Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2467
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2544
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2547 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
  -formView: Symfony\Component\Form\FormView {#2583 …}
  -form: Symfony\Component\Form\Form {#2733 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1851
    -id: 1941
    -nom: "Rumours"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock. If you don't want to pre-order the product you can ask to receive a back in stock notification email."
    -description: """
      - Cut by Kevin Gray and Steve Hoffman from the Original Analog Master Tapes ! \r\n
      - This Incredible Album From the '70s is Now Available on Two 180 Gram 45 RPM LPs & Pressed at Pallas !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 26 / 500 ! \r\n
      \r\n
      Nineteen times platinum in the U.S. alone, Rumours is one of the best-selling albums of all time. This Diamond Award winning, Grammy "Album Of The Year" masterpiece includes the hits "Dreams", "Go Your Own Way" and "You Make Loving Fun". All original artwork and packaging. This record was exceptionally recorded to begin with, and now with a remastering job from the original analog masters by the team of Kevin Gray and Steve Hoffman at AcousTech Mastering look out !!! This becomes one hot reissue !\r\n
      \r\n
      This audiophile deluxe version is pressed on two 180 gram LPs cut at 45 RPM (pressed at Pallas). It is packaged in a paper-wrapped Stoughton gatefold jacket with two-panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1920 …}
    -musicienOrchestre: "Stevie Nicks (vocals), John McVie (bass), Christine McVie (keyboards, synthesizer, vocals), Lindsey Buckingham (guitar, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DubafeFeJ7Y"
    -referenceProduit: "Reprise Records 517787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Second Hand News"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Never Going Back Again"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Don't Stop"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Your Own Way"
      ]
      [
        "ordre" => 7
        "nom" => "3. Songbird"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. The Chain"
      ]
      [
        "ordre" => 10
        "nom" => "2. You Make Loving Fun"
      ]
      [
        "ordre" => 11
        "nom" => "3. I Don't Want To Know"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Oh Daddy"
      ]
      [
        "ordre" => 14
        "nom" => "2. Gold Dust Woman"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1912 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2013 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1915 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1603608314 {#1885
      date: 2020-10-25 06:45:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771535523 {#1883
      date: 2026-02-19 21:12:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2007 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rumours-reprise-records-517787"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3020
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#1851
    -id: 1941
    -nom: "Rumours"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock. If you don't want to pre-order the product you can ask to receive a back in stock notification email."
    -description: """
      - Cut by Kevin Gray and Steve Hoffman from the Original Analog Master Tapes ! \r\n
      - This Incredible Album From the '70s is Now Available on Two 180 Gram 45 RPM LPs & Pressed at Pallas !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 26 / 500 ! \r\n
      \r\n
      Nineteen times platinum in the U.S. alone, Rumours is one of the best-selling albums of all time. This Diamond Award winning, Grammy "Album Of The Year" masterpiece includes the hits "Dreams", "Go Your Own Way" and "You Make Loving Fun". All original artwork and packaging. This record was exceptionally recorded to begin with, and now with a remastering job from the original analog masters by the team of Kevin Gray and Steve Hoffman at AcousTech Mastering look out !!! This becomes one hot reissue !\r\n
      \r\n
      This audiophile deluxe version is pressed on two 180 gram LPs cut at 45 RPM (pressed at Pallas). It is packaged in a paper-wrapped Stoughton gatefold jacket with two-panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1920 …}
    -musicienOrchestre: "Stevie Nicks (vocals), John McVie (bass), Christine McVie (keyboards, synthesizer, vocals), Lindsey Buckingham (guitar, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DubafeFeJ7Y"
    -referenceProduit: "Reprise Records 517787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Second Hand News"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dreams"
      ]
      [
        "ordre" => 3
        "nom" => "3. Never Going Back Again"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Don't Stop"
      ]
      [
        "ordre" => 6
        "nom" => "2. Go Your Own Way"
      ]
      [
        "ordre" => 7
        "nom" => "3. Songbird"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. The Chain"
      ]
      [
        "ordre" => 10
        "nom" => "2. You Make Loving Fun"
      ]
      [
        "ordre" => 11
        "nom" => "3. I Don't Want To Know"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Oh Daddy"
      ]
      [
        "ordre" => 14
        "nom" => "2. Gold Dust Woman"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1912 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2013 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1915 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1603608314 {#1885
      date: 2020-10-25 06:45:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771535523 {#1883
      date: 2026-02-19 21:12:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2007 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rumours-reprise-records-517787"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
}

[
  "produit" => App\Entity\Produit {#2030
    -id: 2989
    -nom: "Bare Trees"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac "Bare Trees" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Originally released in March 1972, Bare Trees is the sixth studio album by the legendary Fleetwood Mac. It was their last album to feature Danny Kirwan, and features the classic tracks "Sentimental Lady", "Sunny Side of Heaven" and "Spare Me a Little of Your Love". Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape. Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Danny Kirwan (guitar, keyboards, vocals), Bob Welch (guitar, vocals),  Christine McVie (keyboards, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion), Lee Hinkle (spoken word)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qb9dVQweewY&list=RDQb9dVQweewY&start_radio=1"
    -referenceProduit: "Rhino Reserve 2080"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Child of Mine"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Ghost"
      ]
      [
        "ordre" => 3
        "nom" => "3. Homeward Bound"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sunny Side of Heaven "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Bare Trees"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sentimental Lady"
      ]
      [
        "ordre" => 8
        "nom" => "3. Danny's Chant"
      ]
      [
        "ordre" => 9
        "nom" => "4. Spare Me a Little of Your Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Dust"
      ]
      [
        "ordre" => 11
        "nom" => "6. Thoughts on a Grey Day"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2041 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2034 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2036 …}
    -enregistreLe: DateTime @1770414305 {#2027
      date: 2026-02-06 21:45:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770414644 {#2028
      date: 2026-02-06 21:50:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2038 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bare-trees-rhino-reserve-2080"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3111
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2030
    -id: 2989
    -nom: "Bare Trees"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac "Bare Trees" !\r\n
      - Part of the Rhino Reserve Series !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n
      - Pressed on 180 gram premium quality vinyl at Fidelity Record Pressing !\r\n
      \r\n
