Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2590
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2667
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2670 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
  -formView: Symfony\Component\Form\FormView {#2706 …}
  -form: Symfony\Component\Form\Form {#2856 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Riverside"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sandman"
      ]
      [
        "ordre" => 3
        "nom" => "3. Three Roses "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Children"
      ]
      [
        "ordre" => 6
        "nom" => "2. A Horse With No Name"
      ]
      [
        "ordre" => 7
        "nom" => "3. Here "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => "2. Rainy Day"
      ]
      [
        "ordre" => 11
        "nom" => "3. Never Found The Time "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Clarice"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donkey Jaw"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pigeon Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1770187024 {#1876
      date: 2026-02-04 06:37:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775118914 {#1869
      date: 2026-04-02 08:35:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-america-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-001-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3130
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Riverside"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sandman"
      ]
      [
        "ordre" => 3
        "nom" => "3. Three Roses "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Children"
      ]
      [
        "ordre" => 6
        "nom" => "2. A Horse With No Name"
      ]
      [
        "ordre" => 7
        "nom" => "3. Here "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I Need You"
      ]
      [
        "ordre" => 10
        "nom" => "2. Rainy Day"
      ]
      [
        "ordre" => 11
        "nom" => "3. Never Found The Time "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Clarice"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donkey Jaw"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pigeon Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1770187024 {#1876
      date: 2026-02-04 06:37:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775118914 {#1869
      date: 2026-04-02 08:35:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-america-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-001-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2047
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mother Ship"
      ]
      [
        "ordre" => 2
        "nom" => "2. Street Scene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Visions "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Trip Merchant"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love Drops"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2049 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2061 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2054 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2056 …}
    -enregistreLe: DateTime @1771778468 {#2043
      date: 2026-02-22 16:41:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775115455 {#2042
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3244
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2047
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
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    -disponible: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2070
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2072 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
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    }
    -modifierLe: DateTime @1775114936 {#2064
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2078 …}
    -disponible: null
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    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3295
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2070
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Dippin' In The Bag"
      ]
      [
        "ordre" => 2
        "nom" => "2. Southern Exposure"
      ]
      [
        "ordre" => 3
        "nom" => "3. Preach Brother "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hootin' 'N Tootin'"
      ]
      [
        "ordre" => 6
        "nom" => "2. Easin' On Down"
      ]
      [
        "ordre" => 7
        "nom" => "3. That's Where It's At"
      ]
      [
        "ordre" => 8
        "nom" => "4. Way Down Home"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2072 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2074 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2076 …}
    -enregistreLe: DateTime @1771749615 {#2063
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    }
    -modifierLe: DateTime @1775114936 {#2064
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2078 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: Proxies\__CG__\App\Entity\Label {#2093 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1775114076 {#2084
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    }
    -modifierLe: DateTime @1775114466 {#2083
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
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    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
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App\Twig\Components\GestionPanierFavoriComponents {#3346
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2088
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2090 …}
    -label: Proxies\__CG__\App\Entity\Label {#2093 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1775114076 {#2084
      date: 2026-04-02 07:14:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114466 {#2083
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2111
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. See No Evil"
      ]
      [
        "ordre" => 2
        "nom" => "2. Venus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Elevation"
      ]
      [
        "ordre" => 8
        "nom" => "2. Guiding Light "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Prove It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Torn Curtain"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1775112158 {#2104
      date: 2026-04-02 06:42:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775112582 {#2105
      date: 2026-04-02 06:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-marquee-moon-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-2-064"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3397
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2111
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. See No Evil"
      ]
      [
        "ordre" => 2
        "nom" => "2. Venus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Elevation"
      ]
      [
        "ordre" => 8
        "nom" => "2. Guiding Light "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Prove It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Torn Curtain"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2113 …}
    -label: Proxies\__CG__\App\Entity\Label {#2116 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2125 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2118 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2120 …}
    -enregistreLe: DateTime @1775112158 {#2104
      date: 2026-04-02 06:42:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775112582 {#2105
      date: 2026-04-02 06:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2122 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-marquee-moon-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-2-064"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2130
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
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        "nom" => "1. Bring It On Home"
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        "nom" => "2. Down Child"
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        "nom" => "3. Peach Tree"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3448
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  +produit: App\Entity\Produit {#2130
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2132 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -slug: "vinyles-the-real-folk-blues-acoustic-sounds-series-chess-records-9069"
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}

[
  "produit" => App\Entity\Produit {#2149
    -id: 2818
    -nom: "The Best Of Little Walter"
    -informationComplementaire: "Le blues à l’état pur : "puissant, électrique, inoubliable". Avec Little Walter, chaque note frappe fort et reste en tête. Un son brut, une légende vivante, une claque musicale."
