Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2494
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2571
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2574 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2573 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2147 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
  -formView: Symfony\Component\Form\FormView {#2610 …}
  -form: Symfony\Component\Form\Form {#2760 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1830
    -id: 1250
    -nom: "Zodiac - The Music of Cecil Payne"
    -informationComplementaire: ""
    -description: """
      It's impossible to talk about this album without acknowledging the specter of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love", a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really takes off and shows these musicians more in their element the rest of the way.\r\n
      \r\n
      "Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish", may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Cecil Payne (bariton & alto saxophone), Wynton Kelly, (piano),  Kenny Dorham (trumpet), Wilbur Ware (bass), Albert Kuumba Heath (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PDa-o5J0P5A"
    -referenceProduit: "Pure Pleasure Records 19734"
    -titreMorceau: [
      [
        "nom" => "1. Follow Me"
        "ordre" => 5
      ]
      [
        "nom" => "1. Martin Luther King, Jr. / I Know Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flying Fish"
        "ordre" => 6
      ]
      [
        "nom" => "2. Girl, You Got A Home"
        "ordre" => 2
      ]
      [
        "nom" => "3. Slide Hampton"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1891 …}
    -label: Proxies\__CG__\App\Entity\Label {#1905 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2022 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1896 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2010 …}
    -enregistreLe: DateTime @1510814925 {#1864
      date: 2017-11-16 06:48:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1525379267 {#1862
      date: 2018-05-03 20:27:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2016 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-zodiac-the-music-of-cecil-payne-pure-pleasure-records-19734"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3035
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2573 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2147 …}
  +produit: App\Entity\Produit {#1830
    -id: 1250
    -nom: "Zodiac - The Music of Cecil Payne"
    -informationComplementaire: ""
    -description: """
      It's impossible to talk about this album without acknowledging the specter of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love", a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really takes off and shows these musicians more in their element the rest of the way.\r\n
      \r\n
      "Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish", may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Cecil Payne (bariton & alto saxophone), Wynton Kelly, (piano),  Kenny Dorham (trumpet), Wilbur Ware (bass), Albert Kuumba Heath (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=PDa-o5J0P5A"
    -referenceProduit: "Pure Pleasure Records 19734"
    -titreMorceau: [
      [
        "nom" => "1. Follow Me"
        "ordre" => 5
      ]
      [
        "nom" => "1. Martin Luther King, Jr. / I Know Love"
        "ordre" => 1
      ]
      [
        "nom" => "2. Flying Fish"
        "ordre" => 6
      ]
      [
        "nom" => "2. Girl, You Got A Home"
        "ordre" => 2
      ]
      [
        "nom" => "3. Slide Hampton"
        "ordre" => 3
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1891 …}
    -label: Proxies\__CG__\App\Entity\Label {#1905 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2022 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1896 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2010 …}
    -enregistreLe: DateTime @1510814925 {#1864
      date: 2017-11-16 06:48:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1525379267 {#1862
      date: 2018-05-03 20:27:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2016 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-zodiac-the-music-of-cecil-payne-pure-pleasure-records-19734"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
}

[
  "produit" => App\Entity\Produit {#2039
    -id: 1175
    -nom: "With The Ray Bryant Combo"
    -informationComplementaire: ""
    -description: """
      Early relationships are not always blessed, and it is certainly no secret that the collaboration between Aretha Franklin and Columbia's record producer John H. Hammond did not last long. Hammond's later attempts to candy Franklin's irrepressible natural voice with sugary arrangements and studio gimmicks did not go down well with the public.\r\n
      \r\n
      On the first Franklin disc from Columbia, however, it was honeymoon all the way. With a successful mix of pop and jazz standards, the super talent — Aretha had just turned 18 years old - brought her vocal chords to vibrate. Fired on with youthful élan, these evergreens sound so fresh, new and intoxicating that the question of their genre is quite irrelevant. From a seesawing R&B ("Won't Be Long") via bell-like waves of melody ("Over The Rainbow") right up to the freely styled, jazzy Gershwin classic "It Ain't Necessarily So" - everything is right there !\r\n
