Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2468
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2545
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2548 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
  -formView: Symfony\Component\Form\FormView {#2584 …}
  -form: Symfony\Component\Form\Form {#2734 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1896
    -id: 1199
    -nom: "With The Beatles"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 53 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      For Americans in the full grip of Beatlemania, this was the first album they could buy. With The Beatles (sold as Meet The Beatles ! in the U.S.) was the Fab Four's second British record. With the Beatles produced the singles "It Won't Be Long" and "All My Loving". John Lennon and Paul McCartney were on a songwriting roll that would be unmatched in rock history, and at this point they were still a real team. Like no other digital or analog edition, this LP pressing showcases how far the Fab Four really were beyond any of their peers.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster With The Beatles from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      Recorded in much the same fashion as Please Please Me, With The Beatles used close-miking techniques and a combination of direct and ambient sounds gathered from group microphones. There's a great rollicking liveliness and depth captured. Paying homage to Motown, the band sends up "Please Mister Postman", "Money (That's What I Want)", and "You Really Got a Hold On Me" with equal parts ragged urgency and poignant emotion. A batch of rich originals spans bittersweet ballads "All I've Got to Do" to shout-out-loud rock classics "It Won't Be Long".\r\n
      \r\n
      The set has been criticized by some for containing too many covers; yet it's a snapshot of the Beatles during the band's last connection to its Cavern Club days and avoids any dull moments. Again, the production emphasizes an in-the-studio feel, with minimal effects and few baffles. Now, hear just how hard the Beatles rocked in what's the equivalent of 3D sound. The strings of the band's guitars and pop of Ringo's 20-inch Ludwig kick drum resonate with punch, drive, and true-to-life imaging. It's all thanks to Capitol's meticulous mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, percussion, vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "EMI Records 2420"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It Won't Be Long"
        "ordre" => 1
      ]
      [
        "nom" => "2. All I've Got To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. All My Loving"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Bother Me"
        "ordre" => 4
      ]
      [
        "nom" => "5. Little Child"
        "ordre" => 5
      ]
      [
        "nom" => "6. Till There Was You"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Mister Postman"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2014 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1916 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2002 …}
    -enregistreLe: DateTime @1501570978 {#1883
      date: 2017-08-01 07:02:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763451197 {#1879
      date: 2025-11-18 07:33:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2008 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-beatles-emi-records-2420"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3009
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#1896
    -id: 1199
    -nom: "With The Beatles"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 53 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      For Americans in the full grip of Beatlemania, this was the first album they could buy. With The Beatles (sold as Meet The Beatles ! in the U.S.) was the Fab Four's second British record. With the Beatles produced the singles "It Won't Be Long" and "All My Loving". John Lennon and Paul McCartney were on a songwriting roll that would be unmatched in rock history, and at this point they were still a real team. Like no other digital or analog edition, this LP pressing showcases how far the Fab Four really were beyond any of their peers.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster With The Beatles from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      Recorded in much the same fashion as Please Please Me, With The Beatles used close-miking techniques and a combination of direct and ambient sounds gathered from group microphones. There's a great rollicking liveliness and depth captured. Paying homage to Motown, the band sends up "Please Mister Postman", "Money (That's What I Want)", and "You Really Got a Hold On Me" with equal parts ragged urgency and poignant emotion. A batch of rich originals spans bittersweet ballads "All I've Got to Do" to shout-out-loud rock classics "It Won't Be Long".\r\n
      \r\n
      The set has been criticized by some for containing too many covers; yet it's a snapshot of the Beatles during the band's last connection to its Cavern Club days and avoids any dull moments. Again, the production emphasizes an in-the-studio feel, with minimal effects and few baffles. Now, hear just how hard the Beatles rocked in what's the equivalent of 3D sound. The strings of the band's guitars and pop of Ringo's 20-inch Ludwig kick drum resonate with punch, drive, and true-to-life imaging. It's all thanks to Capitol's meticulous mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, percussion, vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "EMI Records 2420"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It Won't Be Long"
        "ordre" => 1
      ]
      [
        "nom" => "2. All I've Got To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. All My Loving"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Bother Me"
        "ordre" => 4
      ]
      [
        "nom" => "5. Little Child"
        "ordre" => 5
      ]
      [
        "nom" => "6. Till There Was You"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Mister Postman"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2014 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1916 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2002 …}
    -enregistreLe: DateTime @1501570978 {#1883
      date: 2017-08-01 07:02:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763451197 {#1879
      date: 2025-11-18 07:33:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2008 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-beatles-emi-records-2420"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2031
    -id: 475
    -nom: "A Hard Day's Night"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Rolling Stone declares: "A Hard Day's Night opens with the most famous chord in all of rock 'n' roll: A radiant burst of 12-string guitar evoking the chaos and euphoria of Beatlemania at its height". The Richard Lester film of the same title showed the Beatles' charm. The soundtrack deepened listeners' sense of their musical genius in the off-kilter beauty of John Lennon's "If I Fell", the rockabilly bounce of Paul McCartney's "Can't Buy Me Love", and the great leap forward of George Harrison's guitar work on the 12 string Rickenbacker.\r\n
      \r\n
      The first Beatles album to feature all-original material, A Hard Day's Night affirmed the band's "top-of-the-world-ma" status. Galvanized by the arrival of new gear and methods in the recording studio, the Beatles captured a new magic, and this superb LP pressing showcases their success in a way never experienced before.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster A Hard Day's Night from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      With the addition of a REDD.51 mixing console at their disposal at Abbey Road, a device that increased the level of communication between producer, engineer, and band, the Beatles upped the ante not only in memorable songwriting and joyous emotion, but definitive sonics. And so now you can almost feel the repeat echo on the title track, a cue that regenerates delay and adds to the tune's spaciousness. Similarly, the harmonica shiver on "I Should've Known Better" rings out with amazing purity and expansive reach.\r\n
      \r\n
      Most significantly, the LP frames the fairly crisp top-end sound of Ringo's drums. Throughout, his strict orders to hit the snare solidly in the middle (and not on the rims) unfold in the form of involving rhythmic beats that now seem as if they're happening right in front of you. As for the unique 12-string jangle created by George Harrison's Rickenbacker 360-12 12-string guitar, employed for the first time on this 1964 effort, it positively sweeps over the soundstage, preceding the likes of the Byrds. And those voices. Mesmerizing.\r\n
      \r\n
      The album's title track, with its distinct, instantly recognisable opening chord, and the previously released "Can't Buy Me Love" both were transatlantic number-one singles for the band.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, piano, vocals),  Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, 12-string Rickenbacker guitar, vocals), Ringo Starr (drums, percussion, bongos, cowbell), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ua2tyckT9AQ&list=RDua2tyckT9AQ&start_radio=1"
