Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2569
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2646
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2649 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
  -formView: Symfony\Component\Form\FormView {#2685 …}
  -form: Symfony\Component\Form\Form {#2835 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 1620
    -nom: "Kind of Blue  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: null
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      - Definitive limited run reissue Ultra High Quality Record !\r\n
      - 45 RPM double LP release limited to 25000 copies !\r\n
      - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n
      \r\n
      "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AUHQR 0004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. So What"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Freddie Freeloader"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blue In Green"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. All Blues"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Flamenco Sketches"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1553763942 {#1876
      date: 2019-03-28 09:05:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767217283 {#1869
      date: 2025-12-31 21:41:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0004-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3109
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 1620
    -nom: "Kind of Blue  (45 RPM 200 Gram Clarity Vinyl)"
    -informationComplementaire: null
    -description: """
      - Miles Davis Kind of Blue meets Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      - Definitive limited run reissue Ultra High Quality Record !\r\n
      - 45 RPM double LP release limited to 25000 copies !\r\n
      - Best-selling album in jazz history; mastered by Bernie Grundman from the original 3 track master tapes !\r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Dream team of Davis, Adderley, Coltrane, Evans, Kelly, Chambers, Cobb make history !\r\n
      - Video Should New Vinyl Collectors Buy the 45 RPM UHQR Miles Davis Kind of Blue ? Click here !\r\n
      \r\n
      "Kassem's new edition-also stamped in an edition of 25000 is from the same master, pressed on the same type of vinyl (but not "hand pressed" this time, which actually results in greater pressing consistency, plus now there's a good chance everyone who orders will get their copy in a reasonable time period), packed in the same fancy box. The only difference is that the music is on two LPs, cut at 45 RPM, meaning the grooves are much wider. All things equal, this should make for finer detail, an airier ambience, more lifelike sound generally. And that's what you get here. Take the passage from my Stereophile review and step it up a few notches: "finer touches... even more stunningly clear...still more layers...the ecstatic beauty..." Everything is more present, more brassy, woody, or metallic, depending on the instrument. There's a more palpable sense of a human being blowing through a mouthpiece, plucking a string, coaxing a keyboard, or tapping a snare drum. There is more of a sense that you are with the musicians in the studio. In short, take any account you've read-or any memory you treasure-of this album's sonic glories, and embellish every admiring adjective with more, more, better, better." - Music = 11/11; Sound = 11/11 Fred Kaplan, TrackingAngle.com. To read Kaplan's full review, click here.\r\n
      \r\n
      Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' Kind of Blue. The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording a five track masterpiece of melancholy mood and melody.\r\n
      \r\n
      It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley with Wynton Kelly playing piano on "Freddy the Freeloader."\r\n
      \r\n
      Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Blue where it belongs : the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl with attention paid to every single detail of every single record.\r\n
      \r\n
      The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every UHQR will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition we've set the bar for excellence higher. Lifelike distinct detail that was palpable enough in 33 1/3 RPM is holographic at 45. Four glorious sides of 200 gram vinyl from QRP, the best presser in the business, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. There's also a 20 page booklet with updated session photos and liner notes by Robert Palmer and Ashley Kahn. Plus, we've included photos of legendary mastering engineer Bernie Grundman's mastering notes from this release.\r\n
      \r\n
      Kind of Blue is more than Miles Davis's most enduring recording, it's a testament to Miles' experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. "The music has gotten thick", Davis complained in a 1958 interview for The Jazz Review. "... There will be fewer chords but infinite possibilities as to what to do with them". Kind of Blue is, in a sense, all melody and atmosphere.\r\n
      \r\n
      None of the musicians had played any of the tunes before heading into the first of two recording sessions in early spring of 1959. In fact Miles had written out the settings for most of them only a few hours before the session. Miles also stuck to his old recording procedure of having virtually no rehearsal and only one take for each tune.\r\n
      \r\n
      Miles remained proud of the album, performing at least two of its tracks "So What" and "All Blues" for years after, until his musical path took him in a different direction.\r\n
      \r\n
      History was on the side of Kind of Blue; it was born in 1959, at the peak of the golden age of high-fidelity, featuring innovations in studio equipment (magnetic tape, high-quality condenser microphones), matched by advancements in home audio reproduction (long-player records LPs; high-end turntables, and other stereo components). Kind of Blue also benefited from Miles' being signed to the leading major record company of the day Columbia Records, a part of the CBS media conglomerate. Columbia had the means and wisdom to invest in cutting edge recording technology, and their own professional recording studio.\r\n
      \r\n
      A minor audio complication with Kind of Blue has been addressed with this UHQR edition. The motor on the studio's 3 track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue in Green", making them a barely perceptible quarter-tone sharp. Before now, it was only addressed in 1995 for the Classic Records edition and by Columbia Records or their latter-day parent, Sony Music on a CD reissue in the late '90s.\r\n
      \r\n
      Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of Kind of Blue, free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our UHQR series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), Julian "Cannonball" Adderley (alto sax), John Coltrane (tenor sax), Paul Chambers (double bass), Bill Evan, Wynton Kelly (piano), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=TpMzD8Q1fQg&list=RDTpMzD8Q1fQg&start_radio=1"
    -referenceProduit: "Analogue Productions AUHQR 0004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. So What"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Freddie Freeloader"
      ]
      [
        "ordre" => 4
        "nom" => "2. Blue In Green"
      ]
      [
        "ordre" => 5
        "nom" => "Side C : "
      ]
      [
        "ordre" => 6
        "nom" => "1. All Blues"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Flamenco Sketches"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1553763942 {#1876
      date: 2019-03-28 09:05:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767217283 {#1869
      date: 2025-12-31 21:41:23.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kind-of-blue-45-rpm-200-gram-clarity-vinyl-analogue-productions-auhqr-0004-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 2635
    -nom: "Original Motion Picture Soundtrack - The Hot Spot"
    -informationComplementaire: null
    -description: """
      - The Hot Spot Original Motion Picture Soundtrack !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n
      \r\n
      Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n
      \r\n
      The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n
      \r\n
      Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n
      \r\n
      This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who,  including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n
      \r\n
      Originally released in 1990.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=bfDHGk8NNrU"
    -referenceProduit: "Analogue Productions AAPB 8755-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Coming to Town"
      ]
      [
        "ordre" => 2
        "nom" => "2. Empty Bank"
      ]
      [
        "ordre" => 3
        "nom" => "3. Harry's Philosophy"
      ]
      [
        "ordre" => 4
        "nom" => "4. Dolly's Arrival"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Harry and Dolly"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sawmill"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bank Robbery"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Moanin'"
      ]
      [
        "ordre" => 11
