Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2541
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2388 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2618
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2621 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2620 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2388 …}
  -formView: Symfony\Component\Form\FormView {#2657 …}
  -form: Symfony\Component\Form\Form {#2807 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
      [
        "nom" => "1. Mood Indigo"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solitude"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1493831845 {#1896
      date: 2017-05-03 17:17:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591342784 {#1889
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3082
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2620 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 1174
    -nom: "Masterpieces By Ellington"
    -informationComplementaire: ""
    -description: """
      A historic record recorded just four years removed from the dawn of the analog tape era !\r\n
      \r\n
      200 gram double LP set remastered by Ryan K. Smith at Sterling Sound from the original analog tapes and cut at 45 RPM !\r\n
      \r\n
      Recorded on an Ampex 200, using 3M-111 magnetic tape running at 15 inches per second.\r\n
      \r\n
      Gatefold old-style "tip-on" on jacket by Stoughton Printing.\r\n
      \r\n
      Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      "Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps". - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.\r\n
      \r\n
      "I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. How about a 45 RPM pressing, Chad ?" - Fred Kaplan, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "Among the first recordings arranged and produced to take advantage of the LP's longer playing time, this album was released in 1950 on Columbia Records' classical imprint, Masterworks, with a whimsical cover by Stan Fraydas (author of Hoppy, the Curious Kangaroo) that's reproduced for this edition. (Columbia soon replaced it with an image more "modern" and more mundane.)... Freed from the 78 RPM single's three-minute constraint, Ellington could score and record concert-length arrangements similar to those enjoyed by his concert audiences. Three of the four selections, including 'Mood Indigo' and 'Sophisticated Lady,' are familiar Ellington classics stretched and elasticized to luxurious effect. The harmonically saturated, transparent mono sound is astonishing for any era of recording. It's sure to leave you swooning, and wondering how and why recorded sound has since gone so far south." - Michael Fremer, for Stereophile - "Records To Die For" - February 2015.\r\n
      \r\n
      "I have recently been obsessed with Masterpieces by Ellington, one of the best records I have ever heard in terms of music and production. I can now see Ellington in full technicolor glory !" - Colleen ‘Cosmo' Murphy, Classic Album Sundays.\r\n
      \r\n
      "Chad Kassem's Analogue Productions, in conjunction with Ryan Smith of Sterling Sound mastering studio have produced an LP that equals and in some way exceeds the sound of a pristine original pressing properly equalized. The perfectly quiet vinyl and exemplary packaging add up to one of the best reissues of the century". Recording = 10/10; Music = 10/10 - Dennis D. Davis, Hi-Fi +, Issue 120\r\n
      \r\n
      "This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording ! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, "Mood Indigo" amigos, after a long instrumental build-up...she'll take you there !... The pressing itself was impeccable : flat, and free of noise, tics and pops... a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close ! Kissing cousins close ! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!)". - David W. Robinson, editor-in-chief, Positive Feedback Online.\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Billy Strayhorn, Duke Ellington (piano), Jimmy Hamilton, Johnny Hodges, Paul Gonzales, Russel Procope (saxophone), Wendell Marshall (bass), Mercer Ellington (horn, Flugelhorn), Lawrence Brow, Quentin Jackson (trombone), Andrew Ford, , Sonny Greer (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8heLkixbh9w"
    -referenceProduit: "AAPJ 4418-45"
    -titreMorceau: [
      [
        "nom" => "1. Mood Indigo"
        "ordre" => 1
      ]
      [
        "nom" => "1. Solitude"
        "ordre" => 7
      ]
      [
        "nom" => "1. Sophisticated Lady"
        "ordre" => 3
      ]
      [
        "nom" => "1. The Tattooed Bride"
        "ordre" => 5
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
      ]
      [
        "nom" => "Side C :"
        "ordre" => 4
      ]
      [
        "nom" => "Side D : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1493831845 {#1896
      date: 2017-05-03 17:17:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1591342784 {#1889