    -referenceProduit: "EMI Records 2413"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Hard Day's Night"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Should Have Known Better"
        "ordre" => 2
      ]
      [
        "nom" => "3. If I Fell"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Happy Just to Dance With You"
        "ordre" => 4
      ]
      [
        "nom" => "5. And I Love Her"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Can't Buy Me Love"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Any Time at All"
        "ordre" => 9
      ]
      [
        "nom" => "2. I'll Cry Instead"
        "ordre" => 10
      ]
      [
        "nom" => "3. Things We Said Today"
        "ordre" => 11
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 12
      ]
      [
        "nom" => "5. You Can't Do That"
        "ordre" => 13
      ]
      [
        "nom" => "6. I'll Be Back"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …}
    -enregistreLe: DateTime @1320672300 {#2028
      date: 2011-11-07 13:25:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763408596 {#2029
      date: 2025-11-17 19:43:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-hard-day-s-night-emi-records-2413"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3125
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2031
    -id: 475
    -nom: "A Hard Day's Night"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Rolling Stone declares: "A Hard Day's Night opens with the most famous chord in all of rock 'n' roll: A radiant burst of 12-string guitar evoking the chaos and euphoria of Beatlemania at its height". The Richard Lester film of the same title showed the Beatles' charm. The soundtrack deepened listeners' sense of their musical genius in the off-kilter beauty of John Lennon's "If I Fell", the rockabilly bounce of Paul McCartney's "Can't Buy Me Love", and the great leap forward of George Harrison's guitar work on the 12 string Rickenbacker.\r\n
      \r\n
      The first Beatles album to feature all-original material, A Hard Day's Night affirmed the band's "top-of-the-world-ma" status. Galvanized by the arrival of new gear and methods in the recording studio, the Beatles captured a new magic, and this superb LP pressing showcases their success in a way never experienced before.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster A Hard Day's Night from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      With the addition of a REDD.51 mixing console at their disposal at Abbey Road, a device that increased the level of communication between producer, engineer, and band, the Beatles upped the ante not only in memorable songwriting and joyous emotion, but definitive sonics. And so now you can almost feel the repeat echo on the title track, a cue that regenerates delay and adds to the tune's spaciousness. Similarly, the harmonica shiver on "I Should've Known Better" rings out with amazing purity and expansive reach.\r\n
      \r\n
      Most significantly, the LP frames the fairly crisp top-end sound of Ringo's drums. Throughout, his strict orders to hit the snare solidly in the middle (and not on the rims) unfold in the form of involving rhythmic beats that now seem as if they're happening right in front of you. As for the unique 12-string jangle created by George Harrison's Rickenbacker 360-12 12-string guitar, employed for the first time on this 1964 effort, it positively sweeps over the soundstage, preceding the likes of the Byrds. And those voices. Mesmerizing.\r\n
      \r\n
      The album's title track, with its distinct, instantly recognisable opening chord, and the previously released "Can't Buy Me Love" both were transatlantic number-one singles for the band.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, piano, vocals),  Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, 12-string Rickenbacker guitar, vocals), Ringo Starr (drums, percussion, bongos, cowbell), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ua2tyckT9AQ&list=RDua2tyckT9AQ&start_radio=1"
    -referenceProduit: "EMI Records 2413"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Hard Day's Night"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Should Have Known Better"
        "ordre" => 2
      ]
      [
        "nom" => "3. If I Fell"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Happy Just to Dance With You"
        "ordre" => 4
      ]
      [
        "nom" => "5. And I Love Her"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Can't Buy Me Love"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Any Time at All"
        "ordre" => 9
      ]
      [
        "nom" => "2. I'll Cry Instead"
        "ordre" => 10
      ]
      [
        "nom" => "3. Things We Said Today"
        "ordre" => 11
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 12
      ]
      [
        "nom" => "5. You Can't Do That"
        "ordre" => 13
      ]
      [
        "nom" => "6. I'll Be Back"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2039 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2032 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2034 …}
    -enregistreLe: DateTime @1320672300 {#2028
      date: 2011-11-07 13:25:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763408596 {#2029
      date: 2025-11-17 19:43:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2036 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-hard-day-s-night-emi-records-2413"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 944
    -nom: "Please Please Me"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals), George Harrison (lead & acoustic guitar, handclaps, backing vocals), Ringo Starr (drums, bongos, maracas, handclaps, lead vocals), George Martin (piano).\r\n
      \r\n
      - Cut at Abbey Road studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - "Love Me Do" and "P.S. I Love You" in mono !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 39 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins. Here is the Rosetta Stone of Beatlemania, encapsulated and sounding sweeter than ever.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Please Please Me from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      The Beatles recorded 10 of the 14 songs on Please Please Me at EMI's Abbey Road studio in just over 12 hours on February 11, 1963. Rolling Stone, which places the album 39th on its list of the 500 greatest albums of all time, notes that for productivity alone, it's one of the greatest first albums in rock. The Beatles had already invented a bracing new sound for a rock band an assault of thrumming energy and impeccable vocal harmonies and they nailed it using the covers and originals in their live repertoire: the Shirelles' "Boys" and Arthur Alexander's "Anna"; the Lennon-McCartney burners "There's a Place" and "I Saw Her Standing There". Fittingly, John Lennon finished the epochal all-day session shirtless and shredding what was left of his vocal cords on two takes of "Twist and Shout".\r\n
      \r\n
      On this remaster, for the first time you can detect the "leakage" encouraged to flow between the microphones as well as the results of the close-miking techniques designed to lighten up the sound and yet, leave it loose hence, the explosive vocals, partially a consequence of few microphone screens or baffles. You can distinguish the Gretsch Country Gentlemen 6122 from the Rickenbacker 425 guitars. Lennon's lose-control vocal blowout on "Twist and Shout" hits a new level of wow. All due to Capitol's skillful mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. Compression was used sparingly and only on the stereo versions to preserve the sanctity of the dynamics.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Igp2nllWoM&list=RD-Igp2nllWoM&start_radio=1"
    -referenceProduit: "EMI Records 2416"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Saw Her Standing There"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misery"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Please Me"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 9
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => "5. A Taste Of Honey"
        "ordre" => 13
      ]
      [
        "nom" => "6. There's A Place"
        "ordre" => 14
      ]
      [
        "nom" => "7. Twist And Shout"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1464852787 {#2041
      date: 2016-06-02 07:33:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763371047 {#2042
      date: 2025-11-17 09:17:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-please-please-me-emi-records-2416"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3173
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2044
    -id: 944
    -nom: "Please Please Me"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals), George Harrison (lead & acoustic guitar, handclaps, backing vocals), Ringo Starr (drums, bongos, maracas, handclaps, lead vocals), George Martin (piano).\r\n
      \r\n
