Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2611
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2688
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2691 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
  -formView: Symfony\Component\Form\FormView {#2727 …}
  -form: Symfony\Component\Form\Form {#2877 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2501
    -nom: "Know What I Mean ?"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley with Bill Evans "Know What I Mean ?" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP pressed at RTI !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection! \r\n
      \r\n
      In a remarkable display of their musical range and sensitivity, the buoyant alto sax of Cannonball Adderley and introspective piano of Bill Evans move effortlessly toward a middle ground here that shows both to great advantage. Recorded in 1961, the sound quality of these master tapes is breathtaking: a real audiophile dream disc! Featuring Percy Heath on bass and Connie Kay on drums.\r\n
      \r\n
      Originally released in 1961.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Percy Heath (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Jnd_s8EcQ9Q"
    -referenceProduit: "Analogue Productions AJAZ 9433"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Waltz for Debbie"
      ]
      [
        "ordre" => 1
        "nom" => "2. Goodbye"
      ]
      [
        "ordre" => 2
        "nom" => "3. Who Cares ? (take 5)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Venice"
      ]
      [
        "ordre" => 4
        "nom" => "5. Toy"
      ]
      [
        "ordre" => 5
        "nom" => "6. Elsa"
      ]
      [
        "ordre" => 6
        "nom" => "7. Nancy (With the Laughing Face)"
      ]
      [
        "ordre" => 7
        "nom" => "8. Know What I Mean ? (re-take 7)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1709488864 {#1929
      date: 2024-03-03 18:01:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928197 {#1922
      date: 2025-12-05 09:49:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-know-what-i-mean-analogue-productions-ajaz-9433"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3148
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2501
    -nom: "Know What I Mean ?"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley with Bill Evans "Know What I Mean ?" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP pressed at RTI !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection! \r\n
      \r\n
      In a remarkable display of their musical range and sensitivity, the buoyant alto sax of Cannonball Adderley and introspective piano of Bill Evans move effortlessly toward a middle ground here that shows both to great advantage. Recorded in 1961, the sound quality of these master tapes is breathtaking: a real audiophile dream disc! Featuring Percy Heath on bass and Connie Kay on drums.\r\n
      \r\n
      Originally released in 1961.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Percy Heath (bass), Connie Kay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Jnd_s8EcQ9Q"
    -referenceProduit: "Analogue Productions AJAZ 9433"
    -titreMorceau: [
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        "nom" => "1. Waltz for Debbie"
      ]
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        "ordre" => 1
        "nom" => "2. Goodbye"
      ]
      [
        "ordre" => 2
        "nom" => "3. Who Cares ? (take 5)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Venice"
      ]
      [
        "ordre" => 4
        "nom" => "5. Toy"
      ]
      [
        "ordre" => 5
        "nom" => "6. Elsa"
      ]
      [
        "ordre" => 6
        "nom" => "7. Nancy (With the Laughing Face)"
      ]
      [
        "ordre" => 7
        "nom" => "8. Know What I Mean ? (re-take 7)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1709488864 {#1929
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    }
    -modifierLe: DateTime @1764928197 {#1922
      date: 2025-12-05 09:49:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-know-what-i-mean-analogue-productions-ajaz-9433"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
      For collectors, Everybody Digs Bill Evans captures that pivotal moment when a brilliant accompanist became an icon in his own right. It's the bridge between promise and legend, a record that doesn't just showcase Evans' genius it invites you into it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Sam Jones (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3Ny3xNW28lA&list=RD3Ny3xNW28lA&start_radio=1"
    -referenceProduit: "Analogue Productions AJAZ 1129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Minority"
      ]
      [
        "ordre" => 1
        "nom" => "2. Young And Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "3. Lucky To Be Me"
      ]
      [
        "ordre" => 3
        "nom" => "4. Night And Day"
      ]
      [
        "ordre" => 4
        "nom" => "5. Epilogue"
      ]
      [
        "ordre" => 5
        "nom" => "6. Tenderly"
      ]
      [
        "ordre" => 6
        "nom" => "7. Peace Piece"
      ]
      [
        "ordre" => 7
        "nom" => "8. What Is There To Say ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Oleo"
      ]
      [
        "ordre" => 9
        "nom" => "10. Epilogue"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1620905368 {#2095
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    }
    -modifierLe: DateTime @1764927708 {#2096
      date: 2025-12-05 09:41:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
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    -slug: "vinyles-everybody-digs-bill-evan-analogue-productions-ajaz-1129"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3262
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 2028
    -nom: "Everybody Digs Bill Evan"
    -informationComplementaire: null
    -description: """
      - Bill Evans "Everybody Digs Bill Evans" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "These are, for the most part, extraordinary-sounding recordings, better than any you're likely to find. If you love the music, you should consider the purchase". - Fred Kaplan, Stereophile, Nov. 1, 2017\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception... The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out!" Myles Astor, Positive-Feedback Online, Issue 34\r\n
      \r\n
      Of everything Analogue Productions has reissued, few titles have sparked the accolades accorded our 45 RPM versions of Bill Evans titles from his Riverside catalog. Now, we're breaking the titles out from that terrific set for individual sale. These are the audiophile jazz fan's definitive releases for your collection ! \r\n
      \r\n
      The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history : The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied). With this record, the jazz public began to follow their lead.\r\n
      \r\n
      Here, joined by bassist Sam Jones and drummer Philly Joe Jones, Evans delivers some of his most fluid, swinging trio performances elegant, lyrical, and rhythmically alive. Yet it's the solo improvisation "Peace Piece" that forever marked his arrival. Built on two hypnotic chords, it unfolds with a quiet intensity that feels both spontaneous and transcendent a glimpse into the meditative, deeply personal world Evans would explore for the rest of his career.\r\n
      \r\n
      For collectors, Everybody Digs Bill Evans captures that pivotal moment when a brilliant accompanist became an icon in his own right. It's the bridge between promise and legend, a record that doesn't just showcase Evans' genius it invites you into it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Sam Jones (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=3Ny3xNW28lA&list=RD3Ny3xNW28lA&start_radio=1"
    -referenceProduit: "Analogue Productions AJAZ 1129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Minority"
      ]
      [
        "ordre" => 1
        "nom" => "2. Young And Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "3. Lucky To Be Me"
      ]
      [
        "ordre" => 3
        "nom" => "4. Night And Day"
      ]
      [
        "ordre" => 4
        "nom" => "5. Epilogue"
      ]
      [
        "ordre" => 5
        "nom" => "6. Tenderly"
      ]
      [
        "ordre" => 6
        "nom" => "7. Peace Piece"
      ]
      [
        "ordre" => 7
        "nom" => "8. What Is There To Say ?"