    -description: """
      The Best Of Little Walter est une plongée essentielle dans l’univers brut et électrisant du blues de Chicago. Cette compilation rassemble les titres les plus emblématiques de Little Walter, véritable pionnier de l’harmonica amplifié.\r\n
      \r\n
      Avec son jeu révolutionnaire, à la fois incisif et expressif, Little Walter transforme l’harmonica en instrument lead, rivalisant avec les guitares électriques. Chaque morceau vibre d’une intensité rare : riffs tranchants, grooves hypnotiques et une voix chargée d’émotion qui raconte la rue, l’amour et la survie.\r\n
      \r\n
      Des classiques comme "My Babe", "Juke" ou "Blues with a Feeling" incarnent l’âge d’or du blues urbain et témoignent de l’influence majeure de l’artiste sur toute la musique moderne, du rock au rhythm & blues.\r\n
      \r\n
      - Little Walter "The Best Of Little Walter" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Influential blues harmonica record !\r\n
      - Groundbreaking instrumentals include "Juke" and "My Babe" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Little Walter The Best of Little Walter is the album that became a cornerstone of Chicago Blues and one that turned a pocket-sized harp into a weapon of musical mass seduction !\r\n
      \r\n
      Originally released on Chess Records in 1958, this compilation is stacked with Walter Jacobs' most iconic sides : "Juke" (the only harmonica instrumental to ever top the Billboard R&B chart), "My Babe" (a Willie Dixon-penned classic), "Blues With a Feeling", "Off the Wall", and more. These tracks didn't just set the standard they became the standard for electric blues harp, influencing everyone from Paul Butterfield to Mick Jagger and beyond. Walter amplified the harmonica literally-plugging it into a microphone and pushing it through an amp for a dirty, distorted tone that changed the sound of blues forever.\r\n
      \r\n
      This isn't just a "greatest hits" package; it's a history lesson in how Chess Records built the DNA of modern music. Walter stood shoulder-to-shoulder with Muddy Waters and Howlin' Wolf in Chess' legendary lineup, and his innovations helped shape rock, soul, and blues for decades to come.\r\n
      \r\n
      This reissue smokes. Mastered by Matt Lutthans at The Mastering Lab from the original Chess tapes the same golden ears behind numerous other reissue classics, combined with Quality Record Pressings' uncompromising vinyl craft. The result ? The raw power of Walter's amplified harp leaps off the 180 gram vinyl with detail and punch that will make your system blush.\r\n
      \r\n
      This isn't background music. This is a front-row seat to the birth of electric blues, with dead-quiet pressings that let every reed vibration, every wailing bend, hang in the air like cigarette smoke in a sweaty club.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Little Walter (harmonica, vocals), Muddy Waters, Jimmy Rogers, David Myers, Louis Myers, Leonard Caston, Robert Lockwood Jr.  (guitar), Willie Dixon (bass), Elgin Evans, Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CrIU5c0pgJg&list=PLvFwdvxlUPuRerJV8-1p64GUOPlmZCak2"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9052"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. My Babe"
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        "ordre" => 2
        "nom" => "2. Sad Hours"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're So Fine"
      ]
      [
        "ordre" => 4
        "nom" => "4. Last Night"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blues With A Feeling"
      ]
      [
        "ordre" => 6
        "nom" => "6. Can't Hold Out Much Longer"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
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        "nom" => "1. Juke"
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        "nom" => "2. Mean Old World"
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        "nom" => "4. You Better Watch Yourself"
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        "nom" => "6. Tell Me Mama"
      ]
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        "nom" => ""
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    ]
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2157 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3499
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2149
    -id: 2818
    -nom: "The Best Of Little Walter"
    -informationComplementaire: "Le blues à l’état pur : "puissant, électrique, inoubliable". Avec Little Walter, chaque note frappe fort et reste en tête. Un son brut, une légende vivante, une claque musicale."
    -description: """
      The Best Of Little Walter est une plongée essentielle dans l’univers brut et électrisant du blues de Chicago. Cette compilation rassemble les titres les plus emblématiques de Little Walter, véritable pionnier de l’harmonica amplifié.\r\n
      \r\n
      Avec son jeu révolutionnaire, à la fois incisif et expressif, Little Walter transforme l’harmonica en instrument lead, rivalisant avec les guitares électriques. Chaque morceau vibre d’une intensité rare : riffs tranchants, grooves hypnotiques et une voix chargée d’émotion qui raconte la rue, l’amour et la survie.\r\n
      \r\n
      Des classiques comme "My Babe", "Juke" ou "Blues with a Feeling" incarnent l’âge d’or du blues urbain et témoignent de l’influence majeure de l’artiste sur toute la musique moderne, du rock au rhythm & blues.\r\n
      \r\n
      - Little Walter "The Best Of Little Walter" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Influential blues harmonica record !\r\n
      - Groundbreaking instrumentals include "Juke" and "My Babe" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Little Walter The Best of Little Walter is the album that became a cornerstone of Chicago Blues and one that turned a pocket-sized harp into a weapon of musical mass seduction !\r\n
      \r\n
      Originally released on Chess Records in 1958, this compilation is stacked with Walter Jacobs' most iconic sides : "Juke" (the only harmonica instrumental to ever top the Billboard R&B chart), "My Babe" (a Willie Dixon-penned classic), "Blues With a Feeling", "Off the Wall", and more. These tracks didn't just set the standard they became the standard for electric blues harp, influencing everyone from Paul Butterfield to Mick Jagger and beyond. Walter amplified the harmonica literally-plugging it into a microphone and pushing it through an amp for a dirty, distorted tone that changed the sound of blues forever.\r\n
      \r\n
      This isn't just a "greatest hits" package; it's a history lesson in how Chess Records built the DNA of modern music. Walter stood shoulder-to-shoulder with Muddy Waters and Howlin' Wolf in Chess' legendary lineup, and his innovations helped shape rock, soul, and blues for decades to come.\r\n
      \r\n
      This reissue smokes. Mastered by Matt Lutthans at The Mastering Lab from the original Chess tapes the same golden ears behind numerous other reissue classics, combined with Quality Record Pressings' uncompromising vinyl craft. The result ? The raw power of Walter's amplified harp leaps off the 180 gram vinyl with detail and punch that will make your system blush.\r\n
      \r\n
      This isn't background music. This is a front-row seat to the birth of electric blues, with dead-quiet pressings that let every reed vibration, every wailing bend, hang in the air like cigarette smoke in a sweaty club.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Little Walter (harmonica, vocals), Muddy Waters, Jimmy Rogers, David Myers, Louis Myers, Leonard Caston, Robert Lockwood Jr.  (guitar), Willie Dixon (bass), Elgin Evans, Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=CrIU5c0pgJg&list=PLvFwdvxlUPuRerJV8-1p64GUOPlmZCak2"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9052"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. My Babe"
      ]
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        "ordre" => 2
        "nom" => "2. Sad Hours"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're So Fine"
      ]
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        "ordre" => 4
        "nom" => "4. Last Night"
      ]
      [
        "ordre" => 5
        "nom" => "5. Blues With A Feeling"
      ]
      [
        "ordre" => 6
        "nom" => "6. Can't Hold Out Much Longer"
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Juke"
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        "nom" => "2. Mean Old World"
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        "nom" => "3. Off The Walls"
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        "nom" => "4. You Better Watch Yourself"
      ]
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        "ordre" => 12
        "nom" => "5. Blue Lights"
      ]
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        "ordre" => 13
        "nom" => "6. Tell Me Mama"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2151 …}
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[
  "produit" => App\Entity\Produit {#2165
    -id: 3020
    -nom: "Folk Singer  (Mono)"
    -informationComplementaire: "Muddy Waters enregistre Folk Singer en 1963 pour Chess Records, et l’album sort en 1964. C’est un disque particulier dans sa discographie, contrairement à son blues électrique habituel de Chicago, il revient ici à un blues acoustique très dépouillé."
