Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2656
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2503 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2733
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2736 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2503 …}
  -formView: Symfony\Component\Form\FormView {#2772 …}
  -form: Symfony\Component\Form\Form {#2922 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 3083
    -nom: "Morning Phase - (Edition One-Step)"
    -informationComplementaire: "Redécouvrez "Morning Phase" de Beck dans cette édition audiophile Limited Edition Numbered One-Step de la collection Capitol – Definitive Sound Series, offrant une restitution sonore d’une richesse et d’une profondeur remarquables."
    -description: """
      Avec "Morning Phase", Beck signe en 2014 l’un des albums les plus apaisés, élégants et émotionnellement riches de sa carrière. Véritable voyage sensoriel aux accents folk et psychédéliques, le disque s’inscrit dans la continuité spirituelle de "Sea Change", tout en développant une atmosphère encore plus lumineuse et contemplative. Porté par des arrangements somptueux, des harmonies aériennes et une production d’une finesse remarquable, Morning Phase déroule une succession de paysages sonores baignés de lumière californienne, entre mélancolie douce et sérénité presque méditative.\r\n
      \r\n
      Entouré de musiciens d’exception comme Joey Waronker, Roger Joseph Manning Jr., Justin Meldal-Johnsen ou encore Greg Leisz à la pedal steel, Beck construit ici un album organique et profondément immersif, où chaque détail instrumental trouve naturellement sa place. Les guitares acoustiques résonnent avec chaleur, les cordes enveloppent les compositions avec délicatesse et les textures analogiques donnent à l’ensemble une profondeur rare. Des titres comme "Morning, Blue Moon, Heart Is A Drum ou Wave" illustrent parfaitement cette capacité à mêler intimité, ampleur cinématographique et sophistication sonore.\r\n
      \r\n
      Cette édition Limited Edition Numbered One-Step, issue de la prestigieuse collection Capitol – Definitive Sound Series, sublime encore davantage l’expérience d’écoute. Grâce à un procédé de pressage audiophile haut de gamme réduisant les étapes intermédiaires de fabrication, ce vinyle offre une restitution sonore d’une précision exceptionnelle : "scène sonore ample, dynamique naturelle, silences plus profonds et richesse harmonique impressionnante". Chaque nuance des arrangements et chaque respiration de la production prennent ici une dimension particulièrement vivante et réaliste.\r\n
      \r\n
      Pressé en édition limitée numérotée à 3000 exemplaires, ce 33 tours constitue une pièce de choix pour les collectionneurs, les audiophiles et tous les amateurs de belles éditions vinyles. Une redécouverte magistrale d’un album devenu au fil du temps un classique moderne du folk contemporain.\r\n
      \r\n
      Musicians : \r\n
      Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass), Smokey Hormel, Jason Falkner, Cody Kilby (guitar), Greg Leisz (pedal steel guitar), Stanley Clarke (upright, electric bass), Joey Waronker (drums, percussion), Matt Mahaffey (organ),Bram Inscore (bass), Fats Kaplin (banjo), Stephanie Bennett (harp), James Gadson (drums), David Campbell (orchestral arrangements, conducting).\r\n
      \r\n
      - Beck "Morning Phase" !\r\n
      - Definitive Sound Series One-Step pressing !\r\n
      - Sourced from 96kHz / 24bit files transferred from analog flat masters !\r\n
      - Mastered by Levi Seitz at Black Belt Mastering !\r\n
      - Limited to 3000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      - Heavyweight tip-on double gatefold jacket inside a custom slipcase !\r\n
      - Album features "Blue Moon" "Say Goodbye" and "Wave" !\r\n
      \r\n
      The Definitive Sound Series (DSS) meticulous One-Step process creates the definitive sounding audiophile version of all-time classic albums.\r\n
      \r\n
      Beck Morning Phase was mastered from 96kHz / 24bit original vinyl files to ensure Morning Phase has never sounded better.\r\n
      \r\n
      Morning Phase is true to its title: the beginning of yet another amazing chapter in Beck's peerless career and catalogue. Featuring musicians who have backed him on many of his most acclaimed albums, as well as the current live shows widely hailed as the best of his career (Justin Meldal-Johnsen, Joey Waronker, Smokey Hormel, Roger Joseph Manning Jr., and Jason Falkner), Morning Phase harkens back to the stunning harmonies, song craft and staggering emotional impact of Beck's most classic ballads, all the while surging forward with undeniable optimism.\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing, meaning the vinyl is pressed from the stamper made directly from the lacquer, minimizing noises and loss of details.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NBlfRGWb9Ew&list=RDNBlfRGWb9Ew&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 9817"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cycle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Morning"
      ]
      [
        "ordre" => 3
        "nom" => "3. Heart Is A Drum"
      ]
      [
        "ordre" => 4
        "nom" => "4. Say Goodbye"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blue Moon"
      ]
      [
        "ordre" => 6
        "nom" => "6. Unforgiven "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wave"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Let It Go"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blackbird Chain"
      ]
      [
        "ordre" => 11
        "nom" => "4. Phase"
      ]
      [
        "ordre" => 12
        "nom" => "5. Turn Away"
      ]
      [
        "ordre" => 13
        "nom" => "6. Country Down"
      ]
      [
        "ordre" => 14
        "nom" => "7. Waking Light"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1778657452 {#1929
      date: 2026-05-13 07:30:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778658268 {#1922
      date: 2026-05-13 07:44:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-morning-phase-edition-one-step-capitol-definitive-sound-series-9817"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3193
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 3083
    -nom: "Morning Phase - (Edition One-Step)"
    -informationComplementaire: "Redécouvrez "Morning Phase" de Beck dans cette édition audiophile Limited Edition Numbered One-Step de la collection Capitol – Definitive Sound Series, offrant une restitution sonore d’une richesse et d’une profondeur remarquables."