      ]
      [
        "ordre" => 8
        "nom" => "9. Oleo"
      ]
      [
        "ordre" => 9
        "nom" => "10. Epilogue"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …}
    -enregistreLe: DateTime @1620905368 {#2095
      date: 2021-05-13 11:29:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764927708 {#2096
      date: 2025-12-05 09:41:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-everybody-digs-bill-evan-analogue-productions-ajaz-1129"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2114
    -id: 2698
    -nom: ""Spectrum" (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Featuring "Soul Meets Body", "Crooked Teeth", and "I Will Follow You Into the Dark" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Plans is the fifth studio album by indie rock band Death Cab for Cutie, originally released August 30, 2005 on Atlantic Records. The album spawned three singles : "Soul Meets Body", "Crooked Teeth", and "I Will Follow You into the Dark", with all three songs charting. "Soul Meets Body" and "Crooked Teeth" reached N° 5 and N° 10, respectively, on the U.S. Alternative Songs chart.\r\n
      \r\n
      Although "I Will Follow You into the Dark" performed poorly in the charts compared to the previous singles, it eventually became Death Cab for Cutie's best-selling single to-date, and gained the band a nomination for a Grammy Award for Best Pop Performance by a Duo or Group with Vocals the following year. Plans peaked at N° 4 on the Billboard 200, and received platinum certification by the Recording Industry Association of America on February 28, 2008. The album was nominated for a Grammy Award for Best Alternative Music Album at the 48th Grammy Awards, held February 8, 2006.\r\n
      \r\n
      "On Plans, the band's fifth album, Death Cab is ready for the large, diverse audience a major label can provide, and they make the transition seamlessly, in large part due to the underrated production of guitarist Chris Walla, who has a way of making even the weirder flourishes (and the band tries a few to mixed success here) feel totally natural". - Pitchfork his definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Plans is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ben Gibbard (guitars, piano, keyboards, lead vocals), Chris Walla  (guitar, keyboards), Nick Harmer (bass guitar), Jason McGerr (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8jz8s4ZeoUA&list=RD8jz8s4ZeoUA&start_radio=1"
    -referenceProduit: "AAPA 075-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Marching Bands Of Manhattan"
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      [
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        "ordre" => 3
        "nom" => "3. Summer Skin"
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        "nom" => "Side B : "
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        "nom" => "1. Different Names For The Same Thing"
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        "nom" => "3. Your Heart Is An Empty Room"
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        "nom" => "1. Someday You Will Be Loved"
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        "nom" => "2. Stable Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1502 …}
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    }
    -modifierLe: DateTime @1764926495 {#2112
      date: 2025-12-05 09:21:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-spectrum-2-lp-45-rpm-aapa-075-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3313
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2114
    -id: 2698
    -nom: ""Spectrum" (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Featuring "Soul Meets Body", "Crooked Teeth", and "I Will Follow You Into the Dark" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Plans is the fifth studio album by indie rock band Death Cab for Cutie, originally released August 30, 2005 on Atlantic Records. The album spawned three singles : "Soul Meets Body", "Crooked Teeth", and "I Will Follow You into the Dark", with all three songs charting. "Soul Meets Body" and "Crooked Teeth" reached N° 5 and N° 10, respectively, on the U.S. Alternative Songs chart.\r\n
      \r\n
      Although "I Will Follow You into the Dark" performed poorly in the charts compared to the previous singles, it eventually became Death Cab for Cutie's best-selling single to-date, and gained the band a nomination for a Grammy Award for Best Pop Performance by a Duo or Group with Vocals the following year. Plans peaked at N° 4 on the Billboard 200, and received platinum certification by the Recording Industry Association of America on February 28, 2008. The album was nominated for a Grammy Award for Best Alternative Music Album at the 48th Grammy Awards, held February 8, 2006.\r\n
      \r\n
      "On Plans, the band's fifth album, Death Cab is ready for the large, diverse audience a major label can provide, and they make the transition seamlessly, in large part due to the underrated production of guitarist Chris Walla, who has a way of making even the weirder flourishes (and the band tries a few to mixed success here) feel totally natural". - Pitchfork his definitive deluxe 180 gram 45 RPM (2 LP) Analogue Productions (Atlantic 75 Series) reissue of Plans is pressed on 180 gram double LP at Quality Record Pressings. Housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ben Gibbard (guitars, piano, keyboards, lead vocals), Chris Walla  (guitar, keyboards), Nick Harmer (bass guitar), Jason McGerr (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8jz8s4ZeoUA&list=RD8jz8s4ZeoUA&start_radio=1"
    -referenceProduit: "AAPA 075-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Marching Bands Of Manhattan"
      ]
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        "ordre" => 2
        "nom" => "2. Soul Meets Body"
      ]
      [
        "ordre" => 3
        "nom" => "3. Summer Skin"
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      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Different Names For The Same Thing"
      ]
      [
        "ordre" => 6
        "nom" => "2. I Will Follow You Into The Dark"
      ]
      [
        "ordre" => 7
        "nom" => "3. Your Heart Is An Empty Room"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Someday You Will Be Loved"
      ]
      [
        "ordre" => 10
        "nom" => "2. Crooked Teeth"
      ]
      [
        "ordre" => 11
        "nom" => "3. What Sarah Said"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. To The Women In My Life"
