Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2654
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2657 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -formView: Symfony\Component\Form\FormView {#2693 …}
  -form: Symfony\Component\Form\Form {#2843 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4cIF6-kLrQs&list=PLKjjIa7cwTkKPL82ui2qIeMeVtf8qZQdl"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0978"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Buddy Brown's Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wine Spondee-O-Dee"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sail On, Little Girl, Sail On"
      ]
      [
        "ordre" => 4
        "nom" => "4. DC-7 5. Death Bells "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Goin' To Dallas To See My Pony Run"
      ]
      [
        "ordre" => 7
        "nom" => "2. Jailhouse Blues"
      ]
      [
        "ordre" => 8
        "nom" => "3. Blues In The Bottle"
      ]
      [
        "ordre" => 9
        "nom" => "4. Beans, Beans, Beans"
      ]
      [
        "ordre" => 10
        "nom" => "5. Catfish Blues"
      ]
      [
        "ordre" => 11
        "nom" => "6. My Grandpa Is Old Too!"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1775219741 {#1875
      date: 2026-04-03 12:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803762 {#1868
      date: 2026-04-21 20:36:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-my-bottle-acoustic-sounds-series-bluesville-0978"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3118
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 3040
    -nom: "Blues In My Bottle"
    -informationComplementaire: "Seul avec sa guitare, Lightnin' Hopkins transforme chaque note en confession, "Blues in My Bottle" du blues à l’état brut, sans filtre, sans compromis."
    -description: """
      L'album "Blues in My Bottle" de Lightnin' Hopkins est une plongée brute et sans artifice dans l’essence même du blues texan. Enregistré au début des années 1960 pour le label Bluesville, cet album capture Hopkins dans sa forme la plus pure, seul avec sa guitare, sa voix et son sens unique du récit.\r\n
      \r\n
      Ici, pas de groupe ni d’arrangements sophistiqués, seulement un homme et son instrument. Hopkins tisse simultanément lignes de basse, rythmiques et phrases mélodiques avec une liberté totale, accompagnant des paroles improvisées, souvent introspectives, parfois mordantes, toujours authentiques.\r\n
      \r\n
      Chaque morceau semble naître sur l’instant, porté par un groove souple et une voix habitée. Blues in My Bottle n’est pas seulement un album, c’est une expérience intime, presque confidentielle, qui place l’auditeur face à l’un des plus grands conteurs du blues.\r\n
      \r\n
      - Lightnin' Hopkins "Blues In My Bottle" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      This 1961 solo acoustic album by Lightnin' Hopkins features the legend at his finest. Showcasing Hopkins' guitar and vocals, Blues in My Bottle shines a spotlight on his blues mastery. The album contains Hopkins' performances of originals, traditional standards, and renditions of covers. This edition is pressed on 180 gram vinyl at QRP and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      Besides such blues standard as "Wine Spodee-O-Dee", "Business in the Bottle", and "Catfish Blues", the album contains several biographical originals, including "Beans, Beans, Beans", and "D-7".\r\n
      \r\n
      Samuel John "Lightnin'" Hopkins was a Texas Country bluesman of the highest caliber. In 2010, Rolling Stone magazine ranked him N° 71 on its list of the 100 greatest guitarists of all time. He influenced a generation of blues and country musicians from Stevie Ray Vaughan to Hank Williams Jr., while being coined "the embodiment of the jazz-and-poetry spirit" by musicologist Robert McCormick.\r\n
       \r\n
      His distinctive finger-style technique included playing bass, rhythm, lead, and percussion at the same time, tapping or slapping the body of his guitar for rhythmic accompaniment.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Lightnin' Hopkins (electric guitar, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=4cIF6-kLrQs&list=PLKjjIa7cwTkKPL82ui2qIeMeVtf8qZQdl"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0978"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Buddy Brown's Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Wine Spondee-O-Dee"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sail On, Little Girl, Sail On"
      ]
      [
        "ordre" => 4
        "nom" => "4. DC-7 5. Death Bells "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Goin' To Dallas To See My Pony Run"
      ]
      [
        "ordre" => 7
        "nom" => "2. Jailhouse Blues"
      ]
      [
        "ordre" => 8
        "nom" => "3. Blues In The Bottle"
      ]
      [
        "ordre" => 9
        "nom" => "4. Beans, Beans, Beans"
      ]
      [
        "ordre" => 10
        "nom" => "5. Catfish Blues"
      ]
      [
        "ordre" => 11
        "nom" => "6. My Grandpa Is Old Too!"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1775219741 {#1875
      date: 2026-04-03 12:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803762 {#1868
      date: 2026-04-21 20:36:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-blues-in-my-bottle-acoustic-sounds-series-bluesville-0978"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=qwt_5QM2Ncg&list=PLzGotn8LeP0fmoYJC8MMJ9Uwa23jIVI4w"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0977"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Need Some Money"
      ]
      [
        "ordre" => 2
        "nom" => "2. Come On And See About Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. I'm Wanderin'"
      ]
      [
        "ordre" => 4
        "nom" => "4. Democrat Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Want To Talk About You"
      ]
      [
        "ordre" => 6
        "nom" => "6. Gonna Use My Rod "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wednesday Evenin' Blues"
      ]
      [
        "ordre" => 9
        "nom" => "2. No More Doggin'"
      ]
      [
        "ordre" => 10
        "nom" => "3. One Of These Days"
      ]
      [
        "ordre" => 11
        "nom" => "4. You're Leavin' Me, Baby"
      ]
      [
        "ordre" => 12
        "nom" => "5. That's My Story"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2057 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2050 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1775199395 {#2042
      date: 2026-04-03 06:56:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803692 {#2041
      date: 2026-04-21 20:34:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2054 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3232
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2046
    -id: 3039
    -nom: "That's My Story - The Blues"
    -informationComplementaire: "Plongez dans l’essence du blues avec John Lee Hooker. Une guitare, une voix, et parfois juste ce qu’il faut de groove pour faire vibrer chaque note. That’s My Story, c’est le blues dans sa forme la plus pure… avec une touche de sophistication inattendue."
    -description: """
      Sorti en 1960 sur le label Riverside, "That’s My Story : John Lee Hooker Sings the Blues" marque une rencontre unique entre le blues brut de John Lee Hooker et une section rythmique issue du jazz.\r\n
      \r\n
      Sur cet album, Hooker alterne entre performances en solo, fidèles à son style hypnotique et répétitif, et morceaux accompagnés par Sam Jones (contrebasse) et Louis Hayes (batterie), deux musiciens reconnus de la scène jazz.\r\n
      \r\n
      Le résultat est un disque à la fois intime et sophistiqué, où la voix grave et le jeu percussif de Hooker s’inscrivent dans un cadre plus structuré sans jamais perdre leur intensité. Des titres comme "I Need Some Money" ou "I’m Wanderin’" illustrent parfaitement la dualité de l’album, entre blues rural dépouillé et accompagnement subtil.\r\n
      \r\n
      Cet enregistrement capture un moment rare où le blues traditionnel dialogue avec le jazz moderne, offrant une écoute à la fois accessible et profondément authentique.\r\n
      \r\n
      - John Lee Hooker "That's My Story : John Lee Hooker Sings The Blues" !\r\n
      - The Bluesville Series from Craft Recordings and Acoustic Sounds !\r\n
      - Inspired by the original Prestige label imprint established in 1959 !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab at Blue Heaven Studios !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Highlighting trailblazing blues musicians from legendary labels !\r\n
      \r\n
      That's My Story is the 1960 album from the blues icon, John Lee Hooker, originally released on Riverside Records. The album features a raw, stripped-down approach for a country blues sound. Hooker plays acoustic guitar on tracks like "I Need Some Money" and "No More Doggin'" to create a compelling collection that expertly showcases his mastery. This edition is pressed on 180 gram vinyl at Quality Record Pressings and features (AAA) remastered from the original tapes cut by Matthew Lutthans at The Mastering Lab.\r\n
      \r\n
      John Lee Hooker (1917-2001), known fondly as "King of the Boogie", was born near Clarksdale, Mississippi. As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, "Boogie Chillun'". He became a leading figure in modern electric blues due to his distinct voice and hypnotic guitar style. Hooker would record over 100 albums throughout the course of his six-decade-long career. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.\r\n
      \r\n
      John Lee Hooker's work is widely recognized for its impact on modern music his simple, yet deeply effective songs transcend borders and languages around the globe.\r\n
      \r\n
      Hooker was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four Grammy Awards, plus a coveted Lifetime Achievement award in 2000.\r\n
      \r\n
      The Hook continues to live on: His music can regularly be heard in TV shows, commercials and films, and many of his tracks have been sampled in new songs by the likes of Brandi, Chuck D and St Germain, among many others.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Sam Jones (bass), Louis Hayes (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=qwt_5QM2Ncg&list=PLzGotn8LeP0fmoYJC8MMJ9Uwa23jIVI4w"
    -referenceProduit: "Acoustic Sounds Series (Bluesville) 0977"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Need Some Money"
      ]
      [
        "ordre" => 2
        "nom" => "2. Come On And See About Me"
      ]
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        "ordre" => 3
        "nom" => "3. I'm Wanderin'"
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        "ordre" => 4
        "nom" => "4. Democrat Man"
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        "nom" => "5. I Want To Talk About You"
      ]
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        "ordre" => 6
        "nom" => "6. Gonna Use My Rod "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Wednesday Evenin' Blues"
      ]
      [
        "ordre" => 9
        "nom" => "2. No More Doggin'"
      ]
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        "nom" => "3. One Of These Days"
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        "nom" => "4. You're Leavin' Me, Baby"
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        "nom" => "5. That's My Story"
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2048 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2050 …}
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      date: 2026-04-21 20:34:52.0 UTC (+00:00)
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    -slug: "vinyles-that-s-my-story-the-blues-acoustic-sounds-series-bluesville-0977"
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[
  "produit" => App\Entity\Produit {#2064
    -id: 741
    -nom: "Tell Mama"
    -informationComplementaire: "Plongez dans l’intensité brute de la soul avec "Tell Mama", l’album emblématique d’Etta James. Une voix puissante, des arrangements enflammés et une émotion à fleur de peau, chaque morceau est une déclaration d’amour, de douleur et de résilience."
