Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2586
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2663
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2666 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
  -formView: Symfony\Component\Form\FormView {#2702 …}
  -form: Symfony\Component\Form\Form {#2852 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cloud Nine"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Heard It Through the Grapevine"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Run Away Child, Running Wild"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Love Is a Hurtin’ Thing"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hey Girl"
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Did She Have to Leave Me (Why Did She Have to Go)"
      ]
      [
        "ordre" => 9
        "nom" => "4. I Need Your Lovin’"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Don’t Let Him Take Your Love from Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Gotta Find a Way (To Get You Back)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Gonna Keep on Tryin’ till I Win Your Love"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1766484194 {#1875
      date: 2025-12-23 10:03:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775141327 {#1868
      date: 2026-04-02 14:48:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cloud-nine-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-621"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3127
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2916
    -nom: "Cloud Nine (2 LP) 45 RPM"
    -informationComplementaire: "Plongez dans "Cloud Nine", l’album qui a bouleversé la soul. Entre rythmes psychédéliques et messages percutants, les Temptations réinventent leur son et capturent l’esprit d’une époque en pleine mutation."
    -description: """
      Sorti en 1969, "Cloud Nine" marque un tournant décisif dans la carrière des Temptations. Sous l’impulsion du producteur visionnaire Norman Whitfield, le groupe abandonne progressivement la soul romantique qui a fait son succès pour explorer un son plus audacieux : le psychedelic soul.\r\n
      \r\n
      Porté par des orchestrations innovantes, des grooves hypnotiques et des textes plus engagés, l’album aborde des thématiques sociales fortes comme la pression urbaine, l’aliénation et l’évasion. Le titre éponyme "Cloud Nine" devient un immense succès et vaut au groupe son premier Grammy Award.\r\n
      \r\n
      Avec cet album, les Temptations redéfinissent leur identité artistique et participent à l’évolution de la musique soul vers des territoires plus expérimentaux, ouvrant la voie à une nouvelle ère sonore chez Motown.\r\n
      \r\n
      - The Temptations Get High on Psychedelic Soul: Cloud Nine Soars with Ambitious Arrangements and Production, Features Standout Vocal Performances and Instrumentation by the Funk Brothers !\r\n
      - Experience Motown’s First Grammy-Winning Album in Audiophile Sound: Strictly Limited to 3000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Reissue of 1969 Effort Plays with Remarkable Clarity, Separation, and Openness !\r\n
      - ¼” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Temptations’ Cloud Nine announced that Motown and “The Sound of Young America” would never be the same. Influenced by the emergence of cutting-edge rock and pop currents, as well as increasing sociopolitical turmoil, the album broke down barriers between rock, psychedelia, and soul while heralding the arrival of visionary arrangements and production techniques. Bookended by traditional R&B numbers, the 1969 record sent the Temptations in bold new directions and signaled the advent of psychedelic soul.\r\n
      \r\n
      Sourced from the original master tapes, strictly limited to 3000 numbered copies, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 PM (2 LP) set presents Cloud Nine in audiophile sound for the first time on a domestic pressing. This collectible reissue bestows Norman Whitfield’s extraordinary production with the grand-scale dynamics, natural tonality, expansive openness, and low-end weight it deserves. The timbre of each of the five members’ voices is readily identifiable even within the group harmonies bestowing a realism never experienced outside the recording studio. \r\n
      \r\n
      Making its debut on 45 RPM, the album further benefits from the wide groove space by playing with greater separation and more realistic presence than prior editions. Everything from the brassiness of the horns to the dry snap of the snare comes across with reference-grade clarity and positioning. And since Motown’s renowned Funk Brothers backing band plays on many of the cuts, you’ll want to savor every note. The imaging, soundstaging, and organic bloom-and-decay of the notes make that possible. \r\n
      \r\n
      Amid Cloud Nine, the instrumentation and architecture stand out as much as any element. Never before had a Motown album contained such ambitious patterns and complex passages. Seemingly conscientious of the departure from their past methods, the Temptations and Whitfield bunched together the tracks that mark a deep dive into psychedelic territory and counterbalance them with seven sterling soul cuts that dovetail with Motown tradition drenched with heartfelt vocals, swelling strings, and finger-snapping beats. \r\n
      \r\n
      On the original 33 RPM release, traditional Motown soul laden with heartfelt vocals, swelling strings, and finger-snapping beats occupies Side Two. These songs reveal an ensemble still very much on top of delivering pristine pop-soul material graced with romantic sweetness, persuasive insistent, and soaring highs. Re-energized after the departure of lead singer David Ruffin, who was fired for a variety of reasons in June 1968, the Temptations seamlessly meld with his replacement, Dennis Edwards, on one melodic gem after another. \r\n
      \r\n
      The collective tackles five songs co-written by the legendary Motown team of Barrett Strong and Whitfield. Not the least of which are the smooth, shuffling “Why Did She Have to Leave Me (Why Did She Have to Go)” and deceptively simple, horn-spiked “Gonna Keep on Tryin’ till I Win Your Love.” On these tracks, as well as on a lush rendition of the ballad “Love Is a Hurtin’ Thing” and pleading, tender send-up of the Gerry Goffin-Carole King classic “Hey Girl,” Edwards and Paul Williams take turns on the lead with the estimable Eddie Kendricks, Melvin Franklin, and Otis Williams providing backing support. \r\n
      \r\n
      All five vocalists trade-off leads on the simmering title track, a groundbreaking composition shot through with wah-wah-pedal effects, liquid funk, deep bass lines, Cuban percussion, saturated reverb, and gang choruses. Whitfield mines each member’s natural vocal range with spectacular results, keeps time with cymbals, and channels both the heated temperatures and escapist desires of a society embroiled in war, conflict, and experimental drugs. \r\n
      \r\n
      Amazingly, the Temptations top themselves on the similarly revealing “Run Away Child, Running Wild.” Nearly 10 minutes in length, the song explodes R&B parameters and harbors a cinematic scope. Urgent pianos, distorted guitars, stripped-down percussion, steamy Hammond organs, minimal bass motifs, five distinct voices narrating the tale of a boy who fled home and now finds himself amid the scary, unforgiving external world: They combine to give the urgent tune a walls-closing-in atmosphere where fear and desperation reign. Bolstered by an extended instrumental section that precedes a climactic return of the singers’ voices, “Run Away Child, Running Wild” equaled the success of the record’s title track, with both reaching No. 6 on the pop charts. \r\n
      \r\n
