Components
4
Twig Components
15
Render Count
9
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.69ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.88ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.38ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.25ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.88 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2558 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.38 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2635 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} -formView: Symfony\Component\Form\FormView {#2674 …} -form: Symfony\Component\Form\Form {#2824 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.78 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#1821 -id: 349 -nom: "A.T.’s Delight" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52.\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands…Back home a month later, I unpack some test pressings Chad Kassem has sent me…I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008.\r\n \r\n Since his days with the Bud Powell Trio, drummer Art Taylor was an invaluable member of the Blue Note recording family. A.T.'s Delight is the only album made under his own name for the label and it is a remarkable one. Choosing great compositions by Coltrane, Monk, Denzil Best and Kenny Dorham, Taylor assembled a great quintet fronted by Dave Burns and Stanley Turrentine, often adding Potato's congas to the proceedings. The unique and varied arrangements and great playing pay tribute to the drummer's exceptional song selection.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Dave Burns (trumpet),? Paul Chambers (bass),? Wynton Kelly (piano),? Stanley Turrentine (tenor saxophone), Carlos "Potato" Valdez (conga), Art Taylor (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=2-uEzeY-BZU" -referenceProduit: "ABNJ 84047" -titreMorceau: [ [ "nom" => "1. Cookoo and Fungi" "ordre" => 8 ] [ "nom" => "1. Epistrophy" "ordre" => 3 ] [ "nom" => "1. High Seas" "ordre" => 6 ] [ "nom" => "1. Syeeda's Song Flute" "ordre" => 1 ] [ "nom" => "2. Blue Interlude" "ordre" => 9 ] [ "nom" => "2. Move" "ordre" => 4 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1278691061 {#1876 : 2010-07-09 15:57:41.0 UTC (+00:00) } -modifierLe: DateTime @1575808602 {#1869 : 2019-12-08 12:36:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-a-t-s-delight-abnj-84047" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3098 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#1821 -id: 349 -nom: "A.T.’s Delight" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out!" - David W. Robinson, Positive Feedback, Issue 52.\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands…Back home a month later, I unpack some test pressings Chad Kassem has sent me…I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008.\r\n \r\n Since his days with the Bud Powell Trio, drummer Art Taylor was an invaluable member of the Blue Note recording family. A.T.'s Delight is the only album made under his own name for the label and it is a remarkable one. Choosing great compositions by Coltrane, Monk, Denzil Best and Kenny Dorham, Taylor assembled a great quintet fronted by Dave Burns and Stanley Turrentine, often adding Potato's congas to the proceedings. The unique and varied arrangements and great playing pay tribute to the drummer's exceptional song selection.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Dave Burns (trumpet),? Paul Chambers (bass),? Wynton Kelly (piano),? Stanley Turrentine (tenor saxophone), Carlos "Potato" Valdez (conga), Art Taylor (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=2-uEzeY-BZU" -referenceProduit: "ABNJ 84047" -titreMorceau: [ [ "nom" => "1. Cookoo and Fungi" "ordre" => 8 ] [ "nom" => "1. Epistrophy" "ordre" => 3 ] [ "nom" => "1. High Seas" "ordre" => 6 ] [ "nom" => "1. Syeeda's Song Flute" "ordre" => 1 ] [ "nom" => "2. Blue Interlude" "ordre" => 9 ] [ "nom" => "2. Move" "ordre" => 4 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1278691061 {#1876 : 2010-07-09 15:57:41.0 UTC (+00:00) } -modifierLe: DateTime @1575808602 {#1869 : 2019-12-08 12:36:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-a-t-s-delight-abnj-84047" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.41 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2045 -id: 344 -nom: "Blues Walk" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n \r\n Lou Donaldson's undisputed masterpiece, Blues Walk, marks the point where the altoist began to decisively modify his heavy Charlie Parker influence and add a smoky, bluesy flavor of his own. The material is still firmly in the bebop style, and the mellower moments aren't as sleepy as some of Donaldson's subsequent work, so the album sounds vital and distinctive even as it slows down and loosens things up. What elevates Blues Walk to classic status is its inviting warmth. Donaldson's sweetly singing horn is melodic throughout the six selections, making even his most advanced ideas sound utterly good-natured and accessible. The easy-swinging title cut is arguably Donaldson's signature tune even above his late-'60s soul-jazz hits, and his other two originals, "Play Ray" and "Callin' All Cats", are in largely the same vein.\r\n \r\n Recorded in 1958.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (conga), Dave Bailey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Liy9tw03p1I" -referenceProduit: "ABNJ 81593" -titreMorceau: [ [ "nom" => "1. Autumn Nocturne" "ordre" => 8 ] [ "nom" => "1. Blues Walk" "ordre" => 1 ] [ "nom" => "1. Move" "ordre" => 3 ] [ "nom" => "2. Callin' All Cats" "ordre" => 9 ] [ "nom" => "2. The Masquerade Is Over" "ordre" => 4 ] [ "nom" => "4. Play Ray" "ordre" => 6 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …} -enregistreLe: DateTime @1278691042 {#2042 : 2010-07-09 15:57:22.0 UTC (+00:00) } -modifierLe: DateTime @1575796349 {#2043 : 2019-12-08 09:12:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-blues-walk-abnj-81593" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3212 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2045 -id: 344 -nom: "Blues Walk" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! \r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n \r\n Lou Donaldson's undisputed masterpiece, Blues Walk, marks the point where the altoist began to decisively modify his heavy Charlie Parker influence and add a smoky, bluesy flavor of his own. The material is still firmly in the bebop style, and the mellower moments aren't as sleepy as some of Donaldson's subsequent work, so the album sounds vital and distinctive even as it slows down and loosens things up. What elevates Blues Walk to classic status is its inviting warmth. Donaldson's sweetly singing horn is melodic throughout the six selections, making even his most advanced ideas sound utterly good-natured and accessible. The easy-swinging title cut is arguably Donaldson's signature tune even above his late-'60s soul-jazz hits, and his other two originals, "Play Ray" and "Callin' All Cats", are in largely the same vein.