    -description: """
      Sorti en 1968, "Tell Mama" marque un tournant majeur dans la carrière d’Etta James. Enregistré à Muscle Shoals, haut lieu de la soul américaine, cet album capture toute la puissance expressive de l’artiste, portée par des musiciens d’exception.\r\n
      \r\n
      Entre soul sudiste, rhythm & blues et touches de gospel, Etta James y livre des performances vocales saisissantes. Le titre éponyme "Tell Mama" s’impose comme un hymne vibrant, tandis que des morceaux comme "I’d Rather Go Blind" révèlent une vulnérabilité bouleversante.\r\n
      \r\n
      Cet album incarne à la fois la force et la fragilité, la passion et la douleur, des thèmes universels portés par une voix unique, capable de toucher l’auditeur en plein cœur. Tell Mama reste aujourd’hui une référence incontournable de la soul classique, témoignant du talent intemporel d’Etta James.\r\n
      \r\n
      - Etta James "Tell Mama" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Recorded with the Muscle Shoals session players at FAME studio !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - One of the greatest soul LPs of all time !\r\n
      \r\n
      When soul history shifted in the late '60s, Etta James was right at the center of the storm. After a bitter split between Atlantic's Jerry Wexler and FAME Studio's Rick Hall, Hall struck back by inviting Chess Records Atlantic's fiercest rival to bring its biggest stars to Muscle Shoals. Between August and December of 1967, Etta James walked into FAME looking for a creative spark... and walked out with the greatest album of her career: Tell Mama.\r\n
      \r\n
      These sessions didn't just revive Etta they reignited her artistry. Powered by the now-legendary Muscle Shoals rhythm section, James delivers some of the most commanding, emotionally charged performances ever put to tape. The title track "Tell Mama" and her scorching take on Otis Redding's "Security" both stormed the charts, pushing Etta back into the national spotlight. But the album's true jewel is found on the flip side: "I'd Rather Go Blind." First handed to her by songwriter and friend Fugi Foster during a prison visit, Etta transformed it into a soul masterwork a performance so definitive it's been covered hundreds of times, yet never surpassed.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab, 180 gram vinyl pressed by Quality Record Pressings. \r\n
      \r\n
      For collectors, Tell Mama isn't just another classic soul LP it's a cornerstone of the genre. This is Etta James at full power, captured in one of the most storied studios in American music, backed by musicians whose sound defined an era. Essential for soul devotees, indispensable for blues fans, and a must-own centerpiece for any serious vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Etta James (lead vocals), David Hood (bass), Jimmy Johnson (guitar), Barry Beckett, Spooner Oldham (keyboards), Ronald “Boogie” Taylor (trumpet), Joe Arnold (tenor saxophone), Charles Chalmers (baritone saxophone), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=t_wbyv1TgIQ&list=RDt_wbyv1TgIQ&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 8129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Tell Mama"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'd Rather Go Blind"
      ]
      [
        "ordre" => 3
        "nom" => "3. Watch Dog"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Love Of My Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I'm Gonna Take What He's Got"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Same Rope"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Security"
      ]
      [
        "ordre" => 9
        "nom" => "2. Steal Away"
      ]
      [
        "ordre" => 10
        "nom" => "3. My Mother-In-Law"
      ]
      [
        "ordre" => 11
        "nom" => "4. Don't Lose Your Good Thing"
      ]
      [
        "ordre" => 12
        "nom" => "5. It Hurts Me So Much"
      ]
      [
        "ordre" => 13
        "nom" => "6. Just A Little Bit"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1420622861 {#2060
      date: 2015-01-07 09:27:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803092 {#2059
      date: 2026-04-21 20:24:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tell-mama-acoustic-sounds-series-8129"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3283
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2064
    -id: 741
    -nom: "Tell Mama"
    -informationComplementaire: "Plongez dans l’intensité brute de la soul avec "Tell Mama", l’album emblématique d’Etta James. Une voix puissante, des arrangements enflammés et une émotion à fleur de peau, chaque morceau est une déclaration d’amour, de douleur et de résilience."
    -description: """
      Sorti en 1968, "Tell Mama" marque un tournant majeur dans la carrière d’Etta James. Enregistré à Muscle Shoals, haut lieu de la soul américaine, cet album capture toute la puissance expressive de l’artiste, portée par des musiciens d’exception.\r\n
      \r\n
      Entre soul sudiste, rhythm & blues et touches de gospel, Etta James y livre des performances vocales saisissantes. Le titre éponyme "Tell Mama" s’impose comme un hymne vibrant, tandis que des morceaux comme "I’d Rather Go Blind" révèlent une vulnérabilité bouleversante.\r\n
      \r\n
      Cet album incarne à la fois la force et la fragilité, la passion et la douleur, des thèmes universels portés par une voix unique, capable de toucher l’auditeur en plein cœur. Tell Mama reste aujourd’hui une référence incontournable de la soul classique, témoignant du talent intemporel d’Etta James.\r\n
      \r\n
      - Etta James "Tell Mama" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Recorded with the Muscle Shoals session players at FAME studio !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - One of the greatest soul LPs of all time !\r\n
      \r\n
      When soul history shifted in the late '60s, Etta James was right at the center of the storm. After a bitter split between Atlantic's Jerry Wexler and FAME Studio's Rick Hall, Hall struck back by inviting Chess Records Atlantic's fiercest rival to bring its biggest stars to Muscle Shoals. Between August and December of 1967, Etta James walked into FAME looking for a creative spark... and walked out with the greatest album of her career: Tell Mama.\r\n
      \r\n
      These sessions didn't just revive Etta they reignited her artistry. Powered by the now-legendary Muscle Shoals rhythm section, James delivers some of the most commanding, emotionally charged performances ever put to tape. The title track "Tell Mama" and her scorching take on Otis Redding's "Security" both stormed the charts, pushing Etta back into the national spotlight. But the album's true jewel is found on the flip side: "I'd Rather Go Blind." First handed to her by songwriter and friend Fugi Foster during a prison visit, Etta transformed it into a soul masterwork a performance so definitive it's been covered hundreds of times, yet never surpassed.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab, 180 gram vinyl pressed by Quality Record Pressings. \r\n
      \r\n
      For collectors, Tell Mama isn't just another classic soul LP it's a cornerstone of the genre. This is Etta James at full power, captured in one of the most storied studios in American music, backed by musicians whose sound defined an era. Essential for soul devotees, indispensable for blues fans, and a must-own centerpiece for any serious vinyl collection.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Etta James (lead vocals), David Hood (bass), Jimmy Johnson (guitar), Barry Beckett, Spooner Oldham (keyboards), Ronald “Boogie” Taylor (trumpet), Joe Arnold (tenor saxophone), Charles Chalmers (baritone saxophone), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=t_wbyv1TgIQ&list=RDt_wbyv1TgIQ&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series 8129"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Tell Mama"
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        "nom" => "3. Watch Dog"
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        "ordre" => 4
        "nom" => "4. The Love Of My Man"
      ]
      [
        "ordre" => 5
        "nom" => "5. I'm Gonna Take What He's Got"
      ]
      [
        "ordre" => 6
        "nom" => "6. The Same Rope"
      ]
      [
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        "nom" => "Side B : "
      ]
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        "nom" => "1. Security"
      ]
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        "nom" => "2. Steal Away"
      ]
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        "nom" => "3. My Mother-In-Law"
      ]
      [
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        "nom" => "4. Don't Lose Your Good Thing"
      ]
      [
        "ordre" => 12
        "nom" => "5. It Hurts Me So Much"
      ]
      [
        "ordre" => 13
        "nom" => "6. Just A Little Bit"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2066 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1063 …}
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    -enregistreLe: DateTime @1420622861 {#2060
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    }
    -modifierLe: DateTime @1776803092 {#2059
      date: 2026-04-21 20:24:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tell-mama-acoustic-sounds-series-8129"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2083
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=i-R9qiS_n50&list=PL4W2uOPeutt6b-5nELOpnmccUDOLcYZkF&index=2"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9991"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mannish Boy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Screamin' & Crying"
      ]
      [
        "ordre" => 3
        "nom" => "3. Just To Be With You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Walking In The Park"
      ]
      [
        "ordre" => 5
        "nom" => "5. Walking Blues"
      ]
      [
        "ordre" => 6
        "nom" => "6. Canary Bird  Side"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Same Thing"
      ]
      [
        "ordre" => 9
        "nom" => "2. Gypsy Women"
      ]
      [
        "ordre" => 10
        "nom" => "3. Rollin' & Tumblin'"
      ]
      [
        "ordre" => 11
        "nom" => "4. 40 Days & 40 Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Little Geneva"
      ]
      [
        "ordre" => 13
        "nom" => "6. You Can't Lose What You Ain't Never Had"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3334
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2083
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
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    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9991"
    -titreMorceau: [
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[
  "produit" => App\Entity\Produit {#2099
    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Howlin' Wolf (harmonica, vocals), Hubert Sumlin (lead guitar), Willie Johnson, Jody Williams, Buddy Guy (guitar), Otis Spann, Hosea Lee Kennard (piano), Willie Dixon, Andrew McMahon (bass), Earl Phillips, Fred Below, Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -setBoxMusic: false
    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=ETMhupZUCsc&list=PLOFsCPXqLYfopdCzb5JMOXPFyT2Ie8u6T&index=3"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. Killing Floor 2:48"
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        "ordre" => 2
        "nom" => "2. Louise"
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      [
        "ordre" => 3
        "nom" => "3. Poor Boy"
      ]
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        "nom" => "4. Sittin' On Top Of The World"
      ]
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        "nom" => "5. Nature"
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        "nom" => "6. My Country Sugar Mama "
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        "nom" => "1. Tail Dragger"
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        "nom" => "2. Three Hundred Pounds Of Joy"
      ]
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        "nom" => "3. Natchez Burnin'"
      ]
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        "nom" => "4. Built For Comfort"
      ]
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        "nom" => "5. Ooh Baby, Hold Me"
      ]
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        "ordre" => 13
        "nom" => "6. Tell Me What I've Done"
      ]
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        "nom" => ""
      ]
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App\Twig\Components\GestionPanierFavoriComponents {#3385
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2099
    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ETMhupZUCsc&list=PLOFsCPXqLYfopdCzb5JMOXPFyT2Ie8u6T&index=3"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
    -titreMorceau: [
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        "ordre" => 0
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[
  "produit" => App\Entity\Produit {#2115
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
    -titreMorceau: [
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        "nom" => "2. Too Young To Die"
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        "ordre" => 3
        "nom" => "3. Trust My Baby"
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        "nom" => "1. Bring It On Home"
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        "nom" => "2. Down Child"
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        "nom" => "3. Peach Tree"
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        "nom" => "4. Dissatisfied"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
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    -modifierLe: DateTime @1774791706 {#2113
      date: 2026-03-29 13:41:46.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3436
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2115
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
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        "nom" => "Side A :"
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      ]
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        "nom" => "2. Too Young To Die"
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      [
        "ordre" => 3
        "nom" => "3. Trust My Baby"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2117 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2119 …}
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    -modifierLe: DateTime @1774791706 {#2113
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-real-folk-blues-acoustic-sounds-series-chess-records-9069"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2131
    -id: 2818
    -nom: "The Best Of Little Walter"
    -informationComplementaire: "Le blues à l’état pur : "puissant, électrique, inoubliable". Avec Little Walter, chaque note frappe fort et reste en tête. Un son brut, une légende vivante, une claque musicale."