      ]
      [
        "ordre" => 14
        "nom" => "2. Stable Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
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    }
    -modifierLe: DateTime @1764926495 {#2112
      date: 2025-12-05 09:21:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-spectrum-2-lp-45-rpm-aapa-075-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2133
    -id: 2705
    -nom: "Young, Gifted And Black - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, electric piano Fender Rhodes, celesta, lead vocals), Cornell Dupree, Hugh McCracken (guitar), Don Arnone (acoustic guitar), Donny Hathaway (Hammond organ, electric piano  Fender Rhodes), Billy Preston (Hammond organ), Chuck Rainey, Eric Gale (bass guitar), Robert Popwell (bass guitar, percussion), The Memphis Horns (horns), Neal Rosengarden (trumpet, vibraphone), Hubert Laws (flute), Pat Smith, Carolyn Franklin, Erma Franklin, Margaret Branch, Ann S. Clark, The Sweet Inspirations, Ronald Bright, J. R. Bailey, Sammy Turner (backing vocals), Dr. John (percussion), Bernard Purdie, Ray Lucas, Al Jackson Jr. (drums).\r\n
      \r\n
      - Aretha Franklin "Young, Gifted and Black" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Features the chart-topping ballad "Day Dreaming" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released on Atlantic Records in 1972, Young, Gifted and Black is Aretha Franklin's acclaimed 18th studio album. The album was recorded between 1970 and 1971 at Atlantic Studios in New York City and Criteria Studios in Miami.\r\n
      \r\n
      This is a beautiful album that perfectly mixes both sides of Aretha Franklin's talents the hard-edged soul singer who first flourished at Atlantic Records in the late '60s, and the artist who was growing even more as a vocalist really reaching out her wings to more sophisticated material! The record teams Franklin with some of the best musicians of the day, including Billy Preston, Donny Hathaway, and Bernard Purdie with backing vocals provided by Franklin's sisters, Carolyn and Erma, as well as The Sweet Inspirations.\r\n
      \r\n
      There's a balance here that makes the record one of the deepest that Franklin ever recorded for Atlantic lots of larger Arif Mardin touches, but also some raw moments that really round things out on titles that include Aretha's classic take on the Weldon Irvine/Nina Simone tune "Young Gifted & Black", the funky classic "Rock Steady", the wonderful mellow groover "Day Dreaming", the hit "Brand New Me", and the strangely compelling "First Snow In Kokomo".\r\n
      \r\n
      Lacquers cut by Kevin Gray/Cohearent Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Aretha Franklin (piano, electric piano Fender Rhodes, celesta, lead vocals), Cornell Dupree, Hugh McCracken (guitar), Don Arnone (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-LrGW6cmSIc&list=RD-LrGW6cmSIc&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 061-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Oh Me Oh My (I'm A Fool For You Baby)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Day Dreaming"
      ]
      [
        "ordre" => 3
        "nom" => "3. Rock Steady"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Young, Gifted And Black"
      ]
      [
        "ordre" => 6
        "nom" => "2. All The King's Horses"
      ]
      [
        "ordre" => 7
        "nom" => "3. A Brand New Me"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. April Fools"
      ]
      [
        "ordre" => 10
        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
        "ordre" => 11
        "nom" => "3. First Snow In Kokomo"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. The Long And Winding Road"
      ]
      [
        "ordre" => 14
        "nom" => "2. Didn't I (Blow Your Mind This Time)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Border Song (Holy Moses)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1754416637 {#2130
      date: 2025-08-05 17:57:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764926332 {#2131
      date: 2025-12-05 09:18:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-young-gifted-and-black-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-061-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3364
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2133
    -id: 2705
    -nom: "Young, Gifted And Black - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, electric piano Fender Rhodes, celesta, lead vocals), Cornell Dupree, Hugh McCracken (guitar), Don Arnone (acoustic guitar), Donny Hathaway (Hammond organ, electric piano  Fender Rhodes), Billy Preston (Hammond organ), Chuck Rainey, Eric Gale (bass guitar), Robert Popwell (bass guitar, percussion), The Memphis Horns (horns), Neal Rosengarden (trumpet, vibraphone), Hubert Laws (flute), Pat Smith, Carolyn Franklin, Erma Franklin, Margaret Branch, Ann S. Clark, The Sweet Inspirations, Ronald Bright, J. R. Bailey, Sammy Turner (backing vocals), Dr. John (percussion), Bernard Purdie, Ray Lucas, Al Jackson Jr. (drums).\r\n
      \r\n
      - Aretha Franklin "Young, Gifted and Black" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Features the chart-topping ballad "Day Dreaming" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released on Atlantic Records in 1972, Young, Gifted and Black is Aretha Franklin's acclaimed 18th studio album. The album was recorded between 1970 and 1971 at Atlantic Studios in New York City and Criteria Studios in Miami.\r\n
      \r\n
      This is a beautiful album that perfectly mixes both sides of Aretha Franklin's talents the hard-edged soul singer who first flourished at Atlantic Records in the late '60s, and the artist who was growing even more as a vocalist really reaching out her wings to more sophisticated material! The record teams Franklin with some of the best musicians of the day, including Billy Preston, Donny Hathaway, and Bernard Purdie with backing vocals provided by Franklin's sisters, Carolyn and Erma, as well as The Sweet Inspirations.\r\n
      \r\n
      There's a balance here that makes the record one of the deepest that Franklin ever recorded for Atlantic lots of larger Arif Mardin touches, but also some raw moments that really round things out on titles that include Aretha's classic take on the Weldon Irvine/Nina Simone tune "Young Gifted & Black", the funky classic "Rock Steady", the wonderful mellow groover "Day Dreaming", the hit "Brand New Me", and the strangely compelling "First Snow In Kokomo".\r\n
      \r\n