    -description: """
      Avec "Morning Phase", Beck signe en 2014 l’un des albums les plus apaisés, élégants et émotionnellement riches de sa carrière. Véritable voyage sensoriel aux accents folk et psychédéliques, le disque s’inscrit dans la continuité spirituelle de "Sea Change", tout en développant une atmosphère encore plus lumineuse et contemplative. Porté par des arrangements somptueux, des harmonies aériennes et une production d’une finesse remarquable, Morning Phase déroule une succession de paysages sonores baignés de lumière californienne, entre mélancolie douce et sérénité presque méditative.\r\n
      \r\n
      Entouré de musiciens d’exception comme Joey Waronker, Roger Joseph Manning Jr., Justin Meldal-Johnsen ou encore Greg Leisz à la pedal steel, Beck construit ici un album organique et profondément immersif, où chaque détail instrumental trouve naturellement sa place. Les guitares acoustiques résonnent avec chaleur, les cordes enveloppent les compositions avec délicatesse et les textures analogiques donnent à l’ensemble une profondeur rare. Des titres comme "Morning, Blue Moon, Heart Is A Drum ou Wave" illustrent parfaitement cette capacité à mêler intimité, ampleur cinématographique et sophistication sonore.\r\n
      \r\n
      Cette édition Limited Edition Numbered One-Step, issue de la prestigieuse collection Capitol – Definitive Sound Series, sublime encore davantage l’expérience d’écoute. Grâce à un procédé de pressage audiophile haut de gamme réduisant les étapes intermédiaires de fabrication, ce vinyle offre une restitution sonore d’une précision exceptionnelle : "scène sonore ample, dynamique naturelle, silences plus profonds et richesse harmonique impressionnante". Chaque nuance des arrangements et chaque respiration de la production prennent ici une dimension particulièrement vivante et réaliste.\r\n
      \r\n
      Pressé en édition limitée numérotée à 3000 exemplaires, ce 33 tours constitue une pièce de choix pour les collectionneurs, les audiophiles et tous les amateurs de belles éditions vinyles. Une redécouverte magistrale d’un album devenu au fil du temps un classique moderne du folk contemporain.\r\n
      \r\n
      Musicians : \r\n
      Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass), Smokey Hormel, Jason Falkner, Cody Kilby (guitar), Greg Leisz (pedal steel guitar), Stanley Clarke (upright, electric bass), Joey Waronker (drums, percussion), Matt Mahaffey (organ),Bram Inscore (bass), Fats Kaplin (banjo), Stephanie Bennett (harp), James Gadson (drums), David Campbell (orchestral arrangements, conducting).\r\n
      \r\n
      - Beck "Morning Phase" !\r\n
      - Definitive Sound Series One-Step pressing !\r\n
      - Sourced from 96kHz / 24bit files transferred from analog flat masters !\r\n
      - Mastered by Levi Seitz at Black Belt Mastering !\r\n
      - Limited to 3000 numbered copies !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      - Heavyweight tip-on double gatefold jacket inside a custom slipcase !\r\n
      - Album features "Blue Moon" "Say Goodbye" and "Wave" !\r\n
      \r\n
      The Definitive Sound Series (DSS) meticulous One-Step process creates the definitive sounding audiophile version of all-time classic albums.\r\n
      \r\n
      Beck Morning Phase was mastered from 96kHz / 24bit original vinyl files to ensure Morning Phase has never sounded better.\r\n
      \r\n
      Morning Phase is true to its title: the beginning of yet another amazing chapter in Beck's peerless career and catalogue. Featuring musicians who have backed him on many of his most acclaimed albums, as well as the current live shows widely hailed as the best of his career (Justin Meldal-Johnsen, Joey Waronker, Smokey Hormel, Roger Joseph Manning Jr., and Jason Falkner), Morning Phase harkens back to the stunning harmonies, song craft and staggering emotional impact of Beck's most classic ballads, all the while surging forward with undeniable optimism.\r\n
      \r\n
      One-Step vinyl is the ultimate vinyl pressing, meaning the vinyl is pressed from the stamper made directly from the lacquer, minimizing noises and loss of details.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Beck (acoustic & electric guitars, piano, bass, harmonica, organ, synthesizers, dulcimer, celeste, ukulele, charango, vocals), Roger Joseph Manning Jr. (keyboards, piano, clavinet, backing vocals), Justin Meldal-Johnsen (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NBlfRGWb9Ew&list=RDNBlfRGWb9Ew&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 9817"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cycle"
      ]
      [
        "ordre" => 2
        "nom" => "2. Morning"
      ]
      [
        "ordre" => 3
        "nom" => "3. Heart Is A Drum"
      ]
      [
        "ordre" => 4
        "nom" => "4. Say Goodbye"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blue Moon"
      ]
      [
        "ordre" => 6
        "nom" => "6. Unforgiven "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wave"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Let It Go"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blackbird Chain"
      ]
      [
        "ordre" => 11
        "nom" => "4. Phase"
      ]
      [
        "ordre" => 12
        "nom" => "5. Turn Away"
      ]
      [
        "ordre" => 13
        "nom" => "6. Country Down"
      ]
      [
        "ordre" => 14
        "nom" => "7. Waking Light"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1778657452 {#1929
      date: 2026-05-13 07:30:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778658268 {#1922
      date: 2026-05-13 07:44:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-morning-phase-edition-one-step-capitol-definitive-sound-series-9817"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2503 …}
}

[
  "produit" => App\Entity\Produit {#2102
    -id: 3082
    -nom: "Pet Sounds - (Edition One-Step Mono)"
    -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson."
    -description: """
      Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n
      \r\n
      Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n
      \r\n
      Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" (Mono) !\r\n
      - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n
      - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n
      - Release inspired by the legendary 1972 Brother Records pressing !\r\n
      - Sourced from rare analog tapes discovered in the archive !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n
      \r\n
      To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n
      \r\n
      Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n
      \r\n
      While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n
      \r\n
      "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history".
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 4280"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wouldn't It Be Nice"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Still Believe In Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's Not Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. Don't Talk (Put Your Head On My Shoulder)"
      ]
      [
        "ordre" => 5
        "nom" => "5. I'm Waiting For The Day"
      ]
      [
        "ordre" => 6
        "nom" => "6. Let's Go Away For Awhile"
      ]
      [
        "ordre" => 7
        "nom" => "7. Sloop John B"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. God Only Knows"
      ]
      [
        "ordre" => 10
        "nom" => "2. I Know There's An Answer"
      ]
      [
        "ordre" => 11
        "nom" => "3. Here Today"
      ]
      [
        "ordre" => 12
        "nom" => "4. I Just Wasn't Made For These Times"
      ]
      [
        "ordre" => 13
        "nom" => "5. Pet Sounds"
      ]
      [
        "ordre" => 14
        "nom" => "6. Caroline, No"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3307
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2102
    -id: 3082
    -nom: "Pet Sounds - (Edition One-Step Mono)"
    -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson."
    -description: """
      Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n
      \r\n
      Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n
      \r\n
      Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" (Mono) !\r\n
      - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n
      - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n
      - Release inspired by the legendary 1972 Brother Records pressing !\r\n
      - Sourced from rare analog tapes discovered in the archive !\r\n
      - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n
      \r\n
      Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n
      \r\n
      To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n
      \r\n
      Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n
      \r\n
      While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n
      \r\n
      "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history".
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1"
    -referenceProduit: "Capitol (Definitive Sound Series) 4280"
    -titreMorceau: [
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        "ordre" => 2
        "nom" => "2. You Still Believe In Me"
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        "ordre" => 3
        "nom" => "3. That's Not Me"
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        "nom" => "4. Don't Talk (Put Your Head On My Shoulder)"
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        "nom" => "5. I'm Waiting For The Day"
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        "nom" => "6. Let's Go Away For Awhile"
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        "nom" => "7. Sloop John B"
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        "nom" => "Side B : "
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        "nom" => "1. God Only Knows"
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        "nom" => "2. I Know There's An Answer"
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        "nom" => "3. Here Today"
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        "nom" => "4. I Just Wasn't Made For These Times"
      ]
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        "ordre" => 13
        "nom" => "5. Pet Sounds"
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        "ordre" => 14
        "nom" => "6. Caroline, No"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2104 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
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    -slug: "vinyles-pet-sounds-edition-one-step-mono-capitol-definitive-sound-series-4280"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2503 …}
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[
  "produit" => App\Entity\Produit {#2124
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
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        "ordre" => 2
        "nom" => "2. Buffalo"
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        "ordre" => 3
        "nom" => "3. Sunset "
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      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Whistle Stop"
      ]
      [
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        "nom" => "2. Sunrise In Mexico"
      ]
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        "nom" => "3. Windmill"
      ]
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        "nom" => "4. Dorham's Epitaph"
      ]
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
    -label: Proxies\__CG__\App\Entity\Label {#2129 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2138 …}
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    -enregistreLe: DateTime @1778398047 {#2116
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    }
    -modifierLe: DateTime @1778399685 {#2115
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-blue-note-records-1366"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3358
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2124
    -id: 3081
    -nom: "Whistle Stop"
    -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle."
