Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2622
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2699
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2702 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
  -formView: Symfony\Component\Form\FormView {#2738 …}
  -form: Symfony\Component\Form\Form {#2888 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 2157
    -nom: "El Camino  (10th Anniversary Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      - 10th Anniversary Deluxe Edition (3 LP) of El Camino by The Black Keys !\r\n
      - Includes the remastered original album plus a previously unreleased Portland, Maine live concert recording !\r\n
      - Read the entire feature profile about El Camino from Nonesuch Records here !\r\n
      \r\n
      The Black Keys present a special 10th anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a 3 LP set. The 3LP edition includes the remastered original album plus a live concert recording from Portland, Maine.\r\n
      \r\n
      El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band's then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual Grammy Awards for El Camino Best Rock Performance, Best Rock Song, and Best Rock Album among other worldwide accolades.\r\n
      \r\n
      In the U.K., the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.\r\n
      \r\n
      Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing "raw, riffed-out power back to pop's lexicon", and called it "the Keys' grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair". The Guardian said, "They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done".\r\n
      \r\n
      El Camino has received double platinum certified sales in the U.S.; platinum in the U.K., Belgium, France, Ireland, and the Netherlands; triple platinum in Australia and New Zealand; quadruple platinum in Canada; and gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9DYPfItb2fk"
    -referenceProduit: "Nonesuch 9140"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Original Album Remastered"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lonely Boy "
        "ordre" => 2
      ]
      [
        "nom" => "2. Dead And Gone "
        "ordre" => 3
      ]
      [
        "nom" => "3. Gold On The Ceiling "
        "ordre" => 4
      ]
      [
        "nom" => "4. Little Black Submarines "
        "ordre" => 5
      ]
      [
        "nom" => "5. Money Maker"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Run Right Back "
        "ordre" => 8
      ]
      [
        "nom" => "2. Sister "
        "ordre" => 9
      ]
      [
        "nom" => "3. Hell Of A Season "
        "ordre" => 10
      ]
      [
        "nom" => "4. Stop Stop "
        "ordre" => 11
      ]
      [
        "nom" => "5. Nova Baby "
        "ordre" => 12
      ]
      [
        "nom" => "6. Mind Eraser"
        "ordre" => 13
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Live In Portland, ME"
        "ordre" => 15
      ]
      [
        "nom" => "1. Howlin' For You "
        "ordre" => 16
      ]
      [
        "nom" => "2. Next Girl "
        "ordre" => 17
      ]
      [
        "nom" => "3. Run Right Back "
        "ordre" => 18
      ]
      [
        "nom" => "4. Same Old Thing "
        "ordre" => 19
      ]
      [
        "nom" => "5. Dead And Gone "
        "ordre" => 20
      ]
      [
        "nom" => "6. Gold On The Ceiling"
        "ordre" => 21
      ]
      [
        "nom" => "Side D :"
        "ordre" => 22
      ]
      [
        "nom" => "1. Thickfreakness "
        "ordre" => 23
      ]
      [
        "nom" => "2. Girl Is On My Mind "
        "ordre" => 24
      ]
      [
        "nom" => "3. I'll Be Your Man / Your Touch "
        "ordre" => 25
      ]
      [
        "nom" => "4. Little Black Submarines"
        "ordre" => 26
      ]
      [
        "nom" => "Side E : "
        "ordre" => 27
      ]
      [
        "nom" => "1. Money Maker "
        "ordre" => 28
      ]
      [
        "nom" => "2. Strange Times "
        "ordre" => 29
      ]
      [
        "nom" => "3. Chop And Change "
        "ordre" => 30
      ]
      [
        "nom" => "4. Nova Baby "
        "ordre" => 31
      ]
      [
        "nom" => "5. Ten Cent Pistol"
        "ordre" => 32
      ]
      [
        "nom" => "Side F : "
        "ordre" => 33
      ]
      [
        "nom" => "1. Tighten Up "
        "ordre" => 34
      ]
      [
        "nom" => "2. Lonely Boy "
        "ordre" => 35
      ]
      [
        "nom" => "3. Everlasting Light "
        "ordre" => 36
      ]
      [
        "nom" => "4. She's Long Gone "
        "ordre" => 37
      ]
      [
        "nom" => "5. I Got Mine"
        "ordre" => 38
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1636009031 {#1929
      date: 2021-11-04 06:57:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762947431 {#1922
      date: 2025-11-12 11:37:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-el-camino-10th-anniversary-deluxe-edition-nonesuch-9140"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3159
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 2157
    -nom: "El Camino  (10th Anniversary Deluxe Edition)"
    -informationComplementaire: null
    -description: """
      - 10th Anniversary Deluxe Edition (3 LP) of El Camino by The Black Keys !\r\n
      - Includes the remastered original album plus a previously unreleased Portland, Maine live concert recording !\r\n
      - Read the entire feature profile about El Camino from Nonesuch Records here !\r\n
      \r\n
      The Black Keys present a special 10th anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a 3 LP set. The 3LP edition includes the remastered original album plus a live concert recording from Portland, Maine.\r\n
      \r\n
      El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band's then-new hometown of Nashville during the spring of 2011. The Black Keys won three awards at the 55th annual Grammy Awards for El Camino Best Rock Performance, Best Rock Song, and Best Rock Album among other worldwide accolades.\r\n
      \r\n
      In the U.K., the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band). The week of release, the band performed on Saturday Night Live, The Colbert Report, and the Late Show with David Letterman, and later that year, went on to perform their first Madison Square Garden show.\r\n
      \r\n
      Rolling Stone, which featured the band on their cover around the release, hailed El Camino for bringing "raw, riffed-out power back to pop's lexicon", and called it "the Keys' grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair". The Guardian said, "They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done".\r\n
      \r\n
      El Camino has received double platinum certified sales in the U.S.; platinum in the U.K., Belgium, France, Ireland, and the Netherlands; triple platinum in Australia and New Zealand; quadruple platinum in Canada; and gold in Austria, Denmark, Finland, Italy, Mexico, Norway, Spain, and Switzerland.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9DYPfItb2fk"
    -referenceProduit: "Nonesuch 9140"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Original Album Remastered"
        "ordre" => 1
      ]
      [
        "nom" => "1. Lonely Boy "
        "ordre" => 2
      ]
      [
        "nom" => "2. Dead And Gone "
        "ordre" => 3
      ]
      [
        "nom" => "3. Gold On The Ceiling "
        "ordre" => 4
      ]
      [
        "nom" => "4. Little Black Submarines "
        "ordre" => 5
      ]
      [
        "nom" => "5. Money Maker"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Run Right Back "
        "ordre" => 8
      ]
      [
        "nom" => "2. Sister "
        "ordre" => 9
      ]
      [
        "nom" => "3. Hell Of A Season "
        "ordre" => 10
      ]
      [
        "nom" => "4. Stop Stop "
        "ordre" => 11
      ]
      [
        "nom" => "5. Nova Baby "
        "ordre" => 12
      ]
      [
        "nom" => "6. Mind Eraser"
        "ordre" => 13
      ]
      [
        "nom" => "Side C : "
        "ordre" => 14
      ]
      [
        "nom" => "Live In Portland, ME"
        "ordre" => 15
      ]
      [
        "nom" => "1. Howlin' For You "
        "ordre" => 16
      ]
      [
        "nom" => "2. Next Girl "
        "ordre" => 17
      ]
      [
        "nom" => "3. Run Right Back "
        "ordre" => 18
      ]
      [
        "nom" => "4. Same Old Thing "
        "ordre" => 19
      ]
      [
        "nom" => "5. Dead And Gone "
        "ordre" => 20
      ]
      [
        "nom" => "6. Gold On The Ceiling"
        "ordre" => 21
      ]
      [
        "nom" => "Side D :"
        "ordre" => 22
      ]
      [
        "nom" => "1. Thickfreakness "
        "ordre" => 23
      ]
      [
        "nom" => "2. Girl Is On My Mind "
        "ordre" => 24
      ]
      [
        "nom" => "3. I'll Be Your Man / Your Touch "
        "ordre" => 25
      ]
      [
        "nom" => "4. Little Black Submarines"
        "ordre" => 26
      ]
      [
        "nom" => "Side E : "
        "ordre" => 27
      ]
      [
        "nom" => "1. Money Maker "
        "ordre" => 28
      ]
      [
        "nom" => "2. Strange Times "
        "ordre" => 29
      ]
      [
        "nom" => "3. Chop And Change "
        "ordre" => 30
      ]
      [
        "nom" => "4. Nova Baby "
        "ordre" => 31
      ]
      [
        "nom" => "5. Ten Cent Pistol"
        "ordre" => 32