      - Cut at Abbey Road studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - "Love Me Do" and "P.S. I Love You" in mono !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 39 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins. Here is the Rosetta Stone of Beatlemania, encapsulated and sounding sweeter than ever.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Please Please Me from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      The Beatles recorded 10 of the 14 songs on Please Please Me at EMI's Abbey Road studio in just over 12 hours on February 11, 1963. Rolling Stone, which places the album 39th on its list of the 500 greatest albums of all time, notes that for productivity alone, it's one of the greatest first albums in rock. The Beatles had already invented a bracing new sound for a rock band an assault of thrumming energy and impeccable vocal harmonies and they nailed it using the covers and originals in their live repertoire: the Shirelles' "Boys" and Arthur Alexander's "Anna"; the Lennon-McCartney burners "There's a Place" and "I Saw Her Standing There". Fittingly, John Lennon finished the epochal all-day session shirtless and shredding what was left of his vocal cords on two takes of "Twist and Shout".\r\n
      \r\n
      On this remaster, for the first time you can detect the "leakage" encouraged to flow between the microphones as well as the results of the close-miking techniques designed to lighten up the sound and yet, leave it loose hence, the explosive vocals, partially a consequence of few microphone screens or baffles. You can distinguish the Gretsch Country Gentlemen 6122 from the Rickenbacker 425 guitars. Lennon's lose-control vocal blowout on "Twist and Shout" hits a new level of wow. All due to Capitol's skillful mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. Compression was used sparingly and only on the stereo versions to preserve the sanctity of the dynamics.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Igp2nllWoM&list=RD-Igp2nllWoM&start_radio=1"
    -referenceProduit: "EMI Records 2416"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Saw Her Standing There"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misery"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Please Me"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 9
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => "5. A Taste Of Honey"
        "ordre" => 13
      ]
      [
        "nom" => "6. There's A Place"
        "ordre" => 14
      ]
      [
        "nom" => "7. Twist And Shout"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1464852787 {#2041
      date: 2016-06-02 07:33:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763371047 {#2042
      date: 2025-11-17 09:17:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-please-please-me-emi-records-2416"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2057
    -id: 419
    -nom: "Beatles For Sale"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original analog master tapes!\r\n
      \r\n
      The Beatles were working, it seemed, at least nine days a week in late 1964. As a biography reflects, they'd been touring constantly, had just released A Hard Day's Night in June and were rushed back into a recording studio the week after they returned from America to record a new album and single in time for Christmas. "They were rather war-weary", producer George Martin said. With little time to write original songs, almost half of the Beatles for Sale LP consisted of covers the group had been playing onstage for years. The same day the Beatles finished "Eight Days a Week", they knocked out seven complete tracks.\r\n
      \r\n
      Beatles For Sale was released in the U.K. in December 1964. Beatles '65, its U.S. counterpart, did not include "Eight Days a Week". The song was released as a single in the U.S. two months later, and it went to N° 1.\r\n
      \r\n
      Beatles For Sale was the last Beatles record to feature traces of the band's early rock and roll influences. Beatles For Sale also functions as a harbinger of what was to come, as John Lennon's songwriting reflects his embrace of Bob Dylan's folk rock. There's also a distinctive change in moods. The record opens with a trio of darker-flavored material, "No Reply", "I'm a Loser", and "Baby's In Black" much more despairing than anything the quartet had previously attempted.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster Beatles For Sale from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Recorded only four months after A Hard Day's Night, the effort involves much of the same repeat echo techniques yet also adds a few new wrinkles. "Everybody's Trying to Be My Baby" and "Rock and Roll Music" are enhanced with extra slap-back echo to pay homage to band's early influences. This pressing opens up the previous veil, allowing the effects to be more prevalent and detailed than ever before.\r\n
      \r\n
      In addition, there's a more solid drum foundation, thanks to Ringo's acquisition of a larger 22 inch Ludwig kick drum. Again, this LP pressing brings the instrumentation to the fore in a way never imaginable. Same goes for the myriad percussive accents and the nylon-string Jose Ramirez acoustic guitar that appears on several tracks. Combined with the move toward songwriting that addresses weariness and bleakness, shifts that balance the go-for-all romp of covers such as "Kansas City / Hey ! Hey ! Hey !", the Beatles turned in what was then their most diverse-and unexpected-record to date. You haven't experienced this 1964 classic until you've heard this pressing.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, tambourine, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_C1iFPJ1urI&list=RD_C1iFPJ1urI&start_radio=1"
    -referenceProduit: "EMI Records 2414"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. No Reply"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm A Loser"
        "ordre" => 2
      ]
      [
        "nom" => "3. Baby's In Black"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rock And Roll Music"
        "ordre" => 4
      ]
      [
        "nom" => "5. I'll Follow The Sun"
        "ordre" => 5
      ]
      [
        "nom" => "6. Mr. Moonlight"
        "ordre" => 6
      ]
      [
        "nom" => "7. Kansas City : Hey-Hey-Hey-Hey!"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Eight Days A Week"
        "ordre" => 9
      ]
      [
        "nom" => "2. Words Of Love"
        "ordre" => 10
      ]
      [
        "nom" => "3. Honey Don't"
        "ordre" => 11
      ]
      [
        "nom" => "4. Every Little Thing"
        "ordre" => 12
      ]
      [
        "nom" => "5. What You're Doing"
        "ordre" => 13
      ]
      [
        "nom" => "6. Everybody's Trying To Be My Baby"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …}
    -enregistreLe: DateTime @1298304933 {#2054
      date: 2011-02-21 16:15:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763369749 {#2055
      date: 2025-11-17 08:55:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beatles-for-sale-emi-records-2414"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3221
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2057
    -id: 419
    -nom: "Beatles For Sale"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original analog master tapes!\r\n
      \r\n
      The Beatles were working, it seemed, at least nine days a week in late 1964. As a biography reflects, they'd been touring constantly, had just released A Hard Day's Night in June and were rushed back into a recording studio the week after they returned from America to record a new album and single in time for Christmas. "They were rather war-weary", producer George Martin said. With little time to write original songs, almost half of the Beatles for Sale LP consisted of covers the group had been playing onstage for years. The same day the Beatles finished "Eight Days a Week", they knocked out seven complete tracks.\r\n
      \r\n
      Beatles For Sale was released in the U.K. in December 1964. Beatles '65, its U.S. counterpart, did not include "Eight Days a Week". The song was released as a single in the U.S. two months later, and it went to N° 1.\r\n
      \r\n
      Beatles For Sale was the last Beatles record to feature traces of the band's early rock and roll influences. Beatles For Sale also functions as a harbinger of what was to come, as John Lennon's songwriting reflects his embrace of Bob Dylan's folk rock. There's also a distinctive change in moods. The record opens with a trio of darker-flavored material, "No Reply", "I'm a Loser", and "Baby's In Black" much more despairing than anything the quartet had previously attempted.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster Beatles For Sale from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Recorded only four months after A Hard Day's Night, the effort involves much of the same repeat echo techniques yet also adds a few new wrinkles. "Everybody's Trying to Be My Baby" and "Rock and Roll Music" are enhanced with extra slap-back echo to pay homage to band's early influences. This pressing opens up the previous veil, allowing the effects to be more prevalent and detailed than ever before.\r\n