      date: 2020-06-05 07:39:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-masterpieces-by-ellington-aapj-4418-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2388 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 873
    -nom: "Simple Dreams"
    -informationComplementaire: ""
    -description: """
      200 gram 2 LP 45 RPM Analogue Productions reissue.\r\n
      \r\n
      Mastered by Doug Sax and Robert Hadley.\r\n
      \r\n
      Plated and pressed by Quality Record Pressings !\r\n
      \r\n
      Tip-on gatefold jacket by Stoughton Printing.\r\n
      \r\n
      Ronstadt's fifth consecutive million-selling platinum album, selling more than 3½ million copies in less than a year in the United States - a record for a female artist !\r\n
      \r\n
      One of the most successful albums of Linda Ronstadt's career, Simple Dreams spent five successive weeks at No. 1 on the Billboard album chart in late 1977, displacing Fleetwood Mac's Rumours at N° 1 after 29 record-breaking weeks in the pole position. It also knocked Elvis Presley out of No. 1 on Billboard's Country Albums chart after "The King" held the gridlock for 15 consecutive weeks after his death in August. It won the Grammy Award for Best Recording Package (in addition to several other high profile Grammy nominations).\r\n
      \r\n
      Simple Dreams was Ronstadt's fifth consecutive million-selling platinum album and sold more than 3 ½ million copies in less than a year in the United States alone - a record for a female artist. Simply put, Ronstadt just couldn't lose. Simple Dreams continued a creative streak that found the singer turning out album after album of incredible material at an astonishing one-per-year rate until she finally began to come back down to earth in the early 1980s.\r\n
      \r\n
      Now hear Simple Dreams as never before. Remastered by the late, great Doug Sax at the Mastering Lab, together with Robert Hadley, and pressed on 45 RPM super-silent 200 gram vinyl by Quality Record Pressings, this revered recording truly is a sonic treasure. And it comes in a Stoughton Printing tip-on gatefold jacket with meticulously reproduced original artwork. Stunning.\r\n
      \r\n
      Featuring an expanded palette of styles and cutting-edge narratives, Simple Dreams may go down in history as Ronstadt's greatest work. Considering the achievements: Grammy nominations for Record of the Year and Best Pop Vocal Performance, Female; Five consecutive weeks as the No. 1 record on the Billboard Album Chart, Two Top 10 singles.\r\n
      \r\n
       
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Linda Ronstadt (guitar, vocals), Waddy Wachtel, Ed Black (guitar), Kenny Edwards (guitar, bass), Jim Gordon, Nino Tempo (saxophone), Spooner Oldham, John Boylen (piano, electric piano), Mac Johnson (trumpet), Rick Marotta (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sXLprZ7w5y4"
    -referenceProduit: "AAPP 074-45"
    -titreMorceau: [
      [
        "nom" => "1. Blue Bayou"
        "ordre" => 8
      ]
      [
        "nom" => "1. It’s So Easy"
        "ordre" => 1
      ]
      [
        "nom" => "1. Maybe I’m Right"
        "ordre" => 11
      ]
      [
        "nom" => "1. Sorrow Lives Here"
        "ordre" => 5
      ]
      [
        "nom" => "2. Carmelita"
        "ordre" => 2
      ]
      [
        "nom" => "2. I Never Will Marry"
        "ordre" => 6
      ]
      [
        "nom" => "2. Poor Poor Pitiful Me"
        "ordre" => 9
      ]
      [
        "nom" => "2. Tumbling Dice"
        "ordre" => 12
      ]
      [
        "nom" => "3. Old Paint"
        "ordre" => 13
      ]
      [
        "nom" => "3. Simple Man, Simple Dream"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1480 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1455607133 {#2032
      date: 2016-02-16 07:18:53.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1576411906 {#2033
      date: 2019-12-15 12:11:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-simple-dreams-aapp-074-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3196
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2620 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 873
    -nom: "Simple Dreams"
    -informationComplementaire: ""
    -description: """
      200 gram 2 LP 45 RPM Analogue Productions reissue.\r\n
      \r\n
      Mastered by Doug Sax and Robert Hadley.\r\n
      \r\n
      Plated and pressed by Quality Record Pressings !\r\n
      \r\n
      Tip-on gatefold jacket by Stoughton Printing.\r\n
      \r\n
      Ronstadt's fifth consecutive million-selling platinum album, selling more than 3½ million copies in less than a year in the United States - a record for a female artist !\r\n
      \r\n
