Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2500
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2577
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2580 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
  -formView: Symfony\Component\Form\FormView {#2616 …}
  -form: Symfony\Component\Form\Form {#2766 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1889
    -id: 1898
    -nom: "A Love Supreme"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.\r\n
      \r\n
      A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.\r\n
      \r\n
      The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1870 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TMvbUKqWYEs"
    -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7701"
    -titreMorceau: [
      [
        "nom" => "1. Part I - Acknowledgement"
        "ordre" => 1
      ]
      [
        "nom" => "1. Part III - Pursuance / Part IV - Psalm"
        "ordre" => 4
      ]
      [
        "nom" => "2. Part II - Resolution"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1914 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2015 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1917 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2003 …}
    -enregistreLe: DateTime @1596696444 {#1879
      date: 2020-08-06 06:47:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1675926065 {#1872
      date: 2023-02-09 07:01:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2009 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-impulse-acoustic-sounds-series-aimp-7701"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3041
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#1889
    -id: 1898
    -nom: "A Love Supreme"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.\r\n
      \r\n
      A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.\r\n
      \r\n
      The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1870 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TMvbUKqWYEs"
    -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7701"
    -titreMorceau: [
      [
        "nom" => "1. Part I - Acknowledgement"
        "ordre" => 1
      ]
      [
        "nom" => "1. Part III - Pursuance / Part IV - Psalm"
        "ordre" => 4
      ]
      [
        "nom" => "2. Part II - Resolution"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1914 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2015 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1917 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2003 …}
    -enregistreLe: DateTime @1596696444 {#1879
      date: 2020-08-06 06:47:24.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1675926065 {#1872
      date: 2023-02-09 07:01:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2009 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-impulse-acoustic-sounds-series-aimp-7701"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2034
    -id: 2033
    -nom: "Ella & Louis"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards". - Wax Time\r\n
      \r\n
      The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album titled Live At The Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album.\r\n
      \r\n
      With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ray Brown (bass), Oscar Peterson (piano), Herb Ellis (guitar), Buddy Rich (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Vh7oIP-QSHs"
    -referenceProduit: "Acoustic Sounds Series 74801"
    -titreMorceau: [
      [
        "nom" => "1. A Foggy Day "
        "ordre" => 8
      ]
      [
        "nom" => "1. Can't We Be Friends "
        "ordre" => 1
      ]
      [
        "nom" => "2. Isn't This A Lovely Day ? "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stars Fell On Alabama "
        "ordre" => 9
      ]
      [
        "nom" => "3. Cheek To Cheek "
        "ordre" => 10
      ]
      [
        "nom" => "3. Moonlight In Vermont "
        "ordre" => 3
      ]
      [
        "nom" => "4. The Nearness Of You"
        "ordre" => 11
      ]
      [
        "nom" => "4. They Can't Take That Away From Me "
        "ordre" => 4
      ]
      [
        "nom" => "5. April In Paris"
        "ordre" => 12
      ]
      [
        "nom" => "5. Under A Blanket Of Blue "
        "ordre" => 5
      ]
      [
        "nom" => "6. Tenderly"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2036 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2045 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2038 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2040 …}
    -enregistreLe: DateTime @1620979171 {#2030
      date: 2021-05-14 07:59:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1661063819 {#2029
      date: 2022-08-21 06:36:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2042 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ella-louis-acoustic-sounds-series-74801"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3155
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2034
    -id: 2033
    -nom: "Ella & Louis"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The classic jazz album that brought Ella Fitzgerald and Louis Armstrong together for the first time as they recorded their version of extraordinary standards". - Wax Time\r\n
      \r\n
      The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album titled Live At The Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album.\r\n
      \r\n
      With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ray Brown (bass), Oscar Peterson (piano), Herb Ellis (guitar), Buddy Rich (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Vh7oIP-QSHs"
    -referenceProduit: "Acoustic Sounds Series 74801"
    -titreMorceau: [
      [
        "nom" => "1. A Foggy Day "
        "ordre" => 8
      ]
      [
        "nom" => "1. Can't We Be Friends "
        "ordre" => 1
      ]
      [
        "nom" => "2. Isn't This A Lovely Day ? "
        "ordre" => 2
      ]
      [
        "nom" => "2. Stars Fell On Alabama "
        "ordre" => 9
      ]
      [
        "nom" => "3. Cheek To Cheek "
        "ordre" => 10
      ]
      [
        "nom" => "3. Moonlight In Vermont "
        "ordre" => 3