      Originally released in March 1972, Bare Trees is the sixth studio album by the legendary Fleetwood Mac. It was their last album to feature Danny Kirwan, and features the classic tracks "Sentimental Lady", "Sunny Side of Heaven" and "Spare Me a Little of Your Love". Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape. Pressed on 180 gram premium-quality vinyl at Fidelity Record Pressing as part of the Rhino Reserve line.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Danny Kirwan (guitar, keyboards, vocals), Bob Welch (guitar, vocals),  Christine McVie (keyboards, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion), Lee Hinkle (spoken word)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qb9dVQweewY&list=RDQb9dVQweewY&start_radio=1"
    -referenceProduit: "Rhino Reserve 2080"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Child of Mine"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Ghost"
      ]
      [
        "ordre" => 3
        "nom" => "3. Homeward Bound"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sunny Side of Heaven "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Bare Trees"
      ]
      [
        "ordre" => 7
        "nom" => "2. Sentimental Lady"
      ]
      [
        "ordre" => 8
        "nom" => "3. Danny's Chant"
      ]
      [
        "ordre" => 9
        "nom" => "4. Spare Me a Little of Your Love"
      ]
      [
        "ordre" => 10
        "nom" => "5. Dust"
      ]
      [
        "ordre" => 11
        "nom" => "6. Thoughts on a Grey Day"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2041 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2034 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2036 …}
    -enregistreLe: DateTime @1770414305 {#2027
      date: 2026-02-06 21:45:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770414644 {#2028
      date: 2026-02-06 21:50:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2038 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-bare-trees-rhino-reserve-2080"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
}

[
  "produit" => App\Entity\Produit {#2050
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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        "nom" => "1. Sugar Daddy"
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    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3159
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2050
    -id: 2898
    -nom: "Fleetwood Mac - Box Set (2 LP) 180 gram 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks : Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon” !\r\n
      - Hear the 1975 Blockbuster in Reference Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 7500 Numbered Copies and Features Extraordinary Definition !\r\n
      -  1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.\r\n
      \r\n
      Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.\r\n
      \r\n
      Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.\r\n
      \r\n
      Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band reeling from the departure of guitarist Bob Welch a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible. \r\n
      \r\n
      Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition : He and Nicks came as a package. \r\n
      \r\n
      That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B “we can always quit”, she reasoned to Buckingham stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.\r\n
      \r\n
      In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning”, “Rhiannon”, and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks. \r\n
      \r\n
      Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide”. McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways”, “Say You Love Me”, and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning”. \r\n
      \r\n
      Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album which peaked at No. 1 on Billboard more than a year after its street date towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.\r\n
      \r\n
      Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid”, Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, synthesizer, lead & backing vocals), Lindsey Buckingham (guitars, banjo, lead & backing vocals), Stevie Nicks (lead & backing vocals, tambourine)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0xGPi-Al3zQ&list=RDEMLs3blA1ExxaZ9gmnDGyznw&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-065"
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      ]
      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Rhiannon"
      ]
      [
        "ordre" => 6
        "nom" => "2. Over My Head"
      ]
      [
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        "nom" => "3. Crystal"
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      [
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        "nom" => "Side C :"
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      [
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        "nom" => "1. Say You Love Me"
      ]
      [
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        "nom" => "2. Landslide"
      ]
      [
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      ]
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      [
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        "nom" => "1. Sugar Daddy"
      ]
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        "nom" => ""
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    -artiste: App\Entity\Artiste {#1063 …}
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      date: 2026-01-23 17:43:02.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
}

[
  "produit" => App\Entity\Produit {#2066
    -id: 2652
    -nom: "Mirage"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Delivers Soft-Rock Bliss Amid Thematic Longing on Mirage: 1982 Album Distills Band’s Trademark Strengths, Features Addictive Pop Hooks and Three Top 25 Hits !\r\n
      - Experience the Well-Recorded and Well-Crafted Set in Reference Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Is Sourced from the Original Master Tapes and Pressed at Fidelity Record Pressing !\r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      If every significant artist has an underrated gem in its catalog, then Mirage is that album for Fleetwood Mac. An obvious return to relative simplicity after the dramatic tension of Rumours and experimental ambitions of Tusk, the 1982 album finds the band re-grouping after a brief hiatus and again climbing to the top of the charts. Extremely well-crafted, well-produced, and well-performed, the double-platinum effort distills the group’s hallmark strengths into a filler-free set that never runs short of addictive pop hooks or daft accents. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents Mirage in reference sound for the first time. The efforts co-producers/engineers Ken Caillat and Richard Dashut went to capture the splintered albeit formidable band can be heard with stunning accuracy, range, depth, and detail. \r\n
      \r\n
      Though Rumours understandably gets a permanent spot in the audiophile hall of fame, the smooth, clear, and dynamic sonics on Mirage confirm that the record that stood as Fleetwood Mac’s last effort for five years deserves a place in the same vaunted arena. The presence and imaging of Mick Fleetwood’s percussion alone on this reissue might have you wondering how this slice of soft-rock bliss has gone under-noticed for decades. Other prized aural aspects separation, definition, impact, tonal balance are also here in spades. \r\n
      \r\n
      Like much surrounding Fleetwood Mac in the 1980s, arriving at Mirage was not easy. Caillat searched for studios located outside of Los Angeles on a mission to change up the vibe of the band’s prior recording sessions. Everyone settled on Le Chateau in France, where relations between some members remained icy  and cooperation with the producers strained. Battles with exhaustion, bitterness, and addiction further informed the proceedings at the 18th century complex in the French countryside, where even communal meals were allegedly eaten in silence. \r\n
      \r\n
      Inevitably, the feelings that co-producer Lindsey Buckingham, Stevie Nicks, Christine McVie, and company harbored as well as the situations in which they found themselves drifted into the songwriting. In its rapid ascent to rock-star royalty status, Fleetwood Mac drifted apart, embarked on solo pursuits, and found it was lonely at the top. Emptiness, the illusion of dreams, the longing for love, the want to escape to bygone times of innocence and happiness: Such themes inform a majority of the narratives. Even if the lyrics regularly take a back seat to easygoing arrangements that allow Mirage to come on like a refreshing breeze on a sunny summer afternoon.\r\n
      \r\n