      \r\n
      The Ray Bryant Trio - augmented with winds - proves itself a formidable ensemble with true presence yet unobtrusive accompaniment. If you compare the mature performances of Aretha Franklin in her subsequent years with Atlantic (Atlantic SD7205), you will soon recognize that the later "First Lady of Soul" was in full command of her profession right from the very beginning.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Aretha Franklin, Ray Bryant (piano, vocals), Al Sears, Warren Luckey (tenor saxophone), Bill Lee, Milt Hinton (bass), Quentin Jackson, Tyree Glenn (trombone), Lord Westbrook, Skeeter Best (guitar), Belton Evans, Osie Johnson, Sticks Evans (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-1u7tHQfiQc"
    -referenceProduit: "Columbia CS 8412"
    -titreMorceau: [
      [
        "nom" => "1. Right Now "
        "ordre" => 8
      ]
      [
        "nom" => "1. Won't Be Long "
        "ordre" => 1
      ]
      [
        "nom" => "2. Are You Sure "
        "ordre" => 9
      ]
      [
        "nom" => "2. Over The Rainbow "
        "ordre" => 2
      ]
      [
        "nom" => "3. Love Is The Only Thing "
        "ordre" => 3
      ]
      [
        "nom" => "3. Maybe I'm A Fool "
        "ordre" => 10
      ]
      [
        "nom" => "4. It Ain't Necessarily So "
        "ordre" => 11
      ]
      [
        "nom" => "4. Sweet Lover "
        "ordre" => 4
      ]
      [
        "nom" => "5. (Blue) By Myself "
        "ordre" => 12
      ]
      [
        "nom" => "5. All Night Long "
        "ordre" => 5
      ]
      [
        "nom" => "6. Today I Sing The Blues"
        "ordre" => 13
      ]
      [
        "nom" => "6. Who Needs You ?"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2041 …}
    -label: Proxies\__CG__\App\Entity\Label {#2044 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1493845923 {#2036
      date: 2017-05-03 21:12:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1525378620 {#2037
      date: 2018-05-03 20:17:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-ray-bryant-combo-columbia-cs-8412"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3149
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2573 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2147 …}
  +produit: App\Entity\Produit {#2039
    -id: 1175
    -nom: "With The Ray Bryant Combo"
    -informationComplementaire: ""
    -description: """
      Early relationships are not always blessed, and it is certainly no secret that the collaboration between Aretha Franklin and Columbia's record producer John H. Hammond did not last long. Hammond's later attempts to candy Franklin's irrepressible natural voice with sugary arrangements and studio gimmicks did not go down well with the public.\r\n
      \r\n
      On the first Franklin disc from Columbia, however, it was honeymoon all the way. With a successful mix of pop and jazz standards, the super talent — Aretha had just turned 18 years old - brought her vocal chords to vibrate. Fired on with youthful élan, these evergreens sound so fresh, new and intoxicating that the question of their genre is quite irrelevant. From a seesawing R&B ("Won't Be Long") via bell-like waves of melody ("Over The Rainbow") right up to the freely styled, jazzy Gershwin classic "It Ain't Necessarily So" - everything is right there !\r\n
      \r\n
      The Ray Bryant Trio - augmented with winds - proves itself a formidable ensemble with true presence yet unobtrusive accompaniment. If you compare the mature performances of Aretha Franklin in her subsequent years with Atlantic (Atlantic SD7205), you will soon recognize that the later "First Lady of Soul" was in full command of her profession right from the very beginning.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.\r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Aretha Franklin, Ray Bryant (piano, vocals), Al Sears, Warren Luckey (tenor saxophone), Bill Lee, Milt Hinton (bass), Quentin Jackson, Tyree Glenn (trombone), Lord Westbrook, Skeeter Best (guitar), Belton Evans, Osie Johnson, Sticks Evans (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-1u7tHQfiQc"
    -referenceProduit: "Columbia CS 8412"
    -titreMorceau: [
      [
        "nom" => "1. Right Now "
        "ordre" => 8
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      [
        "nom" => "1. Won't Be Long "
        "ordre" => 1
      ]
      [
        "nom" => "2. Are You Sure "
        "ordre" => 9
      ]
      [
        "nom" => "2. Over The Rainbow "
        "ordre" => 2
      ]
      [
        "nom" => "3. Love Is The Only Thing "
        "ordre" => 3
      ]
      [
        "nom" => "3. Maybe I'm A Fool "
        "ordre" => 10
      ]
      [
        "nom" => "4. It Ain't Necessarily So "
        "ordre" => 11
      ]
      [
        "nom" => "4. Sweet Lover "
        "ordre" => 4
      ]
      [
        "nom" => "5. (Blue) By Myself "
        "ordre" => 12
      ]
      [
        "nom" => "5. All Night Long "
        "ordre" => 5
      ]
      [
        "nom" => "6. Today I Sing The Blues"
        "ordre" => 13
      ]
      [
        "nom" => "6. Who Needs You ?"