      As for the Temptations and Whitfield? More than five decades after it streeted, Cloud Nine proves they went even higher.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dennis Edwards (lead vocals), Eddie Kendricks (tenor vocals), Paul Williams, Otis Williams (baritone vocals), Melvin Franklin (bass vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SkLq8qKpk6g&list=RDSkLq8qKpk6g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-621"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Cloud Nine"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Heard It Through the Grapevine"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Run Away Child, Running Wild"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Love Is a Hurtin’ Thing"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hey Girl"
      ]
      [
        "ordre" => 8
        "nom" => "3. Why Did She Have to Leave Me (Why Did She Have to Go)"
      ]
      [
        "ordre" => 9
        "nom" => "4. I Need Your Lovin’"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Don’t Let Him Take Your Love from Me"
      ]
      [
        "ordre" => 12
        "nom" => "2. I Gotta Find a Way (To Get You Back)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Gonna Keep on Tryin’ till I Win Your Love"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1766484194 {#1875
      date: 2025-12-23 10:03:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775141327 {#1868
      date: 2026-04-02 14:48:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-cloud-nine-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-621"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1754417185 {#2041
      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#2042
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3241
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2706
    -nom: "Lady Soul - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar), King Curtis (tenor saxophone), Willie Bridges, Haywood Henry (baritone saxophone), Charlie Chalmers, Floyd Newman (saxophone), Gene "Bowlegs" Miller, Melvin Lastie (trumpet), Tony Studd (trombone), The Sweet Inspirations (backing vocals),  Roger Hawkins (drums).\r\n
      \r\n
      - Aretha Franklin "Lady Soul" !\r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Includes the smash hit "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Lady Soul, released in January 1968, was one of Aretha Franklin's finest and most popular albums a N° 2 record that featured her take on Carole King's "(You Make Me Feel Like a) Natural Woman" and the immortal "Chain of Fools". Just a landmark statement of female empowerment and inspired vocal performance. Other massive hits include "(Sweet, Sweet Baby) Since You've Been Gone" and "Ain't No Way".\r\n
      \r\n
      Lady Soul topped the R&B charts and reached N° 2 on the Billboard 200. Aretha also provides her own unique and soulful interpretations of James Brown's "Money Won't Change You", Ray Charles' "Come Back Baby" and Curtis Mayfield's civil rights anthem, "People Get Ready". Rolling Stone named Aretha Franklin as the N° 1 Greatest Singer of All Time and it's all in evidence on Lady Soul.\r\n
      \r\n
      Lacquers cut by Kevin Gray at Cohearant Audio at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Aretha Franklin (piano, lead vocals), Spooner Oldham (electric piano), Tommy Cogbill (bass), Jimmy Johnson, Joe South, Bobby Womack, Eric Clapton (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=K7s4h88BeOo&list=PLNPGM2D7aODc0fzxnf2icnkvRrT6KBWd5"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 033-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Chain Of Fools"
      ]
      [
        "ordre" => 2
        "nom" => "2. Money Won't Change You"
      ]
      [
        "ordre" => 3
        "nom" => "3. People Get Ready"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Niki Hoeky"
      ]
      [
        "ordre" => 6
        "nom" => "2. (You Make Me Feel Like) A Natural Woman"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Since You've Been Gone (Sweet Sweet Baby)"
      ]
      [
        "ordre" => 9
        "nom" => "2. Good To Me As I Am To You2. Good To Me As I Am To You"
      ]
      [
        "ordre" => 10
        "nom" => "3. Come Back Baby"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Groovin'"
      ]
      [
        "ordre" => 13
        "nom" => "2. Ain't No Way"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1754417185 {#2041
      date: 2025-08-05 18:06:25.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772959853 {#2042
      date: 2026-03-08 08:50:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-lady-soul-2-lp-45-rpm-analogue-productions-atlantic-75-series-aapa-033-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2067
    -id: 2983
    -nom: "The Soul Album  (Mono)"
    -informationComplementaire: null
    -description: """
      - Otis Redding "The Soul Album" (Mono) !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog tape by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Celebrating 60 years! Otis is joined by Stax/Volt powerhouses Booker T. & the MG's, Isaac Hayes, and The Memphis Horns for an album of nonstop, deep soul !\r\n
      \r\n
      This album has been cut from the original analog mono masters by Matthew Lutthans at The Mastering Lab and is pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing as part of the Rhino Reserve Series.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding "lead vocals", Booker T. Jones (organ & piano), Steve Cropper (guitar), Donald "Duck" Dunn (bass), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aUNMsDHc4DM&list=RDaUNMsDHc4DM&start_radio=1"
    -referenceProduit: "Rhino Reserve 9325"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One More Day"
      ]
      [
        "ordre" => 2
        "nom" => "2. It's Growing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Cigarettes and Coffee"
      ]
      [
        "ordre" => 4
        "nom" => "4. Chain Gang"
      ]
      [
        "ordre" => 5
        "nom" => "5. Nobody Knows You (When You're Down and Out) "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Good to Me"
      ]
      [
        "ordre" => 8
        "nom" => "2. Scratch My Back"
      ]
      [
        "ordre" => 9
        "nom" => "3. Treat Her Right"
      ]
      [
        "ordre" => 10
        "nom" => "4. Everybody Makes a Mistake"
      ]
      [
        "ordre" => 11
        "nom" => "5. Any Ole Way"
      ]
      [
        "ordre" => 12
        "nom" => "6. 634-5789"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2074 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2076 …}
    -enregistreLe: DateTime @1770322978 {#2060
      date: 2026-02-05 20:22:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771489779 {#2061
      date: 2026-02-19 08:29:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2078 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soul-album-mono-rhino-reserve-9325"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3292
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2067
    -id: 2983
    -nom: "The Soul Album  (Mono)"
    -informationComplementaire: null
    -description: """
      - Otis Redding "The Soul Album" (Mono) !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog tape by Matthew Luthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Celebrating 60 years! Otis is joined by Stax/Volt powerhouses Booker T. & the MG's, Isaac Hayes, and The Memphis Horns for an album of nonstop, deep soul !\r\n
      \r\n
      This album has been cut from the original analog mono masters by Matthew Lutthans at The Mastering Lab and is pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing as part of the Rhino Reserve Series.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding "lead vocals", Booker T. Jones (organ & piano), Steve Cropper (guitar), Donald "Duck" Dunn (bass), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aUNMsDHc4DM&list=RDaUNMsDHc4DM&start_radio=1"
    -referenceProduit: "Rhino Reserve 9325"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One More Day"
      ]
      [
        "ordre" => 2
        "nom" => "2. It's Growing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Cigarettes and Coffee"
      ]
      [
        "ordre" => 4