        "nom" => "2. Gloria's Story"
      ]
      [
        "ordre" => 12
        "nom" => "3. Harry Sets up Sutton"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Murder"
      ]
      [
        "ordre" => 15
        "nom" => "2. Blackmail"
      ]
      [
        "ordre" => 16
        "nom" => "3. End Credits"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1738487020 {#2042
      date: 2025-02-02 09:03:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767216498 {#2043
      date: 2025-12-31 21:28:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-original-motion-picture-soundtrack-the-hot-spot-analogue-productions-aapb-8755-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3223
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 2635
    -nom: "Original Motion Picture Soundtrack - The Hot Spot"
    -informationComplementaire: null
    -description: """
      - The Hot Spot Original Motion Picture Soundtrack !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray from a 1/2" flat tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      Unlock the allure of The Hot Spot through its unforgettable soundtrack, a captivating collection that brings the film's sultry ambiance to life.\r\n
      \r\n
      Set against the backdrop of a small Texas town, The Hot Spot follows Harry Madox, a charming drifter with a dark past. As he arrives in town, he becomes embroiled in a web of seduction and deceit, navigating his way through a love triangle involving the sultry waitress, Gloria, and the alluring femme fatale, Dolly. Tensions rise and passions ignite, leading to a thrilling climax where desire and danger intertwine. Directed by the visionary Dennis Hopper, the film is a masterclass in mood and atmosphere, capturing the essence of 1990s neo-noir.\r\n
      \r\n
      The Hot Spot has garnered acclaim for its stylish cinematography and gripping narrative, but it's the music that truly sets it apart. It's an amalgamation of swampy blues, jazz and rock all mixed and recorded in a sparse, bloomy and eerie sort of way.\r\n
      \r\n
      Critics hailed the soundtrack as "an electrifying fusion of jazz and blues that perfectly complements the film's seductive undertones". The blend of sultry melodies and haunting instrumentals creates an immersive experience that resonates long after the credits roll.\r\n
      \r\n
      This recording is just so damn fine, so airy and warm. And the musicians aboard on this Dennis Hopper film are a who's who,  including Miles Davis, John Lee Hooker, Taj Mahal, Roy Rodgers, Earl Palmer and Tim Drummond. This has long been a highly sought-after and collectible record among audiophiles. This soundtrack is essential for any music lover or film buff, capturing the very essence of the film's seductive spirit.\r\n
      \r\n
      Originally released in 1990.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "John Lee Hooker, Taj Mahal (guitar, vocals), Tim Drummond (bass), Miles Davis (trumpet), Roy Rogers (guitar), Bradford Ellis (keyboards), Earl Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=bfDHGk8NNrU"
    -referenceProduit: "Analogue Productions AAPB 8755-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Coming to Town"
      ]
      [
        "ordre" => 2
        "nom" => "2. Empty Bank"
      ]
      [
        "ordre" => 3
        "nom" => "3. Harry's Philosophy"
      ]
      [
        "ordre" => 4
        "nom" => "4. Dolly's Arrival"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Harry and Dolly"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sawmill"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bank Robbery"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Moanin'"
      ]
      [
        "ordre" => 11
        "nom" => "2. Gloria's Story"
      ]
      [
        "ordre" => 12
        "nom" => "3. Harry Sets up Sutton"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Murder"
      ]
      [
        "ordre" => 15
        "nom" => "2. Blackmail"
      ]
      [
        "ordre" => 16
        "nom" => "3. End Credits"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1460 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1738487020 {#2042
      date: 2025-02-02 09:03:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767216498 {#2043
      date: 2025-12-31 21:28:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-original-motion-picture-soundtrack-the-hot-spot-analogue-productions-aapb-8755-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2061
    -id: 2645
    -nom: "Good As I Been To You - (Edition SuperVinyl)"
    -informationComplementaire: null
    -description: """
      - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI on Supervinyl compound !\r\n
      - Housed in a Stoughton Printing jacket !\r\n
      \r\n
      Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n
      \r\n
      Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n
      \r\n
      Good As I Been to You ? Dylan has seldom been better.\r\n
      \r\n
      Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n
      \r\n
      Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n
      \r\n
      Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n
      \r\n
      Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n
      \r\n
      As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n
      \r\n
      Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n
      \r\n
      Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frankie & Albert"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim Jones"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blackjack Davey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Canadee-I-O"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sittin' on Top of the World"
      ]
      [
        "ordre" => 6
        "nom" => "6. Little Maggie"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hard Times"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Step It up and Go"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tomorrow Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Arthur McBride (Remastered)"
      ]
      [
        "ordre" => 12
        "nom" => "4. You're Gonna Quit Me"
      ]
      [
        "ordre" => 13
        "nom" => "5. Diamond Joe"
      ]
      [
        "ordre" => 14
        "nom" => "6. Froggie Went a Courtin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2075 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2068 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
    -enregistreLe: DateTime @1740174545 {#2058
      date: 2025-02-21 21:49:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215892 {#2059
      date: 2025-12-31 21:18:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3274
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2061
    -id: 2645
    -nom: "Good As I Been To You - (Edition SuperVinyl)"
    -informationComplementaire: null
    -description: """
      - Dylan's 1992 solo acoustic album remains an overlooked gem !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at RTI on Supervinyl compound !\r\n
      - Housed in a Stoughton Printing jacket !\r\n
      \r\n
      Sourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity’s 180 gram SuperVinyl 33 RPM LP Plays with Riveting Detail, Strictly Limited to 5000 Numbered Copies\r\n
      \r\n
      Three decades before he released The Philosophy of Modern Song an insightful book devoted to 66 tunes that both impacted his career and the music world at large Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar.\r\n
      \r\n
      Good As I Been to You ? Dylan has seldom been better.\r\n
      \r\n
      Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180 gram SuperVinyl LP of Good As I Been to You reveals the immediacy, detail, and stripped-down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the record presents Dylan in peak form and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and close-up ambience that on this reissue emerge like never before. As the first-ever audiophile edition of this almost-lost classic, this LP also benefits from SuperVinyl's extraordinary properties: a nearly inaudible noise floor, superb groove definition, and dead-quiet surfaces among them.\r\n
      \r\n
      Recorded and mixed by Micajah Ryan, and supervised by Debbie Gold, Good As I Been to You took shape at Dylan's home shortly after the singer-songwriter completed sessions in Chicago with a full band. Unaccompanied, he again gravitated to existing works in this case, traditional folk music and, with Gold serving as a trusted advisor, performed the songs in multiple keys and tempos until he arrived at what he desired. That careful, determined albeit loose, organic approach emanates from this reissue, on which each note, movement, and space come across more directly, fully, and immediately than on the original formats. It helps draw a through-line to Another Side of Bob Dylan (1964) as well as the similarly themed follow-up, World Gone Wrong (1993) and immersive old-world storytelling of Tempest (2012) and Rough and Rowdy Ways (2020).\r\n
      \r\n
      Well before Dylan made those renowned 21st century LPs, however, he needed to find a way out of a funk that — save for his 1989 collaboration with Daniel Lanois, Oh Mercy followed him for years. As author Clinton Heylin reported Dylan admitting in 1997 : "My influences have not changed and any time they have done, the music goes off to a wrong place. That's why I recorded two LPs of old songs, so I could personally get back to the music that's true for me".\r\n
