Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2439
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2516
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2519 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2092 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
  -formView: Symfony\Component\Form\FormView {#2555 …}
  -form: Symfony\Component\Form\Form {#2705 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1872
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Calling Elvis"
      ]
      [
        "ordre" => 1
        "nom" => "2. On Every Street"
      ]
      [
        "ordre" => 2
        "nom" => "3. When It Comes to You"
      ]
      [
        "ordre" => 3
        "nom" => "4. Fade to Black"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Bug"
      ]
      [
        "ordre" => 5
        "nom" => "6. You and Your Friend"
      ]
      [
        "ordre" => 6
        "nom" => "7. Heavy Fuel"
      ]
      [
        "ordre" => 7
        "nom" => "8. Iron Hand"
      ]
      [
        "ordre" => 8
        "nom" => "9. Ticket to Heaven"
      ]
      [
        "ordre" => 9
        "nom" => "10. My Parties"
      ]
      [
        "ordre" => 10
        "nom" => "11. Planet of New Orleans"
      ]
      [
        "ordre" => 11
        "nom" => "12. How Long"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2012 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1914 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2000 …}
    -enregistreLe: DateTime @1680249911 {#1724
      date: 2023-03-31 08:05:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928773 {#1885
      date: 2025-12-05 09:59:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2006 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-every-street-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-510"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2992
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2092 …}
  +produit: App\Entity\Produit {#1872
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Calling Elvis"
      ]
      [
        "ordre" => 1
        "nom" => "2. On Every Street"
      ]
      [
        "ordre" => 2
        "nom" => "3. When It Comes to You"
      ]
      [
        "ordre" => 3
        "nom" => "4. Fade to Black"
      ]
      [
        "ordre" => 4
        "nom" => "5. The Bug"
      ]
      [
        "ordre" => 5
        "nom" => "6. You and Your Friend"
      ]
      [
        "ordre" => 6
        "nom" => "7. Heavy Fuel"
      ]
      [
        "ordre" => 7
        "nom" => "8. Iron Hand"
      ]
      [
        "ordre" => 8
        "nom" => "9. Ticket to Heaven"
      ]
      [
        "ordre" => 9
        "nom" => "10. My Parties"
      ]
      [
        "ordre" => 10
        "nom" => "11. Planet of New Orleans"
      ]
      [
        "ordre" => 11
        "nom" => "12. How Long"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2012 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1914 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2000 …}
    -enregistreLe: DateTime @1680249911 {#1724
      date: 2023-03-31 08:05:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928773 {#1885
      date: 2025-12-05 09:59:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2006 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-on-every-street-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-510"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
}

[
  "produit" => App\Entity\Produit {#2029
    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), B. Bear (keyboards), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o8UfT2OWuis"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-467"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Once Upon A Time In the West"
      ]
      [
        "ordre" => 2
        "nom" => "2. News"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Where Do You Think You're Going ?"
      ]
      [
        "ordre" => 5
        "nom" => "2. Communique"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lady Writer"
      ]
      [
        "ordre" => 8
        "nom" => "2. Angel of Mercy"
      ]
      [
        "ordre" => 9
        "nom" => "3. Portobello Belle"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Single-Handed Sailor"
      ]
      [
        "ordre" => 12
        "nom" => "2. Follow Me Home"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2037 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2030 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2032 …}
    -enregistreLe: DateTime @1480661317 {#2026
      date: 2016-12-02 06:48:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764928692 {#2027
      date: 2025-12-05 09:58:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2034 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-communique-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-467"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3083
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2092 …}
  +produit: App\Entity\Produit {#2029
    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), B. Bear (keyboards), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "1. Single-Handed Sailor"
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      [
        "ordre" => 12
        "nom" => "2. Follow Me Home"
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    -artiste: App\Entity\Artiste {#1063 …}
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[
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    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
      \r\n
      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
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    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "2. One World"
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App\Twig\Components\GestionPanierFavoriComponents {#3131
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  +produit: App\Entity\Produit {#2042
    -id: 776
    -nom: "Brothers In Arms (2 LP) - Ultra Analog 180 gram  45 RPM"
    -informationComplementaire: null
    -description: """
      There are hit records. And then there are blockbusters. One of the world's best-selling records, a winner of two Grammy Awards, an era-defining reference statement, an MTV favorite, and a set that catapulted an already-acclaimed band to arena status, Dire Straits' Brothers in Arms is the kind of epic spectacular that comes around only once or twice a decade.\r\n
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      The sense of realism this edition delivers will leave slack-jawed even the most hard-to-please audiophiles. As the recipient of the Grammy for Best-Engineered Recording, the album has always been a go-to sonic standard, but never has it sounded so reach-out-and-touch-it realistic as it does on this analog pressing. All of the hallmark characteristics - ample spaciousness, ideal balances, widescreen dynamics, immersive depth, lush production - are here in spades. As is music-making of enviable proportions.\r\n
