, annonçant déjà la carrière brillante de Lee Morgan.\r\n
      \r\n
      - Lee Morgan "Introducing Lee Morgan" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Introducing Lee Morgan is a 1956 hard bop record by the heralded jazz trumpeter, originally release on the Savoy label. Also featuring Hank Mobley, Hank Jones, Doug Watkins and Art Taylor, the album, recorded when Morgan was just 17, features seven cuts including the Mobley penned "Hank's Shout".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Hank Mobley (tenor saxophone), Hank Jones (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=SKwj8KT7SBE&list=RDSKwj8KT7SBE&start_radio=1"
    -referenceProduit: "Craft Recordings (OJC Series) CR 00967"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. Hank's Shout"
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        "nom" => "2. Nostalgia "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2087 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3343
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
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  +produit: App\Entity\Produit {#2085
    -id: 3048
    -nom: "Introducing Lee Morgan"
    -informationComplementaire: "Un prodige de 18 ans, un son déjà légendaire. Avec "Introducing Lee Morgan", plongez aux origines d’un génie du jazz. Une session vibrante et maîtrisée, où chaque note annonce la naissance d’une icône. Le début d’une légende. À écouter absolument !"
    -description: """
      Introducing Lee Morgan est le premier album du trompettiste Lee Morgan, enregistré en 1956 alors qu’il n’a que 18 ans. Véritable révélation précoce, ce disque s’inscrit dans la grande tradition du hard bop, mêlant virtuosité technique, expressivité blues et énergie rythmique.\r\n
      \r\n
      Entouré de musiciens d’exception, dont Hank Mobley au saxophone ténor, Lee Morgan impose déjà un style puissant et affirmé. La section rythmique, avec Hank Jones, Doug Watkins et Art Taylor, offre un écrin solide et élégant à cette session devenue emblématique.\r\n
      \r\n
      Entre reprises inspirées et compositions originales, cet album capture l’émergence d’un des plus grands trompettistes de l’histoire du jazz, annonçant déjà la carrière brillante de Lee Morgan.\r\n
      \r\n
      - Lee Morgan "Introducing Lee Morgan" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Introducing Lee Morgan is a 1956 hard bop record by the heralded jazz trumpeter, originally release on the Savoy label. Also featuring Hank Mobley, Hank Jones, Doug Watkins and Art Taylor, the album, recorded when Morgan was just 17, features seven cuts including the Mobley penned "Hank's Shout".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Hank Mobley (tenor saxophone), Hank Jones (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2103
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
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      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
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        "nom" => "Side A :"
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      [
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        "nom" => "1. Monaco"
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        "ordre" => 2
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      ]
      [
        "ordre" => 3
        "nom" => "3. Mexico City "
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 6
        "nom" => "2. Autumn In New York"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hill’s Edge "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. K.D.’s Blues"
      ]
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        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "1. Royal Roost"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …}
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    -slug: "vinyles-the-complete-round-about-at-the-cafe-bohemia-blue-note-tone-poet-series-2882"
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App\Twig\Components\GestionPanierFavoriComponents {#3394
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2103
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
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      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
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      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
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        "nom" => "2. Autumn In New York"
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        "ordre" => 7
        "nom" => "3. Hill’s Edge "
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        "nom" => "Side C :"
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        "nom" => "1. K.D.’s Blues"
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        "ordre" => 11
        "nom" => "3. Mexico City (alternate take) "
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        "ordre" => 12
        "nom" => "Side D : "
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        "ordre" => 13
        "nom" => "1. Royal Roost"
      ]
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        "nom" => "2. My Heart Stood Still"
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        "nom" => "3. The Prophet "
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        "nom" => "Side E : "
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        "nom" => "1. K.D.’s Blues (alternate take)"
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        "ordre" => 20
        "nom" => "1. Who Cares (alternate take)"
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        "nom" => "3. N.Y. Theme"
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …}
    -label: Proxies\__CG__\App\Entity\Label {#2108 …}
    -style: App\Entity\Style {#1449 …}
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      date: 2026-04-25 10:40:07.0 UTC (+00:00)
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2434 …}
}

[
  "produit" => App\Entity\Produit {#2124
    -id: 3050
    -nom: "From A Page - (Expanded Edition) - Half-Speed Master"
    -informationComplementaire: "Redécouvrez Yes sous un nouveau jour. Avec "From a Page", plongez dans des trésors cachés du rock progressif, des compositions inédites, une énergie intacte, et toute la magie d’un groupe au sommet de sa créativité."