    -description: """
      The Best Of Little Walter est une plongée essentielle dans l’univers brut et électrisant du blues de Chicago. Cette compilation rassemble les titres les plus emblématiques de Little Walter, véritable pionnier de l’harmonica amplifié.\r\n
      \r\n
      Avec son jeu révolutionnaire, à la fois incisif et expressif, Little Walter transforme l’harmonica en instrument lead, rivalisant avec les guitares électriques. Chaque morceau vibre d’une intensité rare : riffs tranchants, grooves hypnotiques et une voix chargée d’émotion qui raconte la rue, l’amour et la survie.\r\n
      \r\n
      Des classiques comme "My Babe", "Juke" ou "Blues with a Feeling" incarnent l’âge d’or du blues urbain et témoignent de l’influence majeure de l’artiste sur toute la musique moderne, du rock au rhythm & blues.\r\n
      \r\n
      - Little Walter "The Best Of Little Walter" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Influential blues harmonica record !\r\n
      - Groundbreaking instrumentals include "Juke" and "My Babe" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Little Walter The Best of Little Walter is the album that became a cornerstone of Chicago Blues and one that turned a pocket-sized harp into a weapon of musical mass seduction !\r\n
      \r\n
      Originally released on Chess Records in 1958, this compilation is stacked with Walter Jacobs' most iconic sides : "Juke" (the only harmonica instrumental to ever top the Billboard R&B chart), "My Babe" (a Willie Dixon-penned classic), "Blues With a Feeling", "Off the Wall", and more. These tracks didn't just set the standard they became the standard for electric blues harp, influencing everyone from Paul Butterfield to Mick Jagger and beyond. Walter amplified the harmonica literally-plugging it into a microphone and pushing it through an amp for a dirty, distorted tone that changed the sound of blues forever.\r\n
      \r\n
      This isn't just a "greatest hits" package; it's a history lesson in how Chess Records built the DNA of modern music. Walter stood shoulder-to-shoulder with Muddy Waters and Howlin' Wolf in Chess' legendary lineup, and his innovations helped shape rock, soul, and blues for decades to come.\r\n
      \r\n
      This reissue smokes. Mastered by Matt Lutthans at The Mastering Lab from the original Chess tapes the same golden ears behind numerous other reissue classics, combined with Quality Record Pressings' uncompromising vinyl craft. The result ? The raw power of Walter's amplified harp leaps off the 180 gram vinyl with detail and punch that will make your system blush.\r\n
      \r\n
      This isn't background music. This is a front-row seat to the birth of electric blues, with dead-quiet pressings that let every reed vibration, every wailing bend, hang in the air like cigarette smoke in a sweaty club.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Little Walter (harmonica, vocals), Muddy Waters, Jimmy Rogers, David Myers, Louis Myers, Leonard Caston, Robert Lockwood Jr.  (guitar), Willie Dixon (bass), Elgin Evans, Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CrIU5c0pgJg&list=PLvFwdvxlUPuRerJV8-1p64GUOPlmZCak2"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9052"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. My Babe"
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      [
        "ordre" => 2
        "nom" => "2. Sad Hours"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're So Fine"
      ]
      [
        "ordre" => 4
        "nom" => "4. Last Night"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blues With A Feeling"
      ]
      [
        "ordre" => 6
        "nom" => "6. Can't Hold Out Much Longer"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Juke"
      ]
      [
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        "nom" => "2. Mean Old World"
      ]
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      ]
      [
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        "nom" => "4. You Better Watch Yourself"
      ]
      [
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        "nom" => "5. Blue Lights"
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      [
        "ordre" => 13
        "nom" => "6. Tell Me Mama"
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1063 …}
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      date: 2026-03-29 13:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …}
    -disponible: null
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    -slug: "vinyles-the-best-of-little-walter-acoustic-sounds-series-chess-records-9052"
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App\Twig\Components\GestionPanierFavoriComponents {#3487
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2131
    -id: 2818
    -nom: "The Best Of Little Walter"
    -informationComplementaire: "Le blues à l’état pur : "puissant, électrique, inoubliable". Avec Little Walter, chaque note frappe fort et reste en tête. Un son brut, une légende vivante, une claque musicale."
    -description: """
      The Best Of Little Walter est une plongée essentielle dans l’univers brut et électrisant du blues de Chicago. Cette compilation rassemble les titres les plus emblématiques de Little Walter, véritable pionnier de l’harmonica amplifié.\r\n
      \r\n
      Avec son jeu révolutionnaire, à la fois incisif et expressif, Little Walter transforme l’harmonica en instrument lead, rivalisant avec les guitares électriques. Chaque morceau vibre d’une intensité rare : riffs tranchants, grooves hypnotiques et une voix chargée d’émotion qui raconte la rue, l’amour et la survie.\r\n
      \r\n
      Des classiques comme "My Babe", "Juke" ou "Blues with a Feeling" incarnent l’âge d’or du blues urbain et témoignent de l’influence majeure de l’artiste sur toute la musique moderne, du rock au rhythm & blues.\r\n
      \r\n
      - Little Walter "The Best Of Little Walter" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Influential blues harmonica record !\r\n
      - Groundbreaking instrumentals include "Juke" and "My Babe" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Little Walter The Best of Little Walter is the album that became a cornerstone of Chicago Blues and one that turned a pocket-sized harp into a weapon of musical mass seduction !\r\n
      \r\n
      Originally released on Chess Records in 1958, this compilation is stacked with Walter Jacobs' most iconic sides : "Juke" (the only harmonica instrumental to ever top the Billboard R&B chart), "My Babe" (a Willie Dixon-penned classic), "Blues With a Feeling", "Off the Wall", and more. These tracks didn't just set the standard they became the standard for electric blues harp, influencing everyone from Paul Butterfield to Mick Jagger and beyond. Walter amplified the harmonica literally-plugging it into a microphone and pushing it through an amp for a dirty, distorted tone that changed the sound of blues forever.\r\n
      \r\n
      This isn't just a "greatest hits" package; it's a history lesson in how Chess Records built the DNA of modern music. Walter stood shoulder-to-shoulder with Muddy Waters and Howlin' Wolf in Chess' legendary lineup, and his innovations helped shape rock, soul, and blues for decades to come.\r\n
      \r\n
      This reissue smokes. Mastered by Matt Lutthans at The Mastering Lab from the original Chess tapes the same golden ears behind numerous other reissue classics, combined with Quality Record Pressings' uncompromising vinyl craft. The result ? The raw power of Walter's amplified harp leaps off the 180 gram vinyl with detail and punch that will make your system blush.\r\n
      \r\n
      This isn't background music. This is a front-row seat to the birth of electric blues, with dead-quiet pressings that let every reed vibration, every wailing bend, hang in the air like cigarette smoke in a sweaty club.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Little Walter (harmonica, vocals), Muddy Waters, Jimmy Rogers, David Myers, Louis Myers, Leonard Caston, Robert Lockwood Jr.  (guitar), Willie Dixon (bass), Elgin Evans, Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CrIU5c0pgJg&list=PLvFwdvxlUPuRerJV8-1p64GUOPlmZCak2"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 2
        "nom" => "2. Sad Hours"
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        "ordre" => 3
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      ]
      [
        "ordre" => 4
        "nom" => "4. Last Night"
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      [
        "ordre" => 5
        "nom" => "5. Blues With A Feeling"
      ]
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        "ordre" => 6
        "nom" => "6. Can't Hold Out Much Longer"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
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        "ordre" => 8
        "nom" => "1. Juke"
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      ]
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      ]
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      ]
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        "ordre" => 13
        "nom" => "6. Tell Me Mama"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2133 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
    -style: App\Entity\Style {#1063 …}
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    }
    -modifierLe: DateTime @1774790881 {#2129
      date: 2026-03-29 13:28:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …}
    -disponible: null
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    -slug: "vinyles-the-best-of-little-walter-acoustic-sounds-series-chess-records-9052"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2147
    -id: 3020
    -nom: "Folk Singer  (Mono)"
    -informationComplementaire: "Muddy Waters enregistre Folk Singer en 1963 pour Chess Records, et l’album sort en 1964. C’est un disque particulier dans sa discographie, contrairement à son blues électrique habituel de Chicago, il revient ici à un blues acoustique très dépouillé."
