Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2657
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2734
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2737 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
  -formView: Symfony\Component\Form\FormView {#2773 …}
  -form: Symfony\Component\Form\Form {#2923 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 3076
    -nom: "Lost And Found"
    -informationComplementaire: "Avec "Lost and Found", le Buena Vista Social Club révèle des trésors cachés, portés par des voix légendaires et des rythmes envoûtants. Une invitation à voyager, à ressentir, et à vibrer au son d’une musique intemporelle."
    -description: """
      Lost and Found du Buena Vista Social Club est une plongée vibrante au cœur de l’âge d’or de la musique cubaine. Sorti en 2015, cet album rassemble des enregistrements inédits et des prises alternatives capturés lors des sessions historiques qui ont donné naissance au phénomène mondial des années 1990.\r\n
      \r\n
      On y retrouve les voix inoubliables de Ibrahim Ferrer et Omara Portuondo, la guitare et le tres de Eliades Ochoa et Compay Segundo, ainsi que le piano élégant de Rubén González. Entre son cubain, boléro et danzón, chaque morceau restitue l’authenticité et la chaleur d’un collectif de musiciens d’exception.\r\n
      \r\n
      Plus qu’une simple compilation, "Lost and Found" est un témoignage précieux, celui d’une rencontre entre tradition, mémoire et virtuosité, capturée dans toute sa spontanéité.\r\n
      \r\n
      Musicians : \r\n
      Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass), Manuel Galbán (electric guitar), Demetrio Muñiz, Adolfo Pichardo (trumpet), Barbarito Torres (laúd Cuban lute), Miguel "Angá" Díaz (congas), Carlos González "Carlos “Calunga" (bongos), Amadito Valdés (timbales, drums), Roberto Fonseca (piano), Ángel Terry Domech (violin), Enrique Lazaga (trombone), Alberto "Virgilio" Valdés (percussion)...\r\n
      \r\n
      Buena Vista Social Club "Lost And Found" 180 gram vinyl LP !\r\n
      \r\n
      Lost and Found (2015) is a posthumous compilation album by the Buena Vista Social Club, released nearly two decades after their landmark 1997 debut. Features core members such as Ibrahim Ferrer, Compay Segundo, Omara Portuondo, Rubén González, and Eliades Ochoa. This new lacquer cut is pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=epvl7kdLbv4&list=RDepvl7kdLbv4&start_radio=1"
    -referenceProduit: "BMG Records 0136"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Macusa"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bruca Maniguá"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tiene Sabor"
      ]
      [
        "ordre" => 4
        "nom" => "4. Black Chicken 37"
      ]
      [
        "ordre" => 5
        "nom" => "5. Habanera"
      ]
      [
        "ordre" => 6
        "nom" => "6. Bodas de Oro "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Como Fue"
      ]
      [
        "ordre" => 9
        "nom" => "2. Guajira en F"
      ]
      [
        "ordre" => 10
        "nom" => "3. Quiéreme Mucho"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pedacito de Papel"
      ]
      [
        "ordre" => 12
        "nom" => "5. MamàMe Gustó"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lágrimas Negras"
      ]
      [
        "ordre" => 14
        "nom" => "7. Como Siento Yo"
      ]
      [
        "ordre" => 15
        "nom" => "8. Rubén Sings !"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1503 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1777965162 {#1929
      date: 2026-05-05 07:12:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777965881 {#1922
      date: 2026-05-05 07:24:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lost-and-found-bmg-records-0136"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3194
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 3076
    -nom: "Lost And Found"
    -informationComplementaire: "Avec "Lost and Found", le Buena Vista Social Club révèle des trésors cachés, portés par des voix légendaires et des rythmes envoûtants. Une invitation à voyager, à ressentir, et à vibrer au son d’une musique intemporelle."
    -description: """
      Lost and Found du Buena Vista Social Club est une plongée vibrante au cœur de l’âge d’or de la musique cubaine. Sorti en 2015, cet album rassemble des enregistrements inédits et des prises alternatives capturés lors des sessions historiques qui ont donné naissance au phénomène mondial des années 1990.\r\n
      \r\n
      On y retrouve les voix inoubliables de Ibrahim Ferrer et Omara Portuondo, la guitare et le tres de Eliades Ochoa et Compay Segundo, ainsi que le piano élégant de Rubén González. Entre son cubain, boléro et danzón, chaque morceau restitue l’authenticité et la chaleur d’un collectif de musiciens d’exception.\r\n
      \r\n
      Plus qu’une simple compilation, "Lost and Found" est un témoignage précieux, celui d’une rencontre entre tradition, mémoire et virtuosité, capturée dans toute sa spontanéité.\r\n
      \r\n
      Musicians : \r\n
      Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass), Manuel Galbán (electric guitar), Demetrio Muñiz, Adolfo Pichardo (trumpet), Barbarito Torres (laúd Cuban lute), Miguel "Angá" Díaz (congas), Carlos González "Carlos “Calunga" (bongos), Amadito Valdés (timbales, drums), Roberto Fonseca (piano), Ángel Terry Domech (violin), Enrique Lazaga (trombone), Alberto "Virgilio" Valdés (percussion)...\r\n
      \r\n
      Buena Vista Social Club "Lost And Found" 180 gram vinyl LP !\r\n
      \r\n
      Lost and Found (2015) is a posthumous compilation album by the Buena Vista Social Club, released nearly two decades after their landmark 1997 debut. Features core members such as Ibrahim Ferrer, Compay Segundo, Omara Portuondo, Rubén González, and Eliades Ochoa. This new lacquer cut is pressed on 180 gram vinyl.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ibrahim Ferrer, Omara Portuondo (vocals), Compay Segundo (Cuban guitar, vocals), Eliades Ochoa (guitar, vocals), Rubén González (piano), Orlando "Cachaíto" López (double bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=epvl7kdLbv4&list=RDepvl7kdLbv4&start_radio=1"
    -referenceProduit: "BMG Records 0136"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Macusa"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bruca Maniguá"
      ]
      [
        "ordre" => 3
        "nom" => "3. Tiene Sabor"
      ]
      [
        "ordre" => 4
        "nom" => "4. Black Chicken 37"
      ]
      [
        "ordre" => 5
        "nom" => "5. Habanera"
      ]
      [
        "ordre" => 6
        "nom" => "6. Bodas de Oro "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Como Fue"
      ]
      [
        "ordre" => 9
        "nom" => "2. Guajira en F"
      ]
      [
        "ordre" => 10
        "nom" => "3. Quiéreme Mucho"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pedacito de Papel"
      ]
      [
        "ordre" => 12
        "nom" => "5. MamàMe Gustó"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lágrimas Negras"
      ]
      [
        "ordre" => 14
        "nom" => "7. Como Siento Yo"
      ]
      [
        "ordre" => 15
        "nom" => "8. Rubén Sings !"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1503 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1777965162 {#1929
      date: 2026-05-05 07:12:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777965881 {#1922
      date: 2026-05-05 07:24:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lost-and-found-bmg-records-0136"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Pianist McCoy Tyner had been increasingly looking to Mother Africa for inspiration on his Blue Note recordings of the late-1960s on pieces such as "African Village" and "Message from the Nile". With his 1970 album Asante, Tyner brought those influences to the fore with a powerful set rooted in the swirling percussive rhythmic bed laid by drummer Billy Hart and percussionist Mtume. Bassist Buster Williams, guitarist Ted Dunbar, and alto saxophonist Andrew White make up the rest of the extraordinary ensemble on this four-song set that also includes the ethereal vocals of Songai on the extended album opener "Malika" and the title track. While elements of the modal jazz that Tyner pioneered in the John Coltrane Quartet course through the album, most prominently on the kinetic closing track "Fulfillment", the music here also pointed towards future creative directions that Tyner would explore.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Malika"
      ]
      [
        "ordre" => 2
        "nom" => "2. Asante "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Goin' Home"
      ]
      [
        "ordre" => 5
        "nom" => "2. Fulfillment"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1775663309 {#2095
      date: 2026-04-08 15:48:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963907 {#2096
      date: 2026-05-05 06:51:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-asante-blue-note-tone-poet-series-9787"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3308
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Pianist McCoy Tyner had been increasingly looking to Mother Africa for inspiration on his Blue Note recordings of the late-1960s on pieces such as "African Village" and "Message from the Nile". With his 1970 album Asante, Tyner brought those influences to the fore with a powerful set rooted in the swirling percussive rhythmic bed laid by drummer Billy Hart and percussionist Mtume. Bassist Buster Williams, guitarist Ted Dunbar, and alto saxophonist Andrew White make up the rest of the extraordinary ensemble on this four-song set that also includes the ethereal vocals of Songai on the extended album opener "Malika" and the title track. While elements of the modal jazz that Tyner pioneered in the John Coltrane Quartet course through the album, most prominently on the kinetic closing track "Fulfillment", the music here also pointed towards future creative directions that Tyner would explore.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Malika"
      ]
      [
        "ordre" => 2
        "nom" => "2. Asante "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Goin' Home"
      ]
      [
        "ordre" => 5
        "nom" => "2. Fulfillment"
      ]
      [
        "ordre" => 6
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[
  "produit" => App\Entity\Produit {#2119
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
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    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
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[
  "produit" => App\Entity\Produit {#2139
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1"
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App\Twig\Components\GestionPanierFavoriComponents {#3410
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2139
    -id: 3075
    -nom: "Fun House"
    -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable."