      Lacquers cut by Kevin Gray/Cohearent Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Aretha Franklin (piano, electric piano Fender Rhodes, celesta, lead vocals), Cornell Dupree, Hugh McCracken (guitar), Don Arnone (acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-LrGW6cmSIc&list=RD-LrGW6cmSIc&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 061-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Oh Me Oh My (I'm A Fool For You Baby)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Day Dreaming"
      ]
      [
        "ordre" => 3
        "nom" => "3. Rock Steady"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Young, Gifted And Black"
      ]
      [
        "ordre" => 6
        "nom" => "2. All The King's Horses"
      ]
      [
        "ordre" => 7
        "nom" => "3. A Brand New Me"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. April Fools"
      ]
      [
        "ordre" => 10
        "nom" => "2. I've Been Loving You Too Long"
      ]
      [
        "ordre" => 11
        "nom" => "3. First Snow In Kokomo"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. The Long And Winding Road"
      ]
      [
        "ordre" => 14
        "nom" => "2. Didn't I (Blow Your Mind This Time)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Border Song (Holy Moses)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1754416637 {#2130
      date: 2025-08-05 17:57:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764926332 {#2131
      date: 2025-12-05 09:18:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-young-gifted-and-black-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-061-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 2681
    -nom: "Everything Is Everything"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donny Hathaway (piano & electric piano, organ, bass, keyboard bass, vocals), Willie Weeks, Louis Satterfield, Marshall Hawkins (bass), Master Henry Gibson (conga), King Curtis (guitar), Phil Upchurch (bass guitar, guitar), John Littlejohn (guitar, vocals), John Avant, Morris Ellis (trombone), Johnny Board, Lenard Druss (tenor saxophone), Oscar Brashear, John Howell, Robert A. Lewis (trumpet), Cyril Touff (bass trumpet), Clifford P. Davis, Don Myrick  (alto saxophone), Aaron Dodd (tuba), Willie Henderson (baritone saxophone), John Lounsberry, Ethel Merker, Paul A. Teryett (French horn), The Vashonettes (backing vocals), Ric Powell (drums, percussion), Morris Jennings (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Grammy-nominated and critically-acclaimed soul and R&B album !\r\n
      - Featuring "The Ghetto", and "To Be Young, Gifted and Black" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Donny Hathaway's first studio album Everything is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway's career and showcased his exceptional talent as a singer, songwriter, and pianist.\r\n
      \r\n
      The album was Hathaway's first release after being signed to Atlantic in 1969. Hathaway had already built a reputation early in his life, first as a gospel singer as a child under the name Donny Pitts. Raised in St. Louis, with religious influences, his grandmother Martha Crumwell was herself an accomplished gospel singer and guitarist. After dropping out of Howard University in 1967, Hathaway moved to Chicago, his birthplace, and started working on music for Curtis Mayfield's Curtom Records label where he was a songwriter, producer, arranger, composer, conductor and session player.\r\n
      \r\n
      Everything Is Everything was produced by Hathaway and Ric Powell, who plays drums and percussion on the album; Hathaway wrote or co-wrote five of the album's nine songs. Hathaway had met Powell while at Howard University, as well as the future Impressions lead singer, Leroy Hutson, who jointly wrote the hit song that would eventually make it on the album, "The Ghetto".\r\n
      \r\n
      The track was mostly an instrumental, except for Hathaway's vocal ad-libs and his singing of the chorus. Hathaway and Hutson composed another socially conscious song for the album, titled "Tryin' Times". Other songs were split between covers Ray Charles's "I Believe to My Soul" and Nina Simone's "To Be Young, Gifted and Black", spiritual affairs "Thank You Master for My Soul" and love songs "Je Vous Aime (I Love You".\r\n
      \r\n
      Released in July 1970, the album peaked at N° 73 on the Billboard Top 200 Albums chart and N° 33 on the Billboard R&B Albums chart.\r\n
      \r\n
      This timeless classic is now reissued in the definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) format.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Donny Hathaway (piano & electric piano, organ, bass, keyboard bass, vocals), Willie Weeks, Louis Satterfield, Marshall Hawkins (bass), Master Henry Gibson (conga), King Curtis (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=doubXwUVs1Y"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 052-45"
    -titreMorceau: [
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        "nom" => "1. To Be Young, Gifted And Black"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
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    -modifierLe: DateTime @1764880212 {#2147
      date: 2025-12-04 20:30:12.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3415
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 2681
    -nom: "Everything Is Everything"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Donny Hathaway (piano & electric piano, organ, bass, keyboard bass, vocals), Willie Weeks, Louis Satterfield, Marshall Hawkins (bass), Master Henry Gibson (conga), King Curtis (guitar), Phil Upchurch (bass guitar, guitar), John Littlejohn (guitar, vocals), John Avant, Morris Ellis (trombone), Johnny Board, Lenard Druss (tenor saxophone), Oscar Brashear, John Howell, Robert A. Lewis (trumpet), Cyril Touff (bass trumpet), Clifford P. Davis, Don Myrick  (alto saxophone), Aaron Dodd (tuba), Willie Henderson (baritone saxophone), John Lounsberry, Ethel Merker, Paul A. Teryett (French horn), The Vashonettes (backing vocals), Ric Powell (drums, percussion), Morris Jennings (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Grammy-nominated and critically-acclaimed soul and R&B album !\r\n
      - Featuring "The Ghetto", and "To Be Young, Gifted and Black" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Donny Hathaway's first studio album Everything is Everything is a significant work in the realm of soul and R&B music, released in 1970. It marked an important point in Hathaway's career and showcased his exceptional talent as a singer, songwriter, and pianist.\r\n
