Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2631
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2708
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2711 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
  -formView: Symfony\Component\Form\FormView {#2747 …}
  -form: Symfony\Component\Form\Form {#2897 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2216
    -nom: "Blues Walk "
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered By Kevin Gray From Original Analog Tapes !\r\n
      \r\n
      - Pressed At Optimal !\r\n
      \r\n
      Lou Donaldson had already been at the helm of seven Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. The alto saxophonist quickly became a fixture on the Blue Note scene after he first played on a Milt Jackson date in 1952 with sideman appearance on sessions led by Thelonious Monk, Art Blakey, and Jimmy Smith, as well as a co-led date with Clifford Brown. On Blues Walk, Donaldson reconvened the lineup from his 1957 album Swing and Soul with Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas. The excellent six-song set yielded one of his most memorable themes with the cool struttin' title track, a laid-back minor blues that opens the album with a standout performance by the leader. Donaldson keeps it bluesy on his tune "Play Ray", showcases his bop chops on uptempo numbers like Denzil Best's "Move" and his own "Callin' All Cats", and delivers stunning renditions of the standards "Autumn Nocturne" and "The Masquerade Is Over".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (congas), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5l6WiUKKMjY"
    -referenceProduit: "Blue Note Records 1593"
    -titreMorceau: [
      [
        "nom" => "1. Blue Walk "
        "ordre" => 1
      ]
      [
        "nom" => "1. Play Ray "
        "ordre" => 5
      ]
      [
        "nom" => "2. Autumn Nocturne "
        "ordre" => 6
      ]
      [
        "nom" => "2. Move "
        "ordre" => 2
      ]
      [
        "nom" => "3. Callin' All Cats"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Masquerade Is Over"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1650866970 {#1929
      date: 2022-04-25 06:09:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1655447282 {#1922
      date: 2022-06-17 06:28:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-walk-blue-note-records-1593"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3168
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2216
    -nom: "Blues Walk "
    -informationComplementaire: ""
    -description: """
      - Blue Note Classic Vinyl Reissue Series !\r\n
      \r\n
      - 180 gram Vinyl LP !\r\n
      \r\n
      - Mastered By Kevin Gray From Original Analog Tapes !\r\n
      \r\n
      - Pressed At Optimal !\r\n
      \r\n
      Lou Donaldson had already been at the helm of seven Blue Note sessions by the time he made his undisputed masterpiece Blues Walk in 1958. The alto saxophonist quickly became a fixture on the Blue Note scene after he first played on a Milt Jackson date in 1952 with sideman appearance on sessions led by Thelonious Monk, Art Blakey, and Jimmy Smith, as well as a co-led date with Clifford Brown. On Blues Walk, Donaldson reconvened the lineup from his 1957 album Swing and Soul with Herman Foster on piano, Peck Morrison on bass, Dave Bailey on drums, and Ray Barretto on congas. The excellent six-song set yielded one of his most memorable themes with the cool struttin' title track, a laid-back minor blues that opens the album with a standout performance by the leader. Donaldson keeps it bluesy on his tune "Play Ray", showcases his bop chops on uptempo numbers like Denzil Best's "Move" and his own "Callin' All Cats", and delivers stunning renditions of the standards "Autumn Nocturne" and "The Masquerade Is Over".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (congas), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5l6WiUKKMjY"
    -referenceProduit: "Blue Note Records 1593"
    -titreMorceau: [
      [
        "nom" => "1. Blue Walk "
        "ordre" => 1
      ]
      [
        "nom" => "1. Play Ray "
        "ordre" => 5
      ]
      [
        "nom" => "2. Autumn Nocturne "
        "ordre" => 6
      ]
      [
        "nom" => "2. Move "
        "ordre" => 2
      ]
      [
        "nom" => "3. Callin' All Cats"
        "ordre" => 7
      ]
      [
        "nom" => "3. The Masquerade Is Over"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1650866970 {#1929
      date: 2022-04-25 06:09:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1655447282 {#1922
      date: 2022-06-17 06:28:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-walk-blue-note-records-1593"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 758
    -nom: "At Storyville"
    -informationComplementaire: ""
    -description: """
      Billie Holiday At Storyville on 180 gram LP from ORG Music.\r\n
      \r\n
      Rich, relaxed, intimate : Holiday delves into deep vocal timbre on rare collection recorded at Boston Club during performances from 1951 and 1953.\r\n
      \r\n
      Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas.\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman.\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts: Vinyl jacket features exclusive art.\r\n
      \r\n
      If the world could hear every single recording ever made by one vocalist, picking Billie Holiday to make such a fantasy come true would be a stellar choice. For evidence, consider the extremely sought-after At Storyville, a collection assembled from the iconic singer's 1951 and 1953 performances at the Boston nightclub. Holiday sinks into each song with unfettered emotion, her relaxed approach drawing out myriad shades and expressiveness, her command of tempo and feeling simply extraordinary. She's backed on several songs by Stan Getz, yet her seductive delivery and intimate, deep timbre needn't any help. This is one for the ages.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, At Storyville stands as a characteristic example of Holiday's bold live presence and a can't-miss opportunity for collectors and enthusiasts to get closer to the woman and her music. Orchestrated by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. \r\n
      \r\n
      Sure, the title may not be as widely known as some of Holiday’s other works, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
       \r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Billie Holiday (vocals), Jimmy Woode, John Fields (bass), Stan Getz (tenor saxophone), Buster Harding, Carl Drinkard (piano), Marquis Foster, Peter Littman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1169 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "ORGM 1058"
    -titreMorceau: [
      [
        "nom" => "1. He's Funny That Way"
        "ordre" => 10
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Billie's Blues"
        "ordre" => 11
      ]
      [
        "nom" => "2. I Cover the Waterfront"
        "ordre" => 2
      ]
      [
        "nom" => "3. Miss Brown to You"
        "ordre" => 12
      ]
      [
        "nom" => "3. Too Marvelous for Words"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Loves You, Porgy"
        "ordre" => 4
      ]
      [
        "nom" => "4. Lover, Come Back to Me"
        "ordre" => 13
      ]
      [
        "nom" => "5. Ain't Nobody's Business If I Do"
        "ordre" => 14
      ]
      [
        "nom" => "5. Them There Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "6. Willow, Weep for Me"
        "ordre" => 6
      ]
      [
        "nom" => "6. You're Driving Me Crazy"