      \r\n
      In addition, there's a more solid drum foundation, thanks to Ringo's acquisition of a larger 22 inch Ludwig kick drum. Again, this LP pressing brings the instrumentation to the fore in a way never imaginable. Same goes for the myriad percussive accents and the nylon-string Jose Ramirez acoustic guitar that appears on several tracks. Combined with the move toward songwriting that addresses weariness and bleakness, shifts that balance the go-for-all romp of covers such as "Kansas City / Hey ! Hey ! Hey !", the Beatles turned in what was then their most diverse-and unexpected-record to date. You haven't experienced this 1964 classic until you've heard this pressing.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, tambourine, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_C1iFPJ1urI&list=RD_C1iFPJ1urI&start_radio=1"
    -referenceProduit: "EMI Records 2414"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. No Reply"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm A Loser"
        "ordre" => 2
      ]
      [
        "nom" => "3. Baby's In Black"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rock And Roll Music"
        "ordre" => 4
      ]
      [
        "nom" => "5. I'll Follow The Sun"
        "ordre" => 5
      ]
      [
        "nom" => "6. Mr. Moonlight"
        "ordre" => 6
      ]
      [
        "nom" => "7. Kansas City : Hey-Hey-Hey-Hey!"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Eight Days A Week"
        "ordre" => 9
      ]
      [
        "nom" => "2. Words Of Love"
        "ordre" => 10
      ]
      [
        "nom" => "3. Honey Don't"
        "ordre" => 11
      ]
      [
        "nom" => "4. Every Little Thing"
        "ordre" => 12
      ]
      [
        "nom" => "5. What You're Doing"
        "ordre" => 13
      ]
      [
        "nom" => "6. Everybody's Trying To Be My Baby"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …}
    -enregistreLe: DateTime @1298304933 {#2054
      date: 2011-02-21 16:15:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763369749 {#2055
      date: 2025-11-17 08:55:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beatles-for-sale-emi-records-2414"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2070
    -id: 1961
    -nom: "Rubber Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals), George Harrison (lead & acoustic guitar, sitar, tambura, lead & backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cymbals), George Martin (harmonium, piano).\r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Rubber Soul's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 5 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Released in 1965, Rubber Soul signified a sea change for the Beatles. The record marked the emergence of John Lennon and Paul McCartney's distinctive identities as songwriters. It featured an original "Nowhere Man" that went beyond the band's commonplace love themes. And its sound departed from the echo-laden nature of its predecessors, an intentional move that offset it from the multiple bands that had been copying the Beatles' style. Still, Rubber Soul retained a constant: It was yet another watershed collection of pop and rock by a group that redefined the genres as it went along.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Rubber Soul from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs.\r\n
      \r\n
      Hence, the definitive aspects of Rubber Soul are enjoyed like never before. Take George Martin's piano solo on "In My Life", half-speed overdubbed to make it sound like a harpsichord. Does it ever. Or Lennon's pronounced intakes of breath during the choruses to the sweet "Girl." You can practically feel the air moving into his lungs. The inimitable ringing of the sitar on "Norwegian Wood" becomes life-size. The unique tonalities of George Harrison's newly acquired Fender Bassman amplifier are seemingly visceral in appearance.\r\n
      \r\n
      Sonically, Rubber Soul claims a much drier sound, as the band elected to refrain from utilizing echo chambers and minimized the amount of reverb present on its earlier albums. The decision further distinguished the Beatles from their peers. And contributed to the impact of the music. Acoustically based, Rubber Soul is identified by hard-panned left-to-right channel production, which on this pressing throws the group's instrumentation and vocals into greater relief. Even if you've heard Rubber Soul a thousand times, you haven't truly experienced it until you hear this analog pressing.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting," a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOQiNY4aFD8&list=RDGOQiNY4aFD8&start_radio=1"
    -referenceProduit: "EMI Records 2418"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Drive My Car"
        "ordre" => 1
      ]
      [
        "nom" => "2. Norwegian Wood (This Bird Has Flown)"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Won't See Me"
        "ordre" => 3
      ]
      [
        "nom" => "4. Nowhere Man"
        "ordre" => 4
      ]
      [
        "nom" => "5. Think For Yourself"
        "ordre" => 5
      ]
      [
        "nom" => "6. The Word"
        "ordre" => 6
      ]
      [
        "nom" => "7. Michelle"
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      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. What Goes On"
        "ordre" => 9
      ]
      [
        "nom" => "2. Girl"
        "ordre" => 10
      ]
      [
        "nom" => "3. I'm Looking Through You"
        "ordre" => 11
      ]
      [
        "nom" => "4. In My Life"
        "ordre" => 12
      ]
      [
        "nom" => "5. Wait"
        "ordre" => 13
      ]
      [
        "nom" => "6. If I Needed Someone"
        "ordre" => 14
      ]
      [
        "nom" => "7. Run For Your Life"
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1606728964 {#2067
      date: 2020-11-30 09:36:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763367903 {#2068
      date: 2025-11-17 08:25:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rubber-soul-emi-records-2418"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3269
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2070
    -id: 1961
    -nom: "Rubber Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals), George Harrison (lead & acoustic guitar, sitar, tambura, lead & backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cymbals), George Martin (harmonium, piano).\r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Rubber Soul's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 5 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Released in 1965, Rubber Soul signified a sea change for the Beatles. The record marked the emergence of John Lennon and Paul McCartney's distinctive identities as songwriters. It featured an original "Nowhere Man" that went beyond the band's commonplace love themes. And its sound departed from the echo-laden nature of its predecessors, an intentional move that offset it from the multiple bands that had been copying the Beatles' style. Still, Rubber Soul retained a constant: It was yet another watershed collection of pop and rock by a group that redefined the genres as it went along.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Rubber Soul from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs.\r\n
      \r\n
      Hence, the definitive aspects of Rubber Soul are enjoyed like never before. Take George Martin's piano solo on "In My Life", half-speed overdubbed to make it sound like a harpsichord. Does it ever. Or Lennon's pronounced intakes of breath during the choruses to the sweet "Girl." You can practically feel the air moving into his lungs. The inimitable ringing of the sitar on "Norwegian Wood" becomes life-size. The unique tonalities of George Harrison's newly acquired Fender Bassman amplifier are seemingly visceral in appearance.\r\n
      \r\n
      Sonically, Rubber Soul claims a much drier sound, as the band elected to refrain from utilizing echo chambers and minimized the amount of reverb present on its earlier albums. The decision further distinguished the Beatles from their peers. And contributed to the impact of the music. Acoustically based, Rubber Soul is identified by hard-panned left-to-right channel production, which on this pressing throws the group's instrumentation and vocals into greater relief. Even if you've heard Rubber Soul a thousand times, you haven't truly experienced it until you hear this analog pressing.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting," a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GOQiNY4aFD8&list=RDGOQiNY4aFD8&start_radio=1"
    -referenceProduit: "EMI Records 2418"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Drive My Car"
        "ordre" => 1
      ]
      [
        "nom" => "2. Norwegian Wood (This Bird Has Flown)"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Won't See Me"
        "ordre" => 3
      ]
      [
        "nom" => "4. Nowhere Man"
        "ordre" => 4
      ]
      [
        "nom" => "5. Think For Yourself"
        "ordre" => 5
      ]
      [
        "nom" => "6. The Word"