    -description: """
      - Muddy Waters "Folk Singer" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - The only acoustic album that Waters ever recorded !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Folk Singer montre Muddy Waters dans une forme plus brute et traditionnelle, revenant aux racines du blues avec un son acoustique intime. L’album est à la fois historique, musicalement pur et techniquement remarquable, ce qui explique pourquoi il reste une référence majeure du blues.\r\n
      \r\n
      Sorti en 1964 sur le label Chess Records, Folk Singer constitue une œuvre singulière dans la discographie de Muddy Waters. Connu pour avoir contribué à définir le son du Chicago blues électrique dans les années 1950, l’artiste opère ici un retour volontaire vers une esthétique plus dépouillée. L’album s’inscrit dans le contexte du renouveau folk et blues du début des années 1960, période durant laquelle le public redécouvre les racines rurales de la musique afro-américaine. Muddy Waters répond à cet intérêt en proposant un disque entièrement acoustique, qui évoque directement les traditions du Delta blues et du country blues.\r\n
      \r\n
      L’enregistrement se déroule en septembre 1963 dans les studios de Chess à Chicago. Contrairement aux productions blues amplifiées de l’époque, l’objectif est de capter une atmosphère naturelle et chaleureuse, presque intime. La prise de son est particulièrement soignée, les instruments sont enregistrés avec beaucoup d’espace et de précision, laissant respirer chaque nuance de la voix et des guitares. Cette approche explique pourquoi Folk Singer est souvent considéré comme un album de référence pour la qualité de son et figure régulièrement parmi les disques utilisés pour tester des systèmes audio haute fidélité.\r\n
      \r\n
      L’accompagnement musical reste volontairement minimaliste. Muddy Waters assure la guitare acoustique et le chant, entouré de musiciens prestigieux de la scène blues de Chicago. Le bassiste et compositeur Willie Dixon apporte une contrebasse profonde et discrète qui structure les morceaux, tandis que Buddy Guy intervient à la guitare acoustique avec un jeu sensible et précis. La batterie légère de Clifton James complète l’ensemble sans jamais dominer l’espace sonore. Cette instrumentation réduite permet de mettre en avant la dimension expressive de la musique et surtout la voix puissante et rugueuse de Muddy Waters, qui demeure l’élément central de l’album.\r\n
      \r\n
      Sur le plan musical, Folk Singer se caractérise par des tempos généralement lents et une grande sobriété dans les arrangements. Les morceaux reposent sur des structures de blues traditionnelles, mais l’interprétation se distingue par sa profondeur émotionnelle et son sens du groove. La guitare acoustique de Muddy Waters développe un jeu rythmique solide, ponctué de lignes mélodiques simples mais expressives. L’ensemble crée une ambiance à la fois sombre, hypnotique et chaleureuse.\r\n
      \r\n
      Les thèmes abordés dans les chansons reflètent les préoccupations classiques du blues : l’errance, les relations amoureuses compliquées, la solitude ou encore la nostalgie du Sud. Dans "My Home Is in the Delta", Muddy Waters évoque son attachement à la région du Mississippi où il a grandi, rappelant les racines rurales de sa musique. "Long Distance Call" illustre quant à lui un blues lent et intense, construit autour d’une tension émotionnelle qui met en valeur la profondeur de sa voix. D’autres titres comme "Good Morning Little School Girl" apportent une énergie plus directe tout en conservant l’esprit acoustique de l’album.\r\n
      \r\n
      L’importance de Folk Singer dépasse la simple réussite artistique. L’album représente un moment de transition dans l’histoire du blues, reliant les traditions rurales du Delta aux formes urbaines développées à Chicago. En revenant à une formule acoustique à une époque dominée par l’amplification électrique, Muddy Waters rappelle les origines profondes du genre et démontre que la force du blues réside avant tout dans l’émotion et l’interprétation.\r\n
      \r\n
      Avec le temps, Folk Singer s’est imposé comme l’un des grands classiques du blues. Son authenticité, la qualité exceptionnelle de son enregistrement et la performance vocale de Muddy Waters en font un disque à la fois historique et intemporel, souvent cité parmi les albums essentiels pour comprendre l’évolution et l’héritage du blues.\r\n
      \r\n
      Few albums in the blues canon carry the authority and lasting impact of Muddy Waters' "Folk Singer". Originally released in 1964 and presented here in its pure, intimate mono form this is the only all-acoustic recording Muddy ever made. The result is a striking return to the Delta feel that shaped him, transformed into what many consider the first, and still the definitive, blues concept album.\r\n
      \r\n
      Worried that the rising folk boom might pull listeners away from the blues, Chess Records sent Muddy Waters into the studio for an all-acoustic session and the results were nothing short of revelatory. Joined by Willie Dixon and a young Buddy Guy, Waters delivers an "unplugged" performance that stands today as one of the most captivating crossover moments in the genre's history.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab from the mono master, 180 gram vinyl pressed by Quality Record Pressings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Y_TJoSf6_z0&list=PLzGotn8LeP0epcgMa6JIwNF664bMnFc24"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8127"
    -titreMorceau: [
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        "ordre" => 5
        "nom" => "5. You Gonna Need My Help "
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Cold Weather Blues"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3540
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2147
    -id: 3020
    -nom: "Folk Singer  (Mono)"
    -informationComplementaire: "Muddy Waters enregistre Folk Singer en 1963 pour Chess Records, et l’album sort en 1964. C’est un disque particulier dans sa discographie, contrairement à son blues électrique habituel de Chicago, il revient ici à un blues acoustique très dépouillé."
