Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2634
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2711
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2714 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
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    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
  -formView: Symfony\Component\Form\FormView {#2750 …}
  -form: Symfony\Component\Form\Form {#2900 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2508
    -nom: "Hackensack West"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      - AAA viny release !\r\n
      \r\n
      - Produced by Joe Harley !\r\n
      \r\n
      - Recorded all-analog for award-winning mastering engineer Kevin Gray's record label !\r\n
      \r\n
      - Recorded all-analog/all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records!\r\n
      \r\n
      The week before these sessions in the summer of 2023, I sat down each morning with the goal of composing one new song by day's end. I knew I'd soon be in the room with my dear friends Gerald Clayton, John Clayton, and Jeff Hamilton, three musicians whom I trust the most, and with whom I've played the most over the last couple of decades. I tried to imagine that would feel natural to us, the kinds of songs we could simply dive into without much thinking. When we headed to Kevin Gray's studio to record, I brought seven new songs along with me. Five are included on this album.\r\n
      \r\n
      Daido' is dedicated to Japanese photographer Daido Moriyama, who became known in the late 1960s for his grainy, sometimes blurry, high-contrast black and white images made throughout Japan. I love his pictures taken on the streets of various Tokyo neighborhoods such as Shinjuku. His portrait of a menacing stray dog, from his series "A Hunter," is the kind of picture that, seen just once, is unforgettable. These days Daido is still out on the street making pictures, at the ripe young age of 85.\r\n
      \r\n
      Verdesse' has a sinuous, chorinho-like melody and rhythmic feel. The tune seems to weave and bob playfully in a space of brightness the way a grapevine seems to curl towards the sunlight. So I named it after a wine grape native to the pre-Alpine region of Isère, near Grenoble in eastern France, that makes a particularly delicious and drinkable white wine.\r\n
      \r\n
      I wrote 'Sunday,' well...on Sunday. It unfolds slowly, like a good Sunday does when there's nothing to do, you can sleep in, you've got your person beside you, and you just relax into the day.\r\n
      \r\n
      The Lands' is dedicated to a family very dear to my heart: that of tenor saxophonist Harold Land. My mother met Harold when they were both teenagers growing up in San Diego, California. The two of them became lifelong friends, and a little later, Harold enjoyed a fruitful musical association and close friendship with my father, Gerald Wilson. Harold, his lovely wife Lydia, and their son Harold Jr., were extended family for us; they looked after me with love and care. Some of my first gigs ever as a young guitarist were with Harold's incredible band that included Oscar Brashear, Billy Higgins, Richard Reid, and Harold Land Jr.\r\n
      \r\n
      I've loved Todd Rundgren's 'Marlene' since I first heard it on his epic double album Something/Anything. With its tender, well-contoured melody buoyed by a few special harmonic surprises, it almost seems like something from the pen of Burt Bacharach. It tells such a complete musical story. Rundgren's recorded version has a beautiful endlessly repeating tag. So we played the melody simply, and used the tag as a small staging area for a bit of improvising.\r\n
      \r\n
      Hackensack West' is our alias for engineer Kevin Gray's studio Cohearent Recording, a place inspired by Rudy Van Gelder's first studio in Hackensack, New Jersey. Located inside Van Gelder's parents' home, the musicians played in the living room! It was there, in 1954, that Thelonious Monk recorded his classic tune 'Hackensack,' a 'contrafact' melody over the chord changes to the Gershwins' 'Oh, Lady Be Good !' In contrafact-like fashion, my own bebop-spirited melody 'Hackensack West' seems to nod toward the changes of a few recognizable standards, without corresponding to any particular one. - Anthony Wilson
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Anthony Wilson (guitar), Gerald Clayton (piano), John Clayton (double bass), Jeff Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Cohearent Records"
    -titreMorceau: [
      [
        "nom" => "1. Daido"
        "ordre" => 1
      ]
      [
        "nom" => "1. The Lands"
        "ordre" => 5
      ]
      [
        "nom" => "2. Marlene"
        "ordre" => 6
      ]
      [
        "nom" => "2. Verdesse"
        "ordre" => 2
      ]
      [
        "nom" => "3. Hackensack West"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sunday"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1711700756 {#1922
      date: 2024-03-29 08:25:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-hackensack-west-cohearent-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3171
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2508
    -nom: "Hackensack West"
    -informationComplementaire: ""
    -description: """
      - 180 gram LP pressed at RTI !\r\n
      \r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      - AAA viny release !\r\n
      \r\n
      - Produced by Joe Harley !\r\n
      \r\n
      - Recorded all-analog for award-winning mastering engineer Kevin Gray's record label !\r\n
      \r\n
      - Recorded all-analog/all-tube at Gray's new studio, Cohearent Recording, for Cohearent Records!\r\n
      \r\n
      The week before these sessions in the summer of 2023, I sat down each morning with the goal of composing one new song by day's end. I knew I'd soon be in the room with my dear friends Gerald Clayton, John Clayton, and Jeff Hamilton, three musicians whom I trust the most, and with whom I've played the most over the last couple of decades. I tried to imagine that would feel natural to us, the kinds of songs we could simply dive into without much thinking. When we headed to Kevin Gray's studio to record, I brought seven new songs along with me. Five are included on this album.\r\n
      \r\n
      Daido' is dedicated to Japanese photographer Daido Moriyama, who became known in the late 1960s for his grainy, sometimes blurry, high-contrast black and white images made throughout Japan. I love his pictures taken on the streets of various Tokyo neighborhoods such as Shinjuku. His portrait of a menacing stray dog, from his series "A Hunter," is the kind of picture that, seen just once, is unforgettable. These days Daido is still out on the street making pictures, at the ripe young age of 85.\r\n
      \r\n
      Verdesse' has a sinuous, chorinho-like melody and rhythmic feel. The tune seems to weave and bob playfully in a space of brightness the way a grapevine seems to curl towards the sunlight. So I named it after a wine grape native to the pre-Alpine region of Isère, near Grenoble in eastern France, that makes a particularly delicious and drinkable white wine.\r\n
      \r\n
      I wrote 'Sunday,' well...on Sunday. It unfolds slowly, like a good Sunday does when there's nothing to do, you can sleep in, you've got your person beside you, and you just relax into the day.\r\n