      ]
      [
        "nom" => "Side F : "
        "ordre" => 33
      ]
      [
        "nom" => "1. Tighten Up "
        "ordre" => 34
      ]
      [
        "nom" => "2. Lonely Boy "
        "ordre" => 35
      ]
      [
        "nom" => "3. Everlasting Light "
        "ordre" => 36
      ]
      [
        "nom" => "4. She's Long Gone "
        "ordre" => 37
      ]
      [
        "nom" => "5. I Got Mine"
        "ordre" => 38
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1636009031 {#1929
      date: 2021-11-04 06:57:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762947431 {#1922
      date: 2025-11-12 11:37:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-el-camino-10th-anniversary-deluxe-edition-nonesuch-9140"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2100
    -id: 1432
    -nom: "Briefcase Full Of Blues"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar), Donald "Duck" Dunn (bass guitar), Lou "Blue Lou" Marini, Tom "Triple Scale" Scott  (tenor & alto saxophone), Alan "Mr. Fabulous" Rubin (trumpet, backing vocals), Tom "Bones" Malone (tenor & baritone saxophones, trombone, trumpet, backing vocals), Steve "Getdwa" Jordan (drums, backing vocals).\r\n
      \r\n
      After their phenomenal success on Saturday Night Live and a number of smash comedy movies already in their resume, John Belushi and Dan Akroyd dove headfirst into their love of soul, blues and r & b and began the Blues Brothers duo, netting them a number one album, top hit singles, a box office smash and acclaimfrom purists and blues lovers from all over with their first LP, Briefcase Full Of Blues.\r\n
      \r\n
      Recorded in 1978 at the Universal Amphitheater in Los Angeles, the late great John Belushi and Dan Akroyd opened a set before comedian and good friend Steve Martin. To the crowd's amazement, the duo blasted them a blistering rock &' blues performance which was captured on tape for their first album Briefcase Full Of Blues. They later appeared on SNL and the rest as they say is history, as this stunt became reality in no time and thus began a short lived but amazing piece of rock and blues history.\r\n
      \r\n
      Released during the holiday season, the album became a number one smash and netted two smash singles with the classic nod to the Stax sound with Sam & Dave's "Soul Man" (FRM-8218) as well as the '50s doo wop classic, "Rubber Biscuit." With a stellar musician lineup of classic R & B and traditional blues purists like Steve Cropper and Duck Dunn from Booker T. & The M.G.'s (FRM-8202), Chess Records sideman to the stars Matt "Guitar " Murphy, saxophone champion Tom Scott and a handful of New York City's finest on the reeds, rounded out with Paul Shafer on keys, The Blues Brothers were a force to reckon with as their albums would go on to sell in the millions making them one of the biggest bands in the late seventies into the eighties. With a stunning set list of righteous blues and soulful interpretations, this masterpiece is filled with non-stop classics like the hard boppin' opener Hey Bartender, blues belters like Junior Wells' "Messin' With The Kid" and Big Joe Turner's "Flip Flop Fly", plus southern rockers like Delbert McClinton's "'B" Movie Box CarBlues". In addition to these legendary performances, this unique concert recording yielded more with powerhouses like the smash I Don't Know, King Floyd's Groove Me, and the blues thriller Shot Gun Blues. Friday Music is no stranger to the blues. Therefore, it is with much honor to announce the first installment in our Blues Brothers 180 Gram Audiophile Vinyl Series with their brilliant masterwork Briefcase Full Of Blues. For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and faithfully from the original 1978 Atlantic Records tapes by their Atlantic Records label alumni Joe Reagoso (John Lee Hooker/ Muddy Waters/Johnny Winter) at Friday Music Studios and Capitol Records in Hollywood, CA. To enhance your Jake and Elwood experience even further, this stunning limited anniversary edition also includes the original album cover art, Miami Mitch Glazer's funny liner notes as well as the 12 brilliant tunes you will truly forever enjoy in the audiophile vinyl domain. Blues Brothers.... Briefcase Full Of Blues...... The Anniversary Edition, A first time Audiophile Vinyl Experience....  Authorized and Live..... Exclusively from your friends at Friday Music....
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5Fzy0Akg5TU"
    -referenceProduit: "Friday Music FRM 211921"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hey Bartender "
        "ordre" => 1
      ]
      [
        "nom" => "2. Messin’ With The Kid "
        "ordre" => 2
      ]
      [
        "nom" => "3. Almost "
        "ordre" => 3
      ]
      [
        "nom" => "4. Rubber Biscuit "
        "ordre" => 4
      ]
      [
        "nom" => "5. Shot Gun Blues "
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Groove Me "
        "ordre" => 7
      ]
      [
        "nom" => "2. I Don’t Know "
        "ordre" => 8
      ]
      [
        "nom" => "3. Soul Man "
        "ordre" => 9
      ]
      [
        "nom" => "4. “B” Movie Box Car Blues "
        "ordre" => 10
      ]
      [
        "nom" => "5. Flip, Flop & Fly"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2102 …}
    -label: Proxies\__CG__\App\Entity\Label {#2105 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2114 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
    -enregistreLe: DateTime @1542613506 {#2096
      date: 2018-11-19 07:45:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762947095 {#2095
      date: 2025-11-12 11:31:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-briefcase-full-of-blues-friday-music-frm-211921"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3273
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2100
    -id: 1432
    -nom: "Briefcase Full Of Blues"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar), Donald "Duck" Dunn (bass guitar), Lou "Blue Lou" Marini, Tom "Triple Scale" Scott  (tenor & alto saxophone), Alan "Mr. Fabulous" Rubin (trumpet, backing vocals), Tom "Bones" Malone (tenor & baritone saxophones, trombone, trumpet, backing vocals), Steve "Getdwa" Jordan (drums, backing vocals).\r\n
      \r\n
      After their phenomenal success on Saturday Night Live and a number of smash comedy movies already in their resume, John Belushi and Dan Akroyd dove headfirst into their love of soul, blues and r & b and began the Blues Brothers duo, netting them a number one album, top hit singles, a box office smash and acclaimfrom purists and blues lovers from all over with their first LP, Briefcase Full Of Blues.\r\n
      \r\n
      Recorded in 1978 at the Universal Amphitheater in Los Angeles, the late great John Belushi and Dan Akroyd opened a set before comedian and good friend Steve Martin. To the crowd's amazement, the duo blasted them a blistering rock &' blues performance which was captured on tape for their first album Briefcase Full Of Blues. They later appeared on SNL and the rest as they say is history, as this stunt became reality in no time and thus began a short lived but amazing piece of rock and blues history.\r\n
      \r\n
      Released during the holiday season, the album became a number one smash and netted two smash singles with the classic nod to the Stax sound with Sam & Dave's "Soul Man" (FRM-8218) as well as the '50s doo wop classic, "Rubber Biscuit." With a stellar musician lineup of classic R & B and traditional blues purists like Steve Cropper and Duck Dunn from Booker T. & The M.G.'s (FRM-8202), Chess Records sideman to the stars Matt "Guitar " Murphy, saxophone champion Tom Scott and a handful of New York City's finest on the reeds, rounded out with Paul Shafer on keys, The Blues Brothers were a force to reckon with as their albums would go on to sell in the millions making them one of the biggest bands in the late seventies into the eighties. With a stunning set list of righteous blues and soulful interpretations, this masterpiece is filled with non-stop classics like the hard boppin' opener Hey Bartender, blues belters like Junior Wells' "Messin' With The Kid" and Big Joe Turner's "Flip Flop Fly", plus southern rockers like Delbert McClinton's "'B" Movie Box CarBlues". In addition to these legendary performances, this unique concert recording yielded more with powerhouses like the smash I Don't Know, King Floyd's Groove Me, and the blues thriller Shot Gun Blues. Friday Music is no stranger to the blues. Therefore, it is with much honor to announce the first installment in our Blues Brothers 180 Gram Audiophile Vinyl Series with their brilliant masterwork Briefcase Full Of Blues. For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and faithfully from the original 1978 Atlantic Records tapes by their Atlantic Records label alumni Joe Reagoso (John Lee Hooker/ Muddy Waters/Johnny Winter) at Friday Music Studios and Capitol Records in Hollywood, CA. To enhance your Jake and Elwood experience even further, this stunning limited anniversary edition also includes the original album cover art, Miami Mitch Glazer's funny liner notes as well as the 12 brilliant tunes you will truly forever enjoy in the audiophile vinyl domain. Blues Brothers.... Briefcase Full Of Blues...... The Anniversary Edition, A first time Audiophile Vinyl Experience....  Authorized and Live..... Exclusively from your friends at Friday Music....