      \r\n
      The album was Hathaway's first release after being signed to Atlantic in 1969. Hathaway had already built a reputation early in his life, first as a gospel singer as a child under the name Donny Pitts. Raised in St. Louis, with religious influences, his grandmother Martha Crumwell was herself an accomplished gospel singer and guitarist. After dropping out of Howard University in 1967, Hathaway moved to Chicago, his birthplace, and started working on music for Curtis Mayfield's Curtom Records label where he was a songwriter, producer, arranger, composer, conductor and session player.\r\n
      \r\n
      Everything Is Everything was produced by Hathaway and Ric Powell, who plays drums and percussion on the album; Hathaway wrote or co-wrote five of the album's nine songs. Hathaway had met Powell while at Howard University, as well as the future Impressions lead singer, Leroy Hutson, who jointly wrote the hit song that would eventually make it on the album, "The Ghetto".\r\n
      \r\n
      The track was mostly an instrumental, except for Hathaway's vocal ad-libs and his singing of the chorus. Hathaway and Hutson composed another socially conscious song for the album, titled "Tryin' Times". Other songs were split between covers Ray Charles's "I Believe to My Soul" and Nina Simone's "To Be Young, Gifted and Black", spiritual affairs "Thank You Master for My Soul" and love songs "Je Vous Aime (I Love You".\r\n
      \r\n
      Released in July 1970, the album peaked at N° 73 on the Billboard Top 200 Albums chart and N° 33 on the Billboard R&B Albums chart.\r\n
      \r\n
      This timeless classic is now reissued in the definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic 75 Series) format.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Donny Hathaway (piano & electric piano, organ, bass, keyboard bass, vocals), Willie Weeks, Louis Satterfield, Marshall Hawkins (bass), Master Henry Gibson (conga), King Curtis (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=doubXwUVs1Y"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 052-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Voices Inside (Everything Is Everything)"
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        "nom" => "2. Je Vous Aime (I Love You)"
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      [
        "ordre" => 3
        "nom" => "3. I Believe To My Soul"
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        "nom" => "Side C : "
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      [
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        "nom" => "1. To Be Young, Gifted And Black"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
    -label: Proxies\__CG__\App\Entity\Label {#2119 …}
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      date: 2025-12-04 20:30:12.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2165
    -id: 2676
    -nom: "Side By Side"
    -informationComplementaire: null
    -description: """
      - Duke Ellington & Johnny Hodges "Side By Side" 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      \r\n
      When Norman Granz signed Johnny Hodges to a recording contract in 1951, it was a prelude to Hodges' leaving the Duke Ellington orchestra to lead his own small band. Four years later Hodges was back in the Ellington fold, but he continued to record for Granz under his own name.\r\n
      \r\n
      Side By Side, recorded in 1958 and 1959, is a throwback to the small-group sessions Ellington recorded with Hodges and other members of his orchestra in the 1930s, but with a couple of important differences : the absence of Ellington himself on several cuts (with Billy Strayhorn taking over on piano), and the presence of such notable non-Ellingtonians as drummer Jo Jones and trumpeters Roy Eldridge and Harry "Sweets" Edison. The Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Johnny Hodges (alto saxophone), Harry "Sweets" Edison, Roy Eldridge (trumpet), Les Spann (flute, guitar), Al Hall, Wendell Marshall (bass), Lawrence Brown (trombone), Ben Webster (tenor saxophone), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vVKSA72z8-g"
    -referenceProduit: "Acoustic Sounds Series Verve 8105"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Stompy Jones"
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      [
        "ordre" => 2
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        "nom" => "3. Big Shoe"
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      [
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        "nom" => "4. Going Up"
      ]
      [
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Just A Memory"
      ]
      [
        "ordre" => 7
        "nom" => "2. Let's Fall In Love"
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      [
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        "nom" => "5. You Need To Rock"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2167 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2174 …}
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    }
    -modifierLe: DateTime @1764870692 {#2163
      date: 2025-12-04 17:51:32.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2176 …}
    -disponible: null
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    -slug: "vinyles-side-by-side-acoustic-sounds-series-verve-8105"
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App\Twig\Components\GestionPanierFavoriComponents {#3466
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2165
    -id: 2676
    -nom: "Side By Side"
    -informationComplementaire: null
    -description: """
      - Duke Ellington & Johnny Hodges "Side By Side" 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      \r\n
      When Norman Granz signed Johnny Hodges to a recording contract in 1951, it was a prelude to Hodges' leaving the Duke Ellington orchestra to lead his own small band. Four years later Hodges was back in the Ellington fold, but he continued to record for Granz under his own name.\r\n
      \r\n