    -description: """
      From a Page est une sortie singulière du groupe mythique Yes, dévoilant des morceaux restés longtemps dans l’ombre. Enregistrées à la fin des années 1970, ces compositions réunissent la formation emblématique composée de Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman et Alan White.\r\n
      \r\n
      À mi-chemin entre sophistication progressive et accessibilité mélodique, cet enregistrement capture un moment charnière du groupe. On y retrouve les harmonies célestes, les structures complexes et les envolées instrumentales qui ont forgé la légende de Yes, tout en laissant entrevoir une facette plus concise et directe de leur écriture.\r\n
      \r\n
      Sorti en 2019, "From a Page" agit comme une capsule temporelle précieuse, offrant aux fans une plongée inédite dans une période fertile mais méconnue de leur discographie.\r\n
      \r\n
      - Yes "From A Page" (Expanded Edition) !\r\n
      - Half-speed mastered 180 gram (2 LP) !\r\n
      - Expanded to include alternate versions and demos !\r\n
      \r\n
      From a Page features the lineup of Chris Squire (bass), Steve Howe (guitars), Alan White (drums/percussion), Benoit David (vocals), and Oliver Wakeman (keyboards). Released in 2019, the EP featured four songs leftover from recording sessions that would ultimately turn into their 2011 album, Fly from Here, which featured Geoff Downes on keyboards after Wakeman left the group.\r\n
      \r\n
      This expanded edition of From a Page incorporates the original four songs, along with alternate versions of three songs from Fly from Here, featuring Oliver Wakeman's keyboard parts from the original writing sessions, and a studio version of the Chris Squire-penned song, "Aliens", which was played on their 2008 tour.\r\n
      \r\n
      A second LP features session demos, including "Updraft", which became the basis for the "Army of Angels" section of "Into the Storm", "Don't Take No for an Answer", and the single mix of "To the Moment".\r\n
      \r\n
      This (2 LP) set is mastered at half-speed and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass, backing vocals), Steve Howe (guitars), Rick Wakeman (keyboards), Alan White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ahxlo_lOgv8&list=OLAK5uy_lIAb_KzTKwSK567B5gPL_KpdeNbZbUxLo&index=6"
    -referenceProduit: "Mercury Records"
    -titreMorceau: [
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        "nom" => "1. To The Moment "
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        "nom" => "2. The Man You Always Wanted Me To Be "
      ]
      [
        "ordre" => 3
        "nom" => "3. From The Turn Of A Card "
      ]
      [
        "ordre" => 4
        "nom" => "4. Into The Storm "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
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        "nom" => "1. Aliens "
      ]
      [
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        "nom" => "2. Hour Of Need "
      ]
      [
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        "nom" => "3. Words On A Page "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Gift Of Love "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Words On A Page (Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Man You Always Wanted Me To Be (Demo)"
      ]
      [
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        "nom" => "3. To The Moment (Demo) "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
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        "ordre" => 15
        "nom" => "1. The Gift Of Love (Demo)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Don't Take No For An Answer (Demo)"
      ]
      [
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        "nom" => "3. Updraft (Demo)"
      ]
      [
        "ordre" => 18
        "nom" => "4. To The Moment (Single Mix)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
    -label: Proxies\__CG__\App\Entity\Label {#2129 …}
    -style: App\Entity\Style {#1453 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
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    }
    -modifierLe: DateTime @1777113456 {#2119
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-from-a-page-expanded-edition-half-speed-master-mercury-records"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3445
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2124
    -id: 3050
    -nom: "From A Page - (Expanded Edition) - Half-Speed Master"
    -informationComplementaire: "Redécouvrez Yes sous un nouveau jour. Avec "From a Page", plongez dans des trésors cachés du rock progressif, des compositions inédites, une énergie intacte, et toute la magie d’un groupe au sommet de sa créativité."
    -description: """
      From a Page est une sortie singulière du groupe mythique Yes, dévoilant des morceaux restés longtemps dans l’ombre. Enregistrées à la fin des années 1970, ces compositions réunissent la formation emblématique composée de Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman et Alan White.\r\n
      \r\n
      À mi-chemin entre sophistication progressive et accessibilité mélodique, cet enregistrement capture un moment charnière du groupe. On y retrouve les harmonies célestes, les structures complexes et les envolées instrumentales qui ont forgé la légende de Yes, tout en laissant entrevoir une facette plus concise et directe de leur écriture.\r\n
      \r\n
      Sorti en 2019, "From a Page" agit comme une capsule temporelle précieuse, offrant aux fans une plongée inédite dans une période fertile mais méconnue de leur discographie.\r\n
      \r\n
      - Yes "From A Page" (Expanded Edition) !\r\n
      - Half-speed mastered 180 gram (2 LP) !\r\n
      - Expanded to include alternate versions and demos !\r\n
      \r\n
      From a Page features the lineup of Chris Squire (bass), Steve Howe (guitars), Alan White (drums/percussion), Benoit David (vocals), and Oliver Wakeman (keyboards). Released in 2019, the EP featured four songs leftover from recording sessions that would ultimately turn into their 2011 album, Fly from Here, which featured Geoff Downes on keyboards after Wakeman left the group.\r\n
      \r\n
      This expanded edition of From a Page incorporates the original four songs, along with alternate versions of three songs from Fly from Here, featuring Oliver Wakeman's keyboard parts from the original writing sessions, and a studio version of the Chris Squire-penned song, "Aliens", which was played on their 2008 tour.\r\n
      \r\n
      A second LP features session demos, including "Updraft", which became the basis for the "Army of Angels" section of "Into the Storm", "Don't Take No for an Answer", and the single mix of "To the Moment".\r\n
      \r\n
      This (2 LP) set is mastered at half-speed and pressed on 180 gram vinyl.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass, backing vocals), Steve Howe (guitars), Rick Wakeman (keyboards), Alan White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ahxlo_lOgv8&list=OLAK5uy_lIAb_KzTKwSK567B5gPL_KpdeNbZbUxLo&index=6"
    -referenceProduit: "Mercury Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. To The Moment "
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        "ordre" => 2
        "nom" => "2. The Man You Always Wanted Me To Be "
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      [
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        "nom" => "3. From The Turn Of A Card "
      ]
      [
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        "nom" => "4. Into The Storm "
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      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Aliens "
      ]
      [
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        "nom" => "2. Hour Of Need "
      ]
      [
        "ordre" => 8
        "nom" => "3. Words On A Page "
      ]
      [
        "ordre" => 9