    -description: """
      - Muddy Waters "Folk Singer" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - The only acoustic album that Waters ever recorded !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Folk Singer montre Muddy Waters dans une forme plus brute et traditionnelle, revenant aux racines du blues avec un son acoustique intime. L’album est à la fois historique, musicalement pur et techniquement remarquable, ce qui explique pourquoi il reste une référence majeure du blues.\r\n
      \r\n
      Sorti en 1964 sur le label Chess Records, Folk Singer constitue une œuvre singulière dans la discographie de Muddy Waters. Connu pour avoir contribué à définir le son du Chicago blues électrique dans les années 1950, l’artiste opère ici un retour volontaire vers une esthétique plus dépouillée. L’album s’inscrit dans le contexte du renouveau folk et blues du début des années 1960, période durant laquelle le public redécouvre les racines rurales de la musique afro-américaine. Muddy Waters répond à cet intérêt en proposant un disque entièrement acoustique, qui évoque directement les traditions du Delta blues et du country blues.\r\n
      \r\n
      L’enregistrement se déroule en septembre 1963 dans les studios de Chess à Chicago. Contrairement aux productions blues amplifiées de l’époque, l’objectif est de capter une atmosphère naturelle et chaleureuse, presque intime. La prise de son est particulièrement soignée, les instruments sont enregistrés avec beaucoup d’espace et de précision, laissant respirer chaque nuance de la voix et des guitares. Cette approche explique pourquoi Folk Singer est souvent considéré comme un album de référence pour la qualité de son et figure régulièrement parmi les disques utilisés pour tester des systèmes audio haute fidélité.\r\n
      \r\n
      L’accompagnement musical reste volontairement minimaliste. Muddy Waters assure la guitare acoustique et le chant, entouré de musiciens prestigieux de la scène blues de Chicago. Le bassiste et compositeur Willie Dixon apporte une contrebasse profonde et discrète qui structure les morceaux, tandis que Buddy Guy intervient à la guitare acoustique avec un jeu sensible et précis. La batterie légère de Clifton James complète l’ensemble sans jamais dominer l’espace sonore. Cette instrumentation réduite permet de mettre en avant la dimension expressive de la musique et surtout la voix puissante et rugueuse de Muddy Waters, qui demeure l’élément central de l’album.\r\n
      \r\n
      Sur le plan musical, Folk Singer se caractérise par des tempos généralement lents et une grande sobriété dans les arrangements. Les morceaux reposent sur des structures de blues traditionnelles, mais l’interprétation se distingue par sa profondeur émotionnelle et son sens du groove. La guitare acoustique de Muddy Waters développe un jeu rythmique solide, ponctué de lignes mélodiques simples mais expressives. L’ensemble crée une ambiance à la fois sombre, hypnotique et chaleureuse.\r\n
      \r\n
      Les thèmes abordés dans les chansons reflètent les préoccupations classiques du blues : l’errance, les relations amoureuses compliquées, la solitude ou encore la nostalgie du Sud. Dans "My Home Is in the Delta", Muddy Waters évoque son attachement à la région du Mississippi où il a grandi, rappelant les racines rurales de sa musique. "Long Distance Call" illustre quant à lui un blues lent et intense, construit autour d’une tension émotionnelle qui met en valeur la profondeur de sa voix. D’autres titres comme "Good Morning Little School Girl" apportent une énergie plus directe tout en conservant l’esprit acoustique de l’album.\r\n
      \r\n
      L’importance de Folk Singer dépasse la simple réussite artistique. L’album représente un moment de transition dans l’histoire du blues, reliant les traditions rurales du Delta aux formes urbaines développées à Chicago. En revenant à une formule acoustique à une époque dominée par l’amplification électrique, Muddy Waters rappelle les origines profondes du genre et démontre que la force du blues réside avant tout dans l’émotion et l’interprétation.\r\n
      \r\n
      Avec le temps, Folk Singer s’est imposé comme l’un des grands classiques du blues. Son authenticité, la qualité exceptionnelle de son enregistrement et la performance vocale de Muddy Waters en font un disque à la fois historique et intemporel, souvent cité parmi les albums essentiels pour comprendre l’évolution et l’héritage du blues.\r\n
      \r\n
      Few albums in the blues canon carry the authority and lasting impact of Muddy Waters' "Folk Singer". Originally released in 1964 and presented here in its pure, intimate mono form this is the only all-acoustic recording Muddy ever made. The result is a striking return to the Delta feel that shaped him, transformed into what many consider the first, and still the definitive, blues concept album.\r\n
      \r\n
      Worried that the rising folk boom might pull listeners away from the blues, Chess Records sent Muddy Waters into the studio for an all-acoustic session and the results were nothing short of revelatory. Joined by Willie Dixon and a young Buddy Guy, Waters delivers an "unplugged" performance that stands today as one of the most captivating crossover moments in the genre's history.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab from the mono master, 180 gram vinyl pressed by Quality Record Pressings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y_TJoSf6_z0&list=PLzGotn8LeP0epcgMa6JIwNF664bMnFc24"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8127"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. My Home Is In The Delta"
      ]
      [
        "ordre" => 2
        "nom" => "2. Long Distance"
      ]
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        "nom" => "3. My Captain"
      ]
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        "nom" => "4. Good Morning School Girl"
      ]
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        "ordre" => 5
        "nom" => "5. You Gonna Need My Help "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Cold Weather Blues"
      ]
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        "ordre" => 8
        "nom" => "2. Big Leg Woman"
      ]
      [
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        "nom" => "3. Country Boy"
      ]
      [
        "ordre" => 10
        "nom" => "4. Feel Like Going Home"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
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        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2085 …}
    -label: Proxies\__CG__\App\Entity\Label {#2069 …}
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    }
    -modifierLe: DateTime @1774769675 {#2145
      date: 2026-03-29 07:34:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2152 …}
    -disponible: null
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    -slug: "vinyles-folk-singer-mono-acoustic-sounds-serie-chess-records-8127"
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}

[
  "produit" => App\Entity\Produit {#2160
    -id: 3034
    -nom: "Keep on Moving"
    -informationComplementaire: "Avec Keep On Moving, The Butterfield Blues Band élargit son horizon, entre tradition et modernité : "un son plus chaud, des cuivres éclatants et une énergie contagieuse". Un blues en mouvement, entre racines et groove."
    -description: """
      Sorti en 1969, "Keep On Moving" marque un tournant décisif dans la carrière de The Butterfield Blues Band. Loin du blues électrique brut de leurs débuts, le groupe adopte ici une approche plus riche et sophistiquée, mêlant blues, soul et R&B, avec une section de cuivres qui devient centrale dans leur son.\r\n
      \r\n
      Porté par la voix et l’harmonica toujours expressifs de Paul Butterfield, l’album déploie une énergie collective plus orchestrée. Les arrangements sont plus amples, les grooves plus souples, et l’ensemble respire une influence soul clairement assumée, dans l’esprit des grandes productions de la fin des années 60.\r\n
      \r\n
      Des titres comme “Keep On Moving” ou “Love March” illustrent parfaitement cette évolution, un blues qui s’ouvre, se colore, et gagne en puissance grâce aux cuivres et aux rythmiques plus dansantes. Cet album témoigne d’un groupe en pleine mutation, prêt à élargir son langage musical sans renier ses racines.\r\n
      \r\n
      - The Butterfield Blues Band Leans into R&B Fervor on the Brassy Keep on Moving : Album Features a Horn Section with David Sanborn and Prioritizes the Art of the Groove !\r\n
      \r\n
      - Hear the 1969 Record in Audiophile Sound for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram Vinyl LP Plays with Dynamic Liveliness and Involving Presence !\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      And then there was one. Paul Butterfield stands as the last remaining original member of his namesake collective on Keep on Moving. It’s hard to imagine it being any other way. Picking up where it left off on In My Own Dream, the Butterfield Blues Band wholly embraces R&B fervor and indirectly dares any horn-accompanied ensemble of the era to match its energy, pulse, tightness, and flair. While going all-in on soul with a crack support cast on this 1969 set, Butterfield would pull the plug on the band just two years later.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram LP makes Keep on Moving available in audiophile quality for the first time. Open, clear, and balanced, it underlines the dynamic liveliness and organic feel of Jerry Ragovoy’s production. As well as the palpable chemistry of the sessions recorded at his then-brand-new Hit Factory studio in New York. This reissue’s quiet surfaces and black backgrounds also expose key details, accents, and textures germane to the music. Not to mention Butterfield and company’s pervasive interplay.\r\n
      \r\n
      The prominence and positioning of the formidable horn section comprised of a young David Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson, and Steve Madaio particularly benefit from the newfound transparency and presence. Separation between the instrumentalists is such that you can distinguish tenor, baritone, and alto parts. You can sense the air between brassy shades, pauses, and swells. Butterfield and Howard “Buzz” Feiten’s guitars register with a similar sense of realism and directness, with everything from the in-the-room tones to the wiry snap of their strings emerging with dimensional body. The imaging, pacing, and naturalism further help frame Keep on Moving as a far better album than many critics of the time believed. \r\n
      \r\n
      Anyone expecting the Butterfield Blues Band to repeat the moves of its first two albums might be inclined to close their mind to what the guitarist-vocalist spearheads on this album, which climbed into the Billboard Top 200 and marked the leader’s final collaboration with Art Ensemble of Chicago co-founder and drummer Phillip Wilson. The direction the group takes is obvious from the first bars of the aptly named opening “Love March.” Distinguished with fanfare complete with horn taps and hup-two cadences, the zig-zagging and psychedelic-leaning piece places the group amid the Age of Aquarius. It even finds Butterfield briefly trading his six-string for a flute.\r\n
      \r\n
      The remainder of the record pursues funky, bluesy paths carved by rolling bass lines, stacked horns, buttoned-up rhythms, and signature harmonica blasts. Walls of brass border “Morning Sunrise”, a slippery rave-up with Butterfield’s unhinged vocals contrasting with the measured playing of his horn section. Akin to most of the tracks on the Keep on Moving if you’re not tempted to get out of your chair and dance by the time this feel-good cut wraps up, check your pulse it leans into catchy R&B disciplines and prioritizes grooves over riffs.  \r\n
      \r\n
      That approach and momentum carry over to the swaggering “All in a Day”, marked by Feiten stepping up to the microphone for his lone lead vocal and a quivering Butterfield harmonica solo that Chicago legend Junior Wells would surely appreciate. “Love Disease” shouts with punchy brass shots, stammers with wet snare drums, and threatens to go into the red via infatuated, emotional singing. For the standout “Buddy’s Advice”, the group places a piano front and center, summons hand-clapped beats, and welcomes the saxophones to stroll downtown as Latin-tinged percussion rattles in the background. \r\n
      \r\n
      Butterfield doesn’t completely abandon his blues roots. When he wants, he commands his guitar to scream with the kind of raw electricity and no-frills purpose it did during the mid-60s in his hometown’s rough-and-tumble clubs. Check the down-and-out lament “Losing Hand”, as soulful and deep as anything in the band’s catalog and sent up with a shivering harmonica spot and sparking guitar lines that interlace with the horns. See, too, the ramble-tamble “Walking by Myself”, which gets down with smoky country-blues flavors, welcoming hooks, and hip-swiveling vibes that, to quote the great Buddy Guy, are “so funky you can smell” ‘em.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=_oeLJmh6YA0&list=RD_oeLJmh6YA0&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-611"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Love March"
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        "ordre" => 2
        "nom" => "2. No Amount of Loving"
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        "ordre" => 3
        "nom" => "3. Morning Sunrise"
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        "nom" => "4. Losing Hand"
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        "nom" => "5. Walking by Myself"
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        "nom" => "6. Except You"
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        "nom" => "1. Love Disease"
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        "nom" => "3. All in a Day"
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        "nom" => "5. Buddy's Advice"
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        "ordre" => 13
        "nom" => "6. Keep on Moving"
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
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      date: 2026-03-24 16:59:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3586
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  +produit: App\Entity\Produit {#2160
    -id: 3034
    -nom: "Keep on Moving"
    -informationComplementaire: "Avec Keep On Moving, The Butterfield Blues Band élargit son horizon, entre tradition et modernité : "un son plus chaud, des cuivres éclatants et une énergie contagieuse". Un blues en mouvement, entre racines et groove."