      Side By Side, recorded in 1958 and 1959, is a throwback to the small-group sessions Ellington recorded with Hodges and other members of his orchestra in the 1930s, but with a couple of important differences : the absence of Ellington himself on several cuts (with Billy Strayhorn taking over on piano), and the presence of such notable non-Ellingtonians as drummer Jo Jones and trumpeters Roy Eldridge and Harry "Sweets" Edison. The Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180 gram vinyl in deluxe gatefold packaging.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Johnny Hodges (alto saxophone), Harry "Sweets" Edison, Roy Eldridge (trumpet), Les Spann (flute, guitar), Al Hall, Wendell Marshall (bass), Lawrence Brown (trombone), Ben Webster (tenor saxophone), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vVKSA72z8-g"
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      [
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        "nom" => "5. You Need To Rock"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2167 …}
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    -modifierLe: DateTime @1764870692 {#2163
      date: 2025-12-04 17:51:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2176 …}
    -disponible: null
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    -slug: "vinyles-side-by-side-acoustic-sounds-series-verve-8105"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2184
    -id: 2528
    -nom: "Back to Back"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      This is among the finest Ellington small group sides. The predominantly blues repertoire is the perfect setting for Sweets and Hodges to open out, with Duke getting a simpler, but no less forceful rhythm section backing than he did in his own band, notes Jazzwise. Hodges does some of the most soulful playing of his career here.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington (piano), Johnny Hodges (alto saxophone), Al Hall, Sam Jones (bass), Leslie Spann (guitar), Harry Edison (trumpet), Jo Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=xwEjNghXCZ0"
    -referenceProduit: "Acoustic Sounds Series 512449"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Wabash Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Basin Street Blues"
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        "ordre" => 3
        "nom" => "3. Beale Street Blues"
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        "ordre" => 4
        "nom" => "4. Weary Blues"
      ]
      [
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      ]
      [
        "ordre" => 6
        "nom" => "5. St. Louis Blues"
      ]
      [
        "ordre" => 7
        "nom" => "6. Loveless Blues"
      ]
      [
        "ordre" => 8
        "nom" => "7. Royal Garden Blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2167 …}
    -label: Proxies\__CG__\App\Entity\Label {#2170 …}
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      "... successful enough to spawn a successor album Side by Side. Both albums have long been collectables with jazz lovers as well as audiophiles, as they contribute top-notch music with fabulous sound. ... the new mastering by the late George Marino of Sterling Sound brings out more detail and texture to the instrumental sound than the original. Sterling Sound's reissues of the 1960s material from the MGM period have been dramatically better than the reissues. The improvement here is real but not as dramatic. Still, this is a first-class reissue". - Recording = 9.5/10; Music = 9/10 — Dennis D. Davis, Hi-Fi +, Issue 96\r\n
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[
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    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
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      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3613
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    -id: 2037
    -nom: "Duke Ellington Meets Coleman Hawkins"
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      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

[
  "produit" => App\Entity\Produit {#2226
    -id: 2038
    -nom: "Duke Ellington & John Coltrane"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The classic 1962 album Duke Ellington & John Coltrane introduces the rising jazz saxophone innovator performing with the long-established piano institution Duke Ellington.\r\n
      \r\n
      Perhaps looking to renew his inspiration or maybe simply wanting to broaden his horizons, Duke Ellington began a string of collaborations in the second half of his career whereas before that, his own band was stimulus enough. Whatever the reason, almost all of his collaborations succeeded at high levels, although none of his shared sessions are more intriguing on the surface than this 1962 date with the preeminent sax star of the day.\r\n
      \r\n
      "In reality, the record amounts to 'Coltrane Plays Ellington' (plus one Coltrane original) because the tenor man is the whole show and what a show it is. Only Coltrane could be as 'fiercely tender', and there's no better forum for his sensitive side than the music of Ellington and Billy Strayhorn, who contributes the album's true vertex, 'My Little Brown Book'. The rhythm section alternates between Duke's and Trane's, each adding a different texture to the proceedings. Ellington is wise enough to appreciate the nature of the session, and he is quite content to feed chords in service of the young master proving the old master's open mind and good taste. Hearing Coltrane seize 'In a Sentimental Mood' is thanks enough". - Marc Greilsamer\r\n
      \r\n
      At a gathering of Ellington band alumni organized by Jazz at Lincoln Center, bassist John Lamb recalled the sessions for Duke Ellington & John Coltrane : "There was no music on that whole date. Nobody had a chart. We came in and we were standing there, waiting to see what would happen. 'Trane would go and sit on the piano bench with Duke. They didn't talk, but Duke would be singing and 'Trane would go... Then, after they did that for a few minutes, they got up. 'Trane would go to his microphone, Duke would start playing, and the rhythm section, we had to do for ourselves, you know. That's it. He didn't even tell you the key. He could communicate without words, and 'Trane could hear it". On "Take the Coltrane", the two play in a quartet of Coltrane's bandmates of the day, bassist Jimmy Garrison and drummer Elvin Jones (Ellington men Lamb and drummer Sam Woodyard also played on the album). - JazzIz Magazine\r\n
      \r\n
      Recorded on September 26, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3664
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
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    -id: 2038
    -nom: "Duke Ellington & John Coltrane"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      The classic 1962 album Duke Ellington & John Coltrane introduces the rising jazz saxophone innovator performing with the long-established piano institution Duke Ellington.\r\n