      Home to three Top 25 singles in the U.S. and having occupied the pole position of the Top 200 album charts for five weeks, Mirage rightfully resonated with the mainstream and attracted listeners on both sides of the pond. And how, via a smart blend of sugary melodies, warm harmonies, interlaced notes, nimble rhythms, taut structures, and passionate vocals. Not to mention the presence of what arguably remains Nicks’ signature song, the biographical “Gypsy”, a meditation on the loss of her close friend Robin Anderson that teems with majesty, mystery, and mysticism and which gets an assist from Buckinham’s shaded tack piano and richly strummed guitar chords. \r\n
      \r\n
      Its ranking as an all-time classic aside, that N° 12 hit has plenty of company when it comes to brilliant pop turns on Mirage. On the subject of Nicks, the raspy singer gets a little bit country on “That’s Alright”. Its clip-clopping pace and two-stepping progression complement subtle vocal swells that emerge during the final verse of a tune that is ostensibly about leaving but still conveys forgiveness and grace. And what would a Fleetwood Mac record be without Nicks drawing on the tools of the supernatural cards, dreams, wolves, and the like on the twirling “Straight Back”.\r\n
      \r\n
      Despite the potency of Nicks’ primary contributions, Mirage seemingly unfolds as a tight competition between Buckingham and McVie and one that ultimately ends in a draw. Buckingham’s salvos include the contagious “Can’t Go Back”, a yearning to time-travel back to the past that’s complete with hall-of-mirrors backing vocals; “Oh Diane”, out-of- left-field ear candy sweetened with hiccupped vocals and salt-and-pepper-shaken grooves; the chiming “Eyes of the World”; and “Empire State”, a delightfully fluttering track whose high-range vocals, lap harp notes, and ringing xylophones hint at the galaxies of sound that would erupt on Tango in the Night. \r\n
      \r\n
      Then there’s McVie. As elegant, understated, and coolheaded as she’s ever been on record, she pours her heart out on cuts that revolve around her inevitable split with Beach Boy Dennis Wilson. In the process, she punctuates Mirage with a characteristic not always associated with catchy pop music: emotional weight, and the sense of dreaded acceptance in the face of dreams deferred.\r\n
      \r\n
      “I wish you were here/Holding me tight”, McVie sings over a delicate melody on the album-closing piano ballad “Wish You Were Here.” Though they hoped otherwise, for the members Fleetwood Mac, distance and separation were always close at hand. Believing otherwise, inviting nostalgia, and pretending everything was fine only amounts to a mirage.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (vocals), Lindsey Buckingham (guitars, keyboards, lap harp, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mwgg1Pu6cNg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-570"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love in Store"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can’t Go Back"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s Alright"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Book of Love"
      ]
      [
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        "nom" => "5. Gypsy"
      ]
      [
        "ordre" => 7
        "nom" => "6. Only over You"
      ]
      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Empire State"
      ]
      [
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      ]
      [
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        "nom" => "9. Hold Me"
      ]
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      ]
      [
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        "nom" => "11. Eyes of the World"
      ]
      [
        "ordre" => 15
        "nom" => "12. Wish You Were Here"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3207
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2066
    -id: 2652
    -nom: "Mirage"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Delivers Soft-Rock Bliss Amid Thematic Longing on Mirage: 1982 Album Distills Band’s Trademark Strengths, Features Addictive Pop Hooks and Three Top 25 Hits !\r\n
      - Experience the Well-Recorded and Well-Crafted Set in Reference Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Is Sourced from the Original Master Tapes and Pressed at Fidelity Record Pressing !\r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      If every significant artist has an underrated gem in its catalog, then Mirage is that album for Fleetwood Mac. An obvious return to relative simplicity after the dramatic tension of Rumours and experimental ambitions of Tusk, the 1982 album finds the band re-grouping after a brief hiatus and again climbing to the top of the charts. Extremely well-crafted, well-produced, and well-performed, the double-platinum effort distills the group’s hallmark strengths into a filler-free set that never runs short of addictive pop hooks or daft accents. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents Mirage in reference sound for the first time. The efforts co-producers/engineers Ken Caillat and Richard Dashut went to capture the splintered albeit formidable band can be heard with stunning accuracy, range, depth, and detail. \r\n
      \r\n
      Though Rumours understandably gets a permanent spot in the audiophile hall of fame, the smooth, clear, and dynamic sonics on Mirage confirm that the record that stood as Fleetwood Mac’s last effort for five years deserves a place in the same vaunted arena. The presence and imaging of Mick Fleetwood’s percussion alone on this reissue might have you wondering how this slice of soft-rock bliss has gone under-noticed for decades. Other prized aural aspects separation, definition, impact, tonal balance are also here in spades. \r\n
      \r\n
      Like much surrounding Fleetwood Mac in the 1980s, arriving at Mirage was not easy. Caillat searched for studios located outside of Los Angeles on a mission to change up the vibe of the band’s prior recording sessions. Everyone settled on Le Chateau in France, where relations between some members remained icy  and cooperation with the producers strained. Battles with exhaustion, bitterness, and addiction further informed the proceedings at the 18th century complex in the French countryside, where even communal meals were allegedly eaten in silence. \r\n
      \r\n
      Inevitably, the feelings that co-producer Lindsey Buckingham, Stevie Nicks, Christine McVie, and company harbored as well as the situations in which they found themselves drifted into the songwriting. In its rapid ascent to rock-star royalty status, Fleetwood Mac drifted apart, embarked on solo pursuits, and found it was lonely at the top. Emptiness, the illusion of dreams, the longing for love, the want to escape to bygone times of innocence and happiness: Such themes inform a majority of the narratives. Even if the lyrics regularly take a back seat to easygoing arrangements that allow Mirage to come on like a refreshing breeze on a sunny summer afternoon.\r\n
      \r\n
      Home to three Top 25 singles in the U.S. and having occupied the pole position of the Top 200 album charts for five weeks, Mirage rightfully resonated with the mainstream and attracted listeners on both sides of the pond. And how, via a smart blend of sugary melodies, warm harmonies, interlaced notes, nimble rhythms, taut structures, and passionate vocals. Not to mention the presence of what arguably remains Nicks’ signature song, the biographical “Gypsy”, a meditation on the loss of her close friend Robin Anderson that teems with majesty, mystery, and mysticism and which gets an assist from Buckinham’s shaded tack piano and richly strummed guitar chords. \r\n
      \r\n
      Its ranking as an all-time classic aside, that N° 12 hit has plenty of company when it comes to brilliant pop turns on Mirage. On the subject of Nicks, the raspy singer gets a little bit country on “That’s Alright”. Its clip-clopping pace and two-stepping progression complement subtle vocal swells that emerge during the final verse of a tune that is ostensibly about leaving but still conveys forgiveness and grace. And what would a Fleetwood Mac record be without Nicks drawing on the tools of the supernatural cards, dreams, wolves, and the like on the twirling “Straight Back”.\r\n
      \r\n
      Despite the potency of Nicks’ primary contributions, Mirage seemingly unfolds as a tight competition between Buckingham and McVie and one that ultimately ends in a draw. Buckingham’s salvos include the contagious “Can’t Go Back”, a yearning to time-travel back to the past that’s complete with hall-of-mirrors backing vocals; “Oh Diane”, out-of- left-field ear candy sweetened with hiccupped vocals and salt-and-pepper-shaken grooves; the chiming “Eyes of the World”; and “Empire State”, a delightfully fluttering track whose high-range vocals, lap harp notes, and ringing xylophones hint at the galaxies of sound that would erupt on Tango in the Night. \r\n