      \r\n
      Truth : Few, if any, concepts better encapsulate Good As I Been to You. It resonates with the same originality, honesty, resolve, and age- and time-defying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota and, later, per Greil Marcus' That Old Weird America book, informed Dylan and the Band's Basement Tapes sessions. This record also contains the type of music Dylan was playing during his acoustic sets at his period Never Ending Tour shows; within a year of the record's release, Dylan would play half the album's songs live.\r\n
      \r\n
      As for those songs: Rife with strange mystery, common circumstance, and epic adventure, the stories appeal to our base instincts. Their themes jealousy, temptation, sacrifice, love, revenge, identity, opportunity operate on a fundamentally human level immune to trends, generations, or eras. They're ancient and modern, serious and comical, open and disguised, simple and multi-layered. They talk of vengeance and justice "Frankie & Albert"; "Jim Jones", romance and tenderness "Tomorrow Night," "Froggie Went a Courtin'", the troubled and trouble-free "Hard Times", "Sittin' on Top of the World". They lend voice to lovers scorned and freed "Blackjack Davey", the used and users "Diamond Joe", the powerful and powerless "Arthur McBride", "Canadee-I-O", the followed and followers "Little Maggie". And akin to much of Dylan's finest output, things are not always what they appear to be.\r\n
      \r\n
      Spanning country, folk, sea shanty, bluegrass, and blues motifs, Good As I Been to You re-confirms Dylan's position as an elite interpreter and sculptor not of just structure but emotion. Dylan delivers the tunes as if he's known them forever. He plays with a subtle sense of mischievousness and retains a largely upbeat demeanor; his eyes seemingly twinkle as he sings and picks. His guitar serves as the guidepost for shuffles, boogies, ballads, and mess-arounds while his innate feel for each specific arrangement and melody helps inform pacing, tone, attack.\r\n
      \r\n
      Like a great author, he understands the importance of adhering to concision, luring an audience, holding their attention, and maximizing the impact of details, actions, and unexpected turns. Though already coarse and ragged, his voice feels ideal for the subject matter and his phrasing from the clever ways he stretches syllables to underline meanings on the surprise twists of "Canadee-I-O" to the sheer delight he gets from singing "rowdy-dow-dow" on the protest song "Arthur McBride" outstanding.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Dylan (guitar, harmonica, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=7WM4lnTRi8o"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSV1-532"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frankie & Albert"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim Jones"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blackjack Davey"
      ]
      [
        "ordre" => 4
        "nom" => "4. Canadee-I-O"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sittin' on Top of the World"
      ]
      [
        "ordre" => 6
        "nom" => "6. Little Maggie"
      ]
      [
        "ordre" => 7
        "nom" => "7. Hard Times"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Step It up and Go"
      ]
      [
        "ordre" => 10
        "nom" => "2. Tomorrow Night"
      ]
      [
        "ordre" => 11
        "nom" => "3. Arthur McBride (Remastered)"
      ]
      [
        "ordre" => 12
        "nom" => "4. You're Gonna Quit Me"
      ]
      [
        "ordre" => 13
        "nom" => "5. Diamond Joe"
      ]
      [
        "ordre" => 14
        "nom" => "6. Froggie Went a Courtin'"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2075 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2068 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2070 …}
    -enregistreLe: DateTime @1740174545 {#2058
      date: 2025-02-21 21:49:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215892 {#2059
      date: 2025-12-31 21:18:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-good-as-i-been-to-you-edition-supervinyl-mobile-fidelity-sound-lab-mfsv1-532"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2080
    -id: 893
    -nom: "A Tribute To Jack Johnson"
    -informationComplementaire: null
    -description: """
      - The “Greatest Rock and Roll Band You Have Ever Heard”, Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack Johnson.\r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Plays with Lean, Stripped-Back Sound and Startling Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. \r\n
      \r\n
      Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 RPM (1 LP) reissue brings it all to fore. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. \r\n
      \r\n
      Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimensional bass lines emerge amidst an ink-black background.\r\n
      \r\n
      The least-well known true masterpiece of Davis' career, the 1971 record – like Bitches Brew, seamlessly assembled from sessions by producer Ted Macero was a victim of scant promotion. But to those that heard it, among them critic/musician Robert Quine and renowned writer Robert Christgau, A Tribute to Jack Johnson surpasses everything that came before. Davis treated it as a personal manifesto: An opportunity to salute the championship boxer admired for his threatening image to the establishment and taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson a stance revealed in the music, which simultaneously hits with a prize fighter's brutal force and reflects the graceful elegance with which a pugilist navigates the ring.\r\n
      \r\n
      Producer and journalist Michael Cuscuna may have summed up the record's significance in 2003 : "The dense textures introduced and developed the prior fall on the Bitches Brew recording sessions gave way to a lean, stripped-down, guitar-heavy sound. There was now only one drummer, and that kept the groove more pronounced and defined. The three-keyboard configuration appears only on the last session; the rest have none, one, or two, and they are used sparingly".\r\n
      \r\n
      By any measure, A Tribute to Jack Johnson is a monster album. Experience it the way Davis would've wanted you to hear it.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), John McLaughlin (guitar), Herbie Hancock (keyboards), Michael Henderson (bass Fender), Steve Grossman (saxophone), Brock Peters (voice), Billy Cobham (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=DEBKksupBVA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-440"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Right Off"
      ]
      [
        "ordre" => 2
        "nom" => "Side B :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Yesternow"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2088 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2081 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2083 …}
    -enregistreLe: DateTime @1458305108 {#2077
      date: 2016-03-18 12:45:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215520 {#2078
      date: 2025-12-31 21:12:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2085 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-tribute-to-jack-johnson-mobile-fidelity-sound-lab-mfsl-1-440"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3327
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2080
    -id: 893
    -nom: "A Tribute To Jack Johnson"
    -informationComplementaire: null
    -description: """
      - The “Greatest Rock and Roll Band You Have Ever Heard”, Miles Davis, John McLaughlin, and Co. Merge Electric Fusion and Defiant Rock on the Funky, Freeing A Tribute to Jack Johnson.\r\n
      - Mobile Fidelity's Numbered-Edition 180 gram 33 RPM (1 LP) Plays with Lean, Stripped-Back Sound and Startling Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Miles Davis' A Tribute to Jack Johnson is the best jazz-rock record ever made. Equally inspired by the leader's desire to assemble the "greatest rock and roll band you have ever heard" as well as his adoration of Johnson, Davis created a hard-hitting set that spills over with excitement, intensity, majesty, and power. Bridging the electric fusion he'd pursued on earlier efforts with a funkier, dirtier rhythmic approach, Davis zeroes in on concepts of spontaneity, freedom, and identity seldom achieved in the studio. \r\n
      \r\n
      Sourced from the original analog master tapes and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 RPM (1 LP) reissue brings it all to fore. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and supple bass lines emerge amidst black backgrounds. One of the most prominent differences longtime fans will notice is how much more aggressive, immediate, and vibrant the music sounds, with those aspects central to the composer's original desires. \r\n
      \r\n