    -description: """
      - Muddy Waters "Folk Singer" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - The only acoustic album that Waters ever recorded !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Folk Singer montre Muddy Waters dans une forme plus brute et traditionnelle, revenant aux racines du blues avec un son acoustique intime. L’album est à la fois historique, musicalement pur et techniquement remarquable, ce qui explique pourquoi il reste une référence majeure du blues.\r\n
      \r\n
      Sorti en 1964 sur le label Chess Records, Folk Singer constitue une œuvre singulière dans la discographie de Muddy Waters. Connu pour avoir contribué à définir le son du Chicago blues électrique dans les années 1950, l’artiste opère ici un retour volontaire vers une esthétique plus dépouillée. L’album s’inscrit dans le contexte du renouveau folk et blues du début des années 1960, période durant laquelle le public redécouvre les racines rurales de la musique afro-américaine. Muddy Waters répond à cet intérêt en proposant un disque entièrement acoustique, qui évoque directement les traditions du Delta blues et du country blues.\r\n
      \r\n
      L’enregistrement se déroule en septembre 1963 dans les studios de Chess à Chicago. Contrairement aux productions blues amplifiées de l’époque, l’objectif est de capter une atmosphère naturelle et chaleureuse, presque intime. La prise de son est particulièrement soignée, les instruments sont enregistrés avec beaucoup d’espace et de précision, laissant respirer chaque nuance de la voix et des guitares. Cette approche explique pourquoi Folk Singer est souvent considéré comme un album de référence pour la qualité de son et figure régulièrement parmi les disques utilisés pour tester des systèmes audio haute fidélité.\r\n
      \r\n
      L’accompagnement musical reste volontairement minimaliste. Muddy Waters assure la guitare acoustique et le chant, entouré de musiciens prestigieux de la scène blues de Chicago. Le bassiste et compositeur Willie Dixon apporte une contrebasse profonde et discrète qui structure les morceaux, tandis que Buddy Guy intervient à la guitare acoustique avec un jeu sensible et précis. La batterie légère de Clifton James complète l’ensemble sans jamais dominer l’espace sonore. Cette instrumentation réduite permet de mettre en avant la dimension expressive de la musique et surtout la voix puissante et rugueuse de Muddy Waters, qui demeure l’élément central de l’album.\r\n
      \r\n
      Sur le plan musical, Folk Singer se caractérise par des tempos généralement lents et une grande sobriété dans les arrangements. Les morceaux reposent sur des structures de blues traditionnelles, mais l’interprétation se distingue par sa profondeur émotionnelle et son sens du groove. La guitare acoustique de Muddy Waters développe un jeu rythmique solide, ponctué de lignes mélodiques simples mais expressives. L’ensemble crée une ambiance à la fois sombre, hypnotique et chaleureuse.\r\n
      \r\n
      Les thèmes abordés dans les chansons reflètent les préoccupations classiques du blues : l’errance, les relations amoureuses compliquées, la solitude ou encore la nostalgie du Sud. Dans "My Home Is in the Delta", Muddy Waters évoque son attachement à la région du Mississippi où il a grandi, rappelant les racines rurales de sa musique. "Long Distance Call" illustre quant à lui un blues lent et intense, construit autour d’une tension émotionnelle qui met en valeur la profondeur de sa voix. D’autres titres comme "Good Morning Little School Girl" apportent une énergie plus directe tout en conservant l’esprit acoustique de l’album.\r\n
      \r\n
      L’importance de Folk Singer dépasse la simple réussite artistique. L’album représente un moment de transition dans l’histoire du blues, reliant les traditions rurales du Delta aux formes urbaines développées à Chicago. En revenant à une formule acoustique à une époque dominée par l’amplification électrique, Muddy Waters rappelle les origines profondes du genre et démontre que la force du blues réside avant tout dans l’émotion et l’interprétation.\r\n
      \r\n
      Avec le temps, Folk Singer s’est imposé comme l’un des grands classiques du blues. Son authenticité, la qualité exceptionnelle de son enregistrement et la performance vocale de Muddy Waters en font un disque à la fois historique et intemporel, souvent cité parmi les albums essentiels pour comprendre l’évolution et l’héritage du blues.\r\n
      \r\n
      Few albums in the blues canon carry the authority and lasting impact of Muddy Waters' "Folk Singer". Originally released in 1964 and presented here in its pure, intimate mono form this is the only all-acoustic recording Muddy ever made. The result is a striking return to the Delta feel that shaped him, transformed into what many consider the first, and still the definitive, blues concept album.\r\n
      \r\n
      Worried that the rising folk boom might pull listeners away from the blues, Chess Records sent Muddy Waters into the studio for an all-acoustic session and the results were nothing short of revelatory. Joined by Willie Dixon and a young Buddy Guy, Waters delivers an "unplugged" performance that stands today as one of the most captivating crossover moments in the genre's history.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab from the mono master, 180 gram vinyl pressed by Quality Record Pressings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Y_TJoSf6_z0&list=PLzGotn8LeP0epcgMa6JIwNF664bMnFc24"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8127"
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        "nom" => "2. Long Distance"
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        "nom" => "5. You Gonna Need My Help "
      ]
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        "nom" => "Side B : "
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        "nom" => "1. Cold Weather Blues"
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        "nom" => "2. Big Leg Woman"
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        "nom" => "3. Country Boy"
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2167 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3550
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2165
    -id: 3020
    -nom: "Folk Singer  (Mono)"
    -informationComplementaire: "Muddy Waters enregistre Folk Singer en 1963 pour Chess Records, et l’album sort en 1964. C’est un disque particulier dans sa discographie, contrairement à son blues électrique habituel de Chicago, il revient ici à un blues acoustique très dépouillé."
