Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2576
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2653
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2656 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
  -formView: Symfony\Component\Form\FormView {#2692 …}
  -form: Symfony\Component\Form\Form {#2842 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2800
    -nom: "Workingman's Dead  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - Grateful Dead's Workingman's Dead on numbered, limited edition 180 gram 45 RPM LP !\r\n
      - 1/4" / 15 IPS / Dolby A analog master direct to lathe !\r\n
      - Ranked N° 264 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n
      - Airy harmonies, simple structures, concise arrangements anchor songs !\r\n
      \r\n
      Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this 45 RPM 180 gram double LP. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures.\r\n
      \r\n
      Workingman's Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning "Cumberland Blues", pastoral ballad "Dire Wolf", and bluesy "Easy Wind" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jerry Garcia (lead guitar, pedal steel guitar, vocals), Bob Weir (rhythm guitar, vocals), Phil Lesh (bass guitar, vocals), Ron "Pigpen" McKernan (harmonica, organ, vocals), Bill Kreutzmann, Mickey Hart (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yD1naKNQuF4&list=PLCoNeSDAIpTTX54ypx226T-ssMZi9ELY5"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Uncle John’s Band"
      ]
      [
        "ordre" => 2
        "nom" => "2. High Time"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "3. Dire Wolf"
      ]
      [
        "ordre" => 5
        "nom" => "4. New Speedway Boogie"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "5. Cumberland Blues"
      ]
      [
        "ordre" => 8
        "nom" => "6. Black Peter"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "7. Easy Wind"
      ]
      [
        "ordre" => 11
        "nom" => "8. Casey Jones"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1756658627 {#1875
      date: 2025-08-31 16:43:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769160344 {#1868
      date: 2026-01-23 09:25:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-workingman-s-dead-numbered-limited-edition-mobile-fidelity-sound-lab-mfsl-2-428"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3117
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2800
    -nom: "Workingman's Dead  (Numbered Limited Edition)"
    -informationComplementaire: null
    -description: """
      - Grateful Dead's Workingman's Dead on numbered, limited edition 180 gram 45 RPM LP !\r\n
      - 1/4" / 15 IPS / Dolby A analog master direct to lathe !\r\n
      - Ranked N° 264 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n
      - Airy harmonies, simple structures, concise arrangements anchor songs !\r\n
      \r\n
      Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this 45 RPM 180 gram double LP. As flawless as any rustic album ever released, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures, and uncomplicated structures.\r\n
      \r\n
      Workingman's Dead acts as a retreat from chaos and uncertainty, its songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the Bakersfield-leaning "Cumberland Blues", pastoral ballad "Dire Wolf", and bluesy "Easy Wind" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Jerry Garcia (lead guitar, pedal steel guitar, vocals), Bob Weir (rhythm guitar, vocals), Phil Lesh (bass guitar, vocals), Ron "Pigpen" McKernan (harmonica, organ, vocals), Bill Kreutzmann, Mickey Hart (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yD1naKNQuF4&list=PLCoNeSDAIpTTX54ypx226T-ssMZi9ELY5"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-428"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Uncle John’s Band"
      ]
      [
        "ordre" => 2
        "nom" => "2. High Time"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "3. Dire Wolf"
      ]
      [
        "ordre" => 5
        "nom" => "4. New Speedway Boogie"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "5. Cumberland Blues"
      ]
      [
        "ordre" => 8
        "nom" => "6. Black Peter"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "7. Easy Wind"
      ]
      [
        "ordre" => 11
        "nom" => "8. Casey Jones"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1756658627 {#1875
      date: 2025-08-31 16:43:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769160344 {#1868
      date: 2026-01-23 09:25:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-workingman-s-dead-numbered-limited-edition-mobile-fidelity-sound-lab-mfsl-2-428"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2724
    -nom: "Over The Years..."
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Side four etching by Graham Nash !\r\n
      - 15 classic Graham Nash songs : "Marrakesh Express", "Our House", "Teach Your Children" and more !\r\n
      \r\n
      Over The Years... highlights songs from the iconic CSN debut album "Marrakesh Express" and its successor album Déjà Vu, for which Neil Young joined forces with CSN "Our House" and "Teach Your Children" as well as songs from subsequent CSN albums "Just A Song Before I Go" and "Wasted On The Way".\r\n
      \r\n
      In addition, the collection highlights songs that Nash recorded for his 1971 solo debut, Songs For Beginners, including "Military Madness" and "Simple Man", and includes unreleased mixes for two other songs from that album : "Better Days" and "I Used To Be King". The most recent recording on the compilation is "Myself At Last" from Nash's 2016 solo album This Path Tonight.\r\n
      \r\n
      Graham Nash started The Hollies with his childhood friend Allan Clarke in 1961, before embarking on a lifelong musical journey, solo and with David Crosby, Stephen Stills and Neil Youn.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Graham Nash (guitar, vocals, David Crosby (acoustic guitar, vocals),   Stephen Stills (guitar, vocals), Neil Young (guitar, vocals), Tim Drummond (bass), Jim Gordon, Russell (Russ) (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ppZ3icSUksg&list=OLAK5uy_mpFeGvwIGjFcGaFFjh5HSJqjRQIX-T6mI&index=2"
    -referenceProduit: "Atlantic Records 1353"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Marrakesh Express"
      ]
      [
        "ordre" => 2
        "nom" => "2. Military Madness"
      ]
      [
        "ordre" => 3
        "nom" => "3. Immigration Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just A Song Before I Go"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Used To Be A King"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Better Days"
      ]
      [
        "ordre" => 8
        "nom" => "2. Simple Man"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Your Children"
      ]
      [
        "ordre" => 10
        "nom" => "4. Lady Of The Island"
      ]
      [
        "ordre" => 11
        "nom" => "5. Wind On The Water"
      ]
      [
        "ordre" => 12
        "nom" => "Side C :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Our House"
      ]
      [
        "ordre" => 14
        "nom" => "2. Cathedral"
      ]
      [
        "ordre" => 15
        "nom" => "3. Wasted On The Way"
      ]
      [
        "ordre" => 16
        "nom" => "4. Chicago / We Can Change The World"
      ]
      [
        "ordre" => 17
        "nom" => "5. Myself At Last"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Etching By Graham Nash"
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1754553838 {#2041
      date: 2025-08-07 08:03:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769157407 {#2042
      date: 2026-01-23 08:36:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-over-the-years-atlantic-records-1353"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3231
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2724
    -nom: "Over The Years..."