        "nom" => "4. Chain Gang"
      ]
      [
        "ordre" => 5
        "nom" => "5. Nobody Knows You (When You're Down and Out) "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Good to Me"
      ]
      [
        "ordre" => 8
        "nom" => "2. Scratch My Back"
      ]
      [
        "ordre" => 9
        "nom" => "3. Treat Her Right"
      ]
      [
        "ordre" => 10
        "nom" => "4. Everybody Makes a Mistake"
      ]
      [
        "ordre" => 11
        "nom" => "5. Any Ole Way"
      ]
      [
        "ordre" => 12
        "nom" => "6. 634-5789"
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2074 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2076 …}
    -enregistreLe: DateTime @1770322978 {#2060
      date: 2026-02-05 20:22:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771489779 {#2061
      date: 2026-02-19 08:29:39.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2078 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soul-album-mono-rhino-reserve-9325"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2090
    -id: 2986
    -nom: "Hold On, I'm Comin' (Mono)"
    -informationComplementaire: null
    -description: """
      - Sam & Dave "Hold On, I'm Comin'" (Mono) !\r\n
      - Celebrating the 60th Anniversary of the duo's historic debut album !\r\n
      - N° 1 on Billboard's R&B Albums chart !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180-gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Celebrating 60 years of Sam & Dave's historic debut album. Released in 1966, the album's eponymous single was the duo's first to break into the Billboard Hot 100, and the album reached N° 1 on the Billboard R&B Albums charts.\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog mono master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sam Moore, Dave Prater (lead vocals), Isaac Hayes (keyboards), Booker T. Jones (organ), Steve Cropper (guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8T3BhEikz6E&list=OLAK5uy_lDuukPJg_0c8zynsSXYS-PpOh8rWyIi_4"
    -referenceProduit: "Rhino Reserve 9219"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hold On, I'm Comin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. If You Got the Loving"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Take What I Want"
      ]
      [
        "ordre" => 4
        "nom" => "4. Ease Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Got Everything I Need"
      ]
      [
        "ordre" => 6
        "nom" => "6. Don't Make It So Hard on Me "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. It's a Wonder"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Help Me Out"
      ]
      [
        "ordre" => 10
        "nom" => "3. Just Me"
      ]
      [
        "ordre" => 11
        "nom" => "4. You Got It Made"
      ]
      [
        "ordre" => 12
        "nom" => "5. You Don't Know Like I Know"
      ]
      [
        "ordre" => 13
        "nom" => "6. Blame Me (Don't Blame My Heart)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2101 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2094 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2096 …}
    -enregistreLe: DateTime @1770362942 {#2083
      date: 2026-02-06 07:29:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770363402 {#2084
      date: 2026-02-06 07:36:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2098 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hold-on-i-m-comin-mono-rhino-reserve-9219"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3343
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2090
    -id: 2986
    -nom: "Hold On, I'm Comin' (Mono)"
    -informationComplementaire: null
    -description: """
      - Sam & Dave "Hold On, I'm Comin'" (Mono) !\r\n
      - Celebrating the 60th Anniversary of the duo's historic debut album !\r\n
      - N° 1 on Billboard's R&B Albums chart !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180-gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Celebrating 60 years of Sam & Dave's historic debut album. Released in 1966, the album's eponymous single was the duo's first to break into the Billboard Hot 100, and the album reached N° 1 on the Billboard R&B Albums charts.\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog mono master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sam Moore, Dave Prater (lead vocals), Isaac Hayes (keyboards), Booker T. Jones (organ), Steve Cropper (guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8T3BhEikz6E&list=OLAK5uy_lDuukPJg_0c8zynsSXYS-PpOh8rWyIi_4"
    -referenceProduit: "Rhino Reserve 9219"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Hold On, I'm Comin'"
      ]
      [
        "ordre" => 2
        "nom" => "2. If You Got the Loving"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Take What I Want"
      ]
      [
        "ordre" => 4
        "nom" => "4. Ease Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. I Got Everything I Need"
      ]
      [
        "ordre" => 6
        "nom" => "6. Don't Make It So Hard on Me "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. It's a Wonder"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Help Me Out"
      ]
      [
        "ordre" => 10
        "nom" => "3. Just Me"
      ]
      [
        "ordre" => 11
        "nom" => "4. You Got It Made"
      ]
      [
        "ordre" => 12
        "nom" => "5. You Don't Know Like I Know"
      ]
      [
        "ordre" => 13
        "nom" => "6. Blame Me (Don't Blame My Heart)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2092 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2101 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2094 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2096 …}
    -enregistreLe: DateTime @1770362942 {#2083
      date: 2026-02-06 07:29:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770363402 {#2084
      date: 2026-02-06 07:36:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2098 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hold-on-i-m-comin-mono-rhino-reserve-9219"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2108
    -id: 2985
    -nom: "Pain In My Heart  (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Floyd Newman (baritone saxophone), Isaac Hayes (piano), Al Jackson Jr. (drums).\r\n
      \r\n
      - Otis Redding "Pain In My Heart" (Mono) !\r\n
      - The album that introduced Redding to the world !\r\n
      - Contains his first self-penned hit "These Arms of Mine" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Pain in My Heart is Otis Redding's historic debut album. Released in 1964, the album contains Otis' first self-penned hit, "These Arms of Mine", along with his beloved covers of "Stand by Me" and "Pain in My Heart".\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog mono master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UUb3-JeqjAo&list=RDUUb3-JeqjAo&start_radio=1"
    -referenceProduit: "Rhino Reserve 9318"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Pain in My Heart"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Dog"
      ]
      [
        "ordre" => 3
        "nom" => "3. Stand by Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hey Hey Baby"
      ]
      [
        "ordre" => 5
        "nom" => "5. You Send Me"
      ]
      [
        "ordre" => 6
        "nom" => "6. I Need Your Lovin' "
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. These Arms of Mine"
      ]
      [
        "ordre" => 9
        "nom" => "2. Louie Louie"
      ]
      [
        "ordre" => 10
        "nom" => "3. Something Is Worrying Me"
      ]
      [
        "ordre" => 11
        "nom" => "4. Security"
      ]
      [
        "ordre" => 12
        "nom" => "5. That's What My Heart Needs"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lucille"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
    -enregistreLe: DateTime @1770362209 {#2104
      date: 2026-02-06 07:16:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770362387 {#2103