    -description: """
      Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n
      \r\n
      L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n
      \r\n
      À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n
      \r\n
      - Kenny Dorham "Whistle Stop" !\r\n
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1"
    -referenceProduit: "Blue Note Records 1366"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. 'Philly' Twist"
      ]
      [
        "ordre" => 2
        "nom" => "2. Buffalo"
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        "nom" => "3. Sunset "
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      [
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        "nom" => "Side B : "
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        "nom" => "1. Whistle Stop"
      ]
      [
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        "nom" => "2. Sunrise In Mexico"
      ]
      [
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        "nom" => "3. Windmill"
      ]
      [
        "ordre" => 8
        "nom" => "4. Dorham's Epitaph"
      ]
      [
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        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2126 …}
    -label: Proxies\__CG__\App\Entity\Label {#2129 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2138 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2131 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2133 …}
    -enregistreLe: DateTime @1778398047 {#2116
      date: 2026-05-10 07:27:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778399685 {#2115
      date: 2026-05-10 07:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2135 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-whistle-stop-blue-note-records-1366"
  }
  +optionPrix: null
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}

[
  "produit" => App\Entity\Produit {#2145
    -id: 3080
    -nom: "One Of These Nights - Box Set (3 LP)"
    -informationComplementaire: null
    -description: """
      - Eagles "One Of These Nights" !\r\n
      - Deluxe Edition (3 LP) Box Set + booklet !- \r\n
      - Expanded set includes an unreleased live show from Sept. 28, 1975 !\r\n
      \r\n
      The Eagle's fourth album was their commercial breakthrough, propelling them to become worldwide superstars. Produced by Bill Szymczyk, it was the Eagles first N° 1 album on the Billboard charts and includes the Top 10 singles "One of These Nights", "Lyin' Eyes", and "Take It To The Limit".\r\n
      \r\n
      The album is now being expanded to include an unreleased live show from Anaheim Stadium, September 28, 1975, featuring a guest appearance from Joe Walsh before he joined the band the following year after Bernie Leadon's departure.\r\n
      \r\n
      The set will include photos and ephemera, with the packaging designed by Grammy-Award winning Art Director Jeri Heiden.\r\n
      \r\n
      One Of These Nights was nominated for four Grammys and won the award for Best Pop Performance By A Duo or Group With Vocal for "Lyin' Eyes". The album is 4 x platinum-selling in the US, 2 x platinum-selling in Australia and platinum-selling in the U.K and Canada.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Don Felder (guitar, slide guitar, vocals), Randy Meisner (bass, vocals), Glenn Frey, Joe Walsh (guitar, keyboards, vocals), Don Henley (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1QZJVB6pAP4&list=RD1QZJVB6pAP4&start_radio=1"
    -referenceProduit: "Rhino Records 7158"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "Original Album (2025 Mix)"
      ]
      [
        "ordre" => 2
        "nom" => "1. One of These Nights"
      ]
      [
        "ordre" => 3
        "nom" => "2. Too Many Hands"
      ]
      [
        "ordre" => 4
        "nom" => "3. Hollywood Waltz"
      ]
      [
        "ordre" => 5
        "nom" => "4. Journey of the Sorcerer"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lyin' Eyes"
      ]
      [
        "ordre" => 8
        "nom" => "2. Take It to the Limit"
      ]
      [
        "ordre" => 9
        "nom" => "3. Visions"
      ]
      [
        "ordre" => 10
        "nom" => "4. After The Thrill Is Gone"
      ]
      [
        "ordre" => 11
        "nom" => "5. I Wish You Peace"
      ]
      [
        "ordre" => 12
        "nom" => "Side C :"
      ]
      [
        "ordre" => 13
        "nom" => "Live at Anaheim Stadium, Sept. 28, 1975"
      ]
      [
        "ordre" => 14
        "nom" => "1. Take It Easy"
      ]
      [
        "ordre" => 15
        "nom" => "2. Outlaw Man"
      ]
      [
        "ordre" => 16
        "nom" => "3. Doolin - Dalton / Desperado "
      ]
      [
        "ordre" => 17
        "nom" => "Side D : "
      ]
      [
        "ordre" => 18
        "nom" => "1. One of These Nights"
      ]
      [
        "ordre" => 19
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        "nom" => "3. Lyin' Eyes"
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        "nom" => "4. Take It to the Limit"
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        "nom" => "Side E :"
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        "nom" => "Live at Anaheim Stadium, Sept. 28, 1975"
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        "nom" => "1. Blackberry Blossom"
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        "nom" => "1. Witchy Woman"
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        "nom" => "2. Rocky Mountain Way (with Joe Walsh)"
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        "nom" => "4. The Best of My Love"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2147 …}
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[
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    -id: 3079
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    -nom: "Live At Knoxville Civic Auditorium - Box Set (3 LP)"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2503 …}
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[
  "produit" => App\Entity\Produit {#2187
    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
      Enregistré à Copenhague en 1975 pour le label SteepleChase, "Stable Mable" capture toute la maturité artistique du saxophoniste américain Dexter Gordon. Entouré du pianiste Horace Parlan, du contrebassiste Niels-Henning Ørsted Pedersen et du batteur Tony Inzalaco, Gordon livre un jazz ample, chaleureux et intensément expressif.\r\n
      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dexter Gordon (tenor & soprano saxophone), Horace Parlan (piano), Niels-Henning Ørsted Pedersen (bass), Tony Inzalaco (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=wJiw8Ee00cI&list=RDwJiw8Ee00cI&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3511
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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    -id: 3078
    -nom: "Stable Mable"
    -informationComplementaire: "Une session de jazz nocturne, libre et profondément vivante. Avec "Stable Mable", Dexter Gordon réunit un quartet d’exception pour un enregistrement incandescent entre swing, élégance et improvisation magistrale."
    -description: """
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      \r\n
      Entre standards revisités et longues envolées improvisées, l’album révèle une complicité rare entre les musiciens. Le son est fluide, profond, habité par cette élégance décontractée qui caractérise les grandes sessions européennes du jazz des années 70.\r\n
      \r\n
      Stable Mable est une œuvre incontournable pour les amateurs de hard bop et de jazz moderne, portée par le souffle immense et la présence magnétique de Dexter Gordon.\r\n
      \r\n
      - Dexter Gordon Quartet "Stable Mable" !\r\n
      - Newly remastered from the original master tapes !\r\n
      - 180 gram audiophile edition !\r\n
      \r\n
      "...Dexter plays brilliantly on every track... beautifully recorded..." - Jazz Journal, 1976\r\n
      \r\n
      Celebrating its legacy from the 1976 LP and 1990 CD release, Stable Mable returns in May 2026 as a newly remastered 180 gram audiophile edition. Captured in Copenhagen just weeks after Dexter Gordon's ambitious orchestral project More Than You Know, this session strips the setting back to its purest form : a no-frills blowing date where Gordon's imagination, authority, and melodic wit shine without disguise. Joined by Horace Parlan, Niels Henning Ørsted Pedersen, and Tony Inzalaco, Gordon navigates standards like "Just Friends", "Misty", "Red Cross", and "So What" with a mix of relaxed confidence and fiery invention.\r\n
      \r\n
      His soprano reading of "In a Sentimental Mood" adds a rare, reflective touch. Remastered from the original tapes, this edition highlights the quartet's clarity, swing, and interplay an essential snapshot of Gordon's Copenhagen years and a definitive statement of his enduring mastery.
      """
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2189 …}
    -label: Proxies\__CG__\App\Entity\Label {#2192 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2201 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2206
    -id: 3060
    -nom: "Ravel : The Complete Solo Piano Works"
    -informationComplementaire: "Plongez dans l’univers de Ravel avec Seong-Jin Cho, dont l’interprétation d’une rare élégance révèle toute la richesse du piano. Une intégrale d’exception, entre raffinement, virtuosité et poésie sonore."