      One of the most successful albums of Linda Ronstadt's career, Simple Dreams spent five successive weeks at No. 1 on the Billboard album chart in late 1977, displacing Fleetwood Mac's Rumours at N° 1 after 29 record-breaking weeks in the pole position. It also knocked Elvis Presley out of No. 1 on Billboard's Country Albums chart after "The King" held the gridlock for 15 consecutive weeks after his death in August. It won the Grammy Award for Best Recording Package (in addition to several other high profile Grammy nominations).\r\n
      \r\n
      Simple Dreams was Ronstadt's fifth consecutive million-selling platinum album and sold more than 3 ½ million copies in less than a year in the United States alone - a record for a female artist. Simply put, Ronstadt just couldn't lose. Simple Dreams continued a creative streak that found the singer turning out album after album of incredible material at an astonishing one-per-year rate until she finally began to come back down to earth in the early 1980s.\r\n
      \r\n
      Now hear Simple Dreams as never before. Remastered by the late, great Doug Sax at the Mastering Lab, together with Robert Hadley, and pressed on 45 RPM super-silent 200 gram vinyl by Quality Record Pressings, this revered recording truly is a sonic treasure. And it comes in a Stoughton Printing tip-on gatefold jacket with meticulously reproduced original artwork. Stunning.\r\n
      \r\n
      Featuring an expanded palette of styles and cutting-edge narratives, Simple Dreams may go down in history as Ronstadt's greatest work. Considering the achievements: Grammy nominations for Record of the Year and Best Pop Vocal Performance, Female; Five consecutive weeks as the No. 1 record on the Billboard Album Chart, Two Top 10 singles.\r\n
      \r\n
       
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Linda Ronstadt (guitar, vocals), Waddy Wachtel, Ed Black (guitar), Kenny Edwards (guitar, bass), Jim Gordon, Nino Tempo (saxophone), Spooner Oldham, John Boylen (piano, electric piano), Mac Johnson (trumpet), Rick Marotta (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sXLprZ7w5y4"
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[
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    -id: 667
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    -informationComplementaire: ""
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
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      In away, the story of Ben Webster's saxophone career is the story of jazz music itself through decades of experience. Here we hear a blowing session that matches him with fellow tenorist Harold Ashby in a program of loose originals.\r\n
      \r\n
      Originally released in 1961.\r\n
      \r\n
      \r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3247
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    -nom: "The Soul Of Ben Webster"
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      In away, the story of Ben Webster's saxophone career is the story of jazz music itself through decades of experience. Here we hear a blowing session that matches him with fellow tenorist Harold Ashby in a program of loose originals.\r\n
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      Originally released in 1961.\r\n
      \r\n
      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2067
    -id: 769
    -nom: "Peter Gunn"
    -informationComplementaire: ""
    -description: """
      Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
      \r\n
      Plated and pressed by Quality Record Pressings !\r\n
      \r\n
      Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
      \r\n
      This is not only a great LP but a key piece of jazz and pop music history. Back in 1958, "Peter Gunn" was one of the unexpected hits of the new television season, capturing the imagination of millions of viewers by mixing private eye action with a jazz setting. Composer Henry Mancini was more than fluent in jazz, and his music nailed down the popularity of the series. With the main title theme, a driving, ominous, exciting piece of music to lead off the album, The Music From Peter Gunn became a huge hit, charting extraordinarily high for a television soundtrack and doing so well that RCA Victor came back the next year asking for a second helping (More Music From Peter Gunn) from Mancini.\r\n
      \r\n
      The music holds up: "Session At Pete's Pad" is a superb workout for trumpets of Pete Candoli, Uan Rasey, Conrad Gozzo and Frank Beach, while Barney Kessel's electric guitar gets the spotlight during "Dreamsville." "Sorta Blue" and "Fallout" are full-ensemble pieces that constitute quintessential "cool" West Coast jazz of the period. Now The Music From Peter Gunn is back bigger and better than ever! We've gone the deluxe Analogue Productions route — remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 45 RPM, plated and pressed at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !\r\n
      \r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=lztZMFzl9fo"
    -referenceProduit: "AAPP 1956-45"
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        "nom" => "1. A Profound Gass"
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        "nom" => "1. Fallout !"
