Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2432
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2279 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2509
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2512 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2511 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2085 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2279 …}
  -formView: Symfony\Component\Form\FormView {#2548 …}
  -form: Symfony\Component\Form\Form {#2698 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1883
    -id: 3049
    -nom: "Cannonball's Sharpshooters"
    -informationComplementaire: "Un tir en plein cœur du hard bop. Avec "Cannonball’s Sharpshooters", Cannonball Adderley réunit un quintet d’exception pour un jazz précis, vibrant et groove. Chaque morceau atteint sa cible avec une intensité irrésistible."
    -description: """
      Paru en 1958, "Cannonball’s Sharpshooters" capture l’essence du hard bop dans ce qu’il a de plus direct et percutant. À la tête d’un quintet remarquable, Cannonball Adderley déploie un jeu d’alto à la fois fluide, puissant et expressif, soutenu par une section rythmique solide et inspirée.\r\n
      \r\n
      À ses côtés, son frère Nat Adderley apporte une chaleur et une profondeur supplémentaires avec son cornet, tandis que Junior Mance insuffle une élégance bluesy au piano. La section rythmique, portée par Sam Jones à la contrebasse et Jimmy Cobb à la batterie, assure un swing constant et dynamique.\r\n
      \r\n
      L’album se distingue par son équilibre entre compositions originales et standards revisités, toujours servis par une interaction collective précise et inspirée. Le titre de l’album n’est pas usurpé, chaque musicien vise juste, avec une maîtrise technique et une sensibilité qui font mouche à chaque instant.\r\n
      \r\n
      - Cannonball Adderley "Cannonball's Sharpshooters" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory.\r\n
      \r\n
      The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180-gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Junior Mance (piano), Sam Jones (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O-7isGsg6Fs&list=PLEyxWPyoryRICqmDTstTsKRhjGm07nVoI"
    -referenceProduit: "Verve Records (Vault Series) 0852"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Our Delight"
      ]
      [
        "ordre" => 2
        "nom" => "2. What's New"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fuller Bop Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jubilation "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Stay On It"
      ]
      [
        "ordre" => 7
        "nom" => "2. If I Love Again"
      ]
      [
        "ordre" => 8
        "nom" => "3. Straight, No Chaser"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1775457162 {#1870
      date: 2026-04-06 06:32:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803541 {#1894
      date: 2026-04-21 20:32:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cannonball-s-sharpshooters-verve-records-vault-series-0852"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2985
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2511 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2085 …}
  +produit: App\Entity\Produit {#1883
    -id: 3049
    -nom: "Cannonball's Sharpshooters"
    -informationComplementaire: "Un tir en plein cœur du hard bop. Avec "Cannonball’s Sharpshooters", Cannonball Adderley réunit un quintet d’exception pour un jazz précis, vibrant et groove. Chaque morceau atteint sa cible avec une intensité irrésistible."
    -description: """
      Paru en 1958, "Cannonball’s Sharpshooters" capture l’essence du hard bop dans ce qu’il a de plus direct et percutant. À la tête d’un quintet remarquable, Cannonball Adderley déploie un jeu d’alto à la fois fluide, puissant et expressif, soutenu par une section rythmique solide et inspirée.\r\n
      \r\n
      À ses côtés, son frère Nat Adderley apporte une chaleur et une profondeur supplémentaires avec son cornet, tandis que Junior Mance insuffle une élégance bluesy au piano. La section rythmique, portée par Sam Jones à la contrebasse et Jimmy Cobb à la batterie, assure un swing constant et dynamique.\r\n
      \r\n
      L’album se distingue par son équilibre entre compositions originales et standards revisités, toujours servis par une interaction collective précise et inspirée. Le titre de l’album n’est pas usurpé, chaque musicien vise juste, avec une maîtrise technique et une sensibilité qui font mouche à chaque instant.\r\n
      \r\n
      - Cannonball Adderley "Cannonball's Sharpshooters" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory.\r\n
      \r\n
      The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session.\r\n
      \r\n
      The Verve Vault Series is always mastered from analog tapes and pressed on 180-gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Junior Mance (piano), Sam Jones (bass), Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=O-7isGsg6Fs&list=PLEyxWPyoryRICqmDTstTsKRhjGm07nVoI"
    -referenceProduit: "Verve Records (Vault Series) 0852"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Our Delight"
      ]
      [
        "ordre" => 2
        "nom" => "2. What's New"
      ]
      [
        "ordre" => 3