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Jake Blues "Joliet" (lead vocals), Elwood Blues "Dan Aykroyd" (backing & lead vocals, harmonica), Paul "The Shiv" Shaffer (organ Hammond, electric & acoustic piano, backing vocals), Steve "The Colonel" Cropper, Matt "Guitar" Murphy (guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5Fzy0Akg5TU"
    -referenceProduit: "Friday Music FRM 211921"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hey Bartender "
        "ordre" => 1
      ]
      [
        "nom" => "2. Messin’ With The Kid "
        "ordre" => 2
      ]
      [
        "nom" => "3. Almost "
        "ordre" => 3
      ]
      [
        "nom" => "4. Rubber Biscuit "
        "ordre" => 4
      ]
      [
        "nom" => "5. Shot Gun Blues "
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Groove Me "
        "ordre" => 7
      ]
      [
        "nom" => "2. I Don’t Know "
        "ordre" => 8
      ]
      [
        "nom" => "3. Soul Man "
        "ordre" => 9
      ]
      [
        "nom" => "4. “B” Movie Box Car Blues "
        "ordre" => 10
      ]
      [
        "nom" => "5. Flip, Flop & Fly"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2102 …}
    -label: Proxies\__CG__\App\Entity\Label {#2105 …}
    -style: App\Entity\Style {#1505 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2107 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2109 …}
    -enregistreLe: DateTime @1542613506 {#2096
      date: 2018-11-19 07:45:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762947095 {#2095
      date: 2025-11-12 11:31:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2111 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-briefcase-full-of-blues-friday-music-frm-211921"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2119
    -id: 1934
    -nom: "East-West"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - The Butterfield Blues Band Blows Open the Doors of Possibility: Recorded at Chess Studios, East-West Sows the Seeds for Acid-Rock and Features Monster Performances from Mike Bloomfield and More !\r\n
      - Experience the 1966 Effort in Definitive Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM Mono LP Makes the Album Available in Its Original Mono Mix for the First Time in Nearly 60 Years !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Butterfield Blues Band might be most famous for serving as the backing group for Bob Dylan’s famous electrified show at the Newport Folk Festival, but the collective earned a spot in the Rock and Roll Hall of Fame due to East-West. Though it remains a footnote in many historical narratives, the 1966 record changed the shape of popular music, sowed the seeds for acid-rock, and further demonstrated the visionary abilities and virtuosic skills of a sextet that took the blues in novel directions.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP presents East-West in definitive sound and in the original mono mix for the first time in nearly 60 years. East-West was pressed in mono from 1966 to 1968, after which the stereo version (a revised copy of the mono original) became the only option. Featuring quiet surfaces and black backgrounds that expose critical details, dynamics, and tones, this collectible reissue exhibits elevated levels of directness, coherency, and spaciousness. You’ll experience the prized acoustics and dimensions of Chicago’s famous Chess Studios at 2120 S. Michigan Avenue, where the set was recorded. \r\n
      \r\n
      Playing with incredible naturalism, revealing openness, and in-the-room liveliness, Paul Butterfield and Co.’s creations unfurl here with previously unheard definition, richness, and presence. Every aspect of the album benefits from newfound balance, symmetry, and airiness. Butterfield’s strong lead vocals and signature harmonica; Elvin Bishop’s fusion of gospel, R&B, and country threads; Jerome Arnold’s in-the-pocket bass; Billy Davenport’s bossanova-derived drumming; Mark Naftalin’s illuminating piano and organ; and of course, Mike Bloomfield’s zinging electric guitar. All come across with emotion-triggering realism and responsiveness.\r\n
      \r\n
      Carrying over most of the same personnel responsible for its stellar eponymous debut, the Butterfield Blues Band made one key change for East-West by inviting drummer Davenport into the fold. His impact on the group’s approaches proved immense. Showcasing refined, delicate, and articulate techniques, and able to underpin the songs with a jazz-driven sense of movement, Davenport allowed the band to improvise. His rhythmic shading, coloring, and control blew open the doors of possibility that other blues ensembles never knew.  \r\n
      \r\n
      East-West also signifies one other important evolution. Spearheaded by its namesake leader, the group became a more democratic outlet in which every member enjoyed meaningful input. Benefitting from such freedom and trust, the instrumentalists turn in peak performances that display the hallmarks of exceptional interplay, chemistry, and communication. Listen to how they glide, sweep, and sway during a melancholic rendition of the traditional blues “I Got a Mind to Give Up Living” and how they swing, skate, and shake on a greasy interpretation of Muddy Waters’ “Two Trains Running”.\r\n
      \r\n
      Throughout the effort, Bloomfield, Bishop, and friends sock it to ‘em, exploding with energy and raising (and lowering) the temperature at will. The band is equally adept on slow, despondent ballads and husky burners. Pleading and pleading, Bishop takes the vocal lead on “Never Say No”, the closest a song may have ever come to capturing the desperate feeling of a lonely, liquor-soaked 2AM phone call placed to a lover from a bar. On an insistent run through Allen Tousaaint’s “Get Out of My Life, Woman”, the group heads in the opposite direction by pairing soulful, New Oreleans-based proto-funk with street-corner grit and Butterfield’s outstanding singing. \r\n
      \r\n
      And yet the most recognizable signposts of East-West don’t involve any words. Blowing, shuffling, and kicking, the band hints at unexplored landscapes on a sizzling cover of Nat Adderley and Oscar Brown’s “Work Blues”. Its fusion of disciplines and trade-offs between instrumental leads foreshadows experimentation Miles Davis would soon further, while the dialog between Butterfield’s harmonica and Naftalin’s organ makes for spicy conversation. \r\n
      \r\n
      The album-closing title track escalates the expansiveness and excitement to another level still. Based on Indian scales, John Coltrane’s modal pieces, and a four-beat bass pattern owing to Nick Gravenites’ “It’s About Time”, and arranged as a series of sections given over to various modes and moods, the multi-part composition marks arguably the first instance of such blues-rock improvisation on record an extended journey rife with raga droning, deep-end jamming, and off-the-wall cross-talk between Bloomfield and Bishop. Heavy, swirling, and occasionally filtered through distorted lenses, it is where acid-rock begins and the Butterfield Blues Band cemented its status as legends. \r\n
      \r\n
      Many decades later, that east-west journey is still one to be taken again and again.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Jerome Arnold (bass), Elvin Bishop, Mike Bloomfield (guitar, vocals), Mark Naftalin (organ, piano),  Billy Davenport (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dwMqBvBLJio&list=RDdwMqBvBLJio&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-611"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Walkin' Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Get Out Of My Life, Woman"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Got A Mind To Give Up Living"
        "ordre" => 3
      ]
      [
        "nom" => "4. All These Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Work Song"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Mary, Mary"
        "ordre" => 7
      ]
      [
        "nom" => "2. Two Trains Running"
        "ordre" => 8
      ]
      [
        "nom" => "3. Never Say No"
        "ordre" => 9
      ]
      [
        "nom" => "4. East-West"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1602402310 {#2116
      date: 2020-10-11 07:45:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762944757 {#2117
      date: 2025-11-12 10:52:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-east-west-mobile-fidelity-sound-lab-mfsl-1-611"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3324
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2119
    -id: 1934
    -nom: "East-West"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Mobile Fidelity Sound Lab)"
    -description: """
      - The Butterfield Blues Band Blows Open the Doors of Possibility: Recorded at Chess Studios, East-West Sows the Seeds for Acid-Rock and Features Monster Performances from Mike Bloomfield and More !\r\n
      - Experience the 1966 Effort in Definitive Sound : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM Mono LP Makes the Album Available in Its Original Mono Mix for the First Time in Nearly 60 Years !\r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The Butterfield Blues Band might be most famous for serving as the backing group for Bob Dylan’s famous electrified show at the Newport Folk Festival, but the collective earned a spot in the Rock and Roll Hall of Fame due to East-West. Though it remains a footnote in many historical narratives, the 1966 record changed the shape of popular music, sowed the seeds for acid-rock, and further demonstrated the visionary abilities and virtuosic skills of a sextet that took the blues in novel directions.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP presents East-West in definitive sound and in the original mono mix for the first time in nearly 60 years. East-West was pressed in mono from 1966 to 1968, after which the stereo version (a revised copy of the mono original) became the only option. Featuring quiet surfaces and black backgrounds that expose critical details, dynamics, and tones, this collectible reissue exhibits elevated levels of directness, coherency, and spaciousness. You’ll experience the prized acoustics and dimensions of Chicago’s famous Chess Studios at 2120 S. Michigan Avenue, where the set was recorded. \r\n
      \r\n
      Playing with incredible naturalism, revealing openness, and in-the-room liveliness, Paul Butterfield and Co.’s creations unfurl here with previously unheard definition, richness, and presence. Every aspect of the album benefits from newfound balance, symmetry, and airiness. Butterfield’s strong lead vocals and signature harmonica; Elvin Bishop’s fusion of gospel, R&B, and country threads; Jerome Arnold’s in-the-pocket bass; Billy Davenport’s bossanova-derived drumming; Mark Naftalin’s illuminating piano and organ; and of course, Mike Bloomfield’s zinging electric guitar. All come across with emotion-triggering realism and responsiveness.\r\n
      \r\n
      Carrying over most of the same personnel responsible for its stellar eponymous debut, the Butterfield Blues Band made one key change for East-West by inviting drummer Davenport into the fold. His impact on the group’s approaches proved immense. Showcasing refined, delicate, and articulate techniques, and able to underpin the songs with a jazz-driven sense of movement, Davenport allowed the band to improvise. His rhythmic shading, coloring, and control blew open the doors of possibility that other blues ensembles never knew.  \r\n
      \r\n
      East-West also signifies one other important evolution. Spearheaded by its namesake leader, the group became a more democratic outlet in which every member enjoyed meaningful input. Benefitting from such freedom and trust, the instrumentalists turn in peak performances that display the hallmarks of exceptional interplay, chemistry, and communication. Listen to how they glide, sweep, and sway during a melancholic rendition of the traditional blues “I Got a Mind to Give Up Living” and how they swing, skate, and shake on a greasy interpretation of Muddy Waters’ “Two Trains Running”.\r\n
      \r\n