        "nom" => "4. The Gift Of Love "
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Words On A Page (Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Man You Always Wanted Me To Be (Demo)"
      ]
      [
        "ordre" => 13
        "nom" => "3. To The Moment (Demo) "
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. The Gift Of Love (Demo)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Don't Take No For An Answer (Demo)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Updraft (Demo)"
      ]
      [
        "ordre" => 18
        "nom" => "4. To The Moment (Single Mix)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
    -label: Proxies\__CG__\App\Entity\Label {#2129 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2138 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2131 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
    -enregistreLe: DateTime @1775459349 {#2120
      date: 2026-04-06 07:09:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113456 {#2119
      date: 2026-04-25 10:37:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-a-page-expanded-edition-half-speed-master-mercury-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2434 …}
}

[
  "produit" => App\Entity\Produit {#2143
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Do What You Gotta Do"
      ]
      [
        "ordre" => 2
        "nom" => "2. Looking for a Fox"
      ]
      [
        "ordre" => 3
        "nom" => "3. Slippin' Around"
      ]
      [
        "ordre" => 4
        "nom" => "4. I'm Qualified"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Can't See Myself"
      ]
      [
        "ordre" => 6
        "nom" => "6. Wind It Up"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Part Time Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thread the Needle"
      ]
      [
        "ordre" => 10
        "nom" => "3. Slip Away"
      ]
      [
        "ordre" => 11
        "nom" => "4. Funky Fever"
      ]
      [
        "ordre" => 12
        "nom" => "5. She Ain't Gonna Do Right"
      ]
      [
        "ordre" => 13
        "nom" => "6. Set Me Free"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2145 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
    -style: App\Entity\Style {#1459 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1763664369 {#2140
      date: 2025-11-20 18:46:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777113246 {#2141
      date: 2026-04-25 10:34:06.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-this-is-clarence-carter-atlantic-sd-8192"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3496
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2143
    -id: 2905
    -nom: "This Is Clarence Carter"
    -informationComplementaire: "Plongez dans la soul authentique avec "This Is Clarence Carter". Porté par la voix intense de Clarence Carter et le mythique “Slip Away”, cet album capture toute l’émotion brute et le groove des années 60. Un classique incontournable."
    -description: """
      Sorti en 1968, "This Is Clarence Carter" est le premier album studio de Clarence Carter, une figure emblématique de la soul sudiste. Porté par la chaleur brute de sa voix et une sincérité désarmante, cet album incarne à la perfection l’esprit de la musique soul de la fin des années 60.\r\n
      \r\n
      On y retrouve un savant mélange de blues, de rhythm & blues et de soul profonde, avec des arrangements sobres mais efficaces qui mettent en avant l’émotion pure. L’album contient notamment le titre culte “Slip Away”, qui deviendra un classique instantané et propulsera Carter sur le devant de la scène. Chaque morceau raconte une histoire, oscillant entre amour, désir, vulnérabilité et intensité émotionnelle.\r\n
      \r\n
      This Is Clarence Carter n’est pas seulement un premier album, c’est une déclaration d’identité artistique, brute et authentique, qui pose les bases d’une carrière marquante dans la soul américaine.\r\n
      \r\n
      Musicians : \r\n
      Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone), Floyd Newman (baritone saxophone), Gene Miller (trumpet), Barry Beckett (piano, electric piano, Hammond organ), David Hood (bass), Roger Hawkins (drums).\r\n
      \r\n
      Clarence Carter, blind from birth, was a blues singer with lascivious wit, a talented guitarist, a songwriter with a twinkle in his eye, and a champion of down-to-earth soul grooves who taught himself to play the guitar. He sang in a gospel choir, completed a degree in music, and grounded the duo Clarence & Calvin but was not however very successful. After a car crash involving Calvin Scott, Carter started on a solo career and signed a contract with Rick Hall and the Fame label as a soloist. Among the earliest singles recorded at the Muscle Shoals studio were a few hits. After leaving Fame for Atlantic, he managed to enter the Top 20 of the R & B charts with "Looking For A Fox". His breakthrough came with "Slip Away", which sold a million copies and was awarded a Gold Record.\r\n
      \r\n
      The legendary Fame Studios in Muscle Shoals remained the home basis, as it were, for Carter during his career with Atlantic. "This Is…" begins with a contemplative, soft sound. "Do What You Gotta Do", written by Jim Webb, is a lovely, melancholic mid-tempo ballad, saturated with Barry Beckett’s keyboard and smothered by lush, plaintive winds. But the man is primarily funky here… as three danceable, finger-snapping tracks prove; "Wind It Up", with further witty improvisations and a fervid organ solo, the highly syncopated, playful "Thread The Needle", and the smoky, irresistible "Funky Fever" all written by Carter himself. Dan Penn’s and Spooner Oldham’s "Slippin’ Around" has an unorthodox bossa nova-like beat that is reminiscent of Ray Charles’s "What’d I Say", while Carter’s unmistakable chuckle is to be heard for the first time on the riotous funk-rock number "I’m Qualified", which has the very same unique, infectious groove as was to be heard on Wilson Pickett’s "In The Midnight Hour". "She Ain’t Gonna Do Right", composed by the same man, brings more Alabama Country to the mix, whereby Beckett contributes a catchy, persistent organ riff in the refrain. Soul, blues, funk, R & B a gigantic album from a giant of the genre.\r\n
      \r\n
      Recording: \u{FEFF}1968 at Fame Studios, Muscle Shoals, AL, by Rick Hall\r\n
      Production: Rick Hall
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Clarence Carter (guitar, vocals), Jimmy Johnson, Eddie Hinton (guitar), Linden Oldham (piano), Aaron Varnell, Charles Chalmers (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=Phqe9vBsThs&list=OLAK5uy_lkdMKLgHD3C8EAPN8_RjgI9aSGgdWWgv8&index=8"
    -referenceProduit: "Atlantic SD 8192"
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        "nom" => "Side A :"
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        "ordre" => 2
        "nom" => "2. Looking for a Fox"
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        "nom" => "3. Slippin' Around"
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        "nom" => "4. I'm Qualified"
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        "nom" => "5. I Can't See Myself"
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        "nom" => "Side B : "
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        "nom" => "1. Part Time Love"
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        "nom" => "6. Set Me Free"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2145 …}
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[
  "produit" => App\Entity\Produit {#2162
    -id: 2906
    -nom: "Much Les"
    -informationComplementaire: "Plongez dans l’énergie vibrante de "Much Les", où Les McCann mêle groove, soul et improvisation avec une intensité rare. Capté en live, cet album respire la chaleur, la spontanéité et toute la puissance d’un jazz profondément vivant."