      date: 2026-02-06 07:19:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pain-in-my-heart-mono-rhino-reserve-9318"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3396
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2108
    -id: 2985
    -nom: "Pain In My Heart  (Mono)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet), Andrew Love (tenor saxophone), Floyd Newman (baritone saxophone), Isaac Hayes (piano), Al Jackson Jr. (drums).\r\n
      \r\n
      - Otis Redding "Pain In My Heart" (Mono) !\r\n
      - The album that introduced Redding to the world !\r\n
      - Contains his first self-penned hit "These Arms of Mine" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Pain in My Heart is Otis Redding's historic debut album. Released in 1964, the album contains Otis' first self-penned hit, "These Arms of Mine", along with his beloved covers of "Stand by Me" and "Pain in My Heart".\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog mono master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180 gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding (vocals), Steve Cropper (guitar), Donald "Duck" Dunn, Lewie Steinberg (bass), Booker T. Jones (keyboards, organ), Wayne Jackson (trumpet)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=UUb3-JeqjAo&list=RDUUb3-JeqjAo&start_radio=1"
    -referenceProduit: "Rhino Reserve 9318"
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        "nom" => "1. Pain in My Heart"
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        "nom" => "3. Stand by Me"
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        "nom" => "5. You Send Me"
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      [
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        "nom" => "6. I Need Your Lovin' "
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      [
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        "nom" => "Side B : "
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        "nom" => "1. These Arms of Mine"
      ]
      [
        "ordre" => 9
        "nom" => "2. Louie Louie"
      ]
      [
        "ordre" => 10
        "nom" => "3. Something Is Worrying Me"
      ]
      [
        "ordre" => 11
        "nom" => "4. Security"
      ]
      [
        "ordre" => 12
        "nom" => "5. That's What My Heart Needs"
      ]
      [
        "ordre" => 13
        "nom" => "6. Lucille"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2116 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2109 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2111 …}
    -enregistreLe: DateTime @1770362209 {#2104
      date: 2026-02-06 07:16:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770362387 {#2103
      date: 2026-02-06 07:19:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2113 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pain-in-my-heart-mono-rhino-reserve-9318"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2123
    -id: 2984
    -nom: "Live"
    -informationComplementaire: null
    -description: """
      - Donny Hathaway "Live" !\r\n
      - Considered to be one of the best live albums ever recorded !\r\n
      - Solidified Hathaway as a soul music legend !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Considered to be one of the best live albums of all time, Donny Hathaway's Live was recorded in 1971 at his shows at The Troubadour in Hollywood and The Bitter End in Manhattan. Including his beloved covers of "Jealous Guy" and "What's Going On", along with his own hits like "The Ghetto", this album solidified Hathaway as a soul legend.\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog stereo master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180-gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Donny Hathaway (piano, electric piano, vocals), Cornell Dupree (guitar),  Willie Weeks (bass), Earl DeRouen (percussion), Fred White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vh0LoTYqYIU&list=RDvh0LoTYqYIU&start_radio=1"
    -referenceProduit: "Rhino Reserve 9332"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. What's Going On (Live)"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Ghetto (Live at the Troubadour, Los Angeles, CA)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hey Girl (Live) 4. You've Got a Friend (Live) "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Little Ghetto Boy (Live)"
      ]
      [
        "ordre" => 6
        "nom" => "2. We're Still Friends (Live at the Bitter End, New York City, 1971)"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jealous Guy (Live)"
      ]
      [
        "ordre" => 8
        "nom" => "4. Voices Inside (Everything Is Everything)"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
    -enregistreLe: DateTime @1770324635 {#2119
      date: 2026-02-05 20:50:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770325142 {#2118
      date: 2026-02-05 20:59:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-rhino-reserve-9332"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3442
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2123
    -id: 2984
    -nom: "Live"
    -informationComplementaire: null
    -description: """
      - Donny Hathaway "Live" !\r\n
      - Considered to be one of the best live albums ever recorded !\r\n
      - Solidified Hathaway as a soul music legend !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Lacquers cut from the original analog mono master by Matthew Lutthans at The Mastering Lab !\r\n
      - Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Considered to be one of the best live albums of all time, Donny Hathaway's Live was recorded in 1971 at his shows at The Troubadour in Hollywood and The Bitter End in Manhattan. Including his beloved covers of "Jealous Guy" and "What's Going On", along with his own hits like "The Ghetto", this album solidified Hathaway as a soul legend.\r\n
      \r\n
      In honor of Black History Month, this album has been cut from the original analog stereo master by Matthew Lutthans at The Mastering Lab and is pressed locally on 180-gram premium-quality vinyl at Fidelity Record Pressing's plant in Oxnard, California as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Donny Hathaway (piano, electric piano, vocals), Cornell Dupree (guitar),  Willie Weeks (bass), Earl DeRouen (percussion), Fred White (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vh0LoTYqYIU&list=RDvh0LoTYqYIU&start_radio=1"
    -referenceProduit: "Rhino Reserve 9332"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. What's Going On (Live)"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Ghetto (Live at the Troubadour, Los Angeles, CA)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Hey Girl (Live) 4. You've Got a Friend (Live) "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Little Ghetto Boy (Live)"
      ]
      [
        "ordre" => 6
        "nom" => "2. We're Still Friends (Live at the Bitter End, New York City, 1971)"
      ]
      [
        "ordre" => 7
        "nom" => "3. Jealous Guy (Live)"
      ]
      [
        "ordre" => 8
        "nom" => "4. Voices Inside (Everything Is Everything)"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2125 …}
    -label: Proxies\__CG__\App\Entity\Label {#2072 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
    -enregistreLe: DateTime @1770324635 {#2119
      date: 2026-02-05 20:50:35.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770325142 {#2118
      date: 2026-02-05 20:59:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-rhino-reserve-9332"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

[
  "produit" => App\Entity\Produit {#2141
    -id: 2978
    -nom: "Fire On The Bayou (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Meters "Fire On The Bayou" !\r\n
      - Gritty and punchy originals "Out In The Country", "They All Ask'd For You" and the title track !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Members of The Meters were longstanding musical luminaries in New Orleans, but by the time of 1975's Fire On The Bayou, the world beyond the Big Easy had also taken notice; The Rolling Stones tapped the band to open their U.S. tour that year. Produced by the great Allen Toussaint at his Sea-Saint Studios, the collection was the quintet's third for Reprise and arguably their best for the label.\r\n