      Indeed, utilizing wah-wah and distortion, guitarist John McLaughlin comes on here with a nasty edge, slashing style, and vicious streak that allows A Tribute to Jack Johnson finally cross the divide between rock and jazz. Davis puts both feet in the former camp and permanently erasing any gap. In addition to highlighting McLaughlin's ripping performances, Mobile Fidelity's 180g LP showcases the headliner's white-hot trumpet solos like never before. Bristling with exuberance, Davis' high-register passages explode with authority and commanding presence. Around him, a barrage of urgent backbeats, knifing riffs, and three-dimensional bass lines emerge amidst an ink-black background.\r\n
      \r\n
      The least-well known true masterpiece of Davis' career, the 1971 record – like Bitches Brew, seamlessly assembled from sessions by producer Ted Macero was a victim of scant promotion. But to those that heard it, among them critic/musician Robert Quine and renowned writer Robert Christgau, A Tribute to Jack Johnson surpasses everything that came before. Davis treated it as a personal manifesto: An opportunity to salute the championship boxer admired for his threatening image to the establishment and taste in clothes, cars, women and music. Davis explains in the liner notes his affinity for Johnson a stance revealed in the music, which simultaneously hits with a prize fighter's brutal force and reflects the graceful elegance with which a pugilist navigates the ring.\r\n
      \r\n
      Producer and journalist Michael Cuscuna may have summed up the record's significance in 2003 : "The dense textures introduced and developed the prior fall on the Bitches Brew recording sessions gave way to a lean, stripped-down, guitar-heavy sound. There was now only one drummer, and that kept the groove more pronounced and defined. The three-keyboard configuration appears only on the last session; the rest have none, one, or two, and they are used sparingly".\r\n
      \r\n
      By any measure, A Tribute to Jack Johnson is a monster album. Experience it the way Davis would've wanted you to hear it.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), John McLaughlin (guitar), Herbie Hancock (keyboards), Michael Henderson (bass Fender), Steve Grossman (saxophone), Brock Peters (voice), Billy Cobham (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=DEBKksupBVA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-440"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Right Off"
      ]
      [
        "ordre" => 2
        "nom" => "Side B :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Yesternow"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2088 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2081 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2083 …}
    -enregistreLe: DateTime @1458305108 {#2077
      date: 2016-03-18 12:45:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215520 {#2078
      date: 2025-12-31 21:12:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2085 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-tribute-to-jack-johnson-mobile-fidelity-sound-lab-mfsl-1-440"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2093
    -id: 2539
    -nom: "Desolation Angels"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Includes the gold-selling single "Rock 'n' Roll Fantasy" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      The members of Bad Company maintained a grueling pace over the first few years of their career, releasing four albums (and touring steadily) between 1974 and 1977. By the time they finished recording the fourth LP, Burnin' Sky, they were exhausted and clearly in need of a break.\r\n
      \r\n
      The band re-emerged on March 17, 1979 with their fifth LP, Desolation Angels, another solid 10 track slab of blues-influenced rock whose impressive chart performance proved that even among the rising tide of younger punk and New Wave acts, there was still a strong demand for Bad Company's signature sound, writes Ultimate Classic Rock.\r\n
      \r\n
      The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone", "Lonely for Your Love", and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the N° 10 mark in the U.K. and to N° 3 in the U.S.\r\n
      \r\n
      The album went platinum for sales of more than 1 million copies, and double platinum subsequently.\r\n
      \r\n
      This 180 gram 45 RPM 2 LP of Burnin' Sky is the definitive reissue of Bad Company's classic album.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, synthesisers), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=B7fvicH8ToM"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA  058-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Rock 'n' Roll Fantasy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crazy Circles"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gone, Gone, Gone"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Evil Wind"
      ]
      [
        "ordre" => 6
        "nom" => "2. Early In The Morning"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Lonely For Your Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Oh, Atlanta"
      ]
      [
        "ordre" => 10
        "nom" => "3. Take The Time"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rhythm Machine"
      ]
      [
        "ordre" => 13
        "nom" => "2. She Brings Me Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1721029179 {#2090
      date: 2024-07-15 07:39:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215128 {#2091
      date: 2025-12-31 21:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-desolation-angels-analogue-productions-atlantic-75-series-aapa-058-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3373
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2093
    -id: 2539
    -nom: "Desolation Angels"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - Includes the gold-selling single "Rock 'n' Roll Fantasy" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      The members of Bad Company maintained a grueling pace over the first few years of their career, releasing four albums (and touring steadily) between 1974 and 1977. By the time they finished recording the fourth LP, Burnin' Sky, they were exhausted and clearly in need of a break.\r\n
      \r\n
      The band re-emerged on March 17, 1979 with their fifth LP, Desolation Angels, another solid 10 track slab of blues-influenced rock whose impressive chart performance proved that even among the rising tide of younger punk and New Wave acts, there was still a strong demand for Bad Company's signature sound, writes Ultimate Classic Rock.\r\n
      \r\n
      The vocal passion of "Rock 'n' Roll Fantasy" became the album's gold-selling single, and the album as a whole takes on a more polished feel than its predecessor Burnin' Sky. "Gone, Gone, Gone", "Lonely for Your Love", and "She Brings Me Love" work best in vocalist and rhythm guitarist Paul Rodgers' favor, and fans did prove their loyalty, pushing the album to the N° 10 mark in the U.K. and to N° 3 in the U.S.\r\n
      \r\n
      The album went platinum for sales of more than 1 million copies, and double platinum subsequently.\r\n
      \r\n
      This 180 gram 45 RPM 2 LP of Burnin' Sky is the definitive reissue of Bad Company's classic album.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Paul Rodgers (guitar, piano, synthesisers), Mick Ralphs (guitar, keyboards), Boz Burrell (bass), Simon Kirke (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=B7fvicH8ToM"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA  058-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Rock 'n' Roll Fantasy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crazy Circles"
      ]
      [
        "ordre" => 3
        "nom" => "3. Gone, Gone, Gone"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Evil Wind"
      ]
      [
        "ordre" => 6
        "nom" => "2. Early In The Morning"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Lonely For Your Love"
      ]
      [
        "ordre" => 9
        "nom" => "2. Oh, Atlanta"
      ]
      [
        "ordre" => 10
        "nom" => "3. Take The Time"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rhythm Machine"
      ]
      [
        "ordre" => 13
        "nom" => "2. She Brings Me Love"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1721029179 {#2090
      date: 2024-07-15 07:39:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215128 {#2091
      date: 2025-12-31 21:05:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-desolation-angels-analogue-productions-atlantic-75-series-aapa-058-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 2185
    -nom: "Bitches Brew - UltraDisc One-Step (Box Set 2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet), Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Chick Corea, Joe Zawinul, Larry Young (electric piano), Jim Riley (percussion), Charles Alias, Jack DeJohnette, Lenny White (drums).\r\n
      \r\n
      THE AURAL MOUNT RUSHMORE OF JAZZ FUSION: MASTERED FROM THE ORIGINAL MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND HOUSED IN A LAVISH BOX !\r\n
      \r\n
      "Listen to This". As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180 gram 2 LP vinyl box set.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.\r\n
      \r\n
      Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint abstract canvases on par with those of Axis : Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.\r\n
      \r\n
      Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew pressing befit such extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense is spared. Aurally and visually, it exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything surrounding the album, from the images to the finishes. And this is one effort where every last detail matters.\r\n
      Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that makes rhythms a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories. At once hypnotizing and grooving, they chart maverick adventures via quixotic rock, funk, and R&B elements.\r\n
      \r\n
      Conceptually, Davis described Bitches Brew as "a novel without words" and "an incredible journey of pain, joy, sorrow, hate, passion, and love." The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of the watershed effort lies in how it resists definitive interpretation and encourages free thought the very principles with which Davis conceived the everlasting beauty and fascination that remains Bitches Brew.\r\n
      Don't miss the rare opportunity to experience the album at its full potential, a dream fully realized by Mobile Fidelity.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Chick Corea, Joe Zawinul, Larry Young (electric piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=vUVXMWOWaS8"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-039"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Pharaoh's Dance"
      ]
      [
        "ordre" => 1
        "nom" => "2. Bitches Brew"
      ]
      [
        "ordre" => 2
        "nom" => "3. Spanish Key"
      ]
      [
        "ordre" => 3
        "nom" => "4. John McLaughlin"
      ]
      [
        "ordre" => 4
        "nom" => "5. Miles Runs the Voodoo Down"
      ]
      [
        "ordre" => 5
        "nom" => "6. Sanctuary"
      ]
      [
        "ordre" => 6
        "nom" => "Side A :"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1640935072 {#2109
      date: 2021-12-31 07:17:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215067 {#2110
      date: 2025-12-31 21:04:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bitches-brew-ultradisc-one-step-box-set-2-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-039"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3426
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2112
    -id: 2185
    -nom: "Bitches Brew - UltraDisc One-Step (Box Set 2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Miles Davis (trumpet), Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Chick Corea, Joe Zawinul, Larry Young (electric piano), Jim Riley (percussion), Charles Alias, Jack DeJohnette, Lenny White (drums).\r\n
      \r\n
      THE AURAL MOUNT RUSHMORE OF JAZZ FUSION: MASTERED FROM THE ORIGINAL MASTER TAPES, PRESSED AT RTI ON MOFI SUPERVINYL, AND HOUSED IN A LAVISH BOX !\r\n
      \r\n
      "Listen to This". As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180 gram 2 LP vinyl box set.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.\r\n
      \r\n
      Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint abstract canvases on par with those of Axis : Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.\r\n
      \r\n
      Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew pressing befit such extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense is spared. Aurally and visually, it exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything surrounding the album, from the images to the finishes. And this is one effort where every last detail matters.\r\n
      Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that makes rhythms a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories. At once hypnotizing and grooving, they chart maverick adventures via quixotic rock, funk, and R&B elements.\r\n
      \r\n
      Conceptually, Davis described Bitches Brew as "a novel without words" and "an incredible journey of pain, joy, sorrow, hate, passion, and love." The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of the watershed effort lies in how it resists definitive interpretation and encourages free thought the very principles with which Davis conceived the everlasting beauty and fascination that remains Bitches Brew.\r\n
      Don't miss the rare opportunity to experience the album at its full potential, a dream fully realized by Mobile Fidelity.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement : noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "229.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Miles Davis (trumpet), Wayne Shorter (soprano saxophone), Dave Holland (bass), Bennie Maupin (bass clarinet), Harvey Brooks (bass Fender), John McLaughlin (electric guitar), Chick Corea, Joe Zawinul, Larry Young (electric piano)…"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=vUVXMWOWaS8"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-039"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Pharaoh's Dance"
      ]
      [
        "ordre" => 1
        "nom" => "2. Bitches Brew"
      ]
      [
        "ordre" => 2
        "nom" => "3. Spanish Key"
      ]
      [
        "ordre" => 3
        "nom" => "4. John McLaughlin"
      ]
      [
        "ordre" => 4
        "nom" => "5. Miles Runs the Voodoo Down"
      ]
      [
        "ordre" => 5
        "nom" => "6. Sanctuary"
      ]
      [
        "ordre" => 6
        "nom" => "Side A :"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1640935072 {#2109
      date: 2021-12-31 07:17:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767215067 {#2110
      date: 2025-12-31 21:04:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bitches-brew-ultradisc-one-step-box-set-2-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-039"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2125
    -id: 2662
    -nom: "Pink Floyd At Pompei i - MCMLXXII"
    -informationComplementaire: null
    -description: """
      - Pink Floyd at Pompeii - MCMLXXII !\r\n
      - Groundbreaking 1972 film directed by Adrian Maben !\r\n
      - Capturing Pink Floyd performing an intimate concert at the ancient Roman amphitheatre in Pompeii, Italy !\r\n
      - Digitally remastered from the original 35 mm footage, with enhanced audio newly mixed by producer / musician Steven Wilson !\r\n
      - Double LP features Wilson's new stereo mix !\r\n
      - Includes two bonus tracks !\r\n
      \r\n
      "Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favorite band. They are my "Beatles", deeply ingrained in my musical DNA. I first saw Pompeii in a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honor to remix the soundtrack to accompany Lana Topham's incredible restoration of the film, which looks like it could've been filmed yesterday". - Steven Wilson\r\n
      \r\n
      Pink Floyd at Pompeii is a 1972 concert film directed by Adrian Maben featuring Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a blistering live set to an empty stadium, aside from themselves and the crew. The main footage is filmed in and around the amphitheatre over four days in October 1971. The film was re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon, along with interviews at Abbey Road Studios.\r\n
      \r\n
      Pink Floyd at Pompeii - MCMLXXII is an incredible document of a band on the cusp of superstardom. The film has been restored from the original 35mm cut negative from 1972 in 4K meaning the scan is direct from the film that was rolling in the cameras on that hot day in Pompeii.\r\n
      \r\n
      Filmed in October 1971 without an audience the performance was the first live concert to take place at Pompeii, and features "Echoes", "A Saucerful of Secrets", and "Set The Controls For The Heart Of The Sun", among others. The film has undergone a full restoration: hand restored, frame-by-frame, from the original 35 mm cut negative recently discovered within Pink Floyd's own archives.\r\n
      \r\n
      Lana Topham, Director of Restoration for Pink Floyd, said : "Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full (nearly) 90 minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after".\r\n
      \r\n
      Steven Wilson has remixed the soundtrack in Dolby Atmos, 5.1 and stereo. The stereo mix features on the new 2 LP vinyl set, while the Atmos and 5.1 mixes are included on a separate Blu-ray edition that includes two cuts of Pink Floyd at Pompeii : the 85 minute feature film and the 60 minute concert. The two bonus tracks on the stereo 2 LP are "Careful With that Axe, Eugene Alternate Take" and "A Saucerful of Secrets Unedited".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roger Waters (bass & rhytthm guitar, gong, cymbals, piano, vocals),  David Gilmour lead & slide guitar, harmonica, vocals), Richard Wright (organ Hammond, organ Farfisa, piano, VCS 3, lead vocals), Nick Mason (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tKM_fepLwFg&list=OLAK5uy_kcYjIgl_7Yfzs3hBzzuQkm1PybZp73K44&index=2"
    -referenceProduit: "Legacy Records 2311"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Pompeii Intro"
      ]
      [
        "ordre" => 2
        "nom" => "2. Echoes - Part 1"
      ]
      [
        "ordre" => 3
        "nom" => "3. Careful With That Axe, Eugene"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Saucerful of Secrets"
      ]
      [
        "ordre" => 6
        "nom" => "2. Set the Controls for the Heart of the Sun"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. One of These Days"
      ]
      [
        "ordre" => 9
        "nom" => "2. Mademoiselle Nobs 3."