      \r\n
      Reasons for the album's chart-busting success primarily owe to the expertly crafted songs and memorable playing turned in by a group hitting its creative peak. Not to mention the spatial dimensions that cause instruments and vocals to naturally float in a fixed area.\r\n
      \r\n
      Anchored by "Money for Nothing," a caustically themed smash immediately identifiable via Mark Knopfler's resonant finger picked guitar riff and Sting's "I want my MTV" vocal refrain, Dire Straits' fifth album is stuffed with bluesy signatures, jazz-rock motifs, clever lyrics, and organic accents.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Alan Clark, Guy Fletcher (keyboards), Omar Hakim, Terry Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -artiste: App\Entity\Artiste {#1063 …}
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    -slug: "vinyles-brothers-in-arms-2-lp-ultra-analog-180-gram-45-rpm-mobile-fidelity-sound-lab-mfsl-2-441"
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[
  "produit" => App\Entity\Produit {#2055
    -id: 1242
    -nom: "Making Movies"
    -informationComplementaire: null
    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
      - RECORD ONE : 1/4" / 30 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=64Ozpbxgzds"
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        "ordre" => 0
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App\Twig\Components\GestionPanierFavoriComponents {#3179
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
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  +produit: App\Entity\Produit {#2055
    -id: 1242
    -nom: "Making Movies"
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    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
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      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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        "nom" => "1. Expresso Love"
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        "nom" => "Side D : "
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      [
        "nom" => "2. Les Boys"
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      ]
    ]
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[
  "produit" => App\Entity\Produit {#2068
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1919 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Down To the Waterline"
        "ordre" => 1
      ]
      [
        "nom" => "2. Water of Love"
        "ordre" => 2
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      [
        "nom" => "Side B : "
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        "ordre" => 4
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        "ordre" => 5
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        "ordre" => 6
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      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Sultans of Swing"
        "ordre" => 8
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      [
        "nom" => "2. In the Gallery"
        "ordre" => 9
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      [
        "nom" => "Side D :"
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      [
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        "ordre" => 11
      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2076 …}
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    }
    -modifierLe: DateTime @1764439558 {#2066
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
    -disponible: null
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    -slug: "vinyles-dire-straits-2-lp-45-rpm-mfsl-2-466"
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App\Twig\Components\GestionPanierFavoriComponents {#3227
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2092 …}
  +produit: App\Entity\Produit {#2068
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1919 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
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      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
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    }
    -modifierLe: DateTime @1764439558 {#2066
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2073 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
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[
  "produit" => App\Entity\Produit {#2081
    -id: 1086
    -nom: "Love Over Gold - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      Dire Straits Stretch Out With Extended, Ambitious Arrangements and Moody Atmospherics : Love Over Gold Mesmerizes With Tension, Contrast, Interplay, and Craftsmanship \r\n
      \r\n
      Mobile Fidelity 45 RPM 2 LP Set of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, and Transparency : Mastered from the Original Tapes, Music Emerges With New Details and Tones  \r\n
      \r\n
      Love Over Gold Includes the Epic "Telegraph Road" and Aching "Private Investigations" : Heartfelt Narrative Songs Steeped in Patience, Drama, Sadness, and Romance\r\n
      \r\n
      1/2" / 30 IPS analog master - Plangent Processed - to DXD to analog console to lathe\r\n
      \r\n
      Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman his first appearance in what would be a long string of collaborations with Mark Knopfler ensures stunning sonic properties that now come to life like never before.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments – marimbas, acoustic and electric guitars, vibes, synthesizers further enhance the ambitiousness of the 1982 album.\r\n
      \r\n
      On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.\r\n
      \r\n
      It doesn't take long to realize Love Over Gold is like no other Dire Straits album and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14 and-a-half minutes, the opening "Telegraph Road" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\r\n
      \r\n
      Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping "Telegraph Road" and barren "Private Investigations", which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed "wracking schizophrenia between the heart and the heartless, the loving and the pain".\r\n
      \r\n
      Called Dire Straits' prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging. \r\n
      \r\n
      "Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years including hi-res digital I have to say that on my system at least, nothing comes close to vinyl done this way". – David Price, Stereonet, Applause Award
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1919 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), Hal Lindes (guitar), John Illsley (bass), Alan Clark (keyboards), Pick Withers (drums), Mike Mainieri (vibes, marimba), Ed Walsh (synthesizer programming)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7gej3hLOLDU"