    -description: """
      Avec "Ravel : The Complete Solo Piano Works", Seong-Jin Cho propose une lecture complète et profondément inspirée de l’œuvre pour piano seul de Maurice Ravel. Enregistré pour le label Deutsche Grammophon, cet album rassemble l’ensemble des pièces majeures du compositeur français, offrant un voyage musical à travers son univers sonore, de la délicatesse de la Pavane pour une infante défunte à la virtuosité saisissante de Gaspard de la nuit.\r\n
      \r\n
      Reconnu pour son toucher d’une grande finesse et son sens aigu des couleurs, Seong-Jin Cho met en lumière toute la subtilité de l’écriture ravélienne. Son interprétation allie clarté, élégance et intensité, révélant chaque nuance avec une précision remarquable. Sans artifice, en piano solo, il restitue toute la richesse expressive de ces œuvres, entre impressionnisme et modernité.\r\n
      \r\n
      Cette intégrale s’impose comme une référence contemporaine, aussi bien pour les amateurs de musique classique que pour les auditeurs en quête d’une expérience sonore immersive et poétique.\r\n
      \r\n
      Seong-Jin Cho "Ravel : The Complete Solo Piano Works" Limited Edition 180 gram Vinyl (3 LP) !\r\n
      \r\n
      Now on vinyl, Korean pianist Seong-Jin Cho releases "Ravel : The Complete Solo Piano Works", on which he lays his focus on the music of Maurice Ravel. Having loved the French composer since childhood and immersed himself in him while studying at the Paris Conservatoire, Cho has chosen to mark the 150th anniversary of the composer's birth in 2025 by recording his complete solo piano music and the two piano concertos.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Seong-Jin Cho (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hLvqzOaSTtk"
    -referenceProduit: "Deutsche Grammophon Records 0338"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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      ]
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        "ordre" => 4
        "nom" => "4. Jeux D'eau, M. 30 "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Sonatina, M. 40 : I. Modéré"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sonatina, M. 40 : II. Mouvement de Menuet"
      ]
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        "ordre" => 8
        "nom" => "3. Sonatina, M. 40 : III. Anime"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Mirrors, M. 43 : I. Noctuelles. Très Léger"
      ]
      [
        "ordre" => 11
        "nom" => "2. Mirrors, M. 43 : II. Oiseaux tristes. Très lent"
      ]
      [
        "ordre" => 12
        "nom" => "3. Mirrors, M. 43 : III. A Barque Sur L'Ocean. D'un Rythme Souple"
      ]
      [
        "ordre" => 13
        "nom" => "4. Mirrors, M. 43 : IV. Alborada Del Gracioso. Assez Vif"
      ]
      [
        "ordre" => 14
        "nom" => "5. Mirrors, M. 43 : V. La Vallée Des Cloches. Tres Lent "
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Gaspard de la Nuit, M. 55 : I. Ondine. Lent"
      ]
      [
        "ordre" => 17
        "nom" => "2. Gaspard de la Nuit, M. 55 : II. Le Gibet. Très lent"
      ]
      [
        "ordre" => 18
        "nom" => "3. Gaspard de la Nuit, M. 55 : III. Scarbo. Modéré"
      ]
      [
        "ordre" => 19
        "nom" => "4. Menuet Sur Le Nom D'Haydn, M. 58"
      ]
      [
        "ordre" => 20
        "nom" => "Side E :"
      ]
      [
        "ordre" => 21
        "nom" => "1. Valses Nobles Et Sentimentales, M. 61 : I. Modéré, Très Franc"
      ]
      [
        "ordre" => 22
        "nom" => "2. Valses Nobles Et Sentimentales, M. 61 : II. Assez Lent, Avec"
      ]
      [
        "ordre" => 23
        "nom" => "Une Expression Intense"
      ]
      [
        "ordre" => 24
        "nom" => "3. Valses Nobles Et Sentimentales, M. 61 : III. Modéré"
      ]
      [
        "ordre" => 25
        "nom" => "4. Valses Nobles Et Sentimentales, M. 61 : IV. Assez Animé"
      ]
      [
        "ordre" => 26
        "nom" => "5. Valses Nobles Et Sentimentales, M. 61 : V. Presque Lent, Dans"
      ]
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        "ordre" => 27
        "nom" => "Un Sentiment Intime"
      ]
      [
        "ordre" => 28
        "nom" => "6. Valses Nobles Et Sentimentales, M. 61 : VI. Vif"
      ]
      [
        "ordre" => 29
        "nom" => "7. Valses Nobles Et Sentimentales, M. 61 : VII. Moins vif"
      ]
      [
        "ordre" => 30
        "nom" => "8. Valses Nobles Et Sentimentales, M. 61 : VIII. Epilogue. Lent"
      ]
      [
        "ordre" => 31
        "nom" => "9. Péelude, M. 65"
      ]
      [
        "ordre" => 32
        "nom" => "10. A la Manière de Borodine, M. 63/1"
      ]
      [
        "ordre" => 33
        "nom" => "11. A la Manière de Chabrier, M. 63/2"
      ]
      [
        "ordre" => 34
        "nom" => "Side F : "
      ]
      [
        "ordre" => 35
        "nom" => "1. Le Tombeau de Couperin, M. 68 : I. Prelude. Vif"
      ]
      [
        "ordre" => 36
        "nom" => "2. Le Tombeau de Couperin, M. 68 : II. Fugue. Allegro Moderato"
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        "nom" => "3. Le Tombeau de Couperin, M. 68 : III. Forlane. Allegretto"
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        "nom" => "4. Le Tombeau de Couperin, M. 68 : IV. Rigaudon. Assez Vif"
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      ]
      [
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      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3562
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2206
    -id: 3060
    -nom: "Ravel : The Complete Solo Piano Works"
    -informationComplementaire: "Plongez dans l’univers de Ravel avec Seong-Jin Cho, dont l’interprétation d’une rare élégance révèle toute la richesse du piano. Une intégrale d’exception, entre raffinement, virtuosité et poésie sonore."
    -description: """
      Avec "Ravel : The Complete Solo Piano Works", Seong-Jin Cho propose une lecture complète et profondément inspirée de l’œuvre pour piano seul de Maurice Ravel. Enregistré pour le label Deutsche Grammophon, cet album rassemble l’ensemble des pièces majeures du compositeur français, offrant un voyage musical à travers son univers sonore, de la délicatesse de la Pavane pour une infante défunte à la virtuosité saisissante de Gaspard de la nuit.\r\n
      \r\n
      Reconnu pour son toucher d’une grande finesse et son sens aigu des couleurs, Seong-Jin Cho met en lumière toute la subtilité de l’écriture ravélienne. Son interprétation allie clarté, élégance et intensité, révélant chaque nuance avec une précision remarquable. Sans artifice, en piano solo, il restitue toute la richesse expressive de ces œuvres, entre impressionnisme et modernité.\r\n
      \r\n
      Cette intégrale s’impose comme une référence contemporaine, aussi bien pour les amateurs de musique classique que pour les auditeurs en quête d’une expérience sonore immersive et poétique.\r\n
      \r\n
      Seong-Jin Cho "Ravel : The Complete Solo Piano Works" Limited Edition 180 gram Vinyl (3 LP) !\r\n
      \r\n
      Now on vinyl, Korean pianist Seong-Jin Cho releases "Ravel : The Complete Solo Piano Works", on which he lays his focus on the music of Maurice Ravel. Having loved the French composer since childhood and immersed himself in him while studying at the Paris Conservatoire, Cho has chosen to mark the 150th anniversary of the composer's birth in 2025 by recording his complete solo piano music and the two piano concertos.
      """
    -prixVente: "129.50"
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Sonatina, M. 40 : I. Modéré"
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      [
        "ordre" => 7
        "nom" => "2. Sonatina, M. 40 : II. Mouvement de Menuet"
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        "ordre" => 8
        "nom" => "3. Sonatina, M. 40 : III. Anime"
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      [
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        "nom" => "Side C :"
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      [
        "ordre" => 10
        "nom" => "1. Mirrors, M. 43 : I. Noctuelles. Très Léger"
      ]
      [
        "ordre" => 11
        "nom" => "2. Mirrors, M. 43 : II. Oiseaux tristes. Très lent"
      ]
      [
        "ordre" => 12
        "nom" => "3. Mirrors, M. 43 : III. A Barque Sur L'Ocean. D'un Rythme Souple"
      ]
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        "ordre" => 13
        "nom" => "4. Mirrors, M. 43 : IV. Alborada Del Gracioso. Assez Vif"
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      [
        "ordre" => 14
        "nom" => "5. Mirrors, M. 43 : V. La Vallée Des Cloches. Tres Lent "
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Gaspard de la Nuit, M. 55 : I. Ondine. Lent"
      ]
      [
        "ordre" => 17
        "nom" => "2. Gaspard de la Nuit, M. 55 : II. Le Gibet. Très lent"
      ]
      [
        "ordre" => 18
        "nom" => "3. Gaspard de la Nuit, M. 55 : III. Scarbo. Modéré"
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      [
        "ordre" => 19
        "nom" => "4. Menuet Sur Le Nom D'Haydn, M. 58"
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        "ordre" => 20
        "nom" => "Side E :"
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        "ordre" => 21
