Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2245
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2322
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2325 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
  -formView: Symfony\Component\Form\FormView {#2493 …}
  -form: Symfony\Component\Form\Form {#2577 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1541
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1640 …}
    -label: Proxies\__CG__\App\Entity\Label {#1663 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1693 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1714 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1754 …}
    -enregistreLe: DateTime @1775114076 {#1403
      date: 2026-04-02 07:14:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114466 {#1546
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1760 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2787
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1541
    -id: 3038
    -nom: "Thelonious Alone In San Francisco"
    -informationComplementaire: "Seul au piano, Thelonious Monk réinvente le silence et transforme chaque note en émotion brute. "Thelonious Alone in San Francisco", c’est le jazz à l’état pur,  intime, audacieux, inoubliable."
    -description: """
      Thelonious Alone in San Francisco est un album emblématique du pianiste et compositeur Thelonious Monk, enregistré en 1959. Entièrement en solo, cet enregistrement capture Monk dans sa forme la plus pure, seul face au piano, sans accompagnement, laissant pleinement s’exprimer son univers singulier.\r\n
      \r\n
      À travers des interprétations dépouillées de ses propres compositions comme "’Round Midnight, Blue Monk ou Ruby, My Dear" l’artiste explore les silences, les dissonances et les rythmes inattendus qui définissent son style. Chaque note semble suspendue, chaque pause devient un élément musical à part entière.\r\n
      \r\n
      Cet album offre une plongée intime dans l’esprit de Monk, révélant à la fois sa rigueur, sa liberté et son génie créatif. Une œuvre essentielle pour comprendre l’essence du jazz moderne.\r\n
      \r\n
      - Thelonious Monk "Thelonious Alone In San Francisco" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - All-analog mastering from the original tapes by Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in Stoughton Printing tip-on jackets with Obi strip !\r\n
      \r\n
      Thelonious Alone In San Francisco is the third solo album from legendary jazz pianist Thelonious Monk, following Piano Solo and Thelonious Himself. Recorded at Fugazi Hall without a live audience the album was recorded in October 1959. This new edition of the album is released as part of the Original Jazz Classics Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Thelonious Monk (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0eGALf5Rp1M&list=RD0eGALf5Rp1M&start_radio=1"
    -referenceProduit: "Concord Craft Recording CR 00948"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Monk"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ruby, My Dear"
      ]
      [
        "ordre" => 3
        "nom" => "3. Round Lights"
      ]
      [
        "ordre" => 4
        "nom" => "4. Everything Happens To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Took The Words Right Out Of My Heart "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Bluehawk"
      ]
      [
        "ordre" => 8
        "nom" => "2. Pannonica"
      ]
      [
        "ordre" => 9
        "nom" => "3. Remember"
      ]
      [
        "ordre" => 10
        "nom" => "4. There's Danger In Your Eyes, Cherie"
      ]
      [
        "ordre" => 11
        "nom" => "5. Reflections"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1640 …}
    -label: Proxies\__CG__\App\Entity\Label {#1663 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1693 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1714 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1754 …}
    -enregistreLe: DateTime @1775114076 {#1403
      date: 2026-04-02 07:14:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775114466 {#1546
      date: 2026-04-02 07:21:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1760 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thelonious-alone-in-san-francisco-concord-craft-recording-cr-00948"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
}

[
  "produit" => App\Entity\Produit {#1775
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mother Ship"
      ]
      [
        "ordre" => 2
        "nom" => "2. Street Scene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Visions "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Trip Merchant"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love Drops"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1780 …}
    -label: Proxies\__CG__\App\Entity\Label {#1783 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1785 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1787 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1789 …}
    -enregistreLe: DateTime @1771778468 {#1763
      date: 2026-02-22 16:41:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775115455 {#1766
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1791 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2910
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1775
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mother Ship"
      ]
      [
        "ordre" => 2
        "nom" => "2. Street Scene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Visions "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Trip Merchant"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love Drops"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
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[
  "produit" => App\Entity\Produit {#1796
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
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App\Twig\Components\GestionPanierFavoriComponents {#2968
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  +produit: App\Entity\Produit {#1796
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1798 …}
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      date: 2026-04-02 07:28:56.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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[
  "produit" => App\Entity\Produit {#1811
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Riverside"
      ]
      [
        "ordre" => 2
        "nom" => "2. Sandman"
      ]
      [
        "ordre" => 3
        "nom" => "3. Three Roses "
      ]
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        "nom" => "1. Children"
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        "nom" => "3. Never Found The Time "
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        "nom" => "1. Clarice"
      ]
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        "nom" => "2. Donkey Jaw"
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        "nom" => "3. Pigeon Song"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1813 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3026
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1811
    -id: 2969
    -nom: "America (2 LP) 45 RPM"
    -informationComplementaire: "Entre grands espaces et rêveries solitaires, "America" vous invite à un voyage hors du temps. Porté par des harmonies envoûtantes et une douceur folk inimitable, cet album culte capture l’essence d’une époque en quête de liberté."
