Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2626
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2703
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2706 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
  -formView: Symfony\Component\Form\FormView {#2742 …}
  -form: Symfony\Component\Form\Form {#2892 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2392
    -nom: "Empyrean Isles"
    -informationComplementaire: null
    -description: """
      Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums Takin' Off, My Point Of View, and Inventions & Dimensions before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock's artistry into a sweeping 35 minute musical journey.\r\n
      \r\n
      Joining Hancock on the voyage were three of his closest collaborators : trumpeter Freddie Hubbard and Hancock's Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums. Each of the four distinctive original pieces Hancock composed for the date occupies its own unique space. The quartet launches into the album opener "One Finger Snap" which consists of a single opening line that leads directly into blistering improvisations by Hubbard and Hancock.\r\n
      \r\n
      The first side concludes with the beguiling "Oliloquy Valley" which conjures a mysterious and mystical vibe. The flipside leads off with one of Hancock's most enduring themes, "Cantaloupe Island," with its undulating groove and unforgettable melody, before moving into a more exploratory realm with "The Egg", an expansive 14 minute epic that flirts with the avant-garde and gives ample space for the musicians to let their imaginations run wild.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (cornet), Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yQgv5bRqmnk"
    -referenceProduit: "Blue Note Records 84175"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. One Finger Snap "
      ]
      [
        "ordre" => 2
        "nom" => "2. Oliloqui Valley"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Cantaloupe Island "
      ]
      [
        "ordre" => 5
        "nom" => "2. The Egg"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1679644349 {#1929
      date: 2023-03-24 07:52:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769196539 {#1922
      date: 2026-01-23 19:28:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-empyrean-isles-blue-note-records-84175"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3163
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2392
    -nom: "Empyrean Isles"
    -informationComplementaire: null
    -description: """
      Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums Takin' Off, My Point Of View, and Inventions & Dimensions before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock's artistry into a sweeping 35 minute musical journey.\r\n
      \r\n
      Joining Hancock on the voyage were three of his closest collaborators : trumpeter Freddie Hubbard and Hancock's Miles Davis Quintet bandmates Ron Carter on bass and Tony Williams on drums. Each of the four distinctive original pieces Hancock composed for the date occupies its own unique space. The quartet launches into the album opener "One Finger Snap" which consists of a single opening line that leads directly into blistering improvisations by Hubbard and Hancock.\r\n
      \r\n
      The first side concludes with the beguiling "Oliloquy Valley" which conjures a mysterious and mystical vibe. The flipside leads off with one of Hancock's most enduring themes, "Cantaloupe Island," with its undulating groove and unforgettable melody, before moving into a more exploratory realm with "The Egg", an expansive 14 minute epic that flirts with the avant-garde and gives ample space for the musicians to let their imaginations run wild.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Herbie Hancock (piano), Ron Carter (bass), Freddie Hubbard (cornet), Anthony Williams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yQgv5bRqmnk"
    -referenceProduit: "Blue Note Records 84175"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. One Finger Snap "
      ]
      [
        "ordre" => 2
        "nom" => "2. Oliloqui Valley"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Cantaloupe Island "
      ]
      [
        "ordre" => 5
        "nom" => "2. The Egg"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1679644349 {#1929
      date: 2023-03-24 07:52:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769196539 {#1922
      date: 2026-01-23 19:28:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-empyrean-isles-blue-note-records-84175"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 1454
    -nom: "Henryk Szeryng in Recital"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound \r\n
      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - RCA Living Stereo Reissue Series N° 2 - 25 newly-remastered classical mainstays !\r\n
      \r\n
      Analogue Productions' RCA Living Stereo Reissue Series N° 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon - from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings - makers of the world's finest-sounding vinyl LPs, - no other editions match these for the quietest 180 gram platters available.\r\n
      \r\n
      Polish-born violinist Henryk Szeryng was probably the finest product of Carl Flesch's legendary teaching career (other luminaries to emerge from his studio in the years between the two World Wars include Ivry Gitlis and Ida Haendel). Possessing an iron technique and a musical intellect of rare insight, Szeryng established himself as one of the pre-eminent concert violinists of the post-World War II decades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Henryk Szeryng (violin), Charles Reiner (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GEsngUvAi6A"
    -referenceProduit: "Analogue Productions AAPC 2421"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "TOMASO ANTONIO VITALI"
      ]
      [
        "ordre" => 2
        "nom" => "1. Chaconne in G minor"
      ]
      [
        "ordre" => 3
        "nom" => "GUISEPPE TARTINI"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Devil's Trill"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "GUISEPPE TARTINI"
      ]
      [
        "ordre" => 7
        "nom" => "1. Variations On a Theme by Corelli"
      ]
      [
        "ordre" => 8
        "nom" => "CHRISTOPH WILLIBALD GLUCK"
      ]
      [
        "ordre" => 9
        "nom" => "2. Melodie"
      ]
      [
        "ordre" => 10
        "nom" => "FRITZ KREISLER"
      ]
      [
        "ordre" => 11
        "nom" => "3. Allegretto in The Style of Boccherini"
      ]
      [
        "ordre" => 12
        "nom" => "ROBERT SCHUMANN"
      ]
      [
        "ordre" => 13
        "nom" => "4. Prophetic Bird, Op. 32, N° 7"
      ]
      [
        "ordre" => 14
        "nom" => "ERNESTO HALFFTER, JASCHA HEIFETZ"
      ]
      [
        "ordre" => 15
        "nom" => "5. Danza de La Gitana"
      ]
      [
        "ordre" => 16
        "nom" => "HENRYK WIENIAWKSI"
      ]
      [