      \r\n
      Then there’s McVie. As elegant, understated, and coolheaded as she’s ever been on record, she pours her heart out on cuts that revolve around her inevitable split with Beach Boy Dennis Wilson. In the process, she punctuates Mirage with a characteristic not always associated with catchy pop music: emotional weight, and the sense of dreaded acceptance in the face of dreams deferred.\r\n
      \r\n
      “I wish you were here/Holding me tight”, McVie sings over a delicate melody on the album-closing piano ballad “Wish You Were Here.” Though they hoped otherwise, for the members Fleetwood Mac, distance and separation were always close at hand. Believing otherwise, inviting nostalgia, and pretending everything was fine only amounts to a mirage.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (vocals), Lindsey Buckingham (guitars, keyboards, lap harp, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mwgg1Pu6cNg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-570"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love in Store"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can’t Go Back"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s Alright"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Book of Love"
      ]
      [
        "ordre" => 6
        "nom" => "5. Gypsy"
      ]
      [
        "ordre" => 7
        "nom" => "6. Only over You"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Empire State"
      ]
      [
        "ordre" => 10
        "nom" => "8. Straight Back"
      ]
      [
        "ordre" => 11
        "nom" => "9. Hold Me"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Oh Diane"
      ]
      [
        "ordre" => 14
        "nom" => "11. Eyes of the World"
      ]
      [
        "ordre" => 15
        "nom" => "12. Wish You Were Here"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
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[
  "produit" => App\Entity\Produit {#2079
    -id: 2574
    -nom: "Tango in the Night"
    -informationComplementaire: null
    -description: """
      - A Universe of Pop : Fleetwood Mac’s Tango in the Night Features Meticulous Production, Includes the Ageless Hits “Big Love”, “Everywhere”, “Seven Wonders”, and “Little Lies”.\r\n
      - Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Captures the Perfectionist Details, Plays with Extraordinary Openness !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes”.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms can now be heard with elevated accuracy, range, depth, and detail. \r\n
      \r\n
      Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album’s ageless pop brilliance. \r\n
      \r\n
      As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality ? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity’s collectible edition will have you considering Tango in the Night from a new perspective one that puts its lavish, gorgeous creations on a par with those from Rumours and Tusk.\r\n
      \r\n
      Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. Instead, it remains the final album credited to the peak Fleetwood Mac lineup involving Buckingham, Stevie Nicks, Chrstine McVie, Mick Fleetwood, and John McVie. Though the participation of all the members varies from track to track, the cohesive arrangements and alchemic production  Tango in the Night suggest a unity that remains on a par with the band’s other landmark works. \r\n
      \r\n
      Largely constructed from laborious methods that involved recording at half speed to achieve the desired sonics and tonal nuances, piecing together verses and choruses to attain seamless synchronicity, and Buckingham using a Fairlight CMI synthesizer/workstation in visionary ways, the songs pair electronic and acoustic elements to radiant effect. Tango in the Night also possesses light dance structures that resulted in several tunes being recast as dance mixes on extended-play singles. Above all, however, this is music that appears to float and cast dreamy spells. \r\n
      \r\n
      Surrender to the frisky interplay of the opening “Big Love”, big pop punctuated with Buckingham’s back-and-forth “oh-ah” sighs that ping the Top 5 smash with innocuous sensuality and toe-tapping momentum. Delight amid the shimmering lights of “Seven Wonders”, whose shades and shadows shift amid Nicks’ raspy vocals and a large group chorus. Wrap yourself in the warmth of the weightless “Everywhere”, a flawless slice of hummable pop that topped with Adult Contemporary charts for three weeks and towers as an ode to the love everyone desires. Stare into the mysterious landscape of the title track (and dig the synthesized harp) just before it explodes, briefly ceding to a terse riff and locked-in grooves. \r\n
      \r\n
      Tango in the Night teems with delightful surprises and well-honed specifics, especially when Buckinham and Christine McVie team together. In addition to the aforementioned “Everywhere”, the singer born Christine Anne Perfect plays a major role on four more cuts all highlights from the breathy, head-over-heels emotionalism of “Mystified” to the sweet, sweeping escapism of “Little Lies”, a cover-up of romantic despair aided by Nicks’ irreplaceable background vocals. \r\n
      \r\n
      “If I see you again/Will it be the same”, asks Buckingham on “When I See You Again”, finishing up a song a longing-sounding Nicks had started while voicing words that many likely knew would resonate far beyond the confines of the heartfelt song a goodbye wearing a faint disguise. Though Fleetwood Mac would never again reach the heights maintained throughout Tango in the Night, and members would go their own way, the album towers as a paean to what’s possible in the fields of pop, rock, and studio wizardry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Lindsey Buckingham (guitars, keyboards, Fairlight CMI, bass, percussion, drum programming, vocals), Stevie Nicks (vocals), Christine McVie (keyboards, synthesizers, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KNZIwD1I0gY&list=OLAK5uy_ltA3wQe8DfNCg5SYYAl9EEBAkuSAcWtyI"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-569"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Big Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Seven Wonders"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everywhere"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Caroline"
      ]
      [
        "ordre" => 6
        "nom" => "5. Tango in the Night"
      ]
      [
        "ordre" => 7
        "nom" => "6. Mystified"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Little Lies"
      ]
      [
        "ordre" => 10
        "nom" => "8. Family Man"
      ]
      [
        "ordre" => 11
        "nom" => "9. Welcome to the Room…Sara"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Isn’t It Midnight"
      ]
      [
        "ordre" => 14
        "nom" => "11. When I See You Again"
      ]
      [
        "ordre" => 15
        "nom" => "12. You and I, Part II"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2052 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
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    -modifierLe: DateTime @1768298598 {#2077
      date: 2026-01-13 10:03:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3255
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2079
    -id: 2574
    -nom: "Tango in the Night"
    -informationComplementaire: null
    -description: """
      - A Universe of Pop : Fleetwood Mac’s Tango in the Night Features Meticulous Production, Includes the Ageless Hits “Big Love”, “Everywhere”, “Seven Wonders”, and “Little Lies”.\r\n
      - Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Captures the Perfectionist Details, Plays with Extraordinary Openness !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes”.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms can now be heard with elevated accuracy, range, depth, and detail. \r\n
      \r\n
      Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album’s ageless pop brilliance. \r\n
      \r\n
      As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality ? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity’s collectible edition will have you considering Tango in the Night from a new perspective one that puts its lavish, gorgeous creations on a par with those from Rumours and Tusk.\r\n
      \r\n
      Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. Instead, it remains the final album credited to the peak Fleetwood Mac lineup involving Buckingham, Stevie Nicks, Chrstine McVie, Mick Fleetwood, and John McVie. Though the participation of all the members varies from track to track, the cohesive arrangements and alchemic production  Tango in the Night suggest a unity that remains on a par with the band’s other landmark works. \r\n
      \r\n
      Largely constructed from laborious methods that involved recording at half speed to achieve the desired sonics and tonal nuances, piecing together verses and choruses to attain seamless synchronicity, and Buckingham using a Fairlight CMI synthesizer/workstation in visionary ways, the songs pair electronic and acoustic elements to radiant effect. Tango in the Night also possesses light dance structures that resulted in several tunes being recast as dance mixes on extended-play singles. Above all, however, this is music that appears to float and cast dreamy spells. \r\n
      \r\n
      Surrender to the frisky interplay of the opening “Big Love”, big pop punctuated with Buckingham’s back-and-forth “oh-ah” sighs that ping the Top 5 smash with innocuous sensuality and toe-tapping momentum. Delight amid the shimmering lights of “Seven Wonders”, whose shades and shadows shift amid Nicks’ raspy vocals and a large group chorus. Wrap yourself in the warmth of the weightless “Everywhere”, a flawless slice of hummable pop that topped with Adult Contemporary charts for three weeks and towers as an ode to the love everyone desires. Stare into the mysterious landscape of the title track (and dig the synthesized harp) just before it explodes, briefly ceding to a terse riff and locked-in grooves. \r\n
      \r\n
      Tango in the Night teems with delightful surprises and well-honed specifics, especially when Buckinham and Christine McVie team together. In addition to the aforementioned “Everywhere”, the singer born Christine Anne Perfect plays a major role on four more cuts all highlights from the breathy, head-over-heels emotionalism of “Mystified” to the sweet, sweeping escapism of “Little Lies”, a cover-up of romantic despair aided by Nicks’ irreplaceable background vocals. \r\n
      \r\n
      “If I see you again/Will it be the same”, asks Buckingham on “When I See You Again”, finishing up a song a longing-sounding Nicks had started while voicing words that many likely knew would resonate far beyond the confines of the heartfelt song a goodbye wearing a faint disguise. Though Fleetwood Mac would never again reach the heights maintained throughout Tango in the Night, and members would go their own way, the album towers as a paean to what’s possible in the fields of pop, rock, and studio wizardry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Lindsey Buckingham (guitars, keyboards, Fairlight CMI, bass, percussion, drum programming, vocals), Stevie Nicks (vocals), Christine McVie (keyboards, synthesizers, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KNZIwD1I0gY&list=OLAK5uy_ltA3wQe8DfNCg5SYYAl9EEBAkuSAcWtyI"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-569"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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      [
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      ]
      [
        "ordre" => 2
        "nom" => "2. Seven Wonders"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everywhere"
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      [
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        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Caroline"
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      [
        "ordre" => 6
        "nom" => "5. Tango in the Night"
      ]
      [
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      ]
      [
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        "nom" => "9. Welcome to the Room…Sara"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
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        "nom" => "10. Isn’t It Midnight"
      ]
      [
        "ordre" => 14
        "nom" => "11. When I See You Again"
      ]
      [
        "ordre" => 15
        "nom" => "12. You and I, Part II"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    -style: App\Entity\Style {#1472 …}
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      date: 2026-01-13 10:03:18.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2092
    -id: 2899
    -nom: "Fleetwood Mac Live - Super Deluxe Edition (2 LP + 3 CD + 7 Inch Vinyl + Booklet)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (lead vocals, tambourine), Lindsey Buckingham (lead & acoustic guitar, vocals), Brett Tuggle (keyboards, guitars, backing vocals), Neale Heywood (guitars, backing vocals), Ray Lindsey (rhythm guitar), Jeffery Bova (keyboards), Sharon Celani & Mindy Stein (backing vocals), Lenny Castro, Tony Todaro (percussion).\r\n
      \r\n
      - 1980 live album reissued as six-disc super deluxe edition !\r\n
      - 180 gram 2LP, 3CD plus 7-inch LP plus booklet !\r\n
      - Superb live set now improved with more than an hour of unreleased music !\r\n
      \r\n
      Fleetwood Mac's debut live album, 1980's Fleetwood Mac Live, is getting a super deluxe edition reissue on April 9, 2021 via Rhino.\r\n
      \r\n
      The new 3 CD, 2 LP collection features more than an hour of unreleased music, plus demos and a 7 inch vinyl of previously unreleased demos "Fireflies" and "One More Night". Check out a live version of "The Chain", recorded at Richfield Coliseum in Cleveland in 1980, above.\r\n
      \r\n
      The live double album was originally released in 1980 and features music mostly recorded during the world tour for 1979's Tusk. The ludicrously strong setlist includes massive hits such as "Dreams", "Go Your Own Way", "Rhiannon", and "Don't Stop".\r\n
      \r\n
      This new super deluxe edition box set features remastered versions of the original album on both 180 gram vinyl and CD along with a bonus CD featuring more than an hour of unreleased live material. The 14 bonus live tracks include seven songs from the Tusk tour (1979-80), four from the Rumours tour (1977) and three from the Mirage tour (1982). The extra songs include "Second Hand News", "The Chain", "Hold Me", "Tusk" and "You Make Loving Fun".\r\n
      \r\n
      The box set comes presented in a 12″ x 12″ rigid slipcase and comes with a booklet with rare photos, a full itinerary for the Tusk Tour, and a history of the live album by writer David Wild.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (lead vocals, tambourine), Lindsey Buckingham (lead & acoustic guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=blpenk6ttQk&list=OLAK5uy_n-mH1YnIWLd81c9TyZXXxLUjUTeHaOceQ"
    -referenceProduit: "Rhino Records 9176"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Monday Morning"
        "ordre" => 1
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        "nom" => "2. Say You Love Me"
        "ordre" => 2
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        "nom" => "3. Dreams"
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        "nom" => "4. Oh Well"
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        "nom" => "Side B : "
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      [
        "nom" => "1. Sara"
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        "nom" => "3. Never Going Back Again"
        "ordre" => 9
      ]
      [
        "nom" => "4. Landslide"
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      ]
      [
        "nom" => "Side C :"
        "ordre" => 11
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        "nom" => "1. Fireflies"
        "ordre" => 12
      ]
      [
        "nom" => "2. Over My head"
        "ordre" => 13
      ]
      [
        "nom" => "3. Rhiannon"
        "ordre" => 14
      ]
      [
        "nom" => "4. Don’t Let Me Down Again"
        "ordre" => 15
      ]
      [
        "nom" => "5. One More Night"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. Go Your Own Way"
        "ordre" => 18
      ]
      [
        "nom" => "2. Don’t Stop"
        "ordre" => 19
      ]
      [
        "nom" => "3. I’m So Afraid"
        "ordre" => 20
      ]
      [
        "nom" => "4. The Farmer’s Daughter"
        "ordre" => 21
      ]
      [
        "nom" => "."
        "ordre" => 22
      ]
      [
        "nom" => "Bonus 7 inch"
        "ordre" => 23
      ]
      [
        "nom" => "Side A :"
        "ordre" => 24
      ]
      [
        "nom" => "1. Fireflies – Demo "
        "ordre" => 25
      ]
      [
        "nom" => "Side B :"
        "ordre" => 26
      ]
      [
        "nom" => "One More Night – Demo"
        "ordre" => 27
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      [
        "nom" => "."