    -description: """
      - Muddy Waters "Folk Singer" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - The only acoustic album that Waters ever recorded !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Folk Singer montre Muddy Waters dans une forme plus brute et traditionnelle, revenant aux racines du blues avec un son acoustique intime. L’album est à la fois historique, musicalement pur et techniquement remarquable, ce qui explique pourquoi il reste une référence majeure du blues.\r\n
      \r\n
      Sorti en 1964 sur le label Chess Records, Folk Singer constitue une œuvre singulière dans la discographie de Muddy Waters. Connu pour avoir contribué à définir le son du Chicago blues électrique dans les années 1950, l’artiste opère ici un retour volontaire vers une esthétique plus dépouillée. L’album s’inscrit dans le contexte du renouveau folk et blues du début des années 1960, période durant laquelle le public redécouvre les racines rurales de la musique afro-américaine. Muddy Waters répond à cet intérêt en proposant un disque entièrement acoustique, qui évoque directement les traditions du Delta blues et du country blues.\r\n
      \r\n
      L’enregistrement se déroule en septembre 1963 dans les studios de Chess à Chicago. Contrairement aux productions blues amplifiées de l’époque, l’objectif est de capter une atmosphère naturelle et chaleureuse, presque intime. La prise de son est particulièrement soignée, les instruments sont enregistrés avec beaucoup d’espace et de précision, laissant respirer chaque nuance de la voix et des guitares. Cette approche explique pourquoi Folk Singer est souvent considéré comme un album de référence pour la qualité de son et figure régulièrement parmi les disques utilisés pour tester des systèmes audio haute fidélité.\r\n
      \r\n
      L’accompagnement musical reste volontairement minimaliste. Muddy Waters assure la guitare acoustique et le chant, entouré de musiciens prestigieux de la scène blues de Chicago. Le bassiste et compositeur Willie Dixon apporte une contrebasse profonde et discrète qui structure les morceaux, tandis que Buddy Guy intervient à la guitare acoustique avec un jeu sensible et précis. La batterie légère de Clifton James complète l’ensemble sans jamais dominer l’espace sonore. Cette instrumentation réduite permet de mettre en avant la dimension expressive de la musique et surtout la voix puissante et rugueuse de Muddy Waters, qui demeure l’élément central de l’album.\r\n
      \r\n
      Sur le plan musical, Folk Singer se caractérise par des tempos généralement lents et une grande sobriété dans les arrangements. Les morceaux reposent sur des structures de blues traditionnelles, mais l’interprétation se distingue par sa profondeur émotionnelle et son sens du groove. La guitare acoustique de Muddy Waters développe un jeu rythmique solide, ponctué de lignes mélodiques simples mais expressives. L’ensemble crée une ambiance à la fois sombre, hypnotique et chaleureuse.\r\n
      \r\n
      Les thèmes abordés dans les chansons reflètent les préoccupations classiques du blues : l’errance, les relations amoureuses compliquées, la solitude ou encore la nostalgie du Sud. Dans "My Home Is in the Delta", Muddy Waters évoque son attachement à la région du Mississippi où il a grandi, rappelant les racines rurales de sa musique. "Long Distance Call" illustre quant à lui un blues lent et intense, construit autour d’une tension émotionnelle qui met en valeur la profondeur de sa voix. D’autres titres comme "Good Morning Little School Girl" apportent une énergie plus directe tout en conservant l’esprit acoustique de l’album.\r\n
      \r\n
      L’importance de Folk Singer dépasse la simple réussite artistique. L’album représente un moment de transition dans l’histoire du blues, reliant les traditions rurales du Delta aux formes urbaines développées à Chicago. En revenant à une formule acoustique à une époque dominée par l’amplification électrique, Muddy Waters rappelle les origines profondes du genre et démontre que la force du blues réside avant tout dans l’émotion et l’interprétation.\r\n
      \r\n
      Avec le temps, Folk Singer s’est imposé comme l’un des grands classiques du blues. Son authenticité, la qualité exceptionnelle de son enregistrement et la performance vocale de Muddy Waters en font un disque à la fois historique et intemporel, souvent cité parmi les albums essentiels pour comprendre l’évolution et l’héritage du blues.\r\n
      \r\n
      Few albums in the blues canon carry the authority and lasting impact of Muddy Waters' "Folk Singer". Originally released in 1964 and presented here in its pure, intimate mono form this is the only all-acoustic recording Muddy ever made. The result is a striking return to the Delta feel that shaped him, transformed into what many consider the first, and still the definitive, blues concept album.\r\n
      \r\n
      Worried that the rising folk boom might pull listeners away from the blues, Chess Records sent Muddy Waters into the studio for an all-acoustic session and the results were nothing short of revelatory. Joined by Willie Dixon and a young Buddy Guy, Waters delivers an "unplugged" performance that stands today as one of the most captivating crossover moments in the genre's history.\r\n
      \r\n
      All-analog mastering by Matthew Lutthans at The Mastering Lab from the mono master, 180 gram vinyl pressed by Quality Record Pressings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Buddy Guy (guitar), Willie Dixon (bass), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Y_TJoSf6_z0&list=PLzGotn8LeP0epcgMa6JIwNF664bMnFc24"
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        "nom" => "2. Long Distance"
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        "nom" => "5. You Gonna Need My Help "
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        "nom" => ""
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2167 …}
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      date: 2026-03-29 07:34:35.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2181
    -id: 1433
    -nom: "Bo Diddley"
    -informationComplementaire: "Avant le rock tel qu’on le connaît, il y avait Bo Diddley. Un groove hypnotique, une guitare tranchante, une attitude inimitable, découvrez l’album qui a posé les bases de tout ce qui allait suivre."