        "ordre" => 6
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2041 …}
    -label: Proxies\__CG__\App\Entity\Label {#2044 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2053 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2046 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2048 …}
    -enregistreLe: DateTime @1493845923 {#2036
      date: 2017-05-03 21:12:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1525378620 {#2037
      date: 2018-05-03 20:17:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2050 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-ray-bryant-combo-columbia-cs-8412"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
}

[
  "produit" => App\Entity\Produit {#2058
    -id: 1197
    -nom: "Town Hall Concert Plus "
    -informationComplementaire: ""
    -description: """
      This album is made of six numbers from the famous Town Hall concert of 1947, plus offerings from four others, which if not perhaps quite so famous are nevertheless all more than worthy of your attention. Armstrong's playing in these days was something to marvel at, and his presence a vitalizing effect upon any musicians who teamed up with him. Teagarden never played or sung better than he did here ("St. James Infirmary" to note), but nor for that matter did Bigard. Vic Dickenson, Johnny Hodges, or any of the other musicians who haunt these tracks. The standard throughout is very high, but no one, however well they play, can approach the brilliance of Louis as he soars into his first chorus on "Misbehavin'" with the control and majesty of a seagull on the wing. Teagarden plays well enough on this track, but sandwiched between Louis' solo and a fantastic lead-in to his final chorus, he sounds almost dull by comparison. Save it, "Pretty Mama" is another tour de force, with Louis playing a solo that is supreme for tightness, and relaxation. The two tracks with Duke are full of interest. Hodges blows beautifully. Duke plays some pleasant piano on "Journey", and Pops comes on with a blues vocal which is quite inimitable. "Little Girl" and "Mahogany Hall" feature a much more basic beat and Louis plays in a style much nearer New Orleans than was usual in these days. Ory takes a splendid chorus on the second named tune, and the work of both drummers is exceptional.\n
      \n
      Everything is good and Armstrong's work so consistently brilliant and vastly entertaining, that it is a set you must not miss on any account.\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=FoGrqIxbuNk"
    -referenceProduit: "Pure Pleasure Records 01443"
    -titreMorceau: [
      [
        "nom" => " 2. St. James' Infirmary"
        "ordre" => 9
      ]
      [
        "nom" => "1. Pennies From Heaven"
        "ordre" => 8
      ]
      [
        "nom" => "1. Rockin' Chair"
        "ordre" => 1
      ]
      [
        "nom" => "2. Ain't Misbehavin'"
        "ordre" => 2
      ]
      [
        "nom" => "3. Back o' Town Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. Save It Pretty Mama"
        "ordre" => 10
      ]
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App\Twig\Components\GestionPanierFavoriComponents {#3200
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    -id: 1197
    -nom: "Town Hall Concert Plus "
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    -description: """
      This album is made of six numbers from the famous Town Hall concert of 1947, plus offerings from four others, which if not perhaps quite so famous are nevertheless all more than worthy of your attention. Armstrong's playing in these days was something to marvel at, and his presence a vitalizing effect upon any musicians who teamed up with him. Teagarden never played or sung better than he did here ("St. James Infirmary" to note), but nor for that matter did Bigard. Vic Dickenson, Johnny Hodges, or any of the other musicians who haunt these tracks. The standard throughout is very high, but no one, however well they play, can approach the brilliance of Louis as he soars into his first chorus on "Misbehavin'" with the control and majesty of a seagull on the wing. Teagarden plays well enough on this track, but sandwiched between Louis' solo and a fantastic lead-in to his final chorus, he sounds almost dull by comparison. Save it, "Pretty Mama" is another tour de force, with Louis playing a solo that is supreme for tightness, and relaxation. The two tracks with Duke are full of interest. Hodges blows beautifully. Duke plays some pleasant piano on "Journey", and Pops comes on with a blues vocal which is quite inimitable. "Little Girl" and "Mahogany Hall" feature a much more basic beat and Louis plays in a style much nearer New Orleans than was usual in these days. Ory takes a splendid chorus on the second named tune, and the work of both drummers is exceptional.\n