        "ordre" => 17
        "nom" => "6. Scherzo-Tarantelle, Op. 16"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1543910778 {#2095
      date: 2018-12-04 08:06:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769193280 {#2096
      date: 2026-01-23 18:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-henryk-szeryng-in-recital-analogue-productions-aapc-2421"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3277
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 1454
    -nom: "Henryk Szeryng in Recital"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound !\r\n
      - Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound \r\n
      - Lacquers plated by Gary Salstrom and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - RCA Living Stereo Reissue Series N° 2 - 25 newly-remastered classical mainstays !\r\n
      \r\n
      Analogue Productions' RCA Living Stereo Reissue Series N° 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon - from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original 3-track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings - makers of the world's finest-sounding vinyl LPs, - no other editions match these for the quietest 180 gram platters available.\r\n
      \r\n
      Polish-born violinist Henryk Szeryng was probably the finest product of Carl Flesch's legendary teaching career (other luminaries to emerge from his studio in the years between the two World Wars include Ivry Gitlis and Ida Haendel). Possessing an iron technique and a musical intellect of rare insight, Szeryng established himself as one of the pre-eminent concert violinists of the post-World War II decades.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Henryk Szeryng (violin), Charles Reiner (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GEsngUvAi6A"
    -referenceProduit: "Analogue Productions AAPC 2421"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "TOMASO ANTONIO VITALI"
      ]
      [
        "ordre" => 2
        "nom" => "1. Chaconne in G minor"
      ]
      [
        "ordre" => 3
        "nom" => "GUISEPPE TARTINI"
      ]
      [
        "ordre" => 4
        "nom" => "2. The Devil's Trill"
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "GUISEPPE TARTINI"
      ]
      [
        "ordre" => 7
        "nom" => "1. Variations On a Theme by Corelli"
      ]
      [
        "ordre" => 8
        "nom" => "CHRISTOPH WILLIBALD GLUCK"
      ]
      [
        "ordre" => 9
        "nom" => "2. Melodie"
      ]
      [
        "ordre" => 10
        "nom" => "FRITZ KREISLER"
      ]
      [
        "ordre" => 11
        "nom" => "3. Allegretto in The Style of Boccherini"
      ]
      [
        "ordre" => 12
        "nom" => "ROBERT SCHUMANN"
      ]
      [
        "ordre" => 13
        "nom" => "4. Prophetic Bird, Op. 32, N° 7"
      ]
      [
        "ordre" => 14
        "nom" => "ERNESTO HALFFTER, JASCHA HEIFETZ"
      ]
      [
        "ordre" => 15
        "nom" => "5. Danza de La Gitana"
      ]
      [
        "ordre" => 16
        "nom" => "HENRYK WIENIAWKSI"
      ]
      [
        "ordre" => 17
        "nom" => "6. Scherzo-Tarantelle, Op. 16"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2100 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1491 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1543910778 {#2095
      date: 2018-12-04 08:06:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769193280 {#2096
      date: 2026-01-23 18:34:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-henryk-szeryng-in-recital-analogue-productions-aapc-2421"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 761
    -nom: "The Pink Panther"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - Double LP cut at 45 RPM !\r\n
      - Plated and pressed on 180 gram vinyl by Quality Record Pressings !\r\n
      \r\n
      Marking the 50th anniversary of the score to the classic film, Analogue Productions and Quality Record Pressings have created a truly remarkable pressing for an audiophile classic. The soundtrack to the film "The Pink Panther".\r\n
      \r\n
      "Moon River" might be Henry Mancini's biggest hit, but it was Mancini's score for Blake Edwards's 1964 farce "The Pink Panther" that introduced his music to generations of children; the haunting, jazzy main theme was used in dozens of cartoon shorts that were broadcast on television for years. The Pink Panther Soundtrack features 12 songs.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Music from the Film Score Composed and Conducted by HENRY MANCINI"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QcDkUf6rz60"
    -referenceProduit: "Analogue Productions AAPP 2795-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Pink Panther Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Had Better Be Tonight (Instrumental)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Royal Blue"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Champagne and Quail"
      ]
      [
        "ordre" => 6
        "nom" => "2. The Village Inn"
      ]
      [
        "ordre" => 7
        "nom" => "3. The Tiber Twist"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. It Had Better Be Tonight (Vocal)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Cortina"
      ]
      [
        "ordre" => 11
        "nom" => "3. The Lonely Princess"
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        "nom" => "Side D : "
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        "nom" => "1. Something For Sellers"
      ]
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        "ordre" => 14
        "nom" => "2. Piano and Strings"
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      [
        "ordre" => 15
        "nom" => "3. Shades of Sennett"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1513 …}
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    -modifierLe: DateTime @1769193046 {#2115
      date: 2026-01-23 18:30:46.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3328
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
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      \r\n
      Marking the 50th anniversary of the score to the classic film, Analogue Productions and Quality Record Pressings have created a truly remarkable pressing for an audiophile classic. The soundtrack to the film "The Pink Panther".\r\n
      \r\n
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    -prixVente: "99.50"
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        "nom" => "3. Shades of Sennett"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -modifierLe: DateTime @1769193046 {#2115
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[
  "produit" => App\Entity\Produit {#2136
    -id: 1262
    -nom: "Hatari !"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Now on 45 RPM LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
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      Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy Hatari !\r\n
      \r\n