    -description: """
      Bo Diddley est le premier album du légendaire Bo Diddley, une figure majeure de la naissance du rock’n’roll.\r\n
      \r\n
      Paru en 1958 sur Chess Records, cet album rassemble certains de ses titres les plus emblématiques, dont “Bo Diddley” et “I’m a Man”. On y retrouve son fameux rythme syncopé le “Bo Diddley beat” qui a profondément influencé des générations d’artistes.\r\n
      \r\n
      La pochette iconique met en scène l’artiste dans une posture dynamique, guitare à la main, incarnant toute l’énergie brute et l’attitude novatrice du rock des années 50.\r\n
      \r\n
      Un disque essentiel pour les amateurs de blues électrique, de rhythm & blues et de rock originel.\r\n
      \r\n
      - Bo Diddley "Bo Diddley" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Debut album includes "I'm A Man", "Hey! Bo Diddley" and "Who Do You Love ?" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 455/500 !\r\n
      \r\n
      Bo Diddley's influence on rock 'n' roll is inestimable, writes Rolling Stone, from the off-kilter rhythmic thump of "Pretty Thing" to his revved-up take on singing the blues. His signature rollicking beat is mirrored by many popular artists, from Bruce Springsteen on Born To Run's "She's the One", to George Michael on "Faith". \r\n
      \r\n
      Diddley born Ellas Bates McDaniel wasn't just another guitar-slinger in the mid-'50s; he was the spark that helped push the instrument from its blues roots straight into the heart of rock 'n' roll. His 1958 Chess Records LP, Bo Diddley, captures that seismic moment in real time. Drawn from a run of groundbreaking singles released between 1955 and 1958, the album plays like a blueprint for the next two decades of popular music.\r\n
      \r\n
      What you get here is a string of genre-defining sides: the hypnotic shave-and-a-haircut thump of "Bo Diddley", the swaggering blues strut of "I'm a Man," the irresistible drive of "Diddley Daddy", and the razor-edged storytelling of "Who Do You Love ?" Add in essentials like "Hey! Bo Diddley", "Before You Accuse Me", and "Bring It To Jerome", and it's clear why this LP has long been viewed as one of rock's foundational texts.\r\n
      \r\n
      For collectors, this isn't just an early rock 'n' roll album, it's the source code. The signature beat, the raw guitar attack, the attitude that influenced everyone from Buddy Holly to the Rolling Stones - it all starts here. Bo Diddley remains a must-have for fans of blues, early rock, and any vinyl lover who wants the sound of a revolution beginning right in their hands.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bo Diddley (guitar, vocals), Billy Boy Arnold (harmonica), Jerome Green (maracas), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=xvlvrXkeBkM&list=RDxvlvrXkeBkM&start_radio=1"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 8128"
    -titreMorceau: [
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        "ordre" => 1
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        "nom" => "6. Dearest Darling "
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        "nom" => "1. Hush Your Mouth"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3601
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2181
    -id: 1433
    -nom: "Bo Diddley"
    -informationComplementaire: "Avant le rock tel qu’on le connaît, il y avait Bo Diddley. Un groove hypnotique, une guitare tranchante, une attitude inimitable, découvrez l’album qui a posé les bases de tout ce qui allait suivre."
    -description: """
      Bo Diddley est le premier album du légendaire Bo Diddley, une figure majeure de la naissance du rock’n’roll.\r\n
      \r\n
      Paru en 1958 sur Chess Records, cet album rassemble certains de ses titres les plus emblématiques, dont “Bo Diddley” et “I’m a Man”. On y retrouve son fameux rythme syncopé le “Bo Diddley beat” qui a profondément influencé des générations d’artistes.\r\n
      \r\n
      La pochette iconique met en scène l’artiste dans une posture dynamique, guitare à la main, incarnant toute l’énergie brute et l’attitude novatrice du rock des années 50.\r\n
      \r\n
      Un disque essentiel pour les amateurs de blues électrique, de rhythm & blues et de rock originel.\r\n
      \r\n
      - Bo Diddley "Bo Diddley" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Debut album includes "I'm A Man", "Hey! Bo Diddley" and "Who Do You Love ?" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      - Rolling Stone's 500 Greatest Albums of All Time rated N° 455/500 !\r\n
      \r\n
      Bo Diddley's influence on rock 'n' roll is inestimable, writes Rolling Stone, from the off-kilter rhythmic thump of "Pretty Thing" to his revved-up take on singing the blues. His signature rollicking beat is mirrored by many popular artists, from Bruce Springsteen on Born To Run's "She's the One", to George Michael on "Faith". \r\n
      \r\n
      Diddley born Ellas Bates McDaniel wasn't just another guitar-slinger in the mid-'50s; he was the spark that helped push the instrument from its blues roots straight into the heart of rock 'n' roll. His 1958 Chess Records LP, Bo Diddley, captures that seismic moment in real time. Drawn from a run of groundbreaking singles released between 1955 and 1958, the album plays like a blueprint for the next two decades of popular music.\r\n
      \r\n
      What you get here is a string of genre-defining sides: the hypnotic shave-and-a-haircut thump of "Bo Diddley", the swaggering blues strut of "I'm a Man," the irresistible drive of "Diddley Daddy", and the razor-edged storytelling of "Who Do You Love ?" Add in essentials like "Hey! Bo Diddley", "Before You Accuse Me", and "Bring It To Jerome", and it's clear why this LP has long been viewed as one of rock's foundational texts.\r\n
      \r\n
      For collectors, this isn't just an early rock 'n' roll album, it's the source code. The signature beat, the raw guitar attack, the attitude that influenced everyone from Buddy Holly to the Rolling Stones - it all starts here. Bo Diddley remains a must-have for fans of blues, early rock, and any vinyl lover who wants the sound of a revolution beginning right in their hands.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bo Diddley (guitar, vocals), Billy Boy Arnold (harmonica), Jerome Green (maracas), Clifton James (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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[
  "produit" => App\Entity\Produit {#2199
    -id: 2720
    -nom: "- Crisis ? What Crisis ?  (Half-Speed Master)"
    -informationComplementaire: "Entre douceur et lucidité, "Crisis ? What Crisis ?" dévoile un Supertramp plus subtil, où mélodies lumineuses et regards critiques s’entrelacent avec élégance."