      ]
      [
        "nom" => "4. The Nearness Of You"
        "ordre" => 11
      ]
      [
        "nom" => "4. They Can't Take That Away From Me "
        "ordre" => 4
      ]
      [
        "nom" => "5. April In Paris"
        "ordre" => 12
      ]
      [
        "nom" => "5. Under A Blanket Of Blue "
        "ordre" => 5
      ]
      [
        "nom" => "6. Tenderly"
        "ordre" => 6
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2036 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2045 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2038 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2040 …}
    -enregistreLe: DateTime @1620979171 {#2030
      date: 2021-05-14 07:59:31.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1661063819 {#2029
      date: 2022-08-21 06:36:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2042 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ella-louis-acoustic-sounds-series-74801"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2050
    -id: 2036
    -nom: ""Live" At The Village Vanguard"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sax virtuoso John Coltrane "Live" at the Village Vanguard (Impulse ! AS-10), was Trane's first official "live" album. Coltrane is joined here on two tunes by the wonderful Eric Dolphy on bass clarinet, plus veteran sidemen McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison & Reggie Workman alternating on bass (both play together on "India", one of three tracks from the same sessions added here as a bonus). Right after the Village dates, Trane and Dolphy would embark on a successful European tour.\r\n
      \r\n
      Recorded live at the Village Vanguard, New York, November 2 & 3, 1961\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (bass clarinet), McCoy Tyner (piano), Reggie Workman, Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=bFMRQcxjP2Q"
    -referenceProduit: "Acoustic Sounds Series 78201"
    -titreMorceau: [
      [
        "nom" => "1. Chasin' The Trane"
        "ordre" => 4
      ]
      [
        "nom" => "1.Spiritual "
        "ordre" => 1
      ]
      [
        "nom" => "2. Softly As In A Morning Sunrise"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1914 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3208
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    -nom: ""Live" At The Village Vanguard"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Sax virtuoso John Coltrane "Live" at the Village Vanguard (Impulse ! AS-10), was Trane's first official "live" album. Coltrane is joined here on two tunes by the wonderful Eric Dolphy on bass clarinet, plus veteran sidemen McCoy Tyner on piano, Elvin Jones on drums, and Jimmy Garrison & Reggie Workman alternating on bass (both play together on "India", one of three tracks from the same sessions added here as a bonus). Right after the Village dates, Trane and Dolphy would embark on a successful European tour.\r\n
      \r\n
      Recorded live at the Village Vanguard, New York, November 2 & 3, 1961\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (bass clarinet), McCoy Tyner (piano), Reggie Workman, Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
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    -nom: "Crescent"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      \r\n
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      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3256
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
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    -nom: "Crescent"
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    -description: """
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      They recorded all the tracks that appear on Crescent, along with "Songs Of Praise", but not the final versions of the album's five tracks. From that first day's recording the ones that make the final cut are, "Lonnie's Lament", "The Drum Thing" and "Wise One". The first two of these three tracks make up all of side two of the album and on "Lonnie's Lament" Coltrane does not solo at all, instead it features a long bass solo by Garrison.\r\n
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      Garrison's widow recalled that this album along with A Love Supreme, which was released a year later in 1965, were the two that her husband listened to the most.\r\n
      """
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    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Jimmy Garrison (bass),  McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -slug: "vinyles-crescent-acoustic-sounds-series-78301"
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}

[
  "produit" => App\Entity\Produit {#2076
    -id: 1899
    -nom: "Ballads"
    -informationComplementaire: ""
    -description: """
      info@headfi.com.hk\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
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      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1914 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3304
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2076
    -id: 1899
    -nom: "Ballads"
    -informationComplementaire: ""
    -description: """
      info@headfi.com.hk\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\r\n
      \r\n
      John Coltrane's immortal Impulse ! records, A Love Supreme (1964) and Ballads (1963) both have drawn rave reviews since their original release. A.B. Spellman, former administrator for the National Endowment for the Arts, once described Ballads as "some of the most sensitive, heartfelt music that any lover ever sang on a horn". Put simply, most guys don't play the saxophone like John Coltrane.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New", "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads.\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
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      \r\n
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      \r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=C5xxovnlKxo"
    -referenceProduit: "Impulse (Acoustic Sounds Series) AIMP 7801"
    -titreMorceau: [