      Throughout the effort, Bloomfield, Bishop, and friends sock it to ‘em, exploding with energy and raising (and lowering) the temperature at will. The band is equally adept on slow, despondent ballads and husky burners. Pleading and pleading, Bishop takes the vocal lead on “Never Say No”, the closest a song may have ever come to capturing the desperate feeling of a lonely, liquor-soaked 2AM phone call placed to a lover from a bar. On an insistent run through Allen Tousaaint’s “Get Out of My Life, Woman”, the group heads in the opposite direction by pairing soulful, New Oreleans-based proto-funk with street-corner grit and Butterfield’s outstanding singing. \r\n
      \r\n
      And yet the most recognizable signposts of East-West don’t involve any words. Blowing, shuffling, and kicking, the band hints at unexplored landscapes on a sizzling cover of Nat Adderley and Oscar Brown’s “Work Blues”. Its fusion of disciplines and trade-offs between instrumental leads foreshadows experimentation Miles Davis would soon further, while the dialog between Butterfield’s harmonica and Naftalin’s organ makes for spicy conversation. \r\n
      \r\n
      The album-closing title track escalates the expansiveness and excitement to another level still. Based on Indian scales, John Coltrane’s modal pieces, and a four-beat bass pattern owing to Nick Gravenites’ “It’s About Time”, and arranged as a series of sections given over to various modes and moods, the multi-part composition marks arguably the first instance of such blues-rock improvisation on record an extended journey rife with raga droning, deep-end jamming, and off-the-wall cross-talk between Bloomfield and Bishop. Heavy, swirling, and occasionally filtered through distorted lenses, it is where acid-rock begins and the Butterfield Blues Band cemented its status as legends. \r\n
      \r\n
      Many decades later, that east-west journey is still one to be taken again and again.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Jerome Arnold (bass), Elvin Bishop, Mike Bloomfield (guitar, vocals), Mark Naftalin (organ, piano),  Billy Davenport (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=dwMqBvBLJio&list=RDdwMqBvBLJio&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-611"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Walkin' Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Get Out Of My Life, Woman"
        "ordre" => 2
      ]
      [
        "nom" => "3. I Got A Mind To Give Up Living"
        "ordre" => 3
      ]
      [
        "nom" => "4. All These Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Work Song"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Mary, Mary"
        "ordre" => 7
      ]
      [
        "nom" => "2. Two Trains Running"
        "ordre" => 8
      ]
      [
        "nom" => "3. Never Say No"
        "ordre" => 9
      ]
      [
        "nom" => "4. East-West"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2121 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1602402310 {#2116
      date: 2020-10-11 07:45:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762944757 {#2117
      date: 2025-11-12 10:52:37.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-east-west-mobile-fidelity-sound-lab-mfsl-1-611"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2138
    -id: 2623
    -nom: "The Resurrection of Pigboy Crabshaw"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Speakers Corner Records)"
    -description: """
      Evil tongues predicted the end of the Paul Butterfield Blues Band when the guitar virtuoso Mike Bloomfield left the group to form Electric Flag. However, the ensemble actually expanded, now including a horn section which added a more jazzy sound, while Chicago blues remained as a basis. Elvin Bishop took on the role of lead guitarist and his nickname was adopted as the name of the album. Butterfield himself played the harmonica and sang, while his band grew together to form one of the most cohesive formations of their time. Butterfield’s best-known song "One More Heartache" opens the album, which in the meantime has undoubtedly become a blues-rock classic with superb harmonica and a catchy beat that is driven onwards by the top-notch horns. "Driftin’ & Driftin’" is a further well-known piece that carries on for over nine minutes; here the brass sob and sigh while Sanborn delivers a brilliant solo performance in the choruses. In addition to cover versions by B. T. Jones "Born Under A Bad Sign", Otis Rush "Double Trouble" and Roosevelt Sykes "Drivin’ Wheel", two compositions by Butterfield are included : "Run Out Of Time" and the somewhat psychedelic "Tollin’ Bells" where Bishop’s guitar and Naftalin’s floating keyboard conjure up a haunting feeling. The stunning pastiche cover, a nod to the flower power era of those times, completes this release, which marks a new phase in the career of the Paul Butterfield Blues Band that would endure for a long time.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1967 by Ray Hagerty\r\n
      Production : John Court
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1855 …}
    -musicienOrchestre: "Paul Butterfield (harmonica, vocals), Elvin Bishop (guitar), Mark Naftalin (keyboards), Bugsy Maugh (bass, vocals), Phil Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KFOLED9VfVQ"
    -referenceProduit: "Speakers Corner Records EKS 74015"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. One More Heartache"
        "ordre" => 1
      ]
      [
        "nom" => "2. Driftin' and Driftin'"
        "ordre" => 2
      ]
      [
        "nom" => "3. Pity the Fool"
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    -id: 2623
    -nom: "The Resurrection of Pigboy Crabshaw"
    -informationComplementaire: "AVAILABILITY : 30/11/2025 (subject Speakers Corner Records)"
    -description: """
      Evil tongues predicted the end of the Paul Butterfield Blues Band when the guitar virtuoso Mike Bloomfield left the group to form Electric Flag. However, the ensemble actually expanded, now including a horn section which added a more jazzy sound, while Chicago blues remained as a basis. Elvin Bishop took on the role of lead guitarist and his nickname was adopted as the name of the album. Butterfield himself played the harmonica and sang, while his band grew together to form one of the most cohesive formations of their time. Butterfield’s best-known song "One More Heartache" opens the album, which in the meantime has undoubtedly become a blues-rock classic with superb harmonica and a catchy beat that is driven onwards by the top-notch horns. "Driftin’ & Driftin’" is a further well-known piece that carries on for over nine minutes; here the brass sob and sigh while Sanborn delivers a brilliant solo performance in the choruses. In addition to cover versions by B. T. Jones "Born Under A Bad Sign", Otis Rush "Double Trouble" and Roosevelt Sykes "Drivin’ Wheel", two compositions by Butterfield are included : "Run Out Of Time" and the somewhat psychedelic "Tollin’ Bells" where Bishop’s guitar and Naftalin’s floating keyboard conjure up a haunting feeling. The stunning pastiche cover, a nod to the flower power era of those times, completes this release, which marks a new phase in the career of the Paul Butterfield Blues Band that would endure for a long time.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : 1967 by Ray Hagerty\r\n
      Production : John Court
      """
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[
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    -id: 754
    -nom: "Waiting For The Sun"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the N° 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier”.\r\n
      \r\n
      Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street”, a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone”, which includes the lovely refrain, “Morning found us calmly unaware / Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows”. More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra “after all, they had an insatiable taste for women and alcohol in common”.\r\n
      \r\n
      Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
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      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1968.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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      [
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    -id: 754
    -nom: "Waiting For The Sun"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 rpm LPs pressed on 180-gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      - Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the N° 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier”.\r\n
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      Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street”, a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone”, which includes the lovely refrain, “Morning found us calmly unaware / Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows”. More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra “after all, they had an insatiable taste for women and alcohol in common”.\r\n
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      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1968.
      """
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[
  "produit" => App\Entity\Produit {#2173
    -id: 604
    -nom: "Beyond The 4 Walls"
    -informationComplementaire: null
    -description: """
      - Beyond The 4 Walls - 45 RPM double LP pressed by Quality Record Pressings !\r\n
      - Renowned Sacred Steel players The Campbell Brothers return to studio recording !\r\n
      - APO Records produces live to 2 track recording at Blue Heaven Studios !\r\n
      - Mastering by Kevin Gray of Cohearent Audio !\r\n
      \r\n
      "The Campbells ... are northerners ... but their sound is rich in southern roots: Modal harmonies; rhythmics that layer, circle and intertwine in patterns that hark back to African ring shouts; full-bodied singing that segues between solo verses and spirit-infused group response .. Whether or not one chooses to believe the literal truth of all the songs' lyrics, the music itself is both healing and sanctifying just as it does in church, it calls the Spirit down upon us and we emerge both cleansed and inspired". - Living Blues magazine\r\n
      \r\n
      Beyond The 4 Walls is the triumphant return of the Campbell Brothers to studio recording. It's been too many years. Since they were first heard outside their church, almost 15 years ago, the Campbell Brothers have been on an incredible and often arduous journey, finding their way, balancing their faith with their desire to take their music to new audiences.\r\n
      \r\n
      The brothers alternatively pluck heartstrings and wail righteously as practitioners of Sacred Steel  African-American gospel music with electric steel guitar and vocals music at the heart of the music tradition of the House of God church. Rochester, New York, is their home, but Sacred Steel has had devotees in Florida, Detroit, Nashville and elsewhere since the 1930s.\r\n
      \r\n
      Within the church the brothers have long been considered masters Chuck on pedal steel, Phil on guitar and Darick on lap steel. To their growing audience, they inspire awe as their songs slowly expand from guitar licks that speak in soft voices, to the likes of a powerful train engine and raucous thunderclaps of notes.\r\n
      \r\n
      National Public Radio wrote of The Campbell Brothers that Sacred Steel is "every bit as earth-shattering as (Robert) Johnson's music was in the '30s. It's a soul-stirring blend of gospel and the power and volume of electric blues and rock, a sound as hot as brimstone that kicks holy butt. It's also shredding perceptions of country's signature instrument and the limitations of church music".\r\n
      \r\n
      APO Records and Quality Record Pressings bring you now this unbridled musical celebration, uplifting souls and inspiring hope among those who arguably need it most those who exist Beyond The 4 Walls. The Campbell Brothers are proud to carry on that legacy with this album as they continue to share their brand of gospel music with the world.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chuck Campbell (pedal steel guitar), Phillip Campbell (electric guitar), Darick Campbell (lap steel guitar), Carlton Campbell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
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    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=K5D4fOzR_VY"
    -referenceProduit: "AAPO Recordd 2025-45"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Hell No! Heaven Yes !"