        "nom" => "1. Valses Nobles Et Sentimentales, M. 61 : I. Modéré, Très Franc"
      ]
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      [
        "ordre" => 23
        "nom" => "Une Expression Intense"
      ]
      [
        "ordre" => 24
        "nom" => "3. Valses Nobles Et Sentimentales, M. 61 : III. Modéré"
      ]
      [
        "ordre" => 25
        "nom" => "4. Valses Nobles Et Sentimentales, M. 61 : IV. Assez Animé"
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      [
        "ordre" => 26
        "nom" => "5. Valses Nobles Et Sentimentales, M. 61 : V. Presque Lent, Dans"
      ]
      [
        "ordre" => 27
        "nom" => "Un Sentiment Intime"
      ]
      [
        "ordre" => 28
        "nom" => "6. Valses Nobles Et Sentimentales, M. 61 : VI. Vif"
      ]
      [
        "ordre" => 29
        "nom" => "7. Valses Nobles Et Sentimentales, M. 61 : VII. Moins vif"
      ]
      [
        "ordre" => 30
        "nom" => "8. Valses Nobles Et Sentimentales, M. 61 : VIII. Epilogue. Lent"
      ]
      [
        "ordre" => 31
        "nom" => "9. Péelude, M. 65"
      ]
      [
        "ordre" => 32
        "nom" => "10. A la Manière de Borodine, M. 63/1"
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      [
        "ordre" => 33
        "nom" => "11. A la Manière de Chabrier, M. 63/2"
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      [
        "ordre" => 34
        "nom" => "Side F : "
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      [
        "ordre" => 35
        "nom" => "1. Le Tombeau de Couperin, M. 68 : I. Prelude. Vif"
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      [
        "ordre" => 36
        "nom" => "2. Le Tombeau de Couperin, M. 68 : II. Fugue. Allegro Moderato"
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        "nom" => "4. Le Tombeau de Couperin, M. 68 : IV. Rigaudon. Assez Vif"
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    -id: 328
    -nom: "Bruch : Concerto in G Minor / Mozart : Concerto in D Major"
    -informationComplementaire: "L’excellence du violon selon Jascha Heifetz dans une édition audiophile d’exception. Deux chefs-d’œuvre de Max Bruch et Wolfgang Amadeus Mozart sublimés en double vinyle 45 tours par Analogue Productions"
    -description: """
      Cette prestigieuse réédition audiophile met à l’honneur le génie du violoniste Jascha Heifetz dans deux chefs-d’œuvre incontournables du répertoire classique : "Concerto pour violon N° 1 en sol mineur de Max Bruch" et "Concerto pour violon en ré majeur de Wolfgang Amadeus Mozart".\r\n
      \r\n
      Grâce au mastering audiophile signé Analogue Productions  et au format 45 RPM sur 2 LP, cette édition révèle toute la finesse des interprétations de Heifetz, attaques d’une précision saisissante, timbres lumineux et présence orchestrale exceptionnelle.\r\n
      \r\n
      Chaque écoute dévoile une profondeur sonore remarquable, offrant une expérience immersive proche de la performance live. Ce pressage haut de gamme séduira autant les collectionneurs de vinyles que les amateurs de grandes interprétations classiques.\r\n
      \r\n
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Violinist Jascha Heifetz, playing with the New Symphony Orchestra of London, conducted by Sir Malcolm Sargent. Heifetz was the leading figure among the extraordinary group of Russian Jews who dominated violin playing in the second and third quarters of the 20th century.\r\n
      \r\n
      As a technician he had no superior, and, of all the artists of his time and later, only two or three could even offer a challenge to his electrifying precision of execution. His diamond-point tone and quick vibrato afforded his playing a clarity of line that some felt was almost too perfect, even cold. Most conductors and other violinists  and audiences felt differently and a Heifetz concert inevitably drew sell-out crowds.\r\n
      \r\n
      Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
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        "nom" => "Side C :"
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        "nom" => "1. Violin Concerto No. 4 in D, K. 218 - Allegro"
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        "nom" => "Side D  : "
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        "ordre" => 8
        "nom" => "1. Andante Cantabile"
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    -id: 328
    -nom: "Bruch : Concerto in G Minor / Mozart : Concerto in D Major"
    -informationComplementaire: "L’excellence du violon selon Jascha Heifetz dans une édition audiophile d’exception. Deux chefs-d’œuvre de Max Bruch et Wolfgang Amadeus Mozart sublimés en double vinyle 45 tours par Analogue Productions"
    -description: """
      Cette prestigieuse réédition audiophile met à l’honneur le génie du violoniste Jascha Heifetz dans deux chefs-d’œuvre incontournables du répertoire classique : "Concerto pour violon N° 1 en sol mineur de Max Bruch" et "Concerto pour violon en ré majeur de Wolfgang Amadeus Mozart".\r\n
      \r\n
      Grâce au mastering audiophile signé Analogue Productions  et au format 45 RPM sur 2 LP, cette édition révèle toute la finesse des interprétations de Heifetz, attaques d’une précision saisissante, timbres lumineux et présence orchestrale exceptionnelle.\r\n
      \r\n
      Chaque écoute dévoile une profondeur sonore remarquable, offrant une expérience immersive proche de la performance live. Ce pressage haut de gamme séduira autant les collectionneurs de vinyles que les amateurs de grandes interprétations classiques.\r\n
      \r\n
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
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      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
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      \r\n
      Mastered by Bernie Grundman from the original 2-track master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, — no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
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[
  "produit" => App\Entity\Produit {#2246
    -id: 1045
    -nom: "Glazounov : Violin Concerto / Mozart : Symphonie Concertante in E-Flat, K. 364"
    -informationComplementaire: "Jascha Heifetz interprète avec virtuosité Alexander Glazunov et Wolfgang Amadeus Mozart dans cet enregistrement d’exception. Ce double vinyle 45 RPM signé Analogue Productions  révèle une qualité sonore remarquable."
    -description: """
      Avec cet enregistrement d’exception, Jascha Heifetz livre une interprétation magistrale du Concerto pour violon de Alexander Glazunov ainsi que de la sublime Symphonie Concertante en mi bémol majeur, K. 364 de Wolfgang Amadeus Mozart. Véritable référence du répertoire classique, cet album met en lumière toute la virtuosité, la précision et l’émotion qui ont fait la légende de Heifetz.\r\n
      \r\n
      Édité en double vinyle 45 tours par Analogue Productions , ce pressage audiophile offre une restitution sonore exceptionnelle, révélant avec une rare finesse les nuances des cordes, la richesse orchestrale et la profondeur de l’interprétation. Une œuvre incontournable pour les amateurs de musique classique, les passionnés de haute fidélité et les collectionneurs de vinyles d’exception.\r\n
      \r\n
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Within the RCA Living Stereo catalog, few recordings capture the balance of virtuosity, refinement, and sonic brilliance as this remarkable pairing of Glazounov and Mozart. At the center is, of course, Jascha Heifetz the violinist whose name became synonymous with perfection. Here he delivers one of his most commanding and lyrical readings of Glazounov's Violin Concerto, a work that was very much his own calling card. Backed by conductor Walter Hendl, Heifetz brings both dazzling precision and an almost vocal warmth that turns the concerto into a soaring narrative. Many collectors regard this as among his greatest concerto performances on record.\r\n
      \r\n
      The companion work, Mozart's Symphonie Concertante in E-Flat, adds yet another dimension. Joined by the legendary violist William Primrose and guided by conductor Izler Solomon, Heifetz reveals his chamber instincts in a performance that feels both intimate and grand. The interplay between violin and viola has rarely been captured with such finesse, each phrase glowing with personality while maintaining Mozart's classical balance.\r\n
      \r\n
      For classical enthusiasts and collectors alike, this album represents the essence of what made RCA's Living Stereo series legendary : great artists at their peak, captured in sound that has stood the test of time.\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=qYTYbN16cXw"
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    }
    -modifierLe: DateTime @1778184828 {#2244
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3666
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
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  +produit: App\Entity\Produit {#2246
    -id: 1045
    -nom: "Glazounov : Violin Concerto / Mozart : Symphonie Concertante in E-Flat, K. 364"
    -informationComplementaire: "Jascha Heifetz interprète avec virtuosité Alexander Glazunov et Wolfgang Amadeus Mozart dans cet enregistrement d’exception. Ce double vinyle 45 RPM signé Analogue Productions  révèle une qualité sonore remarquable."