    -informationComplementaire: null
    -description: """
      - 180 gram gatefold double LP !\r\n
      - Side four etching by Graham Nash !\r\n
      - 15 classic Graham Nash songs : "Marrakesh Express", "Our House", "Teach Your Children" and more !\r\n
      \r\n
      Over The Years... highlights songs from the iconic CSN debut album "Marrakesh Express" and its successor album Déjà Vu, for which Neil Young joined forces with CSN "Our House" and "Teach Your Children" as well as songs from subsequent CSN albums "Just A Song Before I Go" and "Wasted On The Way".\r\n
      \r\n
      In addition, the collection highlights songs that Nash recorded for his 1971 solo debut, Songs For Beginners, including "Military Madness" and "Simple Man", and includes unreleased mixes for two other songs from that album : "Better Days" and "I Used To Be King". The most recent recording on the compilation is "Myself At Last" from Nash's 2016 solo album This Path Tonight.\r\n
      \r\n
      Graham Nash started The Hollies with his childhood friend Allan Clarke in 1961, before embarking on a lifelong musical journey, solo and with David Crosby, Stephen Stills and Neil Youn.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Graham Nash (guitar, vocals, David Crosby (acoustic guitar, vocals),   Stephen Stills (guitar, vocals), Neil Young (guitar, vocals), Tim Drummond (bass), Jim Gordon, Russell (Russ) (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ppZ3icSUksg&list=OLAK5uy_mpFeGvwIGjFcGaFFjh5HSJqjRQIX-T6mI&index=2"
    -referenceProduit: "Atlantic Records 1353"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Marrakesh Express"
      ]
      [
        "ordre" => 2
        "nom" => "2. Military Madness"
      ]
      [
        "ordre" => 3
        "nom" => "3. Immigration Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Just A Song Before I Go"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Used To Be A King"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Better Days"
      ]
      [
        "ordre" => 8
        "nom" => "2. Simple Man"
      ]
      [
        "ordre" => 9
        "nom" => "3. Teach Your Children"
      ]
      [
        "ordre" => 10
        "nom" => "4. Lady Of The Island"
      ]
      [
        "ordre" => 11
        "nom" => "5. Wind On The Water"
      ]
      [
        "ordre" => 12
        "nom" => "Side C :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Our House"
      ]
      [
        "ordre" => 14
        "nom" => "2. Cathedral"
      ]
      [
        "ordre" => 15
        "nom" => "3. Wasted On The Way"
      ]
      [
        "ordre" => 16
        "nom" => "4. Chicago / We Can Change The World"
      ]
      [
        "ordre" => 17
        "nom" => "5. Myself At Last"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Etching By Graham Nash"
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
      [
        "ordre" => 23
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1754553838 {#2041
      date: 2025-08-07 08:03:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769157407 {#2042
      date: 2026-01-23 08:36:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-over-the-years-atlantic-records-1353"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
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[
  "produit" => App\Entity\Produit {#2063
    -id: 2225
    -nom: "Thriller - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps), Anthony Marinelli, Bill Wolfer, Brian Banks, David Foster, David Paich, Greg Smith, Michael Boddicker, Rod Temperton, Steve Porcaro (synthesizer), Greg Phillinganes, James Ingram, Tom Bahler (keyboards),  David Paich (piano), Larry Williams (saxophone, flute), Bill Reichenbach (trombone), Gary Grant, Jerry Hey (trumpet, flugelhorn), Louis Johnson, Louis Johnson, Steve Lukather (bass), Becky Lopez, Bunny Hull, Howard Hewett, James Ingram, Janet Jackson, Julia Waters, LaToya Jackson, Maxine Waters, Oren Waters  (backing vocals), Paulinho Da Costa (percussion), Jeff Porcaro, Ndugu Chancler (drums)\r\n
      \r\n
      Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time Michael Jackson's "Thriller" has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed at RTI, and limited to 40000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 33 RPM LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.\r\n
      \r\n
      Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180 gram LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.\r\n
      \r\n
      The gorgeous packaging of the Thriller UD1S pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.\r\n
      \r\n
      Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59 week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.\r\n
      \r\n
      The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at N° 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. TIME deemed it "the greatest pop album of all time". The Independent called it "the most inspiring album of all time".\r\n
      \r\n
      hriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.\r\n
      \r\n
      Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single "The Girl Is Mine", a duet and co-write with Beatles legend Paul McCartney captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen at the time, the world's premier rock guitarist performed a similar bridge role by supplying the electrifying solo on "Beat It".\r\n
      \r\n
      Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sOnqjkJTMaA"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 042"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "1. Wanna Be Startin' Somethin'"
      ]
      [
        "ordre" => 1
        "nom" => "2. Baby Be Mine"
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      [
        "ordre" => 2
        "nom" => "3. The Girl Is Mine"
      ]
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        "ordre" => 3
        "nom" => "4. Thriller"
      ]
      [
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        "nom" => "5. Beat It"
      ]
      [
        "ordre" => 5
        "nom" => "6. Billie Jean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Human Nature"
      ]
      [
        "ordre" => 7
        "nom" => "8. P.Y.T. (Pretty Young Thing)"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Lady in My Life"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1652767898 {#2060
      date: 2022-05-17 06:11:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769107293 {#2061
      date: 2026-01-22 18:41:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thriller-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-042"
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App\Twig\Components\GestionPanierFavoriComponents {#3282
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2063
    -id: 2225
    -nom: "Thriller - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps), Anthony Marinelli, Bill Wolfer, Brian Banks, David Foster, David Paich, Greg Smith, Michael Boddicker, Rod Temperton, Steve Porcaro (synthesizer), Greg Phillinganes, James Ingram, Tom Bahler (keyboards),  David Paich (piano), Larry Williams (saxophone, flute), Bill Reichenbach (trombone), Gary Grant, Jerry Hey (trumpet, flugelhorn), Louis Johnson, Louis Johnson, Steve Lukather (bass), Becky Lopez, Bunny Hull, Howard Hewett, James Ingram, Janet Jackson, Julia Waters, LaToya Jackson, Maxine Waters, Oren Waters  (backing vocals), Paulinho Da Costa (percussion), Jeff Porcaro, Ndugu Chancler (drums)\r\n
      \r\n
      Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time Michael Jackson's "Thriller" has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed at RTI, and limited to 40000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 33 RPM LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.\r\n
      \r\n
      Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180 gram LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.\r\n
      \r\n
      The gorgeous packaging of the Thriller UD1S pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.\r\n
      \r\n
      Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59 week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.\r\n
      \r\n
      The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at N° 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. TIME deemed it "the greatest pop album of all time". The Independent called it "the most inspiring album of all time".\r\n
      \r\n
      hriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.\r\n
      \r\n
      Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single "The Girl Is Mine", a duet and co-write with Beatles legend Paul McCartney captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen at the time, the world's premier rock guitarist performed a similar bridge role by supplying the electrifying solo on "Beat It".\r\n
      \r\n
      Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sOnqjkJTMaA"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 042"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wanna Be Startin' Somethin'"