      \r\n
      The Lands' is dedicated to a family very dear to my heart: that of tenor saxophonist Harold Land. My mother met Harold when they were both teenagers growing up in San Diego, California. The two of them became lifelong friends, and a little later, Harold enjoyed a fruitful musical association and close friendship with my father, Gerald Wilson. Harold, his lovely wife Lydia, and their son Harold Jr., were extended family for us; they looked after me with love and care. Some of my first gigs ever as a young guitarist were with Harold's incredible band that included Oscar Brashear, Billy Higgins, Richard Reid, and Harold Land Jr.\r\n
      \r\n
      I've loved Todd Rundgren's 'Marlene' since I first heard it on his epic double album Something/Anything. With its tender, well-contoured melody buoyed by a few special harmonic surprises, it almost seems like something from the pen of Burt Bacharach. It tells such a complete musical story. Rundgren's recorded version has a beautiful endlessly repeating tag. So we played the melody simply, and used the tag as a small staging area for a bit of improvising.\r\n
      \r\n
      Hackensack West' is our alias for engineer Kevin Gray's studio Cohearent Recording, a place inspired by Rudy Van Gelder's first studio in Hackensack, New Jersey. Located inside Van Gelder's parents' home, the musicians played in the living room! It was there, in 1954, that Thelonious Monk recorded his classic tune 'Hackensack,' a 'contrafact' melody over the chord changes to the Gershwins' 'Oh, Lady Be Good !' In contrafact-like fashion, my own bebop-spirited melody 'Hackensack West' seems to nod toward the changes of a few recognizable standards, without corresponding to any particular one. - Anthony Wilson
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Anthony Wilson (guitar), Gerald Clayton (piano), John Clayton (double bass), Jeff Hamilton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Cohearent Records"
    -titreMorceau: [
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      [
        "nom" => "1. The Lands"
        "ordre" => 5
      ]
      [
        "nom" => "2. Marlene"
        "ordre" => 6
      ]
      [
        "nom" => "2. Verdesse"
        "ordre" => 2
      ]
      [
        "nom" => "3. Hackensack West"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sunday"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1711700217 {#1929
      date: 2024-03-29 08:16:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1711700756 {#1922
      date: 2024-03-29 08:25:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
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    -slug: "vinyles-hackensack-west-cohearent-records"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 720
    -nom: "Here I Am"
    -informationComplementaire: ""
    -description: """
      "While it is difficult to imagine how he does it, Knox is making music as fully vivid and expressive as any of the blues icons he so obviously worships. ... Knox at 19 has recorded as strong a blues record as any released in (2011). He is going to be a major force in this music for a long time to come". 4.5/5 stars - Steve Pick, About.com\r\n
      \r\n
      "Listening to blues guitarist Marquise Knox play on Here I Am, his third album, you can imagine what it was like first hearing B.B. King back in the early 1950s... A guitarist of extraordinary skill, tone, and phrasing as well as a strong, emotionally powerful vocalist, Marquise Knox is a bluesman you're going to want to keep an eye on". - Rev. Keith A. Gordon, Blues Revue\r\n
      \r\n
      "...every note and every word sounds as if it's coming from deep within his heart...there can be little doubt about Knox himself: he's the real deal, and he can only get deeper and better with age". - David Whiteis, Living Blues, October 2011\r\n
      \r\n
      "We have had the pleasure of having Marquise Knox's Here I Am release at our station for several months now in our current rotation. We really love it, a great disc that has been one of my personal favorites of the year." - Leroy Alvarez, Blues Music Director, WNMC 90.7 FM Traverse City, Michigan\r\n
      \r\n
      Marquise Knox is a once-in-a-generation type of talent. And, man, are traditional blues lovers lucky he's decided to pursue straight-up real blues. Marquise has the voice, the songwriting talent, the guitar chops, the showmanship and the determination to very likely be a success in any number of styles of music. But for Marquise, it's nothing but the blues. Not the guitar hero, pyrotechnic licks blues. Not the gimmicky, tired, "Sweet Home Chicago" meets "Mustang Sally" predictable blues. No, Marquise almost seems to be literally channeling the certain-something energies and nuances of a Howlin' Wolf or Muddy Waters or Lightnin' Hopkins. In fact, when you listen to Marquise 19 years old when he recorded this title you get the sense that this is what those masters must have sounded like as young men. Marquise's blues are so transparent and bare. It's so easy to feel his music as totally legitimate. That's above all what makes it so appealing. That's what makes Marquise Knox special. He's the whole package. A throwback blues master on the rise. Anybody believe in reincarnation ? \r\n
      \r\n
      As you'd expect from somebody still so young, Marquise's talents have matured immeasurably since his 2009 APO debut, Man Child, recorded when he was 16. And that was a really good record. On Man Child, Marquise shared the guitar duties with Michael Burks, a fiercely explosive and powerful guitarist. For his new record, Marquise doesn't need the guitar help, and Here I Am doesn't want for even a little power and punch. Marquise's guitar skills have improved tenfold. Seriously. And his voice is, well, three years richer. To say that this record sounds unlike anything any other 19 year old is releasing in 2011 is undisputable. To say that it may be unlike anything anybody is releasing in 2011 might also be true. \r\n
      \r\n
      When Man Child hit the market in 2009, blues lovers freaked out partly because of how young Marquise was to be sounding like such an aged veteran. Well, he's still awfully young, but this time around, the focus ought to be entirely on just how incredible a bluesman Marquise Knox is, age aside.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Marquise Knox (guitar, harmonica, vocals), Eugene Johnson (bass), Wayne Sharp (organ hammond C3, piano), Mike Battle (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hbKzHbh6hj8"
    -referenceProduit: "APO 2024-45"
    -titreMorceau: [
      [
        "nom" => "1. America's Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Here I Am"
        "ordre" => 1
      ]
      [
        "nom" => "1. Love Me Through The Pain"
        "ordre" => 12
      ]
      [
        "nom" => "1. Tears Feel Like Rain"
        "ordre" => 5
      ]
      [
        "nom" => "2. Coming For Your Loving"
        "ordre" => 9
      ]
      [
        "nom" => "2. Feel Like Goin' Home"
        "ordre" => 6
      ]
      [
        "nom" => "2. I Can't Be Satisfied"
        "ordre" => 13
      ]
      [
        "nom" => "2. You Better Pray"
        "ordre" => 2
      ]
      [
        "nom" => "3. Can A Young Man Play The Blues ?"