    -description: """
      Sorti en 1971, "America" est le premier album du trio folk-rock du même nom. Porté par des harmonies vocales douces et des mélodies épurées, cet opus incarne parfaitement l’esprit du début des années 70, une quête de liberté, d’introspection et d’évasion.\r\n
      \r\n
      L’album s’inscrit dans la lignée du folk américain, tout en y apportant une sensibilité pop accessible et atmosphérique. Les guitares acoustiques dominent, soutenues par des arrangements subtils qui laissent respirer les morceaux.\r\n
      \r\n
      Le titre emblématique "A Horse with No Name" a largement contribué au succès du disque. Avec son ambiance hypnotique et désertique, il est devenu un classique intemporel. D’autres morceaux comme "I Need You" ou "Sandman" renforcent cette atmosphère contemplative et mélancolique.\r\n
      \r\n
      Ce premier album impose immédiatement la signature sonore d’America, une musique à la fois simple, élégante et profondément évocatrice.\r\n
      \r\n
      - America "America" !\r\n
      - 1971 Classic defined a generation !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When America released their self-titled album debut in the U.S. in January 1972, few could have predicted just how perfectly this young trio would capture the sound of an era. With shimmering acoustic guitars, golden harmonies, and songs that seemed tailor-made for open highways and endless skies, America became one of the defining folk-rock albums of the 1970s.\r\n
      \r\n
      From the instantly recognizable strum of "A Horse with No Name" to the wistful beauty of "I Need You" and "Sandman", this is the album that launched the band's career and helped set the tone for the decade's laid-back West Coast sound. It's a record that feels both intimate and expansive, full of youthful wonder and a timeless sense of melody.\r\n
      \r\n
      America earned the band a Grammy Award for Best New Artist, went multi-platinum, and remains a touchstone for generations of songwriters and listeners alike. Collectors continue to prize early pressings for their warmth and musicality and now, this definitive audiophile edition delivers the album with greater depth, detail, and realism than ever before.\r\n
      \r\n
      Cut from the original tape with meticulous care by Matthew Lutthans at The Mastering Lab, and pressed on ultra-quiet, perfectly flat vinyl by Quality Record Pressings, America has never sounded so alive. Every guitar shimmer, every breath of harmony, every heartbeat of Dewey Bunnell, Gerry Beckley, and Dan Peek's chemistry is restored with breathtaking clarity.\r\n
      \r\n
      America is a cornerstone of early '70s acoustic rock. It's evergreen magic, lovingly revived.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Dewey Bunnell (guitars, lead vocals), Gerry Beckley (guitars, keyboards, bass, vocals), Dan Peek (guitar, bass, keyboards, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=mSZXWdKSQNM&list=PLJfwklRIOOp2L9C87C0H-9qSZYYiOQtRS&index=5"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 001-45"
    -titreMorceau: [
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        "nom" => "1. Riverside"
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        "ordre" => 2
        "nom" => "2. Sandman"
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        "nom" => "3. Three Roses "
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Children"
      ]
      [
        "ordre" => 6
        "nom" => "2. A Horse With No Name"
      ]
      [
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        "nom" => "3. Here "
      ]
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        "nom" => "Side C :"
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        "nom" => "1. I Need You"
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        "nom" => "2. Rainy Day"
      ]
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        "nom" => "3. Never Found The Time "
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Clarice"
      ]
      [
        "ordre" => 14
        "nom" => "2. Donkey Jaw"
      ]
      [
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        "nom" => "3. Pigeon Song"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1813 …}
    -label: Proxies\__CG__\App\Entity\Label {#1816 …}
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[
  "produit" => App\Entity\Produit {#1832
    -id: 2964
    -nom: "Breezin' (2 LP) 45 RPM"
    -informationComplementaire: "Avec "Breezin’", George Benson redéfinit les codes du jazz en y insufflant une élégance soul et une modernité irrésistible. Entre virtuosité et légèreté, chaque note glisse avec fluidité pour créer une ambiance à la fois chic, apaisante et intemporelle."