      "This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler "The Sounds of Hatari", which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song "Just for Tonight" would be as much a success as Tiffany's "Moon River", but if Hatari ! is memorable for anything, it's for the incredibly goofy "Baby Elephant Walk", which has gone on to be infamous musical shorthand for kookiness of any stripe". - AllMusic.com.\r\n
      \r\n
      Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 45 RPM, plated and pressed as a 180 Gram LP at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Henry Mancini And His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aKJzMzf7TVE"
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      [
        "ordre" => 11
        "nom" => "2. Crocodile, Go Home !"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -modifierLe: DateTime @1769192832 {#2134
      date: 2026-01-23 18:27:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3381
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2136
    -id: 1262
    -nom: "Hatari !"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
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      - Plated and pressed by Quality Record Pressings !\r\n
      - Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
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      "This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler "The Sounds of Hatari", which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song "Just for Tonight" would be as much a success as Tiffany's "Moon River", but if Hatari ! is memorable for anything, it's for the incredibly goofy "Baby Elephant Walk", which has gone on to be infamous musical shorthand for kookiness of any stripe". - AllMusic.com.\r\n
      \r\n
      Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 45 RPM, plated and pressed as a 180 Gram LP at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Henry Mancini And His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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        "nom" => "2. Crocodile, Go Home !"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -enregistreLe: DateTime @1514617084 {#2133
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    -modifierLe: DateTime @1769192832 {#2134
      date: 2026-01-23 18:27:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
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    -slug: "vinyles-hatari-analogue-productions-aapp-2559-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2149
    -id: 762
    -nom: "Hatari !"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - 180 gram 33 1/3 LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
      - Featuring "Baby Elephant Walk" !\r\n
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      Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy Hatari !\r\n
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      "This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler "The Sounds of Hatari", which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song "Just for Tonight" would be as much a success as Tiffany's "Moon River", but if Hatari! is memorable for anything, it's for the incredibly goofy "Baby Elephant Walk", which has gone on to be infamous musical shorthand for kookiness of any stripe". - AllMusic.com. Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route - remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 33 1/3 RPM, plated and pressed as a 200 gram LP at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Henry Mancini And His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=1jpM7aUrMGc"
    -referenceProduit: "Analogue Productions AAPP 2559"
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      ]
      [
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        "nom" => "4. Crocodile, Go Home !"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -enregistreLe: DateTime @1426428266 {#2146
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    -modifierLe: DateTime @1769192657 {#2147
      date: 2026-01-23 18:24:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2154 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3429
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2149
    -id: 762
    -nom: "Hatari !"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - 180 gram 33 1/3 LP, mastered at Sterling Sound by Ryan Smith from the analog tapes !\r\n
      - Plated and pressed by Quality Record Pressings !\r\n
      - Deluxe "tip-on" gatefold jackets by Stoughton Printing !\r\n
      - Featuring "Baby Elephant Walk" !\r\n
      \r\n
      Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy Hatari !\r\n
      \r\n
      "This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler "The Sounds of Hatari", which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song "Just for Tonight" would be as much a success as Tiffany's "Moon River", but if Hatari! is memorable for anything, it's for the incredibly goofy "Baby Elephant Walk", which has gone on to be infamous musical shorthand for kookiness of any stripe". - AllMusic.com. Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route - remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 33 1/3 RPM, plated and pressed as a 200 gram LP at Quality Record Pressings. Then packaged in deluxe tip-on gatefold jackets from Stoughton Printing. A great title, a brilliant reissue. Exceptional !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Henry Mancini And His Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=1jpM7aUrMGc"
    -referenceProduit: "Analogue Productions AAPP 2559"
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[
  "produit" => App\Entity\Produit {#2162
    -id: 1840
    -nom: "Helen Merrill"
    -informationComplementaire: null
    -description: """
      - A jewel of a jazz performance Helen Merrill's 1955 debut delivers !\r\n
      - Produced and arranged by Quincy Jones !\r\n
      - Includes noted trumpeter Clifford Brown !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plating and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - A rare record, original copies selling for more than $1000 !\r\n
      \r\n
      "I confess my ignorance of jazz singer Helen Merrill or so it was until a couple of weeks ago, when Chad Kassem of Acoustic Sounds sent me a test pressing of his forthcoming reissue of her eponymous 1955 debut LP (EmArcy MG 36006 / Analogue Productions AAPJ 127). To say I was impressed is an understatement. The album was recorded in December of 1954 by the legendary Bob Fine, at Fine Sound Inc., 711 5th Avenue in New York. Merrill, then only 24, was backed by a combo that included Clifford Brown on trumpet, Oscar Pettiford on bass, and pianist Jimmy Jones, with arrangements by Quincy Jones himself a mere 21 years old at the time. The mono sound is on the (pleasantly) dry side and very forward, with taut-sounding drums and bass and an intimate vocal sound that at times comes close to being overly sibilant but never quite carries out the threat. Merrill's intonation isn't always spot-on (as in the intro to 'Yesterdays'), but there's something about her voice an odd combination of breathy innocence and husky-toned experience that pulls me in time after time. (In 'Don't Explain', she intones the word quiet in a manner that could launch any number of ships). And Clifford Brown's trumpet is, as one might expect, perfect. Prices for the original mono LP reach into four-figure territory, so news of an affordable reissue is very good news indeed. Torch on". - Art Dudley, Stereophile, March 2020\r\n