      \n
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[
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    -id: 1219
    -nom: "Bringin' It"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Christian McBride (bass), Frank Greene, Freddie Hendrix, Brandon Lee, Nabate Isles (trumpet), Michael Dease (lead trombone), Steve Davis, Joe McDonough, James Burton (trombone), Douglas Purviance (bass trombone), Steve Wilson (alto & soprano saxophone, flute), Todd Bashore (alto saxophone, flute, piccolo), Ron Blake (tenor saxophone, flute), Dan Pratt (tenor saxophone, clarinet), Carl Maraghi (baritone saxophone, bass clarinet), Xavier Davis (piano), Rodney Jones (guitar), Brandee Younger (harp), Melissa Walker (vocals), Quincy Phillips (drums)\r\n
      \r\n
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      """
    -prixVente: "69.50"
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      date: 2017-10-04 06:24:33.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3251
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  +produit: App\Entity\Produit {#2074
    -id: 1219
    -nom: "Bringin' It"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Christian McBride (bass), Frank Greene, Freddie Hendrix, Brandon Lee, Nabate Isles (trumpet), Michael Dease (lead trombone), Steve Davis, Joe McDonough, James Burton (trombone), Douglas Purviance (bass trombone), Steve Wilson (alto & soprano saxophone, flute), Todd Bashore (alto saxophone, flute, piccolo), Ron Blake (tenor saxophone, flute), Dan Pratt (tenor saxophone, clarinet), Carl Maraghi (baritone saxophone, bass clarinet), Xavier Davis (piano), Rodney Jones (guitar), Brandee Younger (harp), Melissa Walker (vocals), Quincy Phillips (drums)\r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2076 …}
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[
  "produit" => App\Entity\Produit {#2093
    -id: 996
    -nom: "Nearness Of You - The Ballad Book "
    -informationComplementaire: ""
    -description: """
      Saxophone legend forms all-star band for first-ever ballads project !\r\n
      \r\n
      Special appearance by James Taylor on two tracks !\r\n
      \r\n
      180 gram double LP plus booklet !\r\n
      \r\n
      On Nearness of You : The Ballad Book tenor saxophonist great Michael Brecker turns to an all-ballad format. With his dream ensemble of fellow jazz giants - pianist Herbie Hancock, guitarist Pat Metheny, bassist Charlie Haden, and drummer Jack DeJohnette - Brecker creates instant contemporary classics with several originals, standards from the American songbook, a modern Brazilian gem, and eloquent contributions from within the band. Legendary singer-songwriter James Taylor adds his voice on two of the album's 11 songs - the Hoagy Carmichael/Ned Washington-written title track and Taylor's own "Don't Let Me Lonely Tonight".\r\n
      \r\n
      "This was definitely one of the most enjoyable and memorable sessions I've ever been involved with," says Brecker. Nearness of You was produced by Metheny, marking the first time the guitarist had stepped into that role for any major jazz artist other than himself and his own group. "We were co-leading a quartet on five-week tour of Europe in the summer of 2000", Brecker explains, "and I had been talking to Pat about the album. The idea suddenly struck me and I said, ‘Hey, wait a minute, do you want to produce it ?' He's a genius with sound".\r\n
      \r\n
      Of this newest recording's repertoire, Brecker says, "I wanted it to be a modern ballad album; an elegant, simple statement. So I steered clear of the ballads in the traditional tenor vocabulary, like ‘Body and Soul', ‘Round Midnight', ‘Lush Life', which are timeless tunes that I love to play, but have been covered so many times".\r\n
      \r\n
      The unique selections on Nearness of You : The Ballad Book include Joe Zawinul's "Midnight Mood," with an arrangement partially based on guitarist Wes Montgomery's version, Irving Berlin's "Always", which Larry Goldings introduced to Brecker during a tour, and the Kurt Weill-Ira Gershwin standard, "My Ship", with a treatment inspired by the arrangement Gil Evans did for Miles Davis on Miles Ahead, and Flavio Venturini's "Nascente".\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Charlie Haden (bass), Pat Metheny (guitar), Michael Brecker (tenor saxophone), Herbie Hancock (piano), James Taylor (vocals), Dave Samuels (percussion), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=jXe2C2TSkI8"