    -description: """
      Sorti en 1969, "Much Les" est un album emblématique de Les McCann, capturé en live au célèbre club Bohemian Caverns à Washington D.C. Il incarne parfaitement la transition du jazz vers des sonorités plus modernes, mêlant soul jazz, groove et influences funk.\r\n
      \r\n
      Porté par un jeu de piano expressif et chaleureux, McCann y déploie une musique à la fois accessible et profondément habitée. L’album se distingue par son énergie communicative, son interaction avec le public et ses longues improvisations pleines de feeling.\r\n
      \r\n
      Les morceaux oscillent entre moments intimes et envolées rythmiques, avec une section rythmique solide qui soutient parfaitement l’intensité du pianiste. Much Les est souvent considéré comme l’un des disques les plus représentatifs de son style, un jazz vivant, ancré dans l’émotion et ouvert à tous les publics.\r\n
      \r\n
      Musicians :\r\n
      Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Emanuel Green, Harvey Shapiro, Kermit Moore, Noel DaCosta, Richard Elias, Ron Carter, Selwart Clarke, Theodore Israel, Warren Laffredo, Winston Collymore (strings), Willie Bobo (strings, timbales), Donald Dean (drums).\r\n
      \r\n
      Together with the saxophone player Eddie Harris, Les McCann was responsible for one of the best-sold albums in the whole history of jazz Swiss Movement (Atlantic SD-1537). It was his debut album on the Atlantic label. 1968 saw the release of Much Les and elaborated it with new aspects of what McCann did best in his early years: his core sound was enhanced with a string section and Latin percussion. The result is convincing, appealing, and captivating throughout and is considered an underestimated classic.\r\n
      \r\n
      In all the numbers, McCann is supported strongly and in a relaxed manner by his former trio, the bassist Leroy Vinnegar and the drummer Donald Dean. However, it is the string section which dominates as McCann's accompaniment; of the six tracks they are to be heard in all three slow numbers, as well as surprisingly in the relaxed soul jazz of "Doin' That Thing", thus lending this track almost a film soundtrack feeling. Luckily the album does not wallow in sentimental kitsch; the strings are always employed with good taste in order to lend a solid base to the whole and provide counterpoint to McCann's economical solo playing in the ballads.\r\n
      \r\n
      Further into the album he transforms Cole Porter's "Love For Sale" in one of his characteristic funky soul-jazz grooves, and returns to his gospel roots in a lyrical, exuberant rendering of Burnin' Coal, where he employs a simple but catchy beat. The whole album is well varied, and the abundant, expanded arrangement serve to accentuate not to veil the masterly groove of the McCann Trio. And that is what makes Much Les such an entertaining, essential listening experience.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Donald Dean (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7i8luXI_2mY&list=RD7i8luXI_2mY&start_radio=1"
    -referenceProduit: "Atlantic SD 1516"
    -titreMorceau: [
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. Benjamin"
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        "nom" => "2. Love For Sale"
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      [
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        "nom" => "3. Roberta"
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
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      date: 2026-04-24 20:24:50.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2170 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-much-les-atlantic-sd-1516"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3547
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2162
    -id: 2906
    -nom: "Much Les"
    -informationComplementaire: "Plongez dans l’énergie vibrante de "Much Les", où Les McCann mêle groove, soul et improvisation avec une intensité rare. Capté en live, cet album respire la chaleur, la spontanéité et toute la puissance d’un jazz profondément vivant."