      \r\n
      Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.\r\n
      \r\n
      Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200 gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7 inch singles recorded and released in conjunction with the original 1955 album release.\r\n
      \r\n
      Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill made her recording debut in 1952 when she sang "A Cigarette For Company" with the Earl Hines Band; the song was released on the D'Oro label, created specifically to record Hines' band with Merrill. The session was also notable for including vocalist Etta Jones, who was in Hines' band at the time. Merrill was later signed by Mercury Records to their EmArcy label. Helen Merrill is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old !\r\n
      \r\n
      The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. "The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown". Her success associated Merrill with the first generation of bebop jazz musicians.\r\n
      \r\n
      Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.\r\n
      \r\n
      This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1000 !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Helen Merrill (vocals), Jimmy Jones (piano), Clifford Brown (trumpet), Oscar Pettiford (bass, cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=t16xMI29TPk"
    -referenceProduit: "Analogue Productions AAPJ 0127"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. Don't Explain"
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      [
        "ordre" => 2
        "nom" => "2. You'd Be So Nice To Come Home To"
      ]
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        "ordre" => 3
        "nom" => "3. What's New"
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      [
        "ordre" => 5
        "nom" => "1. Falling In Love With Love"
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        "nom" => "3. Born To Be Blue"
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        "nom" => "4. 'S Wonderful"
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
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    -id: 1840
    -nom: "Helen Merrill"
    -informationComplementaire: null
    -description: """
      - A jewel of a jazz performance Helen Merrill's 1955 debut delivers !\r\n
      - Produced and arranged by Quincy Jones !\r\n
      - Includes noted trumpeter Clifford Brown !\r\n
      - Remastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plating and 180 gram pressing by Quality Record Pressings !\r\n
      - Tip-on gatefold jacket by Stoughton Printing !\r\n
      - A rare record, original copies selling for more than $1000 !\r\n
      \r\n
      "I confess my ignorance of jazz singer Helen Merrill or so it was until a couple of weeks ago, when Chad Kassem of Acoustic Sounds sent me a test pressing of his forthcoming reissue of her eponymous 1955 debut LP (EmArcy MG 36006 / Analogue Productions AAPJ 127). To say I was impressed is an understatement. The album was recorded in December of 1954 by the legendary Bob Fine, at Fine Sound Inc., 711 5th Avenue in New York. Merrill, then only 24, was backed by a combo that included Clifford Brown on trumpet, Oscar Pettiford on bass, and pianist Jimmy Jones, with arrangements by Quincy Jones himself a mere 21 years old at the time. The mono sound is on the (pleasantly) dry side and very forward, with taut-sounding drums and bass and an intimate vocal sound that at times comes close to being overly sibilant but never quite carries out the threat. Merrill's intonation isn't always spot-on (as in the intro to 'Yesterdays'), but there's something about her voice an odd combination of breathy innocence and husky-toned experience that pulls me in time after time. (In 'Don't Explain', she intones the word quiet in a manner that could launch any number of ships). And Clifford Brown's trumpet is, as one might expect, perfect. Prices for the original mono LP reach into four-figure territory, so news of an affordable reissue is very good news indeed. Torch on". - Art Dudley, Stereophile, March 2020\r\n
      \r\n
      Helen Merrill attributed her childhood musical influence to her mother's singing. Truth is, she didn't wait long herself to make a mark as a teenage jazz ingénue, following-up with the notable self-titled LP you have in your hands, newly remastered, and reissued by Analogue Productions.\r\n
      \r\n
      Helen Merrill arrives, remastered by Kevin Gray at Cohearant Audio, and plated and pressed to 200 gram vinyl by the dedicated crew at Quality Record Pressings, supervised by plating expert and general manager Gary Salstrom. No less than an old-style, tip-on Stoughton Printing gatefold jacket would suffice for such a phenomenal-sounding reissue. Rare photographs inside the gatefold originally appeared as sleeve art for the 7 inch singles recorded and released in conjunction with the original 1955 album release.\r\n
      \r\n
      Helen Merrill was born in New York City on July 21, 1930. Her professional career began at the age of 15 when, after singing at theatres and winning amateur contests, she landed a job as vocalist with Reggie Charles' Band. Merrill made her recording debut in 1952 when she sang "A Cigarette For Company" with the Earl Hines Band; the song was released on the D'Oro label, created specifically to record Hines' band with Merrill. The session was also notable for including vocalist Etta Jones, who was in Hines' band at the time. Merrill was later signed by Mercury Records to their EmArcy label. Helen Merrill is her debut studio album, backed by among others, trumpeter Clifford Brown and bassist/cellist Oscar Pettiford. The legendary Quincy Jones produced and arranged the album when he was just 21-years-old !\r\n
      \r\n
      The success of Helen Merrill prompted Mercury to sign her for an additional four-album contract. AllMusic reviewer Scott Yanow gave Helen Merrill 4 1/2 stars. "The music is essentially straight-ahead bop, yet the seven standards ... are uplifted by the presence of Merrill (in top form) and Brown". Her success associated Merrill with the first generation of bebop jazz musicians.\r\n
      \r\n
      Merrill's career continued with recordings and concerts throughout six decades, until the early 2000s. Her emotional, sensual vocal performances, particularly this engaging debut, stand as testament to her immense talent.\r\n
      \r\n
      This is a high-quality reissue of a rare and valuable record. Original copies have sold for more than $1000 !