      ]
      [
        "ordre" => 1
        "nom" => "2. Baby Be Mine"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl Is Mine"
      ]
      [
        "ordre" => 3
        "nom" => "4. Thriller"
      ]
      [
        "ordre" => 4
        "nom" => "5. Beat It"
      ]
      [
        "ordre" => 5
        "nom" => "6. Billie Jean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Human Nature"
      ]
      [
        "ordre" => 7
        "nom" => "8. P.Y.T. (Pretty Young Thing)"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Lady in My Life"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1652767898 {#2060
      date: 2022-05-17 06:11:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769107293 {#2061
      date: 2026-01-22 18:41:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thriller-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-042"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2079
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
      \r\n
      - Michael Jackson "Dangerous" !\r\n
      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
      - 180 gram 331/3 RPM (2 LP) plays with superb clarity, detail and presence !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Dangerous saw Michael Jackson go in a new direction. The strategy paid off when the 1991 release debuted at N° 1 on the Billboard 200 and sold more than 25 million copies worldwide by September 1994. Global sales now near 40 million.\r\n
      \r\n
      Sourced from the original masters, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM (2 LP) set presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence, along with the fullness of his range and the soaring heights of his falsetto. You'll also enjoy expansive soundstages, ample instrumental separation, black backgrounds, and broad dynamics.\r\n
      \r\n
      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
      \r\n
      Provenance info :\r\n
      \r\n
      "Jam", "Why You Wanna Trip on Me", "In the Closet", "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", and "Dangerous" - 1/2" / 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Heal the World" and "Keep the Faith" -  Mitsubishi X-86 HS 1/4" 48 kHz 16-bit digital format to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Black or White", "Who Is It", and "Give in to Me" - 1/2" 30 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Will You Be There" and "Gone Too Soon" - 1/4" 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3snPmZJkn8"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-571"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jam"
      ]
      [
        "ordre" => 2
        "nom" => "2. Why You Wanna Trip on Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. In the Closet"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. She Drives Me Wild"
      ]
      [
        "ordre" => 6
        "nom" => "2. Remember the Time"
      ]
      [
        "ordre" => 7
        "nom" => "3. Can’t Let Her Get Away"
      ]
      [
        "ordre" => 8
        "nom" => "4. Heal the World"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Black or White"
      ]
      [
        "ordre" => 11
        "nom" => "2. Who Is It"
      ]
      [
        "ordre" => 12
        "nom" => "3. Give in to Me"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Will You Be There"
      ]
      [
        "ordre" => 15
        "nom" => "2. Keep the Faith"
      ]
      [
        "ordre" => 16
        "nom" => "3. Gone Too Soon"
      ]
      [
        "ordre" => 17
        "nom" => "4. Dangerous"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3335
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2079
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
      \r\n
      - Michael Jackson "Dangerous" !\r\n
      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
      - 180 gram 331/3 RPM (2 LP) plays with superb clarity, detail and presence !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Dangerous saw Michael Jackson go in a new direction. The strategy paid off when the 1991 release debuted at N° 1 on the Billboard 200 and sold more than 25 million copies worldwide by September 1994. Global sales now near 40 million.\r\n
      \r\n
      Sourced from the original masters, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM (2 LP) set presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence, along with the fullness of his range and the soaring heights of his falsetto. You'll also enjoy expansive soundstages, ample instrumental separation, black backgrounds, and broad dynamics.\r\n
      \r\n
      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
      \r\n
      Provenance info :\r\n
      \r\n
      "Jam", "Why You Wanna Trip on Me", "In the Closet", "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", and "Dangerous" - 1/2" / 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.\r\n
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      "Heal the World" and "Keep the Faith" -  Mitsubishi X-86 HS 1/4" 48 kHz 16-bit digital format to DSD 256 to analog console to lathe.\r\n
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      "Black or White", "Who Is It", and "Give in to Me" - 1/2" 30 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3snPmZJkn8"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-571"
    -titreMorceau: [
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[
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    -id: 2783
    -nom: "(What's The Story) Morning Glory ?  (30th Anniversary Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, mellotron, piano, bass, backing & lead vocals), Paul “Bonehead” Arthurs (rhythm guitar, (mellotron, piano, Hammond organ, harmonium), Paul “Guigsy” McGuigan (bass guitar), Alan “Whitey” White (drums), Tony McCarroll (drums), Brian Cannon (keyboards),  Paul Weller (lead guitar, harmonica).\r\n
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      - Contains "Wonderwall", "Don't Look Back In Anger" & "Champagne Supernova" !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 157 / 500 !\r\n
      \r\n
      (What's the Story) Morning Glory ? Deluxe 30th Anniversary Edition features newly unplugged versions of five classic tracks: "Cast No Shadow", "Morning Glory", "Wonderwall", "Acquiesce" and "Champagne Supernova", all newly mixed by Noel Gallagher. Available on limited edition (3 LP) formats, including indie exclusive "Cast No Shadow" inspired crystal clear (3 LP). All formats will include the 2014 remastered version of the album alongside the new bonus versions.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, mellotron, piano, bass, backing & lead vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=kwFMdWp4Na0&list=RDkwFMdWp4Na0&start_radio=1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
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    -modifierLe: DateTime @1768980020 {#2090
      date: 2026-01-21 07:20:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
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    -slug: "vinyles-what-s-the-story-morning-glory-30th-anniversary-deluxe-edition-big-brother-recordings-ltd-1053"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3381
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2092
    -id: 2783
    -nom: "(What's The Story) Morning Glory ?  (30th Anniversary Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, mellotron, piano, bass, backing & lead vocals), Paul “Bonehead” Arthurs (rhythm guitar, (mellotron, piano, Hammond organ, harmonium), Paul “Guigsy” McGuigan (bass guitar), Alan “Whitey” White (drums), Tony McCarroll (drums), Brian Cannon (keyboards),  Paul Weller (lead guitar, harmonica).\r\n
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      - Features Unplugged Versions of 5 Classic Tracks Newly Mixed by Noel Gallagher !\r\n
      - Contains "Wonderwall", "Don't Look Back In Anger" & "Champagne Supernova" !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 157 / 500 !\r\n
      \r\n
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      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, mellotron, piano, bass, backing & lead vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
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    -extraitYoutube: "https://www.youtube.com/watch?v=kwFMdWp4Na0&list=RDkwFMdWp4Na0&start_radio=1"
    -referenceProduit: "Big Brother Recordings Ltd. 1053"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
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    -modifierLe: DateTime @1768980020 {#2090
      date: 2026-01-21 07:20:20.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-what-s-the-story-morning-glory-30th-anniversary-deluxe-edition-big-brother-recordings-ltd-1053"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 2745