      \r\n
      With percussionist Cyril Neville joining the ranks, the grooves get even funkier on these 11 tracks, as a couple of fine covers "Mardi Gras Mambo" join ace originals like "Out in the Country", "They All Ask'd For You", and the title track. Gritty and punchy, Fire On The Bayou simmers from start to finish.\r\n
      \r\n
      Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue of Fire On The Bayou captures The Meters at their funkiest and most fearless a swampy, hard-grooving New Orleans classic that radiates heat, grit, and soul from the first note to the last.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Art Neville (keyboards, vocals), Leo Nocentelli (guitar), George Porter Jr. (bass), Zigaboo Modeliste (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
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        "nom" => "2. Running Fast"
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        "nom" => "3. Mardi Gras Mambo"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
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      date: 2026-02-05 07:11:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3493
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2141
    -id: 2978
    -nom: "Fire On The Bayou (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Meters "Fire On The Bayou" !\r\n
      - Gritty and punchy originals "Out In The Country", "They All Ask'd For You" and the title track !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Members of The Meters were longstanding musical luminaries in New Orleans, but by the time of 1975's Fire On The Bayou, the world beyond the Big Easy had also taken notice; The Rolling Stones tapped the band to open their U.S. tour that year. Produced by the great Allen Toussaint at his Sea-Saint Studios, the collection was the quintet's third for Reprise and arguably their best for the label.\r\n
      \r\n
      With percussionist Cyril Neville joining the ranks, the grooves get even funkier on these 11 tracks, as a couple of fine covers "Mardi Gras Mambo" join ace originals like "Out in the Country", "They All Ask'd For You", and the title track. Gritty and punchy, Fire On The Bayou simmers from start to finish.\r\n
      \r\n
      Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue of Fire On The Bayou captures The Meters at their funkiest and most fearless a swampy, hard-grooving New Orleans classic that radiates heat, grit, and soul from the first note to the last.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Art Neville (keyboards, vocals), Leo Nocentelli (guitar), George Porter Jr. (bass), Zigaboo Modeliste (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
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[
  "produit" => App\Entity\Produit {#2162
    -id: 2977
    -nom: "Rejuvenation (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Meters "Rejuvenation" !\r\n
      - Includes "People Say", "Just Kissed My Baby" and "It Ain't No Use" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When The Meters dropped Rejuvenation in 1974, the funk world shifted on its axis. Produced by Allen Toussaint, this is the New Orleans groove machine at full throttle a masterclass in rhythm, feel, and fire. Every track locks into that deep pocket only The Meters could create, powered by George Porter Jr.'s elastic bass, Zigaboo Modeliste's razor-tight drumming, Art Neville's soulful keys, and Leo Nocentelli's greasy, gritty guitar lines.\r\n
      \r\n
      Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue lets Rejuvenation breathe with new life. The clarity, warmth, and punch reveal every nuance of Toussaint's production from the steamy pulse of "Just Kissed My Baby" to the swaggering "People Say" and the slow-burn funk sermon "It Ain't No Use".\r\n
      \r\n
      Rejuvenation captures the raw, rhythmic genius that would go on to fuel generations of hip-hop, rock, and R&B artists.\r\n
      \r\n
      Pressed to perfection for your turntable, Rejuvenation isn't just a funk essential it's a cornerstone of American music history. Spin it loud and experience that unmistakable New Orleans groove.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …}
    -musicienOrchestre: "Art Neville (keyboards, vocals), Leo Nocentelli (guitar), George Porter Jr. (bass), Zigaboo Modeliste (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=16wjTNDKfbE&list=RD16wjTNDKfbE&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 017-45"
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        "nom" => "2. Africa"
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        "nom" => ""
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
    -label: Proxies\__CG__\App\Entity\Label {#2146 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3546
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2162
    -id: 2977
    -nom: "Rejuvenation (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Meters "Rejuvenation" !\r\n
      - Includes "People Say", "Just Kissed My Baby" and "It Ain't No Use" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      When The Meters dropped Rejuvenation in 1974, the funk world shifted on its axis. Produced by Allen Toussaint, this is the New Orleans groove machine at full throttle a masterclass in rhythm, feel, and fire. Every track locks into that deep pocket only The Meters could create, powered by George Porter Jr.'s elastic bass, Zigaboo Modeliste's razor-tight drumming, Art Neville's soulful keys, and Leo Nocentelli's greasy, gritty guitar lines.\r\n
      \r\n
      Now restored to its full glory by Analogue Productions and pressed at Quality Record Pressings, this definitive reissue lets Rejuvenation breathe with new life. The clarity, warmth, and punch reveal every nuance of Toussaint's production from the steamy pulse of "Just Kissed My Baby" to the swaggering "People Say" and the slow-burn funk sermon "It Ain't No Use".\r\n
      \r\n
      Rejuvenation captures the raw, rhythmic genius that would go on to fuel generations of hip-hop, rock, and R&B artists.\r\n
      \r\n
      Pressed to perfection for your turntable, Rejuvenation isn't just a funk essential it's a cornerstone of American music history. Spin it loud and experience that unmistakable New Orleans groove.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Art Neville (keyboards, vocals), Leo Nocentelli (guitar), George Porter Jr. (bass), Zigaboo Modeliste (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
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      date: 2026-02-05 07:11:30.0 UTC (+00:00)
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2812
    -nom: "Remember Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      \r\n
      Featuring a fabulous mix of R&B classics such as "That's the Way of the World" (Earth Wind & Fire), "Lovely Day" (Bill Withers), "You're the One I Love" (Barry White), "Kiss" (Prince) with more contemporary pop material such as "I Belong to You" (Lenny Kravitz), "It Runs Through Me" (Tom Misch), "Roads" (Portishead) and others, Vanessa and Tim Pierce (arranger) have delivered a supremely satisfying and ultra-rewarding album, one that is also beautifully recorded (tracked and mixed by maestro Michael C. Ross).\r\n
      \r\n
      Many plaudits must also be directed at the magnificent group of creme de la creme LA-based session musicians who are backing Vanessa's latest effort. This is basically the same outstanding group that played on her previous album I Want You: Tim Pierce (guitars), Alex Al (bass), Victor Indrizzo (drums), Jeff Babko (keyboards), Felipe Menolio (acoustic guitars), and Luis Conte (percussion). Felipe, a brilliant young guitarist from Brazil, is the one new addition and delivers some truly incredible playing wait untill you hear his solo on the samba-driven version of "It Runs Through Me"!