        "ordre" => 10
      ]
      [
        "nom" => "3. I'm Bad"
        "ordre" => 14
      ]
      [
        "nom" => "3. Two Can Play Your Game"
        "ordre" => 3
      ]
      [
        "nom" => "4. Two Trains Running"
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D :"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1415550726 {#2095
      date: 2014-11-09 16:32:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1711661950 {#2096
      date: 2024-03-28 21:39:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
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    -slug: "vinyles-here-i-am-apo-2024-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3285
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 720
    -nom: "Here I Am"
    -informationComplementaire: ""
    -description: """
      "While it is difficult to imagine how he does it, Knox is making music as fully vivid and expressive as any of the blues icons he so obviously worships. ... Knox at 19 has recorded as strong a blues record as any released in (2011). He is going to be a major force in this music for a long time to come". 4.5/5 stars - Steve Pick, About.com\r\n
      \r\n
      "Listening to blues guitarist Marquise Knox play on Here I Am, his third album, you can imagine what it was like first hearing B.B. King back in the early 1950s... A guitarist of extraordinary skill, tone, and phrasing as well as a strong, emotionally powerful vocalist, Marquise Knox is a bluesman you're going to want to keep an eye on". - Rev. Keith A. Gordon, Blues Revue\r\n
      \r\n
      "...every note and every word sounds as if it's coming from deep within his heart...there can be little doubt about Knox himself: he's the real deal, and he can only get deeper and better with age". - David Whiteis, Living Blues, October 2011\r\n
      \r\n
      "We have had the pleasure of having Marquise Knox's Here I Am release at our station for several months now in our current rotation. We really love it, a great disc that has been one of my personal favorites of the year." - Leroy Alvarez, Blues Music Director, WNMC 90.7 FM Traverse City, Michigan\r\n
      \r\n
      Marquise Knox is a once-in-a-generation type of talent. And, man, are traditional blues lovers lucky he's decided to pursue straight-up real blues. Marquise has the voice, the songwriting talent, the guitar chops, the showmanship and the determination to very likely be a success in any number of styles of music. But for Marquise, it's nothing but the blues. Not the guitar hero, pyrotechnic licks blues. Not the gimmicky, tired, "Sweet Home Chicago" meets "Mustang Sally" predictable blues. No, Marquise almost seems to be literally channeling the certain-something energies and nuances of a Howlin' Wolf or Muddy Waters or Lightnin' Hopkins. In fact, when you listen to Marquise 19 years old when he recorded this title you get the sense that this is what those masters must have sounded like as young men. Marquise's blues are so transparent and bare. It's so easy to feel his music as totally legitimate. That's above all what makes it so appealing. That's what makes Marquise Knox special. He's the whole package. A throwback blues master on the rise. Anybody believe in reincarnation ? \r\n
      \r\n
      As you'd expect from somebody still so young, Marquise's talents have matured immeasurably since his 2009 APO debut, Man Child, recorded when he was 16. And that was a really good record. On Man Child, Marquise shared the guitar duties with Michael Burks, a fiercely explosive and powerful guitarist. For his new record, Marquise doesn't need the guitar help, and Here I Am doesn't want for even a little power and punch. Marquise's guitar skills have improved tenfold. Seriously. And his voice is, well, three years richer. To say that this record sounds unlike anything any other 19 year old is releasing in 2011 is undisputable. To say that it may be unlike anything anybody is releasing in 2011 might also be true. \r\n
      \r\n
      When Man Child hit the market in 2009, blues lovers freaked out partly because of how young Marquise was to be sounding like such an aged veteran. Well, he's still awfully young, but this time around, the focus ought to be entirely on just how incredible a bluesman Marquise Knox is, age aside.\r\n
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Marquise Knox (guitar, harmonica, vocals), Eugene Johnson (bass), Wayne Sharp (organ hammond C3, piano), Mike Battle (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=hbKzHbh6hj8"
    -referenceProduit: "APO 2024-45"
    -titreMorceau: [
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        "nom" => "1. America's Blues"
        "ordre" => 8
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        "nom" => "1. Here I Am"
        "ordre" => 1
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        "nom" => "1. Love Me Through The Pain"
        "ordre" => 12
      ]
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        "nom" => "1. Tears Feel Like Rain"
        "ordre" => 5
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        "nom" => "2. Coming For Your Loving"
        "ordre" => 9
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        "nom" => "2. Feel Like Goin' Home"
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        "nom" => "2. I Can't Be Satisfied"
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        "nom" => "2. You Better Pray"
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        "nom" => "3. Can A Young Man Play The Blues ?"