    -description: """
      Fun House, l’album culte de The Stooges !\r\n
      \r\n
      Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n
      \r\n
      L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n
      \r\n
      - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n
      \r\n
      - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n
      \r\n
      This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n
      \r\n
      From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n
      \r\n
      Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n
      \r\n
      The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n
      \r\n
      Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n
      \r\n
      That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n
      \r\n
      Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606"
    -titreMorceau: [
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[
  "produit" => App\Entity\Produit {#2158
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
      [
        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
      [
        "ordre" => 10
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 11
        "nom" => "9. Introduction"
      ]
      [
        "ordre" => 12
        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
        "ordre" => 13
        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3461
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2158
    -id: 3074
    -nom: "Richard Wagner - Das Rheingold"
    -informationComplementaire: "Avec "Das Rheingold", Herbert von Karajan et le Berliner Philharmoniker livrent une interprétation précise et intense de l’œuvre de Richard Wagner, révélant toute la richesse du langage wagnérien."
    -description: """
      L’enregistrement de "Das Rheingold" par Herbert Von Karajan à la tête des Berliner Philharmoniker est une interprétation magistrale du prologue du cycle monumental Der Ring des Nibelungen de Richard Wagner.\r\n
      \r\n
      Réalisée dans les années 1960–70, cette version se distingue par sa précision orchestrale, sa richesse sonore et son sens dramatique exceptionnel. Karajan y déploie une vision à la fois fluide et immersive, mettant en valeur chaque détail de l’orchestration wagnérienne tout en maintenant une tension narrative constante.\r\n
      \r\n
      Les voix soigneusement sélectionnées s’intègrent parfaitement à la texture orchestrale, créant une expérience presque cinématographique. L’auditeur est transporté des profondeurs du Rhin aux sommets du Walhalla, dans un voyage sonore d’une intensité rare.\r\n
      \r\n
      Cet enregistrement est aujourd’hui considéré comme une référence incontournable pour les amateurs d’opéra et de musique classique.\r\n
      \r\n
      - Herbert von Karajan "Richard Wagner - Das Rheingold" 180 gram Virgin Vinyl  (3 LP Box Set) !\r\n
      - Hand Numbered, Limited Edition 2500 Copies !\r\n
      - The Original Source Series !\r\n
      - 100 % Pure Analogue !\r\n
      - Mastered by Rainer Maillard & Cut by Sidney C. Meyer Directly from the Original ¼ inch 2 Track Tapes at Emil Berliner Studios !\r\n
      - Original Cover & Lyrics !\r\n
      - Photos & Facsimiles of the Original Recording Logs & Tape Boxes !\r\n
      - Box with Lift-Off Lid !\r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      Herbert von Karajan and the Berliner Philharmoniker's Wagner: Das Rheingold is set to be reissued as a (3 LP) release via Deutsche Grammophon's Original Source Series.\r\n
      \r\n
      The deluxe limited and numbered box set, which features the original covers and lyrics, additional photos, and facsimiles of the original recording logs and tape boxes, will be released on April 3.\r\n
      \r\n
      Karajan's historic performance as a conductor first came to him in a vision in the summer of 1965 while working on a Boris Godunov opera. "I suddenly sensed a burning desire to stage and conduct Wagner in Salzburg", he explained, before adding : "My baton shall teach future ages which road they have to take ".\r\n
      \r\n
      Regarding Das Rheingold, Karajan once explained : "When we did the ‘Ring', people said it was 'chamber music', but I would deny that. It was the full Wagner orchestra, with full sonority but played with real subtlety and the full range of dynamics".\r\n
      \r\n
      Deutsche Grammophon's Original Source Series presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original multitrack tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. Released on 180 gram vinyl records with deluxe gatefold jackets with original covers and lyrics, the series is limited and numbered, accompanied by additional photos and facsimiles of the recording logs and tape boxes.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Herbert Von Karajan conducts the Berliner Philharmoniker"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jKwtxP1P2BM&list=PLyPTjSogIU3kAgwsr6mHwRoRw_ITYbTDw"
    -referenceProduit: "Deutsche Grammophon"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Prelude"
      ]
      [
        "ordre" => 2
        "nom" => "Scene 1 :"
      ]
      [
        "ordre" => 3
        "nom" => "2. Weia ! Waga ! Woge du Welle !"
      ]
      [
        "ordre" => 4
        "nom" => "3. He he! Ihr Nicker!"
      ]
      [
        "ordre" => 5
        "nom" => "4. Garstig glatter glitschriger Glimmer !"
      ]
      [
        "ordre" => 6
        "nom" => "5. Lugt, Schwestern! Die Weckerin lacht in den Grund"
      ]
      [
        "ordre" => 7
        "nom" => "6. Nur wer der Minne Macht entsagt"
      ]
      [
        "ordre" => 8
        "nom" => "7. Der Welt Erbe gewänn' ich zu eigen durch dich ?"
      ]
      [
        "ordre" => 9
        "nom" => "8. Haltet den Räuber !"
      ]
      [
        "ordre" => 10
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 11
        "nom" => "9. Introduction"
      ]
      [
        "ordre" => 12
        "nom" => "10. Wotan ! Gemahl ! Erwache !"