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      date: 2019-12-14 08:52:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3298
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2620 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2067
    -id: 769
    -nom: "Peter Gunn"
    -informationComplementaire: ""
    -description: """
      Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
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      Plated and pressed by Quality Record Pressings !\r\n
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      Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
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    -prixVente: "89.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
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      date: 2019-12-14 08:52:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2083
    -id: 365
    -nom: "No Room For Squares"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52  \r\n
      \r\n
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      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Lee Morgan, Donald Byrd (trompet), Andrew Hill, Herbie Hancock (piano), John Ore, Butch Warren (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Xcq_zg-Zw5k"
    -referenceProduit: "ABNJ 84149"
    -titreMorceau: [
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        "nom" => "1. Me 'N You"
        "ordre" => 8
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        "nom" => "1. No Room For Squares"
        "ordre" => 6
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        "nom" => "1. Three Way Split"
        "ordre" => 1
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        "nom" => "1. Up A Step"
        "ordre" => 4
      ]
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        "nom" => "2. Carolyn"
        "ordre" => 2
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        "nom" => "2. Old World, New Imports"
        "ordre" => 9
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App\Twig\Components\GestionPanierFavoriComponents {#3349
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    -id: 365
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    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
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      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52  \r\n
      \r\n
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      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Lee Morgan, Donald Byrd (trompet), Andrew Hill, Herbie Hancock (piano), John Ore, Butch Warren (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52.\r\n
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      \r\n
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      """
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    -musicienOrchestre: "Dave Burns (trumpet),? Paul Chambers (bass),? Wynton Kelly (piano),? Stanley Turrentine (tenor saxophone), Carlos "Potato" Valdez (conga), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3400
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  +produit: App\Entity\Produit {#2099
    -id: 349
    -nom: "A.T.’s Delight"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
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      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52.\r\n
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[
  "produit" => App\Entity\Produit {#2115
    -id: 344
    -nom: "Blues Walk"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
      \r\n
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      \r\n
      Recorded in 1958.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (conga), Dave Bailey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3451
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    -id: 344
    -nom: "Blues Walk"
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    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
      \r\n
      "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n
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      Recorded in 1958.\r\n
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[
  "produit" => App\Entity\Produit {#2131
    -id: 369
    -nom: "Someday My Prince Will Come"
    -informationComplementaire: ""
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[
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    -id: 398
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    -description: """
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      """
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App\Twig\Components\GestionPanierFavoriComponents {#3555
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    -id: 398
    -nom: "The Time Is Right"
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    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
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      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52. \r\n
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[
  "produit" => App\Entity\Produit {#2160
    -id: 350
    -nom: "Here Tis"
    -informationComplementaire: ""
    -description: """
      Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n
      \r\n
      "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n
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      \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3603