    -description: """
      Sorti en 1975, "Crisis ? What Crisis ?" s’inscrit dans la continuité du succès de Crime of the Century, tout en dévoilant une facette plus nuancée de Supertramp. Conçu dans un contexte de pression après leur percée internationale, l’album mélange habilement légèreté apparente et profondeur thématique.\r\n
      \r\n
      Toujours porté par le tandem Rick Davies et Roger Hodgson, le disque explore des sujets comme le désenchantement, la solitude et les contradictions du monde moderne, souvent avec une touche d’ironie subtile.\r\n
      \r\n
      Musicalement, on retrouve la signature du groupe, un équilibre entre rock progressif et pop mélodique, enrichi de claviers élégants, de guitares expressives et d’arrangements raffinés. Des morceaux comme “Easy Does It”, “Sister Moonshine”, “Lady” ou “Another Man’s Woman” illustrent cette diversité, oscillant entre douceur introspective et énergie maîtrisée.\r\n
      \r\n
      Moins immédiat que son prédécesseur, l’album séduit par sa cohérence et sa richesse, offrant une écoute plus intime mais tout aussi captivante.\r\n
      \r\n
      - Supertramp "Crisis ? What Crisis ?" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Originally released on November 28, 1975, Crisis ? What Crisis ? was written and recorded in arguably the busiest period of the band's career and released just 13 months after Crime of the Century. Now regarded by many as the bridge from their earlier prog records to their more commercially successful period, Crisis ? What Crisis ? is a significant and vital part of the bands musical journey.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, these 50th Anniversary reissues have been remastered at half-speed by Miles Showell at Abbey Road Studios giving them greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards, vocals), John Helliwell (saxophones, clarinet, backing vocals), Dougie Thomson (bass guitar), Bob C. Benberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=YGX7IMJGy5Y&list=PLqZ5e2x0Y_GSlDG0KIPH0ljtVTLniDOI_"
    -referenceProduit: "A&M Records 9539"
    -titreMorceau: [
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        "nom" => "Side : A"
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        "nom" => "1. Easy Does It"
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        "nom" => "2. Sister Moonshine"
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        "nom" => "3. Ain't Nobody But Me"
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        "nom" => "4. A Soapbox Opera"
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        "ordre" => 5
        "nom" => "5. Another Man's Woman"
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        "nom" => "Side : B"
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        "nom" => "1. Lady"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
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      date: 2026-03-28 18:18:08.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3652
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 2720
    -nom: "- Crisis ? What Crisis ?  (Half-Speed Master)"
    -informationComplementaire: "Entre douceur et lucidité, "Crisis ? What Crisis ?" dévoile un Supertramp plus subtil, où mélodies lumineuses et regards critiques s’entrelacent avec élégance."
    -description: """
      Sorti en 1975, "Crisis ? What Crisis ?" s’inscrit dans la continuité du succès de Crime of the Century, tout en dévoilant une facette plus nuancée de Supertramp. Conçu dans un contexte de pression après leur percée internationale, l’album mélange habilement légèreté apparente et profondeur thématique.\r\n
      \r\n
      Toujours porté par le tandem Rick Davies et Roger Hodgson, le disque explore des sujets comme le désenchantement, la solitude et les contradictions du monde moderne, souvent avec une touche d’ironie subtile.\r\n
      \r\n
      Musicalement, on retrouve la signature du groupe, un équilibre entre rock progressif et pop mélodique, enrichi de claviers élégants, de guitares expressives et d’arrangements raffinés. Des morceaux comme “Easy Does It”, “Sister Moonshine”, “Lady” ou “Another Man’s Woman” illustrent cette diversité, oscillant entre douceur introspective et énergie maîtrisée.\r\n
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      - Supertramp "Crisis ? What Crisis ?" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
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[
  "produit" => App\Entity\Produit {#2222
    -id: 2721
    -nom: "Crime Of The Century  (Half-Speed Master)"
    -informationComplementaire: "Un voyage intense entre rock et introspection, "Crime of the Century" révèle toute la profondeur et la puissance sonore de Supertramp dans un classique aussi captivant qu’intemporel."