      ]
      [
        "ordre" => 13
        "nom" => "Side B : "
      ]
      [
        "ordre" => 14
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 15
        "nom" => "1. So schirme sie jetzt"
      ]
      [
        "ordre" => 16
        "nom" => "2. Sanft schloß Schlaf dein Aug'"
      ]
      [
        "ordre" => 17
        "nom" => "3. Was sagst du ? Ha, sinnst du Verrat ?"
      ]
      [
        "ordre" => 18
        "nom" => "4. Du da, folge uns !"
      ]
      [
        "ordre" => 19
        "nom" => "5. Endlich, Loge !"
      ]
      [
        "ordre" => 20
        "nom" => "Side C :"
      ]
      [
        "ordre" => 21
        "nom" => "Scene 2 :"
      ]
      [
        "ordre" => 22
        "nom" => "1. Immer ist Undank Loges Lohn !"
      ]
      [
        "ordre" => 23
        "nom" => "2. Ein Runenzauber zwingt das Gold zum Reif"
      ]
      [
        "ordre" => 24
        "nom" => "3. Hör', Wotan, der Harrenden Wort !"
      ]
      [
        "ordre" => 25
        "nom" => "4. Schwester ! Brüder ! Rettet ! Helft !"
      ]
      [
        "ordre" => 26
        "nom" => "5. Wotan, Gemahl, unsel'ger Mann !"
      ]
      [
        "ordre" => 27
        "nom" => "6. Transformation Scene"
      ]
      [
        "ordre" => 28
        "nom" => "Side D : "
      ]
      [
        "ordre" => 29
        "nom" => "Scene 3 :"
      ]
      [
        "ordre" => 30
        "nom" => "1. Hehe! hieher ! Tückischer Zwerg ! – Schau, du Schelm !"
      ]
      [
        "ordre" => 31
        "nom" => "2. Nibelheim hier"
      ]
      [
        "ordre" => 32
        "nom" => "3. Nehmt euch in acht !"
      ]
      [
        "ordre" => 33
        "nom" => "4. Die in linder Lüfte Wehn da oben ihr lebt"
      ]
      [
        "ordre" => 34
        "nom" => "5. Ohe ! Ohe ! Schreckliche Schlange"
      ]
      [
        "ordre" => 35
        "nom" => "6. Dort die Kröte ! Greife sie rasch !"
      ]
      [
        "ordre" => 36
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 37
        "nom" => "7. Da, Vetter, sitze du fest !"
      ]
      [
        "ordre" => 38
        "nom" => "8. Wohlan, die Nibelungen rief ich mir nah"
      ]
      [
        "ordre" => 39
        "nom" => "Side E :"
      ]
      [
        "ordre" => 40
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 41
        "nom" => "1. Gezahlt hab' ich; nun lasst mich zieh'n !"
      ]
      [
        "ordre" => 42
        "nom" => "2. Ist er gelöst ?"
      ]
      [
        "ordre" => 43
        "nom" => "3. Lauschtest du seinem Liebesgruß ?"
      ]
      [
        "ordre" => 44
        "nom" => "4. Lieblichste Schwester, süsseste Lust !"
      ]
      [
        "ordre" => 45
        "nom" => "5. Gepflanzt sind die Pfähle nach Pfandes Maß"
      ]
      [
        "ordre" => 46
        "nom" => "6. Weiche, Wotan, weiche !"
      ]
      [
        "ordre" => 47
        "nom" => "7. Soll ich sorgen und fürchten"
      ]
      [
        "ordre" => 48
        "nom" => "Side F : "
      ]
      [
        "ordre" => 49
        "nom" => "Scene 4 :"
      ]
      [
        "ordre" => 50
        "nom" => "1. Halt, du Gieriger ! Gönne mir auch was !"
      ]
      [
        "ordre" => 51
        "nom" => "2. Nun blinzle nach Freias Blick"
      ]
      [
        "ordre" => 52
        "nom" => "3. He da! He do! Zu mir, du Gedüft !"
      ]
      [
        "ordre" => 53
        "nom" => "4. Bruder, hieher ! Weise der Brücke den Weg ! – Zur Burg führt die Brücke"
      ]
      [
        "ordre" => 54
        "nom" => "5. Abendlich strahlt der Sonne Auge"
      ]
      [
        "ordre" => 55
        "nom" => "6. So grüss' ich die Burg"
      ]
      [
        "ordre" => 56
        "nom" => "7. Rheingold ! Rheingold ! Reines Gold !"
      ]
      [
        "ordre" => 57
        "nom" => ""
      ]
      [
        "ordre" => 58
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2160 …}
    -label: Proxies\__CG__\App\Entity\Label {#2163 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
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      date: 2026-05-04 07:48:40.0 UTC (+00:00)
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    -modifierLe: DateTime @1777882280 {#2156
      date: 2026-05-04 08:11:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-richard-wagner-das-rheingold-deutsche-grammophon"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 2971
    -nom: "Montrose (2 LP) 45 RPM"
    -informationComplementaire: "Un choc électrique venu des années 70. Redécouvrez "Montrose" comme vous ne l’avez jamais entendu. Une réédition audiophile explosive qui capture toute la puissance brute et l’énergie fondatrice du hard rock américain."
    -description: """
      Sorti en 1973, "Montrose" est un album culte qui a marqué l’histoire du hard rock, porté par la guitare incisive de Ronnie Montrose et la voix déjà légendaire de Sammy Hagar. Des titres comme "Rock Candy" ou "Bad Motor Scooter" incarnent une époque où le rock était synonyme de puissance, de groove et de liberté.\r\n
      \r\n
      Cette édition exceptionnelle proposée par Analogue Productions repousse les standards de qualité sonore. Pressé sur 2 vinyles 45 RPM, ce format permet une restitution sonore d’une précision et d’une dynamique incomparables. Chaque détail est sublimé; des riffs de guitare tranchants, une section rythmique percutante et une voix plus vivante que jamais\r\n
      \r\n
      Remasterisé à partir des bandes analogiques originales, cet album offre une expérience d’écoute immersive, fidèle à l’intention artistique d’origine, mais avec une clarté et une profondeur modernes.\r\n
      \r\n
      - Montrose "Montrose" !\r\n
      - The Birth of American Hard Rock now on audiophile vinyl !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Few debut albums hit with the seismic force of Montrose. Released in 1973, this powerhouse record didn't just introduce guitarist Ronnie Montrose and a then-unknown vocalist named Sammy Hagar it practically rewrote the rules for American hard rock.\r\n
      \r\n
      From the opening riff of "Rock the Nation" to the thunder of "Bad Motor Scooter" and "Space Station #5", Montrose delivers 35 minutes of pure, high-octane energy. It's lean, loud, and loaded with attitude the album that bridged the gap between Led Zeppelin's muscle and Van Halen's flash. In fact, Eddie Van Halen himself cited Montrose as a blueprint for what would come next.\r\n
      \r\n
      Produced by Ted Templeman (soon to helm Van Halen's own breakout), the record's sound is all killer instinct and no filler massive guitar tones, airtight grooves, and Hagar's raw, unfiltered vocals in peak form. It's the kind of album that never left the turntables of rock fans, and it's still hailed by critics as one of the greatest debut albums in rock history.\r\n
      \r\n
      Now, this classic gets the treatment it's always deserved. Mastered with precision from the original tape by Matthew Lutthans at The Mastering Lab, and pressed on dead-quiet, perfectly flat vinyl by Quality Record Pressings, this edition captures every ounce of the album's fire and punch the way it was meant to be heard.\r\n
      \r\n
      Turn it up, drop the needle, and feel the spark that lit an era. Montrose isn't just hard rock history it's the sound of ignition.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ronnie Montrose (guitar), Sammy Hagar (lead vocals), Bill Church (bass guitar), Denny Carmassi (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cl67sOFOGtU&list=RDcl67sOFOGtU&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 019-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Rock The Nation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bad Motor Scooter "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Space Station #5"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Don't Want It "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Good Rockin' Tonight"
      ]
      [
        "ordre" => 8
        "nom" => "2. Rock Candy "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. One Thing On My Mind"
      ]
      [
        "ordre" => 11
        "nom" => "2. Make It Last"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: Proxies\__CG__\App\Entity\Label {#2186 …}
    -style: App\Entity\Style {#1500 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2195 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2188 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2190 …}
    -enregistreLe: DateTime @1770215741 {#2174
      date: 2026-02-04 14:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777749369 {#2175
      date: 2026-05-02 19:16:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2192 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-montrose-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-019-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3512
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2181
    -id: 2971
    -nom: "Montrose (2 LP) 45 RPM"
    -informationComplementaire: "Un choc électrique venu des années 70. Redécouvrez "Montrose" comme vous ne l’avez jamais entendu. Une réédition audiophile explosive qui capture toute la puissance brute et l’énergie fondatrice du hard rock américain."