      ]
      [
        "ordre" => 10
        "nom" => "Echoes - Part 2"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Careful With that Axe, Eugene - Alternate take"
      ]
      [
        "ordre" => 13
        "nom" => "2. A Saucerful of Secrets - Unedited"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2127 …}
    -label: Proxies\__CG__\App\Entity\Label {#2130 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1741681770 {#2122
      date: 2025-03-11 08:29:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767214960 {#2123
      date: 2025-12-31 21:02:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pink-floyd-at-pompei-i-mcmlxxii-legacy-records-2311"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3472
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2125
    -id: 2662
    -nom: "Pink Floyd At Pompei i - MCMLXXII"
    -informationComplementaire: null
    -description: """
      - Pink Floyd at Pompeii - MCMLXXII !\r\n
      - Groundbreaking 1972 film directed by Adrian Maben !\r\n
      - Capturing Pink Floyd performing an intimate concert at the ancient Roman amphitheatre in Pompeii, Italy !\r\n
      - Digitally remastered from the original 35 mm footage, with enhanced audio newly mixed by producer / musician Steven Wilson !\r\n
      - Double LP features Wilson's new stereo mix !\r\n
      - Includes two bonus tracks !\r\n
      \r\n
      "Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favorite band. They are my "Beatles", deeply ingrained in my musical DNA. I first saw Pompeii in a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honor to remix the soundtrack to accompany Lana Topham's incredible restoration of the film, which looks like it could've been filmed yesterday". - Steven Wilson\r\n
      \r\n
      Pink Floyd at Pompeii is a 1972 concert film directed by Adrian Maben featuring Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a blistering live set to an empty stadium, aside from themselves and the crew. The main footage is filmed in and around the amphitheatre over four days in October 1971. The film was re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon, along with interviews at Abbey Road Studios.\r\n
      \r\n
      Pink Floyd at Pompeii - MCMLXXII is an incredible document of a band on the cusp of superstardom. The film has been restored from the original 35mm cut negative from 1972 in 4K meaning the scan is direct from the film that was rolling in the cameras on that hot day in Pompeii.\r\n
      \r\n
      Filmed in October 1971 without an audience the performance was the first live concert to take place at Pompeii, and features "Echoes", "A Saucerful of Secrets", and "Set The Controls For The Heart Of The Sun", among others. The film has undergone a full restoration: hand restored, frame-by-frame, from the original 35 mm cut negative recently discovered within Pink Floyd's own archives.\r\n
      \r\n
      Lana Topham, Director of Restoration for Pink Floyd, said : "Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full (nearly) 90 minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after".\r\n
      \r\n
      Steven Wilson has remixed the soundtrack in Dolby Atmos, 5.1 and stereo. The stereo mix features on the new 2 LP vinyl set, while the Atmos and 5.1 mixes are included on a separate Blu-ray edition that includes two cuts of Pink Floyd at Pompeii : the 85 minute feature film and the 60 minute concert. The two bonus tracks on the stereo 2 LP are "Careful With that Axe, Eugene Alternate Take" and "A Saucerful of Secrets Unedited".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roger Waters (bass & rhytthm guitar, gong, cymbals, piano, vocals),  David Gilmour lead & slide guitar, harmonica, vocals), Richard Wright (organ Hammond, organ Farfisa, piano, VCS 3, lead vocals), Nick Mason (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tKM_fepLwFg&list=OLAK5uy_kcYjIgl_7Yfzs3hBzzuQkm1PybZp73K44&index=2"
    -referenceProduit: "Legacy Records 2311"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Pompeii Intro"
      ]
      [
        "ordre" => 2
        "nom" => "2. Echoes - Part 1"
      ]
      [
        "ordre" => 3
        "nom" => "3. Careful With That Axe, Eugene"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Saucerful of Secrets"
      ]
      [
        "ordre" => 6
        "nom" => "2. Set the Controls for the Heart of the Sun"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. One of These Days"
      ]
      [
        "ordre" => 9
        "nom" => "2. Mademoiselle Nobs 3."
      ]
      [
        "ordre" => 10
        "nom" => "Echoes - Part 2"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Careful With that Axe, Eugene - Alternate take"
      ]
      [
        "ordre" => 13
        "nom" => "2. A Saucerful of Secrets - Unedited"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2127 …}
    -label: Proxies\__CG__\App\Entity\Label {#2130 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1741681770 {#2122
      date: 2025-03-11 08:29:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767214960 {#2123
      date: 2025-12-31 21:02:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pink-floyd-at-pompei-i-mcmlxxii-legacy-records-2311"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2146
    -id: 2618
    -nom: "Fragile"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Yes' breakthrough album !\r\n
      - Includes hit singles "Roundabout" and "Long Distance Runaround" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating.\r\n
      \r\n
      Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums.\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Fragile is a standout for your collection. First, we turned to Kevin Gray at Cohearent Audio to cut lacquers from the original master tape. Pressing on 180 gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.\r\n
      \r\n
      Dream on, on to the Heart of the Sunrise !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (Vocals), Steve Howe (electric and acoustic guitar, backing vocals), Chris Squire (bass guitar, backing vocals), Rick Wakeman (Hammond organ, piano, synthesizer), Bill Bruford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=cPCLFtxpadE"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) Analogue Productions (Atlantic 75 Series) AAPA 014-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Roundabout"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cans And Brahms"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. We Have Heaven"
      ]
      [
        "ordre" => 5
        "nom" => "2. South Side Of The Sky"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Five Per Cent For Nothing"
      ]
      [
        "ordre" => 8
        "nom" => "2. Long Distance Runaround"
      ]
      [
        "ordre" => 9
        "nom" => "3. The Fish (Shindleria Praematurus)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Mood For A Day"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Heart Of The Sunrise"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1736244920 {#2142
      date: 2025-01-07 10:15:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027244 {#2141
      date: 2025-12-29 16:54:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fragile-analogue-productions-atlantic-75-series-analogue-productions-atlantic-75-series-aapa-014-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3523
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2146
    -id: 2618
    -nom: "Fragile"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Yes' breakthrough album !\r\n
      - Includes hit singles "Roundabout" and "Long Distance Runaround" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon. Not coincidentally, it also marked the point where all of the elements of the music (and more) that would define the group's success for more than a decade fell into place fully formed, writes AllMusic, giving Fragile a 5-Star rating.\r\n
      \r\n
      Propelled by the timeless hit "Roundabout," Yes' fourth album, Fragile, became an instant classic and is undoubtedly one of prog-rock's finest moments. It was the first Yes record to feature Rick Wakeman on keyboards and the first to display the inimitable artwork of Roger Dean. Here's the ultimate way to enjoy one of Yes's most popular and enjoyable albums.\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Fragile is a standout for your collection. First, we turned to Kevin Gray at Cohearent Audio to cut lacquers from the original master tape. Pressing on 180 gram vinyl is by Quality Record Pressings, and the album is housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.\r\n
      \r\n
      Dream on, on to the Heart of the Sunrise !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (Vocals), Steve Howe (electric and acoustic guitar, backing vocals), Chris Squire (bass guitar, backing vocals), Rick Wakeman (Hammond organ, piano, synthesizer), Bill Bruford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=cPCLFtxpadE"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) Analogue Productions (Atlantic 75 Series) AAPA 014-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Roundabout"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cans And Brahms"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. We Have Heaven"
      ]
      [
        "ordre" => 5
        "nom" => "2. South Side Of The Sky"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Five Per Cent For Nothing"
      ]
      [
        "ordre" => 8
        "nom" => "2. Long Distance Runaround"
      ]
      [
        "ordre" => 9
        "nom" => "3. The Fish (Shindleria Praematurus)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Mood For A Day"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Heart Of The Sunrise"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2157 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2150 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2152 …}