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        "nom" => "1. Say It (Over and over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young to Go Steady"
        "ordre" => 3
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      [
        "nom" => "4. All or Nothing at All"
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      ]
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      ]
      [
        "nom" => "8. Nancy (With the Laughing Face)"
        "ordre" => 9
      ]
      [
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        "ordre" => 0
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1914 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2084 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2077 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2079 …}
    -enregistreLe: DateTime @1596718652 {#2073
      date: 2020-08-06 12:57:32.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741347 {#2074
      date: 2021-11-24 08:09:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2081 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ballads-impulse-acoustic-sounds-series-aimp-7801"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2091
    -id: 2027
    -nom: "Trio '64"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n
      \r\n
      It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n
      \r\n
      The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n
      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0"
    -referenceProduit: "Acoustic Sounds Series 12301"
    -titreMorceau: [
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      [
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      [
        "nom" => "3. Dancing In The Dark "
        "ordre" => 8
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      [
        "nom" => "4. Everything Happens To Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. Santa Claus Is Coming To Town"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1620896690 {#2087
      date: 2021-05-13 09:04:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741280 {#2086
      date: 2021-11-24 08:08:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-64-acoustic-sounds-series-12301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3350
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2091
    -id: 2027
    -nom: "Trio '64"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      There's scarcely a more towering figure in modern jazz save Miles and Coltrane than the great Bill Evans. His relaxed and emotional style at the piano would prove influential to not only his peers but to generations of pianists who would follow him.\r\n
      \r\n
      It also doesn't hurt, points out thejazzrecord.com, that he appeared on (and had great influence over the direction of) Kind Of Blue and that the two LPs from his trio's landmark stint at the Village Vanguard in 1961 (Waltz For Debby and Sunday At The Village Vanguard) are both stone-cold classics.\r\n
      \r\n
      The excellent Trio 64 marked Evans' first trio album after a move to Verve from his previous home at Riverside Records. While the work Evans' did with his first trio featuring Scott LaFaro and Paul Motian (particularly the Village Vanguard recordings) remains by far his most popular and lauded work, even after LaFaro's tragic death in 1961 he continued to improve upon and refine his particular brand of soulful and introspective playing.\r\n
      \r\n
      Trio 64 marked a reunion with Motian and Evans' only recorded work with the talented bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Peacock was a perfect match for Evans, he was a kindred spirit when it came to not simply following the musical trends of the day, as evidenced by his time spent with the likes of Albert Ayler and Paul Bley a few years after the recording of Trio 64.\r\n
      \r\n
      The song selection shows how Evans was able to take even the most rote pop songs of the day and transform them into unabashed works of modern jazz. Is there another pianist of the era who would attempt a take on "Santa Claus Is Coming To Town" (the album was recorded December 18th, so why not throw in a Christmas tune) or "Little Lulu" (the theme from a 1940s cartoon of the same name) and so successfully have them come off as if they were jazz standards all along ? Even more impressive is that this was the first time that Evans had played with Peacock, and yet there is no sense of hesitation in either musician's interaction with each other, it sounds like they've been playing together for years.\r\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Bill Evans (piano), Gary Peacock (bass), Paul Motian (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=uVmy3Hvqfq0"
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      [
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      ]
      [
        "nom" => "2. For Heaven's Sake "
        "ordre" => 7
      ]
      [
        "nom" => "3. Always "
        "ordre" => 3
      ]
      [
        "nom" => "3. Dancing In The Dark "
        "ordre" => 8
      ]
      [
        "nom" => "4. Everything Happens To Me"
        "ordre" => 9
      ]
      [
        "nom" => "4. Santa Claus Is Coming To Town"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2102 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2095 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2097 …}
    -enregistreLe: DateTime @1620896690 {#2087
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    }
    -modifierLe: DateTime @1637741280 {#2086
      date: 2021-11-24 08:08:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2099 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-64-acoustic-sounds-series-12301"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2109
    -id: 2031
    -nom: "The Black Saint And The Sinner Lady"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n
      \r\n
      Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live".  The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n
      \r\n
      Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n
      \r\n
      If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. 