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Vanessa Fernandez (vocals), Tim Pierce (guitars), Alex Al (bass), Jeff Babko (keyboards), Felipe Melanio (acoustic guitars), Luis Conte (percussion), Victor Indrizzo (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Groove Note Records 1400-45"
    -titreMorceau: [
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        "ordre" => 0
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      ]
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        "ordre" => 1
        "nom" => "1. Feels Like Summer"
      ]
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        "ordre" => 2
        "nom" => "2. That's The Way Of The World"
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        "ordre" => 3
        "nom" => "3. It Runs Through Me"
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        "ordre" => 5
        "nom" => "1. Hum The Bass Line"
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        "nom" => "3. You Are the One I Need"
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      [
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        "nom" => "Side D : "
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        "nom" => "1. Roads"
      ]
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        "ordre" => 13
        "nom" => "2. Love And Hate"
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      [
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        "nom" => ""
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: Proxies\__CG__\App\Entity\Label {#2182 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2191 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2184 …}
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    -modifierLe: DateTime @1769967076 {#2172
      date: 2026-02-01 17:31:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2188 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-remember-me-2-lp-45-rpm-groove-note-records-1400-45"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3592
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2177
    -id: 2812
    -nom: "Remember Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - 180 gram 45 RPM double LP !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      \r\n
      Featuring a fabulous mix of R&B classics such as "That's the Way of the World" (Earth Wind & Fire), "Lovely Day" (Bill Withers), "You're the One I Love" (Barry White), "Kiss" (Prince) with more contemporary pop material such as "I Belong to You" (Lenny Kravitz), "It Runs Through Me" (Tom Misch), "Roads" (Portishead) and others, Vanessa and Tim Pierce (arranger) have delivered a supremely satisfying and ultra-rewarding album, one that is also beautifully recorded (tracked and mixed by maestro Michael C. Ross).\r\n
      \r\n
      Many plaudits must also be directed at the magnificent group of creme de la creme LA-based session musicians who are backing Vanessa's latest effort. This is basically the same outstanding group that played on her previous album I Want You: Tim Pierce (guitars), Alex Al (bass), Victor Indrizzo (drums), Jeff Babko (keyboards), Felipe Menolio (acoustic guitars), and Luis Conte (percussion). Felipe, a brilliant young guitarist from Brazil, is the one new addition and delivers some truly incredible playing wait untill you hear his solo on the samba-driven version of "It Runs Through Me"!
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Vanessa Fernandez (vocals), Tim Pierce (guitars), Alex Al (bass), Jeff Babko (keyboards), Felipe Melanio (acoustic guitars), Luis Conte (percussion), Victor Indrizzo (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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[
  "produit" => App\Entity\Produit {#2196
    -id: 2772
    -nom: "Hot Buttered Soul  (Limited Numbered Edition Small Batch One-Step )"
    -informationComplementaire: null
    -description: """
      - Issac Hayes "Hot Buttered Soul" !\r\n
      - Small Batch 180 gram LP from Craft Recordings !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Housed in a foil-stamped linen-wrapped slipcase !\r\n
      - In-depth liner notes !\r\n
      - Numbered and limited to 3000 copies worldwide !\r\n
      \r\n
      "(A) kind of you-are-there intimacy..." - The Absolute Sound\r\n
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      \r\n
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      \r\n
      Please note, because the lacquers are cut directly from the original tape with no digital manipulation, there is very minor tape noise on the album's Side B caused by the tape's age and use over time, however it does not distract from the overall superb listening experience. Lacquers are cut from the master tape, except for track B1 in which the original safety was used.\r\n
      \r\n
      About Hot Buttered Soul\r\n
      \r\n
      Described by liner notes writer Scott Galloway as "a searing souvenir of the art form, that will emphatically inspire into eternity", Isaac Hayes' Hot Buttered Soul has long been considered a landmark title in R&B one that pushed the limits of soul music and influenced countless artists in its wake.\r\n
      \r\n
      "I always try to make my music interesting in the sense that you can't figure out where I'm going", Hayes told Galloway in 1995. "I don't like people to second guess me. I had no formal training therefore I knew no boundaries. When you break the rules and go outside the box, you become innovative".\r\n
      \r\n
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      \r\n
      Read more here.