    -description: """
      Sorti en 1969, "Much Les" est un album emblématique de Les McCann, capturé en live au célèbre club Bohemian Caverns à Washington D.C. Il incarne parfaitement la transition du jazz vers des sonorités plus modernes, mêlant soul jazz, groove et influences funk.\r\n
      \r\n
      Porté par un jeu de piano expressif et chaleureux, McCann y déploie une musique à la fois accessible et profondément habitée. L’album se distingue par son énergie communicative, son interaction avec le public et ses longues improvisations pleines de feeling.\r\n
      \r\n
      Les morceaux oscillent entre moments intimes et envolées rythmiques, avec une section rythmique solide qui soutient parfaitement l’intensité du pianiste. Much Les est souvent considéré comme l’un des disques les plus représentatifs de son style, un jazz vivant, ancré dans l’émotion et ouvert à tous les publics.\r\n
      \r\n
      Musicians :\r\n
      Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Emanuel Green, Harvey Shapiro, Kermit Moore, Noel DaCosta, Richard Elias, Ron Carter, Selwart Clarke, Theodore Israel, Warren Laffredo, Winston Collymore (strings), Willie Bobo (strings, timbales), Donald Dean (drums).\r\n
      \r\n
      Together with the saxophone player Eddie Harris, Les McCann was responsible for one of the best-sold albums in the whole history of jazz Swiss Movement (Atlantic SD-1537). It was his debut album on the Atlantic label. 1968 saw the release of Much Les and elaborated it with new aspects of what McCann did best in his early years: his core sound was enhanced with a string section and Latin percussion. The result is convincing, appealing, and captivating throughout and is considered an underestimated classic.\r\n
      \r\n
      In all the numbers, McCann is supported strongly and in a relaxed manner by his former trio, the bassist Leroy Vinnegar and the drummer Donald Dean. However, it is the string section which dominates as McCann's accompaniment; of the six tracks they are to be heard in all three slow numbers, as well as surprisingly in the relaxed soul jazz of "Doin' That Thing", thus lending this track almost a film soundtrack feeling. Luckily the album does not wallow in sentimental kitsch; the strings are always employed with good taste in order to lend a solid base to the whole and provide counterpoint to McCann's economical solo playing in the ballads.\r\n
      \r\n
      Further into the album he transforms Cole Porter's "Love For Sale" in one of his characteristic funky soul-jazz grooves, and returns to his gospel roots in a lyrical, exuberant rendering of Burnin' Coal, where he employs a simple but catchy beat. The whole album is well varied, and the abundant, expanded arrangement serve to accentuate not to veil the masterly groove of the McCann Trio. And that is what makes Much Les such an entertaining, essential listening experience.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Les McCann (piano, vocals), Leroy Vinnegar (bass), victor Pantoja\t(congas), Donald Dean (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7i8luXI_2mY&list=RD7i8luXI_2mY&start_radio=1"
    -referenceProduit: "Atlantic SD 1516"
    -titreMorceau: [
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        "nom" => "Side A :"
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      ]
      [
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        "nom" => "Side B : "
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      [
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      ]
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        "nom" => "2. Love For Sale"
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
    -label: Proxies\__CG__\App\Entity\Label {#2148 …}
    -style: App\Entity\Style {#1449 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2178
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      \r\n
      Recording : March 1957 in mono and November 1961 in stereo in New York City by Tom Dowd and Phil Iehle.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Jimmie Knepper (trombone), Shafi Hadi\t(alto saxophone), Roland Kirk (saxophone), Booker Ervin (tenor saxophone), Wade Legge (piano), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=n4ys-h1d0kY&list=RDn4ys-h1d0kY&start_radio=1"
    -referenceProduit: "Speakers Corner Atlantic SD 1416"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tonight At Noon"
      ]
      [
        "ordre" => 2
        "nom" => "2. Invisible Lady"
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      [
        "ordre" => 3
        "nom" => "3. Old Blues For Walts Torin"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Peggy's Blue Skylight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Passions Of A Woman Loved"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2180 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2186 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3598
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2178
    -id: 3002
    -nom: "Tonight At Noon"
    -informationComplementaire: "Une œuvre qui se regarde autant qu’elle s’écoute. Avec "Tonight at Noon", Charles Mingus livre un jazz intense et libre, où chaque note vibre d’émotion et d’audace. Une expérience musicale brute, à la fois puissante et inoubliable."
    -description: """
      Tonight at Noon de Charles Mingus est un album aussi fascinant musicalement que visuellement. Sa pochette, dominée par un portrait expressionniste aux traits éclatés et aux couleurs vives, reflète parfaitement l’univers sonore de Mingus, intense, libre et profondément émotionnel.\r\n
      \r\n
      Sorti en 1964, l’album rassemble des enregistrements issus de différentes sessions, capturant un moment de transition dans le jazz moderne. Entre compositions structurées et élans d’improvisation, Mingus y façonne un langage unique, mêlant énergie brute et sophistication harmonique.\r\n
      \r\n
      À l’image de la peinture qui semble presque en mouvement, la musique de "Tonight at Noon" est vivante, imprévisible, traversée de contrastes. Chaque morceau révèle une tension entre ordre et chaos, signature du génie créatif de Mingus.\r\n
      \r\n
      Tonight at Noon compiles tracks from two earlier recordings sessions: one session from 1957 with Jimmy Knepper on the trombone, the drummer Dannie Richmond, saxophone player Shafi Hadi and the pianist Wade Legge, which were released on the album The Clown (Atlantic 1260). The second session took place in 1961 with Booker Ervin and Roland Kirk on the saxophone, Knepper, the bassist Doug Watkins, Mingus at the piano and Richmond on the drums, and was released on Oh Yeah (Atlantic SD 1377).\r\n
      \r\n
      The two sets differ in mood, but this does not mean that it is an album that uses leftovers. While Mingus in the first session strives for European harmonics and melodic approaches with a hard bop tempo (particularly on the title track) in the direction of the blues, the second session with its vespertine elegance and spatial explorations comes over rather as a sort of exercise à la avant-garde Ellington with sophisticated harmonies that pave the way for sluggish marches and gospel-like blues. Kirk and Ervin complement one another particularly well, their swing is apparently boundless. Mingus's piano playing is deeply rooted in the blues, and his sense of tempo and lightness enhances these numbers, particularly in "'Old' Blues for Walt's Torin".\r\n
      \r\n
      In these compositions one already finds hints of Mingus's later recordings. The most beautiful number is taken from the 1957 session and concludes the album : "Passions of a Woman Loved", almost ten minutes in length, feels like an Ellington suite. Although, or maybe simply because several years passed between the two sessions, one cannot deny this album's magic.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\r\n
      \r\n
      Recording : March 1957 in mono and November 1961 in stereo in New York City by Tom Dowd and Phil Iehle.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Jimmie Knepper (trombone), Shafi Hadi\t(alto saxophone), Roland Kirk (saxophone), Booker Ervin (tenor saxophone), Wade Legge (piano), Doug Watkins (bass), Dannie Richmond (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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        "nom" => "1. Peggy's Blue Skylight"
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[
  "produit" => App\Entity\Produit {#2194
    -id: 2034
    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
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    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantazy) AJAZ 9351"
    -titreMorceau: [
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        "nom" => "1. Elsa"
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        "nom" => "2. Nardis"
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        "nom" => "Side C :"
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        "nom" => "1. How Deep Is the Ocean ?"