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[
  "produit" => App\Entity\Produit {#2173
    -id: 1068
    -nom: "Gentle Ben"
    -informationComplementaire: ""
    -description: """
      That rich, humid, giant sax tone blooms like on few other Webster recordings.\r\n
      \r\n
      Mastered by Kevin Gray at Coherent Audio.\r\n
      \r\n
      200 gram gatefold 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      Praise for our 33 1/3 version of Gentle Ben\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -nom: "Gentle Ben"
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      That rich, humid, giant sax tone blooms like on few other Webster recordings.\r\n
      \r\n
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      200 gram gatefold 45 RPM double LP pressed at Quality Record Pressings !\r\n
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      Praise for our 33 1/3 version of Gentle Ben\r\n
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[
  "produit" => App\Entity\Produit {#2186
    -id: 1173
    -nom: "Bloodlines (Box Set 8 LP + Booklet) - 45 RPM"
    -informationComplementaire: ""
    -description: """
      Blood, Sweat & Tears - Bloodlines\r\n
      \r\n
      Analogue Productions box set tells the story behind the groundbreaking horn band !\r\n
      \r\n
      Four album 45 RPM set includes :\r\n
      \r\n
      - Child Is Father To The Man \r\n
      - Blood, Sweat & Tears Self-Titled\r\n
      - Blood, Sweat & Tears 3 \r\n
      - Blood, Sweat & Tears 4\r\n
      \r\n
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      \r\n
      LPs mastered by Ryan K. Smith at Sterling Sound from the original master tapes.\r\n
      \r\n
      Quality Record Pressings plating by Gary Salstrom, pressed on 200 gram audiophile vinyl.\r\n
      \r\n
      Housed in a custom designed lift-off lid box.\r\n
      \r\n
      David Clayton-Thomas landed in New York City in 1966, drawn from his native Canada to appear on the NBC network TV show "Hullabaloo" as a guest of fellow Canadian Paul Anka. Anka wanted a Canadian band to feature on the show and Clayton-Thomas fronted a jazz/rock band called The Bossmen - "we had the number one record in Canada at the time".\r\n
      \r\n
      Clayton-Thomas returned to Toronto after the show but the creative scene in the Big Apple beckoned. He got a NYC gig playing guitar for John Lee Hooker - and in the funky clubs of Greenwich Village he met several founding members of what was to become a chart-dominating jazz fusion band with an utterly distinctive sound - Blood, Sweat & Tears.\r\n
      \r\n
      For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year Blood, Sweat & Tears.\r\n
      \r\n
      Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider - David Clayton-Thomas himself! Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs - Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200 gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase.\r\n
      \r\n
      For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969.\r\n
      \r\n
      Blood, Sweat & Tears was a runaway hit, spawning three gold-selling Top 10 singles, "You've Made Me So Very Happy", "Spinning Wheel", and "And When I Die", selling 3 million copies and winning the Grammy Award for Album of the Year.\r\n
      \r\n
      Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits.\r\n
      \r\n
      This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton-Thomas' informative account of the band's history.\r\n
      \r\n
      """
    -prixVente: "449.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nMp4bedPF1o"
    -referenceProduit: "AAPP BST 45"
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        "nom" => "1. Overture"
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        "nom" => "1. Variations On A Theme by erik Satie (1st and 2nd Movements)"
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      [
        "nom" => "10. House In the Country"
        "ordre" => 10
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        "nom" => "6. God Bless the Child"
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        "nom" => "6. Just One Smile"
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      [
        "nom" => "6. Lonesome Suzie"
        "ordre" => 30
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      [
        "nom" => "7. High On A Mountain"
        "ordre" => 42
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        "nom" => "7. I Can't Quit Her"
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        "nom" => "7. Spinning Wheel"
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      [
        "nom" => "7. Symphony for The Devil"
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        "nom" => "8. He's A Runner"
        "ordre" => 32
      ]
      [
        "nom" => "8. Meagan's Gypsy Eyes"
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      ]
      [
        "nom" => "8. Valentine's Day"
        "ordre" => 43
      ]
      [
        "nom" => "8. You've Made Me So very Happy"
        "ordre" => 21
      ]
      [
        "nom" => "9. Blues - Part II"
        "ordre" => 22
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        "ordre" => 33
      ]
      [
        "nom" => "9. Somethin' Goin' On"
        "ordre" => 9
      ]
      [
        "nom" => "9. Take Me In Your Arms (Rock Me A Little While)"
        "ordre" => 44