\r\n \r\n Recorded in 1958.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Lou Donaldson (alto saxophone), Herman Foster (piano), Peck Morrison (bass), Ray Barretto (conga), Dave Bailey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Liy9tw03p1I" -referenceProduit: "ABNJ 81593" -titreMorceau: [ [ "nom" => "1. Autumn Nocturne" "ordre" => 8 ] [ "nom" => "1. Blues Walk" "ordre" => 1 ] [ "nom" => "1. Move" "ordre" => 3 ] [ "nom" => "2. Callin' All Cats" "ordre" => 9 ] [ "nom" => "2. The Masquerade Is Over" "ordre" => 4 ] [ "nom" => "4. Play Ray" "ordre" => 6 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 2 ] [ "nom" => "Side C : " "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …} -enregistreLe: DateTime @1278691042 {#2042 : 2010-07-09 15:57:22.0 UTC (+00:00) } -modifierLe: DateTime @1575796349 {#2043 : 2019-12-08 09:12:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-blues-walk-abnj-81593" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.39 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2061 -id: 369 -nom: "Someday My Prince Will Come" -informationComplementaire: "" -description: """ "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010.\r\n \r\n ??"...the most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010.\r\n \r\n ??A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.??Originally released in 1961. Mastered by George Marino at Sterling Sound.?\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …} -musicienOrchestre: "Miles Davis (trumpet), ?Paul Chambers (bass),? John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), ?Philly Joe Jones, Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=o-d2iDoZX7g" -referenceProduit: "AAPJ 8456-45" -titreMorceau: [ [ "nom" => "1. Drad - Dog" "ordre" => 6 ] [ "nom" => "1. Old Folks" "ordre" => 3 ] [ "nom" => "1. Someday My Prince Will Come" "ordre" => 1 ] [ "nom" => "1. Teo" "ordre" => 9 ] [ "nom" => "2. I Thought About You" "ordre" => 7 ] [ "nom" => "2. Pfrancing" "ordre" => 4 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 2 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …} -enregistreLe: DateTime @1278691266 {#2058 : 2010-07-09 16:01:06.0 UTC (+00:00) } -modifierLe: DateTime @1575792099 {#2059 : 2019-12-08 08:01:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-someday-my-prince-will-come-aapj-8456-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3263 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2061 -id: 369 -nom: "Someday My Prince Will Come" -informationComplementaire: "" -description: """ "...The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured...with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy". - Marc Mickelson, The Audio Beat, December 2010.\r\n \r\n ??"...the most detailed, dynamic, and transparent version of this music that I have ever heard. All of the emotion of Davis' horn comes through in ballads, such as the title cut, and details such as the squeak of a chair or the spit on the sax's reed are revealed with an increased clarity". - My Vinyl Review, July 26, 2010.\r\n \r\n ??A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos.??Originally released in 1961. Mastered by George Marino at Sterling Sound.?\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …} -musicienOrchestre: "Miles Davis (trumpet), ?Paul Chambers (bass),? John Coltrane, Hank Mobley (tenor saxophone), Wynton Kelly (piano), ?Philly Joe Jones, Jimmy Cobb (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=o-d2iDoZX7g" -referenceProduit: "AAPJ 8456-45" -titreMorceau: [ [ "nom" => "1. Drad - Dog" "ordre" => 6 ] [ "nom" => "1. Old Folks" "ordre" => 3 ] [ "nom" => "1. Someday My Prince Will Come" "ordre" => 1 ] [ "nom" => "1. Teo" "ordre" => 9 ] [ "nom" => "2. I Thought About You" "ordre" => 7 ] [ "nom" => "2. Pfrancing" "ordre" => 4 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 2 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2072 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2065 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2067 …} -enregistreLe: DateTime @1278691266 {#2058 : 2010-07-09 16:01:06.0 UTC (+00:00) } -modifierLe: DateTime @1575792099 {#2059 : 2019-12-08 08:01:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2069 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-someday-my-prince-will-come-aapj-8456-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.37 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2077 -id: 398 -nom: "The Time Is Right" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52. \r\n \r\n "A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker". – All About Jazz.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Blue Mitchell (trumpet), Lou Donaldson (alto saxophone), Horace Parlan (piano), Laymon Jackson (bass), Dave Bailey (drums), Ray Barretto (conga) " -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=ykip5LG7yr4" -referenceProduit: "ABNJ 84025" -titreMorceau: [ [ "nom" => "1. Crosstown Shuffle" "ordre" => 9 ] [ "nom" => "1. Idaho" "ordre" => 4 ] [ "nom" => "1. Mack The Knife" "ordre" => 7 ] [ "nom" => "2. Be My Love" "ordre" => 2 ] [ "nom" => "2. Tangerine" "ordre" => 10 ] [ "nom" => "2. The Nearness Of You" "ordre" => 5 ] [ "nom" => "5. Lou's Blues" "ordre" => 1 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2085 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2078 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2080 …} -enregistreLe: DateTime @1289202604 {#2074 : 2010-11-08 07:50:04.0 UTC (+00:00) } -modifierLe: DateTime @1575737589 {#2075 : 2019-12-07 16:53:09.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-time-is-right-abnj-84025" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3316 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2077 -id: 398 -nom: "The Time Is Right" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52. \r\n \r\n "A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker". – All About Jazz.