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        "nom" => "3. I'm Bad"
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        "nom" => "3. Two Can Play Your Game"
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        "nom" => "4. Two Trains Running"
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        "nom" => "Side C : "
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
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      date: 2024-03-28 21:39:10.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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[
  "produit" => App\Entity\Produit {#2117
    -id: 2505
    -nom: "Happenings"
    -informationComplementaire: "AVAILABILITY : 30/04/2024 (subject Blue Note Records)"
    -description: """
      The crystalline sound of Bobby Hutcherson's vibraphone was an essential element of a broad range of Blue Note albums throughout the 1960s, spanning the stylistic spectrum from the hard bop of Grant Green's Idle Moments to the post-bop of Joe Henderson's Mode For Joe to the soul jazz of Big John Patton's Let ‘Em Roll to the avant-garde of Eric Dolphy's Out To Lunch!\r\n
      \r\n
      Following his brilliant 1965 album Components, Hutcherson returned to Van Gelder Studio in February 1966 for his fourth Blue Note session as a leader, Happenings, which would be his first to feature a quartet. This sublime post-bop outing presented six captivating Hutcherson originals including the spellbinding ballad "Bouquet", the Latin-tinged "Rojo", and the hard-charging "Head Start", as well a version of Hancock's now-classic composition "Maiden Voyage", which the pianist had recorded for his own Blue Note album of the same name the year prior.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Herbie Hancock (piano), Bob Cranshaw (bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -referenceProduit: "Blue Note Records 84231"
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    -slug: "vinyles-happenings-blue-note-records-84231"
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App\Twig\Components\GestionPanierFavoriComponents {#3336
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
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  +produit: App\Entity\Produit {#2117
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    -nom: "Happenings"
    -informationComplementaire: "AVAILABILITY : 30/04/2024 (subject Blue Note Records)"
    -description: """
      The crystalline sound of Bobby Hutcherson's vibraphone was an essential element of a broad range of Blue Note albums throughout the 1960s, spanning the stylistic spectrum from the hard bop of Grant Green's Idle Moments to the post-bop of Joe Henderson's Mode For Joe to the soul jazz of Big John Patton's Let ‘Em Roll to the avant-garde of Eric Dolphy's Out To Lunch!\r\n
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      Following his brilliant 1965 album Components, Hutcherson returned to Van Gelder Studio in February 1966 for his fourth Blue Note session as a leader, Happenings, which would be his first to feature a quartet. This sublime post-bop outing presented six captivating Hutcherson originals including the spellbinding ballad "Bouquet", the Latin-tinged "Rojo", and the hard-charging "Head Start", as well a version of Hancock's now-classic composition "Maiden Voyage", which the pianist had recorded for his own Blue Note album of the same name the year prior.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Bobby Hutcherson (vibraphone), Herbie Hancock (piano), Bob Cranshaw (bass), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2136
    -id: 2502
    -nom: "Caravan"
    -informationComplementaire: ""
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
      \r\n
      Originally released in 1963, Caravan was Art Blakey & The Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This reissue features remastered audio from the original master tapes.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums), Reggie Workman (bass), Cedar Walton (piano), Wayne Shorter (tenor saxophone), Curtis Fuller (trombone), Freddie Hubbard (trumpet)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=pp6d3txPKvw"
    -referenceProduit: "Concord Craft Recordings"
    -titreMorceau: [
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        "nom" => "1. Caravan"
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        "nom" => "1. This Is for Albert"
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      ]
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3387
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 2502
    -nom: "Caravan"
    -informationComplementaire: ""
    -description: """
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      \r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      \r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      \r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      \r\n
      - Presented in tip-on jackets with OBI strip !\r\n
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      Originally released in 1963, Caravan was Art Blakey & The Jazz Messengers' first album for Riverside Records. Featured in addition to Blakey are Freddie Hubbard (trumpet), Curtis Fuller (trombone), Wayne Shorter (sax), Cedar Walton (piano) and Reggie Workman (bass). This reissue features remastered audio from the original master tapes.\r\n
      \r\n
       
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Art Blakey (drums), Reggie Workman (bass), Cedar Walton (piano), Wayne Shorter (tenor saxophone), Curtis Fuller (trombone), Freddie Hubbard (trumpet)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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      date: 2024-03-04 08:31:51.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2155
    -id: 2500
    -nom: "Tex Book Tenor"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for its first standalone release. With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals including Barron's sinuous tune "Gichi" and Shaw's lilting waltz "In a Capricornian Way", as well as Ervin's lovely ballad "Lynn's Tune" and the hard-swinging "Den Tex", named for his hometown of Denison.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Booker Ervin (tenor saxophone), Woody Shaw (trumpet), Jan Arnet (bass), Kenny Barron (piano), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ollf_anAFCs"
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        "nom" => "1. Gichi"
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        "nom" => "2. 204"
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        "ordre" => 2
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        "ordre" => 4
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3438
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2155
    -id: 2500
    -nom: "Tex Book Tenor"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for its first standalone release. With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals including Barron's sinuous tune "Gichi" and Shaw's lilting waltz "In a Capricornian Way", as well as Ervin's lovely ballad "Lynn's Tune" and the hard-swinging "Den Tex", named for his hometown of Denison.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Booker Ervin (tenor saxophone), Woody Shaw (trumpet), Jan Arnet (bass), Kenny Barron (piano), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ollf_anAFCs"
    -referenceProduit: "Blue Note Tone Poet Series"
    -titreMorceau: [
      [