    -description: """
      Avec cet enregistrement d’exception, Jascha Heifetz livre une interprétation magistrale du Concerto pour violon de Alexander Glazunov ainsi que de la sublime Symphonie Concertante en mi bémol majeur, K. 364 de Wolfgang Amadeus Mozart. Véritable référence du répertoire classique, cet album met en lumière toute la virtuosité, la précision et l’émotion qui ont fait la légende de Heifetz.\r\n
      \r\n
      Édité en double vinyle 45 tours par Analogue Productions , ce pressage audiophile offre une restitution sonore exceptionnelle, révélant avec une rare finesse les nuances des cordes, la richesse orchestrale et la profondeur de l’interprétation. Une œuvre incontournable pour les amateurs de musique classique, les passionnés de haute fidélité et les collectionneurs de vinyles d’exception.\r\n
      \r\n
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Remastered from the original master tape and cut at 45 RPM by Bernie Grundman !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 331/3 edition series reissues :\r\n
      \r\n
      "These are the best vinyl releases of RCA LPs I've yet heard". - Jonathan Valin, executive editor, The Absolute Sound\r\n
      \r\n
      Within the RCA Living Stereo catalog, few recordings capture the balance of virtuosity, refinement, and sonic brilliance as this remarkable pairing of Glazounov and Mozart. At the center is, of course, Jascha Heifetz the violinist whose name became synonymous with perfection. Here he delivers one of his most commanding and lyrical readings of Glazounov's Violin Concerto, a work that was very much his own calling card. Backed by conductor Walter Hendl, Heifetz brings both dazzling precision and an almost vocal warmth that turns the concerto into a soaring narrative. Many collectors regard this as among his greatest concerto performances on record.\r\n
      \r\n
      The companion work, Mozart's Symphonie Concertante in E-Flat, adds yet another dimension. Joined by the legendary violist William Primrose and guided by conductor Izler Solomon, Heifetz reveals his chamber instincts in a performance that feels both intimate and grand. The interplay between violin and viola has rarely been captured with such finesse, each phrase glowing with personality while maintaining Mozart's classical balance.\r\n
      \r\n
      For classical enthusiasts and collectors alike, this album represents the essence of what made RCA's Living Stereo series legendary : great artists at their peak, captured in sound that has stood the test of time.\r\n
      \r\n
      Mastered by Bernie Grundman from the original master tape, cut at 45 RPM and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs. No other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jascha Heifetz (violin), Walter Hendl conducts the Chicago Symphony Orchestra, William Primrose (viola), Izler Solomon conducts the RCA Victor Symphony Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=qYTYbN16cXw"
    -referenceProduit: "Analogue Productions AAPC 2734-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Glazounov : Violin Concerto In A Minor, Op. 82 - Part 1"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Glazounov : Violin Concerto In A Minor, Op. 82 - Concluded"
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. Mozart : Symphonie Concertante in E-Flat, K. 364 - 1. Allegro Maestoso"
      ]
      [
        "ordre" => 6
        "nom" => "Side D : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mozart : Symphonie Concertante in E-Flat, K. 364 - Andante"
      ]
      [
        "ordre" => 8
        "nom" => "2. Presto"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#2232 …}
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}

[
  "produit" => App\Entity\Produit {#2259
    -id: 3009
    -nom: "World Clique"
    -informationComplementaire: "Redécouvrez "World Clique" dans une édition audiophile exceptionnelle signée Mobile Fidelity Sound Lab. Ce double vinyle 45 RPM sublime les grooves funk, house et pop de Deee-Lite avec une qualité sonore remarquable et une immersion totale."
    -description: """
      Redécouvrez toute l’énergie et l’originalité de "World Clique" dans cette prestigieuse édition audiophile 2 LP 45 RPM signée Mobile Fidelity Sound Lab. Véritable icône du début des années 90, cet album culte du groupe Deee-Lite mélange avec audace house, funk, pop, hip-hop et influences psychédéliques dans un cocktail sonore aussi festif qu’innovant. Porté par l’incontournable “Groove Is in the Heart”, World Clique reste aujourd’hui une référence majeure de la scène dance alternative.\r\n
      \r\n
      Grâce au savoir-faire reconnu de Mobile Fidelity et au pressage en double vinyle 45 tours, cette édition offre une restitution sonore exceptionnelle, avec une dynamique impressionnante, des basses profondes et un niveau de détail remarquable. Chaque titre bénéficie d’une scène sonore ample et immersive qui sublime les arrangements et l’énergie du groupe. Pensé pour les audiophiles comme pour les collectionneurs, ce pressage premium permet de redécouvrir l’album dans des conditions d’écoute optimales, au plus proche des bandes originales. Une pièce incontournable pour toute collection vinyle exigeante.\r\n
      \r\n
      Musicians : \r\n
      Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals), Q-Tip (rap vocals), Fred Wesley (trombone), Maceo Parker (saxophone), Bill “Chicken on Fire” Coleman (vocals), Sheila Slappy (background vocals).\r\n
      \r\n
      - De-lovely, Delightful, and Truly Delicious: Deee-Lite’s World Clique Makes Deliriously Fun Dance Magic with House, Funk, and Soul Music, Includes “Groove Is in the Heart” and Contributions from Bootsy Collins, Maceo Parker, and Fred Wesley !\r\n
      \r\n
      - Hear the 1990 Club Favorite in Audiophile Sound for the First Time : Strictly Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Abounds with Tones, Colors, Definition, and Spatial Details !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasi-psychedelic name Deee-Lite hints at the sheer fun, quirky personality, and humorous flair within its diverse borders. Renowned for the smash “Groove Is in the Heart”, ranked  N° 233 on Rolling Stone’s list of the 500 Greatest Songs of All Time and N° 2 on Billboard’s 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners’ faces or a spring in their step. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort rhythmic grooves, natch tremendously benefits from the fact the 48 minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you’ve got out-of-print 12 inch singles from this Billboard Top 20 set, you’ve never even come close to hearing how good it sounds. \r\n
      \r\n
      Constructed via a hybrid of instrumentation, singing, and samples, World Clique unfurls with a rainbow of colors, tones, details, and effects. This collectible reissue zeros in on the separation and spatial location crucial to the tracks, with clever touches such as supplementary echoes to panned vocals and hand claps in defined positions amid broad, deep soundstages. The clarity of everything from Lady Miss Kier’s breathy vocals and the group’s effortless hooks to the statement-making horns from James Brown band legends Maceo Parker and Fred Wesley brings Deee-Lite’s joyous delirium to life in multi-dimensional fashion. \r\n
      \r\n
      Cool, real, fresh: The terms the trio tosses about on the album-opening “Deee-Lite Theme” still apply, even with the evolution of beat technology. Beholden to no trend, look or algorithm, Deee-Lite approaches World Clique as if anything is possible. That feeling extends to how the group weaves a broad palette of samples into its arrangements. Rather than using pieces of songs by the likes of Betty Wright, Quincy Jones, and the Monkees as foundations  and then layering original segments on top Deee-Lite eschews then-popular excessive convention and judiciously incorporates samples as smart accents, transitions, and punctuation marks. The group’s savvy knack for sunny hooks, piano riffs, and unpredictability does the rest. \r\n
      \r\n
      “Won’t you listen to what the DJ is spinnin’”, Kier instructs on the nuanced “E.S.P.”, the advice indicative of the carefree spirit and feet-moving vibes that make World Clique an instant party starter and mood elevator. Indeed, the very titles of most of the songs make Deee-Lite’s positive intentions transparent. The collective follows through with music steeped in retro R&B, daisy-age hip-hop, lite psychedelia, and bubbly pop that wiggles, flows, and turns your space into an imaginary dance floor. \r\n
      \r\n
      More proof World Clique is much more than a one-hit wonder ? Kier’s spry and airy vocals, which inject songs such as the simmering “Good Beat”, hop-scotching title track, and percolating “What Is Love ?” with intrigue, soulfulness, and spice. They helped turn “Power of Love” into Deee-Lite’s second N° 1 hit on Billboard’s Dance Club Songs chart. And they seamlessly blend with Collins’ guitar riffs and Parker and Wesley’s horns on the multifaceted “Try Me On... ’m Very You”.\r\n
      \r\n
      Of course, what else needs to be said about that tandem’s work on “Groove Is in the Heart,” which hit the Top 5 on three Billboard charts and the Top 30 on yet another ? Collins’ cooler-than-thou spoken intro and chorus interjections. That slide whistle. The start of an Eva Gabor comment on “Green Acres” transformed into its own speech motif. That cowbell. Those fluid bass lines. That get-down sass and kitsch. That spot-on rap interlude from Q-Tip. Add it all up and you have the song voted Best Single in the 1990 Pazz & Jop poll and one that is on “best” decade lists from Pitchfork, NME, Time Out, Billboard, Slant, and more to say nothing of “best” all-time lists.\r\n
      \r\n
      De-lovely, delightful, and truly delicious.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=etviGf1uWlg&list=OLAK5uy_l6b5h-Keoiin0TiXs_1hnLR3pV1ZVhozE"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-609"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Deee-Lite Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. Good Beat"
      ]
      [
        "ordre" => 3
        "nom" => "3. Power of Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Try Me On... ’m Very You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Smile On"
      ]
      [
        "ordre" => 7
        "nom" => "3. What Is Love ?"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. World Clique"
      ]
      [
        "ordre" => 10
        "nom" => "2. E.S.P."