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Blue Mitchell (trumpet), Lou Donaldson (alto saxophone), Horace Parlan (piano), Laymon Jackson (bass), Dave Bailey (drums), Ray Barretto (conga) " -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=ykip5LG7yr4" -referenceProduit: "ABNJ 84025" -titreMorceau: [ [ "nom" => "1. Crosstown Shuffle" "ordre" => 9 ] [ "nom" => "1. Idaho" "ordre" => 4 ] [ "nom" => "1. Mack The Knife" "ordre" => 7 ] [ "nom" => "2. Be My Love" "ordre" => 2 ] [ "nom" => "2. Tangerine" "ordre" => 10 ] [ "nom" => "2. The Nearness Of You" "ordre" => 5 ] [ "nom" => "5. Lou's Blues" "ordre" => 1 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 8 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2085 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2078 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2080 …} -enregistreLe: DateTime @1289202604 {#2074 : 2010-11-08 07:50:04.0 UTC (+00:00) } -modifierLe: DateTime @1575737589 {#2075 : 2019-12-07 16:53:09.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-time-is-right-abnj-84025" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2090 -id: 350 -nom: "Here Tis" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n \r\n A dedicated disciple of Charlie Parker, alto saxophonist Lou Donaldson focused his energies on the bluesier aspects of his hero's playing and rendered it with a sweeter edge that fashioned him a viable career for decades. His work for Blue Note showed his impressive mastery of the bop style.\r\n \r\n Recorded in 1961.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Lou Donaldson (alto saxophone), Grant Green (guitar), Baby Face Willette (organ), Dave Bailey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3xjfSdrVqfI" -referenceProduit: "ABNJ 84066" -titreMorceau: [ [ "nom" => "1. Cool Blues" "ordre" => 4 ] [ "nom" => "1. Foggy Day" "ordre" => 1 ] [ "nom" => "1. Walk With Me" "ordre" => 8 ] [ "nom" => "1. Watusi Jump" "ordre" => 6 ] [ "nom" => "2. Here ‘Tis" "ordre" => 2 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2098 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2091 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2093 …} -enregistreLe: DateTime @1278691079 {#2087 : 2010-07-09 15:57:59.0 UTC (+00:00) } -modifierLe: DateTime @1575722571 {#2088 : 2019-12-07 12:42:51.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2095 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-here-tis-abnj-84066" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3364 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2090 -id: 350 -nom: "Here Tis" -informationComplementaire: "" -description: """ Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award !\r\n \r\n "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !" - David W. Robinson, Positive Feedback, Issue 52\r\n \r\n "…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands… Back home a month later, I unpack some test pressings Chad Kassem has sent me… I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud". – Jason Victor Serinus, Stereophile, April 2008\r\n \r\n A dedicated disciple of Charlie Parker, alto saxophonist Lou Donaldson focused his energies on the bluesier aspects of his hero's playing and rendered it with a sweeter edge that fashioned him a viable career for decades. His work for Blue Note showed his impressive mastery of the bop style.\r\n \r\n Recorded in 1961.\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Lou Donaldson (alto saxophone), Grant Green (guitar), Baby Face Willette (organ), Dave Bailey (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=3xjfSdrVqfI" -referenceProduit: "ABNJ 84066" -titreMorceau: [ [ "nom" => "1. Cool Blues" "ordre" => 4 ] [ "nom" => "1. Foggy Day" "ordre" => 1 ] [ "nom" => "1. Walk With Me" "ordre" => 8 ] [ "nom" => "1. Watusi Jump" "ordre" => 6 ] [ "nom" => "2. Here ‘Tis" "ordre" => 2 ] [ "nom" => "Side A :" "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 5 ] [ "nom" => "Side D :" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2098 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2091 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2093 …} -enregistreLe: DateTime @1278691079 {#2087 : 2010-07-09 15:57:59.0 UTC (+00:00) } -modifierLe: DateTime @1575722571 {#2088 : 2019-12-07 12:42:51.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2095 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-here-tis-abnj-84066" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2103 -id: 1068 -nom: "Gentle Ben" -informationComplementaire: "" -description: """ That rich, humid, giant sax tone blooms like on few other Webster recordings.\r\n \r\n Mastered by Kevin Gray at Coherent Audio.\r\n \r\n 200 gram gatefold 45 RPM double LP pressed at Quality Record Pressings !\r\n \r\n Praise for our 33 1/3 version of Gentle Ben\r\n \r\n "The soundstage is intimate and inviting, Webster's horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP's beautifully flat and wonderfully silent surfaces with that much more "there-ness". - Sonics = 4/5; Music = 3.5/5 - Wayne Garcia, The Absolute Sound, January 2013\r\n \r\n "... Webster's trademark sensual sound is on full display and, of course, he's backed by Montoliu, an outstanding Spanish piano veteran who accompanied all the great jazz artists passing through Europe... This is one of the first releases by Analogue Productions pressed at their new in-house pressing plant Quality Record Pressings, and the record bears a close resemblance in appearance to records from Pallas - beautiful looking and perfectly quiet... The superb 200 gram LP comes in a rice paper sleeve and jacket of heavy cardboard... Highest Recommendation". Recording = 10/10; Music = 8.5/10 - Dennis D. Davis, Hi-Fi+, Issue 81\r\n \r\n This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe - first in Copenhagen and then in Amsterdam - was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and pianist Montoliu went back a ways, having played together regularly in Webster's Copenhagen days. In fact, Montoliu cited Webster and Don Byas as his two chief musical influences. Webster and Montoliu understood each other deeply, and their comfort with on another is palpable in this recording. Their accompaniment of one another is seamless. On board with these two is Montoliu's regular working trio-mates, Eric Peter on bass and Peer Wyboris on drums. \r\n \r\n There's no shortage of Webster's trademark breathy, fat tenor tone here. In fact, given the sparse arrangement, that rich, humid, giant sax blooms like on few other recordings. Highlights include "Ben's Blues", "Sweet Georgia Brown", "The Man I Love" and "Don't Blame Me".