        "ordre" => 1
      ]
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        "nom" => "2. It's Alright Now"
        "ordre" => 2
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      [
        "nom" => "3. Mama's Gone "
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        "nom" => "Side B : "
        "ordre" => 4
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      [
        "nom" => "1. Believe I'll Run On"
        "ordre" => 5
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      [
        "nom" => "2. Lord, I Just Want To Thank You"
        "ordre" => 6
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      [
        "nom" => "3. Nobody's Fault But Mine"
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        "nom" => "Side C : "
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        "nom" => "1. When All Of God's Children Get Together"
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        "nom" => "2. P.U.S.H. (Pray Until Something Happens)"
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      [
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      [
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      [
        "nom" => "2. I Ain't Going To Cry No More"
        "ordre" => 15
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      [
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        "ordre" => 16
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3474
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  +produit: App\Entity\Produit {#2173
    -id: 604
    -nom: "Beyond The 4 Walls"
    -informationComplementaire: null
    -description: """
      - Beyond The 4 Walls - 45 RPM double LP pressed by Quality Record Pressings !\r\n
      - Renowned Sacred Steel players The Campbell Brothers return to studio recording !\r\n
      - APO Records produces live to 2 track recording at Blue Heaven Studios !\r\n
      - Mastering by Kevin Gray of Cohearent Audio !\r\n
      \r\n
      "The Campbells ... are northerners ... but their sound is rich in southern roots: Modal harmonies; rhythmics that layer, circle and intertwine in patterns that hark back to African ring shouts; full-bodied singing that segues between solo verses and spirit-infused group response .. Whether or not one chooses to believe the literal truth of all the songs' lyrics, the music itself is both healing and sanctifying just as it does in church, it calls the Spirit down upon us and we emerge both cleansed and inspired". - Living Blues magazine\r\n
      \r\n
      Beyond The 4 Walls is the triumphant return of the Campbell Brothers to studio recording. It's been too many years. Since they were first heard outside their church, almost 15 years ago, the Campbell Brothers have been on an incredible and often arduous journey, finding their way, balancing their faith with their desire to take their music to new audiences.\r\n
      \r\n
      The brothers alternatively pluck heartstrings and wail righteously as practitioners of Sacred Steel  African-American gospel music with electric steel guitar and vocals music at the heart of the music tradition of the House of God church. Rochester, New York, is their home, but Sacred Steel has had devotees in Florida, Detroit, Nashville and elsewhere since the 1930s.\r\n
      \r\n
      Within the church the brothers have long been considered masters Chuck on pedal steel, Phil on guitar and Darick on lap steel. To their growing audience, they inspire awe as their songs slowly expand from guitar licks that speak in soft voices, to the likes of a powerful train engine and raucous thunderclaps of notes.\r\n
      \r\n
      National Public Radio wrote of The Campbell Brothers that Sacred Steel is "every bit as earth-shattering as (Robert) Johnson's music was in the '30s. It's a soul-stirring blend of gospel and the power and volume of electric blues and rock, a sound as hot as brimstone that kicks holy butt. It's also shredding perceptions of country's signature instrument and the limitations of church music".\r\n
      \r\n
      APO Records and Quality Record Pressings bring you now this unbridled musical celebration, uplifting souls and inspiring hope among those who arguably need it most those who exist Beyond The 4 Walls. The Campbell Brothers are proud to carry on that legacy with this album as they continue to share their brand of gospel music with the world.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Chuck Campbell (pedal steel guitar), Phillip Campbell (electric guitar), Darick Campbell (lap steel guitar), Carlton Campbell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
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    -lpsMusic: 2
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=K5D4fOzR_VY"
    -referenceProduit: "AAPO Recordd 2025-45"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Hell No! Heaven Yes !"
        "ordre" => 1
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        "ordre" => 14
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      [
        "nom" => "2. I Ain't Going To Cry No More"
        "ordre" => 15
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      [
        "nom" => "3. God, Can We Talk For A Minute ?"
        "ordre" => 16
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    ]
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[
  "produit" => App\Entity\Produit {#2192
    -id: 1440
    -nom: "The Cars"
    -informationComplementaire: "Réédition"
    -description: """
      - Let the Good Times Roll : Mastered from the Original Master Tapes, Vinyl LP Sounds Amazing !\r\n
      - The Cars' Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple !\r\n
      - "My Best Friend's Girl, ,"Just What I Needed", "You're All I've Got Tonight" Among the Tunes on the Hit Parade !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      One of the most successful and enjoyable debuts in history, The Cars' self-titled album doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: "You're All I've Got Tonight". "Good Times Roll", "Just What I Needed", "Moving in Stereo", "My Best Friend's Girl", "Don't Cha Stop", If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\r\n
      \r\n
      Led by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles : bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\r\n
      \r\n
      The results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\r\n
      \r\n
      And now, The Cars sounds better than it has in any previous incarnation. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition LP allows the music's oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners' senses and hold them at bay. Mobile Fidelity's pressing epitomizes the sensation of "moving in stereo !".\r\n
      \r\n
      "The MoFi disc is much better than the original in every way. It's more dynamic, much more natural on top, and all three dimensions have a lot bigger space. This disc is great from start to finish, but "Moving in Stereo" will blow you away on a great system in a big room".  - Jeff Dorgay, TONE Audio, Issue 23
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Benjamin Orr (bass, vocals), Ric Ocasek (guitar, vocals), Elliot Easton (lead guitar, backing vocals), Greg Hawkes (keyboards, saxophone, percussion, backing vocals), David Robinson (percussion, drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZTkH1kP_kx4"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-274"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "1. Good Times Roll "
        "ordre" => 1
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      [
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        "ordre" => 8
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        "nom" => "3. Moving in Stereo "
        "ordre" => 9
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      [
        "nom" => "4. All Mixed Up"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
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      date: 2025-11-10 22:32:59.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3525
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
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  +produit: App\Entity\Produit {#2192
    -id: 1440
    -nom: "The Cars"
    -informationComplementaire: "Réédition"
    -description: """
      - Let the Good Times Roll : Mastered from the Original Master Tapes, Vinyl LP Sounds Amazing !\r\n
      - The Cars' Classic 1978 Debut a Veritable Greatest Hits Album: Nearly Every Song a Radio Staple !\r\n
      - "My Best Friend's Girl, ,"Just What I Needed", "You're All I've Got Tonight" Among the Tunes on the Hit Parade !\r\n
      - 1/4" / 15 IPS analog master to analog console to lathe !\r\n
      \r\n
      One of the most successful and enjoyable debuts in history, The Cars' self-titled album doubles as a greatest-hits collection. That's because not one song here is unrecognized or unknown. A huge reason why the Boston quintet became America's most popular new-wave band, The Cars launched eight tracks still regularly heard on radio stations everywhere. Consider the hit list: "You're All I've Got Tonight". "Good Times Roll", "Just What I Needed", "Moving in Stereo", "My Best Friend's Girl", "Don't Cha Stop", If you're a fan of pop music, this album is mandatory. Just call it the best new-wave rock album ever made.\r\n
      \r\n
      Led by Ric Ocasek and Benjamin Orr, the Cars managed to unite then-disparate styles : bubblegum pop melodies, angular art rock, progressive arrangements, and terse minimalism. Orr's low, understated singing and Ocasek's cool, detached vocals lend shades of doubt and double meaning to the lyrics, which are further counterbalanced by orchestral keyboard flourishes and electronic beats. The brilliant arrangements also benefit from a laidback cool and understated irony that remain uncommon in the over-the-top world of mainstream music. Obsessed with incorporating the latest technologies and sounds into its palette, the band spiced its tunes with delightfully quirky accents country-tinged guitar fills, echoing Syndrums, reggae splashes, hard-rock tones, robotic pulses.\r\n
      \r\n
      The results are the sounds of a creative landmark. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming and singing along to every song, an appeal that comes courtesy of Roy Thomas Baker's stellar production. The legendary producer, best known for his work with Queen, ensured that the record seamlessly packed a smooth midrange, spacious imaging, and call-and-answer choruses in one tight package. Baker's trademark touches with harmony vocals abound.\r\n
      \r\n
      And now, The Cars sounds better than it has in any previous incarnation. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition LP allows the music's oscillating rhythms, futuristic keyboard passages, panned stereo images, and rippling textures to be experienced like never before. The songs take on a surreal quality, the Cars manipulating the vibrant music at will to mesmerize the listeners' senses and hold them at bay. Mobile Fidelity's pressing epitomizes the sensation of "moving in stereo !".\r\n
      \r\n
      "The MoFi disc is much better than the original in every way. It's more dynamic, much more natural on top, and all three dimensions have a lot bigger space. This disc is great from start to finish, but "Moving in Stereo" will blow you away on a great system in a big room".  - Jeff Dorgay, TONE Audio, Issue 23