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Helen Merrill (vocals), Jimmy Jones (piano), Clifford Brown (trumpet), Oscar Pettiford (bass, cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=t16xMI29TPk"
    -referenceProduit: "Analogue Productions AAPJ 0127"
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2164 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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}

[
  "produit" => App\Entity\Produit {#2178
    -id: 2629
    -nom: "Songs I Like To Sing!"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Helen Humes (vocals), Art Pepper (alto saxophone, clarinet), Bill Hood (baritone saxophone), Leroy Vinnegar (bass), Eleanor Slatkin (cello), Barney Kessel (guitar), André Previn (piano), Ben Webster, Teddy Edwards (tenor saxophone),Bob Fitzpatrick, Harry Betts (trombone), Al Porcino, Jack Sheldon, Ray Triscari, Stu Williamson (trumpet), Alvin Dinkin (viola), James Getzoff, Joseph Stepansky (violin), Shelly Manne (drums).\r\n
      \r\n
      - Contemporary Records Acoustic Sounds Series continues in 2024 !\r\n
      - Twelve standout albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records ! \r\n
      \r\n
      Helen Humes takes on the standards on her second Contemporary Records release, Songs I Like to Sing! The Louisville native got her start as a jazz and blues vocalist including a stretch with the Count Basie Orchestra but went on to define the sound of swing music. Los Angeles Times jazz critic Leonard Feather once remarked, "No other singer had a comparable mastery of both ballads and blues". Her silken-voiced renditions of "If I Could Be With You" and "You're Driving Me Crazy" at once exude wistfulness, but mostly joy. With Hume backed by a Dream Team of musicians, the album features a wealth of gold-standard saxophonists such as Ben Webster, Teddy Edwards, and Art Pepper.\r\n
      \r\n
      This new edition released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180 gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
      """
    -prixVente: "48.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Helen Humes (vocals), Art Pepper (alto saxophone, clarinet), Bill Hood (baritone saxophone), Leroy Vinnegar (bass), Eleanor Slatkin (cello), Barney Kessel (guitar), André Previn (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qrjts9RfBgg"
    -referenceProduit: "Acoustic Sounds Series Contemporary 0714"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. If I Could Be with You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Don't Worry 'Bout Me"
      ]
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        "ordre" => 3
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App\Twig\Components\GestionPanierFavoriComponents {#3526
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  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2178
    -id: 2629
    -nom: "Songs I Like To Sing!"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Helen Humes (vocals), Art Pepper (alto saxophone, clarinet), Bill Hood (baritone saxophone), Leroy Vinnegar (bass), Eleanor Slatkin (cello), Barney Kessel (guitar), André Previn (piano), Ben Webster, Teddy Edwards (tenor saxophone),Bob Fitzpatrick, Harry Betts (trombone), Al Porcino, Jack Sheldon, Ray Triscari, Stu Williamson (trumpet), Alvin Dinkin (viola), James Getzoff, Joseph Stepansky (violin), Shelly Manne (drums).\r\n
      \r\n
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      - Twelve standout albums from the Contemporary Records catalog reissued on 180 gram vinyl !\r\n
      - Titles featuring Art Pepper, Sonny Rollins, Helen Humes, Ben Webster and many more !\r\n
      - Mastered AAA by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      - Continuing Craft Recordings' celebration of seminal jazz artists from Contemporary Records ! \r\n
      \r\n
      Helen Humes takes on the standards on her second Contemporary Records release, Songs I Like to Sing! The Louisville native got her start as a jazz and blues vocalist including a stretch with the Count Basie Orchestra but went on to define the sound of swing music. Los Angeles Times jazz critic Leonard Feather once remarked, "No other singer had a comparable mastery of both ballads and blues". Her silken-voiced renditions of "If I Could Be With You" and "You're Driving Me Crazy" at once exude wistfulness, but mostly joy. With Hume backed by a Dream Team of musicians, the album features a wealth of gold-standard saxophonists such as Ben Webster, Teddy Edwards, and Art Pepper.\r\n
      \r\n
      This new edition released as part of the Contemporary Records Acoustic Sounds Series, features (AAA) lacquers cut from the original master tapes by Bernie Grundman and is pressed on 180 gram vinyl at QRP, and presented in a Stoughton Printing tip-on jacket.
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    -prixVente: "48.00"
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    -musicienOrchestre: "Helen Humes (vocals), Art Pepper (alto saxophone, clarinet), Bill Hood (baritone saxophone), Leroy Vinnegar (bass), Eleanor Slatkin (cello), Barney Kessel (guitar), André Previn (piano)..."
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        "nom" => "Side B : "
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        "ordre" => 8
        "nom" => "1. You're Driving Me Crazy"
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        "nom" => "6. Please Don't Talk About Me When I'm Gone"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2180 …}
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[
  "produit" => App\Entity\Produit {#2199
    -id: 2917
    -nom: "Verities & Balderdash"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - The 1974 Folk-Rock Album That Impacted Generations: Harry Chapin’s Verities & Balderdash Features “Cat’s in the Cradle”, Personal Narratives, and Gorgeous Arrangements !\r\n
      - Hear the Singer-Songwriter’s Most Successful Record in Audiophile Sound for the First Time on Vinyl : Mobile Fidelity’s 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies !\r\n
      - ¼” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      How enduring is the signature song from Harry Chapin’s Verities & Balderdash? So timeless that it became the subject of a 2025 documentary in which artists from multiple generations weigh in on its impact on their lives and craft. “Cat’s in the Cradle” doubtlessly remains the main event on the singer-songwriter’s 1974 album. The legendary opening track also serves as a guidepost for the bold personal and social material that follows as well as the gorgeous folk-rock arrangements that underpin the New York native’s most commercially successful work. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, housed in a Stoughton jacket complete with a four-page insert, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180g 33RPM LP of Verities & Balderdash presents Chapin’s fourth full-length in audiophile quality for the first time on vinyl. Captured during a golden era for sonics and production, the Top 5 effort features remarkable tonal balance, instrumental separation, and organic naturalism. Those valued aspects come into supreme focus on this reissue, which plays with dead-quiet surfaces and a low noise floor.\r\n
      \r\n
      The newfound clarity, openness, and imaging underscore the lasting appeal of Chapin’s tender deliveries, soulful timbre, and careful phrasing. Every word comes across with incredible realism, while his underrated guitar playing occupies its own distinctive space. Also notable: The extension of the tasteful string accents; airiness of the backing vocals; depth and shape of the spare bass lines; and width and depth of the soundstaging. When on “Six String Orchestra” Chapin calls out names of instruments, they appear like magic, the band performing feet from you. Chapin has never sounded so lifelike on record. \r\n
      \r\n