    -description: """
      Sorti en 1973, "Montrose" est un album culte qui a marqué l’histoire du hard rock, porté par la guitare incisive de Ronnie Montrose et la voix déjà légendaire de Sammy Hagar. Des titres comme "Rock Candy" ou "Bad Motor Scooter" incarnent une époque où le rock était synonyme de puissance, de groove et de liberté.\r\n
      \r\n
      Cette édition exceptionnelle proposée par Analogue Productions repousse les standards de qualité sonore. Pressé sur 2 vinyles 45 RPM, ce format permet une restitution sonore d’une précision et d’une dynamique incomparables. Chaque détail est sublimé; des riffs de guitare tranchants, une section rythmique percutante et une voix plus vivante que jamais\r\n
      \r\n
      Remasterisé à partir des bandes analogiques originales, cet album offre une expérience d’écoute immersive, fidèle à l’intention artistique d’origine, mais avec une clarté et une profondeur modernes.\r\n
      \r\n
      - Montrose "Montrose" !\r\n
      - The Birth of American Hard Rock now on audiophile vinyl !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Few debut albums hit with the seismic force of Montrose. Released in 1973, this powerhouse record didn't just introduce guitarist Ronnie Montrose and a then-unknown vocalist named Sammy Hagar it practically rewrote the rules for American hard rock.\r\n
      \r\n
      From the opening riff of "Rock the Nation" to the thunder of "Bad Motor Scooter" and "Space Station #5", Montrose delivers 35 minutes of pure, high-octane energy. It's lean, loud, and loaded with attitude the album that bridged the gap between Led Zeppelin's muscle and Van Halen's flash. In fact, Eddie Van Halen himself cited Montrose as a blueprint for what would come next.\r\n
      \r\n
      Produced by Ted Templeman (soon to helm Van Halen's own breakout), the record's sound is all killer instinct and no filler massive guitar tones, airtight grooves, and Hagar's raw, unfiltered vocals in peak form. It's the kind of album that never left the turntables of rock fans, and it's still hailed by critics as one of the greatest debut albums in rock history.\r\n
      \r\n
      Now, this classic gets the treatment it's always deserved. Mastered with precision from the original tape by Matthew Lutthans at The Mastering Lab, and pressed on dead-quiet, perfectly flat vinyl by Quality Record Pressings, this edition captures every ounce of the album's fire and punch the way it was meant to be heard.\r\n
      \r\n
      Turn it up, drop the needle, and feel the spark that lit an era. Montrose isn't just hard rock history it's the sound of ignition.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Ronnie Montrose (guitar), Sammy Hagar (lead vocals), Bill Church (bass guitar), Denny Carmassi (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cl67sOFOGtU&list=RDcl67sOFOGtU&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 019-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Rock The Nation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Bad Motor Scooter "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Space Station #5"
      ]
      [
        "ordre" => 5
        "nom" => "2. I Don't Want It "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Good Rockin' Tonight"
      ]
      [
        "ordre" => 8
        "nom" => "2. Rock Candy "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. One Thing On My Mind"
      ]
      [
        "ordre" => 11
        "nom" => "2. Make It Last"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: Proxies\__CG__\App\Entity\Label {#2186 …}
    -style: App\Entity\Style {#1500 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2195 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2188 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2190 …}
    -enregistreLe: DateTime @1770215741 {#2174
      date: 2026-02-04 14:35:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777749369 {#2175
      date: 2026-05-02 19:16:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2192 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-montrose-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-019-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
}

[
  "produit" => App\Entity\Produit {#2202
    -id: 2963
    -nom: "Sundown (2 LP) 45 RPM"
    -informationComplementaire: "Redécouvrez "Sundown" de Gordon Lightfoot dans une édition audiophile d’exception. Ce double vinyle 45 RPM signé Analogue Productions révèle toute la richesse et la profondeur de cet album culte, pour une immersion sonore incomparable."
    -description: """
      L’album "Sundown" de Gordon Lightfoot est une œuvre majeure du folk canadien des années 70, portée par une écriture intime et une atmosphère envoûtante. Sorti en 1974, cet opus contient le célèbre titre éponyme qui a propulsé l’artiste au sommet des charts nord-américains.\r\n
      \r\n
      Cette édition Analogue Productions en double vinyle 45 RPM sublime l’enregistrement original avec une qualité sonore exceptionnelle. Pressé sur deux LP audiophiles, ce format offre une dynamique accrue, une scène sonore plus large et un niveau de détail impressionnant, idéal pour les amateurs de haute fidélité exigeants.\r\n
      \r\n
      Chaque piste révèle toute la richesse des arrangements acoustiques, la chaleur de la voix de Lightfoot et la finesse des instruments, dans un rendu analogique fidèle à l’esprit d’origine.\r\n
      \r\n
      - Gordon Lightfoot "Sundown" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When Sundown hit the airwaves in 1974, Gordon Lightfoot didn't just top the charts he captured a moment in time. With its mix of folk storytelling, country warmth, and pop polish, Sundown became one of the defining albums of the decade. The title track alone haunting, hypnotic, and unforgettable remains one of the greatest songs ever written about love and jealousy. But it's the full album that keeps drawing listeners back: "High and Dry," "Carefree Highway", "Seven Island Suite" each a masterclass in songwriting craft and emotional subtlety.\r\n
      \r\n
      Now, Sundown sounds better than ever. Cut at 45 RPM by Matthew Lutthans at The Mastering Lab, this new edition brings every shimmer of 12 string guitar and nuance of Lightfoot's unmistakable baritone into sharper, more lifelike focus. The pressing handled by Quality Record Pressings, the gold standard for vinyl perfection offers the quietest surfaces and flattest profiles possible, ensuring every note plays with breathtaking presence and clarity.\r\n
      \r\n
      For fans of Lightfoot, for lovers of the singer-songwriter era, and for anyone who wants to hear a timeless album in the form it deserves, this Sundown reissue is the definitive way to experience a classic reborn.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Gordon Lightfoot (acoustic guitar, vocals), Red Shea (lead guitar), Rick Haynes (bass guitar), Barry Keane (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dnlgkS3YYVs&list=RDdnlgkS3YYVs&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Somewhere U.S.A."