\r\n \r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Ben Webster (tenor saxophone), Eric Peter (bass), Tete Montoliu (piano), Peer Wyboris (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PD3y7GU3gxE" -referenceProduit: "AAPJ 040-45" -titreMorceau: [ [ "nom" => "1. Ben's Blues" "ordre" => 1 ] [ "nom" => "1. Did You Call" "ordre" => 10 ] [ "nom" => "1. My Nephew Bent" "ordre" => 4 ] [ "nom" => "1. Sweet Georgia Brown" "ordre" => 7 ] [ "nom" => "2. Barcelona Shout" "ordre" => 11 ] [ "nom" => "2. Don't Blame Me" "ordre" => 8 ] [ "nom" => "2. How Long Has This Been Going On" "ordre" => 5 ] [ "nom" => "2. The Man I Love" "ordre" => 2 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …} -enregistreLe: DateTime @1478416041 {#2100 : 2016-11-06 07:07:21.0 UTC (+00:00) } -modifierLe: DateTime @1575457274 {#2101 : 2019-12-04 11:01:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-gentle-ben-aapj-040-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3410 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2103 -id: 1068 -nom: "Gentle Ben" -informationComplementaire: "" -description: """ That rich, humid, giant sax tone blooms like on few other Webster recordings.\r\n \r\n Mastered by Kevin Gray at Coherent Audio.\r\n \r\n 200 gram gatefold 45 RPM double LP pressed at Quality Record Pressings !\r\n \r\n Praise for our 33 1/3 version of Gentle Ben\r\n \r\n "The soundstage is intimate and inviting, Webster's horn beautifully captured with sweet, rich overtornes, the bass liquid, chugging, and textured, piano and drums easy and natural. As with each title, the music emerges from QRP's beautifully flat and wonderfully silent surfaces with that much more "there-ness". - Sonics = 4/5; Music = 3.5/5 - Wayne Garcia, The Absolute Sound, January 2013\r\n \r\n "... Webster's trademark sensual sound is on full display and, of course, he's backed by Montoliu, an outstanding Spanish piano veteran who accompanied all the great jazz artists passing through Europe... This is one of the first releases by Analogue Productions pressed at their new in-house pressing plant Quality Record Pressings, and the record bears a close resemblance in appearance to records from Pallas - beautiful looking and perfectly quiet... The superb 200 gram LP comes in a rice paper sleeve and jacket of heavy cardboard... Highest Recommendation". Recording = 10/10; Music = 8.5/10 - Dennis D. Davis, Hi-Fi+, Issue 81\r\n \r\n This recording was made 10 months before Ben Webster's death in 1972. Webster, who had left the United States in 1965 to settle in Europe - first in Copenhagen and then in Amsterdam - was visiting fellow musician and friend Tete Montoliu in Barcelona. Webster and pianist Montoliu went back a ways, having played together regularly in Webster's Copenhagen days. In fact, Montoliu cited Webster and Don Byas as his two chief musical influences. Webster and Montoliu understood each other deeply, and their comfort with on another is palpable in this recording. Their accompaniment of one another is seamless. On board with these two is Montoliu's regular working trio-mates, Eric Peter on bass and Peer Wyboris on drums. \r\n \r\n There's no shortage of Webster's trademark breathy, fat tenor tone here. In fact, given the sparse arrangement, that rich, humid, giant sax blooms like on few other recordings. Highlights include "Ben's Blues", "Sweet Georgia Brown", "The Man I Love" and "Don't Blame Me".\r\n \r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Ben Webster (tenor saxophone), Eric Peter (bass), Tete Montoliu (piano), Peer Wyboris (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=PD3y7GU3gxE" -referenceProduit: "AAPJ 040-45" -titreMorceau: [ [ "nom" => "1. Ben's Blues" "ordre" => 1 ] [ "nom" => "1. Did You Call" "ordre" => 10 ] [ "nom" => "1. My Nephew Bent" "ordre" => 4 ] [ "nom" => "1. Sweet Georgia Brown" "ordre" => 7 ] [ "nom" => "2. Barcelona Shout" "ordre" => 11 ] [ "nom" => "2. Don't Blame Me" "ordre" => 8 ] [ "nom" => "2. How Long Has This Been Going On" "ordre" => 5 ] [ "nom" => "2. The Man I Love" "ordre" => 2 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 3 ] [ "nom" => "Side C :" "ordre" => 6 ] [ "nom" => "Side D :" "ordre" => 9 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2105 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …} -enregistreLe: DateTime @1478416041 {#2100 : 2016-11-06 07:07:21.0 UTC (+00:00) } -modifierLe: DateTime @1575457274 {#2101 : 2019-12-04 11:01:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-gentle-ben-aapj-040-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2119 -id: 766 -nom: "Plays The Blues For You" -informationComplementaire: "" -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG" -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=kavKbLCm870" -referenceProduit: "Pure Pleasure Records PPAN 020" -titreMorceau: [ [ "nom" => "1. Cadillac Assembly Line" "ordre" => 7 ] [ "nom" => "1. Talking To Anna-Mae (Part 1)" "ordre" => 1 ] [ "nom" => "2. T.V. Mama" "ordre" => 2 ] [ "nom" => "2. Voodoo Daddy" "ordre" => 8 ] [ "nom" => "3. I’ll Play The Blues For You" "ordre" => 3 ] [ "nom" => "3. Talking To Anna-Mae (Part 2)" "ordre" => 9 ] [ "nom" => "4. Born To Lose" "ordre" => 4 ] [ "nom" => "4. Groovin’ In Paris" "ordre" => 10 ] [ "nom" => "5. Tribute To Wes" "ordre" => 5 ] [ "nom" => "SIDE A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1436 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …} -enregistreLe: DateTime @1428040932 {#2116 : 2015-04-03 06:02:12.0 UTC (+00:00) } -modifierLe: DateTime @1575358617 {#2117 : 2019-12-03 07:36:57.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-plays-the-blues-for-you-pure-pleasure-records-ppan-020" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3461 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2119 -id: 766 -nom: "Plays The Blues For You" -informationComplementaire: "" -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG" -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=kavKbLCm870" -referenceProduit: "Pure Pleasure Records PPAN 020" -titreMorceau: [ [ "nom" => "1. Cadillac Assembly Line" "ordre" => 7 ] [ "nom" => "1. Talking To Anna-Mae (Part 1)" "ordre" => 1 ] [ "nom" => "2. T.V. Mama" "ordre" => 2 ] [ "nom" => "2. Voodoo Daddy" "ordre" => 8 ] [ "nom" => "3. I’ll Play The Blues For You" "ordre" => 3 ] [ "nom" => "3. Talking To Anna-Mae (Part 2)" "ordre" => 9 ] [ "nom" => "4. Born To Lose" "ordre" => 4 ] [ "nom" => "4. Groovin’ In Paris" "ordre" => 10 ] [ "nom" => "5. Tribute To Wes" "ordre" => 5 ] [ "nom" => "SIDE A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1436 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …} -enregistreLe: DateTime @1428040932 {#2116 : 2015-04-03 06:02:12.0 UTC (+00:00) } -modifierLe: DateTime @1575358617 {#2117 : 2019-12-03 07:36:57.