      ]
      [
        "ordre" => 9
        "nom" => "2. I Wish I Knew"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Sweet and Lovely"
      ]
      [
        "ordre" => 12
        "nom" => "2. The Boy Next Door"
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3649
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
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    -nom: "Explorations"
    -informationComplementaire: "Plongez dans l’un des sommets du jazz moderne : "Explorations". Entre lyrisme et interaction télépathique, le trio de Bill Evans redéfinit l’art du dialogue musical. Un disque intemporel, d’une élégance rare, où chaque note respire."
    -description: """
      Enregistré en 1961, "Explorations" capture le Bill Evans Trio à son apogée, avec Scott LaFaro à la contrebasse et Paul Motian à la batterie. Plus qu’un simple enregistrement, cet album est une conversation musicale d’une rare intensité, où chaque musicien s’affranchit de son rôle traditionnel pour créer un équilibre collectif unique.\r\n
      \r\n
      Le toucher délicat et introspectif d’Evans dialogue librement avec les lignes mélodiques audacieuses de LaFaro, tandis que Motian colore l’espace avec une sensibilité presque impressionniste. Loin d’une hiérarchie classique : "piano, basse, batterie", le trio explore une approche profondément interactive, où le silence et la nuance ont autant d’importance que les notes elles-mêmes.\r\n
      \r\n
      De standards revisités avec une finesse inouïe à des compositions plus modales comme Nardis, "Explorations" incarne une esthétique raffinée, à la fois intellectuelle et profondément émotive. Cet album reste aujourd’hui une référence incontournable pour les amateurs de jazz, mais aussi une porte d’entrée idéale vers un univers sonore subtil et immersif.\r\n
      \r\n
      - Bill Evans Trio "Explorations" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes \r\n
      \r\n
      "Bill Evans' Explorations... the most lyrically riveting piano trio in jazz history, playing near-peak... Explorations sounds wonderful. All the tones, overtones, and rhythmic subtleties are vivid, present, and true". Fred Kaplan, The Absolute Sound, February / March 2005\r\n
      \r\n
      The second album by the original Bill Evans group was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards, plus three compositions from the jazz world that became synonymous with the trio’s sounds, and with ample space for LaFaro’s virtuosity to shine, the album was cited by Evans years later as among his own favorite recordings.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano), Scott LaFaro (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=0M-mQyJ_6Hc&list=RD0M-mQyJ_6Hc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantazy) AJAZ 9351"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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[
  "produit" => App\Entity\Produit {#2212
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
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        "ordre" => 2
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        "ordre" => 3
        "nom" => "3. Beer Drinkers & Hell Raisers "
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        "nom" => "Side B : "
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        "nom" => "1. Master Of Sparks"
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        "nom" => "2. Hot, Blue And Righteous "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3700
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2212
    -id: 3071
    -nom: "Tres Hombres (2 LP) 45 RPM - Clarity Vinyl"
    -informationComplementaire: "Plongez dans la chaleur du blues texan avec "Tres Hombres" en Clarity Vinyl 45 RPM, une expérience sonore pure, intense et résolument vintage, qui révèle toute la puissance et la finesse de ZZ Top comme jamais auparavant."