    -enregistreLe: DateTime @1736244920 {#2142
      date: 2025-01-07 10:15:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027244 {#2141
      date: 2025-12-29 16:54:04.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fragile-analogue-productions-atlantic-75-series-analogue-productions-atlantic-75-series-aapa-014-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2162
    -id: 2619
    -nom: "90125"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 90125 from Yes featuring "Owner Of A Lonely Heart" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from a 1/2" tape copy of the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Prog Rock never sounded that fat, that open, that spacey... the absolute highlight for me, personally, was the drumming. It's absolutely those are explosions it knocks you off your seat. It's killer!" - Michael Ludwigs, 45 RPM Audiophile. YouTube video.\r\n
      \r\n
      Yes' 90125 was a departure from their progressive style but it introduced the band to a new generation of fans, reaching No. 5 on the Billboard 200 and N° 16 on the U.K. albums chart. The 1983 album remains their best-selling album with more than 3 million copies sold in the U.S. "Cinema" earned the group a Grammy Award for Best Rock Instrumental Performance, while "Owner Of A Lonely Heart" was the band's first and only single to reach N° 1 on the Billboard Hot 100 chart.\r\n
      \r\n
      Named for its Atco catalog number, 90125, the album the band's 11th studio effort it was born out of the band's self-reinvention. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots.\r\n
      \r\n
      "Owner Of A Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points.\r\n
      \r\n
      90125 is a significant and well-regarded album in the Yes discography.\r\n
      \r\n
      Analogue Productions is proud to offer the definitive reissue deluxe 180 gram 45 RPM 2 LP of 90125. For Yes fans, this is a can't-miss addition to your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Trevor Rabin (guitars, keyboards, backing vocals), Chris Squire (bass guitar, backing vocals), Tony Kaye (keyboards), Alan White (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=92EWOJTXT3g&list=RD92EWOJTXT3g&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 065-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Owner Of A Lonely Heart"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hold On"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. It Can Happen"
      ]
      [
        "ordre" => 5
        "nom" => "2. Changes"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Cinema"
      ]
      [
        "ordre" => 8
        "nom" => "2. Leave It"
      ]
      [
        "ordre" => 9
        "nom" => "3. Our Song"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. City Of Love"
      ]
      [
        "ordre" => 12
        "nom" => "2. Hearts"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2170 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2163 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2165 …}
    -enregistreLe: DateTime @1736327451 {#2159
      date: 2025-01-08 09:10:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027069 {#2160
      date: 2025-12-29 16:51:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2167 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-90125-analogue-productions-atlantic-75-series-aapa-065-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3576
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2162
    -id: 2619
    -nom: "90125"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 90125 from Yes featuring "Owner Of A Lonely Heart" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from a 1/2" tape copy of the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Prog Rock never sounded that fat, that open, that spacey... the absolute highlight for me, personally, was the drumming. It's absolutely those are explosions it knocks you off your seat. It's killer!" - Michael Ludwigs, 45 RPM Audiophile. YouTube video.\r\n
      \r\n
      Yes' 90125 was a departure from their progressive style but it introduced the band to a new generation of fans, reaching No. 5 on the Billboard 200 and N° 16 on the U.K. albums chart. The 1983 album remains their best-selling album with more than 3 million copies sold in the U.S. "Cinema" earned the group a Grammy Award for Best Rock Instrumental Performance, while "Owner Of A Lonely Heart" was the band's first and only single to reach N° 1 on the Billboard Hot 100 chart.\r\n
      \r\n
      Named for its Atco catalog number, 90125, the album the band's 11th studio effort it was born out of the band's self-reinvention. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots.\r\n
      \r\n
      "Owner Of A Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points.\r\n
      \r\n
      90125 is a significant and well-regarded album in the Yes discography.\r\n
      \r\n
      Analogue Productions is proud to offer the definitive reissue deluxe 180 gram 45 RPM 2 LP of 90125. For Yes fans, this is a can't-miss addition to your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Trevor Rabin (guitars, keyboards, backing vocals), Chris Squire (bass guitar, backing vocals), Tony Kaye (keyboards), Alan White (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=92EWOJTXT3g&list=RD92EWOJTXT3g&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 065-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Owner Of A Lonely Heart"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hold On"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. It Can Happen"
      ]
      [
        "ordre" => 5
        "nom" => "2. Changes"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Cinema"
      ]
      [
        "ordre" => 8
        "nom" => "2. Leave It"
      ]
      [
        "ordre" => 9
        "nom" => "3. Our Song"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. City Of Love"
      ]
      [
        "ordre" => 12
        "nom" => "2. Hearts"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2148 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2170 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2163 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2165 …}
    -enregistreLe: DateTime @1736327451 {#2159
      date: 2025-01-08 09:10:51.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027069 {#2160
      date: 2025-12-29 16:51:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2167 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-90125-analogue-productions-atlantic-75-series-aapa-065-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2175
    -id: 2594
    -nom: "A Celebration of Duke"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant "A Celebration of Duke" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on jacket !\r\n
      \r\n
      Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here.\r\n
      \r\n
      Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep", and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clark Terry (trumpet), Zoot Sims (soprano saxophone), Milt Jackson (vibraphone), Jack Wilson, Jimmy Rowles, Mike Wofford (piano), Joe Pass (guitar), Michael Moore, Ray Brown (bass), Frank Severino, John Clay, Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=62qaoQZN2oo"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 162"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Caravan (Quadrant)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Happy Go Lucky Local (Clark Terry)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tonight I Shall Sleep (Zoot Sims)"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Ain't Got Nothin But The Blues (Sarah Vaughan)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Come Sunday (Clark Terry)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Everything But You (Sarah Vaughan)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take The '''A''' Train (Quadrant)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin In Rhythm (Zoot Sims)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Echoes Of Harlem (Clark Terry)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Main Stem (Quadrant)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: Proxies\__CG__\App\Entity\Label {#2180 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2189 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2182 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2184 …}
    -enregistreLe: DateTime @1732093986 {#2172
      date: 2024-11-20 09:13:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765122092 {#2173
      date: 2025-12-07 15:41:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2186 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-celebration-of-duke-analogue-productions-pablo-aapj-162"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3622
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2175
    -id: 2594
    -nom: "A Celebration of Duke"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan, Clark Terry, Zoot Sims, Quadrant "A Celebration of Duke" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on jacket !\r\n
      \r\n
      Producer Norman Granz was an associate of Duke Ellington's for many years, and it is not surprising that his labels have frequently hosted Ellington tributes that bring out the best in the participating world-class musicians. Although Clark Terry is the only participant in the present celebration to have logged significant time as an Ellingtonian, all hands draw sustenance from the unbeatable material here.\r\n
      \r\n