      Certified double platinum, Verities & Balderdash resonated with the times and public. “Cat’s in the Cradle” reached No. 1 on the chart on its way to being inducted into the Grammy Hall of Fame. The romantic ballad “I Wanna Learn a Love Song” flirted with the Top 40 and wrapped listeners in the equivalent of a cozy blanket. The record’s other single, the mini-epic “What Made America Famous ?”, helped establish Chapin as one of the country’s most incisive and insightful commentators. \r\n
      \r\n
      Verities & Balderdash teems with situational devices and topical matters. Chapin observes everything from the polarization of the nation to changes in moral standards and cultural priorities. He investigates pressing themes without ever turning preachy or elevating himself above the matters at hand. On “Halfway to Heaven”, whose coda races to the finish and ranks as the most urgent moment on the record, Chapin inhabits the mind of his frustrated protagonist akin to an eagle-eyed novelist.\r\n
      \r\n
      Conveying emotions that range from melancholic to carefree, Chapin is as much of a singer as a storyteller. He assumes the voice of multiple characters within a single narrative. During the quirky “30000 Pounds of Bananas”, a tale based on a delivery-truck accident in 1965, Chapin alters his delivery, pronunciation, and diction to become an old man reflecting on the mishap and mess. The tempo, too, adjusts to match the speed of the vehicle Chapin describes. \r\n
      \r\n
      Adorned with timely laugh tracks to reinforce the bittersweet humor, the stripped-down “Six String Orchestra” takes everything up another notch, with Chapin intentionally missing guitar notes or playing a broken passage to illustrate the failures of the hopeful protagonist who doesn’t have what’s required to make it as an artist. \r\n
      \r\n
      Chapin, of course, did not have any such problem. The lynchpin of a career cut short by a tragic traffic incident, Verities & Balderdash is Exhibit A of the savvy craft, feeling, and perspective he lent to American music.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Harry Chapin (acoustic guitar, lead vocals), John Wallace (electric & acoustic guitars), Steve Chapin (keyboards, vocals), Don Gohde –(bass guitar), Howie Fields (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jmhoOp2fUzg&list=PLI8ijolyvFB2qiwvKZE9IqmToU2R-C-n7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-614"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
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    -id: 2917
    -nom: "Verities & Balderdash"
    -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - The 1974 Folk-Rock Album That Impacted Generations: Harry Chapin’s Verities & Balderdash Features “Cat’s in the Cradle”, Personal Narratives, and Gorgeous Arrangements !\r\n
      - Hear the Singer-Songwriter’s Most Successful Record in Audiophile Sound for the First Time on Vinyl : Mobile Fidelity’s 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies !\r\n
      - ¼” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      How enduring is the signature song from Harry Chapin’s Verities & Balderdash? So timeless that it became the subject of a 2025 documentary in which artists from multiple generations weigh in on its impact on their lives and craft. “Cat’s in the Cradle” doubtlessly remains the main event on the singer-songwriter’s 1974 album. The legendary opening track also serves as a guidepost for the bold personal and social material that follows as well as the gorgeous folk-rock arrangements that underpin the New York native’s most commercially successful work. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, housed in a Stoughton jacket complete with a four-page insert, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180g 33RPM LP of Verities & Balderdash presents Chapin’s fourth full-length in audiophile quality for the first time on vinyl. Captured during a golden era for sonics and production, the Top 5 effort features remarkable tonal balance, instrumental separation, and organic naturalism. Those valued aspects come into supreme focus on this reissue, which plays with dead-quiet surfaces and a low noise floor.\r\n
      \r\n
      The newfound clarity, openness, and imaging underscore the lasting appeal of Chapin’s tender deliveries, soulful timbre, and careful phrasing. Every word comes across with incredible realism, while his underrated guitar playing occupies its own distinctive space. Also notable: The extension of the tasteful string accents; airiness of the backing vocals; depth and shape of the spare bass lines; and width and depth of the soundstaging. When on “Six String Orchestra” Chapin calls out names of instruments, they appear like magic, the band performing feet from you. Chapin has never sounded so lifelike on record. \r\n
      \r\n
      Certified double platinum, Verities & Balderdash resonated with the times and public. “Cat’s in the Cradle” reached No. 1 on the chart on its way to being inducted into the Grammy Hall of Fame. The romantic ballad “I Wanna Learn a Love Song” flirted with the Top 40 and wrapped listeners in the equivalent of a cozy blanket. The record’s other single, the mini-epic “What Made America Famous ?”, helped establish Chapin as one of the country’s most incisive and insightful commentators. \r\n
      \r\n
      Verities & Balderdash teems with situational devices and topical matters. Chapin observes everything from the polarization of the nation to changes in moral standards and cultural priorities. He investigates pressing themes without ever turning preachy or elevating himself above the matters at hand. On “Halfway to Heaven”, whose coda races to the finish and ranks as the most urgent moment on the record, Chapin inhabits the mind of his frustrated protagonist akin to an eagle-eyed novelist.\r\n
      \r\n
      Conveying emotions that range from melancholic to carefree, Chapin is as much of a singer as a storyteller. He assumes the voice of multiple characters within a single narrative. During the quirky “30000 Pounds of Bananas”, a tale based on a delivery-truck accident in 1965, Chapin alters his delivery, pronunciation, and diction to become an old man reflecting on the mishap and mess. The tempo, too, adjusts to match the speed of the vehicle Chapin describes. \r\n
      \r\n
      Adorned with timely laugh tracks to reinforce the bittersweet humor, the stripped-down “Six String Orchestra” takes everything up another notch, with Chapin intentionally missing guitar notes or playing a broken passage to illustrate the failures of the hopeful protagonist who doesn’t have what’s required to make it as an artist. \r\n
      \r\n
      Chapin, of course, did not have any such problem. The lynchpin of a career cut short by a tragic traffic incident, Verities & Balderdash is Exhibit A of the savvy craft, feeling, and perspective he lent to American music.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Harry Chapin (acoustic guitar, lead vocals), John Wallace (electric & acoustic guitars), Steve Chapin (keyboards, vocals), Don Gohde –(bass guitar), Howie Fields (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=jmhoOp2fUzg&list=PLI8ijolyvFB2qiwvKZE9IqmToU2R-C-n7"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-614"
    -titreMorceau: [
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        "ordre" => 2
        "nom" => "2. I Wanna Learn a Love Song"
      ]
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        "ordre" => 3
        "nom" => "3. Shooting Star"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2201 …}
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      date: 2025-12-23 10:51:08.0 UTC (+00:00)
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    -modifierLe: DateTime @1769190353 {#2194
      date: 2026-01-23 17:45:53.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2218
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0xGPi-Al3zQ&list=RDEMLs3blA1ExxaZ9gmnDGyznw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-065"