      """
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    -musicienOrchestre: "saac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=U0uqXngaGDk"
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      ]
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        "nom" => "Side B : "
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        "nom" => "1. One Woman"
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        "nom" => "2. By the Time I Get to Phoenix"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3643
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
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    -id: 2772
    -nom: "Hot Buttered Soul  (Limited Numbered Edition Small Batch One-Step )"
    -informationComplementaire: null
    -description: """
      - Issac Hayes "Hot Buttered Soul" !\r\n
      - Small Batch 180 gram LP from Craft Recordings !\r\n
      - Pressed using a one-step lacquer process at RTI utilizing Neotech's VR900 PVC compound !\r\n
      - All-analog mastering by Bernie Grundman from the original master tape !\r\n
      - Housed in a foil-stamped linen-wrapped slipcase !\r\n
      - In-depth liner notes !\r\n
      - Numbered and limited to 3000 copies worldwide !\r\n
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      "(A) kind of you-are-there intimacy..." - The Absolute Sound\r\n
      Isaac Hayes earth-shattering record Hot Buttered Soul is the sixth release in Craft Recordings' acclaimed one-step lacquer process series, Small Batch. Released on Stax Records in 1969, Hot Buttered Soul pushed the boundaries of soul music, while setting Hayes on the path to superstardom, thanks to such groundbreaking tracks as "Hyperbolicsyllabicsesquedalymistic", plus ambitious renditions of the Bacharach / David classic "Walk on By" and Jimmy Webb's "By the Time I Get to Phoenix".\r\n
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      As with all Small Batch titles, Hot Buttered Soul was mastered from its original master tapes (AAA) by Bernie Grundman and pressed on 180 gram vinyl at RTI using Neotech's VR900 compound, using a one-step lacquer process (as opposed to the standard three-step process). This technique allows for the utmost level of musical detail, clarity, and dynamics while reducing the amount of surface noise on the record. The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording. This pressing is limited to 3,000 copies worldwide.\r\n
      \r\n
      Please note, because the lacquers are cut directly from the original tape with no digital manipulation, there is very minor tape noise on the album's Side B caused by the tape's age and use over time, however it does not distract from the overall superb listening experience. Lacquers are cut from the master tape, except for track B1 in which the original safety was used.\r\n
      \r\n
      About Hot Buttered Soul\r\n
      \r\n
      Described by liner notes writer Scott Galloway as "a searing souvenir of the art form, that will emphatically inspire into eternity", Isaac Hayes' Hot Buttered Soul has long been considered a landmark title in R&B one that pushed the limits of soul music and influenced countless artists in its wake.\r\n
      \r\n
      "I always try to make my music interesting in the sense that you can't figure out where I'm going", Hayes told Galloway in 1995. "I don't like people to second guess me. I had no formal training therefore I knew no boundaries. When you break the rules and go outside the box, you become innovative".\r\n
      \r\n
      Hayes recorded lead vocals and rhythm tracks in a single eight-hour session, during which he simultaneously served as lead vocalist, keyboardist (on the Hammond organ), and conductor. Performing alongside him at Memphis' Ardent Studios were bassist James Alexander, drummer Willie Hall, and rhythm guitarist Michael Toles-all members of the recently reformed Bar-Kays-plus pianist Marvell Thomas (son of Rufus). The album, which was produced by Thomas, Al Bell, and Allen Jones, also featured lush orchestration (arranged by Johnny Allen) and soaring backing vocals-all of which were captured during additional sessions in Detroit.\r\n
      \r\n
      Read more here.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "saac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=U0uqXngaGDk"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
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[
  "produit" => App\Entity\Produit {#2219
    -id: 2770
    -nom: "Hot Buttered Soul"
    -informationComplementaire: null
    -description: """
      - 180 gram LP with tip-on gatefold jacket !\r\n
      - Remastered from the original analog tape !\r\n
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      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Isaac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2198 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3696
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2219
    -id: 2770
    -nom: "Hot Buttered Soul"
    -informationComplementaire: null
    -description: """
      - 180 gram LP with tip-on gatefold jacket !\r\n
      - Remastered from the original analog tape !\r\n
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    -prixVente: "38.00"
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    -musicienOrchestre: "Isaac Hayes (keyboards, vocals), Michael Toles (guitar), James Alexander (bass), Marvell Thomas (keyboards), Willie Hall (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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[
  "produit" => App\Entity\Produit {#2234
    -id: 1570
    -nom: "The Dock Of The Bay (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Contains Otis Redding's posthumous hit "Sittin' On the Dock Of the Bay" !\r\n
      - Appeared on Rolling Stone's 500 Greatest Albums of All Time, rated 161/500 !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay".\r\n
      \r\n
      He had completed his famed performance at the Monterey Pop Festival just weeks earlier. While touring in support of the albums King & Queen (a collaboration with female vocalist Carla Thomas) and Live in Europe, he continued to scribble lines of the song on napkins and hotel paper. In November of that year, he joined producer and esteemed soul guitarist Steve Cropper at the Stax recording studio in Memphis, Tennessee, to record the song.\r\n
      \r\n
      Cropper remembers: "Otis was one of those the kind of guy who had 100 ideas... He had been in San Francisco doing The Fillmore. And the story that I got he was renting boathouse or stayed at a boathouse or something and that's where he got the idea of the ships coming in the bay there. And that's about all he had: 'I watch the ships come in and I watch them roll away again.' I just took that... and I finished the lyrics. If you listen to the songs I collaborated with Otis, most of the lyrics are about him. ... Otis didn't really write about himself but I did. Songs like 'Mr. Pitiful,' 'Fa-Fa-Fa-Fa-Fa (Sad Song)'; they were about Otis and Otis' life. 'Dock of the Bay' was exactly that: 'I left my home in Georgia, headed for the Frisco Bay' was all about him going out to San Francisco to perform".\r\n
      \r\n
      Redding and Cropper completed the song in Memphis on Dec 7, 1967 with tragedy, unknowingly, looming. Just two days later Redding lost his life on a routine commute to a performance when the small plane he was in crashed. The other victims of the disaster were four members of the Bar-Kays — guitarist Jimmy King, tenor saxophonist Phalon Jones, organist Ronnie Caldwell, and drummer Carl Cunningham; their valet, Matthew Kelly and pilot Fraser.\r\n
      \r\n
      Cropper and bassist Donald "Duck" Dunn completed the music and melancholic lyrics of (Sittin' On) The Dock of the Bay' which was taken from the sessions Redding's final recorded work. Cropper added the distinct sound of seagulls and waves crashing to the background. This is what Redding had wanted to hear on the track according to Cropper who remembered Redding recalling the sounds he heard when he wrote the song on the houseboat.\r\n
      \r\n