        "ordre" => 28
      ]
      [
        "nom" => "CD 1 (Remastered)"
        "ordre" => 29
      ]
      [
        "nom" => "1. Monday Morning, 2. Say You Love Me, 3. Dreams, 4. Oh Well, 5. Over & Over,"
        "ordre" => 30
      ]
      [
        "nom" => "6. Sara, 7. Not That Funny, 8. Never Going Back Again, 9. Landslide"
        "ordre" => 31
      ]
      [
        "nom" => "."
        "ordre" => 32
      ]
      [
        "nom" => "CD 2 (Remastered)"
        "ordre" => 33
      ]
      [
        "nom" => "1. Fireflies, 2. Over My Head, 3. Rhiannon, 4. Don’t Let Me Down Again, 5. One More Night,"
        "ordre" => 34
      ]
      [
        "nom" => "6. Go Your Own Way, 7. Don’t Stop, 8. I’m So Afraid, 9. The Farmer’s Daughter"
        "ordre" => 35
      ]
      [
        "nom" => "."
        "ordre" => 36
      ]
      [
        "nom" => "CD 3 (Previously unreleased)"
        "ordre" => 37
      ]
      [
        "nom" => "1. SECOND HAND NEWS The Forum, Inglewood, CA (10/21/82), 2. The Chain Richfield"
        "ordre" => 38
      ]
      [
        "nom" => "Coliseum, Cleveland, OH (5/20/80), 3. Think About Me Kemper Arena, Kansas City,"
        "ordre" => 39
      ]
      [
        "nom" => "MO (8/24/80), 4.What Makes You Think You’re The One Kansas Coliseum, Wichita,"
        "ordre" => 40
      ]
      [
        "nom" => "KS (8/23/80), 5. Gold Dust Woman The Forum, Inglewood, CA (8/29/77), 6. Brown Eyes"
        "ordre" => 41
      ]
      [
        "nom" => "The Forum, Inglewood, CA (10/22/82), 7. The Green Manalishi (With The Two-Pronged"
        "ordre" => 42
      ]
      [
        "nom" => "Crown) State Fair Arena, Oklahoma City, OK (5/18/77), 8. Angel Richfield Coliseum,"
        "ordre" => 43
      ]
      [
        "nom" => "Cleveland, OH (5/20/80), 9. Hold Me The Forum, Inglewood, CA (10/21/82), 10. Tusk"
        "ordre" => 44
      ]
      [
        "nom" => "Kemper Arena, Kansas City, MO (8/24/80), 11. You Make Loving Fun Tulsa, OK (5/19/77),"
        "ordre" => 45
      ]
      [
        "nom" => "12. Sisters Of The Moon Omaha Civic Auditorium, Omaha, NB (8/21/80), 13. Songbird"
        "ordre" => 46
      ]
      [
        "nom" => "Omaha Civic Auditorium, Omaha, NB (8/21/80), 14. Blue Letter  Little Rock, AK (5/20/77)"
        "ordre" => 47
      ]
      [
        "nom" => "Bonus Track, 15. Fireflies (Remix – Long Version) (1981)"
        "ordre" => 48
      ]
      [
        "nom" => ""
        "ordre" => 49
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …}
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      date: 2025-11-03 19:53:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762201289 {#2090
      date: 2025-11-03 20:21:29.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-fleetwood-mac-live-super-deluxe-edition-2-lp-3-cd-7-inch-vinyl-booklet-rhino-records-9176"
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App\Twig\Components\GestionPanierFavoriComponents {#3303
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2092
    -id: 2899
    -nom: "Fleetwood Mac Live - Super Deluxe Edition (2 LP + 3 CD + 7 Inch Vinyl + Booklet)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (lead vocals, tambourine), Lindsey Buckingham (lead & acoustic guitar, vocals), Brett Tuggle (keyboards, guitars, backing vocals), Neale Heywood (guitars, backing vocals), Ray Lindsey (rhythm guitar), Jeffery Bova (keyboards), Sharon Celani & Mindy Stein (backing vocals), Lenny Castro, Tony Todaro (percussion).\r\n
      \r\n
      - 1980 live album reissued as six-disc super deluxe edition !\r\n
      - 180 gram 2LP, 3CD plus 7-inch LP plus booklet !\r\n
      - Superb live set now improved with more than an hour of unreleased music !\r\n
      \r\n
      Fleetwood Mac's debut live album, 1980's Fleetwood Mac Live, is getting a super deluxe edition reissue on April 9, 2021 via Rhino.\r\n
      \r\n
      The new 3 CD, 2 LP collection features more than an hour of unreleased music, plus demos and a 7 inch vinyl of previously unreleased demos "Fireflies" and "One More Night". Check out a live version of "The Chain", recorded at Richfield Coliseum in Cleveland in 1980, above.\r\n
      \r\n
      The live double album was originally released in 1980 and features music mostly recorded during the world tour for 1979's Tusk. The ludicrously strong setlist includes massive hits such as "Dreams", "Go Your Own Way", "Rhiannon", and "Don't Stop".\r\n
      \r\n
      This new super deluxe edition box set features remastered versions of the original album on both 180 gram vinyl and CD along with a bonus CD featuring more than an hour of unreleased live material. The 14 bonus live tracks include seven songs from the Tusk tour (1979-80), four from the Rumours tour (1977) and three from the Mirage tour (1982). The extra songs include "Second Hand News", "The Chain", "Hold Me", "Tusk" and "You Make Loving Fun".\r\n
      \r\n
      The box set comes presented in a 12″ x 12″ rigid slipcase and comes with a booklet with rare photos, a full itinerary for the Tusk Tour, and a history of the live album by writer David Wild.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "Mick Fleetwood (drums, percussion), John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (lead vocals, tambourine), Lindsey Buckingham (lead & acoustic guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=blpenk6ttQk&list=OLAK5uy_n-mH1YnIWLd81c9TyZXXxLUjUTeHaOceQ"
    -referenceProduit: "Rhino Records 9176"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Monday Morning"
        "ordre" => 1
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        "nom" => "2. Say You Love Me"
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        "nom" => "3. Dreams"
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      [
        "nom" => "1. Sara"
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      [
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        "nom" => "3. Never Going Back Again"
        "ordre" => 9
      ]
      [
        "nom" => "4. Landslide"
        "ordre" => 10
      ]
      [
        "nom" => "Side C :"
        "ordre" => 11
      ]
      [
        "nom" => "1. Fireflies"
        "ordre" => 12
      ]
      [
        "nom" => "2. Over My head"
        "ordre" => 13
      ]
      [
        "nom" => "3. Rhiannon"
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      ]
      [
        "nom" => "4. Don’t Let Me Down Again"
        "ordre" => 15
      ]
      [
        "nom" => "5. One More Night"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. Go Your Own Way"
        "ordre" => 18
      ]
      [
        "nom" => "2. Don’t Stop"
        "ordre" => 19
      ]
      [
        "nom" => "3. I’m So Afraid"
        "ordre" => 20
      ]
      [
        "nom" => "4. The Farmer’s Daughter"
        "ordre" => 21
      ]
      [
        "nom" => "."