        "nom" => "1. Gichi"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lynn's Tune"
        "ordre" => 5
      ]
      [
        "nom" => "2. 204"
        "ordre" => 6
      ]
      [
        "nom" => "2. Den Tex"
        "ordre" => 2
      ]
      [
        "nom" => "3. In A Capricornian Way"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: Proxies\__CG__\App\Entity\Label {#2160 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2169 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2162 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2164 …}
    -enregistreLe: DateTime @1709486036 {#2152
      date: 2024-03-03 17:13:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1709486358 {#2153
      date: 2024-03-03 17:19:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2166 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tex-book-tenor-blue-note-tone-poet-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
}

[
  "produit" => App\Entity\Produit {#2174
    -id: 1484
    -nom: "52nd Street"
    -informationComplementaire: "Ré-édition 2024"
    -description: """
      - Grammy-Winning Album Features Sophisticated Arrangements and Jazzy Backdrops : Billy Joel's 52nd Street Includes Hits "Big Shot" and "My Life" !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Pressed at RTI for Superb Sound : Mobile Fidelity's 180 gram 45 RPM Vinyl 2 LP Set Delivers Broad Soundtages and Expansive Dynamics !\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Some artists embrace their success by repeating the steps that originally granted them fame. Billy Joel did the opposite, refusing to be contained by prescribed approaches or constrained by a given label. The follow-up to the breakthrough The Stranger, 52nd Street further expands on its predecessor's bold production techniques and inventive arrangements, incorporating more sophisticated textures as well as reflecting a jazz edge gleaned from New York City's thriving club scene.\r\n
      \r\n
      A key piece of Mobile Fidelity's Billy Joel catalog restoration series, 52nd Street is here sourced from the original master tapes and pressed on 45 RPM 180 gram LP at RTI. The wider and deeper grooves as well as the meticulous mastering yield resplendent dynamics, broad soundstages, three-dimensional perspectives, and tonal balances absent from prior editions. This is how you want to experience the 1978 LP that captured the Grammy Award for Album of the Year.\r\n
      \r\n
      Teaming again with producer Phil Ramone, Joel capitalizes on his momentum, churning out another direct-sounding affair replete with captivating melodic devices, showmanship accents, and penetrating lyrics. The singer's concision and focus is evident via the tune's lengths, with only "Until the Night" breaking the six-minute mark. Hit singles "Big Shot" and "My Life" rattle forth with an urgency and intensity that Joel had not previously demonstrated, the combination of passionate deliveries, snide overtones, and insistent grooves setting the table for what follows.\r\n
      \r\n
      Broadening his palette, and drawing from New York's thriving jazz club scene and the city's late-70s grit, Joel splashes Latin and jazz colors on several pieces, employing veterans such as Dave Grusin and Freddie Hubbard to contribute along with a cast that includes a team of background vocalists and horn players. Everything is tastefully appointed, and yet the vocalist's trademark Broadway gaze and knack for the grand gesture coincide with the straight-ahead swagger.\r\n
      \r\n
      52nd Street is one of the main reasons why Joel has always been championed for consistency. Everything here, from the production to the stand-up songs, helped redefine mainstream pop-rock. Decades later, it's finally available in fidelity that nears that of the Columbia Records' master tapes produced right on 52nd Street.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Billy Joel (piano), vocals), Doug Stegmeyer (bass, backing vocals), Steve Khan (guitar & acoustic guitar), Richie Cannata (saxophone, organ, clarinet), David Nadien (violin), Liberty DeVitto (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zhF8AgBR8hM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-384"
    -titreMorceau: [
      [
        "nom" => "1. Big Shot"
        "ordre" => 1
      ]
      [
        "nom" => "1. Rosalinda's Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "1. Until the Night"
        "ordre" => 11
      ]
      [
        "nom" => "1. Zanzibar"
        "ordre" => 5
      ]
      [
        "nom" => "2. 52nd Street"
        "ordre" => 12
      ]
      [
        "nom" => "2. Half a Mile Away"
        "ordre" => 9
      ]
      [
        "nom" => "2. Honesty"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stiletto"
        "ordre" => 6
      ]
      [
        "nom" => "3. My Life"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1545404198 {#2171
      date: 2018-12-21 14:56:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1707641297 {#2172
      date: 2024-02-11 08:48:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-52nd-street-mobile-fidelity-sound-lab-mfsl-2-384"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3489
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2174
    -id: 1484
    -nom: "52nd Street"
    -informationComplementaire: "Ré-édition 2024"
    -description: """
      - Grammy-Winning Album Features Sophisticated Arrangements and Jazzy Backdrops : Billy Joel's 52nd Street Includes Hits "Big Shot" and "My Life" !\r\n
      \r\n
      - Sourced from the Original Analog Master Tapes and Pressed at RTI for Superb Sound : Mobile Fidelity's 180 gram 45 RPM Vinyl 2 LP Set Delivers Broad Soundtages and Expansive Dynamics !\r\n
      \r\n
      - 1/4" / 15 IPS / Dolby A analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Some artists embrace their success by repeating the steps that originally granted them fame. Billy Joel did the opposite, refusing to be contained by prescribed approaches or constrained by a given label. The follow-up to the breakthrough The Stranger, 52nd Street further expands on its predecessor's bold production techniques and inventive arrangements, incorporating more sophisticated textures as well as reflecting a jazz edge gleaned from New York City's thriving club scene.\r\n
      \r\n
      A key piece of Mobile Fidelity's Billy Joel catalog restoration series, 52nd Street is here sourced from the original master tapes and pressed on 45 RPM 180 gram LP at RTI. The wider and deeper grooves as well as the meticulous mastering yield resplendent dynamics, broad soundstages, three-dimensional perspectives, and tonal balances absent from prior editions. This is how you want to experience the 1978 LP that captured the Grammy Award for Album of the Year.\r\n
      \r\n
      Teaming again with producer Phil Ramone, Joel capitalizes on his momentum, churning out another direct-sounding affair replete with captivating melodic devices, showmanship accents, and penetrating lyrics. The singer's concision and focus is evident via the tune's lengths, with only "Until the Night" breaking the six-minute mark. Hit singles "Big Shot" and "My Life" rattle forth with an urgency and intensity that Joel had not previously demonstrated, the combination of passionate deliveries, snide overtones, and insistent grooves setting the table for what follows.\r\n
      \r\n