    -description: """
      Sorti en 1974, Crime of the Century marque la véritable percée de Supertramp et s’impose comme un classique du rock progressif. Porté par le duo créatif Rick Davies et Roger Hodgson, l’album explore des thèmes profonds comme l’aliénation, la société moderne et la quête d’identité.\r\n
      \r\n
      Musicalement, il se distingue par un mélange sophistiqué de rock, de pop et de touches progressives, enrichi par des arrangements soignés et une production d’une grande précision. Le son du piano, les harmonies vocales et les ambiances cinématographiques donnent à l’ensemble une atmosphère à la fois mélancolique et puissante.\r\n
      \r\n
      Des titres emblématiques comme “Dreamer”, “Bloody Well Right” et “School” illustrent parfaitement l’identité du groupe, une alternance entre énergie rock et introspection. L’album se clôt sur la pièce éponyme “Crime of the Century”, véritable montée en intensité, souvent considérée comme l’un des sommets du disque.\r\n
      \r\n
      - Supertramp "Crime Of The Century" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Supertramp's Third Studio Album Crime of the Century Reissued for Its 50th Anniversary Edition on 180 gram LP. Remastered at Half-Speed by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      Crime of the Century was Supertramp's era-defining third album that catapulted them to global success, breaking them into the UK top five and U.S. Billboard top 40 album charts for the first time.\r\n
      \r\n
      Featuring the cream of Rick Davies' and Roger Hodgson's songwriting, Supertramp's 1974 masterwork Crime of the Century was the first of the many peaks in the band's illustrious career; an album that had everything to prove and tunes that effortlessly straddled the world of pure pop and progressive rock. The significant change that happened with Supertramp on this album was that Hodgson and Davies had each found their strength as songwriters and were writing alone.\r\n
      \r\n
      With the unmistakable blend of the two songwriters work, it married the sweetness of Hodgson's "Dreamer" the band's first big hit single with the grit of Davies' similarly beloved "Bloody Well Right". In "School, ,"Rudy" and the title track, the band Davies, Hodgson, John Helliwell, Bob Siebenberg and Dougie Thomson helped define what would soon be known as 'Adult Oriented Rock'. This was and is - not just an album that showed Supertramp's increased maturity, but a timeless gem marked by the incredible melodies and thoughtful lyrics of Hodgson and Davies.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, this 50th anniversary reissue has been remastered at half-speed by Miles Showell at Abbey Road Studios giving the 1974 album greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards), John Helliwell (saxophones, clarinet, backing vocals, spoken word), Dougie Thomson (bass guitar), Bob Siebenberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=y7R_gflT8tg&list=PLqZ5e2x0Y_GRvTmb3A1t0tm1I6kdBPn7g"
    -referenceProduit: "A&M Records 9538"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2225 …}
    -enregistreLe: DateTime @1754513337 {#2215
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    }
    -modifierLe: DateTime @1774721621 {#2216
      date: 2026-03-28 18:13:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …}
    -disponible: null
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    -slug: "vinyles-crime-of-the-century-half-speed-master-a-m-records-9538"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3705
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2222
    -id: 2721
    -nom: "Crime Of The Century  (Half-Speed Master)"
    -informationComplementaire: "Un voyage intense entre rock et introspection, "Crime of the Century" révèle toute la profondeur et la puissance sonore de Supertramp dans un classique aussi captivant qu’intemporel."
    -description: """
      Sorti en 1974, Crime of the Century marque la véritable percée de Supertramp et s’impose comme un classique du rock progressif. Porté par le duo créatif Rick Davies et Roger Hodgson, l’album explore des thèmes profonds comme l’aliénation, la société moderne et la quête d’identité.\r\n
      \r\n
      Musicalement, il se distingue par un mélange sophistiqué de rock, de pop et de touches progressives, enrichi par des arrangements soignés et une production d’une grande précision. Le son du piano, les harmonies vocales et les ambiances cinématographiques donnent à l’ensemble une atmosphère à la fois mélancolique et puissante.\r\n
      \r\n
      Des titres emblématiques comme “Dreamer”, “Bloody Well Right” et “School” illustrent parfaitement l’identité du groupe, une alternance entre énergie rock et introspection. L’album se clôt sur la pièce éponyme “Crime of the Century”, véritable montée en intensité, souvent considérée comme l’un des sommets du disque.\r\n
      \r\n
      - Supertramp "Crime Of The Century" !\r\n
      - 180 gram vinyl !\r\n
      - Half-speed mastered at Abbey Road Studios !\r\n
      \r\n
      Supertramp's Third Studio Album Crime of the Century Reissued for Its 50th Anniversary Edition on 180 gram LP. Remastered at Half-Speed by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      Crime of the Century was Supertramp's era-defining third album that catapulted them to global success, breaking them into the UK top five and U.S. Billboard top 40 album charts for the first time.\r\n
      \r\n
      Featuring the cream of Rick Davies' and Roger Hodgson's songwriting, Supertramp's 1974 masterwork Crime of the Century was the first of the many peaks in the band's illustrious career; an album that had everything to prove and tunes that effortlessly straddled the world of pure pop and progressive rock. The significant change that happened with Supertramp on this album was that Hodgson and Davies had each found their strength as songwriters and were writing alone.\r\n
      \r\n
      With the unmistakable blend of the two songwriters work, it married the sweetness of Hodgson's "Dreamer" the band's first big hit single with the grit of Davies' similarly beloved "Bloody Well Right". In "School, ,"Rudy" and the title track, the band Davies, Hodgson, John Helliwell, Bob Siebenberg and Dougie Thomson helped define what would soon be known as 'Adult Oriented Rock'. This was and is - not just an album that showed Supertramp's increased maturity, but a timeless gem marked by the incredible melodies and thoughtful lyrics of Hodgson and Davies.\r\n
      \r\n
      With oversight of the band and co-producer Ken Scott, this 50th anniversary reissue has been remastered at half-speed by Miles Showell at Abbey Road Studios giving the 1974 album greater detail and the best possible clarity.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Rick Davies (keyboards, harmonica, vocals), Roger Hodgson (guitar, keyboards), John Helliwell (saxophones, clarinet, backing vocals, spoken word), Dougie Thomson (bass guitar), Bob Siebenberg (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=y7R_gflT8tg&list=PLqZ5e2x0Y_GRvTmb3A1t0tm1I6kdBPn7g"
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        "nom" => "4. Crime of the Century"
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        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2230 …}
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    }
    -modifierLe: DateTime @1774721621 {#2216
      date: 2026-03-28 18:13:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-crime-of-the-century-half-speed-master-a-m-records-9538"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

[
  "produit" => App\Entity\Produit {#2237
    -id: 3019
    -nom: "Breakfast In America - 180 gram Half-Speed Master"
    -informationComplementaire: "Breakfast in America est bien plus qu’un album, véritable monument du rock des années 70, mélange irrésistible de pop sophistiquée, de mélodies inoubliables et de textes subtils devenus intemporels !"