    -description: """
      Sorti en 1976, "Breezin'" marque un tournant majeur dans la carrière de George Benson, guitariste virtuose issu du jazz traditionnel. Avec cet album, il franchit une étape décisive en mêlant habilement jazz, funk et soul, tout en s’ouvrant à un public plus large.\r\n
      \r\n
      Produit par Tommy LiPuma et porté par une production soignée, "Breezin’" séduit par son atmosphère fluide, chaleureuse et accessible. L’album se distingue notamment par des morceaux emblématiques comme "This Masquerade", où la voix douce de Benson accompagne son jeu de guitare d’une précision remarquable.\r\n
      \r\n
      Loin des démonstrations techniques parfois austères du jazz pur, "Breezin’" privilégie la musicalité, le groove et l’émotion, offrant une expérience d’écoute à la fois raffinée et détendue. Ce subtil équilibre en fait un classique incontournable du jazz fusion et du smooth jazz.\r\n
      \r\n
      Récompensé par plusieurs Grammy Awards, dont celui de l’enregistrement de l’année, l’album a contribué à populariser le jazz auprès du grand public et reste aujourd’hui une référence absolue du genre.\r\n
      \r\n
      - George Benson "Breezin'" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.\r\n
      \r\n
      With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace.  It not only was a Billboard Jazz Albums chart-topper but also went to N° 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.\r\n
      \r\n
      The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade", while earning multiple nominations, including for Album and Song of the Year an unprecedented feat for a jazz guitarist.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove.\r\n
      \r\n
      Breezin' isn't just a smooth jazz cornerstone it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "George Benson (guitar, vocals), Phil Upchurch (rhythm guitar), Ronnie Foster (keyboards & synthesizers), Stanley Banks (bass), Ralph MacDonald (percussion), Harvey Mason (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3DDi5GKdTBo&list=RD3DDi5GKdTBo&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 006-45"
    -titreMorceau: [
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        "nom" => "1. Affirmation "
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        "nom" => "Side D : "
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        "nom" => "1. So This Is Love ? "
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        "nom" => "2. Lady"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1834 …}
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    -modifierLe: DateTime @1775119341 {#1830
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3084
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
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    -id: 2964
    -nom: "Breezin' (2 LP) 45 RPM"
    -informationComplementaire: "Avec "Breezin’", George Benson redéfinit les codes du jazz en y insufflant une élégance soul et une modernité irrésistible. Entre virtuosité et légèreté, chaque note glisse avec fluidité pour créer une ambiance à la fois chic, apaisante et intemporelle."
    -description: """
      Sorti en 1976, "Breezin'" marque un tournant majeur dans la carrière de George Benson, guitariste virtuose issu du jazz traditionnel. Avec cet album, il franchit une étape décisive en mêlant habilement jazz, funk et soul, tout en s’ouvrant à un public plus large.\r\n
      \r\n
      Produit par Tommy LiPuma et porté par une production soignée, "Breezin’" séduit par son atmosphère fluide, chaleureuse et accessible. L’album se distingue notamment par des morceaux emblématiques comme "This Masquerade", où la voix douce de Benson accompagne son jeu de guitare d’une précision remarquable.\r\n
      \r\n
      Loin des démonstrations techniques parfois austères du jazz pur, "Breezin’" privilégie la musicalité, le groove et l’émotion, offrant une expérience d’écoute à la fois raffinée et détendue. Ce subtil équilibre en fait un classique incontournable du jazz fusion et du smooth jazz.\r\n
      \r\n
      Récompensé par plusieurs Grammy Awards, dont celui de l’enregistrement de l’année, l’album a contribué à populariser le jazz auprès du grand public et reste aujourd’hui une référence absolue du genre.\r\n
      \r\n
      - George Benson "Breezin'" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      George Benson's 1976 classic album Breezin' redefined what jazz guitar could sound like. Effortless, melodic, and irresistibly smooth, Breezin' became the soundtrack to an era and the album that launched Benson into crossover superstardom.\r\n
      \r\n
      With timeless hits such as "This Masquerade" and the sunlit title track, Breezin', Benson's 15th album, bridges the worlds of jazz, pop, and R&B with rare grace.  It not only was a Billboard Jazz Albums chart-topper but also went to N° 1 on the pop and R&B charts. It was certified triple platinum-selling, making it one of the best-selling jazz albums of all time.\r\n
      \r\n
      The record took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year for "This Masquerade", while earning multiple nominations, including for Album and Song of the Year an unprecedented feat for a jazz guitarist.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM by Matthew Lutthans at The Mastering Lab and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals new layers of warmth, depth, and presence in Benson's silky tone and fellow rhythm and bass guitarist Phil Upchurch's signature groove.\r\n
      \r\n
      Breezin' isn't just a smooth jazz cornerstone it's one of the most impeccably crafted and influential albums of its time. For collectors, audiophiles, and anyone who loves music that feels like pure sunlight, this definitive 45 RPM reissue is essential listening.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "George Benson (guitar, vocals), Phil Upchurch (rhythm guitar), Ronnie Foster (keyboards & synthesizers), Stanley Banks (bass), Ralph MacDonald (percussion), Harvey Mason (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=3DDi5GKdTBo&list=RD3DDi5GKdTBo&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 006-45"
    -titreMorceau: [
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        "nom" => "Side C :"
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        "nom" => "Side D : "
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        "nom" => "1. So This Is Love ? "
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1834 …}
    -label: Proxies\__CG__\App\Entity\Label {#1816 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
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    -modifierLe: DateTime @1775119341 {#1830
      date: 2026-04-02 08:42:21.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1842 …}
    -disponible: null
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    -slug: "vinyles-breezin-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-006-45"
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[
  "produit" => App\Entity\Produit {#1847
    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Robert "Kool" Bell (bass, vocals), Ronald Bell (keyboards, vocals),  Dennis "D.T." Thomas (alto saxophone, flute), Claydes Charles Smith (guitar), Ricky Westfield (trumpet), George Brown (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=blYEu4rYrhk&list=PLEBBBFcAycEi2Qi7kFyYTW6KGo0qLOGmT&index=6"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-579"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. N.T."