      Broadening his palette, and drawing from New York's thriving jazz club scene and the city's late-70s grit, Joel splashes Latin and jazz colors on several pieces, employing veterans such as Dave Grusin and Freddie Hubbard to contribute along with a cast that includes a team of background vocalists and horn players. Everything is tastefully appointed, and yet the vocalist's trademark Broadway gaze and knack for the grand gesture coincide with the straight-ahead swagger.\r\n
      \r\n
      52nd Street is one of the main reasons why Joel has always been championed for consistency. Everything here, from the production to the stand-up songs, helped redefine mainstream pop-rock. Decades later, it's finally available in fidelity that nears that of the Columbia Records' master tapes produced right on 52nd Street.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Billy Joel (piano), vocals), Doug Stegmeyer (bass, backing vocals), Steve Khan (guitar & acoustic guitar), Richie Cannata (saxophone, organ, clarinet), David Nadien (violin), Liberty DeVitto (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zhF8AgBR8hM"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-384"
    -titreMorceau: [
      [
        "nom" => "1. Big Shot"
        "ordre" => 1
      ]
      [
        "nom" => "1. Rosalinda's Eyes"
        "ordre" => 8
      ]
      [
        "nom" => "1. Until the Night"
        "ordre" => 11
      ]
      [
        "nom" => "1. Zanzibar"
        "ordre" => 5
      ]
      [
        "nom" => "2. 52nd Street"
        "ordre" => 12
      ]
      [
        "nom" => "2. Half a Mile Away"
        "ordre" => 9
      ]
      [
        "nom" => "2. Honesty"
        "ordre" => 2
      ]
      [
        "nom" => "2. Stiletto"
        "ordre" => 6
      ]
      [
        "nom" => "3. My Life"
        "ordre" => 3
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2176 …}
    -label: Proxies\__CG__\App\Entity\Label {#2179 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …}
    -enregistreLe: DateTime @1545404198 {#2171
      date: 2018-12-21 14:56:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1707641297 {#2172
      date: 2024-02-11 08:48:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-52nd-street-mobile-fidelity-sound-lab-mfsl-2-384"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
}

[
  "produit" => App\Entity\Produit {#2193
    -id: 2494
    -nom: "Today And Tomorrow"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      \r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Tyner's third Impulse! album, originally released in 1964, resulted from two sessions — one featuring a sextet made up of three horns and fellow John Coltrane Quartet member Elvin Jones; the other featuring his trio at the time with bassist Jimmy Garrison (also a Coltrane bandmate) and drummer Tootie Heath. The Verve By Request Series features 180 gram vinyl, pressed at Third Man in Detroit.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "McCoy Tyner (piano), John Gilmore (tenor saxophone), Thad Jones (trumpet), Frank Strozier (alto saxophone), Butch Warren, Jimmy Garrison (bass), Tootie Heath, Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T3uRwOftRsk"
    -referenceProduit: "Verve Records "
    -titreMorceau: [
      [
        "nom" => "1. Autumn Leaves"
        "ordre" => 5
      ]
      [
        "nom" => "1. Contemporary Focus"
        "ordre" => 1
      ]
      [
        "nom" => "2. Night In Tunisia"
        "ordre" => 2
      ]
      [
        "nom" => "2. Three Flowers"
        "ordre" => 6
      ]
      [
        "nom" => "3. T ‘N A Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. When Sunny Gets Blue"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2198 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1706953330 {#2190
      date: 2024-02-03 09:42:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1706953680 {#2191
      date: 2024-02-03 09:48:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-today-and-tomorrow-verve-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3540
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2193
    -id: 2494
    -nom: "Today And Tomorrow"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Verve By Request Series Monthly releases from Verve Label Group's jazz catalog !\r\n
      \r\n
      - Handpicked rarities and fan favorites include out-of-print titles and first-ever vinyl pressings !\r\n
      \r\n
      Tyner's third Impulse! album, originally released in 1964, resulted from two sessions — one featuring a sextet made up of three horns and fellow John Coltrane Quartet member Elvin Jones; the other featuring his trio at the time with bassist Jimmy Garrison (also a Coltrane bandmate) and drummer Tootie Heath. The Verve By Request Series features 180 gram vinyl, pressed at Third Man in Detroit.\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "McCoy Tyner (piano), John Gilmore (tenor saxophone), Thad Jones (trumpet), Frank Strozier (alto saxophone), Butch Warren, Jimmy Garrison (bass), Tootie Heath, Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T3uRwOftRsk"
    -referenceProduit: "Verve Records "
    -titreMorceau: [
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        "nom" => "1. Autumn Leaves"
        "ordre" => 5
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      [
        "nom" => "1. Contemporary Focus"
        "ordre" => 1
      ]
      [
        "nom" => "2. Night In Tunisia"
        "ordre" => 2
      ]
      [
        "nom" => "2. Three Flowers"
        "ordre" => 6
      ]
      [
        "nom" => "3. T ‘N A Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. When Sunny Gets Blue"
        "ordre" => 7
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
    -label: Proxies\__CG__\App\Entity\Label {#2198 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1706953330 {#2190
      date: 2024-02-03 09:42:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1706953680 {#2191
      date: 2024-02-03 09:48:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-today-and-tomorrow-verve-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
}

[
  "produit" => App\Entity\Produit {#2212
    -id: 2492
    -nom: "Down With It!"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - First time on vinyl! !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was equally at home in jazz, R&B, and funk settings. Mitchell been a sideman on Blue Note sessions led by Lou Donaldson, Jimmy Smith, Jackie McLean and appeared on numerous classics as a member of the Horace Silver Quintet before he began recording his own Blue Note leader albums. For his 1965 date Down With It! the trumpeter reconvened the same dynamic quintet that had recorded his label debut The Thing To Do the year before including his Silver bandmates Junior Cook on tenor saxophone and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums. The band comes flying out of the gate on the boogaloo grooved opener "Hi-Heel Sneakers" with other highlights of the set including the high-spirited "March On Selma" and the gorgeous ballad "Alone, Alone, Alone". \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "Blue Mitchell (trumpet), Gene Taylor (bass), Junior Cook (tenor saxophone), Chick Corea (piano), Aloysius Foster (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=RWCxvNmwvYc"
    -referenceProduit: "Blue Note Tone Poet Series"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2214 …}
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    -modifierLe: DateTime @1706865226 {#2210
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3591
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2212
    -id: 2492
    -nom: "Down With It!"