        "ordre" => 15
      ]
      [
        "nom" => "7. I Only Have Eyes for You"
        "ordre" => 7
      ]
      [
        "nom" => "8. You Go to My Head"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1425797320 {#2095
      date: 2015-03-08 06:48:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1655128910 {#2096
      date: 2022-06-13 14:01:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-storyville-orgm-1058"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3282
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 758
    -nom: "At Storyville"
    -informationComplementaire: ""
    -description: """
      Billie Holiday At Storyville on 180 gram LP from ORG Music.\r\n
      \r\n
      Rich, relaxed, intimate : Holiday delves into deep vocal timbre on rare collection recorded at Boston Club during performances from 1951 and 1953.\r\n
      \r\n
      Mastered at Bernie Grundman Studios by Chris Bellman and pressed at Pallas.\r\n
      \r\n
      EQ notes and curation performed by iconic engineer Steve Hoffman; LPs EQ'd and set up by Bernie Grundman.\r\n
      \r\n
      Conceived, designed, and manufactured for collectors and enthusiasts: Vinyl jacket features exclusive art.\r\n
      \r\n
      If the world could hear every single recording ever made by one vocalist, picking Billie Holiday to make such a fantasy come true would be a stellar choice. For evidence, consider the extremely sought-after At Storyville, a collection assembled from the iconic singer's 1951 and 1953 performances at the Boston nightclub. Holiday sinks into each song with unfettered emotion, her relaxed approach drawing out myriad shades and expressiveness, her command of tempo and feeling simply extraordinary. She's backed on several songs by Stan Getz, yet her seductive delivery and intimate, deep timbre needn't any help. This is one for the ages.\r\n
      \r\n
      Originally released by the U.K. label Black Lion, an imprint that specialized in resurrecting rare gems from U.S. jazz and blues legends, At Storyville stands as a characteristic example of Holiday's bold live presence and a can't-miss opportunity for collectors and enthusiasts to get closer to the woman and her music. Orchestrated by ORG, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record's existence.\r\n
      \r\n
      Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180 gram LP was curated by legendary engineer Steve Hoffman and eq'd by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. \r\n
      \r\n
      Sure, the title may not be as widely known as some of Holiday’s other works, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.\r\n
       \r\n
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Billie Holiday (vocals), Jimmy Woode, John Fields (bass), Stan Getz (tenor saxophone), Buster Harding, Carl Drinkard (piano), Marquis Foster, Peter Littman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1169 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "ORGM 1058"
    -titreMorceau: [
      [
        "nom" => "1. He's Funny That Way"
        "ordre" => 10
      ]
      [
        "nom" => "1. Introduction"
        "ordre" => 1
      ]
      [
        "nom" => "2. Billie's Blues"
        "ordre" => 11
      ]
      [
        "nom" => "2. I Cover the Waterfront"
        "ordre" => 2
      ]
      [
        "nom" => "3. Miss Brown to You"
        "ordre" => 12
      ]
      [
        "nom" => "3. Too Marvelous for Words"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Loves You, Porgy"
        "ordre" => 4
      ]
      [
        "nom" => "4. Lover, Come Back to Me"
        "ordre" => 13
      ]
      [
        "nom" => "5. Ain't Nobody's Business If I Do"
        "ordre" => 14
      ]
      [
        "nom" => "5. Them There Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "6. Willow, Weep for Me"
        "ordre" => 6
      ]
      [
        "nom" => "6. You're Driving Me Crazy"
        "ordre" => 15
      ]
      [
        "nom" => "7. I Only Have Eyes for You"
        "ordre" => 7
      ]
      [
        "nom" => "8. You Go to My Head"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 9
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1425797320 {#2095
      date: 2015-03-08 06:48:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1655128910 {#2096
      date: 2022-06-13 14:01:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-storyville-orgm-1058"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2222
    -nom: "Moon Rappin'"
    -informationComplementaire: ""
    -description: """
      Brother Jack McDuff was already a well-established and prolific organist who led his own soul jazz bands throughout the 1960s when he came to Blue Note Records in 1969. Following his label debut Down Home Style, McDuff made one of the most creatively ambitious albums of his career with Moon Rappin', which was released in 1970.\r\n
      \r\n
      The album featured five funky, spaced-out McDuff originals including hard-grooving numbers like "Flat Backin'" and "Loose Foot", as well innovative tracks such as "Moon Rappin'" and "Oblighetto", which would later be permanently ingrained into hip hop history when it was sampled by A Tribe Called Quest as the foundation of two of their all-time classic tracks : "Scenario" and "Check the Rhime".\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Brother Jack McDuff (organ), Bill Phillips (tenor saxophone, flute), Richard Davis (electric bass), Jerry Byrd (guitar), Joe Dukes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gZ980F1V0Tw"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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      date: 2022-06-07 11:52:50.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3333
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      Brother Jack McDuff was already a well-established and prolific organist who led his own soul jazz bands throughout the 1960s when he came to Blue Note Records in 1969. Following his label debut Down Home Style, McDuff made one of the most creatively ambitious albums of his career with Moon Rappin', which was released in 1970.\r\n
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[
  "produit" => App\Entity\Produit {#2133
    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
      \n
      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
      \n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
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    -modifierLe: DateTime @1654181492 {#2131
      date: 2022-06-02 14:51:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3384
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
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    -id: 988
    -nom: "The Times They are a Changin' "
    -informationComplementaire: ""
    -description: """
      Bob Dylan The Times They Are A-Changin' on Numbered Limited Edition 180 gram  45 RPM 2 LP.\n
      \n
      Stark, Austere, Acoustic Record Dylan's First With All-Original Material.\n
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      Immediately distinguished by the you're-either-with-us-or-against-us messages of the landmark title track, Bob Dylan's The Times They Are A Changin' sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard's trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.\n
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      Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.\n
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[
  "produit" => App\Entity\Produit {#2152
    -id: 1144
    -nom: "Showdown "
    -informationComplementaire: "OUT OF PRINT, LAST COPY !"