    -description: """
      Redécouvrez "Tres Hombres", l’album culte de ZZ Top, dans une édition audiophile d’exception, en 45 RPM Clarity Vinyl. Véritable référence du blues-rock texan, cet opus de 1973 renferme des classiques intemporels comme "La Grange", portés par le groove inimitable du trio Billy Gibbons, Dusty Hill et Frank Beard.\r\n
      \r\n
      Pressé sur un vinyle Clarity Vinyl translucide de très haute pureté, ce double LP en 45 tours offre une restitution sonore exceptionnelle, dynamique accrue, détails sublimés et scène sonore élargie. Chaque note respire avec une précision remarquable, pour une immersion totale au cœur du son brut et authentique de ZZ Top.\r\n
      \r\n
      Cette édition premium est pensée pour les audiophiles et collectionneurs exigeants, avec une fabrication soignée et un rendu sonore qui magnifie chaque riff, chaque ligne de basse et chaque frappe de batterie.\r\n
      \r\n
      - "Tres Hombres" ZZ-Top's 1973 breakthrough album on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM (2 LP) release limited to 5000 numbered copies !\r\n
      - Features lead single "La Grange" !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time ranked No. 490/500 (2012) !\r\n
      - Named Best Boogie Rock album ever by the Houston Chronicle !\r\n
      - Mastered by Matthew Luthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl® !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with scuff resistant finish by Stoughton Printing !\r\n
      \r\n
      The breakthrough album that defined Texas blues rock! One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans Billy F. Gibbons, Frank Beard, and Dusty Hill are a righteously hell rain' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas.\r\n
      \r\n
      With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blues, soul, garage-funk, Americana, and more. Nowhere is their force of nature musicianship better displayed than their 1973 classic Tres Hombres. Packed with swagger, grit, and some of the most infectious guitar grooves ever recorded, Tres Hombres cemented the band's signature sound raw, greasy, and undeniably cool.\r\n
      \r\n
      One of rock's greatest anthems "La Grange" swaggers! That iconic opening boogie riff ? Instantly recognizable. The groove ? Absolutely irresistible. "La Grange" is a masterclass in blues-based rock perfection. And beyond ? Whether it's the slow-burning "Hot, Blue and Righteous", the funky "Move Me on Down the Line", or the driving "Waitin' for the Bus / Jesus Just Left Chicago" combo, every track grooves with unmistakable attitude.\r\n
      \r\n
      ZZ Top fans will instantly recognize Tres Hombres as the album that shaped the band's legend. It's loud, it's bluesy, and it's packed with riffs that demand to be cranked up !\r\n
      \r\n
      Overall, UHQR Clarity Vinyl from Analogue Productions is a sought-after format among audiophiles and collectors who value the highest possible audio fidelity from their vinyl records. This definitive reissue of "Tres Hombres" is limited to 5000 numbered copies! Pressed on four glorious sides of 200-gram Clarity Vinyl from QRP, the world's best pressing plant. Cut at 45 RPM to reduce distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. The proprietary vinyl compound enhances the sound quality, offering improved dynamics, detail, and tonal accuracy. And great care is taken to eliminate any surface noise or imperfections throughout the manufacturing process. Lastly, your records are housed in archival quality Stoughton Printing tip-on gatefold jackets with a scuff-resistant finish, for a truly premium product.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Billy Gibbons (guitar, lead vocals), Dusty Hill (bass guitar, backing vocals), Frank Beard (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_w-i7LwoAIo&list=RD_w-i7LwoAIo&start_radio=1"
    -referenceProduit: "Analogue Productions UHQR 0023-45"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "3. Beer Drinkers & Hell Raisers "
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        "nom" => "Side B : "
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        "nom" => "1. Master Of Sparks"
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        "nom" => "2. Hot, Blue And Righteous "
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        "nom" => "Side C :"
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        "nom" => "3. La Grange "
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        "nom" => "1. Shiek"
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        "nom" => "2. Have You Heard ?"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
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[
  "produit" => App\Entity\Produit {#2228
    -id: 3041
    -nom: "Live At Montreux"
    -informationComplementaire: "Un concert historique, une rencontre légendaire. Quand Miles Davis retrouve les orchestrations de Gil Evans sous la direction de Quincy Jones, la scène de Montreux devient le théâtre d’un moment unique dans l’histoire du jazz."
    -description: """
      Enregistré le 8 juillet 1991 au Montreux Jazz Festival, "Miles & Quincy Live at Montreux" réunit deux figures majeures de la musique, Miles Davis et Quincy Jones, entourés d’un orchestre exceptionnel.\r\n
      \r\n
      Ce concert marque un événement rare, le retour de Miles Davis aux arrangements de Gil Evans, collaborateur emblématique avec lequel il avait créé des œuvres majeures comme "Sketches of Spain". Pour l’occasion, Quincy Jones dirige une formation impressionnante mêlant solistes de jazz, big band et orchestre élargi.\r\n
      \r\n
      Porté par le jeu intense et introspectif de Miles Davis, l’ensemble offre une relecture magistrale de ces compositions, où se mêlent richesse orchestrale, puissance des cuivres et subtilité des textures.\r\n
      \r\n
      À la fois hommage et aboutissement, cet enregistrement est d’autant plus poignant qu’il s’agit de l’une des dernières apparitions de Miles Davis sur scène. Il capture un moment suspendu, où passé et présent se rencontrent dans une interprétation d’une grande profondeur artistique.\r\n
      \r\n
      Musicians & conductor :\r\n