    -informationComplementaire: ""
    -description: """
      - 180 gram gatefold LP !\r\n
      \r\n
      - First time on vinyl! !\r\n
      \r\n
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      \r\n
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      \r\n
      Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was equally at home in jazz, R&B, and funk settings. Mitchell been a sideman on Blue Note sessions led by Lou Donaldson, Jimmy Smith, Jackie McLean and appeared on numerous classics as a member of the Horace Silver Quintet before he began recording his own Blue Note leader albums. For his 1965 date Down With It! the trumpeter reconvened the same dynamic quintet that had recorded his label debut The Thing To Do the year before including his Silver bandmates Junior Cook on tenor saxophone and Gene Taylor on bass along with a 24-year-old Chick Corea on piano and 22-year-old Al Foster on drums. The band comes flying out of the gate on the boogaloo grooved opener "Hi-Heel Sneakers" with other highlights of the set including the high-spirited "March On Selma" and the gorgeous ballad "Alone, Alone, Alone". \r\n
      """
    -prixVente: "60.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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[
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    -id: 986
    -nom: "The Missing Linc - Volume II"
    -informationComplementaire: "Rare : Sheffield Lab S10 - Direct To Disc "
    -description: """
      Musicians :\n
      Lincoln Mayorga (piano, harpsichord), Mike Deasy (electric & acoustic guitar), Plas Johnson (alto & tenor saxophone), Jerry Scheff (bass fender), Chuck Berghofer (double bass), Joanne Grauer, Victor Feldman (organ), Mike Anthony (rhythm guitar), Eliot Chapo, Jose Madera (violin), Alan De Vertich (viola), Daniel Rothmuller (cello), Gary Coleman, Victor Feldman (percussion), Jim Keltner (drums)\n
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      \n
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      \n
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      """
    -prixVente: "250.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nJ5mkGHezNQ"
    -referenceProduit: "Sheffield Lab S10"
    -titreMorceau: [
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        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 8
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
    -label: Proxies\__CG__\App\Entity\Label {#2233 …}
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    }
    -modifierLe: DateTime @1706860041 {#2226
      date: 2024-02-02 07:47:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2239 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3642
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2228
    -id: 986
    -nom: "The Missing Linc - Volume II"
    -informationComplementaire: "Rare : Sheffield Lab S10 - Direct To Disc "
    -description: """
      Musicians :\n
      Lincoln Mayorga (piano, harpsichord), Mike Deasy (electric & acoustic guitar), Plas Johnson (alto & tenor saxophone), Jerry Scheff (bass fender), Chuck Berghofer (double bass), Joanne Grauer, Victor Feldman (organ), Mike Anthony (rhythm guitar), Eliot Chapo, Jose Madera (violin), Alan De Vertich (viola), Daniel Rothmuller (cello), Gary Coleman, Victor Feldman (percussion), Jim Keltner (drums)\n
      \n
      LINCOLN MAYORGA And Distinguished ColleaguesThe Missing Linc, Volume II Recorded Live From The Studio Directly To The Master Disc (New & Sealed Vinyl Record). \n
      \n
      The second ever Direct To Disc release, This is Lincoln Mayorga's follow up to his first "Distinguished Colleagues" groundbreaking release. An extremely hard to find sealed copy of this Sheffield Lab Direct-to-Disk, Limited Edition Audiophile Pressing.\n
      \n
      This Sheffield Tower Label pressing has two excellent sides, each rating an A ++. The two sides bring somewhat different qualities to the table... side one is clear and present with a richness we don't always hear, while side two is energetic and textured with great extension in both directions. These direct-to-discs are subject to the same pressing variations as any record, and most copies can't hold a candle to this one !\n
      """
    -prixVente: "250.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Lincoln Mayorga (piano, harpsichord), Mike Deasy (electric & acoustic guitar), Plas Johnson (alto & tenor saxophone), Jerry Scheff (bass fender), Chuck Berghofer (double bass), Joanne Grauer, Victor Feldman (organ), Mike Anthony (rhythm guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "5. Chopin: Prelude In E Major Op. 28"
        "ordre" => 5
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2230 …}
    -label: Proxies\__CG__\App\Entity\Label {#2233 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2242 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2235 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1706860041 {#2226
      date: 2024-02-02 07:47:21.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
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[
  "produit" => App\Entity\Produit {#2247
    -id: 636
    -nom: "Lincoln Mayorga & Distinguished Colleagues - Volume III"
    -informationComplementaire: "Rare : Sheffield Lab 1 - Direct To Disc Sealed"
    -description: """
      Take 6 of recording innovator, Lincoln Mayorga's third venture into Direct To Disc recording. A beautiful vinyl copy of a very hard to find title !\n
      \n
      This is an original Sheffield Lab Direct-to-Disk, Limited Edition Audiophile Pressing. Sheffield are the pioneers of Direct-To-Disc recording and had much to do with the advent of the "audiophile" label put on recordings that exemplify top standards in recording, mastering and pressing. Long out of print, these original Sheffields are considered to be some of the finest recordings ever produced.\n
      \n
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      \n
      Aside from Mayorga, the players were Mike Deasy, Mike Anthony, Al Casey, Joanne Grauer, Victor Feldman, Gary Coleman, Jim Keltner, Malcolm McNab, and more, all of whom were among the most coveted artists in recording at that time.