      ]
      [
        "ordre" => 2
        "nom" => "2. High And Dry"
      ]
      [
        "ordre" => 3
        "nom" => "3. Seven Island Suite "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Circle Of Steel"
      ]
      [
        "ordre" => 6
        "nom" => "2. Is There Anyone Home "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. The Watchman's Gone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sundown "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Carefree Highway"
      ]
      [
        "ordre" => 12
        "nom" => "2. The List"
      ]
      [
        "ordre" => 13
        "nom" => "3. Too Late For Prayin'"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
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    -modifierLe: DateTime @1777748858 {#2197
      date: 2026-05-02 19:07:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3563
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2202
    -id: 2963
    -nom: "Sundown (2 LP) 45 RPM"
    -informationComplementaire: "Redécouvrez "Sundown" de Gordon Lightfoot dans une édition audiophile d’exception. Ce double vinyle 45 RPM signé Analogue Productions révèle toute la richesse et la profondeur de cet album culte, pour une immersion sonore incomparable."
    -description: """
      L’album "Sundown" de Gordon Lightfoot est une œuvre majeure du folk canadien des années 70, portée par une écriture intime et une atmosphère envoûtante. Sorti en 1974, cet opus contient le célèbre titre éponyme qui a propulsé l’artiste au sommet des charts nord-américains.\r\n
      \r\n
      Cette édition Analogue Productions en double vinyle 45 RPM sublime l’enregistrement original avec une qualité sonore exceptionnelle. Pressé sur deux LP audiophiles, ce format offre une dynamique accrue, une scène sonore plus large et un niveau de détail impressionnant, idéal pour les amateurs de haute fidélité exigeants.\r\n
      \r\n
      Chaque piste révèle toute la richesse des arrangements acoustiques, la chaleur de la voix de Lightfoot et la finesse des instruments, dans un rendu analogique fidèle à l’esprit d’origine.\r\n
      \r\n
      - Gordon Lightfoot "Sundown" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When Sundown hit the airwaves in 1974, Gordon Lightfoot didn't just top the charts he captured a moment in time. With its mix of folk storytelling, country warmth, and pop polish, Sundown became one of the defining albums of the decade. The title track alone haunting, hypnotic, and unforgettable remains one of the greatest songs ever written about love and jealousy. But it's the full album that keeps drawing listeners back: "High and Dry," "Carefree Highway", "Seven Island Suite" each a masterclass in songwriting craft and emotional subtlety.\r\n
      \r\n
      Now, Sundown sounds better than ever. Cut at 45 RPM by Matthew Lutthans at The Mastering Lab, this new edition brings every shimmer of 12 string guitar and nuance of Lightfoot's unmistakable baritone into sharper, more lifelike focus. The pressing handled by Quality Record Pressings, the gold standard for vinyl perfection offers the quietest surfaces and flattest profiles possible, ensuring every note plays with breathtaking presence and clarity.\r\n
      \r\n
      For fans of Lightfoot, for lovers of the singer-songwriter era, and for anyone who wants to hear a timeless album in the form it deserves, this Sundown reissue is the definitive way to experience a classic reborn.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Gordon Lightfoot (acoustic guitar, vocals), Red Shea (lead guitar), Rick Haynes (bass guitar), Barry Keane (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dnlgkS3YYVs&list=RDdnlgkS3YYVs&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 007-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Somewhere U.S.A."
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        "ordre" => 2
        "nom" => "2. High And Dry"
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        "nom" => "3. Seven Island Suite "
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        "nom" => "1. Circle Of Steel"
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        "nom" => "2. Is There Anyone Home "
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        "nom" => "Side C :"
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        "nom" => "1. The Watchman's Gone"
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        "nom" => "2. Sundown "
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        "nom" => "Side D : "
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        "nom" => "1. Carefree Highway"
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        "nom" => "2. The List"
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        "ordre" => 13
        "nom" => "3. Too Late For Prayin'"
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      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …}
    -label: Proxies\__CG__\App\Entity\Label {#2186 …}
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    -modifierLe: DateTime @1777748858 {#2197
      date: 2026-05-02 19:07:38.0 UTC (+00:00)
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    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …}
    -disponible: null
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    -slug: "vinyles-sundown-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-007-45"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
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[
  "produit" => App\Entity\Produit {#2220
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shush"
      ]
      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
      [
        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
      ]
      [
        "ordre" => 19
        "nom" => "3. Stronger Together"
      ]
      [
        "ordre" => 20
        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2222 …}
    -label: Proxies\__CG__\App\Entity\Label {#2225 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2234 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2229 …}
    -enregistreLe: DateTime @1777706443 {#2216
      date: 2026-05-02 07:20:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777706995 {#2215
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-times-of-dragons-decca-records"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3614
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2220
    -id: 3073
    -nom: "In Times Of Dragons"
    -informationComplementaire: "Plongez dans "In Times of Dragons", une odyssée musicale envoûtante signée Tori Amos, là où émotions brutes et élégance sonore se rencontrent pour donner vie à un monde aussi fragile que puissant."
    -description: """
      In Times of Dragons de Tori Amos est une œuvre à la fois intime et cinématographique, où l’artiste explore des paysages émotionnels profonds à travers une instrumentation riche et organique. Porté par le piano signature d’Amos, l’album mêle textures électroniques, arrangements de cordes et rythmiques subtiles pour créer une atmosphère à la fois mystique et contemporaine.\r\n
      \r\n
      Entourée de musiciens fidèles comme Matt Chamberlain (batterie), Jon Evans (basse) et Mark Hawley (guitare), Tori Amos tisse un univers sonore dense où chaque morceau agit comme un chapitre d’un récit plus vaste. Les thèmes abordés oscillent entre introspection, résilience et imaginaire mythologique, donnant à l’album une profondeur narrative rare.\r\n
      \r\n
      - Tori Amos "In Times Of Dragons" !\r\n
      - 18 -gram double LP !\r\n
      \r\n
      Tori Amos is returning for spring 2026 with a new album called In Times of Dragons. The album is a "metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons' in their usurpation of America", Amos shared in a press release.\r\n
      \r\n
      Amos has also shared an extensive list of tour dates for 35 shows in the United States this summer, kicking off in July in Florida and wrapping up at the beginning of September in Seattle.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Tori Amos (piano, keyboards, harpsichord, synthesizer, vocals), Mark Hawley (guitar, ukulele), Jon Evans (bass), Matt Chamberlain (drums, percussion), Natashya “Tash” Hawley (vocals), John Philip Shenale (keyboards, synthesizer, string arrangement)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=O8LPsY5HBp4&list=RDO8LPsY5HBp4&start_radio=1"
    -referenceProduit: "Decca Records"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. Shush"
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      [
        "ordre" => 2
        "nom" => "2. In Times of Dragons"
      ]
      [
        "ordre" => 3
        "nom" => "3. Provincetown "
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      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. St. Teresa"
      ]
      [
        "ordre" => 6
        "nom" => "2. Gasoline Girls"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ode to Minnesota"
      ]
      [
        "ordre" => 8
        "nom" => "4. Fanny Faudrey"
      ]
      [
        "ordre" => 9
        "nom" => "5. Veins"
      ]
      [
        "ordre" => 10
        "nom" => "6. Strawberry Moon "
      ]
      [
        "ordre" => 11
        "nom" => "Side C :"
      ]
      [
        "ordre" => 12
        "nom" => "1. Song of Sorrow"
      ]
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        "ordre" => 13
        "nom" => "2. Flood"
      ]
      [
        "ordre" => 14
        "nom" => "3. Pyrite"
      ]
      [
        "ordre" => 15
        "nom" => "4. Tempest "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Angelshark"
      ]
      [
        "ordre" => 18
        "nom" => "2. Blue Lotus"
      ]
      [
        "ordre" => 19
        "nom" => "3. Stronger Together"
      ]
      [
        "ordre" => 20
        "nom" => "4. 23 Peaks"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2222 …}
    -label: Proxies\__CG__\App\Entity\Label {#2225 …}
    -style: App\Entity\Style {#1506 …}
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    }
    -modifierLe: DateTime @1777706995 {#2215
      date: 2026-05-02 07:29:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2231 …}
    -disponible: null
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    -slug: "vinyles-in-times-of-dragons-decca-records"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
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[
  "produit" => App\Entity\Produit {#2241
    -id: 2970
    -nom: "Homecoming (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Homecoming" de America comme jamais auparavant grâce à cette édition audiophile (2 LP)  45 RPM. Une redécouverte sonore exceptionnelle d’un classique intemporel du folk-rock."