      Miles Davis (trumpet), Quincy Jones (conductor), Lew Soloff, Miles Evans (trompet), Wallace Roney, Benny Bailey, Marvin Stamm, John D'earth, Jack Walrath (trompet, flugelhorn), John Clark, Tom Varner (French horn), Tom Malone (trombone), Dave Bargeron, Earl McIntyre (trombone, euphonium), Dave Taylor (bass trombone), Howard Johnson (tuba), Alex Foster (alto & soprano saxophone, flute), George Adams (tenor saxophone, flute), Jerry Bergonzi (tenor saxophone), Bob Malach (tenor saxophone, flute, clarinet), Larry Schneider (tenor saxophone, flute, oboe, clarinet), Sal Giorgianni (alto saxophone), Christian Gavillet, Roger Rosenberg (bass clarinet, baritone saxophone), Michel Weber (clarinet), Anne O’Brien, Julian Cawdry, Hanspeter Frehner (flute), Tilman Zahn, Dave Seghezzo, Xavier Duss, Judith Wenziker (oboe), Christian Raabe, Reiner Erb (bassoon), Gil Goldstein, Delmar Brown (keyboards), George Gruntz (piano), Mike Richmond (double bass), Xenia Schindler (harp), Kenwood Dennard (percussion), John Riley (drums, percussion).\r\n
      \r\n
      - Miles Davis & Quincy Jones "Live At Montreux" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      - 1994 Grammy Award Winner !\r\n
      - Best Large Jazz Ensemble Album !\r\n
      \r\n
      The Grammy® Award-winning collaboration of Miles & Quincy revisiting the classic Gil Evans arrangements that Miles originally recorded decades before with Gil. It's rare for Miles to look back, and these performances are superb. Recorded live at the Montreux Jazz Festival on July 8, 1991, these are some of Miles' final recordings.\r\n
      \r\n
      Cut by Matthew Lutthans at The Mastering Lab and pressed on 180 gram black vinyl at Fidelity Record Pressing.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), Quincy Jones (conductor), Kenny Garrett (alto saxophone), Wallace Roney, Benny Bailey (trumpet, flugelhorn), Carles Benavent (bass), John Riley (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=-JQzCZjb1eg&list=RD-JQzCZjb1eg&start_radio=1"
    -referenceProduit: "Rhino Reserve 5221"
    -titreMorceau: [
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        "nom" => "1. Introduction by Claude Nobs and Quincy Jones "
      ]
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        "ordre" => 2
        "nom" => "2. Boplicity "
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        "nom" => "3. Introduction to Miles Ahead Medley"
      ]
      [
        "ordre" => 4
        "nom" => "4. Springsville "
      ]
      [
        "ordre" => 5
        "nom" => "5. Maids of Cadiz "
      ]
      [
        "ordre" => 6
        "nom" => "6. The Duke "
      ]
      [
        "ordre" => 7
        "nom" => "7. My Ship "
      ]
      [
        "ordre" => 8
        "nom" => "8. Miles Ahead "
      ]
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        "nom" => "9. Blues for Pablo "
      ]
      [
        "ordre" => 10
        "nom" => "Side B : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Introduction to Porgy and Bess Medley "
      ]
      [
        "ordre" => 12
        "nom" => "2. Orgone "
      ]
      [
        "ordre" => 13
        "nom" => "3. Gone, Gone Gone "
      ]
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        "nom" => "4. Summertime "
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      [
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        "nom" => "5. Here Come De Honey Man "
      ]
      [
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        "nom" => "6. The Pan Piper "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
    -label: Proxies\__CG__\App\Entity\Label {#2233 …}
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    -modifierLe: DateTime @1776803860 {#2226
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App\Twig\Components\GestionPanierFavoriComponents {#3751
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2666 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
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    -id: 3041
    -nom: "Live At Montreux"
    -informationComplementaire: "Un concert historique, une rencontre légendaire. Quand Miles Davis retrouve les orchestrations de Gil Evans sous la direction de Quincy Jones, la scène de Montreux devient le théâtre d’un moment unique dans l’histoire du jazz."
    -description: """
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      Ce concert marque un événement rare, le retour de Miles Davis aux arrangements de Gil Evans, collaborateur emblématique avec lequel il avait créé des œuvres majeures comme "Sketches of Spain". Pour l’occasion, Quincy Jones dirige une formation impressionnante mêlant solistes de jazz, big band et orchestre élargi.\r\n
      \r\n
      Porté par le jeu intense et introspectif de Miles Davis, l’ensemble offre une relecture magistrale de ces compositions, où se mêlent richesse orchestrale, puissance des cuivres et subtilité des textures.\r\n
      \r\n
      À la fois hommage et aboutissement, cet enregistrement est d’autant plus poignant qu’il s’agit de l’une des dernières apparitions de Miles Davis sur scène. Il capture un moment suspendu, où passé et présent se rencontrent dans une interprétation d’une grande profondeur artistique.\r\n
      \r\n
      Musicians & conductor :\r\n
      Miles Davis (trumpet), Quincy Jones (conductor), Lew Soloff, Miles Evans (trompet), Wallace Roney, Benny Bailey, Marvin Stamm, John D'earth, Jack Walrath (trompet, flugelhorn), John Clark, Tom Varner (French horn), Tom Malone (trombone), Dave Bargeron, Earl McIntyre (trombone, euphonium), Dave Taylor (bass trombone), Howard Johnson (tuba), Alex Foster (alto & soprano saxophone, flute), George Adams (tenor saxophone, flute), Jerry Bergonzi (tenor saxophone), Bob Malach (tenor saxophone, flute, clarinet), Larry Schneider (tenor saxophone, flute, oboe, clarinet), Sal Giorgianni (alto saxophone), Christian Gavillet, Roger Rosenberg (bass clarinet, baritone saxophone), Michel Weber (clarinet), Anne O’Brien, Julian Cawdry, Hanspeter Frehner (flute), Tilman Zahn, Dave Seghezzo, Xavier Duss, Judith Wenziker (oboe), Christian Raabe, Reiner Erb (bassoon), Gil Goldstein, Delmar Brown (keyboards), George Gruntz (piano), Mike Richmond (double bass), Xenia Schindler (harp), Kenwood Dennard (percussion), John Riley (drums, percussion).\r\n
      \r\n
      - Miles Davis & Quincy Jones "Live At Montreux" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      - 1994 Grammy Award Winner !\r\n
      - Best Large Jazz Ensemble Album !\r\n
      \r\n
      The Grammy® Award-winning collaboration of Miles & Quincy revisiting the classic Gil Evans arrangements that Miles originally recorded decades before with Gil. It's rare for Miles to look back, and these performances are superb. Recorded live at the Montreux Jazz Festival on July 8, 1991, these are some of Miles' final recordings.\r\n
      \r\n
      Cut by Matthew Lutthans at The Mastering Lab and pressed on 180 gram black vinyl at Fidelity Record Pressing.
      """
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