      ]
      [
        "ordre" => 11
        "nom" => "3. Groove Is in the Heart"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Who Was That ?"
      ]
      [
        "ordre" => 14
        "nom" => "2. Deep-Ending"
      ]
      [
        "ordre" => 15
        "nom" => "3. Build the Bridge"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
    -label: Proxies\__CG__\App\Entity\Label {#2264 …}
    -style: App\Entity\Style {#1498 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2273 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2268 …}
    -enregistreLe: DateTime @1772526682 {#2256
      date: 2026-03-03 08:31:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778165047 {#2257
      date: 2026-05-07 14:44:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2270 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-world-clique-mobile-fidelity-sound-lab-2-609"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3712
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2735 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2259
    -id: 3009
    -nom: "World Clique"
    -informationComplementaire: "Redécouvrez "World Clique" dans une édition audiophile exceptionnelle signée Mobile Fidelity Sound Lab. Ce double vinyle 45 RPM sublime les grooves funk, house et pop de Deee-Lite avec une qualité sonore remarquable et une immersion totale."
    -description: """
      Redécouvrez toute l’énergie et l’originalité de "World Clique" dans cette prestigieuse édition audiophile 2 LP 45 RPM signée Mobile Fidelity Sound Lab. Véritable icône du début des années 90, cet album culte du groupe Deee-Lite mélange avec audace house, funk, pop, hip-hop et influences psychédéliques dans un cocktail sonore aussi festif qu’innovant. Porté par l’incontournable “Groove Is in the Heart”, World Clique reste aujourd’hui une référence majeure de la scène dance alternative.\r\n
      \r\n
      Grâce au savoir-faire reconnu de Mobile Fidelity et au pressage en double vinyle 45 tours, cette édition offre une restitution sonore exceptionnelle, avec une dynamique impressionnante, des basses profondes et un niveau de détail remarquable. Chaque titre bénéficie d’une scène sonore ample et immersive qui sublime les arrangements et l’énergie du groupe. Pensé pour les audiophiles comme pour les collectionneurs, ce pressage premium permet de redécouvrir l’album dans des conditions d’écoute optimales, au plus proche des bandes originales. Une pièce incontournable pour toute collection vinyle exigeante.\r\n
      \r\n
      Musicians : \r\n
      Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals), Q-Tip (rap vocals), Fred Wesley (trombone), Maceo Parker (saxophone), Bill “Chicken on Fire” Coleman (vocals), Sheila Slappy (background vocals).\r\n
      \r\n
      - De-lovely, Delightful, and Truly Delicious: Deee-Lite’s World Clique Makes Deliriously Fun Dance Magic with House, Funk, and Soul Music, Includes “Groove Is in the Heart” and Contributions from Bootsy Collins, Maceo Parker, and Fred Wesley !\r\n
      \r\n
      - Hear the 1990 Club Favorite in Audiophile Sound for the First Time : Strictly Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Abounds with Tones, Colors, Definition, and Spatial Details !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasi-psychedelic name Deee-Lite hints at the sheer fun, quirky personality, and humorous flair within its diverse borders. Renowned for the smash “Groove Is in the Heart”, ranked  N° 233 on Rolling Stone’s list of the 500 Greatest Songs of All Time and N° 2 on Billboard’s 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners’ faces or a spring in their step. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort rhythmic grooves, natch tremendously benefits from the fact the 48 minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you’ve got out-of-print 12 inch singles from this Billboard Top 20 set, you’ve never even come close to hearing how good it sounds. \r\n
      \r\n
      Constructed via a hybrid of instrumentation, singing, and samples, World Clique unfurls with a rainbow of colors, tones, details, and effects. This collectible reissue zeros in on the separation and spatial location crucial to the tracks, with clever touches such as supplementary echoes to panned vocals and hand claps in defined positions amid broad, deep soundstages. The clarity of everything from Lady Miss Kier’s breathy vocals and the group’s effortless hooks to the statement-making horns from James Brown band legends Maceo Parker and Fred Wesley brings Deee-Lite’s joyous delirium to life in multi-dimensional fashion. \r\n
      \r\n
      Cool, real, fresh: The terms the trio tosses about on the album-opening “Deee-Lite Theme” still apply, even with the evolution of beat technology. Beholden to no trend, look or algorithm, Deee-Lite approaches World Clique as if anything is possible. That feeling extends to how the group weaves a broad palette of samples into its arrangements. Rather than using pieces of songs by the likes of Betty Wright, Quincy Jones, and the Monkees as foundations  and then layering original segments on top Deee-Lite eschews then-popular excessive convention and judiciously incorporates samples as smart accents, transitions, and punctuation marks. The group’s savvy knack for sunny hooks, piano riffs, and unpredictability does the rest. \r\n
      \r\n
      “Won’t you listen to what the DJ is spinnin’”, Kier instructs on the nuanced “E.S.P.”, the advice indicative of the carefree spirit and feet-moving vibes that make World Clique an instant party starter and mood elevator. Indeed, the very titles of most of the songs make Deee-Lite’s positive intentions transparent. The collective follows through with music steeped in retro R&B, daisy-age hip-hop, lite psychedelia, and bubbly pop that wiggles, flows, and turns your space into an imaginary dance floor. \r\n
      \r\n
      More proof World Clique is much more than a one-hit wonder ? Kier’s spry and airy vocals, which inject songs such as the simmering “Good Beat”, hop-scotching title track, and percolating “What Is Love ?” with intrigue, soulfulness, and spice. They helped turn “Power of Love” into Deee-Lite’s second N° 1 hit on Billboard’s Dance Club Songs chart. And they seamlessly blend with Collins’ guitar riffs and Parker and Wesley’s horns on the multifaceted “Try Me On... ’m Very You”.\r\n
      \r\n
      Of course, what else needs to be said about that tandem’s work on “Groove Is in the Heart,” which hit the Top 5 on three Billboard charts and the Top 30 on yet another ? Collins’ cooler-than-thou spoken intro and chorus interjections. That slide whistle. The start of an Eva Gabor comment on “Green Acres” transformed into its own speech motif. That cowbell. Those fluid bass lines. That get-down sass and kitsch. That spot-on rap interlude from Q-Tip. Add it all up and you have the song voted Best Single in the 1990 Pazz & Jop poll and one that is on “best” decade lists from Pitchfork, NME, Time Out, Billboard, Slant, and more to say nothing of “best” all-time lists.\r\n
      \r\n
      De-lovely, delightful, and truly delicious.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=etviGf1uWlg&list=OLAK5uy_l6b5h-Keoiin0TiXs_1hnLR3pV1ZVhozE"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-609"
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    -description: """
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      """
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[
  "produit" => App\Entity\Produit {#2293
    -id: 3059
    -nom: "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994"
    -informationComplementaire: "Un face-à-face magistral entre Mal Waldron et Steve Lacy, capté en live au Yoshi’s en 1994. Entre Monk, Ellington et Strayhorn, le duo livre une interprétation libre, intense et profondément élégante. Un incontournable pour les amateurs de jazz en vinyle."