        "ordre" => 6
      ]
      [
        "nom" => "7. Michelle"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. What Goes On"
        "ordre" => 9
      ]
      [
        "nom" => "2. Girl"
        "ordre" => 10
      ]
      [
        "nom" => "3. I'm Looking Through You"
        "ordre" => 11
      ]
      [
        "nom" => "4. In My Life"
        "ordre" => 12
      ]
      [
        "nom" => "5. Wait"
        "ordre" => 13
      ]
      [
        "nom" => "6. If I Needed Someone"
        "ordre" => 14
      ]
      [
        "nom" => "7. Run For Your Life"
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2078 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2071 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2073 …}
    -enregistreLe: DateTime @1606728964 {#2067
      date: 2020-11-30 09:36:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763367903 {#2068
      date: 2025-11-17 08:25:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rubber-soul-emi-records-2418"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2083
    -id: 1282
    -nom: "Help !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals), George Harrison (lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cowbell, lead vocals), George Martin (piano). \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; the album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 331 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Help! was the soundtrack to the Beatles' second feature film. But more than that, the 1965 soundtrack helped carve out new musical directions for the band and served up dramatic strides in production technology. Help ! explored a tumultuous emotional bill of fare : Estrangement, sexual longing, uncertainty, infatuation and innocence. The group pounced on armada of available instruments acoustic guitars, bongos, electric pianos, flutes and even strings to deliver one of the greatest pop albums ever. And now it sounds bloody brilliant !\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Help! from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Yes, that means the timeless poignancy of "Yesterday" comes across with truly unimaginable heartbreaking sincerity. It means that the volume pedal George Harrison uses for the first time on "I Need You" and "Yes It Is" is fully discernible. It means that you can hear the woody cavity of he back of the acoustic Gibson guitar Ringo beats to add percussion to "I Need You". And yes, the fuzz-pedal bass track Paul McCartney added to the original on "Think for Yourself" his first overdub on record is preeminent. As is the soulfulness of the falsetto voices.\r\n
      \r\n
      The advances in sonics were largely made possible by new Studer J-37 four-track recorders. Not only does this new LP pressing present these enhancements like never before, it adds to our enjoyment and insight of the music, allowing listeners to, in a sense, get as close to what went down as possible. So, at the 1:10 mark of "I Need You", the moment when Lennon hits the rim of the snare drum comes alive, the happy accident possessing the same amount of body, richness, detail, and depth as the rest of the landmark music on this set. Capitol has outdone it self.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZNahS3OHPwA&list=RDZNahS3OHPwA&start_radio=1"
    -referenceProduit: "EMI Records 2415"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Help !"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Night Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got To Hide Your Love Away"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Need You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Another Girl"
        "ordre" => 5
      ]
      [
        "nom" => "6. You're Going To Lose That Girl"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ticket To Ride"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Act Naturally"
        "ordre" => 9
      ]
      [
        "nom" => "2. It's Only Love You Like Me Too Much"
        "ordre" => 10
      ]
      [
        "nom" => "3. Tell Me What You See"
        "ordre" => 11
      ]
      [
        "nom" => "4. I've Just Seen A Face"
        "ordre" => 12
      ]
      [
        "nom" => "5. Yesterday"
        "ordre" => 13
      ]
      [
        "nom" => "6. Dizzy Miss Lizzy"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1519282067 {#2080
      date: 2018-02-22 06:47:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763366551 {#2081
      date: 2025-11-17 08:02:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-help-emi-records-2415"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3317
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2083
    -id: 1282
    -nom: "Help !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals), George Harrison (lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cowbell, lead vocals), George Martin (piano). \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; the album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 331 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Help! was the soundtrack to the Beatles' second feature film. But more than that, the 1965 soundtrack helped carve out new musical directions for the band and served up dramatic strides in production technology. Help ! explored a tumultuous emotional bill of fare : Estrangement, sexual longing, uncertainty, infatuation and innocence. The group pounced on armada of available instruments acoustic guitars, bongos, electric pianos, flutes and even strings to deliver one of the greatest pop albums ever. And now it sounds bloody brilliant !\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Help! from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Yes, that means the timeless poignancy of "Yesterday" comes across with truly unimaginable heartbreaking sincerity. It means that the volume pedal George Harrison uses for the first time on "I Need You" and "Yes It Is" is fully discernible. It means that you can hear the woody cavity of he back of the acoustic Gibson guitar Ringo beats to add percussion to "I Need You". And yes, the fuzz-pedal bass track Paul McCartney added to the original on "Think for Yourself" his first overdub on record is preeminent. As is the soulfulness of the falsetto voices.\r\n
      \r\n
      The advances in sonics were largely made possible by new Studer J-37 four-track recorders. Not only does this new LP pressing present these enhancements like never before, it adds to our enjoyment and insight of the music, allowing listeners to, in a sense, get as close to what went down as possible. So, at the 1:10 mark of "I Need You", the moment when Lennon hits the rim of the snare drum comes alive, the happy accident possessing the same amount of body, richness, detail, and depth as the rest of the landmark music on this set. Capitol has outdone it self.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZNahS3OHPwA&list=RDZNahS3OHPwA&start_radio=1"
    -referenceProduit: "EMI Records 2415"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Help !"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Night Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got To Hide Your Love Away"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Need You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Another Girl"
        "ordre" => 5
      ]
      [
        "nom" => "6. You're Going To Lose That Girl"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ticket To Ride"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Act Naturally"
        "ordre" => 9
      ]
      [
        "nom" => "2. It's Only Love You Like Me Too Much"
        "ordre" => 10
      ]
      [
        "nom" => "3. Tell Me What You See"
        "ordre" => 11
      ]
      [
        "nom" => "4. I've Just Seen A Face"
        "ordre" => 12
      ]
      [
        "nom" => "5. Yesterday"
        "ordre" => 13
      ]
      [
        "nom" => "6. Dizzy Miss Lizzy"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2091 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2084 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2086 …}
    -enregistreLe: DateTime @1519282067 {#2080
      date: 2018-02-22 06:47:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763366551 {#2081
      date: 2025-11-17 08:02:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2088 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-help-emi-records-2415"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2096
    -id: 1036