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Benjamin Orr (bass, vocals), Ric Ocasek (guitar, vocals), Elliot Easton (lead guitar, backing vocals), Greg Hawkes (keyboards, saxophone, percussion, backing vocals), David Robinson (percussion, drums, backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZTkH1kP_kx4"
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    -titreMorceau: [
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        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
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    -modifierLe: DateTime @1762813979 {#2190
      date: 2025-11-10 22:32:59.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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[
  "produit" => App\Entity\Produit {#2208
    -id: 957
    -nom: "Heartbeat City"
    -informationComplementaire: null
    -description: """
      Loaded With Recognizable Hits : "Drive", "You Might Think", "Magic", "Hello Again", and "Why Can't I Have You" All Top 40 Singles !\r\n
      \r\n
      1984 will always be remembered for the debut of the Macintosh computer, the Summer Olympics in Los Angeles, and the ascent of MTV as the most powerful cultural medium of the era. The year is also recognized for the Cars' savvy contributions not only to the burgeoning music-video channel but to pop itself. Released in April, the four-times platinum Heartbeat City ultimately spawned five Top 40 singles four of them landing in the Top 20, two in the Top 10 and serve as the final memorable record from the Boston group, which disbanded in 1987.\r\n
      \r\n
      Signifying the first time the set has been available on vinyl in nearly three decades, this reissue opens up the soundstages, decongests the low frequencies, and shines a spotlight on Mutt Lange's pinpoint balances and glossy hooks. Indeed, the now-household-name producer would make a lasting mark with Heartbeat City, whose radio-friendly sound, multi-layered textures, and smooth, suave, synth-heavy pulses set a precedent for the period's hit-making pop.\r\n
      \r\n
      Overflowing with a surfeit of finger-snapping beats, electro-pop effects, streamlined guitar notes, and bright melodies, Heartbeat City trades in efficiency, catchiness, and to-the-point craftiness. Unlike most mid-80s records, the electronic effects and sleek tonalities aren't dated due to both the focused production and irresistible songwriting. Leader Ric Ocasek penned all ten tunes, and while a mind-boggling five charted in the Top 40, what makes Heartbeat City such a staple is the fact that it's easy to imagine every song on it crashing the Billboard Hot 100. Call it the new-wave version of Thriller.\r\n
      \r\n
      Indeed, the record's track list automatically triggers a mental jukebox. The spare simplicity and hopefulness of "Magic". The simultaneously sad longing and soothing somberness of the Benjamin Orr-sung "Drive". The shimmer and shuffling riff of "You Might Think". The ping-pong bounce and futuristic paranoia of "Hello Again". The atmospheric, arty title track. Heartbeat City is a veritable lesson in pop tunesmithship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Elliot Easton (lead guitar, backing vocals), Benjamin Orr (bass, lead vocals), Ric Ocasek (guitar, synthesizer, lead vocals), Greg Hawkes (keyboards, backing vocals), David Robinson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKIJVKzgoSc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-442"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hello Again"
        "ordre" => 1
      ]
      [
        "nom" => "2. Looking for Love"
        "ordre" => 2
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      [
        "nom" => "3. Magic"
        "ordre" => 3
      ]
      [
        "nom" => "4. Drive"
        "ordre" => 4
      ]
      [
        "nom" => "5. Stranger Eyes"
        "ordre" => 5
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      [
        "nom" => "Side B :"
        "ordre" => 6
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      [
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        "ordre" => 7
      ]
      [
        "nom" => "2. It’s Not the Night"
        "ordre" => 8
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      [
        "nom" => "3. Why Can’t I Have You"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Refuse"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heartbeat City"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3578
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2208
    -id: 957
    -nom: "Heartbeat City"
    -informationComplementaire: null
    -description: """
      Loaded With Recognizable Hits : "Drive", "You Might Think", "Magic", "Hello Again", and "Why Can't I Have You" All Top 40 Singles !\r\n
      \r\n
      1984 will always be remembered for the debut of the Macintosh computer, the Summer Olympics in Los Angeles, and the ascent of MTV as the most powerful cultural medium of the era. The year is also recognized for the Cars' savvy contributions not only to the burgeoning music-video channel but to pop itself. Released in April, the four-times platinum Heartbeat City ultimately spawned five Top 40 singles four of them landing in the Top 20, two in the Top 10 and serve as the final memorable record from the Boston group, which disbanded in 1987.\r\n
      \r\n
      Signifying the first time the set has been available on vinyl in nearly three decades, this reissue opens up the soundstages, decongests the low frequencies, and shines a spotlight on Mutt Lange's pinpoint balances and glossy hooks. Indeed, the now-household-name producer would make a lasting mark with Heartbeat City, whose radio-friendly sound, multi-layered textures, and smooth, suave, synth-heavy pulses set a precedent for the period's hit-making pop.\r\n
      \r\n
      Overflowing with a surfeit of finger-snapping beats, electro-pop effects, streamlined guitar notes, and bright melodies, Heartbeat City trades in efficiency, catchiness, and to-the-point craftiness. Unlike most mid-80s records, the electronic effects and sleek tonalities aren't dated due to both the focused production and irresistible songwriting. Leader Ric Ocasek penned all ten tunes, and while a mind-boggling five charted in the Top 40, what makes Heartbeat City such a staple is the fact that it's easy to imagine every song on it crashing the Billboard Hot 100. Call it the new-wave version of Thriller.\r\n
      \r\n
      Indeed, the record's track list automatically triggers a mental jukebox. The spare simplicity and hopefulness of "Magic". The simultaneously sad longing and soothing somberness of the Benjamin Orr-sung "Drive". The shimmer and shuffling riff of "You Might Think". The ping-pong bounce and futuristic paranoia of "Hello Again". The atmospheric, arty title track. Heartbeat City is a veritable lesson in pop tunesmithship.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Elliot Easton (lead guitar, backing vocals), Benjamin Orr (bass, lead vocals), Ric Ocasek (guitar, synthesizer, lead vocals), Greg Hawkes (keyboards, backing vocals), David Robinson (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gKIJVKzgoSc"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-442"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Hello Again"
        "ordre" => 1
      ]
      [
        "nom" => "2. Looking for Love"
        "ordre" => 2
      ]
      [
        "nom" => "3. Magic"
        "ordre" => 3
      ]
      [
        "nom" => "4. Drive"
        "ordre" => 4
      ]
      [
        "nom" => "5. Stranger Eyes"
        "ordre" => 5
      ]
      [
        "nom" => "Side B :"
        "ordre" => 6
      ]
      [
        "nom" => "1. You Might Think"
        "ordre" => 7
      ]
      [
        "nom" => "2. It’s Not the Night"
        "ordre" => 8
      ]
      [
        "nom" => "3. Why Can’t I Have You"
        "ordre" => 9
      ]
      [
        "nom" => "4. I Refuse"
        "ordre" => 10
      ]
      [
        "nom" => "5. Heartbeat City"
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: Proxies\__CG__\App\Entity\Label {#2124 …}
    -style: App\Entity\Style {#1505 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2211 …}
    -enregistreLe: DateTime @1467403572 {#2205
      date: 2016-07-01 20:06:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813664 {#2206
      date: 2025-11-10 22:27:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-heartbeat-city-mobile-fidelity-sound-lab-mfsl-1-442"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 2810
    -nom: "Memories Of Duke"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Unlike many musicians who became stars in the Duke Ellington orchestra, Clark Terry became an even more commanding presence in the jazz world following his near-decade with the Duke. His Ellington memories are notable for a quintet that features Jos Pass's eloquent guitar in place of a second horn, and a program including as many uncommon tune choices as familiar warhorses. Among the highlights are "Echoes of Harlem", with Terry growling in the manner of the trumpeter first featured on the piece, Cootie Williams; "Sophisticated Lady", which receives an unlikely Latin-hustle setting; and "Everything But You", with Terry alternating between trumpet and flugelhorn in a patented conversation with himself.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Clark Terry (trompette, flugelhorn), Jack Wilson (piano), Joe Pass (guitar), Ray Brown (bass), Frank Severino (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wUgJpCYirbs&list=PLdz_kjHdXHbGEsI6nkKRlcAl280JnIRfd"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 195"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Passion Flower"
        "ordre" => 1
      ]
      [
        "nom" => "2. Happy Go Lucky Local"
        "ordre" => 2
      ]
      [
        "nom" => "3. Echoes Of Harlem"
        "ordre" => 3
      ]
      [
        "nom" => "4. Sophisticated Lady"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. Things Ain't What They USed To Be"
        "ordre" => 6
      ]
      [
        "nom" => "2. I Let A Song Go Out Of My Heart"
        "ordre" => 7
      ]
      [
        "nom" => "3. Cotton Tail"
        "ordre" => 8
      ]
      [
        "nom" => "4. Everything But You"
        "ordre" => 9
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      [
        "nom" => "5. Come Sunday"
        "ordre" => 10
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        "nom" => ""
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      [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1756815803 {#2218
      date: 2025-09-02 12:23:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813432 {#2219
      date: 2025-11-10 22:23:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-memories-of-duke-analogue-productions-pablo-aapj-195"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3624
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2221
    -id: 2810
    -nom: "Memories Of Duke"
    -informationComplementaire: null
    -description: """
      - 180 gram vinyl !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on jacket !\r\n
      \r\n