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-plays-the-blues-for-you-pure-pleasure-records-ppan-020" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2138 -id: 780 -nom: "Ao Vivo" -informationComplementaire: "" -description: """ Marcos Valle celebrates his 50th career anniversary as a songwriter, arranger, instrumentalist and singer with Stacey Kent's sweet American voice. Recorded at Miranda, in Rio de Janeiro, the performances here also have the special participation of Jim Tomlinson on saxophone. Each track on this LP presents an aspect of Marcos Valle's various musical facets, mixing genres and rhythms, placing Pop, Jazz, Bossa Nova, World Music, and MPB music side by side. Stacey Kent, one of the most prominent jazz singers in the world, lends her voice to songs like "Summer Samba (Samba de Verão)", "If You Went Away (Preciso Aprender a Ser Só)", "The Face I Love (Seu Encanto)", "Look Who's Mine (Dia de Vitória)", and many other of Marcos' classics.\r\n \r\n The voices of Valle and Kent are accompanied by Marcos' acoustic piano and by the band composed by Jessé Sadoc (with his trumpet and flugelhorn), Marcelo Martins (with his sax and flute), Aldivas Ayres (on the trombone), Luiz Brasil (on the guitar), Alberto Continentino (on the acoustic bass), and Renato "Massa" Calmon (on the drums). Highly recommended. \r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Marcos Valle (piano, vocals), Stacey Kent (vocals), Jessé Sadoc (trumpet, flugelhorn), Marcelo Martins (saxophone, flute), Aldivas Ayres (trombone), Luiz Brasil (guitar), Alberto Continentino (acoustic bass), Renato “Massa” Calmon (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=0OSHbfQxeyU" -referenceProduit: "Pure Pleasure Records PPAN 20092" -titreMorceau: [ [ "nom" => "1. Batucada Surgiu" "ordre" => 11 ] [ "nom" => "1. Drift Away" "ordre" => 6 ] [ "nom" => "1. Pigmaliao 70" "ordre" => 15 ] [ "nom" => "1. The White Puma" "ordre" => 1 ] [ "nom" => "2. La Petite Valse" "ordre" => 12 ] [ "nom" => "2. Look Who's Mine" "ordre" => 2 ] [ "nom" => "2. Summer Samba" "ordre" => 7 ] [ "nom" => "2. The Crickets" "ordre" => 16 ] [ "nom" => "3. Gente" "ordre" => 8 ] [ "nom" => "3. If You Went Away" "ordre" => 13 ] [ "nom" => "3. She Told Me, She Told Me" "ordre" => 17 ] [ "nom" => "3. The Face I Love" "ordre" => 3 ] [ "nom" => "4. My Nightingale" "ordre" => 18 ] [ "nom" => "4. Passa por Mim" "ordre" => 9 ] [ "nom" => "4. The Answer" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 10 ] [ "nom" => "Side D :" "ordre" => 14 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2149 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2142 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2144 …} -enregistreLe: DateTime @1431726319 {#2135 : 2015-05-15 21:45:19.0 UTC (+00:00) } -modifierLe: DateTime @1575307207 {#2136 : 2019-12-02 17:20:07.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2146 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ao-vivo-pure-pleasure-records-ppan-20092" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3512 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2138 -id: 780 -nom: "Ao Vivo" -informationComplementaire: "" -description: """ Marcos Valle celebrates his 50th career anniversary as a songwriter, arranger, instrumentalist and singer with Stacey Kent's sweet American voice. Recorded at Miranda, in Rio de Janeiro, the performances here also have the special participation of Jim Tomlinson on saxophone. Each track on this LP presents an aspect of Marcos Valle's various musical facets, mixing genres and rhythms, placing Pop, Jazz, Bossa Nova, World Music, and MPB music side by side. Stacey Kent, one of the most prominent jazz singers in the world, lends her voice to songs like "Summer Samba (Samba de Verão)", "If You Went Away (Preciso Aprender a Ser Só)", "The Face I Love (Seu Encanto)", "Look Who's Mine (Dia de Vitória)", and many other of Marcos' classics.\r\n \r\n The voices of Valle and Kent are accompanied by Marcos' acoustic piano and by the band composed by Jessé Sadoc (with his trumpet and flugelhorn), Marcelo Martins (with his sax and flute), Aldivas Ayres (on the trombone), Luiz Brasil (on the guitar), Alberto Continentino (on the acoustic bass), and Renato "Massa" Calmon (on the drums). Highly recommended. \r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Marcos Valle (piano, vocals), Stacey Kent (vocals), Jessé Sadoc (trumpet, flugelhorn), Marcelo Martins (saxophone, flute), Aldivas Ayres (trombone), Luiz Brasil (guitar), Alberto Continentino (acoustic bass), Renato “Massa” Calmon (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=0OSHbfQxeyU" -referenceProduit: "Pure Pleasure Records PPAN 20092" -titreMorceau: [ [ "nom" => "1. Batucada Surgiu" "ordre" => 11 ] [ "nom" => "1. Drift Away" "ordre" => 6 ] [ "nom" => "1. Pigmaliao 70" "ordre" => 15 ] [ "nom" => "1. The White Puma" "ordre" => 1 ] [ "nom" => "2. La Petite Valse" "ordre" => 12 ] [ "nom" => "2. Look Who's Mine" "ordre" => 2 ] [ "nom" => "2. Summer Samba" "ordre" => 7 ] [ "nom" => "2. The Crickets" "ordre" => 16 ] [ "nom" => "3. Gente" "ordre" => 8 ] [ "nom" => "3. If You Went Away" "ordre" => 13 ] [ "nom" => "3. She Told Me, She Told Me" "ordre" => 17 ] [ "nom" => "3. The Face I Love" "ordre" => 3 ] [ "nom" => "4. My Nightingale" "ordre" => 18 ] [ "nom" => "4. Passa por Mim" "ordre" => 9 ] [ "nom" => "4. The Answer" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 5 ] [ "nom" => "Side C : " "ordre" => 10 ] [ "nom" => "Side D :" "ordre" => 14 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2140 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2149 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2142 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2144 …} -enregistreLe: DateTime @1431726319 {#2135 : 2015-05-15 21:45:19.0 UTC (+00:00) } -modifierLe: DateTime @1575307207 {#2136 : 2019-12-02 17:20:07.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2146 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-ao-vivo-pure-pleasure-records-ppan-20092" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2154 -id: 686 -nom: "East Coasting By Charles Mingus" -informationComplementaire: "" -description: """ Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n \r\n "East Coasting" sounds like the prototypical 1950s jazz recording. It's something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. It's what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly to young people who have just been blown away by Kerouac's novel "On the Road" and have become interested in exploring Jazz. "East Coasting" will allow them to get a taste of lost creative America. - S. Wynn\r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Charles Mingus (bass), Clarence Shaw (trumpet), Jimmy Knepper (trombone), Shafi Hadi (tenor & alto saxophone), Bill Evans (piano), Dannie Richmond (drums) " -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JZIAyh6yiK0" -referenceProduit: "Pure Pleasure Records PPAN BCP 6019" -titreMorceau: [ [ "nom" => "1. Celia" "ordre" => 5 ] [ "nom" => "1. Memories Of You" "ordre" => 1 ] [ "nom" => "2. Conversation" "ordre" => 6 ] [ "nom" => "2. East Coasting" "ordre" => 2 ] [ "nom" => "3. Fifty-First Street Blues" "ordre" => 7 ] [ "nom" => "3. West Coast Ghost" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …} -enregistreLe: DateTime @1403453535 {#2151 : 2014-06-22 16:12:15.0 UTC (+00:00) } -modifierLe: DateTime @1575272094 {#2152 : 2019-12-02 07:34:54.