    -nom: "Magical Mystery Tour + (24 pg. Picture Book)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals),  Paul McCartney (piano, electric & acoustic guitar, bass, double bass, Mellotron, harmonium, bongos, conga, timpani, tambourine, percussion, vocals), George Harrison (electric & acoustic guitars, Hammond organ, harmonica, swarmandal, violin, timpani, maracas, percussion, handclaps, vocals), Ringo Starr (drums, maracas, finger cymbals, tambourine, handbell, percussion, vocals), George Martin (piano), Mal Evans (tambourine, percussion), Neil Aspinall (guiro, percussion), Terry Doran (maracas), Eddie Kramer (vibraphone), Orchestral Horn, Choir : David Mason, Elgar Howarth, Roy Copestake, John Wilbraham (trumpet), Sidney Sax, Jack Rothstein, Ralph Elman, Andrew McGee, Jack Greene, Louis Stevens, John Jezzard, Jack Richards (violin), Lionel Ross, Eldon Fox, Bram Martin, Terry Weil (cello), Neil Sanders, Tony Tunstall, Morris Miller (horns), Gordon Lewin (clarinet), The Mike Sammes Singers, with singers : Peggie Allen, Wendy Horan, Pat Whitmore, Jill Utting, June Day, Sylvia King, Irene King, G Mallen, Fred Lucas, Mike Redway, John O’Neill, F Dachtler, Allan Grant, D Griffiths, J Smith, J Fraser (choir), Christopher Taylor, Richard Taylor, Jack Ellory (flute), Ken Essex, Leo Birnbaum (viola).\r\n
      \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Magical Mystery Tour's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Packaging includes 24 page color book !\r\n
      - Rolling Stone 500 Greatest Songs of All Time - "Penny Lane" - Rated 456 / 500, "All You Need Is Love" - Rated 370 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24 bit digital masters sourced from the original master tapes!\r\n
      \r\n
      "The Beatles are turning awfully funny, aren't they ?" That was the reaction of the Queen Majesty herself upon hearing or at least knowing of the existence of Magical Mystery Tour, a wild romp through psychedelic pop that sprung from the same period as Sgt. Pepper's. While some mistakenly view the album as a half-complete soundtrack, the record spills over with fantastic music-"I Am the Walrus", "Hello Goodbye", "Penny Lane", and the unforgettable suite "Strawberry Fields Forever" leading the charge. Put on your rose-colored glasses.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster the entire studio catalog from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Listeners get a front-row seat for the pitch-shifted vocals and backwards percussion infusing John Lennon's landmark "Strawberry Fields Forever". A monumental composition, the song possesses a warmth, breadth, and spaciousness on this analog pressing that will knock back even the most schooled Beatles aficionados. And of course, who doesn't want to get caught up in the feel-good chants of "All You Need Is Love", the accenting horns and spiraling orchestrations popping with immense color and texture. There's reason why.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24 bit / 192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24 bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage. The remasters have the absolute best sound quality, producing the quietest vinyl lacquers.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2M8DN8pZToM&list=RD2M8DN8pZToM&start_radio=1"
    -referenceProduit: "EMI Records 2465"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Magical Mystery Tour"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Fool On The Hill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flying"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blue Jay Way"
        "ordre" => 4
      ]
      [
        "nom" => "5. Your Mother Should Know"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Am The Walrus"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Hello, Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. Strawberry Fields Forever"
        "ordre" => 9
      ]
      [
        "nom" => "3. Penny Lane"
        "ordre" => 10
      ]
      [
        "nom" => "4. Baby You're A Rich Man"
        "ordre" => 11
      ]
      [
        "nom" => "5. All You Need Is Love"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1473015916 {#2093
      date: 2016-09-04 19:05:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763364635 {#2094
      date: 2025-11-17 07:30:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-magical-mystery-tour-24-pg-picture-book-emi-records-2465"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3365
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2096
    -id: 1036
    -nom: "Magical Mystery Tour + (24 pg. Picture Book)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals),  Paul McCartney (piano, electric & acoustic guitar, bass, double bass, Mellotron, harmonium, bongos, conga, timpani, tambourine, percussion, vocals), George Harrison (electric & acoustic guitars, Hammond organ, harmonica, swarmandal, violin, timpani, maracas, percussion, handclaps, vocals), Ringo Starr (drums, maracas, finger cymbals, tambourine, handbell, percussion, vocals), George Martin (piano), Mal Evans (tambourine, percussion), Neil Aspinall (guiro, percussion), Terry Doran (maracas), Eddie Kramer (vibraphone), Orchestral Horn, Choir : David Mason, Elgar Howarth, Roy Copestake, John Wilbraham (trumpet), Sidney Sax, Jack Rothstein, Ralph Elman, Andrew McGee, Jack Greene, Louis Stevens, John Jezzard, Jack Richards (violin), Lionel Ross, Eldon Fox, Bram Martin, Terry Weil (cello), Neil Sanders, Tony Tunstall, Morris Miller (horns), Gordon Lewin (clarinet), The Mike Sammes Singers, with singers : Peggie Allen, Wendy Horan, Pat Whitmore, Jill Utting, June Day, Sylvia King, Irene King, G Mallen, Fred Lucas, Mike Redway, John O’Neill, F Dachtler, Allan Grant, D Griffiths, J Smith, J Fraser (choir), Christopher Taylor, Richard Taylor, Jack Ellory (flute), Ken Essex, Leo Birnbaum (viola).\r\n
      \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Magical Mystery Tour's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Packaging includes 24 page color book !\r\n
      - Rolling Stone 500 Greatest Songs of All Time - "Penny Lane" - Rated 456 / 500, "All You Need Is Love" - Rated 370 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24 bit digital masters sourced from the original master tapes!\r\n
      \r\n
      "The Beatles are turning awfully funny, aren't they ?" That was the reaction of the Queen Majesty herself upon hearing or at least knowing of the existence of Magical Mystery Tour, a wild romp through psychedelic pop that sprung from the same period as Sgt. Pepper's. While some mistakenly view the album as a half-complete soundtrack, the record spills over with fantastic music-"I Am the Walrus", "Hello Goodbye", "Penny Lane", and the unforgettable suite "Strawberry Fields Forever" leading the charge. Put on your rose-colored glasses.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster the entire studio catalog from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Listeners get a front-row seat for the pitch-shifted vocals and backwards percussion infusing John Lennon's landmark "Strawberry Fields Forever". A monumental composition, the song possesses a warmth, breadth, and spaciousness on this analog pressing that will knock back even the most schooled Beatles aficionados. And of course, who doesn't want to get caught up in the feel-good chants of "All You Need Is Love", the accenting horns and spiraling orchestrations popping with immense color and texture. There's reason why.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24 bit / 192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24 bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage. The remasters have the absolute best sound quality, producing the quietest vinyl lacquers.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2M8DN8pZToM&list=RD2M8DN8pZToM&start_radio=1"
    -referenceProduit: "EMI Records 2465"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Magical Mystery Tour"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Fool On The Hill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flying"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blue Jay Way"
        "ordre" => 4
      ]
      [
        "nom" => "5. Your Mother Should Know"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Am The Walrus"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Hello, Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. Strawberry Fields Forever"
        "ordre" => 9
      ]
      [
        "nom" => "3. Penny Lane"
        "ordre" => 10
      ]
      [
        "nom" => "4. Baby You're A Rich Man"
        "ordre" => 11
      ]
      [
        "nom" => "5. All You Need Is Love"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1913 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2104 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2097 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2099 …}
    -enregistreLe: DateTime @1473015916 {#2093
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    }
    -modifierLe: DateTime @1763364635 {#2094
      date: 2025-11-17 07:30:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2101 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-magical-mystery-tour-24-pg-picture-book-emi-records-2465"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

[
  "produit" => App\Entity\Produit {#2109
    -id: 814
    -nom: "The Complete Studio Album Collection (Colored Vinyl Box Set)"
    -informationComplementaire: ""
    -description: """
      Queen : The Studio Collection - 18-disc box set\r\n
      \r\n
      High-quality colored vinyl versions of Queen's 15 studio albums !\r\n
      \r\n
      Half-speed lacquers cut at Abbey Road Studios; mastered by Bob Ludwig using the original master tapes.\r\n
      \r\n