        "nom" => "3. Fuller Bop Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Jubilation "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Stay On It"
      ]
      [
        "ordre" => 7
        "nom" => "2. If I Love Again"
      ]
      [
        "ordre" => 8
        "nom" => "3. Straight, No Chaser"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2010 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1912 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1998 …}
    -enregistreLe: DateTime @1775457162 {#1870
      date: 2026-04-06 06:32:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1776803541 {#1894
      date: 2026-04-21 20:32:21.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2004 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cannonball-s-sharpshooters-verve-records-vault-series-0852"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2279 …}
}

[
  "produit" => App\Entity\Produit {#2029
    -id: 2068
    -nom: "Live In Paris 1969 / Berlin"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      Julian "Cannonball" Adderley earned his nickname from childhood antics, but it would soon become synonymous with brilliance in jazz. One of the most versatile musicians of the 20th century, he embraced all jazz styles from cool and hard bop to funk drawing equally from African, South American, and blues traditions. Adderley was a relentless creator, forming and reshaping ensembles, always seeking deeper musical expression. His motto: jazz must move forward, but never forget its roots.\r\n
      \r\n
      Freed from the weight of the American segregation, Adderley found in Europe the space to experiment and evolve. He merged the roots of the blues with Brazilian rhythms, funk harmonies with the rigor of hard bop. At every concert, he gathered, reinvented, transmitted.\r\n
      \r\n
      This album features unreleased recordings from Berlin (1972) and Paris (1969), showcasing Adderley at the height of his powers. From the vibrant energy of "Hummin" to the tender depth of "Manhã de Carnaval", every track reflects refined artistry. Standouts such as "Walk Tall" and "Work Song" embody his commitment to dignity and justice, while "Oh Babe" and "Mercy, Mercy, Mercy" blend raw emotion with joyful groove. The funk undertones throughout hint at the future of R&B, confirming Cannonball's role as a visionary. A builder of sound and soul, he remains, truly, the Gargantua of jazz.
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Joe Zawinul (electric piano Fender Rhodes), Walter Booker (bass), Roy McCurdy (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e_cMo0-7mjI&list=RDe_cMo0-7mjI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4059"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hummin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. Manhã de Carnaval"
      ]
      [
        "ordre" => 3
        "nom" => "3. Walk Tall"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Work Song"
      ]
      [
        "ordre" => 6
        "nom" => "2. Oh Babe"
      ]
      [
        "ordre" => 7
        "nom" => "3. Walk Tall"
      ]
      [
        "ordre" => 8
        "nom" => "4. Mercy, Mercy, Mercy"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2031 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2040 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2033 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2035 …}
    -enregistreLe: DateTime @1623740919 {#2025
      date: 2021-06-15 07:08:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765904637 {#2024
      date: 2025-12-16 17:03:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2037 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-paris-1969-berlin-the-lost-recordings-4059"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3076
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2511 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2085 …}
  +produit: App\Entity\Produit {#2029
    -id: 2068
    -nom: "Live In Paris 1969 / Berlin"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      Julian "Cannonball" Adderley earned his nickname from childhood antics, but it would soon become synonymous with brilliance in jazz. One of the most versatile musicians of the 20th century, he embraced all jazz styles from cool and hard bop to funk drawing equally from African, South American, and blues traditions. Adderley was a relentless creator, forming and reshaping ensembles, always seeking deeper musical expression. His motto: jazz must move forward, but never forget its roots.\r\n
      \r\n
      Freed from the weight of the American segregation, Adderley found in Europe the space to experiment and evolve. He merged the roots of the blues with Brazilian rhythms, funk harmonies with the rigor of hard bop. At every concert, he gathered, reinvented, transmitted.\r\n
      \r\n
      This album features unreleased recordings from Berlin (1972) and Paris (1969), showcasing Adderley at the height of his powers. From the vibrant energy of "Hummin" to the tender depth of "Manhã de Carnaval", every track reflects refined artistry. Standouts such as "Walk Tall" and "Work Song" embody his commitment to dignity and justice, while "Oh Babe" and "Mercy, Mercy, Mercy" blend raw emotion with joyful groove. The funk undertones throughout hint at the future of R&B, confirming Cannonball's role as a visionary. A builder of sound and soul, he remains, truly, the Gargantua of jazz.