    -referenceProduit: "Verve Records 43052"
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        "nom" => "1. Always"
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        "nom" => "1. Chan's Song"
        "ordre" => 2
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        "nom" => "1. Midnight Mood"
        "ordre" => 6
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        "nom" => "1. Sometimes I See"
        "ordre" => 10
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        "nom" => "2. Seven Days"
        "ordre" => 14
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        "nom" => "2. The Nearness Of You"
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      [
        "nom" => "3. CHAPTER TWO : Incandescence"
        "ordre" => 8
      ]
      [
        "nom" => "3. EPILOGUE : I Can See Your Dreams"
        "ordre" => 15
      ]
      [
        "nom" => "3. Nascente"
        "ordre" => 4
      ]
      [
        "nom" => "CHAPTER ONE"
        "ordre" => 1
      ]
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        "nom" => "Side A :"
        "ordre" => 0
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        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2095 …}
    -label: Proxies\__CG__\App\Entity\Label {#2098 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3302
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2573 …}
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    -id: 996
    -nom: "Nearness Of You - The Ballad Book "
    -informationComplementaire: ""
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      Saxophone legend forms all-star band for first-ever ballads project !\r\n
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      Special appearance by James Taylor on two tracks !\r\n
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      180 gram double LP plus booklet !\r\n
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      On Nearness of You : The Ballad Book tenor saxophonist great Michael Brecker turns to an all-ballad format. With his dream ensemble of fellow jazz giants - pianist Herbie Hancock, guitarist Pat Metheny, bassist Charlie Haden, and drummer Jack DeJohnette - Brecker creates instant contemporary classics with several originals, standards from the American songbook, a modern Brazilian gem, and eloquent contributions from within the band. Legendary singer-songwriter James Taylor adds his voice on two of the album's 11 songs - the Hoagy Carmichael/Ned Washington-written title track and Taylor's own "Don't Let Me Lonely Tonight".\r\n
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      "This was definitely one of the most enjoyable and memorable sessions I've ever been involved with," says Brecker. Nearness of You was produced by Metheny, marking the first time the guitarist had stepped into that role for any major jazz artist other than himself and his own group. "We were co-leading a quartet on five-week tour of Europe in the summer of 2000", Brecker explains, "and I had been talking to Pat about the album. The idea suddenly struck me and I said, ‘Hey, wait a minute, do you want to produce it ?' He's a genius with sound".\r\n
      \r\n
      Of this newest recording's repertoire, Brecker says, "I wanted it to be a modern ballad album; an elegant, simple statement. So I steered clear of the ballads in the traditional tenor vocabulary, like ‘Body and Soul', ‘Round Midnight', ‘Lush Life', which are timeless tunes that I love to play, but have been covered so many times".\r\n
      \r\n
      The unique selections on Nearness of You : The Ballad Book include Joe Zawinul's "Midnight Mood," with an arrangement partially based on guitarist Wes Montgomery's version, Irving Berlin's "Always", which Larry Goldings introduced to Brecker during a tour, and the Kurt Weill-Ira Gershwin standard, "My Ship", with a treatment inspired by the arrangement Gil Evans did for Miles Davis on Miles Ahead, and Flavio Venturini's "Nascente".\r\n
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -nom: "New Jazz Conceptions "
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    -description: """