      Of special interest are the tracks on which Zoot Sims plays soprano sax, especially the neglected "Tonight I Shall Sleep", and Sarah Vaughan's pair of urbane and intense vocals, accompanied only by the guitar of album-MVP Joe Pass and pianist Mike Wofford.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is everything jazz fans expect from an audiophile reissue. Housed in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sarah Vaughan (vocals), Clark Terry (trumpet), Zoot Sims (soprano saxophone), Milt Jackson (vibraphone), Jack Wilson, Jimmy Rowles, Mike Wofford (piano), Joe Pass (guitar), Michael Moore, Ray Brown (bass), Frank Severino, John Clay, Mickey Roker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=62qaoQZN2oo"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 162"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Caravan (Quadrant)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Happy Go Lucky Local (Clark Terry)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tonight I Shall Sleep (Zoot Sims)"
      ]
      [
        "ordre" => 4
        "nom" => "4. I Ain't Got Nothin But The Blues (Sarah Vaughan)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Come Sunday (Clark Terry)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Everything But You (Sarah Vaughan)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take The '''A''' Train (Quadrant)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin In Rhythm (Zoot Sims)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Echoes Of Harlem (Clark Terry)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Main Stem (Quadrant)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: Proxies\__CG__\App\Entity\Label {#2180 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2189 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2182 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2184 …}
    -enregistreLe: DateTime @1732093986 {#2172
      date: 2024-11-20 09:13:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765122092 {#2173
      date: 2025-12-07 15:41:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2186 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-celebration-of-duke-analogue-productions-pablo-aapj-162"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2194
    -id: 2610
    -nom: "How Long Has This Been Going On ?"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "How Long Has This Been Going On ?" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Step into the timeless embrace of jazz legend Sarah Vaughan's "How Long Has This Been Going On ?" An auditory voyage through the depths of love, longing, and introspection, this album is a highlight of late-period Sarah Vaughan. Sassy sounds wonderful stretching out on such songs as "Midnight Sun", "More Than You Know", "Teach Me Tonight" and "Body and Soul" among others. Vaughan effortlessly navigates the complexities of emotion, her voice soaring and dipping with each nuanced phrase.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Sarah Vaughan (vocal), Oscar Peterson (piano), Joe Pass (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=WGQOFurl2o0"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I've Got The World On String"
      ]
      [
        "ordre" => 2
        "nom" => "2. Midnight Sun"
      ]
      [
        "ordre" => 3
        "nom" => "3. How Long Has This Been Going On ?"
      ]
      [
        "ordre" => 4
        "nom" => "4. You're Blase"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Living"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. More Than You Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. My Old Flame"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Me Tonight"
      ]
      [
        "ordre" => 10
        "nom" => "4. Body And Soul"
      ]
      [
        "ordre" => 11
        "nom" => "5. When Your Lover Has Gone"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2180 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1734163263 {#2191
      date: 2024-12-14 08:01:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113871 {#2192
      date: 2025-12-07 13:24:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-how-long-has-this-been-going-on-analogue-productions-pablo-aapj-163"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3673
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2194
    -id: 2610
    -nom: "How Long Has This Been Going On ?"
    -informationComplementaire: null
    -description: """
      - Sarah Vaughan "How Long Has This Been Going On ?" 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Step into the timeless embrace of jazz legend Sarah Vaughan's "How Long Has This Been Going On ?" An auditory voyage through the depths of love, longing, and introspection, this album is a highlight of late-period Sarah Vaughan. Sassy sounds wonderful stretching out on such songs as "Midnight Sun", "More Than You Know", "Teach Me Tonight" and "Body and Soul" among others. Vaughan effortlessly navigates the complexities of emotion, her voice soaring and dipping with each nuanced phrase.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Sarah Vaughan (vocal), Oscar Peterson (piano), Joe Pass (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=WGQOFurl2o0"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 163"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I've Got The World On String"
      ]
      [
        "ordre" => 2
        "nom" => "2. Midnight Sun"
      ]
      [
        "ordre" => 3
        "nom" => "3. How Long Has This Been Going On ?"
      ]
      [
        "ordre" => 4
        "nom" => "4. You're Blase"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Living"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. More Than You Know"
      ]
      [
        "ordre" => 8
        "nom" => "2. My Old Flame"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Me Tonight"
      ]
      [
        "ordre" => 10
        "nom" => "4. Body And Soul"
      ]
      [
        "ordre" => 11
        "nom" => "5. When Your Lover Has Gone"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2180 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2205 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2198 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2200 …}
    -enregistreLe: DateTime @1734163263 {#2191
      date: 2024-12-14 08:01:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765113871 {#2192
      date: 2025-12-07 13:24:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2202 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-how-long-has-this-been-going-on-analogue-productions-pablo-aapj-163"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

[
  "produit" => App\Entity\Produit {#2210
    -id: 2528
    -nom: "Back to Back"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      This is among the finest Ellington small group sides. The predominantly blues repertoire is the perfect setting for Sweets and Hodges to open out, with Duke getting a simpler, but no less forceful rhythm section backing than he did in his own band, notes Jazzwise. Hodges does some of the most soulful playing of his career here.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Al Hall, Sam Jones (bass), Leslie Spann (guitar), Harry Edison (trumpet), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=xwEjNghXCZ0"
    -referenceProduit: "Acoustic Sounds Series 512449"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Wabash Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Basin Street Blues"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beale Street Blues"
      ]
      [
        "ordre" => 4
        "nom" => "4. Weary Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "5. St. Louis Blues"
      ]
      [
        "ordre" => 7
        "nom" => "6. Loveless Blues"
      ]
      [
        "ordre" => 8
        "nom" => "7. Royal Garden Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2224 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1719089483 {#2207
      date: 2024-06-22 20:51:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868794 {#2208
      date: 2025-12-04 17:19:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-back-acoustic-sounds-series-512449"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3724
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2648 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2210
    -id: 2528
    -nom: "Back to Back"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      This is among the finest Ellington small group sides. The predominantly blues repertoire is the perfect setting for Sweets and Hodges to open out, with Duke getting a simpler, but no less forceful rhythm section backing than he did in his own band, notes Jazzwise. Hodges does some of the most soulful playing of his career here.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Al Hall, Sam Jones (bass), Leslie Spann (guitar), Harry Edison (trumpet), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=xwEjNghXCZ0"
    -referenceProduit: "Acoustic Sounds Series 512449"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Wabash Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Basin Street Blues"
      ]
      [
        "ordre" => 3
        "nom" => "3. Beale Street Blues"
      ]
      [
        "ordre" => 4
        "nom" => "4. Weary Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "5. St. Louis Blues"
      ]
      [
        "ordre" => 7
        "nom" => "6. Loveless Blues"
      ]
      [
        "ordre" => 8
        "nom" => "7. Royal Garden Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2212 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2224 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1719089483 {#2207
      date: 2024-06-22 20:51:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764868794 {#2208
      date: 2025-12-04 17:19:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-back-to-back-acoustic-sounds-series-512449"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3925
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2416 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3926 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3974 …}
  +isValidated: false
  +validatedFields: []
}