    -description: """
      Sorti en 1979, Breakfast in America est l’album emblématique de Supertramp et l’un des plus grands succès du rock. Porté par des mélodies irrésistibles, des arrangements raffinés et des textes subtils, cet album mythique a marqué toute une génération.\r\n
      \r\n
      Avec des titres devenus incontournables comme "The Logical Song", "Goodbye Stranger" ou encore "Take the Long Way Home", Breakfast in America combine énergie rock, élégance pop et identité sonore unique.\r\n
      \r\n
      Véritable chef-d’œuvre intemporel, cet album reste aujourd’hui une référence incontournable pour tous les amateurs de musique. Une pièce essentielle à ajouter à toute collection musicale.\r\n
      \r\n
      Musicians : \r\n
      Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums), Slyde Hyde, Richard Hyde (tuba, trombone), Gary Mielke (Oberheim programming).\r\n
      \r\n
      - Supertramp "Breakfast In America" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1979, Breakfast in America is the group's sixth studio album and features the hit singles, "The Logical Song", "Goodbye Stranger", and the title track.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=suDFhxrpkJg&list=RDsuDFhxrpkJg&start_radio=1"
    -referenceProduit: "A&M Records 6364"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Gone Hollywood"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Logical Song"
      ]
      [
        "ordre" => 3
        "nom" => "3. Goodbye Stranger"
      ]
      [
        "ordre" => 4
        "nom" => "4. Breakfast in America"
      ]
      [
        "ordre" => 5
        "nom" => "5. Oh Darling "
      ]
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        "nom" => "Side B : "
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        "ordre" => 7
        "nom" => "1. Take the Long Way Home"
      ]
      [
        "ordre" => 8
        "nom" => "2. Lord is It Mine"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just Another Nervous Wreck"
      ]
      [
        "ordre" => 10
        "nom" => "4. Casual Conversations"
      ]
      [
        "ordre" => 11
        "nom" => "5. Child of Vision"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2245 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2238 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2240 …}
    -enregistreLe: DateTime @1773527191 {#2233
      date: 2026-03-14 22:26:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774721310 {#2232
      date: 2026-03-28 18:08:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2242 …}
    -disponible: null
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    -slug: "vinyles-breakfast-in-america-180-gram-half-speed-master-a-m-records-6364"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3753
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2669 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2237
    -id: 3019
    -nom: "Breakfast In America - 180 gram Half-Speed Master"
    -informationComplementaire: "Breakfast in America est bien plus qu’un album, véritable monument du rock des années 70, mélange irrésistible de pop sophistiquée, de mélodies inoubliables et de textes subtils devenus intemporels !"
    -description: """
      Sorti en 1979, Breakfast in America est l’album emblématique de Supertramp et l’un des plus grands succès du rock. Porté par des mélodies irrésistibles, des arrangements raffinés et des textes subtils, cet album mythique a marqué toute une génération.\r\n
      \r\n
      Avec des titres devenus incontournables comme "The Logical Song", "Goodbye Stranger" ou encore "Take the Long Way Home", Breakfast in America combine énergie rock, élégance pop et identité sonore unique.\r\n
      \r\n
      Véritable chef-d’œuvre intemporel, cet album reste aujourd’hui une référence incontournable pour tous les amateurs de musique. Une pièce essentielle à ajouter à toute collection musicale.\r\n
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      Musicians : \r\n
      Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums), Slyde Hyde, Richard Hyde (tuba, trombone), Gary Mielke (Oberheim programming).\r\n
      \r\n
      - Supertramp "Breakfast In America" !\r\n
      - 180 gram heavyweight black vinyl gatefold reissue !\r\n
      - Half-speed mastered by Miles Showell at Abbey Road Studios !\r\n
      \r\n
      Supertramp are releasing the definitive vinyl pressings of their studio albums. Even In The Quietest Moments audio was transferred at Abbey Road Studios by Miles Showell and overseen by album engineer Peter Henderson, where they cut the half-speed master used to press the vinyl.\r\n
      \r\n
      Released in 1979, Breakfast in America is the group's sixth studio album and features the hit singles, "The Logical Song", "Goodbye Stranger", and the title track.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Roger Hodgson (keyboards, guitars, vocals), Rick Davies (keyboards, vocals), John Helliwell (woodwinds, backing vocals), Dougie Thomson (bass), Bob Siebenberg (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=suDFhxrpkJg&list=RDsuDFhxrpkJg&start_radio=1"
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        "nom" => "2. The Logical Song"
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        "nom" => "5. Oh Darling "
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      [
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        "nom" => "1. Take the Long Way Home"
      ]
      [
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        "nom" => "2. Lord is It Mine"
      ]
      [
        "ordre" => 9
        "nom" => "3. Just Another Nervous Wreck"
      ]
      [
        "ordre" => 10
        "nom" => "4. Casual Conversations"
      ]
      [
        "ordre" => 11
        "nom" => "5. Child of Vision"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
    -style: App\Entity\Style {#1453 …}
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    }
    -modifierLe: DateTime @1774721310 {#2232
      date: 2026-03-28 18:08:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3949
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2437 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3950 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3998 …}
  +isValidated: false
  +validatedFields: []
}