      Includes 108 page hardback book w/ archival material from Queen's Brian May, Roger Taylor.\r\n
      \r\n
      Sumptuous. Vinyl is how listeners first heard the legendary band Queen as the '70s dawned. A new 18 disc box set, Queen : The Studio Collection, features remastered editions of each of the band's albums, including three records - 1974's Queen II, 1991's Innuendo and 1994's Made in Heaven - that have their tracks spread over two LPs.\r\n
      Reproduced to the highest standards of audio and artwork, the albums have been mastered by renowned engineer Bob Ludwig using the original source tapes. Miles Showell, at Abbey Road Studios, has perfected the technique of cutting lacquers at half speed. He runs the source file and the cutting lathe at 50 % of the normal speed, which means double the accuracy in the cutting of the groove, resulting in superior reproduction of the music.\r\n
      \r\n
      Each 180 gram vinyl disc boasts a different color that corresponds to the cover art featured on that album. The Studio Collection also comes packaged with a 108 page hardback book featuring archival material contributed by Queen's Brian May and Roger Taylor, as well as by fans. The book offers introductions to each album, quotes from band members, rare photos, handwritten lyrics, various pieces of memorabilia and more.\r\n
      \r\n
      As for the albums that appear in the set as double discs, Queen II features its tracks split between a black colored LP and a white-colored LP in honor of the fact that the original record boasted a "Side White" and a "Side Black" rather than a "Side A" and "Side B"; while Innuendo and Made in Heaven, having been issued during the heyday of the CD, featured a run time that wouldn't allow for their songs to fit on a single disc.\r\n
      \r\n
      All of the remastered albums also will be available for purchase separately on black vinyl.\r\n
      \r\n
      Features :\r\n
      \r\n
      • Collector's Edition 15 Albums Box Set (18 LP)\r\n
      • Housed in flip-top box with slip-case protective cover\r\n
      • Colored Vinyl\r\n
      • 180g Vinyl\r\n
      • Sourced from original master tapes\r\n
      • Half-Speed Mastered\r\n
      • Mastered By Bob Ludwig\r\n
      • Lacquers Cut At Abbey Road Studios by Miles Showell\r\n
      • 12" x 12" 108-page lavishly illustrated hardback book\r\n
      • Pressed at Optimal in Germany\r\n
      • Innuendo & Made in Heaven - both pressed at 2LPs for this set\r\n
      • Queen II pressed as 2LP set - black vinyl for side black and white vinyl for side white; each with custom etching on flip side\r\n
      """
    -prixVente: "599.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: ""
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        "nom" => "1. The Prophet's Song, 2. Love Of My Life, 3. Good Company,"
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        "ordre" => 105
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        "nom" => "4. Drowse, 5. Teo Torriatte (Let Us Cling Together)"
        "ordre" => 39
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        "nom" => "4. It's A Beautiful Day (reprise)"
        "ordre" => 115
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      [
        "nom" => "4. It's Late, 5. My Melancholy Blues"
        "ordre" => 46
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        "nom" => "4. Las Palabras de Amor (The Words of Love), 5. Cool Cat, "
        "ordre" => 78
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        "nom" => "4. Need Your Loving Tonight, 5. Crazy Little Thing Called Love"
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        "nom" => "4. Pain Is So Close to Pleasure"
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        "nom" => "4. Some Day One Day, 5. The Loser In The End"
        "ordre" => 9
      ]
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        "ordre" => 5
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        "nom" => "4. The Millionaire Waltz, 5. You and I"
        "ordre" => 36
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        "nom" => "5. Bring Back That Leroy Brown, 6. She Makes Me (Stormtrooper In Stilettoes),"
        "ordre" => 23
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        "nom" => "5. Don't Stop Me Now, 6. More of That Jazz"
        "ordre" => 53
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        "nom" => "5. Football Fight, 6. In the Death Cell (Love Theme Reprise), 7. Execution of Flash, "
        "ordre" => 65
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      [
        "nom" => "5. If You Can't Beat Them, 6. Let Me Entertain You, 7. Dead On Time"
        "ordre" => 50
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        "nom" => "5. Lily Of The Valley, 6. Now I’m Here"
        "ordre" => 20
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        "nom" => "6. The Wedding March, 7. Marriage of Dale and Ming (and Flash Approaching),"
        "ordre" => 70
      ]
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        "ordre" => 79
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        "nom" => "7. In The Lap Of The Gods…Revisited"
        "ordre" => 24
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        "nom" => "7. Seaside Rendez vous"
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      ]
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        "ordre" => 71
      ]
      [
        "nom" => "8. The Kiss (Aura Resurrects Flash)"
        "ordre" => 66
      ]
      [
        "nom" => "A DAY AT THE RACES (1976)"
        "ordre" => 33
      ]
      [
        "nom" => "A KIND OF MAGIC (1986)"
        "ordre" => 86
      ]
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        "nom" => "A NIGHT AT THE OPERA (1975)"
        "ordre" => 25
      ]
      [
        "nom" => "FLASH GORDON (1980)"
        "ordre" => 61
      ]
      [
        "nom" => "HOT SPACE (1982)"
        "ordre" => 73
      ]
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        "nom" => "INNUENDO (2 LP - 1991)"
        "ordre" => 99
      ]
      [
        "nom" => "JAZZ (1978)"
        "ordre" => 47
      ]
      [
        "nom" => "MADE IN HEAVEN (2 LP - 1995)"
        "ordre" => 108
      ]
      [
        "nom" => "NEWS OF THE WORLD (1977)"
        "ordre" => 40
      ]
      [
        "nom" => "Of The Black Queen, 5. Funny How Love Is, 6. The Seven Seas Of Rhye"
        "ordre" => 14
      ]
      [
        "nom" => "Open Windows, 4. Hammer to Fall, 5. Is This the World We Created...?"
        "ordre" => 85
      ]
      [
        "nom" => "QUEEN (1973)"
        "ordre" => 0
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        "nom" => "QUEEN II (2 LP - 1974)"
        "ordre" => 6
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      [
        "nom" => "Rescue, 4. Vultan's Theme (Attack of the Hawk Men), 5. Battle Theme,"
        "ordre" => 69
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        "nom" => "SHEER HEART ATTACK (1974)"
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        "nom" => "Side A : "
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        "nom" => "Side A : "
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        "nom" => "Side A : "
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        "nom" => "Side A :"
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        "nom" => "Side B :"
        "ordre" => 21
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        "nom" => "Side C : "
        "ordre" => 104
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        "nom" => "Side C : "
        "ordre" => 113
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        "nom" => "Side C : "
        "ordre" => 12
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        "nom" => "Side D : "
        "ordre" => 106
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        "nom" => "Side D : "
        "ordre" => 116
      ]
      [
        "nom" => "Side D : "
        "ordre" => 15
      ]
      [
        "nom" => "THE GAME (1980)"
        "ordre" => 54
      ]
      [
        "nom" => "THE MIRACLE (1989)"
        "ordre" => 93
      ]
      [
        "nom" => "THE WORKS (1984)"
        "ordre" => 80
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1442091359 {#2106
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    }
    -modifierLe: DateTime @1486624397 {#2107
      date: 2017-02-09 07:13:17.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-complete-studio-album-collection-colored-vinyl-box-set-hol-28832"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3411
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2547 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2109
    -id: 814
    -nom: "The Complete Studio Album Collection (Colored Vinyl Box Set)"
    -informationComplementaire: ""
    -description: """
      Queen : The Studio Collection - 18-disc box set\r\n
      \r\n
      High-quality colored vinyl versions of Queen's 15 studio albums !\r\n
      \r\n
      Half-speed lacquers cut at Abbey Road Studios; mastered by Bob Ludwig using the original master tapes.\r\n
      \r\n