    -nom: "(What's The Story) Morning Glory ?"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, keyboards, backing vocals), Paul “Bonehead” Arthurs (rhythm guitar), Paul “Guigsy” McGuigan (bass guitar), Alan White (drums, percussion), Mark Coyle, Owen Morris (keyboards), Paul Weller (guitar, backing vocals), The London Session Orchestra (string).\r\n
      \r\n
      - 180 gram gatefold double LP !\r\n
      - Remastered from the original analog tapes !\r\n
      \r\n
      (What's The Story) Morning Glory ?, the follow-up to the debut album Definitely Maybe, is Oasis' biggest-selling album with 22 million copies sold worldwide. It was recorded between May and June 1995 in Rockfield Studios, Monmouthshire, with Owen Morris and Noel Gallagher producing. Released in October 1995 it spent 10 weeks at N° 1, is the fifth biggest-selling album in U.K. chart history and became the band's breakthrough album in the U.S. where it sold 4 million copies.\r\n
      \r\n
      The new edition has been remastered from the original tapes by Ian Cooper at London's Metropolis Studios, supervised by the album's producer Owen Morris. A small army of contributors including original members of the inner circle who were involved in studio and live recordings came together to hunt down unheard demos and live material. The team also unearthed a wealth of never-seen-before photos and vintage memorabilia which will be included in the new artwork.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, keyboards, backing vocals), Paul “Bonehead” Arthurs (rhythm guitar), Paul “Guigsy” McGuigan (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3434
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2113
    -id: 2745
    -nom: "(What's The Story) Morning Glory ?"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
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      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Liam Gallagher (lead vocals, tambourine), Noel Gallagher (lead guitar, keyboards, backing vocals), Paul “Bonehead” Arthurs (rhythm guitar), Paul “Guigsy” McGuigan (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …}
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[
  "produit" => App\Entity\Produit {#2126
    -id: 1511
    -nom: "Wings Over America"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (bass guitar, piano, guitar, lead vocals), Linda McCartney (keyboards, backing vocals), Denny Laine (guitar, bass, keyboards, backing vocals), Jimmy McCulloch (lead guitar), Joe English (drums), Tony Dorsey, Howie Casey (saxophone), Thaddeus Richard (trumpet), Steve Howard (trombone).\r\n
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      - Remastered at Abbey Road Studios !\r\n
      - Includes original souvenir poster !\r\n
      - Includes Venus And Mars / Rock Show / Jet, and Listen To What The Man Said !\r\n
      \r\n
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2128 …}
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      date: 2026-01-20 08:26:25.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3480
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2126
    -id: 1511
    -nom: "Wings Over America"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Paul McCartney (bass guitar, piano, guitar, lead vocals), Linda McCartney (keyboards, backing vocals), Denny Laine (guitar, bass, keyboards, backing vocals), Jimmy McCulloch (lead guitar), Joe English (drums), Tony Dorsey, Howie Casey (saxophone), Thaddeus Richard (trumpet), Steve Howard (trombone).\r\n
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      - Remastered at Abbey Road Studios !\r\n
      - Includes original souvenir poster !\r\n
      - Includes Venus And Mars / Rock Show / Jet, and Listen To What The Man Said !\r\n
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      \r\n
      The triple LP Wings Over America documented one of the most ambitious and expansive world tours ever mounted to that point, and was recorded on the North American leg of the Wings Over The World excursion. That saw McCartney and the band perform for over 600000 people at 31 shows in the US and Canada, culminating in three concerts at The Forum in Los Angeles.\r\n
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      """
    -prixVente: "99.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2128 …}
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    -modifierLe: DateTime @1768897585 {#2124
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
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[
  "produit" => App\Entity\Produit {#2145
    -id: 1410
    -nom: "Wild Life - (Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      Paul McCartney Overseen 180 gram (2 LP) Archival Release Of Wings 1971 Debut Featuring Remastered Album, 17 Bonus Tracks & 12-Page 10" Booklet !\r\n
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      Paul McCartney presents the eleventh (Wild Life) and twelfth (Red Rose Speedway) classic works from his revered catalogue to be remastered, reissued and expanded across multi-format installments of his Grammy-winning Archive Collection.\r\n
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      \r\n
      Every release in the ongoing Paul McCartney Archive Collection is supervised by Paul himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 40 years of cherished, classic material from the most successful songwriter and recording artist in music history.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Paul McCartney (bass guitar, guitar, piano, keyboards, percussion, lead vocals),  Linda McCartney (keyboards, piano, percussion, backing vocals), Denny Laine (guitars, bass guitar, percussion, keyboards, backing vocals), Denny Seiwell (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hGos8oMul88&list=PLRSHq9y36AwrHpfC1VN83dG01018MoKQd"
    -referenceProduit: "Capitol Records 1173"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Mumbo (2018 Remaster)"
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        "nom" => "4. Wild Life (2018 Remaster)"
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        "nom" => "5. Some People Never Know (2018 Remaster)"
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      [
        "ordre" => 6
        "nom" => "Side B : "
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        "ordre" => 7
        "nom" => "1. I Am Your Singer (2018 Remaster)"
      ]
      [
        "ordre" => 8
        "nom" => "2. Bip Bop Link (2018 Remaster)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Tomorrow (2018 Remaster)"
      ]
      [
        "ordre" => 10
        "nom" => "4. Dear Friend (2018 Remaster)"
      ]
      [
        "ordre" => 11
        "nom" => "5. Mumbo Link (2018 Remaster)"
      ]
      [
        "ordre" => 12
        "nom" => "Side C : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Good Rockin’ Tonight (Home Recording)"
      ]
      [
        "ordre" => 14
        "nom" => "2. Bip Bop (Home Recording)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Hey Diddle (Home Recording)"
      ]
      [
        "ordre" => 16
        "nom" => "4. She Got It Good (Home Recording)"
      ]
      [
        "ordre" => 17
        "nom" => "5. I Am Your Singer (Home Recordin)"
      ]
      [
        "ordre" => 18
        "nom" => "6. Outtake I"
      ]
      [
        "ordre" => 19
        "nom" => "7. Dear Friend (Home Recording I)"
      ]
      [
        "ordre" => 20
        "nom" => "8. Dear Friend (Home Recording II)"
      ]
      [
        "ordre" => 21
        "nom" => "9. Outtake II"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
      ]
      [
        "ordre" => 23
        "nom" => "1. Indeed I Do"
      ]
      [
        "ordre" => 24
        "nom" => "2. When The Wind Is Blowing"
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      [
        "ordre" => 25
        "nom" => "3. The Great Cock And Seagull Race (Rough Mix)"
      ]
      [
        "ordre" => 26
        "nom" => "4. Outtake III"
      ]
      [
        "ordre" => 27
        "nom" => "5. Give Ireland Back To The Irish"
      ]
      [
        "ordre" => 28
        "nom" => "6. Give Ireland Back To The Irish (Version)"
      ]
      [
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        "nom" => "7. Love Is Strange (Single Edit)"
      ]
      [
        "ordre" => 30
        "nom" => "8. African Yeah Yeah"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2128 …}
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    }
    -modifierLe: DateTime @1768831743 {#2143
      date: 2026-01-19 14:09:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2150 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-wild-life-deluxe-edition-capitol-records-1173"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3533
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2145
    -id: 1410
    -nom: "Wild Life - (Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      Paul McCartney Overseen 180 gram (2 LP) Archival Release Of Wings 1971 Debut Featuring Remastered Album, 17 Bonus Tracks & 12-Page 10" Booklet !\r\n
      \r\n