      ]
      [
        "ordre" => 2
        "nom" => "2. Ricksonata"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sombrero Sam"
      ]
      [
        "ordre" => 4
        "nom" => "4. Ronnie’s Groove"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Ike’s Mood"
      ]
      [
        "ordre" => 7
        "nom" => "2. You’ve Lost That Lovin’ Feeling"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lucky for Me"
      ]
      [
        "ordre" => 9
        "nom" => "4. Dujii"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1849 …}
    -label: Proxies\__CG__\App\Entity\Label {#1852 …}
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    -slug: "vinyles-live-at-p-j-s-hollywood-california-mobile-fidelity-sound-lab-mfsl-1-579"
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App\Twig\Components\GestionPanierFavoriComponents {#3140
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1847
    -id: 2951
    -nom: "Live at P.J.'S Hollywood California"
    -informationComplementaire: "Plongez dans l’énergie brute de "Live at P.J.'s", où Kool & The Gang enflamment la scène avec un funk puissant, spontané et irrésistible. Un live vibrant, au plus près du groove."
    -description: """
      Sorti en 1971, "Live at P.J.'s" est un témoignage authentique des débuts explosifs de Kool & The Gang. Enregistré dans un club de Los Angeles, cet album live capture toute la puissance et la spontanéité du groupe sur scène, bien avant leurs succès planétaires.\r\n
      \r\n
      À travers des morceaux dynamiques comme “N.T.” ou “Funky Man”, le collectif dévoile un son brut, porté par des cuivres percutants, des lignes de basse hypnotiques et des rythmes irrésistibles. Loin des productions plus lisses de leurs années suivantes, cet opus met en lumière leur ADN funk et jazz, nourri d’improvisation et d’interaction avec le public.\r\n
      \r\n
      Live at P.J.'s, c’est l’essence même d’un concert, une atmosphère électrique, une énergie contagieuse et un groupe en totale communion avec son audience. Un incontournable pour les amateurs de funk authentique et les passionnés de musique live.\r\n
      \r\n
      - The Record That Preceded the Soul-Jazz Movement : Kool and the Gang’s Funky Live at P.J.’S Thrills with Boundless Diversity, Virtuosic Interplay, and Contagious Grooves !\r\n
      - Experience the Exhilarating 1971 Album in Audiophile Sound for the First Time : Strictly - Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 33 RPM LP Plays with Exceptional Definition and Clarity !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Make it funky. Kool and the Gang do that and much more on Live at P.J.’S, a freewheeling concert album that both preceded the resurgent soul-jazz movement by decades and demonstrated the boundless diversity, virtuosic skill, arrangement chops, and contagious energy of a band that over the course of its career refused to be hemmed in to any particular style or characteristic. Filled with then-new compositions, this wordless 1971 set comes on like one long, magnetic, ever-shifting groove. And it’s never been better. \r\n
      \r\n
      Sourced from the original analog master tapes, strictly limited to 2000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 33 RPM LP presents the incalculably influential record in audiophile sound for the very first time. Compared to prior editions, Live at P.J.’S plays with deeper, tauter bass, enhanced definition, and more realistic presence. Everything from the brassiness of the horns to the snap of the snare to the rattle of the congas comes across in full-range perspective. \r\n
      \r\n
      This collectible version of the monster LP also exhibits a combination of clarity, solidity, and imaging that helps bring to light every note Kool and the Gang committed to tape that late May 1971 Saturday night at a show that kicked off at 10:45 local time and came amidst another of the group’s busy tour schedules. Though augmented with strings later in the studio, the core of Live at P.J.’s remains what the septet of Robert “Kool” Bell, saxophonist Ronald Bell, drummer George Brown, guitarist Claydes Smith, trumpeter Robert Mickens, and multi-instrumentalists Dennis Thomas and Ricky West delivered onstage. \r\n
      \r\n