    -description: """
      This excellent record finds three guitar legends squaring off, cutting heads, and forming a brotherhood forged in blues. The elder statesman and leader here is the irrepressible Albert Collins, whose guitar sound and unique approach to the blues has been bending ears since the '50s. Johnny Copeland, the "Texas Twister," an early disciple and longtime friend of Collins, is also here, showing he's moved well beyond Collins's early tutelage. The youngest gun is Robert Cray, another musician Collins took under his wing (some 15 years after he first met Copeland).\n
      \n
      Backed only by a bassist, drummer, and organist (the spare backing band helps put the guitar work at center stage), Collins, Copeland, and Cray go toe-to-toe on these tracks. What's especially intriguing is that each song gives equal air time to each musician, making room for solos all around and even, on some tracks, shared vocals. Copeland is the wildest here, with his wooly, rough-hewn voice and blistering leads, counterbalanced by Cray, who lends a laid-back air of sophistication to the proceedings. Collins brings it all together with his signature "icy" style. SHOWDOWN ! is a dream come true for blues-guitar fans.\n
      \n
      SHOWDOWN ! is one of the most successful collaborations in modern blues recording, bringing Collins together with two of his best-known proteges, Johnny Copeland and Robert Cray.... the album features a selection of great songs, with plenty of room for state-of-the-art guitar virtuosity...\n
      \n
      Tracks Include : "T-Bone Shuffle", "Moon Is Full", "Lion's Den", "She's into Something", "Bring Your Fine Self Home", "Black Cat Bone," "Dream" "Albert's Alley" "Blackjack". \n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=DFoAmc5Th1Q"
    -referenceProduit: "MFSL 1-217"
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        "nom" => "Side A : "
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
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    -modifierLe: DateTime @1654181257 {#2150
      date: 2022-06-02 14:47:37.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3435
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2152
    -id: 1144
    -nom: "Showdown "
    -informationComplementaire: "OUT OF PRINT, LAST COPY !"
    -description: """
      This excellent record finds three guitar legends squaring off, cutting heads, and forming a brotherhood forged in blues. The elder statesman and leader here is the irrepressible Albert Collins, whose guitar sound and unique approach to the blues has been bending ears since the '50s. Johnny Copeland, the "Texas Twister," an early disciple and longtime friend of Collins, is also here, showing he's moved well beyond Collins's early tutelage. The youngest gun is Robert Cray, another musician Collins took under his wing (some 15 years after he first met Copeland).\n
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      \n
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      \n
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    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DFoAmc5Th1Q"
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        "nom" => "1. Black Cat Bone"
        "ordre" => 7
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        "ordre" => 1
      ]
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      ]
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        "ordre" => 10
      ]
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        "nom" => "4. She's Into Something"
        "ordre" => 4
      ]
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        "nom" => "5. Bring Your Fine Self Home"
        "ordre" => 5
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2138 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2163 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2156 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2158 …}
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    }
    -modifierLe: DateTime @1654181257 {#2150
      date: 2022-06-02 14:47:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2160 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-showdown-mfsl-1-217"
  }
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}

[
  "produit" => App\Entity\Produit {#2168
    -id: 839
    -nom: "Heart Like a Wheel "
    -informationComplementaire: ""
    -description: """
      Musicians : \n
      Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell), Ed Black, John Boylan, Paul Craft, Glenn Frey, ohn Starling, Bob Warford (guitar), David Campbell (viola, string arrangements), Kenny Edwards (bass guitar, background vocals), Chris Ethridge, Richard Feves, Emory Gordy, Tom Guidera, Timothy B. Schmit (bass guitar), Jimmie Fadden (harmonica), Emmylou Harris (harmony vocals), Sneaky Pete Kleinow, Danny Pendleton (pedal steel guitar), Dennis Karmazyn (cello), David Lindley (fiddle), J. D. Souther (guitar, lead & background vocals), Herb Pedersen (banjo, background vocals), Cissy Houston, Sherlie Matthews, Maria Muldaur, Clydie King, Wendy Waldman, Joyce Nesbitt (background vocals), Don Henley (drums, background vocals), Russ Kunkel, Lloyd Myers, Fred White, Dennis St. John (drums).\n
      \n
      1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting : Features an All-Star Instrumental Cast and Singer at Her Best.\n
      \n
      How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release ? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.\n
      \n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180 gram vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.\n
      \n
      Yet the advantages of this numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180 gram LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.\n
      \n
      While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple and a lasting example of the period's laid-back West Coast sound cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.\n
      \n
      The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, "No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses the edge between vulnerability and willfulness that I find totally, irresistibly sexy".\n
      \n
      Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s "You're No Good", harmony-rich treatment of Hank Williams' "I Can't Help It (If I'm Still in Love with You)", folk-rock lilt of Lowell George's "Willin'", or soulful send-up of Phil Everly's "When Will I Be Loved ?" Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort the kind of record they just don't make anymore.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qDk6j0aXQnQ"
    -referenceProduit: "MFSL 1-472"
    -titreMorceau: [
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        "nom" => "1. When Will I Be Loved"
        "ordre" => 7
      ]
      [
        "nom" => "1. You're No Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. It Doesn't Matter Anymore"
        "ordre" => 2
      ]
      [
        "nom" => "2. Willin'"
        "ordre" => 8
      ]
      [
        "nom" => "3. Faithless Love"
        "ordre" => 3
      ]
      [
        "nom" => "3. I Can't Help It If I'm Still In Love With You"
        "ordre" => 9
      ]
      [
        "nom" => "4. Dark End Of The Street"
        "ordre" => 4
      ]
      [
        "nom" => "4. Keep Me From Blowing Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heart Like A Wheel"
        "ordre" => 5
      ]
      [
        "nom" => "5. You Can Close Your Eyes"