    -description: """
      Sorti en 1969, "Keep On Moving" marque un tournant décisif dans la carrière de The Butterfield Blues Band. Loin du blues électrique brut de leurs débuts, le groupe adopte ici une approche plus riche et sophistiquée, mêlant blues, soul et R&B, avec une section de cuivres qui devient centrale dans leur son.\r\n
      \r\n
      Porté par la voix et l’harmonica toujours expressifs de Paul Butterfield, l’album déploie une énergie collective plus orchestrée. Les arrangements sont plus amples, les grooves plus souples, et l’ensemble respire une influence soul clairement assumée, dans l’esprit des grandes productions de la fin des années 60.\r\n
      \r\n
      Des titres comme “Keep On Moving” ou “Love March” illustrent parfaitement cette évolution, un blues qui s’ouvre, se colore, et gagne en puissance grâce aux cuivres et aux rythmiques plus dansantes. Cet album témoigne d’un groupe en pleine mutation, prêt à élargir son langage musical sans renier ses racines.\r\n
      \r\n
      - The Butterfield Blues Band Leans into R&B Fervor on the Brassy Keep on Moving : Album Features a Horn Section with David Sanborn and Prioritizes the Art of the Groove !\r\n
      \r\n
      - Hear the 1969 Record in Audiophile Sound for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram Vinyl LP Plays with Dynamic Liveliness and Involving Presence !\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      And then there was one. Paul Butterfield stands as the last remaining original member of his namesake collective on Keep on Moving. It’s hard to imagine it being any other way. Picking up where it left off on In My Own Dream, the Butterfield Blues Band wholly embraces R&B fervor and indirectly dares any horn-accompanied ensemble of the era to match its energy, pulse, tightness, and flair. While going all-in on soul with a crack support cast on this 1969 set, Butterfield would pull the plug on the band just two years later.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180 gram LP makes Keep on Moving available in audiophile quality for the first time. Open, clear, and balanced, it underlines the dynamic liveliness and organic feel of Jerry Ragovoy’s production. As well as the palpable chemistry of the sessions recorded at his then-brand-new Hit Factory studio in New York. This reissue’s quiet surfaces and black backgrounds also expose key details, accents, and textures germane to the music. Not to mention Butterfield and company’s pervasive interplay.\r\n
      \r\n
      The prominence and positioning of the formidable horn section comprised of a young David Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson, and Steve Madaio particularly benefit from the newfound transparency and presence. Separation between the instrumentalists is such that you can distinguish tenor, baritone, and alto parts. You can sense the air between brassy shades, pauses, and swells. Butterfield and Howard “Buzz” Feiten’s guitars register with a similar sense of realism and directness, with everything from the in-the-room tones to the wiry snap of their strings emerging with dimensional body. The imaging, pacing, and naturalism further help frame Keep on Moving as a far better album than many critics of the time believed. \r\n
      \r\n
      Anyone expecting the Butterfield Blues Band to repeat the moves of its first two albums might be inclined to close their mind to what the guitarist-vocalist spearheads on this album, which climbed into the Billboard Top 200 and marked the leader’s final collaboration with Art Ensemble of Chicago co-founder and drummer Phillip Wilson. The direction the group takes is obvious from the first bars of the aptly named opening “Love March.” Distinguished with fanfare complete with horn taps and hup-two cadences, the zig-zagging and psychedelic-leaning piece places the group amid the Age of Aquarius. It even finds Butterfield briefly trading his six-string for a flute.\r\n
      \r\n
      The remainder of the record pursues funky, bluesy paths carved by rolling bass lines, stacked horns, buttoned-up rhythms, and signature harmonica blasts. Walls of brass border “Morning Sunrise”, a slippery rave-up with Butterfield’s unhinged vocals contrasting with the measured playing of his horn section. Akin to most of the tracks on the Keep on Moving if you’re not tempted to get out of your chair and dance by the time this feel-good cut wraps up, check your pulse it leans into catchy R&B disciplines and prioritizes grooves over riffs.  \r\n
      \r\n
      That approach and momentum carry over to the swaggering “All in a Day”, marked by Feiten stepping up to the microphone for his lone lead vocal and a quivering Butterfield harmonica solo that Chicago legend Junior Wells would surely appreciate. “Love Disease” shouts with punchy brass shots, stammers with wet snare drums, and threatens to go into the red via infatuated, emotional singing. For the standout “Buddy’s Advice”, the group places a piano front and center, summons hand-clapped beats, and welcomes the saxophones to stroll downtown as Latin-tinged percussion rattles in the background. \r\n
      \r\n
      Butterfield doesn’t completely abandon his blues roots. When he wants, he commands his guitar to scream with the kind of raw electricity and no-frills purpose it did during the mid-60s in his hometown’s rough-and-tumble clubs. Check the down-and-out lament “Losing Hand”, as soulful and deep as anything in the band’s catalog and sent up with a shivering harmonica spot and sparking guitar lines that interlace with the horns. See, too, the ramble-tamble “Walking by Myself”, which gets down with smoky country-blues flavors, welcoming hooks, and hip-swiveling vibes that, to quote the great Buddy Guy, are “so funky you can smell” ‘em.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Elvin Bishop (guitar), Gene Dinwiddie (saxophone, keyboards), Trevor Lawrence (saxophone),  Keith Johnson (trumpet), Rod Hicks (bass), Buzzy Feiten (guitar), Phil Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=_oeLJmh6YA0&list=RD_oeLJmh6YA0&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
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[
  "produit" => App\Entity\Produit {#2179
    -id: 2990
    -nom: "B.B. King's Blues Summit 100  (3 LP + Booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Joe Bonamassa (guitar), Buddy Guy, Christone “Kingfish” Ingram, Marcus King, Kenny Wayne Shepherd, Gary Clark Jr., Warren Haynes, Jimmie Vaughan, Keb’ Mo’, Larry McCray, Chris Cain, D.K. Harrell, Susan Tedeschi, Rebecca Lovell "Larkin Poe" (guitar, vocals), Robben Ford, Larry Carlton, Chris Buck, Slash (guitar), Derek Trucks (slide guitar), Megan Lovell "Larkin Poe" (lap steel, vocals), Ivan Neville, Michael McDonald (keyboards, vocals), Kim Wilson, Jimmy Hall (harmonica, vocals), Trombone Shorty (trombone, vocals), Eric Clapton (guitar), George Benson (guitar, vocals), Michael McDonald (keyboards, vocals), Paul Rodgers, Myles Kennedy, Shemekia Copeland, Bobby Rush, Chaka Khan, Dion, Noah Hunt, Marc Broussard, Aloe Blacc, Jade MacRae (vocals), Jimmy Hall (harmonica, vocals).\r\n
      \r\n
      - Joe Bonamassa "B.B. King's Blues Summit 100" !\r\n
      - Celebrating The King of The Blues !\r\n
      - 180 gram (3 LP) black gatefold vinyl with 20 page booklet !\r\n
      \r\n
      This groundbreaking project celebrates the centennial birthday of B.B. King, honoring his monumental legacy with a one-of-a-kind collaboration album. The album will feature a double album worth of curated tracks of B.B. King's most iconic songs, recorded/tracked by blues rock icon Joe Bonamassa and his all-star band, with production led by two-time Grammy-nominated producers Joe Bonamassa and Josh Smith. The reimagined tracks will include a stellar lineup of guest musicians from both contemporary and legacy backgrounds that will unite multiple generations and genres to pay tribute to the King of Blues with 32 tracks and including 40 special guests !\r\n
      \r\n
      Working directly with B.B. King's estate, this project is deeply personal to Joe, reflecting his lifelong admiration for B.B. and the profound impact B.B. had on his career and life. Joe's connection with B.B. began in 1989 when, as a 12 year-old prodigy, he had the life-changing opportunity to open for Mr. King. Over the years, their friendship grew as they toured together on dozens of occasions, cementing a bond that Joe cherishes to this day.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Joe Bonamassa (guitar), Buddy Guy, Christone “Kingfish” Ingram, Marcus King, Kenny Wayne Shepherd, Gary Clark Jr., Warren Haynes, Jimmie Vaughan, Keb’ Mo’, Larry McCray (guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fzV5a6UOFvY&list=OLAK5uy_kNr963PkONyuS0Tr3RzYgfVYKjAMzhIJQ&index=5"
    -referenceProduit: "KTBA Records 0126"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Paying The Cost To Be The Boss (ft. Christone 'Kingfish' Ingram)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Don't Answer The Door (ft. Marcus King)"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know You Is To Love You (ft. Michael McDonald, Susan Tedeschi,"
      ]
      [
        "ordre" => 4
        "nom" => "Derek Trucks)"
      ]
      [
        "ordre" => 5
        "nom" => "4. Let The Good Times Roll (ft. Kenny Wayne Shepherd, Noah Hunt)"
      ]
      [
        "ordre" => 6
        "nom" => "5. Sweet Little Angel (ft. Buddy Guy)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. When It All Comes Down (I'll Still Be Around) (ft. Larry McCray)"
      ]
      [
        "ordre" => 9
        "nom" => "2. When Love Comes To Town (ft. Slash, Shemekia Copeland, Myles Kennedy)"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Thrill Is Gone"
      ]
      [
        "ordre" => 11
        "nom" => "4. Watch Yourself (ft. Jimmie Vaughan)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Why I Sing The Blues (ft. Bobby Rush)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Sweet Sixteen (ft. Jimmy Hall, Larry Carlton)"
      ]
      [
        "ordre" => 15
        "nom" => "2. Don't You Want A Man Like Me (ft. Larkin Poe)"
      ]
      [
        "ordre" => 16
        "nom" => "3. I'll Survive (ft. Keb' Mo')"
      ]
      [
        "ordre" => 17
        "nom" => "4. Heartbreaker (ft. Trombone Shorty, Eric Gales)"
      ]
      [
        "ordre" => 18
        "nom" => "5. There Must Be A Better World Somewhere (ft. George Benson)"
      ]
      [
        "ordre" => 19
        "nom" => "Side D : "
      ]
      [
        "ordre" => 20
        "nom" => "1. Chains And Things (ft. Gary Clark Jr.)"