      Paul McCartney presents the eleventh (Wild Life) and twelfth (Red Rose Speedway) classic works from his revered catalogue to be remastered, reissued and expanded across multi-format installments of his Grammy-winning Archive Collection.\r\n
      \r\n
      Written by Paul and Linda McCartney (with the exception of a cover of Mickey & Sylvia's "Love Is Strange"), Wings'  December 1971 debut album Wild Life is beloved by fans for its raw and direct vibe - having been recorded in just over a week with the majority of tracks laid down in a single take. The 180 gram (2 LP) edition features the original album remastered at Abbey Road Studios on LP1 and bonus audio of singles, B-sides and previously unreleased tracks on LP2. The set comes housed in a retro style ‘tip on' gatefold with a 12 page 10" booklet plus a 320 kbps MP3 download redemption card.\r\n
      \r\n
      Every release in the ongoing Paul McCartney Archive Collection is supervised by Paul himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 40 years of cherished, classic material from the most successful songwriter and recording artist in music history.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Paul McCartney (bass guitar, guitar, piano, keyboards, percussion, lead vocals),  Linda McCartney (keyboards, piano, percussion, backing vocals), Denny Laine (guitars, bass guitar, percussion, keyboards, backing vocals), Denny Seiwell (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=hGos8oMul88&list=PLRSHq9y36AwrHpfC1VN83dG01018MoKQd"
    -referenceProduit: "Capitol Records 1173"
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        "nom" => "5. Some People Never Know (2018 Remaster)"
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        "nom" => "Side B : "
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        "nom" => "1. I Am Your Singer (2018 Remaster)"
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      [
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        "nom" => "2. Bip Bop Link (2018 Remaster)"
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        "nom" => "3. Tomorrow (2018 Remaster)"
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      [
        "ordre" => 11
        "nom" => "5. Mumbo Link (2018 Remaster)"
      ]
      [
        "ordre" => 12
        "nom" => "Side C : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Good Rockin’ Tonight (Home Recording)"
      ]
      [
        "ordre" => 14
        "nom" => "2. Bip Bop (Home Recording)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Hey Diddle (Home Recording)"
      ]
      [
        "ordre" => 16
        "nom" => "4. She Got It Good (Home Recording)"
      ]
      [
        "ordre" => 17
        "nom" => "5. I Am Your Singer (Home Recordin)"
      ]
      [
        "ordre" => 18
        "nom" => "6. Outtake I"
      ]
      [
        "ordre" => 19
        "nom" => "7. Dear Friend (Home Recording I)"
      ]
      [
        "ordre" => 20
        "nom" => "8. Dear Friend (Home Recording II)"
      ]
      [
        "ordre" => 21
        "nom" => "9. Outtake II"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
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        "ordre" => 23
        "nom" => "1. Indeed I Do"
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      [
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        "nom" => "2. When The Wind Is Blowing"
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        "nom" => "3. The Great Cock And Seagull Race (Rough Mix)"
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        "nom" => "4. Outtake III"
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        "nom" => "5. Give Ireland Back To The Irish"
      ]
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        "nom" => "7. Love Is Strange (Single Edit)"
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        "nom" => "8. African Yeah Yeah"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2128 …}
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      date: 2026-01-19 14:09:03.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-wild-life-deluxe-edition-capitol-records-1173"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2160
    -id: 2826
    -nom: "Trouble In Paradise"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Newman (piano, synthesizers, vocals), Steve Lukather (lead guitar, vocals), Dean Parks, Michael Landau (guitar), Waddy Wachtel (rhythm guitar), David Paich (Farfisa organ, Fender Rhodes, background vocals), Michael Boddicker (synthesizers, piano), Neil Larsen (piano solo), Ralph Grierson (piano), Victor Feldman (piano, Fender Rhodes, drums, percussion), Nathan East (bass guitar), Lee Sklar (bass), Larry Williams, Steve Madaio, Jerry Hey, Jim Horn (horns), Ernie Watts (horns, saxophone solo), Paul Simon (vocals), Christine McVie, Lindsey Buckingham, Jennifer Warnes, Wendy Waldman, and Linda Ronstadt, Don Henley, Bob Seger, Rickie Lee Jones, Arno Lucas, Leslie Smith (background vocals), Lenny Castro (percussion, background vocals), Paulinho Da Costa (percussion), Jeff Porcaro,  (drums, background vocals), Carlos Vega (drums).\r\n
      \r\n
      Randy Newman's 1983 Album Trouble in Paradise Reissued for the Rhino Reserve Audiophile Series on 180 gram LP. Lacquers Cut from the Original Analog Tape by Matthew Lutthans at The Mastering Lab. Pressed at Fidelity Record Pressing.\r\n
      \r\n
      Named one of the 100 Greatest Albums of the 1980s by Rolling Stone. Featuring the anthem “I Love L.A.", that helped define his legacy as a voice in American music. With Warner Bros. hitmakers Russ Titelman and Lenny Waronker producing, and star-studded cast of guest vocalists including Paul Simon, Linda Ronstadt, and Bob Seger, the 1983 collection displays the craftsmanship that would make the singer-songwriter one of the most sought-after composers for film and TV. Pressed on 180 gram vinyl as part of Rhino's Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Randy Newman (piano, synthesizers, vocals), Steve Lukather (lead guitar, vocals), Dean Parks, Michael Landau (guitar), Waddy Wachtel (rhythm guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cYUfGXPV_Sc&list=PLNPGM2D7aODcZ1xQzRcolVd3AofW8zDq_"
    -referenceProduit: "Rhino Reserve 3755"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. I Love L.A."
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        "nom" => "6. My Life Is Good"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
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    -style: App\Entity\Style {#1063 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1757757705 {#2156
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    }
    -modifierLe: DateTime @1768751645 {#2155
      date: 2026-01-18 15:54:05.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3579
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2160
    -id: 2826
    -nom: "Trouble In Paradise"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Randy Newman (piano, synthesizers, vocals), Steve Lukather (lead guitar, vocals), Dean Parks, Michael Landau (guitar), Waddy Wachtel (rhythm guitar), David Paich (Farfisa organ, Fender Rhodes, background vocals), Michael Boddicker (synthesizers, piano), Neil Larsen (piano solo), Ralph Grierson (piano), Victor Feldman (piano, Fender Rhodes, drums, percussion), Nathan East (bass guitar), Lee Sklar (bass), Larry Williams, Steve Madaio, Jerry Hey, Jim Horn (horns), Ernie Watts (horns, saxophone solo), Paul Simon (vocals), Christine McVie, Lindsey Buckingham, Jennifer Warnes, Wendy Waldman, and Linda Ronstadt, Don Henley, Bob Seger, Rickie Lee Jones, Arno Lucas, Leslie Smith (background vocals), Lenny Castro (percussion, background vocals), Paulinho Da Costa (percussion), Jeff Porcaro,  (drums, background vocals), Carlos Vega (drums).\r\n
      \r\n
      Randy Newman's 1983 Album Trouble in Paradise Reissued for the Rhino Reserve Audiophile Series on 180 gram LP. Lacquers Cut from the Original Analog Tape by Matthew Lutthans at The Mastering Lab. Pressed at Fidelity Record Pressing.\r\n
      \r\n
      Named one of the 100 Greatest Albums of the 1980s by Rolling Stone. Featuring the anthem “I Love L.A.", that helped define his legacy as a voice in American music. With Warner Bros. hitmakers Russ Titelman and Lenny Waronker producing, and star-studded cast of guest vocalists including Paul Simon, Linda Ronstadt, and Bob Seger, the 1983 collection displays the craftsmanship that would make the singer-songwriter one of the most sought-after composers for film and TV. Pressed on 180 gram vinyl as part of Rhino's Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Randy Newman (piano, synthesizers, vocals), Steve Lukather (lead guitar, vocals), Dean Parks, Michael Landau (guitar), Waddy Wachtel (rhythm guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: Proxies\__CG__\App\Entity\Label {#2165 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1757757705 {#2156
      date: 2025-09-13 10:01:45.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768751645 {#2155