      \r\n
      Perhaps looking to renew his inspiration or maybe simply wanting to broaden his horizons, Duke Ellington began a string of collaborations in the second half of his career whereas before that, his own band was stimulus enough. Whatever the reason, almost all of his collaborations succeeded at high levels, although none of his shared sessions are more intriguing on the surface than this 1962 date with the preeminent sax star of the day.\r\n
      \r\n
      "In reality, the record amounts to 'Coltrane Plays Ellington' (plus one Coltrane original) because the tenor man is the whole show and what a show it is. Only Coltrane could be as 'fiercely tender', and there's no better forum for his sensitive side than the music of Ellington and Billy Strayhorn, who contributes the album's true vertex, 'My Little Brown Book'. The rhythm section alternates between Duke's and Trane's, each adding a different texture to the proceedings. Ellington is wise enough to appreciate the nature of the session, and he is quite content to feed chords in service of the young master proving the old master's open mind and good taste. Hearing Coltrane seize 'In a Sentimental Mood' is thanks enough". - Marc Greilsamer\r\n
      \r\n
      At a gathering of Ellington band alumni organized by Jazz at Lincoln Center, bassist John Lamb recalled the sessions for Duke Ellington & John Coltrane : "There was no music on that whole date. Nobody had a chart. We came in and we were standing there, waiting to see what would happen. 'Trane would go and sit on the piano bench with Duke. They didn't talk, but Duke would be singing and 'Trane would go... Then, after they did that for a few minutes, they got up. 'Trane would go to his microphone, Duke would start playing, and the rhythm section, we had to do for ourselves, you know. That's it. He didn't even tell you the key. He could communicate without words, and 'Trane could hear it". On "Take the Coltrane", the two play in a quartet of Coltrane's bandmates of the day, bassist Jimmy Garrison and drummer Elvin Jones (Ellington men Lamb and drummer Sam Woodyard also played on the album). - JazzIz Magazine\r\n
      \r\n
      Recorded on September 26, 1962 at Van Gelder Studio, Englewood Cliffs, New Jersey.
      """
    -prixVente: "60.00"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2228 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2242
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
      All of the takes were recorded during after midnight sessions recorded over two nights starting on December 2, 1959 in New York at Columbia Record's studio on East 30th Street. Each night Duke's late dinner arrived at 2 a.m. - a sizzling steak, a pot of coffee with lemons in it, portions of American cheese, and grapefruits. After dinner, and a breather for the band, the sessions finished around dawn in a swinging fashion.\r\n
      \r\n
      If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington, Billy Strayhorn (piano), Ray Nance, Cat Anderson, Shorty Baker, Clark Terry, Fats Ford (trumpet), Britt Woodman, Matthew Gee, Booty Wood, Quentin Jackson (trombone), John Sanders (Valve trombone), Jimmy Hamilton (clarinet, tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=b2pI2CbBJPY"
    -referenceProduit: "AAPJ 056"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Three J’s Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Smada"
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      [
        "ordre" => 3
        "nom" => "3. Pie Eye’s Blues"
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        "ordre" => 4
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      ]
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        "ordre" => 5
        "nom" => "5. C Jam Blues"
      ]
      [
        "ordre" => 6
        "nom" => "Side B :"
      ]
      [
        "ordre" => 7
        "nom" => "1. In A Mellow Tone"
      ]
      [
        "ordre" => 8
        "nom" => "2. Blues In Blueprint"
      ]
      [
        "ordre" => 9
        "nom" => "3. The Swinger’s Get The Blues Too"
      ]
      [
        "ordre" => 10
        "nom" => "4. The Swinger’s Jump"
      ]
      [
        "ordre" => 11
        "nom" => "5. Blues In Orbit"
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      [
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        "nom" => "6. Villes Ville Is The Place, Man"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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    -modifierLe: DateTime @1764866762 {#2240
      date: 2025-12-04 16:46:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3715
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2242
    -id: 894
    -nom: "Blues In Orbit"
    -informationComplementaire: null
    -description: """
      - Remastered by Bernie Grundman from the original analog tapes !\r\n
      - Gatefold old-school "tip-on" on jacket by Stoughton Printing !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's tempting for Blues in Orbit to be overlooked when Duke Ellington's best albums are discussed, but truly it's an undisputed gem. There are 14 tracks, none of them is longer than 4:50 and it is all good stuff. There are some familiar favorites such as "In a Mellotone" and "C Jam Blues" as well as less often heard gems like "Blues in Blueprint and "Sweet and Pungent". It is also in stereo, and the arrangements are superb.\r\n
      \r\n
      The featured performers include Ellington stalwarts Johnnie Hodges, Ray Nance, Harry Carney and Jimmy Hamilton, as well as the less familiar Booty Wood and Matthew Gee. Johnnie, in particular is well showcased here, taking the lead not only in slow pieces like "Brown Penny" and "Sentimental Lady", but also in the rousing, "Smada".\r\n
      \r\n
      The full Analogue Productions reissue treatment is at work on this smashing LP - famed mastering engineer Bernie Grundman handled the remastering from the original analog tapes. The lacquers were plated and pressed at Quality Record Pressings, maker of the world's finest-sounding LPs. Lastly we've stashed each super-silent 180 gram disc in a premium Stoughton Printing gatefold jacket.\r\n
      \r\n
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      \r\n
      If you're just getting into jazz, this album is highly recommended as a great way to initiate your collection. The sound is incredible, with packaging to match. Another audiophile home run.