      ]
      [
        "ordre" => 21
        "nom" => "2. How Blue Can You Get (ft. Warren Haynes)"
      ]
      [
        "ordre" => 22
        "nom" => "3. You Upset Me Baby (ft. Chris Cain)"
      ]
      [
        "ordre" => 23
        "nom" => "4. Ghetto Woman (ft. Ivan Neville)"
      ]
      [
        "ordre" => 24
        "nom" => "5. Night Life (ft. Paul Rodgers)"
      ]
      [
        "ordre" => 25
        "nom" => "Side E :"
      ]
      [
        "ordre" => 26
        "nom" => "1. Ain't Nobody Home (ft. Jade MacRae, Robben Ford)"
      ]
      [
        "ordre" => 27
        "nom" => "2. Bad Case Of Love (ft. Joanne Shaw Taylor)"
      ]
      [
        "ordre" => 28
        "nom" => "3. Never Make A Move Too Soon (ft. Dion)"
      ]
      [
        "ordre" => 29
        "nom" => "4. Three O'Clock Blues (ft. Marc Broussard)"
      ]
      [
        "ordre" => 30
        "nom" => "5. Think It Over (ft. Train, Chris Buck)"
      ]
      [
        "ordre" => 31
        "nom" => "Side F : "
      ]
      [
        "ordre" => 32
        "nom" => "1. It's My Own Fault (ft. Kim Wilson)"
      ]
      [
        "ordre" => 33
        "nom" => "2. Every Day I Have The Blues (ft. D.K. Harrell)"
      ]
      [
        "ordre" => 34
        "nom" => "3. Please Accept My Love (ft. John Németh)"
      ]
      [
        "ordre" => 35
        "nom" => "4. So Excited (ft. Aloe Blacc)"
      ]
      [
        "ordre" => 36
        "nom" => "5. When My Heart Beats Like A Hammer (ft. Dannielle De Andrea)"
      ]
      [
        "ordre" => 37
        "nom" => "6. Playin' With My Friends"
      ]
      [
        "ordre" => 38
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
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    -modifierLe: DateTime @1770501300 {#2177
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-b-b-king-s-blues-summit-100-3-lp-booklet-ktba-records-0126"
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App\Twig\Components\GestionPanierFavoriComponents {#3637
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2179
    -id: 2990
    -nom: "B.B. King's Blues Summit 100  (3 LP + Booklet)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Joe Bonamassa (guitar), Buddy Guy, Christone “Kingfish” Ingram, Marcus King, Kenny Wayne Shepherd, Gary Clark Jr., Warren Haynes, Jimmie Vaughan, Keb’ Mo’, Larry McCray, Chris Cain, D.K. Harrell, Susan Tedeschi, Rebecca Lovell "Larkin Poe" (guitar, vocals), Robben Ford, Larry Carlton, Chris Buck, Slash (guitar), Derek Trucks (slide guitar), Megan Lovell "Larkin Poe" (lap steel, vocals), Ivan Neville, Michael McDonald (keyboards, vocals), Kim Wilson, Jimmy Hall (harmonica, vocals), Trombone Shorty (trombone, vocals), Eric Clapton (guitar), George Benson (guitar, vocals), Michael McDonald (keyboards, vocals), Paul Rodgers, Myles Kennedy, Shemekia Copeland, Bobby Rush, Chaka Khan, Dion, Noah Hunt, Marc Broussard, Aloe Blacc, Jade MacRae (vocals), Jimmy Hall (harmonica, vocals).\r\n
      \r\n
      - Joe Bonamassa "B.B. King's Blues Summit 100" !\r\n
      - Celebrating The King of The Blues !\r\n
      - 180 gram (3 LP) black gatefold vinyl with 20 page booklet !\r\n
      \r\n
      This groundbreaking project celebrates the centennial birthday of B.B. King, honoring his monumental legacy with a one-of-a-kind collaboration album. The album will feature a double album worth of curated tracks of B.B. King's most iconic songs, recorded/tracked by blues rock icon Joe Bonamassa and his all-star band, with production led by two-time Grammy-nominated producers Joe Bonamassa and Josh Smith. The reimagined tracks will include a stellar lineup of guest musicians from both contemporary and legacy backgrounds that will unite multiple generations and genres to pay tribute to the King of Blues with 32 tracks and including 40 special guests !\r\n
      \r\n
      Working directly with B.B. King's estate, this project is deeply personal to Joe, reflecting his lifelong admiration for B.B. and the profound impact B.B. had on his career and life. Joe's connection with B.B. began in 1989 when, as a 12 year-old prodigy, he had the life-changing opportunity to open for Mr. King. Over the years, their friendship grew as they toured together on dozens of occasions, cementing a bond that Joe cherishes to this day.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Joe Bonamassa (guitar), Buddy Guy, Christone “Kingfish” Ingram, Marcus King, Kenny Wayne Shepherd, Gary Clark Jr., Warren Haynes, Jimmie Vaughan, Keb’ Mo’, Larry McCray (guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fzV5a6UOFvY&list=OLAK5uy_kNr963PkONyuS0Tr3RzYgfVYKjAMzhIJQ&index=5"
    -referenceProduit: "KTBA Records 0126"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Paying The Cost To Be The Boss (ft. Christone 'Kingfish' Ingram)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Don't Answer The Door (ft. Marcus King)"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know You Is To Love You (ft. Michael McDonald, Susan Tedeschi,"
      ]
      [
        "ordre" => 4
        "nom" => "Derek Trucks)"
      ]
      [
        "ordre" => 5
        "nom" => "4. Let The Good Times Roll (ft. Kenny Wayne Shepherd, Noah Hunt)"
      ]
      [
        "ordre" => 6
        "nom" => "5. Sweet Little Angel (ft. Buddy Guy)"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. When It All Comes Down (I'll Still Be Around) (ft. Larry McCray)"
      ]
      [
        "ordre" => 9
        "nom" => "2. When Love Comes To Town (ft. Slash, Shemekia Copeland, Myles Kennedy)"
      ]
      [
        "ordre" => 10
        "nom" => "3. The Thrill Is Gone"
      ]
      [
        "ordre" => 11
        "nom" => "4. Watch Yourself (ft. Jimmie Vaughan)"
      ]
      [
        "ordre" => 12
        "nom" => "5. Why I Sing The Blues (ft. Bobby Rush)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Sweet Sixteen (ft. Jimmy Hall, Larry Carlton)"
      ]
      [
        "ordre" => 15
        "nom" => "2. Don't You Want A Man Like Me (ft. Larkin Poe)"
      ]
      [
        "ordre" => 16
        "nom" => "3. I'll Survive (ft. Keb' Mo')"
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      [
        "ordre" => 17
        "nom" => "4. Heartbreaker (ft. Trombone Shorty, Eric Gales)"
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      [
        "ordre" => 18
        "nom" => "5. There Must Be A Better World Somewhere (ft. George Benson)"
      ]
      [
        "ordre" => 19
        "nom" => "Side D : "
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      [
        "ordre" => 20
        "nom" => "1. Chains And Things (ft. Gary Clark Jr.)"