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-east-coasting-by-charles-mingus-pure-pleasure-records-ppan-bcp-6019" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3563 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2154 -id: 686 -nom: "East Coasting By Charles Mingus" -informationComplementaire: "" -description: """ Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n \r\n "East Coasting" sounds like the prototypical 1950s jazz recording. It's something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. It's what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly to young people who have just been blown away by Kerouac's novel "On the Road" and have become interested in exploring Jazz. "East Coasting" will allow them to get a taste of lost creative America. - S. Wynn\r\n \r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Charles Mingus (bass), Clarence Shaw (trumpet), Jimmy Knepper (trombone), Shafi Hadi (tenor & alto saxophone), Bill Evans (piano), Dannie Richmond (drums) " -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JZIAyh6yiK0" -referenceProduit: "Pure Pleasure Records PPAN BCP 6019" -titreMorceau: [ [ "nom" => "1. Celia" "ordre" => 5 ] [ "nom" => "1. Memories Of You" "ordre" => 1 ] [ "nom" => "2. Conversation" "ordre" => 6 ] [ "nom" => "2. East Coasting" "ordre" => 2 ] [ "nom" => "3. Fifty-First Street Blues" "ordre" => 7 ] [ "nom" => "3. West Coast Ghost" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2165 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2158 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2160 …} -enregistreLe: DateTime @1403453535 {#2151 : 2014-06-22 16:12:15.0 UTC (+00:00) } -modifierLe: DateTime @1575272094 {#2152 : 2019-12-02 07:34:54.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2162 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-east-coasting-by-charles-mingus-pure-pleasure-records-ppan-bcp-6019" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2170 -id: 642 -nom: "The Lowdown Back Porch Blues" -informationComplementaire: "" -description: """ The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n \r\n One of these artists is Louisiana Red. Formerly known as Iverson Minter, he survived a devastating childhood (Red’s mother died of pneumonia and his father was lynched by the Klu Klux Klan in Alabama) to make his mark on the blues scene. After a stint in the army he joined the legions of blues men who emigrated north to begin a new life. He briefly played with John Lee Hooker before getting an audition with Roulette Records. His trademark guitar/harmonica and vocals extended his recording and performance stature for decades.\r\n \r\n Pure Pleasure Records has re-issued his 1963 debut, Lowdown, Back Porch Blues on 180-gram vinyl. Performing a mix of traditional and original (although there are some ‘dubious” songwriting credits) compositions, Louisiana Red is backed by a bassist (Karl Lynch) and drummer (Panama Francis). Side One gets off to a rowdy start with the self-introductory gem, “Red’s Blues”. There is a socio-political narrative to the song, but it includes a touch of humor. Red’s vocals and guitar are emotive. The blues framework is standard, updating Delta blues in Chicago hooks. “Working Man’s Blues” examines the hardship of balancing hard work and blues music. A certain highlight is the autobiographical “I’m Louisiana Red”. The jam is anchored by a rolling bass line and recounts life in Vicksburg (…”142 in the shade, 162 in the house…”). The listener is treated to a cross section of material, both lowdown (“Sweet Aleese”) and unadulterated, up tempo mojo (“Keep Your Hands Off My Woman”).\r\n \r\n Side Two opens with another disdainful commentary (“Ride On Red, Ride On”) on Southern dysfunction. Louisiana Red, with a harmonica-fueled lead, celebrates “life above the Mason-Dixon line”. This artist is more specific and topical than his peers. His vocals demonstrate a unique, idiosyncratic phrasing with occasional modulation. He refers to himself in both the first and third person, especially on “I Wonder Who”. The re-mastered vinyl captures the fluid tonality of Louisiana Red’s unique voice. All of the grittiness is present, but with very limited distortion, especially on electric guitar. The rhythm section is mixed well and provides a bottom anchor to the recording. The Lowdown Back Porch Blues should be part of any blues collection. - Robbie Gerson\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Louisiana Red (guitars, harmonica, vocals) Karl Lynch (bass), Panama Francis (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-di0ej2N2bg" -referenceProduit: "Pure Pleasure Records R 25200" -titreMorceau: [ [ "nom" => "1. Red's Dream" "ordre" => 1 ] [ "nom" => "10. Sad News" "ordre" => 11 ] [ "nom" => "11. Two Fifty Three" "ordre" => 12 ] [ "nom" => "12. Don't Cry" "ordre" => 13 ] [ "nom" => "2. Working Man Blues" "ordre" => 2 ] [ "nom" => "3. I'm Louisiana Red" "ordre" => 3 ] [ "nom" => "4. Sweet Aleese" "ordre" => 4 ] [ "nom" => "5. Keep Your Hands Off My Woman" "ordre" => 5 ] [ "nom" => "6. I'm A Roaming Stranger" "ordre" => 6 ] [ "nom" => "7. Ride On Red, Ride On" "ordre" => 8 ] [ "nom" => "8. I Wonder Who" "ordre" => 9 ] [ "nom" => "9. The Seventh Son" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1436 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …} -enregistreLe: DateTime @1375684080 {#2167 : 2013-08-05 06:28:00.0 UTC (+00:00) } -modifierLe: DateTime @1575103752 {#2168 : 2019-11-30 08:49:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-lowdown-back-porch-blues-pure-pleasure-records-r-25200" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3614 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2170 -id: 642 -nom: "The Lowdown Back Porch Blues" -informationComplementaire: "" -description: """ The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n \r\n One of these artists is Louisiana Red. Formerly known as Iverson Minter, he survived a devastating childhood (Red’s mother died of pneumonia and his father was lynched by the Klu Klux Klan in Alabama) to make his mark on the blues scene. After a stint in the army he joined the legions of blues men who emigrated north to begin a new life. He briefly played with John Lee Hooker before getting an audition with Roulette Records. His trademark guitar/harmonica and vocals extended his recording and performance stature for decades.