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=b2pI2CbBJPY"
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        "ordre" => 8
        "nom" => "2. Blues In Blueprint"
      ]
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        "ordre" => 9
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      ]
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        "ordre" => 10
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      ]
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        "ordre" => 11
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2258
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Malletoba Spank"
      ]
      [
        "ordre" => 2
        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Shoes (Toot Suite, Pt. II)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Red Carpet (Toot Suite, Pt. III)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2259 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2261 …}
    -enregistreLe: DateTime @1484238345 {#2255
      date: 2017-01-12 16:25:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764866413 {#2256
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3768
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2690 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2258
    -id: 1111
    -nom: "Jazz Party In Stereo"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone), Britt Woodman, John Sanders, Quentin Jackson (trombone), Andres Ford, Cat Anderson, Clark Terry, Dizzy Gillespie, Shorty Baker, Ray Nance (trumpet), Robert M. Rosengarden, Bradley Spinney, Chauncey Morehouse, Elden C. Balley, George Gaber, Harry Breuer, Milton Schlesinger, Morris Goldenberg, Walter E. Rosenberger (percussion), Sam Woodyard (drums)\r\n
      \r\n
      - Duke Ellington "Jazz Party In Stereo" 180 Gram LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Housed in a tip-on gatefold jacket (from Stoughton Printing) for the first time !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      Ellington soars to unmatched artistic heights alongside impressive jazz stars including Dizzy Gillespie, Johnny Hodges and Jimmy Rushing !\r\n
      \r\n
      The tremendously detailed audio effect achieved by Columbia's engineers is brought back to life on this 200-gram LP from Analogue Productions. You want Duke and his men at their best, this is it !\r\n
      \r\n
      Duke Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category". He remains one of the most influential figures in jazz, if not in all American music and is widely considered as one of the 20th century's best known African American personalites. He received 13 Grammy Awards and was honored with the French Legion of Honor in 1973. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board.\r\n
      \r\n
      Dizzy's spectacular trumpet blooms here amidst the Ellingtonian aggregate. The sometimes tender, sometimes shouting blues style of Jimmy Rushing provides nice contrast in one of the most varied and satisfying Ellington recordings ever. Originally released on Columbia Records in 1959, Jazz Party In Stereo contains a formidable gallery of jazz stars including Dizzy Gillespie, Jimmy Rushing, Johnny Hodges, Clark Terry, Paul Gonsalves, and more!\r\n
      \r\n
      So what have we done to perfect this brilliant reissue? Mastering by Bernie Grundman from the original analog tape, for starters. Naturally we turned to our own Quality Record Pressings for the finest 200 Gram, dead-silent background pressing. Top it off with a Stoughton Printing gatefold tip-on jacket with beautiful full-size inner pictures and you've got an audiophile's dream. A can't miss for your collection !\r\n
      \r\n
      "This most unusual Duke Ellington record includes two selections featuring nine symphonic percussionists on timpani, vibes, marimbas, and xylophones. Dizzy Gillespie makes a historic appearance with Ellington's orchestra on 'U.M.M.G.' (a meeting that should have been repeated often but sadly never was), Jimmy Rushing (Count Basie's former vocalist) sings 'Hello Little Girl,' and both Johnny Hodges ('All of Me') and Paul Gonsalves ('Ready Go!') have chances to blow". - AllMusic
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Duke Ellington, Jimmy Jones (piano), Jimmy Woode (bass), Jimmy Rushing (vocals), Harry Carney, Jimmy Hamilton, Johnny Hodges, Paul Gonzalves, Russell Procope (saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=eY2YKrE8idA&list=RDeY2YKrE8idA&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Malletoba Spank"
      ]
      [
        "ordre" => 2
        "nom" => "2. Red Garter (Toot Suite, Pt. I)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Red Shoes (Toot Suite, Pt. II)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Red Carpet (Toot Suite, Pt. III)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Ready, Go! (Toot Suite, Pt. IV)"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. U.M.M.G. (Upper Manhattan Medical Group)"
      ]
      [
        "ordre" => 8
        "nom" => "2. All of Me"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tymperturbably Blue"
      ]
      [
        "ordre" => 10
        "nom" => "4. Hello Little Girl"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2259 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2261 …}
    -enregistreLe: DateTime @1484238345 {#2255
      date: 2017-01-12 16:25:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764866413 {#2256
      date: 2025-12-04 16:40:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jazz-party-in-stereo-analogue-productions-aapp-8127"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3964
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2458 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3965 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4013 …}
  +isValidated: false
  +validatedFields: []
}