      That includes not only the standout musicianship but the inventive approaches, fearless attitudes, and immense creativity. Practically inconceivable today, Kool and the Gang entered the Hollywood, CA club with the intent of documenting seven new songs without concern of advance familiarity or the threat of getting ripped off by someone who happened to be in the audience. It’s just how the band operated since forming in New Jersey during the mid-60s. Namely, with a focus on crowd response, an emphasis on trial-by-fire song testing, and a worry-free outlook on being copied by others. \r\n
      \r\n
      Indeed, Bell once dismissed the latter issue as irrelevant, noting that “nobody could ever make it sound real but us anyway.” Cocky ? Perhaps. Truthful ? Absolutely. Bell and company walk the talk on Live at P.J.’S, further notable for being the band’s second consecutive live effort and second concert release of 1971. And remember, this is a group that had just one studio LP to its credit. Ignoring any preexisting conventions, the strategy simultaneously captured the vision of an ensemble that made its own rules and built its reputation by way of its live performances. \r\n
      \r\n
      No less of an authority than the Godfather of Soul himself, James Brown, said of Live at P.J.’s: “Don’t play this in the car when you drive. The groove is so funky, you’ll wreck”. And consider that the album-opening “N.T.” shorthand for “no title” includes one of the most famous drum breaks in history, one since sampled by the likes of Public Enemy, N.W.A, Nas, Q-Tip, and other prominent hip-hop artists. Or, just listen to how magic transpires from one cut to the next, the collective reflecting its symbiotic chemistry and knack for on-point rhythmic expressiveness.  \r\n
      \r\n
      The final LP of Kool and the Gang’s jazz-centric era, and the last set it released before the group gained a foothold on commercial radio, Live at P.J.’s cooks with excursions into tropical-flavored material “Ricksonata”, romantic fare (an inspired take of the pop evergreen’ “You’ve Lost That Lovin’ Feeling”, Latin-leaning work a cover of saxophone legend Charles Lloyd’s “Sombrero Sam”, and even pieces that could serve as film-score backdrops “Lucky for Me”. \r\n
      \r\n
      Throughout the journey, Kool and the Gang retain a crisp attack and clear sense of direction, its overall methodology best summed up on the aptly titled “Ronnie’s Groove”, penned by Ronnie Bell, who also functioned as the band’s defacto musical director. Of course, no moment here outshines another, with all of the songs including the Isaac Hayes tribute “Ike’s Mood” and upbeat, complex trip of “Dujii” reaching for and attaining space on a higher plane. \r\n
      \r\n
      Kool Jazz, all ‘around.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Robert "Kool" Bell (bass, vocals), Ronald Bell (keyboards, vocals),  Dennis "D.T." Thomas (alto saxophone, flute), Claydes Charles Smith (guitar), Ricky Westfield (trumpet), George Brown (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1558 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=blYEu4rYrhk&list=PLEBBBFcAycEi2Qi7kFyYTW6KGo0qLOGmT&index=6"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-579"
    -titreMorceau: [
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        "nom" => "Side A :"
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
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[
  "produit" => App\Entity\Produit {#1865
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Sweet Dulcinea"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Martina"
      ]
      [
        "ordre" => 4
        "nom" => "2. Second Time Around"
      ]
      [
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        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. A Child Is Born"
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
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        "nom" => "1. Bass Face"
      ]
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        "nom" => ""
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1872 …}
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      date: 2026-04-02 14:00:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3196
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1865
    -id: 2943
    -nom: "Quintessence"
    -informationComplementaire: "Avec "Quintessence", Bill Evans quitte l’intimité du trio pour une exploration sonore plus ample, sans jamais perdre la poésie qui le caractérise. Porté par un quintette d’exception, cet album dévoile un jazz lumineux, sensible et profondément humain."