        "ordre" => 11
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2138 …}
    -style: App\Entity\Style {#1505 …}
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    }
    -modifierLe: DateTime @1654180775 {#2166
      date: 2022-06-02 14:39:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2176 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-heart-like-a-wheel-mfsl-1-472"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3486
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2168
    -id: 839
    -nom: "Heart Like a Wheel "
    -informationComplementaire: ""
    -description: """
      Musicians : \n
      Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell), Ed Black, John Boylan, Paul Craft, Glenn Frey, ohn Starling, Bob Warford (guitar), David Campbell (viola, string arrangements), Kenny Edwards (bass guitar, background vocals), Chris Ethridge, Richard Feves, Emory Gordy, Tom Guidera, Timothy B. Schmit (bass guitar), Jimmie Fadden (harmonica), Emmylou Harris (harmony vocals), Sneaky Pete Kleinow, Danny Pendleton (pedal steel guitar), Dennis Karmazyn (cello), David Lindley (fiddle), J. D. Souther (guitar, lead & background vocals), Herb Pedersen (banjo, background vocals), Cissy Houston, Sherlie Matthews, Maria Muldaur, Clydie King, Wendy Waldman, Joyce Nesbitt (background vocals), Don Henley (drums, background vocals), Russ Kunkel, Lloyd Myers, Fred White, Dennis St. John (drums).\n
      \n
      1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting : Features an All-Star Instrumental Cast and Singer at Her Best.\n
      \n
      How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release ? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.\n
      \n
      Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180 gram vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.\n
      \n
      Yet the advantages of this numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180 gram LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.\n
      \n
      While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple and a lasting example of the period's laid-back West Coast sound cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.\n
      \n
      The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, "No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses the edge between vulnerability and willfulness that I find totally, irresistibly sexy".\n
      \n
      Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s "You're No Good", harmony-rich treatment of Hank Williams' "I Can't Help It (If I'm Still in Love with You)", folk-rock lilt of Lowell George's "Willin'", or soulful send-up of Phil Everly's "When Will I Be Loved ?" Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort the kind of record they just don't make anymore.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Linda Ronstadt (lead & backing vocals), Andrew Gold (guitar, percussion, piano, drums, keyboards, electric piano, tambourine, ukulele, background vocals), Peter Asher (guitar, percussion, background vocals, cowbell)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qDk6j0aXQnQ"
    -referenceProduit: "MFSL 1-472"
    -titreMorceau: [
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        "nom" => "1. When Will I Be Loved"
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      [
        "nom" => "1. You're No Good"
        "ordre" => 1
      ]
      [
        "nom" => "2. It Doesn't Matter Anymore"
        "ordre" => 2
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      [
        "nom" => "2. Willin'"
        "ordre" => 8
      ]
      [
        "nom" => "3. Faithless Love"
        "ordre" => 3
      ]
      [
        "nom" => "3. I Can't Help It If I'm Still In Love With You"
        "ordre" => 9
      ]
      [
        "nom" => "4. Dark End Of The Street"
        "ordre" => 4
      ]
      [
        "nom" => "4. Keep Me From Blowing Away"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heart Like A Wheel"
        "ordre" => 5
      ]
      [
        "nom" => "5. You Can Close Your Eyes"
        "ordre" => 11
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2170 …}
    -label: Proxies\__CG__\App\Entity\Label {#2138 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2179 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2172 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2174 …}
    -enregistreLe: DateTime @1446813986 {#2165
      date: 2015-11-06 12:46:26.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1654180775 {#2166
      date: 2022-06-02 14:39:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2176 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heart-like-a-wheel-mfsl-1-472"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2184
    -id: 2201
    -nom: "Eternity"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba),  Hubert Laws (flute), Charlie Haden (bass), Armando Peraza (congas), Ben Riley (drums)…\r\n
      \r\n
      When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world "A Love Supreme", "Ascension", "Meditations" etc... His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels she had an important influence on the spiritualised, esoteric music scene of the 1970s. Her first album was only released after John Coltrane’s death, but "Eternity" was already her tenth. (In the same year she founded a Hindu Vedantic Center in California.) The album draws its power from highly contrasted sound worlds. The size of the ensemble ranges from an unaccompanied harp solo "Wisdom Eye" to a large orchestra with a big band of up to 25 plus a 12-man string section. Alice Coltrane’s main instrument is the electric Wurlitzer organ, whose rasping sound conjures up John Coltrane’s saxophone (especially in the opening number "Spiritual Eternal"). Mostly she improvises modally, sinuously, or with meditative ecstasy whether in the style of Latin rock "Los Caballos" or quite without a firm tempo "Morning Worship" with a tamboura accompaniment. Support comes from such renowned musicians as Charlie Haden (bass), Jerome Richardson (saxophone and flute), Hubert Laws (flute) and Ernie Watts (cor anglais). In the number "Om Supreme" Coltrane switches to a gently swinging Fender Rhodes electric piano, which is joined by a six-voice vocal group. A surprising finale to the album is an orchestral adaptation of an excerpt from Stravinsky’s "Le Sacre du printemps". Here the moments of dissonance and free jazz are far from meditative contemplation.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby\r\n
      Production : Ed Michael
      """
    -prixVente: "35.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Zc98zCrCN8E"
    -referenceProduit: "Warner BS 2916"
    -titreMorceau: [
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        "nom" => "1. Om Supreme "
        "ordre" => 5
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      [
        "nom" => "1. Spiritual Eternal "
        "ordre" => 1
      ]
      [
        "nom" => "2. Morning Worship "
        "ordre" => 6
      ]
      [
        "nom" => "2. Wisdom Eye "
        "ordre" => 2
      ]
      [
        "nom" => "3. Los Caballos"
        "ordre" => 3
      ]
      [
        "nom" => "3. Spring Rounds From Rite Of Spring"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2186 …}
    -label: Proxies\__CG__\App\Entity\Label {#2189 …}
    -style: App\Entity\Style {#1502 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
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    }
    -modifierLe: DateTime @1653981553 {#2182