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg"
    -referenceProduit: "Acoustic Sounds Series 60201"
    -titreMorceau: [
      [
        "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell,"
        "ordre" => 7
      ]
      [
        "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)"
        "ordre" => 3
      ]
      [
        "nom" => "My Beloved, 'til It's Freedom Day)"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1620921610 {#2105
      date: 2021-05-13 16:00:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741015 {#2104
      date: 2021-11-24 08:03:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3401
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2109
    -id: 2031
    -nom: "The Black Saint And The Sinner Lady"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet), Don Butterfield (tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      On January 20, 1963, bassist and composer Charles Mingus recorded in just one session astonishingly a very personal and socially conscious work he titled The Black Saint & The Sinner Lady. With liner notes written by Mingus's psychotherapist, the album uses ornate ensemble orchestration to produce a sound somewhere between jazz and folk.\r\n
      \r\n
      Released on Impulse! Records in 1963, the album consists of a single continuous composition partially written as a ballet divided into four tracks and six movements. Of his adventurous and hauntingly eloquent work, among his other creations, Mingus said : "My music is evidence of my soul's will to live".  The evidence of that life-force amounts to some of the most dramatic and powerful jazz composed in the 20th century.\r\n
      \r\n
      Mingus was born in Arizona on April 22, 1922 and raised in Los Angeles. He was taught double-bass by Red Callendar, and by the New York Philharmonic Orchestra's Herman Rheinshagen (classical music played as big a part in his compositional thinking as gospel songs and the blues). Mingus toured with New Orleans players Louis Armstrong and Kid Ory in the 40s, and later worked briefly with Lionel Hampton and Duke Ellington.\r\n
      \r\n
      If he had been an improvising instrumentalist alone, Mingus would have been a jazz legend simply for his bass playing. Yet bass-playing also gave Mingus an insight into the low sonorities and inner hamonies of jazz composition, and his melodic approach was profoundly influenced by the blues and gospel music of his childhood. 
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Charlie Mingus (bass, piano), Charlie Mariano (alto saxophone), Jerome Richardson (soprano & baritone saxophone, flute), Dick Hafer (tenor saxophone, flute), Quentin Jackson (trombone), Richard Williams, Rolf Ericson (trumpet)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zFA0FYQo0Gg"
    -referenceProduit: "Acoustic Sounds Series 60201"
    -titreMorceau: [
      [
        "nom" => "1. Solo Dancer (Stop! And Listen, Sinner Jim Whitney !)"
        "ordre" => 1
      ]
      [
        "nom" => "1. Trio And Group Dancers (Stop ! Look ! And Sing Songs Of Revolutions !)"
        "ordre" => 5
      ]
      [
        "nom" => "2. Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces)"
        "ordre" => 2
      ]
      [
        "nom" => "2. Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front)"
        "ordre" => 6
      ]
      [
        "nom" => "3. Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell,"
        "ordre" => 7
      ]
      [
        "nom" => "3. Group Dancers (Soul Fusion Freewoman And Oh This Freedom's Slave Cries)"
        "ordre" => 3
      ]
      [
        "nom" => "My Beloved, 'til It's Freedom Day)"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1620921610 {#2105
      date: 2021-05-13 16:00:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637741015 {#2104
      date: 2021-11-24 08:03:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-black-saint-and-the-sinner-lady-acoustic-sounds-series-60201"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2127
    -id: 2030
    -nom: "Mingus Mingus Mingus Mingus Mingus"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n
      \r\n
      Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n
      \r\n
      Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n
      \r\n
      All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n
      \r\n
      "II B.S." = "Haitian Fight Song"\r\n
      "I X Love" = "Nouroog"\r\n
      "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n
      "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n
      "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n
      \r\n
      For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n
      \r\n
      Track :  A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n
      \r\n
      Track :  A2, A4, B1, B2, & B3\r\n
      Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums)
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc"
    -referenceProduit: "Acoustic Sounds Series 60101"
    -titreMorceau: [
      [
        "nom" => "1. Better Get Hit In Yo' Soul"
        "ordre" => 6
      ]
      [
        "nom" => "1. II B.S."