      Unlike many musicians who became stars in the Duke Ellington orchestra, Clark Terry became an even more commanding presence in the jazz world following his near-decade with the Duke. His Ellington memories are notable for a quintet that features Jos Pass's eloquent guitar in place of a second horn, and a program including as many uncommon tune choices as familiar warhorses. Among the highlights are "Echoes of Harlem", with Terry growling in the manner of the trumpeter first featured on the piece, Cootie Williams; "Sophisticated Lady", which receives an unlikely Latin-hustle setting; and "Everything But You", with Terry alternating between trumpet and flugelhorn in a patented conversation with himself.\r\n
      \r\n
      Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape, and pressed at Quality Record Pressings for optimal sound quality, this Analogue Productions 180 gram reissue is an exceptional audiophile disc. Housed in a gatefold Stoughton Printing tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Clark Terry (trompette, flugelhorn), Jack Wilson (piano), Joe Pass (guitar), Ray Brown (bass), Frank Severino (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wUgJpCYirbs&list=PLdz_kjHdXHbGEsI6nkKRlcAl280JnIRfd"
    -referenceProduit: "Analogue Productions (Pablo) AAPJ 195"
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      [
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        "ordre" => 6
      ]
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        "nom" => "2. I Let A Song Go Out Of My Heart"
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      [
        "nom" => "4. Everything But You"
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      [
        "nom" => "5. Come Sunday"
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      [
        "nom" => ""
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      [
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      [
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      [
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      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1756815803 {#2218
      date: 2025-09-02 12:23:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813432 {#2219
      date: 2025-11-10 22:23:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-memories-of-duke-analogue-productions-pablo-aapj-195"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2240
    -id: 1348
    -nom: "Morrison Hotel"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded”.\r\n
      \r\n
      In short, the harsh brilliance of “Roadhouse Blues” was its angry hard rock manner, brought to fore in brooding fashion with a chillingly true Morrison lyric: "I woke up this morning and I got myself a beer / The future's uncertain and the end is always near".\r\n
      \r\n
      Making it one of The Doors’ best-ever tracks, “Roadhouse Blues” was joined as praise-worthy in Rolling Stones’ review by the buoyant catchiness of another Morrison Hotel single, “Land Ho”. “A chanty that sets you rocking and swaying on first listen and never fails to bring a smile every time it's repeated”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1970
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (piano, organ), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yV9DJwJKWMw&list=OLAK5uy_nO8nW23t64lmVU3tsx2mhBAGpCC1-03HE&index=1"
    -referenceProduit: "Analogue Productions AAPP 5007-45"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Roadhouse Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Waiting for the Sun"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Make Me Real"
        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
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        "nom" => "1. Peace Frog"
        "ordre" => 5
      ]
      [
        "nom" => "2. Blue Sunday"
        "ordre" => 6
      ]
      [
        "nom" => "3. Ship of Fools"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
      [
        "nom" => "1. Land Ho !"
        "ordre" => 9
      ]
      [
        "nom" => "2. The Spy"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Queen of the Highway"
        "ordre" => 12
      ]
      [
        "nom" => "2. Indian Summer"
        "ordre" => 13
      ]
      [
        "nom" => "3. Maggie M'Gill"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2248 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2241 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2243 …}
    -enregistreLe: DateTime @1538460402 {#2237
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    }
    -modifierLe: DateTime @1762813190 {#2238
      date: 2025-11-10 22:19:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2245 …}
    -disponible: null
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    -slug: "vinyles-morrison-hotel-analogue-productions-aapp-5007-45"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3677
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2240
    -id: 1348
    -nom: "Morrison Hotel"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      Rolling Stone proclaimed that Morrison Hotel opens “with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded”.\r\n
      \r\n
      In short, the harsh brilliance of “Roadhouse Blues” was its angry hard rock manner, brought to fore in brooding fashion with a chillingly true Morrison lyric: "I woke up this morning and I got myself a beer / The future's uncertain and the end is always near".\r\n
      \r\n
      Making it one of The Doors’ best-ever tracks, “Roadhouse Blues” was joined as praise-worthy in Rolling Stones’ review by the buoyant catchiness of another Morrison Hotel single, “Land Ho”. “A chanty that sets you rocking and swaying on first listen and never fails to bring a smile every time it's repeated”.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six titles are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1970
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (piano, organ), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yV9DJwJKWMw&list=OLAK5uy_nO8nW23t64lmVU3tsx2mhBAGpCC1-03HE&index=1"
    -referenceProduit: "Analogue Productions AAPP 5007-45"
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        "ordre" => 3
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      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Peace Frog"
        "ordre" => 5
      ]
      [
        "nom" => "2. Blue Sunday"
        "ordre" => 6
      ]
      [
        "nom" => "3. Ship of Fools"
        "ordre" => 7
      ]
      [
        "nom" => "Side C :"
        "ordre" => 8
      ]
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        "nom" => "1. Land Ho !"
        "ordre" => 9
      ]
      [
        "nom" => "2. The Spy"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Queen of the Highway"
        "ordre" => 12
      ]
      [
        "nom" => "2. Indian Summer"
        "ordre" => 13
      ]
      [
        "nom" => "3. Maggie M'Gill"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2248 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2241 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2243 …}
    -enregistreLe: DateTime @1538460402 {#2237
      date: 2018-10-02 06:06:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762813190 {#2238
      date: 2025-11-10 22:19:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2245 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-morrison-hotel-analogue-productions-aapp-5007-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2253
    -id: 1076
    -nom: "The Soft Parade"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.\r\n
      \r\n
      Described as among the cleanest, most solid and, above all, most recognizable sounds in rock, the distinctive Doors’ sound was no doubt due to the Morrison power, but the other Doors were equally responsible. Ray Manzarek brought virtuosic keyboard tapestries, Krieger gritty, expressive fretwork, and Densmore dynamically rich percussion grooves. \r\n
      \r\n
      Half of the songs on Soft Parade, The Doors’ fourth LP, were written by Morrison and the other half by guitarist Krieger. “Touch Me” became one of The Doors’ most popular singles. Released as a single in December 1968, the song reached No. 3 on the Billboard Hot 100 and N° 1 in the Cashbox Top 100 in early 1969. It was the band’s third American N° 1 single.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1969
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YWPhmduSDQ&list=RD4YWPhmduSDQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP5005-45"
    -titreMorceau: [
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        "nom" => "1. Tell All The People"
        "ordre" => 0
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        "nom" => "2. Touch Me"
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        "nom" => "4. Do It"
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        "nom" => "5. Easy Ride"
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        "nom" => "6. Wild Child"
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        "nom" => "7. Runnin' Blue"
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      [
        "nom" => "8. Wishful Sinful"
        "ordre" => 7
      ]
      [
        "nom" => "9. The Soft Parade"
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      [
        "nom" => ""
        "ordre" => 9
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      [
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      [
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1479753600 {#2250
      date: 2016-11-21 18:40:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762763211 {#2251
      date: 2025-11-10 08:26:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soft-parade-analogue-productions-aapp5005-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3725
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2253
    -id: 1076
    -nom: "The Soft Parade"
    -informationComplementaire: null
    -description: """
      - Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer / engineer !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings !\r\n
      \r\n
      About Soft Parade, Rolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.\r\n
      \r\n
      Described as among the cleanest, most solid and, above all, most recognizable sounds in rock, the distinctive Doors’ sound was no doubt due to the Morrison power, but the other Doors were equally responsible. Ray Manzarek brought virtuosic keyboard tapestries, Krieger gritty, expressive fretwork, and Densmore dynamically rich percussion grooves. \r\n
      \r\n
      Half of the songs on Soft Parade, The Doors’ fourth LP, were written by Morrison and the other half by guitarist Krieger. “Touch Me” became one of The Doors’ most popular singles. Released as a single in December 1968, the song reached No. 3 on the Billboard Hot 100 and N° 1 in the Cashbox Top 100 in early 1969. It was the band’s third American N° 1 single.\r\n
      \r\n
      Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman are featured on 180 gram vinyl, pressed at 45 RPM. All six are also available on Multichannel SACD ! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.\r\n
      \r\n
      This is no time to wallow in the mire. The Doors are on Analogue Productions !\r\n
      \r\n
      Originally released in 1969
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4YWPhmduSDQ&list=RD4YWPhmduSDQ&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP5005-45"
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        "nom" => "7. Runnin' Blue"
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      ]
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        "nom" => "8. Wishful Sinful"
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      [
        "nom" => "9. The Soft Parade"