      date: 2022-05-31 07:19:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
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    -slug: "vinyles-eternity-warner-bs-2916"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3537
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2184
    -id: 2201
    -nom: "Eternity"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba),  Hubert Laws (flute), Charlie Haden (bass), Armando Peraza (congas), Ben Riley (drums)…\r\n
      \r\n
      When the brilliant saxophonist John Coltrane died in 1967, the core values of jazz music had long drawn him into the spiritual world "A Love Supreme", "Ascension", "Meditations" etc... His widow and final pianist followed in his footsteps. Alice Coltrane (1937–2007) sought after »cosmic sounds, higher dimensions, astral levels she had an important influence on the spiritualised, esoteric music scene of the 1970s. Her first album was only released after John Coltrane’s death, but "Eternity" was already her tenth. (In the same year she founded a Hindu Vedantic Center in California.) The album draws its power from highly contrasted sound worlds. The size of the ensemble ranges from an unaccompanied harp solo "Wisdom Eye" to a large orchestra with a big band of up to 25 plus a 12-man string section. Alice Coltrane’s main instrument is the electric Wurlitzer organ, whose rasping sound conjures up John Coltrane’s saxophone (especially in the opening number "Spiritual Eternal"). Mostly she improvises modally, sinuously, or with meditative ecstasy whether in the style of Latin rock "Los Caballos" or quite without a firm tempo "Morning Worship" with a tamboura accompaniment. Support comes from such renowned musicians as Charlie Haden (bass), Jerome Richardson (saxophone and flute), Hubert Laws (flute) and Ernie Watts (cor anglais). In the number "Om Supreme" Coltrane switches to a gently swinging Fender Rhodes electric piano, which is joined by a six-voice vocal group. A surprising finale to the album is an orchestral adaptation of an excerpt from Stravinsky’s "Le Sacre du printemps". Here the moments of dissonance and free jazz are far from meditative contemplation.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : August and October 1975 at The Burbank Studios, Burbank, CA, and Westlake Audio, Los Angeles, CA, by Baker Bigsby\r\n
      Production : Ed Michael
      """
    -prixVente: "35.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Alice Coltrane (organ, harp, electric piano Fender Rhodes; percussion), Terry Harrington (tenor saxophone), Jerome Richardson (soprano saxophone), George Bohanon (trombone), Oscar Brashear (trumpet), Tommy Johnson (tuba)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Zc98zCrCN8E"
    -referenceProduit: "Warner BS 2916"
    -titreMorceau: [
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        "nom" => "1. Spiritual Eternal "
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        "nom" => "2. Morning Worship "
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      [
        "nom" => "2. Wisdom Eye "
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      [
        "nom" => "3. Los Caballos"
        "ordre" => 3
      ]
      [
        "nom" => "3. Spring Rounds From Rite Of Spring"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2186 …}
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      date: 2022-05-31 07:19:13.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2203
    -id: 2149
    -nom: "What's Going On (50th Anniversary)"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      50th Anniversary Edition On 180 gram Double LP !\r\n
      \r\n
      Direct-To-Analog Mastering From The Original Tape Reels By Kevin Gray !\r\n
      \r\n
      Rare & Previously Unreleased Cuts, Mono Singles, B-Sides & More !\r\n
      \r\n
      Rolling Stone 500 Greatest Albums of All Time - Rated 1/500 !\r\n
      \r\n
      This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience.\r\n
      \r\n
      What's Going On: 50th Anniversary 2 LP Edition bonus LP opens up the album's writing and production palette. Featured are four rare cuts making their vinyl debut, highlighted by a previously unreleased "stripped" version of the title song, plus all six original mono single mixes and their B-sides, with all of those 7" versions on vinyl for the first time since their original releases. With two 180 gram records, a tip-on heavy stock jacket, an original gatefold with complete lyrics, this formidable release also includes printed sleeves with track details, a rare image from the cover sessions, and a brief essay honoring arranger David Van De Pitte.\r\n
      \r\n
      The main essay was written by acclaimed author and poet Hanif Abdurraqib who was just named one of the 25 recipients of the 2021 MacArthur "Genius" Grant.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
    -referenceProduit: "Motown Records 34801"
    -titreMorceau: [
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        "nom" => "1. Right On \t"
        "ordre" => 8
      ]
      [
        "nom" => "1. What’s Going On stripped version \t"
        "ordre" => 12
      ]
      [
        "nom" => "1. What’s Going On \t"
        "ordre" => 17
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      [
        "nom" => "1. What’s Going On \t"
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        "ordre" => 13
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        "nom" => "3. Flyin’ High (In The Friendly Sky) \t"
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        "ordre" => 19
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      [
        "nom" => "3. What’s Going On rhythm & strings instrumental mix \t"
        "ordre" => 14
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      [
        "nom" => "4. Sad Tomorrows \t"
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      [
        "nom" => "4. Save The Children \t"
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      [
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        "ordre" => 15
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      [
        "nom" => "5. God Is Love \t"
        "ordre" => 5
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      [
        "nom" => "5. Inner City Blues (Make Me Wanna Holler) \t"
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      [
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      [
        "nom" => "Side A : (Original LP)"
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      [
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      ]
      [
        "nom" => "Side D : (Original Mono Single Mixes)"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1512 …}
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    }
    -modifierLe: DateTime @1653981349 {#2201
      date: 2022-05-31 07:15:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
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    -slug: "vinyles-what-s-going-on-50th-anniversary-motown-records-34801"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3588
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2203
    -id: 2149