\r\n \r\n Pure Pleasure Records has re-issued his 1963 debut, Lowdown, Back Porch Blues on 180-gram vinyl. Performing a mix of traditional and original (although there are some ‘dubious” songwriting credits) compositions, Louisiana Red is backed by a bassist (Karl Lynch) and drummer (Panama Francis). Side One gets off to a rowdy start with the self-introductory gem, “Red’s Blues”. There is a socio-political narrative to the song, but it includes a touch of humor. Red’s vocals and guitar are emotive. The blues framework is standard, updating Delta blues in Chicago hooks. “Working Man’s Blues” examines the hardship of balancing hard work and blues music. A certain highlight is the autobiographical “I’m Louisiana Red”. The jam is anchored by a rolling bass line and recounts life in Vicksburg (…”142 in the shade, 162 in the house…”). The listener is treated to a cross section of material, both lowdown (“Sweet Aleese”) and unadulterated, up tempo mojo (“Keep Your Hands Off My Woman”).\r\n \r\n Side Two opens with another disdainful commentary (“Ride On Red, Ride On”) on Southern dysfunction. Louisiana Red, with a harmonica-fueled lead, celebrates “life above the Mason-Dixon line”. This artist is more specific and topical than his peers. His vocals demonstrate a unique, idiosyncratic phrasing with occasional modulation. He refers to himself in both the first and third person, especially on “I Wonder Who”. The re-mastered vinyl captures the fluid tonality of Louisiana Red’s unique voice. All of the grittiness is present, but with very limited distortion, especially on electric guitar. The rhythm section is mixed well and provides a bottom anchor to the recording. The Lowdown Back Porch Blues should be part of any blues collection. - Robbie Gerson\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Louisiana Red (guitars, harmonica, vocals) Karl Lynch (bass), Panama Francis (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-di0ej2N2bg" -referenceProduit: "Pure Pleasure Records R 25200" -titreMorceau: [ [ "nom" => "1. Red's Dream" "ordre" => 1 ] [ "nom" => "10. Sad News" "ordre" => 11 ] [ "nom" => "11. Two Fifty Three" "ordre" => 12 ] [ "nom" => "12. Don't Cry" "ordre" => 13 ] [ "nom" => "2. Working Man Blues" "ordre" => 2 ] [ "nom" => "3. I'm Louisiana Red" "ordre" => 3 ] [ "nom" => "4. Sweet Aleese" "ordre" => 4 ] [ "nom" => "5. Keep Your Hands Off My Woman" "ordre" => 5 ] [ "nom" => "6. I'm A Roaming Stranger" "ordre" => 6 ] [ "nom" => "7. Ride On Red, Ride On" "ordre" => 8 ] [ "nom" => "8. I Wonder Who" "ordre" => 9 ] [ "nom" => "9. The Seventh Son" "ordre" => 10 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2172 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1436 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2181 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2174 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2176 …} -enregistreLe: DateTime @1375684080 {#2167 : 2013-08-05 06:28:00.0 UTC (+00:00) } -modifierLe: DateTime @1575103752 {#2168 : 2019-11-30 08:49:12.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2178 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-the-lowdown-back-porch-blues-pure-pleasure-records-r-25200" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2186 -id: 634 -nom: "Let Yourself Go" -informationComplementaire: "" -description: """ "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n \r\n There's nothing over dramatic on this album. No gimmicks, just a voice as engaging as any on the scene conveying the meaning of a melody in the tradition of the person she is honoring, the inestimable Astaire.\r\n \r\n Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of "Isn't This a Lovely Day" and "They Can't Take That Away From Me", where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. \r\n \r\n There's nothing frenetic here. "S'Wonderful", usually performed at a fast pace, gets a languid, medium tempo treatment with Newton's piano, an effortlessly lilting Colin Oxley guitar and Jim Tomlinson's tenor sharing the mike with Kent. "A Fine Romance" is about as upbeat as it gets, with Oxley's cleaned line guitar setting the pace. Newton engages in a bit of Erroll Garner-like humming during his solo on this tune. Tomlinson's romantic tenor is featured on "Let Yourself Go" and "They All Laughed". On "One for My Baby", he brings out his clarinet, using the middle register to help create the proper melancholy mood for this definitive 'drowning my sorrows in booze' tune. \r\n \r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor & alto saxophone, clarinet), Colin Oxley (guitar), David Newton (piano, keyboards), Simon Thorpe (bass), Steve Brown (drums) " -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-bfXHRQtpoI" -referenceProduit: "Pure Pleasure Records PPAN CJS 9764" -titreMorceau: [ [ "nom" => "1. A Fine Romance" "ordre" => 13 ] [ "nom" => "1. Isn't This A Lovely Day ?" "ordre" => 5 ] [ "nom" => "1. Let Yourself Go" "ordre" => 1 ] [ "nom" => "1. Shall We Dance ?" "ordre" => 9 ] [ "nom" => "2. I Guess I'll Have To Change My Plan" "ordre" => 14 ] [ "nom" => "2. One For My Baby (And One More For The Road)" "ordre" => 10 ] [ "nom" => "2. They All Laughed" "ordre" => 6 ] [ "nom" => "2. They Can't Take That Away From Me" "ordre" => 2 ] [ "nom" => "3. He Loves And She Loves" "ordre" => 7 ] [ "nom" => "3. I Won't Dance" "ordre" => 3 ] [ "nom" => "3. I'm Putting All My Eggs In One Basket" "ordre" => 15 ] [ "nom" => "3. s' Wonderful" "ordre" => 11 ] [ "nom" => "4. By Myself" "ordre" => 16 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …} -enregistreLe: DateTime @1371105154 {#2183 : 2013-06-13 06:32:34.0 UTC (+00:00) } -modifierLe: DateTime @1574923557 {#2184 : 2019-11-28 06:45:57.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-let-yourself-go-pure-pleasure-records-ppan-cjs-9764" } "detaillePage" => false ] |