      ]
      [
        "nom" => "BLOOD, SWEAT & TEARS 3"
        "ordre" => 24
      ]
      [
        "nom" => "BLOOD, SWEAT & TEARS 4"
        "ordre" => 35
      ]
      [
        "nom" => "BLOOD, SWEAT & TEARS"
        "ordre" => 13
      ]
      [
        "nom" => "CHILD IS THE FATHER TO THE MAN"
        "ordre" => 0
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3697
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    -nom: "Bloodlines (Box Set 8 LP + Booklet) - 45 RPM"
    -informationComplementaire: ""
    -description: """
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      \r\n
      Analogue Productions box set tells the story behind the groundbreaking horn band !\r\n
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      - Blood, Sweat & Tears Self-Titled\r\n
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      - Blood, Sweat & Tears 4\r\n
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      \r\n
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      \r\n
      Housed in a custom designed lift-off lid box.\r\n
      \r\n
      David Clayton-Thomas landed in New York City in 1966, drawn from his native Canada to appear on the NBC network TV show "Hullabaloo" as a guest of fellow Canadian Paul Anka. Anka wanted a Canadian band to feature on the show and Clayton-Thomas fronted a jazz/rock band called The Bossmen - "we had the number one record in Canada at the time".\r\n
      \r\n
      Clayton-Thomas returned to Toronto after the show but the creative scene in the Big Apple beckoned. He got a NYC gig playing guitar for John Lee Hooker - and in the funky clubs of Greenwich Village he met several founding members of what was to become a chart-dominating jazz fusion band with an utterly distinctive sound - Blood, Sweat & Tears.\r\n
      \r\n
      For a brief period at the end of the 1960s and the start of the 1970s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, stormed the pop charts. Clayton-Thomas joined this stellar group of musicians in 1969, bringing a handful of new songs as they delivered the monumental Grammy Album of the Year Blood, Sweat & Tears.\r\n
      \r\n
      Now hear the music and read the complete story about how this legendary band succeeded, from the ultimate BS&T insider - David Clayton-Thomas himself! Bloodlines, from Analogue Productions captures the BS&T sound as never before, on four remastered LPs - Child Is Father To The Man, Blood, Sweat & Tears, Blood, Sweat & Tears 3 and Blood, Sweat & Tears 4. Each album was remastered from the original master tapes by Ryan K. Smith at Sterling Sound in New York, and each was plated and pressed on deluxe 200 gram heavyweight vinyl at our own Quality Record Pressings, maker of the world's finest-sounding LPs. The jackets - from Stoughton Printing - are top-of-the-line, old-style tip-on showcasing immaculately reproduced artwork. The whole set comes in a custom-designed deluxe slipcase.\r\n
      \r\n
      For this special box set, David Clayton-Thomas was gracious enough to contribute a wonderfully-written essay telling the whole history of the band and its origins. The eight-piece band signed to Columbia Records and recorded Blood, Sweat & Tears' debut album, Child Is Father to the Man, which was released in February 1968. Cofounder Al Kooper then departed, and the group was reorganized. Singer David Clayton-Thomas was added, trombonist Dick Halligan moved to the keyboards, and trumpeters Chuck Winfield and Lew Soloff replaced Randy Brecker and Jerry Weiss, with Jerry Hyman being added on trombone. This nine-piece unit, working with producer James William Guercio, made Blood, Sweat & Tears' self-titled second album, released in January 1969.\r\n
      \r\n
      Blood, Sweat & Tears was a runaway hit, spawning three gold-selling Top 10 singles, "You've Made Me So Very Happy", "Spinning Wheel", and "And When I Die", selling 3 million copies and winning the Grammy Award for Album of the Year.\r\n
      \r\n
      Guercio left afterward to work on a similar musical concept with Chicago Transit Authority, and Blood, Sweat & Tears increasingly became a backup group for Clayton-Thomas. Nevertheless, the third album, Blood, Sweat & Tears 3 (1970), and the fourth, Blood, Sweat & Tears 4 (1971), were substantial hits.\r\n
      \r\n
      This is a momentous box set presenting a historically-significant band in the deluxe fashion that it deserves. Like all of our Analogue Productions reissues, we've painstakingly sweated the details to bring you the utmost listening experience. Now you can listen to these cherished album favorites in the highest quality, as you gain insights into the band and its recordings from Clayton-Thomas' informative account of the band's history.\r\n
      \r\n
      """
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    -musicienOrchestre: ""
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nMp4bedPF1o"
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        "nom" => "BLOOD, SWEAT & TEARS 3"
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        "nom" => "CHILD IS THE FATHER TO THE MAN"
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    ]
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3897
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2388 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3898 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3946 …}
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}