    -nom: "What's Going On (50th Anniversary)"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet), Larry Nozero (soprano saxophone), Earl DeRouen, Eddie Brown (congas), Dayna Hartwick, William Perich (flute), Joe Messina, Robert White, Earl Van Dyke (guitar), Max Janowsky (string bass), William "Wild Bill" Moore, George Benson (tenor saxophone), Jack Ashford (tambourine), Carl Raetz (trombone), Jack Brokensha (vibraphone), Johnny Griffith (celesta), Carole Crosby (harp), Elgie Stover, Lem Barney, Mel Farr, Bobby Rodgers, The Andantes (backing vocals), David Ireland, Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola), Alvin Score, Beatriz Budinszky, Felix Resnick, Gordon Staples, James Waring, Lillian Downs, Richard Margitza, Virginia Halfmann, Zinovi Bistritzky (violin), Edward Korkigian, Italo Babini, Thaddeus Markiewicz (cello), Jack Ashford (percussion), Chet Forest (drums).\r\n
      \r\n
      50th Anniversary Edition On 180 gram Double LP !\r\n
      \r\n
      Direct-To-Analog Mastering From The Original Tape Reels By Kevin Gray !\r\n
      \r\n
      Rare & Previously Unreleased Cuts, Mono Singles, B-Sides & More !\r\n
      \r\n
      Rolling Stone 500 Greatest Albums of All Time - Rated 1/500 !\r\n
      \r\n
      This premium vinyl release features direct-to-analog mastering from the original primary album tape reels by acclaimed engineer Kevin Gray, one of the first times this has been done since 1971, offering an undeniably authentic listening experience.\r\n
      \r\n
      What's Going On: 50th Anniversary 2 LP Edition bonus LP opens up the album's writing and production palette. Featured are four rare cuts making their vinyl debut, highlighted by a previously unreleased "stripped" version of the title song, plus all six original mono single mixes and their B-sides, with all of those 7" versions on vinyl for the first time since their original releases. With two 180 gram records, a tip-on heavy stock jacket, an original gatefold with complete lyrics, this formidable release also includes printed sleeves with track details, a rare image from the cover sessions, and a brief essay honoring arranger David Van De Pitte.\r\n
      \r\n
      The main essay was written by acclaimed author and poet Hanif Abdurraqib who was just named one of the 25 recipients of the 2021 MacArthur "Genius" Grant.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Marvin Gaye (piano, keyboards, drums, vocals), Angelo Carlisi, Eli Fountain (alto saxophone), Tate Houston (baritone saxophone), Bob Babbit, James Jamerson (bass), Earl DeRouen, Eddie Brown (bongos), John Trudell, Maurice Davis (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=H-kA3UtBj4M"
    -referenceProduit: "Motown Records 34801"
    -titreMorceau: [
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        "nom" => "1. Right On \t"
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        "nom" => "1. What’s Going On \t"
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      [
        "nom" => "1. What’s Going On \t"
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      [
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      [
        "nom" => "2. What’s Going On mix 1/no strings or horns \t"
        "ordre" => 13
      ]
      [
        "nom" => "2. What’s Happening Brother \t"
        "ordre" => 2
      ]
      [
        "nom" => "2. Wholy Holy \t"
        "ordre" => 9
      ]
      [
        "nom" => "3. Flyin’ High (In The Friendly Sky) \t"
        "ordre" => 3
      ]
      [
        "nom" => "3. Inner City Blues (Make Me Wanna Holler) "
        "ordre" => 10
      ]
      [
        "nom" => "3. Mercy Mercy Me (The Ecology) \t"
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      [
        "nom" => "3. What’s Going On rhythm & strings instrumental mix \t"
        "ordre" => 14
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      [
        "nom" => "4. Sad Tomorrows \t"
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        "nom" => "5. Inner City Blues (Make Me Wanna Holler) \t"
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      [
        "nom" => "6. Mercy Mercy Me "
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      [
        "nom" => "6. Wholy Holy "
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      ]
      [
        "nom" => "Side A : (Original LP)"
        "ordre" => 0
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      [
        "nom" => "Side C : (Bonus Tracks)"
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      ]
      [
        "nom" => "Side D : (Original Mono Single Mixes)"
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2205 …}
    -label: Proxies\__CG__\App\Entity\Label {#2208 …}
    -style: App\Entity\Style {#1512 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
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    -modifierLe: DateTime @1653981349 {#2201
      date: 2022-05-31 07:15:49.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
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[
  "produit" => App\Entity\Produit {#2224
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Ayak Hosokawa (vocals), Tee Carson, Shota Osabe (piano), John Hettel (bass), Ray Loeckle (reeds), Jimmie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b7gimGQUP9M"
    -referenceProduit: "IMP 6023"
    -titreMorceau: [
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        "nom" => "1. Dream A Little Dream of Me"
        "ordre" => 1
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      [
        "nom" => "1. Tea For Two"
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      [
        "nom" => "2. These Foolish Things"
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      [
        "nom" => "2. Too Young"
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      [
        "nom" => "3. I Wish You Love"
        "ordre" => 8
      ]
      [
        "nom" => "3. Sea of Love"
        "ordre" => 3
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      [
        "nom" => "4. It's All in the Game"
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        "nom" => "4. That's All"
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      [
        "nom" => "Side A : "
        "ordre" => 0
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2226 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
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    -slug: "vinyles-a-whisper-of-love-imp-6023"
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App\Twig\Components\GestionPanierFavoriComponents {#3639
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2224
    -id: 881
    -nom: "A Whisper Of Love"
    -informationComplementaire: ""
    -description: """
      Returning to her early Three Blind Mice period form, Ayako Hosokawa delivered one of her most popular albums ever in 1993 with A Whisper of Love. Working with a fine ensemble of American jazz players (along with pianist Shota Osabe on two tracks), her delivery had developed a quiet confidence: relaxed and playful. Available for the first time ever on 180 gram vinyl LP, this great set of classic torch songs gives Ms. Hosokawa a matchless showcase for her melifluous tone and buttery delivery. We have tightened up the running order for a more focused listening experience, including all the best tracks from the original CD.\r\n
      \r\n
      Cut by Kevin Gray at Cohearent Audio, you can once again enjoy one of TBM's most popular singers in your listening room with the assurance of quality Impex is heralded for. Quiet surfaces allow the crystal clear tone to shine every time you play the LP, again and again.\r\n
      \r\n
      We created a new design for the back of the jacket, including new design elements and photos from the Three Blind Mice archive. The iconic front cover was left intact. Come experience anew this great TBM classic in its vital new form.