      One of the most influential soul singers of the 1960s, Redding exemplified to many listeners the power of Southern "deep soul" hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. At the time of his tragic death he was 26.\r\n
      \r\n
      ‘(Sittin’ On) The Dock of the Bay’ was released just a month following Redding’s death and became his only ever single to reach number one on the Billboard Hot 100 in January 1968. The album, which shared the song's title, became his largest-selling to date, peaking at No. 4 on the pop albums chart. "Dock of the Bay" was popular in countries across the world and became Redding's most successful record, selling more than 4 million copies worldwide. The song went on to win two Grammy Awards: Best R&B Song and Best Male R&B Vocal Performance. With the album, Redding confirmed himself as a talent lost far too soon.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding (lead vocals), Steve Cropper (electric guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums), Booker T. Jones (Hammond organ, keyboard)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "http://youtube.com/watch?v=nvebPaZfN3I&list=PLArpKJA0hY4qGDZ77bIXdnxMmE7nhu4Cm"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. (Sittin' On) The Dock of the Bay"
      ]
      [
        "ordre" => 1
        "nom" => "2. I Love You More Than Words Can Say"
      ]
      [
        "ordre" => 2
        "nom" => "3. Let Me Come On Home"
      ]
      [
        "ordre" => 3
        "nom" => "4. Open The Door"
      ]
      [
        "ordre" => 4
        "nom" => "5. Don't Mess With Cupid"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Glory Of Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. The Coming Home"
      ]
      [
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        "nom" => "8. Tramp"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Huckle-Buck"
      ]
      [
        "ordre" => 9
        "nom" => "10. Nobody Knows You (When You're Down And Out)"
      ]
      [
        "ordre" => 10
        "nom" => "11. Ole Man Trouble"
      ]
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      ]
      [
        "ordre" => 12
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      ]
      [
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      [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
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    }
    -modifierLe: DateTime @1768907275 {#2229
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    }
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App\Twig\Components\GestionPanierFavoriComponents {#3744
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2665 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2234
    -id: 1570
    -nom: "The Dock Of The Bay (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Bernie Grundman from the original analog tape !\r\n
      - Contains Otis Redding's posthumous hit "Sittin' On the Dock Of the Bay" !\r\n
      - Appeared on Rolling Stone's 500 Greatest Albums of All Time, rated 161/500 !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Gatefold old-style "tip-on" jacket by Stoughton Printing !\r\n
      \r\n
      The guts of the story are this: While on tour with the Bar-Kays in August 1967, Otis Redding's popularity was rising, and he was inundated with fans at his hotel in downtown San Francisco. Looking for a retreat, he accepted rock concert impresario Bill Graham's offer to stay at his houseboat at Waldo Point in Sausalito, California. Inspired, Redding started writing the lines, "Sittin' in the morning sun, I'll be sittin' when the evening comes" and the first verse of a song, under the abbreviated title "Dock of the Bay".\r\n
      \r\n
      He had completed his famed performance at the Monterey Pop Festival just weeks earlier. While touring in support of the albums King & Queen (a collaboration with female vocalist Carla Thomas) and Live in Europe, he continued to scribble lines of the song on napkins and hotel paper. In November of that year, he joined producer and esteemed soul guitarist Steve Cropper at the Stax recording studio in Memphis, Tennessee, to record the song.\r\n
      \r\n
      Cropper remembers: "Otis was one of those the kind of guy who had 100 ideas... He had been in San Francisco doing The Fillmore. And the story that I got he was renting boathouse or stayed at a boathouse or something and that's where he got the idea of the ships coming in the bay there. And that's about all he had: 'I watch the ships come in and I watch them roll away again.' I just took that... and I finished the lyrics. If you listen to the songs I collaborated with Otis, most of the lyrics are about him. ... Otis didn't really write about himself but I did. Songs like 'Mr. Pitiful,' 'Fa-Fa-Fa-Fa-Fa (Sad Song)'; they were about Otis and Otis' life. 'Dock of the Bay' was exactly that: 'I left my home in Georgia, headed for the Frisco Bay' was all about him going out to San Francisco to perform".\r\n
      \r\n
      Redding and Cropper completed the song in Memphis on Dec 7, 1967 with tragedy, unknowingly, looming. Just two days later Redding lost his life on a routine commute to a performance when the small plane he was in crashed. The other victims of the disaster were four members of the Bar-Kays — guitarist Jimmy King, tenor saxophonist Phalon Jones, organist Ronnie Caldwell, and drummer Carl Cunningham; their valet, Matthew Kelly and pilot Fraser.\r\n
      \r\n
      Cropper and bassist Donald "Duck" Dunn completed the music and melancholic lyrics of (Sittin' On) The Dock of the Bay' which was taken from the sessions Redding's final recorded work. Cropper added the distinct sound of seagulls and waves crashing to the background. This is what Redding had wanted to hear on the track according to Cropper who remembered Redding recalling the sounds he heard when he wrote the song on the houseboat.\r\n
      \r\n
      One of the most influential soul singers of the 1960s, Redding exemplified to many listeners the power of Southern "deep soul" hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. At the time of his tragic death he was 26.\r\n
      \r\n
      ‘(Sittin’ On) The Dock of the Bay’ was released just a month following Redding’s death and became his only ever single to reach number one on the Billboard Hot 100 in January 1968. The album, which shared the song's title, became his largest-selling to date, peaking at No. 4 on the pop albums chart. "Dock of the Bay" was popular in countries across the world and became Redding's most successful record, selling more than 4 million copies worldwide. The song went on to win two Grammy Awards: Best R&B Song and Best Male R&B Vocal Performance. With the album, Redding confirmed himself as a talent lost far too soon.\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Otis Redding (lead vocals), Steve Cropper (electric guitar), Donald “Duck” Dunn (bass), Al Jackson Jr. (drums), Booker T. Jones (Hammond organ, keyboard)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "http://youtube.com/watch?v=nvebPaZfN3I&list=PLArpKJA0hY4qGDZ77bIXdnxMmE7nhu4Cm"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 005-45"
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        "ordre" => 0
        "nom" => "1. (Sittin' On) The Dock of the Bay"
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      ]
      [
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        "nom" => "5. Don't Mess With Cupid"
      ]
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        "nom" => "6. The Glory Of Love"
      ]
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        "nom" => "10. Nobody Knows You (When You're Down And Out)"
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        "nom" => "11. Ole Man Trouble"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2069 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3934
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2433 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3935 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3983 …}
  +isValidated: false
  +validatedFields: []
}