      This two-LP, 45 RPM record will be included in an upcoming Bill Evans box set on Analogue Productions. \r\n
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[
  "produit" => App\Entity\Produit {#2131
    -id: 428
    -nom: "With This Voice (LP + Vinyl 12'' 45 RPM)"
    -informationComplementaire: ""
    -description: "With a sensual and seductive voice right out of the '40s or '50s, Luqman Hamza (pronounced Luke-mahn Hahm-za) is a real discovery, a vocalist of exceptional pedigree and talent (a former Ink Spot) who inhabits a soulful middle ground that seems to straddle the sounds of Nat King Cole and JohnnyHartman. Previously known as Larry Cummings, Luqman Hamza, an ex-Decca and Argo recording artist in the Fifties both as a solo artist and with The Five Aces, is now one of the brightest stars of the Kansas City scene who performs regularly to enthusiastic and sold out audiences throughout the Midwest. This latest release from Groove Note Records was recorded by Luqman Hamza at Airborne Audio in Kansas City and features a fine band of well known supporting musicians from the area inc. Sonny Kenner on guitar and Kim Park (ex-Stan Kenton) on alto and flute. Produced by Joe Harley (Audioquest, Telarc, Enya, ECM) and engineered by Mike Ross, this will be another standout vocal recording from Groove Note. The album features an eclectic and varied selection of standards and popular ballads, ranging from Smoke Gets In Your Eyes and Blue Moon through Laura and My Funny Valentine to the stirring rendition of the less well known With These Hands. On With This Voice Luqman Hamza delivers a seamless performance with an unforgettable mix of richness and emotion, utilising a winning combination of trio, quartet and quintet arrangements that will leave many listeners clamouring for more. The album was recorded on 1/2 inch BASF900 analogue tape running at 30 ips as well as on DSD hard disk recording machine courtesy of Sony Inc. The album will be mastered by Bernie Grundman using DSD processors supplied by Sony/Phillips at Bernie Grundman Mastering in Hollywood."
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -id: 428
    -nom: "With This Voice (LP + Vinyl 12'' 45 RPM)"
    -informationComplementaire: ""
    -description: "With a sensual and seductive voice right out of the '40s or '50s, Luqman Hamza (pronounced Luke-mahn Hahm-za) is a real discovery, a vocalist of exceptional pedigree and talent (a former Ink Spot) who inhabits a soulful middle ground that seems to straddle the sounds of Nat King Cole and JohnnyHartman. Previously known as Larry Cummings, Luqman Hamza, an ex-Decca and Argo recording artist in the Fifties both as a solo artist and with The Five Aces, is now one of the brightest stars of the Kansas City scene who performs regularly to enthusiastic and sold out audiences throughout the Midwest. This latest release from Groove Note Records was recorded by Luqman Hamza at Airborne Audio in Kansas City and features a fine band of well known supporting musicians from the area inc. Sonny Kenner on guitar and Kim Park (ex-Stan Kenton) on alto and flute. Produced by Joe Harley (Audioquest, Telarc, Enya, ECM) and engineered by Mike Ross, this will be another standout vocal recording from Groove Note. The album features an eclectic and varied selection of standards and popular ballads, ranging from Smoke Gets In Your Eyes and Blue Moon through Laura and My Funny Valentine to the stirring rendition of the less well known With These Hands. On With This Voice Luqman Hamza delivers a seamless performance with an unforgettable mix of richness and emotion, utilising a winning combination of trio, quartet and quintet arrangements that will leave many listeners clamouring for more. The album was recorded on 1/2 inch BASF900 analogue tape running at 30 ips as well as on DSD hard disk recording machine courtesy of Sony Inc. The album will be mastered by Bernie Grundman using DSD processors supplied by Sony/Phillips at Bernie Grundman Mastering in Hollywood."
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      date: 2011-02-27 08:51:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1460700412 {#2129
      date: 2016-04-15 06:06:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-this-voice-lp-vinyl-12-45-rpm-grv-1007"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3603
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2341 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3604 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3652 …}
  +isValidated: false
  +validatedFields: []
}