      Includes 108 page hardback book w/ archival material from Queen's Brian May, Roger Taylor.\r\n
      \r\n
      Sumptuous. Vinyl is how listeners first heard the legendary band Queen as the '70s dawned. A new 18 disc box set, Queen : The Studio Collection, features remastered editions of each of the band's albums, including three records - 1974's Queen II, 1991's Innuendo and 1994's Made in Heaven - that have their tracks spread over two LPs.\r\n
      Reproduced to the highest standards of audio and artwork, the albums have been mastered by renowned engineer Bob Ludwig using the original source tapes. Miles Showell, at Abbey Road Studios, has perfected the technique of cutting lacquers at half speed. He runs the source file and the cutting lathe at 50 % of the normal speed, which means double the accuracy in the cutting of the groove, resulting in superior reproduction of the music.\r\n
      \r\n
      Each 180 gram vinyl disc boasts a different color that corresponds to the cover art featured on that album. The Studio Collection also comes packaged with a 108 page hardback book featuring archival material contributed by Queen's Brian May and Roger Taylor, as well as by fans. The book offers introductions to each album, quotes from band members, rare photos, handwritten lyrics, various pieces of memorabilia and more.\r\n
      \r\n
      As for the albums that appear in the set as double discs, Queen II features its tracks split between a black colored LP and a white-colored LP in honor of the fact that the original record boasted a "Side White" and a "Side Black" rather than a "Side A" and "Side B"; while Innuendo and Made in Heaven, having been issued during the heyday of the CD, featured a run time that wouldn't allow for their songs to fit on a single disc.\r\n
      \r\n
      All of the remastered albums also will be available for purchase separately on black vinyl.\r\n
      \r\n
      Features :\r\n
      \r\n
      • Collector's Edition 15 Albums Box Set (18 LP)\r\n
      • Housed in flip-top box with slip-case protective cover\r\n
      • Colored Vinyl\r\n
      • 180g Vinyl\r\n
      • Sourced from original master tapes\r\n
      • Half-Speed Mastered\r\n
      • Mastered By Bob Ludwig\r\n
      • Lacquers Cut At Abbey Road Studios by Miles Showell\r\n
      • 12" x 12" 108-page lavishly illustrated hardback book\r\n
      • Pressed at Optimal in Germany\r\n
      • Innuendo & Made in Heaven - both pressed at 2LPs for this set\r\n
      • Queen II pressed as 2LP set - black vinyl for side black and white vinyl for side white; each with custom etching on flip side\r\n
      """
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      [
        "nom" => "1. Radio Ga Ga, 2. Tear It up, 3. It's A Hard Life, 4. Man On the Prowl"
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      [
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      [
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      [
        "nom" => "1. Staying Power, 2. Dancer, 3. Back Chat, 4. Body Language, 5. Action This Day"
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      [
        "nom" => "1. The Hitman, 2. Bijou, 3. The Show Must Go On"
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      [
        "nom" => "1. These Are the Days of Our Lives, 2. Delilah, 3. Don't Try So Hard"
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        "nom" => "1. Too Much Love Will Kill You, 2. You Don't Fool Me, 3. A Winter's Tale, "
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      [
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      [
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      [
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      [
        "nom" => "3. I'm In Love With My Car, 4. You're My Best Friend, 5. 39, 6. Sweet Lady,"
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      [
        "nom" => "4. All Dead, All Dead, 5. Spread Your Wings, 6. Fight From the Inside"
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      [
        "nom" => "4. Bohemian Rhapsody, 5. God Save the Queen (instrumental)"
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      [
        "nom" => "4. Coming Soon, 5. Save Me"
        "ordre" => 60
      ]
      [
        "nom" => "4. Drowse, 5. Teo Torriatte (Let Us Cling Together)"
        "ordre" => 39
      ]
      [
        "nom" => "4. It's A Beautiful Day (reprise)"
        "ordre" => 115
      ]
      [
        "nom" => "4. It's Late, 5. My Melancholy Blues"
        "ordre" => 46
      ]
      [
        "nom" => "4. Las Palabras de Amor (The Words of Love), 5. Cool Cat, "
        "ordre" => 78
      ]
      [
        "nom" => "4. Need Your Loving Tonight, 5. Crazy Little Thing Called Love"
        "ordre" => 57
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      [
        "nom" => "4. Pain Is So Close to Pleasure"
        "ordre" => 89
      ]
      [
        "nom" => "4. Some Day One Day, 5. The Loser In The End"
        "ordre" => 9
      ]
      [
        "nom" => "4. Son and Daughter, 5. Jesus, 6. Seven Seas of Rhye (instrumental)"
        "ordre" => 5
      ]
      [
        "nom" => "4. The Millionaire Waltz, 5. You and I"
        "ordre" => 36
      ]
      [
        "nom" => "5. Bring Back That Leroy Brown, 6. She Makes Me (Stormtrooper In Stilettoes),"
        "ordre" => 23
      ]
      [
        "nom" => "5. Don't Stop Me Now, 6. More of That Jazz"
        "ordre" => 53
      ]
      [
        "nom" => "5. Football Fight, 6. In the Death Cell (Love Theme Reprise), 7. Execution of Flash, "
        "ordre" => 65
      ]
      [
        "nom" => "5. If You Can't Beat Them, 6. Let Me Entertain You, 7. Dead On Time"
        "ordre" => 50
      ]
      [
        "nom" => "5. Lily Of The Valley, 6. Now I’m Here"
        "ordre" => 20
      ]
      [
        "nom" => "5. Was It All Worth It"
        "ordre" => 98
      ]
      [
        "nom" => "6. The Wedding March, 7. Marriage of Dale and Ming (and Flash Approaching),"
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      ]
      [
        "nom" => "6. Under Pressure (with David Bowie)"
        "ordre" => 79
      ]
      [
        "nom" => "7. In The Lap Of The Gods…Revisited"
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      [
        "nom" => "7. Seaside Rendez vous"
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      [
        "nom" => "8. Crash Dive on Mingo City, 9. Flash's Theme Reprise (Victory Celebrations), "
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      [
        "nom" => "8. The Kiss (Aura Resurrects Flash)"
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      ]
      [
        "nom" => "A DAY AT THE RACES (1976)"
        "ordre" => 33
      ]
      [
        "nom" => "A KIND OF MAGIC (1986)"
        "ordre" => 86
      ]
      [
        "nom" => "A NIGHT AT THE OPERA (1975)"
        "ordre" => 25
      ]
      [
        "nom" => "FLASH GORDON (1980)"
        "ordre" => 61
      ]
      [
        "nom" => "HOT SPACE (1982)"
        "ordre" => 73
      ]
      [
        "nom" => "INNUENDO (2 LP - 1991)"
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      ]
      [
        "nom" => "JAZZ (1978)"
        "ordre" => 47
      ]
      [
        "nom" => "MADE IN HEAVEN (2 LP - 1995)"
        "ordre" => 108
      ]
      [
        "nom" => "NEWS OF THE WORLD (1977)"
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      ]
      [
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      [
        "nom" => "Open Windows, 4. Hammer to Fall, 5. Is This the World We Created...?"
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      [
        "nom" => "QUEEN (1973)"
        "ordre" => 0
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      [
        "nom" => "QUEEN II (2 LP - 1974)"
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      [
        "nom" => "Rescue, 4. Vultan's Theme (Attack of the Hawk Men), 5. Battle Theme,"
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      [
        "nom" => "SHEER HEART ATTACK (1974)"
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      [
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      [
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      [
        "nom" => "Side D : "
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      ]
      [
        "nom" => "THE GAME (1980)"
        "ordre" => 54
      ]
      [
        "nom" => "THE MIRACLE (1989)"
        "ordre" => 93
      ]
      [
        "nom" => "THE WORKS (1984)"
        "ordre" => 80
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2111 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1442091359 {#2106
      date: 2015-09-12 20:55:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1486624397 {#2107
      date: 2017-02-09 07:13:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-complete-studio-album-collection-colored-vinyl-box-set-hol-28832"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3604
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2315 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3605 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3653 …}
  +isValidated: false
  +validatedFields: []
}