    -referenceProduit: "MFSL 2-469"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Telegraph Road"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Private Investigations"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Industrial Disease"
        "ordre" => 5
      ]
      [
        "nom" => "2. Love Over Gold"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
      [
        "nom" => "1. It Never Rains"
        "ordre" => 8
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2089 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2082 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2084 …}
    -enregistreLe: DateTime @1480663775 {#2078
      date: 2016-12-02 07:29:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764439534 {#2079
      date: 2025-11-29 18:05:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2086 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-love-over-gold-2-lp-45-rpm-mfsl-2-469"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3275
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2518 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2092 …}
  +produit: App\Entity\Produit {#2081
    -id: 1086
    -nom: "Love Over Gold - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      Dire Straits Stretch Out With Extended, Ambitious Arrangements and Moody Atmospherics : Love Over Gold Mesmerizes With Tension, Contrast, Interplay, and Craftsmanship \r\n
      \r\n
      Mobile Fidelity 45 RPM 2 LP Set of Love Over Gold Touts Unsurpassed Spaciousness, Imaging, and Transparency : Mastered from the Original Tapes, Music Emerges With New Details and Tones  \r\n
      \r\n
      Love Over Gold Includes the Epic "Telegraph Road" and Aching "Private Investigations" : Heartfelt Narrative Songs Steeped in Patience, Drama, Sadness, and Romance\r\n
      \r\n
      1/2" / 30 IPS analog master - Plangent Processed - to DXD to analog console to lathe\r\n
      \r\n
      Love Over Gold is all about contrast, tension, and crafty composition. Dire Straits' fourth album finds the band continuing to evolve by welcoming increasingly bold arrangements and exploring moody variations. Parts edgy and sharp, and part seductive and relaxed, the five lengthy songs on Love Over Gold sprawl out like a long, winding road cutting through a pastoral landscape. The addition of a new rhythm guitarist, Hal Lindes, encourages deeper atmospheric interplay while the presence of engineer Neil Dorfsman his first appearance in what would be a long string of collaborations with Mark Knopfler ensures stunning sonic properties that now come to life like never before.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Love Over Gold teems with superb balances, front-to-back soundstages, and crystalline purity. The dead-quiet surfaces and extra-wide grooves bring forward previously obscured details, extra information, and mastering-studio-quality transients. The distinctive textures of a host of instruments – marimbas, acoustic and electric guitars, vibes, synthesizers further enhance the ambitiousness of the 1982 album.\r\n
      \r\n
      On this audiophile pressing, everything Knopfler does seemingly turn to gold. Gearheads will hear the unique characteristics afforded by his use of a Mesa Boogie Mark II guitar amplifier (soon again employed on Brothers in Arms) and carefully chosen selection of Schecter Stratocasters, 1937 National steel guitar, and Ovation six- and twelve-string models. Reference-level separation and lifelike imaging place Knopfler and company in your room, while tube-like warmth, spaciousness, and airiness causes the music to breathe anew. This LP will be in your rotation for months.\r\n
      \r\n
      It doesn't take long to realize Love Over Gold is like no other Dire Straits album and a staunch proclamation of independence from a band that continued to take longer creative strides with each successive project. Fearlessly extending over metaphoric hills, valleys, and plains for nearly 14 and-a-half minutes, the opening "Telegraph Road" is a guitar hero's dream and exhilarating showcase for Lindes' give-and-take capabilities. In tandem with keyboardist Alan Clark, Lindes provides the ideal foil for not only Knopfler but the long-time rhythm section of bassist John Illsley and drummer Pick Withers.\r\n
      \r\n
      Taking its time to arrive at destinations, the quintet paints evocative musical and lyrical portraits steeped in patience, drama, and, often times, sadness. Desolate emotions color the sweeping "Telegraph Road" and barren "Private Investigations", which finds Knopfler in the role of a tired private eye contemplating the emptiness and scars of his profession. Vocally, the Dire Straits leader remains in top form throughout, his whiskey-coated rasp conveying romantic ache, ongoing frustration, and what Rolling Stone beautifully deemed "wracking schizophrenia between the heart and the heartless, the loving and the pain".\r\n
      \r\n
      Called Dire Straits' prog-rock statement, Love Over Gold is a classic that defies labeling and avoids aging. \r\n
      \r\n
      "Listening to these classic albums in an entirely new way is an experience that I won't forget too soon. Having heard these songs in various different formats over the years including hi-res digital I have to say that on my system at least, nothing comes close to vinyl done this way". – David Price, Stereonet, Applause Award
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1919 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), Hal Lindes (guitar), John Illsley (bass), Alan Clark (keyboards), Pick Withers (drums), Mike Mainieri (vibes, marimba), Ed Walsh (synthesizer programming)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=7gej3hLOLDU"
    -referenceProduit: "MFSL 2-469"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Telegraph Road"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "1. Private Investigations"
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Industrial Disease"
        "ordre" => 5
      ]
      [
        "nom" => "2. Love Over Gold"
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 7
      ]
      [
        "nom" => "1. It Never Rains"
        "ordre" => 8
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2089 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2082 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2084 …}
    -enregistreLe: DateTime @1480663775 {#2078
      date: 2016-12-02 07:29:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764439534 {#2079
      date: 2025-11-29 18:05:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2086 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-love-over-gold-2-lp-45-rpm-mfsl-2-469"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3467
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2286 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3468 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3516 …}
  +isValidated: false
  +validatedFields: []
}