      date: 2026-01-18 15:54:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trouble-in-paradise-rhino-reserve-3755"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2181
    -id: 2651
    -nom: "Street Songs"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute), Tom McDermott (guitar, percussion), Aaron Dublin, California St. Clair, Daniel LeMelle, Levi Ruffin, Jr., Lisa Sarna, Oscar Alston, Teena Marie, Victor Reed (handclaps), Stevie Wonder (harmonica), Punk Funk Horns (horns), Erskine Williams (keyboards, organ Hammond B3, clavinet), Armando Peraza, Bugsy Wilcox, Nate Hughes, Raul Rekow (percussion), Levi Ruffin, Jr. (synthesizer "String Ensemble, OBX", backing vocals), Gerald Albright  (tenor flute), John Ervin (trombone, flute), Fernando Harkless, Roy Poper (trumpet), Cliff Ervin (trumpet, piccolo flute, flugelhorn), Donny Keider (vibraphone), Larry Hansen (violin), JoAnne McDuffy, Lisa Sarna, Melvin Franklin, Otis Williams, Richard Street, Jane't DuBois, Jackie Ruffin, Julia Waters Tillman, Lawrence Hilton Jacobs, Levi Ruffin, Jr., Marci Thomas, Maxine Waters Willard, Pattie Brooks, Rick James, Teena Marie (vocals), Lanise Hughes, Narada Michael Walden, Steve Price (drums).\r\n
      \r\n
      - Rick James Blends Brazen Attitude, Fearless Sexuality, and Shrewd Charisma on Street Songs : Punk-Funk Album Aims for the Hips and Head, Includes the Timeless Hit “Super Freak” !\r\n
      \r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Presents 1981 Smash in Audiophile Sound for the First Time !\r\n
      \r\n
      - 1/4” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Punk funk” was a relatively unknown concept before 1981. But once Street Songs took the charts by storm that year, the world soon knew about what became Rick James’ signature style. And how. True to its name, Street Songs blends outspoken sexuality, brazen attitude, and edgy commentary amid contagious R&B-fueled arrangements that simultaneously aim for the hips, head, and various nether regions. And it’s never sounded better. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 4000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents James’ platinum-certified effort in audiophile quality for the first time. Playing with crisp dynamics, lively textures, airy headroom, and revealing clarity, this collectible edition of the record that stayed at the N° 1 spot on the R&B Album Charts for 20 weeks invites you to get closer to music that beckons you to turn your space into a private dance floor.  \r\n
      \r\n
      Then again, you’ll likely be so taken by how the taut bass lines, snappy rhythms, and four-on-the-floor beats all rendered in stunning detail and with full-bodied architecture come across with such accuracy and presence, you might stay pinned to your seat. On this pressing, the soundstaging, imaging, and lit-fuse energy of Street Songs reach new heights. Everything from the rubbery feel of the guitar lines to the depth of James’ temperature-raising vocals to the scale of the horn charts emerges as if James and his ace session crew set up in your room.\r\n
      \r\n
      The Buffalo native and his ensemble waste no time getting their message across. On the album-opening “Give It to Me Baby”, James and company lay down a mix of sleek funk and pulsing disco that practically activates the bright lights of a discotheque and stimulates the libido of anyone within earshot. Having reached No. 1 on the Billboard Hot Soul charts, the song is pure sex and just one of the carnal delights on a record that embraces the subject as fearlessly as James does his identity. \r\n
      \r\n
      Of course, the most famous of James’ erotic excursions the timeless “Super Freak” hit N° 1 on Hot Dance Club Play charts, N° 16 on the Hot 100, and, later, N° 153 on Rolling Stone’s list of the Top 500 Songs of All Time. Bolstered by a quavering keyboard theme and electro riffs, the much-sampled track worms itself inside your muscles with smile-inducing subject matter, gliding vocals, nimble movements, a hot tenor-saxophone solo, and backing vocals by the Temptations. \r\n
      \r\n
      The iconic Motown group isn’t the only celebrated guest artist on the Grammy-nominated Street Songs. James’ then-labelmate, Stevie Wonder, lends harmonica to the frank sociopolitical narrative on “Mr. Policeman”, a protest tune that also manages to stroll ’n’ strut via simmering organ, staggering brass accents, and James’ gritty vocal performance. In addition to contributing backing vocals on several cuts, Teena Marie turns in one of the album’s signature moments on “Fire and Desire,” a romantic old-school duet with James that impresses with smoothness, sensitivity, and smokiness. \r\n
      \r\n
      High-profile colleagues aside, James remains the undisputed star, a figure whose leather-and-latex attire, braided hair, and natural swagger made him misunderstood by some in the mainstream and embraced by everyone in the know as a true original. As a testament to his magnetism and skills, his charisma and rawness seemingly seep through every note, whether on the balladic sweep of the risqué “Make Love to Me” or strident, poke-and-prod persuasion of the moonwalking “Call Me Up”. \r\n
      \r\n
      On the closing “Below the Funk (Pass the J),” an uptempo autobiographical tale that addresses the visionary musician’s second-favorite love, the singer acknowledges his upbringing and inseparable connection with his roots an homage to where he began and a toast to where he’s gone.\r\n
      \r\n
      Rick James, keepin’ it real on Street Songs, still as real as it gets.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnKc4zi0MLA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-578"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give It to Me Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ghetto Life"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Make Love to Me"
      ]
      [
        "ordre" => 5
        "nom" => "2. Mr. Policeman"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Super Freak"
      ]
      [
        "ordre" => 8
        "nom" => "2. Fire and Desire"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. all Me Up"
      ]
      [
        "ordre" => 11
        "nom" => "2. Below the Funk (Pass the J)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1740557981 {#2177
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    }
    -modifierLe: DateTime @1768663121 {#2176
      date: 2026-01-17 15:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-street-songs-mobile-fidelity-sound-lab-mfsl-2-578"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3630
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2181
    -id: 2651
    -nom: "Street Songs"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute), Tom McDermott (guitar, percussion), Aaron Dublin, California St. Clair, Daniel LeMelle, Levi Ruffin, Jr., Lisa Sarna, Oscar Alston, Teena Marie, Victor Reed (handclaps), Stevie Wonder (harmonica), Punk Funk Horns (horns), Erskine Williams (keyboards, organ Hammond B3, clavinet), Armando Peraza, Bugsy Wilcox, Nate Hughes, Raul Rekow (percussion), Levi Ruffin, Jr. (synthesizer "String Ensemble, OBX", backing vocals), Gerald Albright  (tenor flute), John Ervin (trombone, flute), Fernando Harkless, Roy Poper (trumpet), Cliff Ervin (trumpet, piccolo flute, flugelhorn), Donny Keider (vibraphone), Larry Hansen (violin), JoAnne McDuffy, Lisa Sarna, Melvin Franklin, Otis Williams, Richard Street, Jane't DuBois, Jackie Ruffin, Julia Waters Tillman, Lawrence Hilton Jacobs, Levi Ruffin, Jr., Marci Thomas, Maxine Waters Willard, Pattie Brooks, Rick James, Teena Marie (vocals), Lanise Hughes, Narada Michael Walden, Steve Price (drums).\r\n
      \r\n
      - Rick James Blends Brazen Attitude, Fearless Sexuality, and Shrewd Charisma on Street Songs : Punk-Funk Album Aims for the Hips and Head, Includes the Timeless Hit “Super Freak” !\r\n
      \r\n
      - Sourced from the Original Master Tapes and Strictly Limited to 4000 Numbered Copies : Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Presents 1981 Smash in Audiophile Sound for the First Time !\r\n
      \r\n
      - 1/4” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      “Punk funk” was a relatively unknown concept before 1981. But once Street Songs took the charts by storm that year, the world soon knew about what became Rick James’ signature style. And how. True to its name, Street Songs blends outspoken sexuality, brazen attitude, and edgy commentary amid contagious R&B-fueled arrangements that simultaneously aim for the hips, head, and various nether regions. And it’s never sounded better. \r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 4000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents James’ platinum-certified effort in audiophile quality for the first time. Playing with crisp dynamics, lively textures, airy headroom, and revealing clarity, this collectible edition of the record that stayed at the N° 1 spot on the R&B Album Charts for 20 weeks invites you to get closer to music that beckons you to turn your space into a private dance floor.  \r\n