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      [
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        "nom" => "2. How Blue Can You Get (ft. Warren Haynes)"
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      [
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        "nom" => "3. You Upset Me Baby (ft. Chris Cain)"
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        "nom" => "4. Ghetto Woman (ft. Ivan Neville)"
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        "nom" => "5. Night Life (ft. Paul Rodgers)"
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      [
        "ordre" => 25
        "nom" => "Side E :"
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      [
        "ordre" => 26
        "nom" => "1. Ain't Nobody Home (ft. Jade MacRae, Robben Ford)"
      ]
      [
        "ordre" => 27
        "nom" => "2. Bad Case Of Love (ft. Joanne Shaw Taylor)"
      ]
      [
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        "nom" => "3. Never Make A Move Too Soon (ft. Dion)"
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      [
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        "nom" => "4. Three O'Clock Blues (ft. Marc Broussard)"
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      [
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        "nom" => "5. Think It Over (ft. Train, Chris Buck)"
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      [
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        "nom" => "Side F : "
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      [
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        "nom" => "1. It's My Own Fault (ft. Kim Wilson)"
      ]
      [
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        "nom" => "2. Every Day I Have The Blues (ft. D.K. Harrell)"
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        "nom" => "3. Please Accept My Love (ft. John Németh)"
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      [
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        "nom" => "4. So Excited (ft. Aloe Blacc)"
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      [
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        "nom" => "5. When My Heart Beats Like A Hammer (ft. Dannielle De Andrea)"
      ]
      [
        "ordre" => 37
        "nom" => "6. Playin' With My Friends"
      ]
      [
        "ordre" => 38
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …}
    -label: Proxies\__CG__\App\Entity\Label {#2184 …}
    -style: App\Entity\Style {#1063 …}
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    -modifierLe: DateTime @1770501300 {#2177
      date: 2026-02-07 21:55:00.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-b-b-king-s-blues-summit-100-3-lp-booklet-ktba-records-0126"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2202
    -id: 1661
    -nom: "Paris, Texas (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Ry Cooder "Paris, Texas" !\r\n
      - Cooder's soul-stirring soundtrack to the 1985 film !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released in 1985, the Paris, Texas soundtrack by Ry Cooder blends slide guitar and minimalist music to reflect the film's emotional depth. The iconic track "Paris, Texas" helped the album earn critical acclaim, including a BAFTA for Best Film Music. Cooder's score perfectly captured the film's themes of isolation and redemption.\r\n
      \r\n
      It's been more than four decades since the film was awarded the 1984 Palme d'Or at its acclaimed Cannes Film Festival debut. The film's mystifying personae and desolate neo-western vistas have lost none of their original intrigue, thanks in large part to Ry Cooder's iconic soundtrack a defining showpiece by a slide guitar savant.\r\n
      \r\n
      Recorded over three days, his music plays a pivotal mood-setting role, providing a plangent underpinning for German director Wim Wenders' postcard renderings of Americana.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ry Cooder (guitar, slide guitar), John Hiatt (piano), Clarence “Gatemouth” Brown, David Lindley  (guitar), Jim Keltner (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=X6ymVaq3Fqk&list=PLOKMpbyL5AcsiMt6gDk_gY9WvmAnICS1S"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 022-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Paris, Texas"
      ]
      [
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        "nom" => "2. Brothers"
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        "nom" => "3. Nothing Out There"
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        "nom" => "Side B : "
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      [
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        "nom" => "1. Cancion Mixteca"
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        "nom" => "2. No Safety Zone"
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      [
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        "nom" => "3. Houston In Two Seconds"
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        "nom" => "Side C :"
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        "nom" => "1. She's Leaving The Bank"
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        "nom" => "2. On The Couch"
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        "nom" => "1. I Knew These People"
      ]
      [
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        "nom" => "2. Dark Was The Night"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
    -style: App\Entity\Style {#1063 …}
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      date: 2026-02-05 07:13:05.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3688
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2202
    -id: 1661
    -nom: "Paris, Texas (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Ry Cooder "Paris, Texas" !\r\n
      - Cooder's soul-stirring soundtrack to the 1985 film !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Released in 1985, the Paris, Texas soundtrack by Ry Cooder blends slide guitar and minimalist music to reflect the film's emotional depth. The iconic track "Paris, Texas" helped the album earn critical acclaim, including a BAFTA for Best Film Music. Cooder's score perfectly captured the film's themes of isolation and redemption.\r\n
      \r\n
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      \r\n
      Recorded over three days, his music plays a pivotal mood-setting role, providing a plangent underpinning for German director Wim Wenders' postcard renderings of Americana.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ry Cooder (guitar, slide guitar), John Hiatt (piano), Clarence “Gatemouth” Brown, David Lindley  (guitar), Jim Keltner (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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        "nom" => "1. She's Leaving The Bank"
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      [
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        "nom" => "2. On The Couch"
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      [
        "ordre" => 11
        "nom" => "Side D : "
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        "nom" => "1. I Knew These People"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
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      date: 2026-02-05 07:13:05.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-paris-texas-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-022-45"
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}

[
  "produit" => App\Entity\Produit {#2223
    -id: 1093
    -nom: "Paradise and Lunch (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ry Cooder (guitar, mandolin, bass, vocals), Ronnie Barron (piano, organ), Earl Hines (piano), Plas Johnson (alto saxophone), Oscar Brashear (cornet), Red Callender, John Duke (bass), Russ Titelman, Chris Ethridge (electric bass), Milt Hollad, Jim Keltner (drums, percussion).\r\n
      \r\n
      - Ry Cooder "Paradise and Lunch" !\r\n
      - A savory mix of blues, soul and deep Southern spirit !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Few artists blend roots, soul, and sheer musicianship as effortlessly as Ry Cooder. A virtuoso guitarist, producer, and musical historian, Cooder has long been revered for unearthing the heart of American music and Paradise and Lunch (1974) stands as one of his crowning achievements.\r\n
      \r\n
      A good 20 years have passed since a band with ancient musicians from Cuba the Buena Vista Social Club took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. Paradise and Lunch is no exception.\r\n
      \r\n
      The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song "Jesus On The Mainline" and a healthy 12 bar blues paints a picture of what silent witnesses could tell if they could "If Walls Could Talk". Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of "It's All Over Now" and the clip-clop of "Mexican Divorce".\r\n
      \r\n
      Steeped in gospel, blues, R&B, and Tex-Mex groove, this is Cooder at his most inspired relaxed, confident, and surrounded by an ace lineup that includes jazz legend Earl "Fatha" Hines, gospel great Bobby King, and the irresistible rhythm of Jim Keltner. His interpretations of "Tattler", "Jesus on the Mainline", and "Ditty Wah Ditty" shimmer with warmth and personality, transforming traditional material into something timeless and distinctly his own.\r\n
      \r\n
      This is essential listening for anyone who values authenticity, artistry, and great sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ry Cooder (guitar, mandolin, bass, vocals), Ronnie Barron (piano, organ), Earl Hines (piano), Plas Johnson (alto saxophone), Oscar Brashear (cornet), Red Callender, John Duke (bass), Russ Titelman, Chris Ethridge (electric bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9wMQIOfCQls"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 020-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tamp 'em Up Solid"
      ]
      [
        "ordre" => 2
        "nom" => "2. tattler"
      ]
      [
        "ordre" => 3
        "nom" => "3. Married Man's A Fool"
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Jesus On The Mainline"
      ]
      [
        "ordre" => 6
        "nom" => "2. It's All Over Now"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
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      [
        "ordre" => 8
        "nom" => "1. Medley :"
      ]
      [
        "ordre" => 9
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      ]
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        "nom" => "2. If Walls Could Talk"
      ]
      [
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        "nom" => "Side D : "
      ]
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        "nom" => "1. Mexican Divorce"
      ]
      [
        "ordre" => 14
        "nom" => "2. Ditty Wa Ditty"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2228 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3741
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2223
    -id: 1093
    -nom: "Paradise and Lunch (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ry Cooder (guitar, mandolin, bass, vocals), Ronnie Barron (piano, organ), Earl Hines (piano), Plas Johnson (alto saxophone), Oscar Brashear (cornet), Red Callender, John Duke (bass), Russ Titelman, Chris Ethridge (electric bass), Milt Hollad, Jim Keltner (drums, percussion).\r\n
      \r\n
      - Ry Cooder "Paradise and Lunch" !\r\n
      - A savory mix of blues, soul and deep Southern spirit !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Few artists blend roots, soul, and sheer musicianship as effortlessly as Ry Cooder. A virtuoso guitarist, producer, and musical historian, Cooder has long been revered for unearthing the heart of American music and Paradise and Lunch (1974) stands as one of his crowning achievements.\r\n
      \r\n
      A good 20 years have passed since a band with ancient musicians from Cuba the Buena Vista Social Club took the world by storm. Behind the project, in the wings yet right in the midst of this unheard-of music, was Ry Cooder, who regarded this encounter as the greatest musical event of his entire life. The bottleneck guitar hero had always been very interested in the music from the other Americas ever since the solo albums he made in his early years, in which he told the story of the American folk and blues in a multitude of styles. Paradise and Lunch is no exception.\r\n
      \r\n
      The faint smell of a wooden church from pioneering days wafts out of the processional antiphonal song "Jesus On The Mainline" and a healthy 12 bar blues paints a picture of what silent witnesses could tell if they could "If Walls Could Talk". Cooder and his sidemen felt themselves perfectly at home when adventuring further afield and this is testified to in the laid-back calypso rhythm of "It's All Over Now" and the clip-clop of "Mexican Divorce".\r\n
      \r\n
      Steeped in gospel, blues, R&B, and Tex-Mex groove, this is Cooder at his most inspired relaxed, confident, and surrounded by an ace lineup that includes jazz legend Earl "Fatha" Hines, gospel great Bobby King, and the irresistible rhythm of Jim Keltner. His interpretations of "Tattler", "Jesus on the Mainline", and "Ditty Wah Ditty" shimmer with warmth and personality, transforming traditional material into something timeless and distinctly his own.\r\n
      \r\n
      This is essential listening for anyone who values authenticity, artistry, and great sound.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Ry Cooder (guitar, mandolin, bass, vocals), Ronnie Barron (piano, organ), Earl Hines (piano), Plas Johnson (alto saxophone), Oscar Brashear (cornet), Red Callender, John Duke (bass), Russ Titelman, Chris Ethridge (electric bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9wMQIOfCQls"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 020-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tamp 'em Up Solid"
      ]
      [
        "ordre" => 2
        "nom" => "2. tattler"
      ]
      [
        "ordre" => 3
        "nom" => "3. Married Man's A Fool"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Jesus On The Mainline"
      ]
      [
        "ordre" => 6
        "nom" => "2. It's All Over Now"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Medley :"
      ]
      [
        "ordre" => 9
        "nom" => "a. Fool For A Cigarette"
      ]
      [
        "ordre" => 10
        "nom" => "b. Feelin' Good"
      ]
      [
        "ordre" => 11
        "nom" => "2. If Walls Could Talk"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Mexican Divorce"
      ]
      [
        "ordre" => 14
        "nom" => "2. Ditty Wa Ditty"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2207 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2231 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2224 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2226 …}
    -enregistreLe: DateTime @1480835351 {#2219
      date: 2016-12-04 07:09:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275534 {#2218
      date: 2026-02-05 07:12:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2228 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-paradise-and-lunch-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-020-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}