      """
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[
  "produit" => App\Entity\Produit {#2243
    -id: 1260
    -nom: "Matador"
    -informationComplementaire: ""
    -description: """
      “Dorham and McLean, two of jazz’s most passionate and lyrical players, are in very good form here. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest”. – Ira Gitler, Downbeat Magazine, April 1963\r\n
      \r\n
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      \r\n
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      \r\n
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      """
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      \r\n
      Sometimes in the course of our exploration of potential titles to reissue, we come across a true gem that somehow escaped mainstream popularity. Our all-analog HQ-180 gram LP of Matador by trumpeter Kenny Dorham and his quintet is the latest and perhaps most crystalline example of this. There has never been a single 180 gram pressing available. It has only been reissued (officially) once in 50 years. When you hear it, you’ll scratch your head raw that this under-appreciated gem has been missing for so long.\r\n
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[
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    -nom: "Sonatas N° 8 and 10"
    -informationComplementaire: ""
    -description: "Pour de nombreux amateurs de musique classique, la 8ème  sonate pour violon de Beethoven vit dans l’ombre de la fougueuse 9ème Symphonie, mieux connue sous le nom « Kreutzer ». Cela est facile à comprendre, comme « Kreutzer » est un excellent exemple de la partie orageuse de Beethoven, celui que de nombreux auditeurs considèrent comme son trait le plus excitant et révélateur. Cependant, comme la 8ème  Symphonie est plus douce que son imposante et formidable 9ème Symphonie, la 8ème sonate pour violon est plus courte, moins agressive et nous montre un côté plus lyrique de Beethoven. Pour cette version, RCA a couplé la 8ème sonate à la 10ème, également en G Major. L’une des plus belles compositions de Beethoven pour violon, l'humeur de la 10ème sonate est le complément parfait de la 8ème. Bien que RCA place souvent Heifetz aux côtés de grands pianistes comme Rubinstein, c'est avec Emanuel Bay qu'il a trouvé la plus grande alchimie. Ce LP en 180 grammes de chez Impex Records, attendu depuis longtemps est le début de la célèbre association de Heifetz et de Bay. Les deux sonates ont été enregistrées le 16 et 17 octobre 1952, en utilisant un seul microphone. Ce chef-d'œuvre en mono se rapproche de la véritable tonalité de l’enregistrement de Heifetz ainsi que de nombreux concertos stéréo de l'époque et de toute la production analogique de Impex Records, avec le mastering de Kevin Gray « Dr. Groove » et Robert Pincus « Mr. Record » pour le pressage chez Record Technology Inc, préserve la dynamique incroyable de cet enregistrement historique, sans l’égalisation naturelle du LP original. Cette édition strictement limitée à 2000 exemplaires, est sûre de devenir une grande réédition de collection provenant de chez Impex Records. "
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Jascha Heifetz (violin), Emmanuel Bay (piano)"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -nom: "Sonatas N° 8 and 10"
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  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

[
  "produit" => App\Entity\Produit {#2275
    -id: 687
    -nom: "Drum Suite"
    -informationComplementaire: ""
    -description: """
      One of the inventors of the modern bebop style of drumming, Blakey is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz.\n
      \n
      For more than 30 years his band, Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. Recorded in 1956, Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop rhythms that prefigures the concept of Afro-beat by at least a decade. The sheer energy, not to mention its very special and fresh-sounding intimacy, make it especially astounding.\n
      \n
      Even more amazing is that the three parts of the suite Blakey's "The Sacrifice", Ray Bryant's "Cubano Chant", and Oscar Pettiford's "Oscalypso" were recorded straight through live, and were only intended to be a pre-take run-through. As is obvious here, Blakey and company nailed the whole thing right out of the box.\n
      \n
      Groundbreaking for its time, and still sounding vital, powerful, and visionary, the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh audience. \n
      \n
      Art Blakey's first release for Columbia Records is essentially two records. Side one is a percussion ensemble playing what would, ten years later, be called Afro-Cuban drumming. Side two is the mid-fifties version of the Jazz Messengers featuring Jackie McLean on saxophone. Side one features Blakey, Jo Jones and Charles Wright on drums, Candido and Sabu on bongos, and Oscar Pettiford and bass and cello. The group plays three compositions, one by Blakey, one by Pettiford and one by Ray Bryant, fusing African, Cuban, and calypso percussion into a well-integrated suite.\n
      \n
      "The group recorded a run through and it was so perfectly executed that they used the practice run for the release, unedited except to add some Swahili chants by the percussionists during a few passages. One cannot help but think of Olantunji's Drums of Passion, another Afro drumming landmark, here. Blakey's drum suite was recorded at Columbia's 30th Street studios in New York in 1957 and is in mono. The almost stereoscopic image is truly remarkable. Mastered by Kevin Gray and pressed at RTI, Drum Suite is a valuable record of one of the most important figures in jazz history. Recording : 9/10. Music 9/10". - Dennis Davis, Hifi+\n
      \n
      "...The three-part suite was laid down in one take with no arrangements, and begins with a few tympani thwacks followed by an African chant. Soon the ensemble kicks in and the group takes off an a sweaty Afro-Cuban-bop journey that will leave you breathless, as the thing crackles with terrific energy. Side Two is more conventional hard bop, but given this group's mastery of if not invention of the style, these tracks are extremely satisfying. Kevin Gray's remastering is detailed and immediate, with plenty of bit and air, if not the widest dynamic range. For anyone interested in percussion of this genre, this is not to be missed". - Wayne Garcia, The Absolute Sound\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Oscar Pettiford (bass, cello), Spanky DeBrest (bass), Bill Hardman (trumpet), Ray Bryant, Sam Dockery (piano), Charles Wright, Jo Jones (drums), Candido, Sabu Martinez (bongos)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Htv_f0r6l_A"