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        "nom" => "Side A :"
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        "ordre" => 3
        "nom" => "3. Blue Letter"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rhiannon"
      ]
      [
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        "nom" => "2. Over My Head"
      ]
      [
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        "nom" => "3. Crystal"
      ]
      [
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        "nom" => "Side C :"
      ]
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        "ordre" => 9
        "nom" => "1. Say You Love Me"
      ]
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      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sugar Daddy"
      ]
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      date: 2025-11-03 18:55:50.0 UTC (+00:00)
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    -modifierLe: DateTime @1769190182 {#2216
      date: 2026-01-23 17:43:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2226 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fleetwood-mac-box-set-2-lp-180-gram-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-065"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3628
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2218
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0xGPi-Al3zQ&list=RDEMLs3blA1ExxaZ9gmnDGyznw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-065"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Monday Morning"
      ]
      [
        "ordre" => 2
        "nom" => "2. Warm Ways"
      ]
      [
        "ordre" => 3
        "nom" => "3. Blue Letter"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rhiannon"
      ]
      [
        "ordre" => 6
        "nom" => "2. Over My Head"
      ]
      [
        "ordre" => 7
        "nom" => "3. Crystal"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Say You Love Me"
      ]
      [
        "ordre" => 10
        "nom" => "2. Landslide"
      ]
      [
        "ordre" => 11
        "nom" => "3. World Turning"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sugar Daddy"
      ]
      [
        "ordre" => 14
        "nom" => "2. I’m So Afraid"
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      [
        "ordre" => 15
        "nom" => ""
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      [
        "ordre" => 16
        "nom" => ""
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      [
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        "nom" => ""
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      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2220 …}
    -label: Proxies\__CG__\App\Entity\Label {#2204 …}
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      date: 2026-01-23 17:43:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2234
    -id: 1937
    -nom: "Hank"
    -informationComplementaire: null
    -description: """
      - Hank Mobley "Hank" 180-gram gatefold !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      Tenor saxophonist Hank Mobley made his first appearance on Blue Note Records in 1954 as a member of The Jazz Messengers under the leadership of Horace Silver and began leading his own dates the following year marking the start of a fruitful 15 year run on the label.\r\n
      \r\n
      Mobley was still establishing his unique identity as an improvisor with a lyrical, swinging style and as a composer of note on his early Blue Note sides including the 1957 sextet album Hank featuring Donald Byrd on trumpet, John Jenkins on alto sax, Bobby Timmons on piano, Wilbur Ware on bass, and Philly Joe Jones on drums. Side One presents two enticing Mobley originals "Fit For A Hanker" and "Hi Groove, Low Feedback" while Side Two features a brisky, jaunt through Cole Porter's "You'd Be So Easy To Love" and an elegant performance of the Styne-Cahn ballad "Time After Time" before closing with a hard-charging romp on Bud Powell's "Dance Of The Infidels".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Lee Morgan (trumpet), Curtis Porter "a.k.a. Shafi Hadi" (alto saxophone), Sonny Clark (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5vugQ4IpY4E"
    -referenceProduit: "Blue Note Tone Poet Series 8837"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fit For A Hanker"
      ]
      [
        "ordre" => 2
        "nom" => "2. Hi Groove, Low Feed-Back "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Easy To Love"
      ]
      [
        "ordre" => 5
        "nom" => "2. Time After Time"
      ]
      [
        "ordre" => 6
        "nom" => "3. Dance Of The Infidels"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
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        "nom" => ""
      ]
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      ]
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        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#2239 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2248 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2241 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2243 …}
    -enregistreLe: DateTime @1602830241 {#2231
      date: 2020-10-16 06:37:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769183845 {#2232
      date: 2026-01-23 15:57:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2245 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hank-blue-note-tone-poet-series-8837"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3679
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2234
    -id: 1937
    -nom: "Hank"
    -informationComplementaire: null
    -description: """
      - Hank Mobley "Hank" 180-gram gatefold !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      Tenor saxophonist Hank Mobley made his first appearance on Blue Note Records in 1954 as a member of The Jazz Messengers under the leadership of Horace Silver and began leading his own dates the following year marking the start of a fruitful 15 year run on the label.\r\n
      \r\n
      Mobley was still establishing his unique identity as an improvisor with a lyrical, swinging style and as a composer of note on his early Blue Note sides including the 1957 sextet album Hank featuring Donald Byrd on trumpet, John Jenkins on alto sax, Bobby Timmons on piano, Wilbur Ware on bass, and Philly Joe Jones on drums. Side One presents two enticing Mobley originals "Fit For A Hanker" and "Hi Groove, Low Feedback" while Side Two features a brisky, jaunt through Cole Porter's "You'd Be So Easy To Love" and an elegant performance of the Styne-Cahn ballad "Time After Time" before closing with a hard-charging romp on Bud Powell's "Dance Of The Infidels".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Lee Morgan (trumpet), Curtis Porter "a.k.a. Shafi Hadi" (alto saxophone), Sonny Clark (piano), Paul Chambers (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5vugQ4IpY4E"
    -referenceProduit: "Blue Note Tone Poet Series 8837"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Fit For A Hanker"
      ]
      [
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        "nom" => "2. Hi Groove, Low Feed-Back "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. Easy To Love"
      ]
      [
        "ordre" => 5
        "nom" => "2. Time After Time"
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      [
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        "nom" => "3. Dance Of The Infidels"
      ]
      [
        "ordre" => 7
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      ]
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      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#2239 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2248 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2241 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2243 …}
    -enregistreLe: DateTime @1602830241 {#2231