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| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3665 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2186 -id: 634 -nom: "Let Yourself Go" -informationComplementaire: "" -description: """ "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n \r\n There's nothing over dramatic on this album. No gimmicks, just a voice as engaging as any on the scene conveying the meaning of a melody in the tradition of the person she is honoring, the inestimable Astaire.\r\n \r\n Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of "Isn't This a Lovely Day" and "They Can't Take That Away From Me", where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. \r\n \r\n There's nothing frenetic here. "S'Wonderful", usually performed at a fast pace, gets a languid, medium tempo treatment with Newton's piano, an effortlessly lilting Colin Oxley guitar and Jim Tomlinson's tenor sharing the mike with Kent. "A Fine Romance" is about as upbeat as it gets, with Oxley's cleaned line guitar setting the pace. Newton engages in a bit of Erroll Garner-like humming during his solo on this tune. Tomlinson's romantic tenor is featured on "Let Yourself Go" and "They All Laughed". On "One for My Baby", he brings out his clarinet, using the middle register to help create the proper melancholy mood for this definitive 'drowning my sorrows in booze' tune. \r\n \r\n """ -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Stacey Kent (vocals), Jim Tomlinson (tenor & alto saxophone, clarinet), Colin Oxley (guitar), David Newton (piano, keyboards), Simon Thorpe (bass), Steve Brown (drums) " -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=-bfXHRQtpoI" -referenceProduit: "Pure Pleasure Records PPAN CJS 9764" -titreMorceau: [ [ "nom" => "1. A Fine Romance" "ordre" => 13 ] [ "nom" => "1. Isn't This A Lovely Day ?" "ordre" => 5 ] [ "nom" => "1. Let Yourself Go" "ordre" => 1 ] [ "nom" => "1. Shall We Dance ?" "ordre" => 9 ] [ "nom" => "2. I Guess I'll Have To Change My Plan" "ordre" => 14 ] [ "nom" => "2. One For My Baby (And One More For The Road)" "ordre" => 10 ] [ "nom" => "2. They All Laughed" "ordre" => 6 ] [ "nom" => "2. They Can't Take That Away From Me" "ordre" => 2 ] [ "nom" => "3. He Loves And She Loves" "ordre" => 7 ] [ "nom" => "3. I Won't Dance" "ordre" => 3 ] [ "nom" => "3. I'm Putting All My Eggs In One Basket" "ordre" => 15 ] [ "nom" => "3. s' Wonderful" "ordre" => 11 ] [ "nom" => "4. By Myself" "ordre" => 16 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 4 ] [ "nom" => "Side C : " "ordre" => 8 ] [ "nom" => "Side D : " "ordre" => 12 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2188 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …} -enregistreLe: DateTime @1371105154 {#2183 : 2013-06-13 06:32:34.0 UTC (+00:00) } -modifierLe: DateTime @1574923557 {#2184 : 2019-11-28 06:45:57.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-let-yourself-go-pure-pleasure-records-ppan-cjs-9764" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.34 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2202 -id: 539 -nom: "Explores Your Mind" -informationComplementaire: "" -description: """ By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n \r\n "Take Me to the River", with perfect backing from Hi Rhythm and a horn and string arrangement, finds Green at his most persuasive. The last track, "School Days", has Green longing for a school girlfriend and despite the potentially sappy sentiment, it works like a charm. The greatness of Al Green Explores Your Mind comes from a collective effort, including James Mitchell's dreamlike string arrangements and the always skilled backing vocals of Rhodes, Chalmers & Rhodes. But the biggest draw here is Green's phrasing and intimate vocals, making the record an extremely strong effort.\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Andrew Love, Ed Logan (tenor sax), James Mitchell (baritone sax), Jack Hale (trombone), Howard Grimes (drums, congas, bongos), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar),..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=KURTpEdnDo4" -referenceProduit: "Pure Pleasure Records PPAN SHL 32087" -titreMorceau: [ [ "nom" => "1. I'm Hooked On You" "ordre" => 7 ] [ "nom" => "1. Sha-La-La (Make Me Happy)" "ordre" => 1 ] [ "nom" => "2. Stay With Me Forever" "ordre" => 8 ] [ "nom" => "2. Take Me To The River" "ordre" => 2 ] [ "nom" => "3. God Blessed Our Love" "ordre" => 3 ] [ "nom" => "3. Hangin' On" "ordre" => 9 ] [ "nom" => "4. School Days" "ordre" => 10 ] [ "nom" => "4. The City" "ordre" => 4 ] [ "nom" => "5. One Nite Stand" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …} -enregistreLe: DateTime @1346529774 {#2199 : 2012-09-01 20:02:54.0 UTC (+00:00) } -modifierLe: DateTime @1574695946 {#2200 : 2019-11-25 15:32:26.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-explores-your-mind-pure-pleasure-records-ppan-shl-32087" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3716 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2202 -id: 539 -nom: "Explores Your Mind" -informationComplementaire: "" -description: """ By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n \r\n "Take Me to the River", with perfect backing from Hi Rhythm and a horn and string arrangement, finds Green at his most persuasive. The last track, "School Days", has Green longing for a school girlfriend and despite the potentially sappy sentiment, it works like a charm. The greatness of Al Green Explores Your Mind comes from a collective effort, including James Mitchell's dreamlike string arrangements and the always skilled backing vocals of Rhodes, Chalmers & Rhodes. But the biggest draw here is Green's phrasing and intimate vocals, making the record an extremely strong effort.\r\n """ -prixVente: "34.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …} -musicienOrchestre: "Al Green (vocals), Wayne Jackson (trumpet), Andrew Love, Ed Logan (tenor sax), James Mitchell (baritone sax), Jack Hale (trombone), Howard Grimes (drums, congas, bongos), Leroy Hodges (bass), Charles Hodges (keyboards), Mabon "Teenie" Hodges (guitar),..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=KURTpEdnDo4" -referenceProduit: "Pure Pleasure Records PPAN SHL 32087" -titreMorceau: [ [ "nom" => "1. I'm Hooked On You" "ordre" => 7 ] [ "nom" => "1. Sha-La-La (Make Me Happy)" "ordre" => 1 ] [ "nom" => "2. Stay With Me Forever" "ordre" => 8 ] [ "nom" => "2. Take Me To The River" "ordre" => 2 ] [ "nom" => "3. God Blessed Our Love" "ordre" => 3 ] [ "nom" => "3. Hangin' On" "ordre" => 9 ] [ "nom" => "4. School Days" "ordre" => 10 ] [ "nom" => "4. The City" "ordre" => 4 ] [ "nom" => "5. One Nite Stand" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2204 …} -label: Proxies\__CG__\App\Entity\Label {#2124 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2213 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2206 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2208 …} -enregistreLe: DateTime @1346529774 {#2199 : 2012-09-01 20:02:54.0 UTC (+00:00) } -modifierLe: DateTime @1574695946 {#2200 : 2019-11-25 15:32:26.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2210 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-explores-your-mind-pure-pleasure-records-ppan-shl-32087" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.25 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3917 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3918 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3966 …} +isValidated: false +validatedFields: [] } |
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