    -description: """
      Sorti en 1976, "Quintessence" marque une parenthèse singulière dans la carrière du pianiste Bill Evans. Connu pour ses trios intimistes, Evans explore ici une formation élargie en quintette, enrichissant son univers harmonique d’une palette sonore plus dense et expressive.\r\n
      \r\n
      Entouré de musiciens d’exception comme Harold Land, Kenny Burrell, Ray Brown et Philly Joe Jones, Evans signe un album à la fois subtil et vibrant. L’interaction entre les instruments y est particulièrement riche, oscillant entre lyrisme, swing maîtrisé et improvisations élégantes.\r\n
      \r\n
      Chaque morceau révèle une écriture raffinée et une écoute collective remarquable, faisant de "Quintessence" une œuvre à part dans sa discographie, où la délicatesse du piano dialogue avec la chaleur du saxophone et la finesse de la guitare.\r\n
      \r\n
      - Bill Evans "Quintessence" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Ready yourselves, jazz aficionados, for modal piano brilliance, Bill Evans style! Released in 1977, Bill Evans "Quintessence", has the maestro diving headfirst into a lush, melodic hornscape an elegant, smoky surprise.\r\n
      \r\n
      Let's start with the man himself. By 1977, Bill Evans was less of a pianist and more of a philosopher with 88 keys. His technique? Still gentle, still whispery, still capable of melting diamonds. But here, he brings his lyrical poetry into a new context: a quintet. That's right not just his beloved trio format, but a quintet, people.\r\n
      \r\n
      No safety net. No piano bench to hide behind. Just sheer harmonic magic.\r\n
      \r\n
      The Evans dream team of supporting players was a stellar lineup. Starting with Harold Land (tenor sax) The West Coast legend whose tone is so smooth it could pass as jazz-flavored gelato. Warm, reflective, and the perfect foil to Evans' crystalline touch. Next, there's Kenny Burrell (guitar). Playing with such subtlety you'd swear he was painting chords with a sable brush. Never flashy, always perfect. On bass, Ray Brown The anchor of jazz itself. You want groove ? He'll give you groove. You want soul ? He's got that in spades too. And on drums, Philly Joe Jones. Because if you're gonna swing, you call the guy who made Miles Davis' band sweat.\r\n
      \r\n
      Together, they form a unit so tight it's basically a telepathic jazz circle. They're not just supporting Bill they're expanding him !\r\n
      \r\n
      What's On the Menu ?\r\n
      \r\n
      "Sweet Dulcinea" A tune that proves you don't need to play fast to say something profound.\r\n
      \r\n
      "Bass Face" Ray Brown gets the spotlight, and boy does he shine.\r\n
      \r\n
      "Martina" A waltz so beautiful it should come with a warning label: may cause reflective gazing into middle distance.\r\n
      \r\n
      "Second Time Around" A standard for an album that's all about elegance, subtle swing, and refined musicianship.\r\n
      \r\n
      "A Child Is Born" The kind of rendition that makes you think maybe the world isn't so bad after all.\r\n
      \r\n
      So why add Quintessence to your collection ?\r\n
      \r\n
      Because this is Bill Evans unplugged from the trio comfort zone, letting his lush harmonic sensibilities dance with top-tier horn players and rhythm gods. This album is meditative but never sleepy, introspective but never self-indulgent. It's rich, warm, and brimming with the quiet confidence of a master stretching his wings just because he can.\r\n
      \r\n
      This reissue brims with superior quality. Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Bottom line, if your jazz collection is missing Quintessence, it's like owning a Picasso with a blank corner. This is the kind of record that sneaks up on you not flashy, but unforgettable. Go ahead. You deserve this kind of quintet magic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Bill Evans (piano), Harold Land (tenor saxophone), Kenny Burrell (guitar), Ray Brown (double bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hZzt_bhpHIM&list=RDhZzt_bhpHIM&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 208-45"
    -titreMorceau: [
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        "nom" => "Side A : "
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      [
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        "nom" => "2. Second Time Around"
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        "nom" => "Side C :"
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        "nom" => "1. A Child Is Born"
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      [
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        "nom" => "Side D : "
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        "nom" => "1. Bass Face"
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      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1867 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1872 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1874 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1876 …}
    -enregistreLe: DateTime @1767808111 {#1862
      date: 2026-01-07 17:48:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775138410 {#1863
      date: 2026-04-02 14:00:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1878 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-quintessence-analogue-productions-aapj-208-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
}

[
  "produit" => App\Entity\Produit {#1883
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cloud Nine"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Heard It Through the Grapevine"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Run Away Child, Running Wild"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Love Is a Hurtin’ Thing"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hey Girl"
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Did She Have to Leave Me (Why Did She Have to Go)"
      ]
      [
        "ordre" => 9
        "nom" => "4. I Need Your Lovin’"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Don’t Let Him Take Your Love from Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Gotta Find a Way (To Get You Back)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Gonna Keep on Tryin’ till I Win Your Love"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1885 …}
    -label: Proxies\__CG__\App\Entity\Label {#1852 …}
    -style: Proxies\__CG__\App\Entity\Style {#1888 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1890 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1894 …}
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    }
    -modifierLe: DateTime @1775141327 {#1881
      date: 2026-04-02 14:48:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1896 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cloud-nine-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-621"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3252
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1883
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cloud Nine"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Heard It Through the Grapevine"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Run Away Child, Running Wild"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Love Is a Hurtin’ Thing"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hey Girl"
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Did She Have to Leave Me (Why Did She Have to Go)"
      ]
      [
        "ordre" => 9
        "nom" => "4. I Need Your Lovin’"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Don’t Let Him Take Your Love from Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Gotta Find a Way (To Get You Back)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Gonna Keep on Tryin’ till I Win Your Love"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1885 …}
    -label: Proxies\__CG__\App\Entity\Label {#1852 …}
    -style: Proxies\__CG__\App\Entity\Style {#1888 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1890 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1892 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -unite: null
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    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1894 …}
    -enregistreLe: DateTime @1766484194 {#1880
      date: 2025-12-23 10:03:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775141327 {#1881
      date: 2026-04-02 14:48:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1896 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cloud-nine-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-621"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
}

[
  "produit" => App\Entity\Produit {#1901
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3308
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  +produit: App\Entity\Produit {#1901
    -id: 2904
    -nom: "No Secrets"
    -informationComplementaire: "Plongez dans l’univers intime de Carly Simon avec "No Secrets", un album culte où se mêlent émotions à vif, élégance musicale et chansons devenues légendaires."