    -description: """
      Redécouvrez toute la richesse du folk-rock américain avec "Homecoming", le deuxième album emblématique du groupe America, ici proposé dans une édition audiophile d’exception signée Analogue Productions. Sorti en 1972, cet opus mythique, porté par l’inoubliable “A Horse with No Name”, capture l’essence d’une époque tout en conservant une modernité intemporelle.\r\n
      \r\n
      Cette version (2 LP) en 45 RPM offre une expérience d’écoute incomparable. Grâce à une remasterisation minutieuse à partir des bandes analogiques originales et à un pressage haut de gamme, chaque détail sonore est sublimé : les guitares acoustiques gagnent en précision, les harmonies vocales en profondeur, et l’ensemble bénéficie d’une dynamique et d’une clarté remarquables. Le format 45 RPM permet une meilleure restitution du signal, réduisant la distorsion et offrant une scène sonore plus large et plus immersive.\r\n
      \r\n
      Pensée pour les audiophiles exigeants comme pour les collectionneurs passionnés, cette édition transcende l’écoute classique du vinyle et redonne à cet album culte toute sa dimension artistique. Une pièce incontournable pour toute discothèque digne de ce nom.\r\n
      \r\n
      - America "Homcoming" !\r\n
      - The sound of the '70s California dream warmer, wider and more alive than ever !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      With Homecoming (1972), America proved their debut success was no fluke. The band Dewey Bunnell, Gerry Beckley, and Dan Peek expanded their acoustic folk-pop foundation into something lusher, more textured, and timelessly melodic. The result is one of the definitive albums of the era - a sunlit blend of shimmering harmonies, open-road optimism, and introspective songwriting.\r\n
      \r\n
      Anchored by the band's enduring classic "Ventura Highway", Homecoming also delivers gems such as "Don't Cross the River", "Only in Your Heart", and "Till the Sun Comes Up Again". The platinum-selling album captured America's easygoing West Coast vibe and cemented their place beside Crosby, Stills & Nash and the Eagles in the pantheon of classic ‘70s rock harmony.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead & backing vocals), Dan Peek, Gerry Beckley (guitars, bass, keyboards, lead & backing vocals), Joe Osborn (bass guitar), Larry Knechtel (keyboards, piano, organ), Hal Blaine, Jim Gordon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tnV7dTXlXxs&list=PLJfwklRIOOp07EmsjpuqhcZUsFEI3chHv"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 002-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ventura Highway"
      ]
      [
        "ordre" => 2
        "nom" => "2. To Each His Own"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Cross The River "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Moon Song"
      ]
      [
        "ordre" => 6
        "nom" => "2. Only In Your Heart "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Till The Sun Comes Up Again"
      ]
      [
        "ordre" => 9
        "nom" => "2. Cornwall Blank"
      ]
      [
        "ordre" => 10
        "nom" => "3. Head & Heart "
      ]
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. California Revisited"
      ]
      [
        "ordre" => 13
        "nom" => "2. Saturn Nights"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2243 …}
    -label: Proxies\__CG__\App\Entity\Label {#2186 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2252 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2245 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2247 …}
    -enregistreLe: DateTime @1770187916 {#2237
      date: 2026-02-04 06:51:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777705350 {#2236
      date: 2026-05-02 07:02:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-homecoming-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-002-45"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3665
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2241
    -id: 2970
    -nom: "Homecoming (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Homecoming" de America comme jamais auparavant grâce à cette édition audiophile (2 LP)  45 RPM. Une redécouverte sonore exceptionnelle d’un classique intemporel du folk-rock."
    -description: """
      Redécouvrez toute la richesse du folk-rock américain avec "Homecoming", le deuxième album emblématique du groupe America, ici proposé dans une édition audiophile d’exception signée Analogue Productions. Sorti en 1972, cet opus mythique, porté par l’inoubliable “A Horse with No Name”, capture l’essence d’une époque tout en conservant une modernité intemporelle.\r\n
      \r\n
      Cette version (2 LP) en 45 RPM offre une expérience d’écoute incomparable. Grâce à une remasterisation minutieuse à partir des bandes analogiques originales et à un pressage haut de gamme, chaque détail sonore est sublimé : les guitares acoustiques gagnent en précision, les harmonies vocales en profondeur, et l’ensemble bénéficie d’une dynamique et d’une clarté remarquables. Le format 45 RPM permet une meilleure restitution du signal, réduisant la distorsion et offrant une scène sonore plus large et plus immersive.\r\n
      \r\n
      Pensée pour les audiophiles exigeants comme pour les collectionneurs passionnés, cette édition transcende l’écoute classique du vinyle et redonne à cet album culte toute sa dimension artistique. Une pièce incontournable pour toute discothèque digne de ce nom.\r\n
      \r\n
      - America "Homcoming" !\r\n
      - The sound of the '70s California dream warmer, wider and more alive than ever !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      With Homecoming (1972), America proved their debut success was no fluke. The band Dewey Bunnell, Gerry Beckley, and Dan Peek expanded their acoustic folk-pop foundation into something lusher, more textured, and timelessly melodic. The result is one of the definitive albums of the era - a sunlit blend of shimmering harmonies, open-road optimism, and introspective songwriting.\r\n
      \r\n
      Anchored by the band's enduring classic "Ventura Highway", Homecoming also delivers gems such as "Don't Cross the River", "Only in Your Heart", and "Till the Sun Comes Up Again". The platinum-selling album captured America's easygoing West Coast vibe and cemented their place beside Crosby, Stills & Nash and the Eagles in the pantheon of classic ‘70s rock harmony.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead & backing vocals), Dan Peek, Gerry Beckley (guitars, bass, keyboards, lead & backing vocals), Joe Osborn (bass guitar), Larry Knechtel (keyboards, piano, organ), Hal Blaine, Jim Gordon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tnV7dTXlXxs&list=PLJfwklRIOOp07EmsjpuqhcZUsFEI3chHv"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 002-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Ventura Highway"
      ]
      [
        "ordre" => 2
        "nom" => "2. To Each His Own"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Cross The River "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Moon Song"
      ]
      [
        "ordre" => 6
        "nom" => "2. Only In Your Heart "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Till The Sun Comes Up Again"
      ]
      [
        "ordre" => 9
        "nom" => "2. Cornwall Blank"
      ]
      [
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        "nom" => "3. Head & Heart "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. California Revisited"
      ]
      [
        "ordre" => 13
        "nom" => "2. Saturn Nights"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2243 …}
    -label: Proxies\__CG__\App\Entity\Label {#2186 …}
    -style: App\Entity\Style {#1506 …}
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    -modifierLe: DateTime @1777705350 {#2236
      date: 2026-05-02 07:02:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2249 …}
    -disponible: null
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    -slug: "vinyles-homecoming-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-002-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2504 …}
}

[
  "produit" => App\Entity\Produit {#2259
    -id: 2993
    -nom: "Anticipation (2 LP) 45 RPM"
    -informationComplementaire: "Redécouvrez Anticipation comme vous ne l’avez jamais entendu. Dans cette édition (2 LP) 45 RPM signée Mobile Fidelity, la voix envoûtante de Carly Simon s’exprime avec une clarté et une profondeur exceptionnelles."