        "ordre" => 22
      ]
      [
        "nom" => "Bonus 7 inch"
        "ordre" => 23
      ]
      [
        "nom" => "Side A :"
        "ordre" => 24
      ]
      [
        "nom" => "1. Fireflies – Demo "
        "ordre" => 25
      ]
      [
        "nom" => "Side B :"
        "ordre" => 26
      ]
      [
        "nom" => "One More Night – Demo"
        "ordre" => 27
      ]
      [
        "nom" => "."
        "ordre" => 28
      ]
      [
        "nom" => "CD 1 (Remastered)"
        "ordre" => 29
      ]
      [
        "nom" => "1. Monday Morning, 2. Say You Love Me, 3. Dreams, 4. Oh Well, 5. Over & Over,"
        "ordre" => 30
      ]
      [
        "nom" => "6. Sara, 7. Not That Funny, 8. Never Going Back Again, 9. Landslide"
        "ordre" => 31
      ]
      [
        "nom" => "."
        "ordre" => 32
      ]
      [
        "nom" => "CD 2 (Remastered)"
        "ordre" => 33
      ]
      [
        "nom" => "1. Fireflies, 2. Over My Head, 3. Rhiannon, 4. Don’t Let Me Down Again, 5. One More Night,"
        "ordre" => 34
      ]
      [
        "nom" => "6. Go Your Own Way, 7. Don’t Stop, 8. I’m So Afraid, 9. The Farmer’s Daughter"
        "ordre" => 35
      ]
      [
        "nom" => "."
        "ordre" => 36
      ]
      [
        "nom" => "CD 3 (Previously unreleased)"
        "ordre" => 37
      ]
      [
        "nom" => "1. SECOND HAND NEWS The Forum, Inglewood, CA (10/21/82), 2. The Chain Richfield"
        "ordre" => 38
      ]
      [
        "nom" => "Coliseum, Cleveland, OH (5/20/80), 3. Think About Me Kemper Arena, Kansas City,"
        "ordre" => 39
      ]
      [
        "nom" => "MO (8/24/80), 4.What Makes You Think You’re The One Kansas Coliseum, Wichita,"
        "ordre" => 40
      ]
      [
        "nom" => "KS (8/23/80), 5. Gold Dust Woman The Forum, Inglewood, CA (8/29/77), 6. Brown Eyes"
        "ordre" => 41
      ]
      [
        "nom" => "The Forum, Inglewood, CA (10/22/82), 7. The Green Manalishi (With The Two-Pronged"
        "ordre" => 42
      ]
      [
        "nom" => "Crown) State Fair Arena, Oklahoma City, OK (5/18/77), 8. Angel Richfield Coliseum,"
        "ordre" => 43
      ]
      [
        "nom" => "Cleveland, OH (5/20/80), 9. Hold Me The Forum, Inglewood, CA (10/21/82), 10. Tusk"
        "ordre" => 44
      ]
      [
        "nom" => "Kemper Arena, Kansas City, MO (8/24/80), 11. You Make Loving Fun Tulsa, OK (5/19/77),"
        "ordre" => 45
      ]
      [
        "nom" => "12. Sisters Of The Moon Omaha Civic Auditorium, Omaha, NB (8/21/80), 13. Songbird"
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      ]
      [
        "nom" => "Omaha Civic Auditorium, Omaha, NB (8/21/80), 14. Blue Letter  Little Rock, AK (5/20/77)"
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      [
        "nom" => "Bonus Track, 15. Fireflies (Remix – Long Version) (1981)"
        "ordre" => 48
      ]
      [
        "nom" => ""
        "ordre" => 49
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1472 …}
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      date: 2025-11-03 20:21:29.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2110
    -id: 2082
    -nom: "Fleetwood Mac Live"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John McVie (bass), Christine McVie (keyboards, vocals), Mick Fleetwood (drums), Stevie Nicks (vocals), Jeffery Sova, Patrick Byrne, Ray Lindsey, Tony Todaro (crew), Ray Lindsey (guitar), Lindsey Buckingham (guitar, vocals), Jeffery Sova (keyboards), Tony Todaro (percussion).\r\n
      \r\n
      When Fleetwood Mac released its first live album in December 1980, it captured the legendary band's most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Recorded mostly during the world tour for Tusk, Fleetwood Mac Live delivered a double-album's worth of exhilarating performances that included massive hits like "Dreams" and "Go Your Own Way", "Rhiannon" and "Don't Stop".\r\n
      \r\n
      Rhino gives the band's live debut a much-deserved encore with a new 2 LP release that features a remastered version of the original release on vinyl.\r\n
      \r\n
      The majority of the original album was recorded live between 1979 and 1980, save for a few exceptions : "Don't Let Me Down Again" was recorded in 1975 during the tour for Fleetwood Mac; "Dreams" and "Don't Stop" are from the band's sound check in Paris; while "Fireflies", "One More Night" and a cover of the Beach Boys' "Farmer's Daughter" were all recorded in California during a special show for the band's crew, family, and friends.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "John McVie (bass), Christine McVie (keyboards, vocals), Mick Fleetwood (drums), Stevie Nicks (vocals), Jeffery Sova, Patrick Byrne, Ray Lindsey, Tony Todaro (crew), Ray Lindsey (guitar), Lindsey Buckingham (guitar, vocals), Jeffery Sova (keyboards)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TTCXBRCyku8"
    -referenceProduit: "Rhino Records 03500"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Monday Morning (Live at Budokan Hall, Tokyo, Japan 2/3/80) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Say You Love Me (Live at Kansas Coliseum, Wichita, KS 8/25/80) "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dreams (Live at Palais de Sport, Paris, France 6/14/80) "
        "ordre" => 3
      ]
      [
        "nom" => "4. Oh Well (Live at Checker Dome, St. Louis, MO 11/5/79) "
        "ordre" => 4
      ]
      [
        "nom" => "5. Over & Over (Live at Myriad, Oklahoma City, OK 8/22/80)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Sara (Live at Checker Dome, St. Louis, MO 11/5/79) "
        "ordre" => 7
      ]
      [
        "nom" => "2. Not That Funny (Live at Richfield Coliseum, Cleveland, OH 5/21/80) "
        "ordre" => 8
      ]
      [
        "nom" => "3. Never Going Back Again (Live at McKale Center, Tucson, AZ 8/28/80) "
        "ordre" => 9
      ]
      [
        "nom" => "4. Landslide (Live at Wembley Arena, London, UK 6/25/80)"
        "ordre" => 10
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Fireflies (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/4/80) "
        "ordre" => 12
      ]
      [
        "nom" => "2. Over My Head (Live at Kemper Arena, Kansas City, MO 8/24/80) "
        "ordre" => 13
      ]
      [
        "nom" => "3. Rhiannon (Live at Wembley Arena, London, UK 6/26/80) "
        "ordre" => 14
      ]
      [
        "nom" => "4. Don't Let Me Down Again (Live at Capitol Theater, Passaic, NJ 10/17/75) "
        "ordre" => 15