    -referenceProduit: "IMP 6019"
    -titreMorceau: [
      [
        "nom" => "1. Nica's Tempo"
        "ordre" => 5
      ]
      [
        "nom" => "1. The Sacrifice"
        "ordre" => 1
      ]
      [
        "nom" => "2. Cubano Chant"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dee's Dilemma"
        "ordre" => 6
      ]
      [
        "nom" => "3. Just For Marty"
        "ordre" => 7
      ]
      [
        "nom" => "3. Oscalypso"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2277 …}
    -label: Proxies\__CG__\App\Entity\Label {#2229 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2286 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2279 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2281 …}
    -enregistreLe: DateTime @1403769187 {#2272
      date: 2014-06-26 07:53:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653806702 {#2273
      date: 2022-05-29 06:45:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2283 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-drum-suite-imp-6019"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3792
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2710 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2275
    -id: 687
    -nom: "Drum Suite"
    -informationComplementaire: ""
    -description: """
      One of the inventors of the modern bebop style of drumming, Blakey is known as a powerful musician and a vital groover; his brand of bluesy, funky hard bop was and continues to be profoundly influential on mainstream jazz.\n
      \n
      For more than 30 years his band, Art Blakey & The Jazz Messengers included many young musicians who went on to become prominent names in jazz. Recorded in 1956, Art Blakey's Drum Suite is a wonderful hybrid of African, Latin, and hard bop rhythms that prefigures the concept of Afro-beat by at least a decade. The sheer energy, not to mention its very special and fresh-sounding intimacy, make it especially astounding.\n
      \n
      Even more amazing is that the three parts of the suite Blakey's "The Sacrifice", Ray Bryant's "Cubano Chant", and Oscar Pettiford's "Oscalypso" were recorded straight through live, and were only intended to be a pre-take run-through. As is obvious here, Blakey and company nailed the whole thing right out of the box.\n
      \n
      Groundbreaking for its time, and still sounding vital, powerful, and visionary, the Drum Suite album is somewhat of a lost masterpiece that deserves a fresh audience. \n
      \n
      Art Blakey's first release for Columbia Records is essentially two records. Side one is a percussion ensemble playing what would, ten years later, be called Afro-Cuban drumming. Side two is the mid-fifties version of the Jazz Messengers featuring Jackie McLean on saxophone. Side one features Blakey, Jo Jones and Charles Wright on drums, Candido and Sabu on bongos, and Oscar Pettiford and bass and cello. The group plays three compositions, one by Blakey, one by Pettiford and one by Ray Bryant, fusing African, Cuban, and calypso percussion into a well-integrated suite.\n
      \n
      "The group recorded a run through and it was so perfectly executed that they used the practice run for the release, unedited except to add some Swahili chants by the percussionists during a few passages. One cannot help but think of Olantunji's Drums of Passion, another Afro drumming landmark, here. Blakey's drum suite was recorded at Columbia's 30th Street studios in New York in 1957 and is in mono. The almost stereoscopic image is truly remarkable. Mastered by Kevin Gray and pressed at RTI, Drum Suite is a valuable record of one of the most important figures in jazz history. Recording : 9/10. Music 9/10". - Dennis Davis, Hifi+\n
      \n
      "...The three-part suite was laid down in one take with no arrangements, and begins with a few tympani thwacks followed by an African chant. Soon the ensemble kicks in and the group takes off an a sweaty Afro-Cuban-bop journey that will leave you breathless, as the thing crackles with terrific energy. Side Two is more conventional hard bop, but given this group's mastery of if not invention of the style, these tracks are extremely satisfying. Kevin Gray's remastering is detailed and immediate, with plenty of bit and air, if not the widest dynamic range. For anyone interested in percussion of this genre, this is not to be missed". - Wayne Garcia, The Absolute Sound\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Art Blakey (drums), Jackie McLean (alto saxophone), Oscar Pettiford (bass, cello), Spanky DeBrest (bass), Bill Hardman (trumpet), Ray Bryant, Sam Dockery (piano), Charles Wright, Jo Jones (drums), Candido, Sabu Martinez (bongos)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Htv_f0r6l_A"
    -referenceProduit: "IMP 6019"
    -titreMorceau: [
      [
        "nom" => "1. Nica's Tempo"
        "ordre" => 5
      ]
      [
        "nom" => "1. The Sacrifice"
        "ordre" => 1
      ]
      [
        "nom" => "2. Cubano Chant"
        "ordre" => 2
      ]
      [
        "nom" => "2. Dee's Dilemma"
        "ordre" => 6
      ]
      [
        "nom" => "3. Just For Marty"
        "ordre" => 7
      ]
      [
        "nom" => "3. Oscalypso"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2277 …}
    -label: Proxies\__CG__\App\Entity\Label {#2229 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2286 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2279 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2281 …}
    -enregistreLe: DateTime @1403769187 {#2272
      date: 2014-06-26 07:53:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1653806702 {#2273
      date: 2022-05-29 06:45:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2283 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-drum-suite-imp-6019"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3993
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2478 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3994 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4042 …}
  +isValidated: false
  +validatedFields: []
}