    -description: """
      Sorti en 1971, "Anticipation" est le deuxième album studio de Carly Simon, une œuvre qui a contribué à asseoir sa réputation comme l’une des voix les plus sensibles et élégantes de la scène folk-pop américaine. Porté par le titre emblématique “Anticipation”, l’album mêle subtilement introspection, romantisme et finesse mélodique.\r\n
      \r\n
      Cette édition exceptionnelle signée Mobile Fidelity Sound Lab propose une réédition audiophile en double vinyle 45 RPM, offrant une restitution sonore d’une précision remarquable. Grâce à une gravure haute définition et un pressage de qualité supérieure, chaque nuance de la voix de Carly Simon et chaque détail instrumental prennent une nouvelle dimension.\r\n
      \r\n
      Pensé pour les collectionneurs et les amateurs de haute fidélité, ce pressage met en valeur la richesse analogique originale de l’album tout en offrant une expérience d’écoute immersive, fidèle à l’intention artistique de l’époque.\r\n
      \r\n
      - Carly Simon's Gold-Certified Anticipation Is Steeped In Romantic Yearning : Largely Autobiographical Album Boldly Addresses Longing, Love, and Vulnerability !\r\n
      - On 180 gram 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s Reissue Lays Bare the Personal Emotions, Acoustic Arrangements, and Vocal Nuances !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s quietly intense sophomore album comes across like an assertive notice nailed to a telephone pole for all to see. Bold, personal, and autobiographical, Anticipation announces the arrival of an artist who won’t back down. While Simon stands her ground on her eponymous debut, she elevates her passion and persona to heightened levels throughout this gold-certified record, dealing in private matters related to love, relationships, and desire. At times, Simon is nothing short of primal. She reflects on the difficulties of retaining your own identity while also giving yourself to a partner. Simon’s connection to her folk roots would never be stronger. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set of Anticipation lays bare the rich tapestries afforded by the spare blend of soft guitars, mellow orchestration, and dreamy melodies. Audiophiles and record collectors, take note: This is the first time Anticipation has been available on 45RPM. The wider grooves and dead-quiet surfaces prove extremely rewarding. \r\n
      \r\n
      The rhythmic framework anchored by session pro Andy Newmark’s drumming sounds dynamic and balanced, with songs benefiting from a focused midrange and taut low-end. Simon’s attachment to and investment in each lyric is made evident by way of the intimate, hushed atmospherics and expansive responsiveness. And just as Simon’s vocals feel more transparent and direct, so, too, do the supporting choral arrangements. \r\n
      \r\n
      Released before the singer-songwriter movement reached full bloom, Anticipation remains remarkable for the high-quality songwriting and Simon’s gutsy stance. The album cover depicting the vocalist holding the gates at Queen Mary’s Garden in Regent’s Park and seemingly defying anyone to take her on serves as a metaphor for the content within. \r\n
      \r\n
      Known for having relationships with high-profile partners, Simon was heavily involved with Cat Stevens leading up to the recording of Anticipation. She draws from her experiences to craft tunes that resonate because of their honesty, realism, and strength. Few of those moments are better known than the Top 20 title track, which Simon composed in just 15 minutes as she waited for Stevens to pick her up for a date. Imbued with the nervousness, tension, and excitement that accompany the moments when a romance could go either way, the Grammy-nominated song presages the feminist-minded vulnerability and burning longing that informs a majority of the record. \r\n
      \r\n
      On the soulful “Legend in Your Own Time”, also inspired by Stevens, Simon harnesses yearning as a conduit to feel-good paradise. Deemed by Rolling Stone an “absolute clincher, an awesome description of the psychic ravages of gone-nuts, know-nothing love”, her cover of Kris Kristofferson’s “I’ve Got to Have You” moans with no-holds-barred desire and breathtaking sensuality.\r\n
      \r\n
       For all the wanting Simon pursues on Anticipation, her way of staying in control vocally and personally make the record a courageous statement of contemporary femininity. For further evidence, look to the bossa nova of “Summer’s Coming Around Again”, somber “Share the End”, soothing “Three Days”, and sincere “Julie Through the Glass”, a tribute to her young niece. \r\n
      \r\n
      Simon would achieve international fame with her next album, No Secrets. Yet as this definitive reissue shows, Anticipation suggests the rest of the world was just a little late catching up to her.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Carly Simon (acoustic guitar, piano, vocals), Jim "Jimmy" Ryan (acoustic & electric guitars, electric bass), Paul Glanz (piano), John Ryan (acoustic bass, double bass), Andy Newmark (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4NwP3wes4M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-2631"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Anticipation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Legend in Your Own Time "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Our First Day Together"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Girl You Think You See"
      ]
      [
        "ordre" => 6
        "nom" => "3. Summer’s Coming Around Again "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Share the End"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Garden "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Three Days"
      ]
      [
        "ordre" => 12
        "nom" => "2. Julie Through the Glass"
      ]
      [
        "ordre" => 13
        "nom" => "3. I’ve Got to Have You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
    -label: Proxies\__CG__\App\Entity\Label {#2144 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2270 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2263 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2265 …}
    -enregistreLe: DateTime @1770673947 {#2255
      date: 2026-02-09 21:52:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777627746 {#2254
      date: 2026-05-01 09:29:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2267 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-anticipation-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-2631"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3716
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2736 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2259
    -id: 2993
    -nom: "Anticipation (2 LP) 45 RPM"
    -informationComplementaire: "Redécouvrez Anticipation comme vous ne l’avez jamais entendu. Dans cette édition (2 LP) 45 RPM signée Mobile Fidelity, la voix envoûtante de Carly Simon s’exprime avec une clarté et une profondeur exceptionnelles."