      \r\n
      Then again, you’ll likely be so taken by how the taut bass lines, snappy rhythms, and four-on-the-floor beats all rendered in stunning detail and with full-bodied architecture come across with such accuracy and presence, you might stay pinned to your seat. On this pressing, the soundstaging, imaging, and lit-fuse energy of Street Songs reach new heights. Everything from the rubbery feel of the guitar lines to the depth of James’ temperature-raising vocals to the scale of the horn charts emerges as if James and his ace session crew set up in your room.\r\n
      \r\n
      The Buffalo native and his ensemble waste no time getting their message across. On the album-opening “Give It to Me Baby”, James and company lay down a mix of sleek funk and pulsing disco that practically activates the bright lights of a discotheque and stimulates the libido of anyone within earshot. Having reached No. 1 on the Billboard Hot Soul charts, the song is pure sex and just one of the carnal delights on a record that embraces the subject as fearlessly as James does his identity. \r\n
      \r\n
      Of course, the most famous of James’ erotic excursions the timeless “Super Freak” hit N° 1 on Hot Dance Club Play charts, N° 16 on the Hot 100, and, later, N° 153 on Rolling Stone’s list of the Top 500 Songs of All Time. Bolstered by a quavering keyboard theme and electro riffs, the much-sampled track worms itself inside your muscles with smile-inducing subject matter, gliding vocals, nimble movements, a hot tenor-saxophone solo, and backing vocals by the Temptations. \r\n
      \r\n
      The iconic Motown group isn’t the only celebrated guest artist on the Grammy-nominated Street Songs. James’ then-labelmate, Stevie Wonder, lends harmonica to the frank sociopolitical narrative on “Mr. Policeman”, a protest tune that also manages to stroll ’n’ strut via simmering organ, staggering brass accents, and James’ gritty vocal performance. In addition to contributing backing vocals on several cuts, Teena Marie turns in one of the album’s signature moments on “Fire and Desire,” a romantic old-school duet with James that impresses with smoothness, sensitivity, and smokiness. \r\n
      \r\n
      High-profile colleagues aside, James remains the undisputed star, a figure whose leather-and-latex attire, braided hair, and natural swagger made him misunderstood by some in the mainstream and embraced by everyone in the know as a true original. As a testament to his magnetism and skills, his charisma and rawness seemingly seep through every note, whether on the balladic sweep of the risqué “Make Love to Me” or strident, poke-and-prod persuasion of the moonwalking “Call Me Up”. \r\n
      \r\n
      On the closing “Below the Funk (Pass the J),” an uptempo autobiographical tale that addresses the visionary musician’s second-favorite love, the singer acknowledges his upbringing and inseparable connection with his roots an homage to where he began and a toast to where he’s gone.\r\n
      \r\n
      Rick James, keepin’ it real on Street Songs, still as real as it gets.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Rick James (guitar, bass, percussion, drums, timbales, timpani, lead vocals),  Stone City Band (Band), Oscar Alston (bass, percussion), Daniel LeMelle (alto & tenor saxophone, flute)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wnKc4zi0MLA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-578"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Give It to Me Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Ghetto Life"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Make Love to Me"
      ]
      [
        "ordre" => 5
        "nom" => "2. Mr. Policeman"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Super Freak"
      ]
      [
        "ordre" => 8
        "nom" => "2. Fire and Desire"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. all Me Up"
      ]
      [
        "ordre" => 11
        "nom" => "2. Below the Funk (Pass the J)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2183 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2192 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2185 …}
    -typeMasterTape: null
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    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2187 …}
    -enregistreLe: DateTime @1740557981 {#2177
      date: 2025-02-26 08:19:41.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768663121 {#2176
      date: 2026-01-17 15:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2189 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-street-songs-mobile-fidelity-sound-lab-mfsl-2-578"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2197
    -id: 1178
    -nom: "It’s Like This"
    -informationComplementaire: null
    -description: """
      "This lovely set of intimately arranged and meticulously recorded covers, originally issued in 2000, is precisely the kind of semi-obscure album in need of a quality all-analog reissue… The superbly natural sound produced by this record is what spending big bucks on an audio system is all about. Set the volume appropriately and Ms. Jones'll draw you into the studio for a personal song recital… This is one to savor". Music = 9/11; Sound = 10/11 – Michael Fremer, www.musicangle.com\r\n
      \r\n
      "…this effort from 2000 shows Jones conjuring such magic with the material that she deserves as much attention for reworking standards as do Carly Simon or Linda Ronstadt. Kicking off with Steely Dan's 'Show Biz Kids,' and with appearances by Joe Jackson and Ben Folds, among the highpoints is the Beatles' 'For No One' that ranks as among the finest Beatles cover ever. And considering that they number in the tens of thousands, that's about as high as praise gets". Recording = 5/5; Performances = 5/5 Album of the Month – Ken Kessler, Hi-Fi News, April 2008\r\n
      \r\n
      "The Rickie Lee Jones 45rpm is AWESOME UNREAL AMAZING!!! I have to get a backup copy. I'll play this one to death". – Danny Kaey, Positive-Feedback Online\r\n
      \r\n
      Not since Billie Holiday has there been a vocalist who so completely transforms a song into her own. On It's Like This, eclectic folkie Rickie Lee Jones envelops standards, showtunes, '70s soul, and even slick jazz-rock, interpreting them with her familiar childlike, breathy shouts. In a very similar vein as 1991's Pop Pop, Jones pulls together a collection of diverse songs from throughout the 20th century and gives them a sparse, fragile spin, kind of like Diana Krall and Bjork sharing coffee at an all-night diner. Produced by Bruce Brody (who has also worked with Maria McKee and Bette Midler), this album is really a showcase for the dynamic vocalist - her voice pitching and yawing like a sloop far out at sea. Several notable artists scatter themselves unobtrusively throughout the album like Joe Jackson, Ben Folds, John Pizzarelli, and Taj Mahal; each lend a subtle bass line or harmony vocal, cautiously not stepping on any of Jones' delicate lines.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Rickie Lee Jones (acoustic & electric guitar, vocals), Michael Elizondo, Paul Nowinski (acoustic bass), Bruce Brody (organ), Alex Foster (saxophone), Conrad Herwig (trombone), Bashiri Johnson (percussion), Carl Allen, Peter Erskine (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WtzD1bgGIN0"
    -referenceProduit: "Analogue Productions AAPP 51056-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Show Biz Kids"
      ]
      [
        "ordre" => 2
        "nom" => "2. Trouble Man"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. For No One"
      ]
      [
        "ordre" => 5
        "nom" => "2. Smile"
      ]
      [
        "ordre" => 6
        "nom" => "3. Low Spark of High Heeled Boys"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. On The Street Where You Live"
      ]
      [
        "ordre" => 9
        "nom" => "2. I Can't Get Started"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Up A Lazy River"
      ]
      [
        "ordre" => 12
        "nom" => "2. Someone To Watch Over Me"
      ]
      [
        "ordre" => 13
        "nom" => "3. Cycles"
      ]
      [
        "ordre" => 14
        "nom" => "4. One Hand, One Heart"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: Proxies\__CG__\App\Entity\Label {#2202 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2211 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2204 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2206 …}
    -enregistreLe: DateTime @1494308328 {#2194
      date: 2017-05-09 05:38:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768662867 {#2195
      date: 2026-01-17 15:14:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-like-this-analogue-productions-aapp-51056-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3681
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2197
    -id: 1178
    -nom: "It’s Like This"
    -informationComplementaire: null
    -description: """