    -description: """
      Sorti en 1972, "No Secrets" marque un tournant majeur dans la carrière de Carly Simon et s’impose comme l’un des albums emblématiques du singer-songwriter américain des années 70. Porté par le succès phénoménal du titre "You're So Vain", l’album mêle introspection, ironie et élégance musicale.\r\n
      \r\n
      À travers des arrangements raffinés et une écriture profondément personnelle, Carly Simon explore les thèmes de l’amour, de la désillusion, de la célébrité et de l’identité. Sa voix, à la fois douce et affirmée, donne vie à des compositions sensibles où chaque mot semble pesé avec justesse.\r\n
      \r\n
      Produit par Richard Perry, "No Secrets" bénéficie d’une production chaleureuse et organique, typique de son époque, tout en conservant une modernité qui le rend toujours pertinent aujourd’hui.\r\n
      \r\n
      Cet album est bien plus qu’un simple succès commercial, c’est une œuvre introspective qui a marqué toute une génération et continue d’influencer les artistes contemporains. Une pièce essentielle pour tous les amateurs de musique authentique et intemporelle.\r\n
      \r\n
      Musicians : \r\n
      Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass), Nicky Hopkins (piano, keyboards), Andrew Gold (guitar, backing vocals), Jimmy Ryan, Danny Kortchmar (guitar), Ben Taylor, Jacob Brackman (handclaps), Bobby Keys (saxophone), Jim Price (trumpet, trombone), Mick Jagger (backing vocals), Nicky Hopkins (piano), Jim Gordon, Russ Kunkel, (drums).\r\n
      \r\n
      - Carly Simon Turns Candid : Platinum-Certified No Secrets Features an All-Star Cast and the N° 1 Hit “You’re So Vain”, Ranked by Rolling Stone Among the 500 Greatest Songs of All Time !\r\n
      - 1972 Album Available on 180 graù 45 RPM (2 LP) for the First Time: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity's Reissue Plays with Wide Soundstages and Balanced Tones !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Carly Simon’s N° 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios where Beatles, David Bowie, and Elton John captured landmark LPs No Secrets touts exceptional production qualities highlighted by this restorative reissue.\r\n
      \r\n
      Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45 RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism. \r\n
      \r\n
      Enhanced by an all-star cast Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor. \r\n
      \r\n
      While acknowledging her own regrets “You’re So Vain” and loss “The Carter Family”, Simon champions the highs “The Right Thing to Do” and pains “His Friends Are More Than Fond of Robin” of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy”, and and takes ownership of her persona on a cover of Taylor’s “Night Owl”.\r\n
      \r\n
      “We have no secrets
We tell each other everything”, Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Carly Simon (piano, vocals), James Taylor (acoustic guitar, backing vocals), Paul McCartney (vocals), Lowell George (electric guitar), Klaus Voormann, Lee Sklar, Klaus Voormann (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
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    -preCommande: false
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[
  "produit" => App\Entity\Produit {#1916
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Some Other Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. When in Rome"
      ]
      [
        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Foolish Heart"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waltz for Debby"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
      [
        "ordre" => 12
        "nom" => "2. Days of Wine and Roses"
      ]
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        "ordre" => 13
        "nom" => ""
      ]
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1918 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1920 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1922 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3364
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2324 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1916
    -id: 1662
    -nom: "The Tony Bennett & Bill Evans Album"
    -informationComplementaire: "Quand la voix de Tony Bennett effleure les notes sensibles de Bill Evans, le monde s’efface. Il ne reste que l’essentiel, deux âmes musicales qui se répondent, dans un murmure intime et hors du temps."