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      ]
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        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
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      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2156 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …}
    -enregistreLe: DateTime @1479753600 {#2250
      date: 2016-11-21 18:40:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762763211 {#2251
      date: 2025-11-10 08:26:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-soft-parade-analogue-productions-aapp5005-45"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

[
  "produit" => App\Entity\Produit {#2266
    -id: 1064
    -nom: "The Chirping Crickets  (Mono Version)"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Rolling Stone's 500 Greatest Albums of All time - N° 420 / 500 !\r\n
      - Country, rockabillly and R&B fused into epochal rock 'n' roll !\r\n
      - Remastered by Kevin Gray at Coherent Audio !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      One of rock's greatest albums, this is the debut album by the Crickets and the only one featuring Buddy Holly released during his lifetime. The Chirping Crickets contains the group's number one single "That'll Be the Day" and its Top Ten hit "Oh, Boy !". Other Crickets classics include "Not Fade Away", "Maybe Baby", and "I'm Looking for Someone to Love".\r\n
      \r\n
      These are among the best rock 'n' roll songs of the 1950s or ever, making this one of the most significant album debuts in rock 'n' roll history - "ranking with Elvis Presley and Meet the Beatles", writes AllMusic.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Keving Gray at Cohearent Audio. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on jacket to round out the package.\r\n
      \r\n
      Born Charles Hardin Holley on September 7, 1936, in Lubbock, Texas, Holly was nicknamed "Buddy" by his mother. She felt that his given name was too big for her little boy. "Holly", the altered form of his last name, would later result from a misspelling in his first recording contract. Holly learned to play piano and fiddle at an early age, while his older brothers taught him the basics of guitar.\r\n
      \r\n
      In early 1956, Holly and his band began recording demos and singles in Nashville under the name Buddy Holly and the Three Tunes, but the group's lineup was later revised and dubbed The Crickets. Holly wrote and recorded his breakthrough hit, "That'll Be the Day", with The Crickets in 1957. The song's title and refrain are a reference to a line uttered by John Wayne in the 1956 film "The Searchers". Between August 1957 and August 1958, Holly and the Crickets charted seven different Top 40 singles.\r\n
      \r\n
      Composer and singer John Fogerty, of Creedence Clearwater Revival fame, inducted Buddy Holly into the Rock And Roll Hall of Fame at the 1986 Hall of Fame induction ceremony. What Buddy Holly meant to him, Fogerty said, was destiny calling. Fogerty, 12, bought "That'll Be The Day" and soon began dreaming of forming his own combo, like the group of musicians - The Crickets - he saw on the album cover. And in Liverpool, England, "the same thing was going on with four other guys. They named their group The Beatles, because Buddy Holly's group was called The Crickets.\r\n
      \r\n
      "We are, each of us, made up of the people we love and the people we admire", Fogerty, said. "We take those reflections, and hopefully, grow".\r\n
      \r\n
      Holly's talented life was cut short in a plane crash on Feb. 3, 1959, that also claimed the lives of Ritchie Valens and J.P. "The Big Bopper" Richardson. This album is a tribute to what was, and what might have been a lengthy pioneering musical career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Buddy Holly (acoustic & lead guitar, vocals), Niki Sullivan (rhythm guitar, backing vocals), Joe B. Mauldin (contrabass),Jerry Allison (drums, percussion, backing vocals), Larry Welborn (contrabass), The Picks, Ramona and Gary Tollett (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5gzmWqAauSI&list=PLL-NbN8uTOigd2fEuBmSgoOm2xV5wVQZr"
    -referenceProduit: "Analogue Productions AAPP 0109"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Oh, Boy!"
        "ordre" => 1
      ]
      [
        "nom" => "2. Not Fade Away"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Maybe Baby"
        "ordre" => 4
      ]
      [
        "nom" => "5. It's Too Late"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me How"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. That'll Be the Day"
        "ordre" => 8
      ]
      [
        "nom" => "2. I'm Looking For Someone To Love"
        "ordre" => 9
      ]
      [
        "nom" => "3. An Empty Cup (And A Broken Date)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Send Me Some Lovin'"
        "ordre" => 11
      ]
      [
        "nom" => "5. Last Night"
        "ordre" => 12
      ]
      [
        "nom" => "6. Rock Me My Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2268 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2277 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2270 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2272 …}
    -enregistreLe: DateTime @1477552160 {#2263
      date: 2016-10-27 07:09:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762762509 {#2264
      date: 2025-11-10 08:15:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2274 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-chirping-crickets-mono-version-analogue-productions-aapp-0109"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3771
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2701 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2266
    -id: 1064
    -nom: "The Chirping Crickets  (Mono Version)"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      - Rolling Stone's 500 Greatest Albums of All time - N° 420 / 500 !\r\n
      - Country, rockabillly and R&B fused into epochal rock 'n' roll !\r\n
      - Remastered by Kevin Gray at Coherent Audio !\r\n
      - Plating and 180 gram vinyl pressing by Quality Record Pressings !\r\n
      - Old-style tip-on gatefold jacket from Stoughton Printing !\r\n
      \r\n
      One of rock's greatest albums, this is the debut album by the Crickets and the only one featuring Buddy Holly released during his lifetime. The Chirping Crickets contains the group's number one single "That'll Be the Day" and its Top Ten hit "Oh, Boy !". Other Crickets classics include "Not Fade Away", "Maybe Baby", and "I'm Looking for Someone to Love".\r\n
      \r\n
      These are among the best rock 'n' roll songs of the 1950s or ever, making this one of the most significant album debuts in rock 'n' roll history - "ranking with Elvis Presley and Meet the Beatles", writes AllMusic.\r\n
      \r\n
      What has Analogue Productions done to kick this classic album up a notch? For starters, our version features stellar remastering by Keving Gray at Cohearent Audio. Followed by state-of-the-art plating and pressing on 200 gram heavyweight vinyl at Quality Record Pressings, maker of the world's finest-sounding LPs. Stoughton Printing provides a sturdy old-style tip-on jacket to round out the package.\r\n
      \r\n
      Born Charles Hardin Holley on September 7, 1936, in Lubbock, Texas, Holly was nicknamed "Buddy" by his mother. She felt that his given name was too big for her little boy. "Holly", the altered form of his last name, would later result from a misspelling in his first recording contract. Holly learned to play piano and fiddle at an early age, while his older brothers taught him the basics of guitar.\r\n
      \r\n
      In early 1956, Holly and his band began recording demos and singles in Nashville under the name Buddy Holly and the Three Tunes, but the group's lineup was later revised and dubbed The Crickets. Holly wrote and recorded his breakthrough hit, "That'll Be the Day", with The Crickets in 1957. The song's title and refrain are a reference to a line uttered by John Wayne in the 1956 film "The Searchers". Between August 1957 and August 1958, Holly and the Crickets charted seven different Top 40 singles.\r\n
      \r\n
      Composer and singer John Fogerty, of Creedence Clearwater Revival fame, inducted Buddy Holly into the Rock And Roll Hall of Fame at the 1986 Hall of Fame induction ceremony. What Buddy Holly meant to him, Fogerty said, was destiny calling. Fogerty, 12, bought "That'll Be The Day" and soon began dreaming of forming his own combo, like the group of musicians - The Crickets - he saw on the album cover. And in Liverpool, England, "the same thing was going on with four other guys. They named their group The Beatles, because Buddy Holly's group was called The Crickets.\r\n
      \r\n
      "We are, each of us, made up of the people we love and the people we admire", Fogerty, said. "We take those reflections, and hopefully, grow".\r\n
      \r\n
      Holly's talented life was cut short in a plane crash on Feb. 3, 1959, that also claimed the lives of Ritchie Valens and J.P. "The Big Bopper" Richardson. This album is a tribute to what was, and what might have been a lengthy pioneering musical career.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1910 …}
    -musicienOrchestre: "Buddy Holly (acoustic & lead guitar, vocals), Niki Sullivan (rhythm guitar, backing vocals), Joe B. Mauldin (contrabass),Jerry Allison (drums, percussion, backing vocals), Larry Welborn (contrabass), The Picks, Ramona and Gary Tollett (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1166 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5gzmWqAauSI&list=PLL-NbN8uTOigd2fEuBmSgoOm2xV5wVQZr"
    -referenceProduit: "Analogue Productions AAPP 0109"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Oh, Boy!"
        "ordre" => 1
      ]
      [
        "nom" => "2. Not Fade Away"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. Maybe Baby"
        "ordre" => 4
      ]
      [
        "nom" => "5. It's Too Late"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me How"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. That'll Be the Day"
        "ordre" => 8
      ]
      [
        "nom" => "2. I'm Looking For Someone To Love"
        "ordre" => 9
      ]
      [
        "nom" => "3. An Empty Cup (And A Broken Date)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Send Me Some Lovin'"
        "ordre" => 11
      ]
      [
        "nom" => "5. Last Night"
        "ordre" => 12
      ]
      [
        "nom" => "6. Rock Me My Baby"
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2268 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1506 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2277 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2270 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2272 …}
    -enregistreLe: DateTime @1477552160 {#2263
      date: 2016-10-27 07:09:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762762509 {#2264
      date: 2025-11-10 08:15:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2274 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-chirping-crickets-mono-version-analogue-productions-aapp-0109"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3972
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2469 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3973 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4021 …}
  +isValidated: false
  +validatedFields: []
}