        "ordre" => 1
      ]
      [
        "nom" => "2. I X Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Theme For Lester Young"
        "ordre" => 7
      ]
      [
        "nom" => "3. Celia"
        "ordre" => 3
      ]
      [
        "nom" => "3. Hora Decubitus"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mood Indigo"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2135 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2128 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2130 …}
    -enregistreLe: DateTime @1620919637 {#2123
      date: 2021-05-13 15:27:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637740691 {#2122
      date: 2021-11-24 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3454
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2127
    -id: 2030
    -nom: "Mingus Mingus Mingus Mingus Mingus"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Rolf Ericson, Richard Williams, Eddie Preston (trumpet), Quentin Jackson, Britt Woodman (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond, Walter Perkins (drums).\r\n
      \r\n
      Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
      \r\n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      "The album features the two sides of Mingus' compositional genius: the beautiful balladry that I always feel has a bit of a film-noir feel to it, alongside those joyous upbeat numbers that are filled with an organized chaos that categorizes much of the bassist's best work. ... Throw in the fact that it also features Jaki Byard (who is just phenomenal on this recording and remains criminally underrated), Booker Ervin, Dannie Richmond and Eric Dolphy and you have some of Mingus' finest sidemen driving his compositions to the fantastical places they seemed preordained to go. ... Mingus, Mingus, Mingus, Mingus, Mingus is a record that has more than stood the test of time and is an everlasting testament to the talents of Mingus and the players who had the ability to follow his musical vision". — The Jazz Record\r\n
      \r\n
      Mingus, Mingus, Mingus, Mingus, Mingus was Charles Mingus' last major studio recording of the 1960s (the solo Mingus Plays Piano would also be released the same year in 1964) and it's a real treasure in the great jazz bassist's discography\r\n
      \r\n
      Two of the tracks ("Celia" and "I X Love") were recorded at the sessions for The Black Saint And The Sinner Lady, while the rest were laid down eight months later with a group that included Booker Ervin, Eric Dolphy and Jaki Byard (Byard also played on the two earlier tracks). Both sessions featured groups of 11 players, all of whom were in top form in performing Mingus' notoriously complex compositions, writes jazzrecord.com.\r\n
      \r\n
      All but two tracks on Mingus, Mingus, Mingus, Mingus, Mingus were re-interpretations of songs from the bassist's earlier catalog, only "Celia" rates as a new original number, and "Mood Indigo" is a cover of the famous tune by Mingus's hero Duke Ellington. If you happen to have lost your Mingus decoder ring, the remaining tracks correlate to their past counterparts as such :\r\n
      \r\n
      "II B.S." = "Haitian Fight Song"\r\n
      "I X Love" = "Nouroog"\r\n
      "Better Get Hit In Yo' Soul" = "Better Git It In Yo' Soul"\r\n
      "Theme For Lester Young" = "Goodbye Pork Pie Hat"\r\n
      "Hora Decubitus" = "E's Flat Ah's Flat Too"\r\n
      \r\n
      For Mingus, Mingus, Mingus, Mingus, Mingus Mingus collaborated with arranger/orchestrator Bob Hammer to score the music for the large ensemble of brass and saxophones. Recorded January 20 and September 20, 1963 in New York City.\r\n
      \r\n
      Track :  A2 & A3 Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute), Charlie Mariano (alto saxophone), Rolf Ericson, Richard Williams (trumpet), Quentin Jackson (trombone), Don Butterfield (contrabass trombone, tuba), Jay Berliner (guitar), Jaki Byard (piano), Dannie Richmond (drums)\r\n
      \r\n
      Track :  A2, A4, B1, B2, & B3\r\n
      Charles Mingus (bass), Dick Hafer (tenor (saxophone, flute, clarinet), Jerome Richardson (baritone & soprano saxophone, flute), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute), Eddie Preston, Richard Williams (trumpet), Britt Woodman (trombone), Don Butterfield (tuba), Jaki Byard (piano), Walter Perkins (drums)
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Charles Mingus (bass, piano), Jerome Richardson (baritone & soprano saxophone, flute), Dick Hafer (tenor saxophone, flute, clarinet), Charlie Mariano (alto saxophone), Booker Ervin (tenor saxophone), Eric Dolphy (alto saxophone, flute)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w0E1XTqUlCc"
    -referenceProduit: "Acoustic Sounds Series 60101"
    -titreMorceau: [
      [
        "nom" => "1. Better Get Hit In Yo' Soul"
        "ordre" => 6
      ]
      [
        "nom" => "1. II B.S."