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Joe Zawinul (electric piano Fender Rhodes), Walter Booker (bass), Roy McCurdy (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e_cMo0-7mjI&list=RDe_cMo0-7mjI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4059"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hummin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. Manhã de Carnaval"
      ]
      [
        "ordre" => 3
        "nom" => "3. Walk Tall"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Work Song"
      ]
      [
        "ordre" => 6
        "nom" => "2. Oh Babe"
      ]
      [
        "ordre" => 7
        "nom" => "3. Walk Tall"
      ]
      [
        "ordre" => 8
        "nom" => "4. Mercy, Mercy, Mercy"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2031 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2040 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2033 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2035 …}
    -enregistreLe: DateTime @1623740919 {#2025
      date: 2021-06-15 07:08:39.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765904637 {#2024
      date: 2025-12-16 17:03:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2037 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
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[
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    -id: 2060
    -nom: "Somethin' Else"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      - All-analog mastering from the original master tapes !\r\n
      \r\n
      Already a talented performer on his own, Cannonball Adderley paid the rent mostly as a sideman for Miles Davis in 1958. Their relationship was a strong one and Miles and a few other legendary friends agreed to play sidemen for a day to the rising Cannonball.\r\n
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      The musical chemistry was killer. With Cannonball on the alto sax and Miles on the trumpet, the group rounded out with giants Art Blakey on drums and Sam Jones on bass. Hank Jones on the piano was no slouch, either. With composing help from Cannonball's brother Nat, this super group tackled new material and old standards in new ways that are still captivating. Songs include "Autumn Leaves", "Love for Sale", "Somethin' Else", "One for Daddy-O" and "Dancing in the Dark". This Blue Note Classic Vinyl Edition is 180 gram all-analog, mastered from the original tapes.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "3 Dancing In The Dark"
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    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2055 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3124
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2511 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2085 …}
  +produit: App\Entity\Produit {#2053
    -id: 2060
    -nom: "Somethin' Else"
    -informationComplementaire: null
    -description: """
      - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n
      - All-analog mastering from the original master tapes !\r\n
      \r\n
      Already a talented performer on his own, Cannonball Adderley paid the rent mostly as a sideman for Miles Davis in 1958. Their relationship was a strong one and Miles and a few other legendary friends agreed to play sidemen for a day to the rising Cannonball.\r\n
      \r\n
      The musical chemistry was killer. With Cannonball on the alto sax and Miles on the trumpet, the group rounded out with giants Art Blakey on drums and Sam Jones on bass. Hank Jones on the piano was no slouch, either. With composing help from Cannonball's brother Nat, this super group tackled new material and old standards in new ways that are still captivating. Songs include "Autumn Leaves", "Love for Sale", "Somethin' Else", "One for Daddy-O" and "Dancing in the Dark". This Blue Note Classic Vinyl Edition is 180 gram all-analog, mastered from the original tapes.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1834 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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[
  "produit" => App\Entity\Produit {#2069
    -id: 2193
    -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n
      \r\n
      Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n
      \r\n
      For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n
      \r\n
      Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n
      \r\n
      Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-022"
    -titreMorceau: [
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      ]
      [
        "nom" => "5. Dancing in the Dark"
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2071 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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]

App\Twig\Components\GestionPanierFavoriComponents {#3172
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2511 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2085 …}
  +produit: App\Entity\Produit {#2069
    -id: 2193
    -nom: "Somethin' Else - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: ""
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      Julian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of its Hall of Fame personnel, enthusiasm of its participants, and sophistication of its arrangements not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards.\r\n
      \r\n
      Strictly limited to 10000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180 gram 45 RPM 2 LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers – an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior.\r\n
      \r\n
      The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the iconic photos to the gorgeous finishes.\r\n
      \r\n
      The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis ? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there – there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\r\n
      \r\n
      For reasons that extend far beyond the outstanding playing and flawless repertoire, Somethin' Else is without question a record you'll always want to watch and hear come together. As veteran critic Bob Blumenthal observed writing about the album four decades after its release, "The instant rapport achieved by the quintet is thus the product of much shared and common history, though the tensile strength that they create throughout created a totally unique feeling that can be attributed to the sensitive musicianship of all concerned, including the supposedly hard bopping leader and drummer." Such inimitable feeling, or emotion, courses throughout every passage, and no where more obviously than on "Autumn Leaves" and "Love for Sale".\r\n
      \r\n
      Without question, the discreet interpretations of the Johnny Mercer and Cole Porter songs, respectively, found on Somethin' Else have long been considered part of jazz's alluring mystique. Adderley and Davis bring contrasting approaches to the table yet sound of a singular mind on "Autumn Leaves", with the latter's muted trumpet and the headliner's lush alto saxophone dovetailing into a performance that endures as a blueprint for expression, counterpoint, sophistication, fluidity, and linearity. Blues, melody, and romance pour from their horns. Their bandmates, picking up on the intimate vibe and calm mood here – as well as on the spry, head-over-heels spirit of "Love for Sale" join in on the conversation with sharp economy and float-on-air roundedness.\r\n
      \r\n
      Not to undersell the other three numbers, all deserving five-star status. Twelve measures in length, the title track offers a slow burn in swing. Written by Adderley's brother, Nat, the 12-bar "One for Daddy-O" transmits funk flavors. The closing "Dancing in the Dark" pops with lushness and temptation, its stream of bold colors and understated textures calling for a moonlight twirl, or at least fantasies suggestive of a memorable night. Somethin' else, indeed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Cannonball Adderley (alto saxophone), Miles Davis (trumpet), Hank Jones (piano), Sam Jones (bass), Art Blakey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=u37RF5xKNq8"
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      ]
      [
        "nom" => "5. Dancing in the Dark"
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      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2071 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-somethin-else-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-ud1s-022"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2279 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3364
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2279 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3365 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3413 …}
  +isValidated: false
  +validatedFields: []
}