      ]
      [
        "nom" => "5. One More Night (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/3/80)"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. Go Your Own Way (Live at Richfield Coliseum, Cleveland, OH 5/21/80) "
        "ordre" => 18
      ]
      [
        "nom" => "2. Don't Stop (Live at Palais de Sport, Paris, France 6/14/80) "
        "ordre" => 19
      ]
      [
        "nom" => "3. I'm So Afraid (Live at Richfield Coliseum, Cleveland, OH 5/20/80) "
        "ordre" => 20
      ]
      [
        "nom" => "4. The Farmer's Daughter (Live at Santa Monica Civic Auditorium,"
        "ordre" => 21
      ]
      [
        "nom" => "Santa Monica, CA 9/4/80)"
        "ordre" => 22
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2118 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2111 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2113 …}
    -enregistreLe: DateTime @1626424759 {#2106
      date: 2021-07-16 08:39:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762198951 {#2105
      date: 2025-11-03 19:42:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2115 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fleetwood-mac-live-rhino-records-03500"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3351
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2546 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2120 …}
  +produit: App\Entity\Produit {#2110
    -id: 2082
    -nom: "Fleetwood Mac Live"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John McVie (bass), Christine McVie (keyboards, vocals), Mick Fleetwood (drums), Stevie Nicks (vocals), Jeffery Sova, Patrick Byrne, Ray Lindsey, Tony Todaro (crew), Ray Lindsey (guitar), Lindsey Buckingham (guitar, vocals), Jeffery Sova (keyboards), Tony Todaro (percussion).\r\n
      \r\n
      When Fleetwood Mac released its first live album in December 1980, it captured the legendary band's most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Recorded mostly during the world tour for Tusk, Fleetwood Mac Live delivered a double-album's worth of exhilarating performances that included massive hits like "Dreams" and "Go Your Own Way", "Rhiannon" and "Don't Stop".\r\n
      \r\n
      Rhino gives the band's live debut a much-deserved encore with a new 2 LP release that features a remastered version of the original release on vinyl.\r\n
      \r\n
      The majority of the original album was recorded live between 1979 and 1980, save for a few exceptions : "Don't Let Me Down Again" was recorded in 1975 during the tour for Fleetwood Mac; "Dreams" and "Don't Stop" are from the band's sound check in Paris; while "Fireflies", "One More Night" and a cover of the Beach Boys' "Farmer's Daughter" were all recorded in California during a special show for the band's crew, family, and friends.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1839 …}
    -musicienOrchestre: "John McVie (bass), Christine McVie (keyboards, vocals), Mick Fleetwood (drums), Stevie Nicks (vocals), Jeffery Sova, Patrick Byrne, Ray Lindsey, Tony Todaro (crew), Ray Lindsey (guitar), Lindsey Buckingham (guitar, vocals), Jeffery Sova (keyboards)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=TTCXBRCyku8"
    -referenceProduit: "Rhino Records 03500"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Monday Morning (Live at Budokan Hall, Tokyo, Japan 2/3/80) "
        "ordre" => 1
      ]
      [
        "nom" => "2. Say You Love Me (Live at Kansas Coliseum, Wichita, KS 8/25/80) "
        "ordre" => 2
      ]
      [
        "nom" => "3. Dreams (Live at Palais de Sport, Paris, France 6/14/80) "
        "ordre" => 3
      ]
      [
        "nom" => "4. Oh Well (Live at Checker Dome, St. Louis, MO 11/5/79) "
        "ordre" => 4
      ]
      [
        "nom" => "5. Over & Over (Live at Myriad, Oklahoma City, OK 8/22/80)"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Sara (Live at Checker Dome, St. Louis, MO 11/5/79) "
        "ordre" => 7
      ]
      [
        "nom" => "2. Not That Funny (Live at Richfield Coliseum, Cleveland, OH 5/21/80) "
        "ordre" => 8
      ]
      [
        "nom" => "3. Never Going Back Again (Live at McKale Center, Tucson, AZ 8/28/80) "
        "ordre" => 9
      ]
      [
        "nom" => "4. Landslide (Live at Wembley Arena, London, UK 6/25/80)"
        "ordre" => 10
      ]
      [
        "nom" => "Side C : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Fireflies (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/4/80) "
        "ordre" => 12
      ]
      [
        "nom" => "2. Over My Head (Live at Kemper Arena, Kansas City, MO 8/24/80) "
        "ordre" => 13
      ]
      [
        "nom" => "3. Rhiannon (Live at Wembley Arena, London, UK 6/26/80) "
        "ordre" => 14
      ]
      [
        "nom" => "4. Don't Let Me Down Again (Live at Capitol Theater, Passaic, NJ 10/17/75) "
        "ordre" => 15
      ]
      [
        "nom" => "5. One More Night (Live at Santa Monica Civic Auditorium, Santa Monica, CA 9/3/80)"
        "ordre" => 16
      ]
      [
        "nom" => "Side D : "
        "ordre" => 17
      ]
      [
        "nom" => "1. Go Your Own Way (Live at Richfield Coliseum, Cleveland, OH 5/21/80) "
        "ordre" => 18
      ]
      [
        "nom" => "2. Don't Stop (Live at Palais de Sport, Paris, France 6/14/80) "
        "ordre" => 19
      ]
      [
        "nom" => "3. I'm So Afraid (Live at Richfield Coliseum, Cleveland, OH 5/20/80) "
        "ordre" => 20
      ]
      [
        "nom" => "4. The Farmer's Daughter (Live at Santa Monica Civic Auditorium,"
        "ordre" => 21
      ]
      [
        "nom" => "Santa Monica, CA 9/4/80)"
        "ordre" => 22
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2094 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2118 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2111 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2113 …}
    -enregistreLe: DateTime @1626424759 {#2106
      date: 2021-07-16 08:39:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1762198951 {#2105
      date: 2025-11-03 19:42:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2115 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-fleetwood-mac-live-rhino-records-03500"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3543
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2314 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3544 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3592 …}
  +isValidated: false
  +validatedFields: []
}