      """
    -prixVente: "250.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=sDjtDw3Q4as"
    -referenceProduit: "Sheffield Lab 1"
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        "ordre" => 1
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        "nom" => "1. You Are The Sunshine Of My Life"
        "ordre" => 6
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      [
        "nom" => "2. America"
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        "nom" => "3. From Menaggio To Bellagio"
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        "nom" => "3. That Certain Feeling - Oh Lord, I'm On My Way"
        "ordre" => 3
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        "ordre" => 4
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2253 …}
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    }
    -modifierLe: DateTime @1706860020 {#2245
      date: 2024-02-02 07:47:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-lincoln-mayorga-distinguished-colleagues-volume-iii-sheffield-lab-1"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3693
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2247
    -id: 636
    -nom: "Lincoln Mayorga & Distinguished Colleagues - Volume III"
    -informationComplementaire: "Rare : Sheffield Lab 1 - Direct To Disc Sealed"
    -description: """
      Take 6 of recording innovator, Lincoln Mayorga's third venture into Direct To Disc recording. A beautiful vinyl copy of a very hard to find title !\n
      \n
      This is an original Sheffield Lab Direct-to-Disk, Limited Edition Audiophile Pressing. Sheffield are the pioneers of Direct-To-Disc recording and had much to do with the advent of the "audiophile" label put on recordings that exemplify top standards in recording, mastering and pressing. Long out of print, these original Sheffields are considered to be some of the finest recordings ever produced.\n
      \n
      LAB 1 marked Sheffield's third adventure in direct to disc recording. The purpose of recording in this live and direct method is to obtain the sonic merits of the pure disc medium as opposed to the characteristics of tape. In making a direct to disc recording, there is an optimum point, a plateau where the mixing, performance and feel, all happen at once.\n
      \n
      Aside from Mayorga, the players were Mike Deasy, Mike Anthony, Al Casey, Joanne Grauer, Victor Feldman, Gary Coleman, Jim Keltner, Malcolm McNab, and more, all of whom were among the most coveted artists in recording at that time.
      """
    -prixVente: "250.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: ""
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sDjtDw3Q4as"
    -referenceProduit: "Sheffield Lab 1"
    -titreMorceau: [
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        "nom" => "1. The Perfect Song - My Love"
        "ordre" => 1
      ]
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        "nom" => "1. You Are The Sunshine Of My Life"
        "ordre" => 6
      ]
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        "nom" => "2. America"
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        "nom" => "2. Le Grand Medley - Madeleine Theme, Waterfront Song, Elise Theme"
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        "nom" => "3. From Menaggio To Bellagio"
        "ordre" => 8
      ]
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        "nom" => "3. That Certain Feeling - Oh Lord, I'm On My Way"
        "ordre" => 3
      ]
      [
        "nom" => "4. Camarillo"
        "ordre" => 4
      ]
      [
        "nom" => "4. King Porter Stomp"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …}
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[
  "produit" => App\Entity\Produit {#2263
    -id: 1031
    -nom: "Confederation"
    -informationComplementaire: "Rare : Sheffield Lab 9 - Direct To Disc"
    -description: """
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      \n
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      \n
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      \n
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    -prixVente: "250.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=iqCjl8okwq8"
    -referenceProduit: "Sheffield Lab 9"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2265 …}
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    }
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    }
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App\Twig\Components\GestionPanierFavoriComponents {#3744
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    -id: 1031
    -nom: "Confederation"
    -informationComplementaire: "Rare : Sheffield Lab 9 - Direct To Disc"
    -description: """
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      \n
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      \n
      I was there when these musicians rehearsed for the first time. I knew immediately that some very exciting music was in the air. All top notch instrumentalists and composers, these three not only played like a family, but they sang like one too, with a sweet, reedy blend. The challenge of recording non-stop and \n
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2265 …}
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    -modifierLe: DateTime @1706859985 {#2261
      date: 2024-02-02 07:46:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-confederation-sheffield-lab-9"
  }
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}

[
  "produit" => App\Entity\Produit {#2279
    -id: 2482
    -nom: "Extensions"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Plated and pressed at RTI\r\n
      \r\n
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      \r\n
      McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist's fifth recording for Blue Note Records. After leaving John Coltrane's band Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967.\r\n
      \r\n
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      \r\n
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      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1912 …}
    -musicienOrchestre: "McCoy Tyner (piano), Wayne Shorter (tenor & soprano saxophone), Gary Bartz (alto saxophone), Ron Carter (bass), Alice Coltrane (harp), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=Yj1-m9Y_4KQ"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -slug: "vinyles-extensions-blue-note-tone-poet-series-0595"
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App\Twig\Components\GestionPanierFavoriComponents {#3797
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2713 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2279
    -id: 2482
    -nom: "Extensions"
    -informationComplementaire: ""
    -description: """
      - 180 gram vinyl !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
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      McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist's fifth recording for Blue Note Records. After leaving John Coltrane's band Tyner had moved from Impulse to Blue Note and made his enduring post-bop classic The Real McCoy in 1967.\r\n
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    -prixVente: "60.00"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …}
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      date: 2024-01-07 17:28:05.0 UTC (+00:00)
    }
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    -disponible: null
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    -slug: "vinyles-extensions-blue-note-tone-poet-series-0595"
  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3993
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2481 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3994 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4042 …}
  +isValidated: false
  +validatedFields: []
}