      "This lovely set of intimately arranged and meticulously recorded covers, originally issued in 2000, is precisely the kind of semi-obscure album in need of a quality all-analog reissue… The superbly natural sound produced by this record is what spending big bucks on an audio system is all about. Set the volume appropriately and Ms. Jones'll draw you into the studio for a personal song recital… This is one to savor". Music = 9/11; Sound = 10/11 – Michael Fremer, www.musicangle.com\r\n
      \r\n
      "…this effort from 2000 shows Jones conjuring such magic with the material that she deserves as much attention for reworking standards as do Carly Simon or Linda Ronstadt. Kicking off with Steely Dan's 'Show Biz Kids,' and with appearances by Joe Jackson and Ben Folds, among the highpoints is the Beatles' 'For No One' that ranks as among the finest Beatles cover ever. And considering that they number in the tens of thousands, that's about as high as praise gets". Recording = 5/5; Performances = 5/5 Album of the Month – Ken Kessler, Hi-Fi News, April 2008\r\n
      \r\n
      "The Rickie Lee Jones 45rpm is AWESOME UNREAL AMAZING!!! I have to get a backup copy. I'll play this one to death". – Danny Kaey, Positive-Feedback Online\r\n
      \r\n
      Not since Billie Holiday has there been a vocalist who so completely transforms a song into her own. On It's Like This, eclectic folkie Rickie Lee Jones envelops standards, showtunes, '70s soul, and even slick jazz-rock, interpreting them with her familiar childlike, breathy shouts. In a very similar vein as 1991's Pop Pop, Jones pulls together a collection of diverse songs from throughout the 20th century and gives them a sparse, fragile spin, kind of like Diana Krall and Bjork sharing coffee at an all-night diner. Produced by Bruce Brody (who has also worked with Maria McKee and Bette Midler), this album is really a showcase for the dynamic vocalist - her voice pitching and yawing like a sloop far out at sea. Several notable artists scatter themselves unobtrusively throughout the album like Joe Jackson, Ben Folds, John Pizzarelli, and Taj Mahal; each lend a subtle bass line or harmony vocal, cautiously not stepping on any of Jones' delicate lines.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Rickie Lee Jones (acoustic & electric guitar, vocals), Michael Elizondo, Paul Nowinski (acoustic bass), Bruce Brody (organ), Alex Foster (saxophone), Conrad Herwig (trombone), Bashiri Johnson (percussion), Carl Allen, Peter Erskine (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WtzD1bgGIN0"
    -referenceProduit: "Analogue Productions AAPP 51056-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Show Biz Kids"
      ]
      [
        "ordre" => 2
        "nom" => "2. Trouble Man"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. For No One"
      ]
      [
        "ordre" => 5
        "nom" => "2. Smile"
      ]
      [
        "ordre" => 6
        "nom" => "3. Low Spark of High Heeled Boys"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. On The Street Where You Live"
      ]
      [
        "ordre" => 9
        "nom" => "2. I Can't Get Started"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Up A Lazy River"
      ]
      [
        "ordre" => 12
        "nom" => "2. Someone To Watch Over Me"
      ]
      [
        "ordre" => 13
        "nom" => "3. Cycles"
      ]
      [
        "ordre" => 14
        "nom" => "4. One Hand, One Heart"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2199 …}
    -label: Proxies\__CG__\App\Entity\Label {#2202 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2211 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2204 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2206 …}
    -enregistreLe: DateTime @1494308328 {#2194
      date: 2017-05-09 05:38:48.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768662867 {#2195
      date: 2026-01-17 15:14:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2208 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-s-like-this-analogue-productions-aapp-51056-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}

[
  "produit" => App\Entity\Produit {#2216
    -id: 2513
    -nom: "For Your Pleasure  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "For Your Pleasure" (Half-Speed Master)180 gram vinyl !\r\n
      - Reissue mastered at half-speed and cut at Abbey Road Studios !\r\n
      - Jacket features revised artwork with a gloss laminated finish !\r\n
      \r\n
      In 1973, Roxy Music followed up their debut with For Your Pleasure. This time, they were able to spend more time in the studio, resulting a more elaborate and experimental production. Brian Eno's blend of tape loops are apparent on "The Bogus Man" and "Do the Strand", is often called the archetypal Roxy Music anthem. This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, lead vocals), Brian Eno (synthesizers, backing vocals), Andy Mackay (oboe, saxophone), Phil Manzanera (electric guitar), Graham Simpson (bass guitar), Paul Thompson (drums, percussion), Eddie Jobson (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XUhYAcgmTtU&list=RDXUhYAcgmTtU&start_radio=1"
    -referenceProduit: "Republic Records 6022"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Do The Strand"
      ]
      [
        "ordre" => 2
        "nom" => "2. Beauty Queen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Strictly Confidential"
      ]
      [
        "ordre" => 4
        "nom" => "4. Editions Of You"
      ]
      [
        "ordre" => 5
        "nom" => "5. In Every Dream Home A Heartache "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. The Bogus Man"
      ]
      [
        "ordre" => 8
        "nom" => "2. Grey Lagoons"
      ]
      [
        "ordre" => 9
        "nom" => "3. For Your Pleasure"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2218 …}
    -label: Proxies\__CG__\App\Entity\Label {#2221 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2230 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2223 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2225 …}
    -enregistreLe: DateTime @1712133522 {#2213
      date: 2024-04-03 08:38:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768639770 {#2214
      date: 2026-01-17 08:49:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-for-your-pleasure-half-speed-master-republic-records-6022"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3732
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2655 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2216
    -id: 2513
    -nom: "For Your Pleasure  (Half-Speed Master)"
    -informationComplementaire: null
    -description: """
      - Roxy Music "For Your Pleasure" (Half-Speed Master)180 gram vinyl !\r\n
      - Reissue mastered at half-speed and cut at Abbey Road Studios !\r\n
      - Jacket features revised artwork with a gloss laminated finish !\r\n
      \r\n
      In 1973, Roxy Music followed up their debut with For Your Pleasure. This time, they were able to spend more time in the studio, resulting a more elaborate and experimental production. Brian Eno's blend of tape loops are apparent on "The Bogus Man" and "Do the Strand", is often called the archetypal Roxy Music anthem. This vinyl reissue is mastered at half-speed and cut by Miles Showell at Abbey Road Studios. It also features revised artwork with a gloss laminated finish.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Bryan Ferry (keyboards, lead vocals), Brian Eno (synthesizers, backing vocals), Andy Mackay (oboe, saxophone), Phil Manzanera (electric guitar), Graham Simpson (bass guitar), Paul Thompson (drums, percussion), Eddie Jobson (violin)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XUhYAcgmTtU&list=RDXUhYAcgmTtU&start_radio=1"
    -referenceProduit: "Republic Records 6022"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Do The Strand"
      ]
      [
        "ordre" => 2
        "nom" => "2. Beauty Queen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Strictly Confidential"
      ]
      [
        "ordre" => 4
        "nom" => "4. Editions Of You"
      ]
      [
        "ordre" => 5
        "nom" => "5. In Every Dream Home A Heartache "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. The Bogus Man"
      ]
      [
        "ordre" => 8
        "nom" => "2. Grey Lagoons"
      ]
      [
        "ordre" => 9
        "nom" => "3. For Your Pleasure"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2218 …}
    -label: Proxies\__CG__\App\Entity\Label {#2221 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2230 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2223 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2225 …}
    -enregistreLe: DateTime @1712133522 {#2213
      date: 2024-04-03 08:38:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768639770 {#2214
      date: 2026-01-17 08:49:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2227 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-for-your-pleasure-half-speed-master-republic-records-6022"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2423 …}
}