    -description: """
      - Mal Waldron & Steve Lacy "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994" !\r\n
      - First-Ever Release Limited Edition !\r\n
      - Double LP 180 gram Virgin Vinyl !\r\n
      - Audio Transferred from the Original Tapes !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab !\r\n
      - Deluxe Gatefold !\r\n
      - Exclusive Photos by Hugo Peeters !\r\n
      - Special Essay by Renowned Jazz Author Kevin Whitehead !\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
      Proposé ici en double vinyle, cet enregistrement restitue toute la chaleur et la profondeur du live, dans une édition soignée qui séduira autant les amateurs de jazz exigeant que les collectionneurs.\r\n
      \r\n
      On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.\r\n
      \r\n
      Live at Yoshi’s 1994 presents Mal Waldron and Steve Lacy in the setting where their shared language burns brightest: a bare‑bones duo, piano and soprano saxophone alone on stage, no place to hide and no reason to. Recorded on June 8, 1994 at Yoshi’s in Oakland, California, this previously unreleased performance catches two long‑time collaborators in late‑career form, with all the accumulated trust, eccentricity and shared history that implies. Waldron’s percussive, mantra‑like approach to the piano and Lacy’s acerbic yet songful soprano meet not as contrasts to be reconciled, but as parallel obsessions that have learned, over decades, how to circle and provoke one another.\r\n
      \r\n
      The repertoire draws a clear map of their affinities. Both musicians had long been devoted interpreters of Thelonious Monk, and Monk’s pieces here are treated less as standards than as familiar thought‑objects, themes whose angular lyricism and off‑centre swing provide starting points for extended investigations. Waldron’s left‑hand patterns worry at small rhythmic cells with a hypnotic insistence, while his right hand threads terse, sometimes gnarly commentary through Monk’s intervals; Lacy responds by tightening his focus on the tune’s contour, worrying a handful of notes until they begin to glow with overtones and implication. When the duo turn to Duke Ellington and Billy Strayhorn, the atmosphere shifts from jagged street‑corner koan to lush, shadowed interior. Ellington’s harmonic richness and Strayhorn’s bittersweet voicings are distilled into their essence, a few key changes of light that Waldron stretches into deep, tolling chords and Lacy traces in long, slightly grainy arcs.\r\n
      \r\n
      Interspersed with these homages are originals that make explicit what has always been implicit in their playing - how much of Monk and Ellington has been absorbed into their own compositional DNA, and how strongly their personal voices resist mere imitation. Waldron’s pieces tend to emerge from ostinato and slow‑burn development, building tension through repetition and subtle displacement; Lacy’s themes often arrive as tight, asymmetrical lines that seem to invite being taken apart. In both cases, the improvisations feel like an extension of the writing rather than a departure from it, blurring the line between “tune” and “solo”. The set unfolds with a sense of narrative, motifs resurfacing, energies cresting and ebbing, silences stretching a fraction longer as the night goes on.\r\n
      \r\n
      This edition underscores the care with which the music has been brought forward. Transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab, the 180 gram (2 LP) gatefold presses into vinyl an intimacy that might otherwise have been lost: the grain of Waldron’s touch when he barely grazes the keys, the way Lacy’s soprano hardens at the top of a phrase then relaxes into breath. The package is completed by previously unseen photographs from Hugo Peeters, which frame the two musicians not as distant legends but as working artists mid‑conversation, and a specially commissioned essay by jazz writer Kevin Whitehead, who teases out the threads connecting their shared devotion to Monk’s angles and Ellingtonia’s deep harmonic currents.\r\n
      \r\n
      What emerges over the course of Live at Yoshi’s 1994 is less a showcase than a document of process. Waldron and Lacy play with deep concentration and lyrical sensitivity, often allowing the music to hover on the edge of silence before nudging it forward with a single, carefully placed gesture. At the same time, there is no shortage of risk, phrases are left hanging, structures are tested, and the duo are unafraid to let a piece veer into abstraction if that is where the logic of the moment leads. The album stands as a powerful record of spontaneous musical conversation between two singular voices, an unhurried yet intense encounter in which history is constantly being rewritten in real time, one note and one shared breath at a time.
      """
    -prixVente: "69.50"
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  +produit: App\Entity\Produit {#2293
    -id: 3059
    -nom: "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994"
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      - Mal Waldron & Steve Lacy "Play Monk, Ellington and Strayhorn - Live at Yoshi's 1994" !\r\n
      - First-Ever Release Limited Edition !\r\n
      - Double LP 180 gram Virgin Vinyl !\r\n
      - Audio Transferred from the Original Tapes !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab !\r\n
      - Deluxe Gatefold !\r\n
      - Exclusive Photos by Hugo Peeters !\r\n
      - Special Essay by Renowned Jazz Author Kevin Whitehead !\r\n
      \r\n
      Enregistré en public au mythique Yoshi’s d’Oakland en juin 1994, "Play Monk, Ellington & Strayhorn" capture la rencontre exceptionnelle entre deux figures majeures du jazz moderne, le pianiste Mal Waldron et le saxophoniste soprano Steve Lacy.\r\n
      \r\n
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      \r\n
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      \r\n
      Proposé ici en double vinyle, cet enregistrement restitue toute la chaleur et la profondeur du live, dans une édition soignée qui séduira autant les amateurs de jazz exigeant que les collectionneurs.\r\n
      \r\n
      On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.\r\n
      \r\n
      Live at Yoshi’s 1994 presents Mal Waldron and Steve Lacy in the setting where their shared language burns brightest: a bare‑bones duo, piano and soprano saxophone alone on stage, no place to hide and no reason to. Recorded on June 8, 1994 at Yoshi’s in Oakland, California, this previously unreleased performance catches two long‑time collaborators in late‑career form, with all the accumulated trust, eccentricity and shared history that implies. Waldron’s percussive, mantra‑like approach to the piano and Lacy’s acerbic yet songful soprano meet not as contrasts to be reconciled, but as parallel obsessions that have learned, over decades, how to circle and provoke one another.\r\n
      \r\n
      The repertoire draws a clear map of their affinities. Both musicians had long been devoted interpreters of Thelonious Monk, and Monk’s pieces here are treated less as standards than as familiar thought‑objects, themes whose angular lyricism and off‑centre swing provide starting points for extended investigations. Waldron’s left‑hand patterns worry at small rhythmic cells with a hypnotic insistence, while his right hand threads terse, sometimes gnarly commentary through Monk’s intervals; Lacy responds by tightening his focus on the tune’s contour, worrying a handful of notes until they begin to glow with overtones and implication. When the duo turn to Duke Ellington and Billy Strayhorn, the atmosphere shifts from jagged street‑corner koan to lush, shadowed interior. Ellington’s harmonic richness and Strayhorn’s bittersweet voicings are distilled into their essence, a few key changes of light that Waldron stretches into deep, tolling chords and Lacy traces in long, slightly grainy arcs.\r\n
      \r\n
      Interspersed with these homages are originals that make explicit what has always been implicit in their playing - how much of Monk and Ellington has been absorbed into their own compositional DNA, and how strongly their personal voices resist mere imitation. Waldron’s pieces tend to emerge from ostinato and slow‑burn development, building tension through repetition and subtle displacement; Lacy’s themes often arrive as tight, asymmetrical lines that seem to invite being taken apart. In both cases, the improvisations feel like an extension of the writing rather than a departure from it, blurring the line between “tune” and “solo”. The set unfolds with a sense of narrative, motifs resurfacing, energies cresting and ebbing, silences stretching a fraction longer as the night goes on.\r\n
      \r\n
      This edition underscores the care with which the music has been brought forward. Transferred from the original tapes and mastered by Matthew Lutthans at The Mastering Lab, the 180 gram (2 LP) gatefold presses into vinyl an intimacy that might otherwise have been lost: the grain of Waldron’s touch when he barely grazes the keys, the way Lacy’s soprano hardens at the top of a phrase then relaxes into breath. The package is completed by previously unseen photographs from Hugo Peeters, which frame the two musicians not as distant legends but as working artists mid‑conversation, and a specially commissioned essay by jazz writer Kevin Whitehead, who teases out the threads connecting their shared devotion to Monk’s angles and Ellingtonia’s deep harmonic currents.\r\n
      \r\n
      What emerges over the course of Live at Yoshi’s 1994 is less a showcase than a document of process. Waldron and Lacy play with deep concentration and lyrical sensitivity, often allowing the music to hover on the edge of silence before nudging it forward with a single, carefully placed gesture. At the same time, there is no shortage of risk, phrases are left hanging, structures are tested, and the duo are unafraid to let a piece veer into abstraction if that is where the logic of the moment leads. The album stands as a powerful record of spontaneous musical conversation between two singular voices, an unhurried yet intense encounter in which history is constantly being rewritten in real time, one note and one shared breath at a time.
      """
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