      date: 2020-10-16 06:37:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769183845 {#2232
      date: 2026-01-23 15:57:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2245 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hank-blue-note-tone-poet-series-8837"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2255
    -id: 380
    -nom: "Workout"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Tenor saxophonist Hank Mobley was at the peak of his powers throughout the early 1960s as he produced a staggering run of hard bop classics including Soul Station, Roll Call, Workout, No Room For Squares, and The Turnaround.\r\n
      \r\n
      Recorded in 1961, Workout was an energetic quintet outing featuring Mobley with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers, and drummer Philly Joe Jones. The spirited five-song set consisted of four dynamic Mobley originals-"Workout", "Uh Huh", "Smokin'", and "Greasin' Easy" that proved to be ideal vehicles inspiring vigorous improvisations from each of the soloists. The lone standard "The Best Things In Life Are Free" taken from the musical Good News was a showcase for Mobley's more lyrical side.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Grant Green (guitar), Wynton Kelly (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z5vX4zJ91VE"
    -referenceProduit: "Blue Note Records 1480"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
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        "nom" => "1. Workout"
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      [
        "ordre" => 2
        "nom" => "1. Uh Huh"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Smokin'"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Best Things in Life are Free"
      ]
      [
        "ordre" => 6
        "nom" => "3. Greasin' Easy"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …}
    -enregistreLe: DateTime @1278691306 {#2251
      date: 2010-07-09 16:01:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769182907 {#2250
      date: 2026-01-23 15:41:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-workout-blue-note-records-1480"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3732
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2255
    -id: 380
    -nom: "Workout"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      \r\n
      Tenor saxophonist Hank Mobley was at the peak of his powers throughout the early 1960s as he produced a staggering run of hard bop classics including Soul Station, Roll Call, Workout, No Room For Squares, and The Turnaround.\r\n
      \r\n
      Recorded in 1961, Workout was an energetic quintet outing featuring Mobley with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers, and drummer Philly Joe Jones. The spirited five-song set consisted of four dynamic Mobley originals-"Workout", "Uh Huh", "Smokin'", and "Greasin' Easy" that proved to be ideal vehicles inspiring vigorous improvisations from each of the soloists. The lone standard "The Best Things In Life Are Free" taken from the musical Good News was a showcase for Mobley's more lyrical side.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Grant Green (guitar), Wynton Kelly (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=z5vX4zJ91VE"
    -referenceProduit: "Blue Note Records 1480"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Workout"
      ]
      [
        "ordre" => 2
        "nom" => "1. Uh Huh"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Smokin'"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Best Things in Life are Free"
      ]
      [
        "ordre" => 6
        "nom" => "3. Greasin' Easy"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2263 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2256 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2258 …}
    -enregistreLe: DateTime @1278691306 {#2251
      date: 2010-07-09 16:01:46.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769182907 {#2250
      date: 2026-01-23 15:41:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2260 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-workout-blue-note-records-1480"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

[
  "produit" => App\Entity\Produit {#2270
    -id: 1985
    -nom: "Soul Station"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder's studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece : Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis" and the title track, and the swinging up-tempo numbers "This I Dig of You" and "Split Feelin's". Soul Station endures as a jazz classic for the ages !
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UhWQkr4Ym94"
    -referenceProduit: "Blue Note Records 84031"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Remember"
      ]
      [
        "ordre" => 2
        "nom" => "2. This I Dig of You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Dig Dis"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Split Feelin's"
      ]
      [
        "ordre" => 6
        "nom" => "2. Soul Station"
      ]
      [
        "ordre" => 7
        "nom" => "3. If I Should Lose You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#2272 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2281 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2274 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2276 …}
    -enregistreLe: DateTime @1613464065 {#2266
      date: 2021-02-16 08:27:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769182459 {#2265
      date: 2026-01-23 15:34:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2278 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soul-station-blue-note-records-84031"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3780
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2705 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2270
    -id: 1985
    -nom: "Soul Station"
    -informationComplementaire: null
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      Tenor saxophonist Hank Mobley had already led nine dates for Blue Note Records by the time he arrived at Rudy Van Gelder's studio on February 7, 1960 with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, but on that day the quartet laid down what would become his masterpiece : Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis" and the title track, and the swinging up-tempo numbers "This I Dig of You" and "Split Feelin's". Soul Station endures as a jazz classic for the ages !
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Hank Mobley (tenor saxophone), Wynton Kelly (piano), Paul Chambers (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UhWQkr4Ym94"
    -referenceProduit: "Blue Note Records 84031"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Remember"
      ]
      [
        "ordre" => 2
        "nom" => "2. This I Dig of You"
      ]
      [
        "ordre" => 3
        "nom" => "3. Dig Dis"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Split Feelin's"
      ]
      [
        "ordre" => 6
        "nom" => "2. Soul Station"
      ]
      [
        "ordre" => 7
        "nom" => "3. If I Should Lose You"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2236 …}
    -label: Proxies\__CG__\App\Entity\Label {#2272 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2281 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2274 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2276 …}
    -enregistreLe: DateTime @1613464065 {#2266
      date: 2021-02-16 08:27:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769182459 {#2265
      date: 2026-01-23 15:34:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2278 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soul-station-blue-note-records-84031"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3976
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2473 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3977 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4025 …}
  +isValidated: false
  +validatedFields: []
}