        "ordre" => 1
      ]
      [
        "nom" => "2. I X Love"
        "ordre" => 2
      ]
      [
        "nom" => "2. Theme For Lester Young"
        "ordre" => 7
      ]
      [
        "nom" => "3. Celia"
        "ordre" => 3
      ]
      [
        "nom" => "3. Hora Decubitus"
        "ordre" => 8
      ]
      [
        "nom" => "4. Mood Indigo"
        "ordre" => 4
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2135 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2128 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2130 …}
    -enregistreLe: DateTime @1620919637 {#2123
      date: 2021-05-13 15:27:17.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637740691 {#2122
      date: 2021-11-24 07:58:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2132 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mingus-mingus-mingus-mingus-mingus-acoustic-sounds-series-60101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

[
  "produit" => App\Entity\Produit {#2142
    -id: 1874
    -nom: "Louis Armstrong Meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\n
      \n
      Two monthly releases highlighting Verve's historic and best jazz records !\n
      \n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\n
      \n
      180 gram LPs pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing gatefold old-style tip-on jackets !\n
      \n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\n
      \n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz / Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\n
      \n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\n
      \n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault : Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\n
      \n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\n
      \n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\n
      \n
      Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.\n
      \n
      The musicians provided the setting for the jewel that is Pops, with Peterson perfectly embellishing every phrase Armstrong sings or plays. The focus here is primarily upon his totally personal and thoroughly captivating vocal style, with his occasional trumpet solos limited in all but one case to a single chorus. Essentially culled from the Great American Song Book Cole Porter, the Gershwins and Harold Arlen among the songwriters the pieces range from poignant ballads and blues to effusive easy-grooved swing. Each song is an exquisitely crafted gem that will warm the heart and enrich the soul.\n
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gL9l40FqdMw"
    -referenceProduit: "Acoustic Sounds Series 68901"
    -titreMorceau: [
      [
        "nom" => "1. That Old Feeling "
        "ordre" => 1
      ]
      [
        "nom" => "1. What's New ? "
        "ordre" => 8
      ]
      [
        "nom" => "2. Let's Fall in Love "
        "ordre" => 2
      ]
      [
        "nom" => "2. Moon Song "
        "ordre" => 9
      ]
      [
        "nom" => "3. I'll Never Be the Same "
        "ordre" => 3
      ]
      [
        "nom" => "3. Just One of Those Things "
        "ordre" => 10
      ]
      [
        "nom" => "4. Blues in the Night (My Mama Done Tol' Me) "
        "ordre" => 4
      ]
      [
        "nom" => "4. There's No You "
        "ordre" => 11
      ]
      [
        "nom" => "5. How Long Has This Been Going On ? "
        "ordre" => 5
      ]
      [
        "nom" => "5. You Go To My Head "
        "ordre" => 12
      ]
      [
        "nom" => "6. I Was Doing All Right"
        "ordre" => 6
      ]
      [
        "nom" => "6. Sweet Lorraine"
        "ordre" => 13
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2153 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2148 …}
    -enregistreLe: DateTime @1592293670 {#2138
      date: 2020-06-16 07:47:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1637654630 {#2137
      date: 2021-11-23 08:03:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-louis-armstrong-meets-oscar-peterson-acoustic-sounds-series-68901"
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App\Twig\Components\GestionPanierFavoriComponents {#3500
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2579 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1887 …}
  +produit: App\Entity\Produit {#2142
    -id: 1874
    -nom: "Louis Armstrong Meets Oscar Peterson"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\n
      \n
      Two monthly releases highlighting Verve's historic and best jazz records !\n
      \n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\n
      \n
      180 gram LPs pressed at Quality Record Pressings !\n
      \n
      Stoughton Printing gatefold old-style tip-on jackets !\n
      \n
      Series supervised by Chad Kassem CEO of Acoustic Sounds !\n
      \n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series will launch July 31, 2020 with inaugural releases the sensational collaborations, Stan Getz and João Gilberto's landmark Getz / Gilberto (1964) and the remarkable Louis Armstrong Meets Oscar Peterson (1959).\n
      \n
      Utilizing the skills of the top mastering engineers and the unsurpassed production craft of Quality Record Pressings, all titles will be mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases will be supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.\n