    -description: """
      Sorti en 1971, "Anticipation" est le deuxième album studio de Carly Simon, une œuvre qui a contribué à asseoir sa réputation comme l’une des voix les plus sensibles et élégantes de la scène folk-pop américaine. Porté par le titre emblématique “Anticipation”, l’album mêle subtilement introspection, romantisme et finesse mélodique.\r\n
      \r\n
      Cette édition exceptionnelle signée Mobile Fidelity Sound Lab propose une réédition audiophile en double vinyle 45 RPM, offrant une restitution sonore d’une précision remarquable. Grâce à une gravure haute définition et un pressage de qualité supérieure, chaque nuance de la voix de Carly Simon et chaque détail instrumental prennent une nouvelle dimension.\r\n
      \r\n
      Pensé pour les collectionneurs et les amateurs de haute fidélité, ce pressage met en valeur la richesse analogique originale de l’album tout en offrant une expérience d’écoute immersive, fidèle à l’intention artistique de l’époque.\r\n
      \r\n
      - Carly Simon's Gold-Certified Anticipation Is Steeped In Romantic Yearning : Largely Autobiographical Album Boldly Addresses Longing, Love, and Vulnerability !\r\n
      - On 180 gram 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s Reissue Lays Bare the Personal Emotions, Acoustic Arrangements, and Vocal Nuances !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s quietly intense sophomore album comes across like an assertive notice nailed to a telephone pole for all to see. Bold, personal, and autobiographical, Anticipation announces the arrival of an artist who won’t back down. While Simon stands her ground on her eponymous debut, she elevates her passion and persona to heightened levels throughout this gold-certified record, dealing in private matters related to love, relationships, and desire. At times, Simon is nothing short of primal. She reflects on the difficulties of retaining your own identity while also giving yourself to a partner. Simon’s connection to her folk roots would never be stronger. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set of Anticipation lays bare the rich tapestries afforded by the spare blend of soft guitars, mellow orchestration, and dreamy melodies. Audiophiles and record collectors, take note: This is the first time Anticipation has been available on 45RPM. The wider grooves and dead-quiet surfaces prove extremely rewarding. \r\n
      \r\n
      The rhythmic framework anchored by session pro Andy Newmark’s drumming sounds dynamic and balanced, with songs benefiting from a focused midrange and taut low-end. Simon’s attachment to and investment in each lyric is made evident by way of the intimate, hushed atmospherics and expansive responsiveness. And just as Simon’s vocals feel more transparent and direct, so, too, do the supporting choral arrangements. \r\n
      \r\n
      Released before the singer-songwriter movement reached full bloom, Anticipation remains remarkable for the high-quality songwriting and Simon’s gutsy stance. The album cover depicting the vocalist holding the gates at Queen Mary’s Garden in Regent’s Park and seemingly defying anyone to take her on serves as a metaphor for the content within. \r\n
      \r\n
      Known for having relationships with high-profile partners, Simon was heavily involved with Cat Stevens leading up to the recording of Anticipation. She draws from her experiences to craft tunes that resonate because of their honesty, realism, and strength. Few of those moments are better known than the Top 20 title track, which Simon composed in just 15 minutes as she waited for Stevens to pick her up for a date. Imbued with the nervousness, tension, and excitement that accompany the moments when a romance could go either way, the Grammy-nominated song presages the feminist-minded vulnerability and burning longing that informs a majority of the record. \r\n
      \r\n
      On the soulful “Legend in Your Own Time”, also inspired by Stevens, Simon harnesses yearning as a conduit to feel-good paradise. Deemed by Rolling Stone an “absolute clincher, an awesome description of the psychic ravages of gone-nuts, know-nothing love”, her cover of Kris Kristofferson’s “I’ve Got to Have You” moans with no-holds-barred desire and breathtaking sensuality.\r\n
      \r\n
       For all the wanting Simon pursues on Anticipation, her way of staying in control vocally and personally make the record a courageous statement of contemporary femininity. For further evidence, look to the bossa nova of “Summer’s Coming Around Again”, somber “Share the End”, soothing “Three Days”, and sincere “Julie Through the Glass”, a tribute to her young niece. \r\n
      \r\n
      Simon would achieve international fame with her next album, No Secrets. Yet as this definitive reissue shows, Anticipation suggests the rest of the world was just a little late catching up to her.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Carly Simon (acoustic guitar, piano, vocals), Jim "Jimmy" Ryan (acoustic & electric guitars, electric bass), Paul Glanz (piano), John Ryan (acoustic bass, double bass), Andy Newmark (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4NwP3wes4M8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-2631"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Anticipation"
      ]
      [
        "ordre" => 2
        "nom" => "2. Legend in Your Own Time "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Our First Day Together"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Girl You Think You See"
      ]
      [
        "ordre" => 6
        "nom" => "3. Summer’s Coming Around Again "
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Share the End"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Garden "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Three Days"
      ]
      [
        "ordre" => 12
        "nom" => "2. Julie Through the Glass"
      ]
      [
        "ordre" => 13
        "nom" => "3. I’ve Got to Have You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2261 …}
    -label: Proxies\__CG__\App\Entity\Label {#2144 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2270 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2263 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2265 …}
    -enregistreLe: DateTime @1770673947 {#2255
      date: 2026-02-09 21:52:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777627746 {#2254
      date: 2026-05-01 09:29:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2267 …}
    -disponible: null
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[
  "produit" => App\Entity\Produit {#2277
    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ChQZMCuasJc&list=RDChQZMCuasJc&start_radio=1"
    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
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    -id: 1420
    -nom: "Moon Beams"
    -informationComplementaire: "Redécouvrez "Moon Beams" dans une somptueuse édition (2 LP) 45 RPM signée Analogue Productions. Le Bill Evans Trio y déploie toute sa finesse, sublimée par une qualité sonore exceptionnelle."
    -description: """
      Enregistré en 1962 pour le label Riverside Records, "Moon Beams" marque une période charnière dans la carrière de Bill Evans, avec l’arrivée du bassiste Chuck Israels aux côtés du batteur Paul Motian. L’album déploie un univers introspectif, fait de ballades aériennes et de silences habités, où chaque note semble suspendue dans le temps.\r\n
      \r\n
      Cette réédition Analogue Productions (Fantasy Series) restitue l’enregistrement original avec une fidélité remarquable, grâce à un mastering audiophile et un pressage en 45 RPM sur deux disques. Ce format permet d’élargir la dynamique sonore, d’améliorer la précision des timbres et d’offrir une scène sonore d’une transparence exceptionnelle.\r\n
      \r\n
      Présenté dans un élégant gatefold, ce double vinyle est une pièce de collection autant qu’un objet d’écoute ultime. Chaque détail, du toucher du piano d’Evans aux nuances subtiles de la section rythmique est magnifié, pour une immersion totale dans l’un des albums les plus sensibles du pianiste.\r\n
      \r\n
      - Bill Evans Trio "Moon Beams" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering (AAA) analog from original master tapes !\r\n
      - Praise for our Riverside Recordings LP Box Set from Analogue Productions !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 rpm reissues are clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out !" Myles Astor, Positive-Feedback Online, Issue 34, www.positive-feedback.com\r\n
      \r\n
      Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular.\r\n
      \r\n
      Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings ! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels' power and empathy. "Polka Dots and Moonbeams", "If You Could See Me Now", and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -referenceProduit: "Analogue Productions (Fantasy) AJAZ 9428"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2279 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2296
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
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        "ordre" => 8
        "nom" => "Side B : "
      ]
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        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
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        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
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        "nom" => "3. Burning Love (EPiC Version)"
      ]
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        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
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        "nom" => "Side C :"
      ]
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        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
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        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
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