    -description: """
      Sorti en 1975, "The Tony Bennett & Bill Evans Album" est une œuvre d’une sobriété et d’une élégance exceptionnelles. Loin des grandes orchestrations habituelles, cet enregistrement repose sur une formule minimaliste, une voix et un piano. Mais entre les mains de Tony Bennett et Bill Evans, cette simplicité devient pure magie.\r\n
      \r\n
      Le chant de Tony Bennett, profondément expressif et nuancé, trouve dans le jeu de Bill Evans un écrin d’une délicatesse rare. Le pianiste, connu pour son toucher impressionniste et ses harmonies raffinées, accompagne sans jamais dominer, laissant respirer chaque mot, chaque silence.\r\n
      \r\n
      Le répertoire mêle standards du jazz et ballades intemporelles, revisitées avec une sensibilité presque introspective. Chaque morceau semble capturer un moment fragile, comme suspendu, où l’émotion prime sur la performance.\r\n
      \r\n
      Cet album n’est pas seulement une collaboration, c’est une conversation musicale, intime et sincère, entre deux artistes au sommet de leur art. Une œuvre essentielle pour les amateurs de jazz vocal et de piano, et une invitation à redécouvrir la beauté de l’épure.\r\n
      \r\n
      - Tony Bennett & Bill Evans "The Tony Bennett & Bill Evans Album" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Step right up, jazz aficionados, and feast your ears on The Tony Bennett & Bill Evans Album (1975), a jazz gem that's as smooth as a martini and twice as intoxicating! This isn't just any album it's a legendary collaboration between the velvet-voiced crooner Tony Bennett and the piano wizard Bill Evans, two titans who decided to waltz into a studio and create pure magic. Spoiler alert: they nailed it.\r\n
      \r\n
      This album was a critical darling, earning rave reviews for its intimate, stripped-down vibe. It charted respectably, but its real triumph lies in its enduring legacy decades later, it's still a go-to for jazz lovers who crave soulful authenticity. Bennett's warm, storytelling vocals paired with Evans' lyrical, impressionistic piano work made this a standout in both their discographies.\r\n
      \r\n
      The Personnel :\r\n
      \r\n
      Tony Bennett : The man with a voice like buttered velvet, turning standards into heartfelt confessions.\r\n
      Bill Evans : The piano poet, whose delicate touch and harmonic genius could make a metronome weep.\r\n
      \r\n
      Recorded in a cozy, no-frills session at Fantasy Studios, with just the two of them (and a trusty engineer, Helen Keane, keeping the vibes pristine). No big band, no overdubs-just raw, unfiltered artistry.\r\n
      \r\n
      This album is a masterclass in less-is-more. Recorded live in the studio with minimal takes, it captures the spontaneity of two masters riffing off each other like old friends at a late-night jam. The production is crystal-clear, letting Bennett's nuanced phrasing and Evans' shimmering chords breathe. Evans' harmonic choices-think lush, unexpected chord voicings-add a layer of sophistication, while Bennett's impeccable timing keeps it grounded. The balance between voice and piano is so perfect, you'd think they shared a telepathic link. Plus, the song selection standards like "My Foolish Heart" and "The Touch of Your Lips" is a love letter to the Great American Songbook.\r\n
      \r\n
      Why Jazz Fans Need This in Their Collection\r\n
      \r\n
      If your record shelf is craving a dose of elegance, this album is your ticket. It's intimate enough to feel like a private concert but profound enough to reveal new layers with every spin. For fans of vocal jazz, Bennett's delivery is a masterclass in emotion without excess. For piano nerds, Evans' introspective solos are practically a spiritual experience.\r\n
      \r\n
      Grab The Tony Bennett & Bill Evans Album and let these two charmers remind you why jazz is the coolest kid on the musical block. Your turntable (and your soul) will thank you !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1529 …}
    -musicienOrchestre: "Tony Bennett (vocals), Bill Evans (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1414 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1551 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e-vzGxp8388"
    -referenceProduit: "Analogue Productions AAPJ 207-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Young and Foolish"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Touch of Your Lips"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Some Other Time"
      ]
      [
        "ordre" => 5
        "nom" => "2. When in Rome"
      ]
      [
        "ordre" => 6
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Foolish Heart"
      ]
      [
        "ordre" => 9
        "nom" => "2. Waltz for Debby"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. But Beautiful"
      ]
      [
        "ordre" => 12
        "nom" => "2. Days of Wine and Roses"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1918 …}
    -label: Proxies\__CG__\App\Entity\Label {#1870 …}
    -style: Proxies\__CG__\App\Entity\Style {#1683 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1920 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1922 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1924 …}
    -enregistreLe: DateTime @1557382058 {#1913
      date: 2019-05-09 06:07:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775139425 {#1914
      date: 2026-04-02 14:17:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1539 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1926 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-tony-bennett-bill-evans-album-analogue-productions-aapj-207-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3510
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2092 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3511 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3559 …}
  +isValidated: false
  +validatedFields: []
}