      \n
      The Acoustic Sounds series will feature two releases a month highlighting a different storied label spanning Verve / UMe's extraordinarily rich archive. To begin with, the series will largely focus on some of the most popular albums from the ‘50s and ‘60s in their unmatched catalog. The July releases will celebrate two of Verve's most beloved albums, the aforementioned Getz / Gilberto and Louis Armstrong Meets Oscar Peterson, and will be followed in August by John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Two of Nina Simone's legendary Phillips albums I Put A Spell On You (1965) and Pastel Blues (1965) will come in September which will be succeeded in October by two from the EmArcy Records vault : Sarah Vaughan's self-titled 1954 album, the vocal great's sole collaboration with influential trumpeter Clifford Brown, who is also represented alongside pioneering drummer Max Roach on the hard bop classic, Study In Brown (1955). November will spotlight Decca Records with the iconic Peggy Lee's first album, Black Coffee (1956), and composer George Russell's important New York, N.Y. (1959) performed by an all-star orchestra that includes Bill Evans, John Coltrane, Art Farmer and Milt Hinton, among others. All titles and exact release dates are listed below. Additional titles will be announced as the series progresses.\n
      \n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".\n
      \n
      "We're very honored to have Verve and UME partnering with us to create what we believe will be the highest quality reissues of some of the world's greatest jazz albums. Each step in our production process from title selection to mastering, pressing and packaging is designed to meet the highest standards, and we want everyone who hears these albums to feel the love and hard work we put into everything we do", Kassem said. "We've long had a great relationship with UME, pressing classic titles at our Quality Record Pressings from many of their highest-profile artists. We look forward to strengthening that partnership even further with these reissues from Verve, home of the world's largest jazz catalog".\n
      \n
      Louis Armstrong Meets Oscar Peterson is a brilliant undertaking in which Verve's legendary "house pianist" encountered one of jazz's most revered giants. A significant part of Peterson's genius was his ability to be an exceptional pianist and leader, while also being a perfect accompanist when the circumstance demands... and in a situation like this, to be both. Armstrong is not only recognized as one of the most innovative, singular, fascinating and beloved artists of the 20th century, but also one of the most generous in the way he embraced and stimulated his collaborators. Backed by the Oscar Peterson Trio bassist Ray Brown and guitarist Herb Ellis, and augmented by frequent fourth member Louis Bellson on drums these peerless heavyweights created an album that is utterly compelling, radiantly jubilant and consummate in artistry.\n
      \n
      The musicians provided the setting for the jewel that is Pops, with Peterson perfectly embellishing every phrase Armstrong sings or plays. The focus here is primarily upon his totally personal and thoroughly captivating vocal style, with his occasional trumpet solos limited in all but one case to a single chorus. Essentially culled from the Great American Song Book Cole Porter, the Gershwins and Harold Arlen among the songwriters the pieces range from poignant ballads and blues to effusive easy-grooved swing. Each song is an exquisitely crafted gem that will warm the heart and enrich the soul.\n
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1724 …}
    -musicienOrchestre: "Louis Armstrong (trumpet, vocals), Oscar Peterson (piano), Herb Ellis (guitar), Ray Brown (double bass), Louie Bellson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=gL9l40FqdMw"
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        "nom" => "2. Let's Fall in Love "
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        "nom" => "5. How Long Has This Been Going On ? "
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      ]
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        "nom" => "5. You Go To My Head "
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      ]
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        "nom" => "6. I Was Doing All Right"
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        "nom" => "6. Sweet Lorraine"
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2146 …}
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    -enregistreLe: DateTime @1592293670 {#2138
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    }
    -modifierLe: DateTime @1637654630 {#2137
      date: 2021-11-23 08:03:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
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  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3699
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2347 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3700 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3748 …}
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}