Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2598
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2675
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2678 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
  -formView: Symfony\Component\Form\FormView {#2714 …}
  -form: Symfony\Component\Form\Form {#2864 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 838
    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 RPM reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out". – Myles Astor, Positive Feedback Online, Issue 34, \r\n
      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DHMKhWQufg0&list=PLfJndz0utgOOv4mnKZVq6PnyKDTZoveYj"
    -referenceProduit: "Analogue Productions AAPP 9487"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Isn't It Romantic"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Boy Next Door"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Wonder Why"
      ]
      [
        "ordre" => 5
        "nom" => "2. Swedish Pastry"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Our Love Is Here To Stay"
      ]
      [
        "ordre" => 8
        "nom" => "2. 'Round Midnight"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Stella By Starlight"
      ]
      [
        "ordre" => 11
        "nom" => "2. Blues In "F""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1446726563 {#1876
      date: 2015-11-05 12:29:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770141379 {#1869
      date: 2026-02-03 17:56:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-shelly-s-manne-hole-2-lp-45-rpm-analogue-productions-aapp-9487"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3138
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 838
    -nom: "At Shelly's Manne-Hole (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Bill Evans "At Shelly's Mann-Hole" !\r\n
      - Individual title from The Bill Evans Riverside Recordings Box Set !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray & Steve Hoffman at AcousTech Mastering AAA analog from original master tapes !\r\n
      \r\n
      "Bill Evans' recordings almost always received good to excellent sound, and the Analogue Productions reissues are no exception. While I don't own the original releases, the 45 RPM reissues clearly better, even after VTA adjustments, the later OJC reissues or the earlier 33 1/3 rpm Analogue Productions releases. The 45 RPM reissues are more musical and transparent; instruments have greater three-dimensionality and frequency extremes, especially lower octaves, exhibit greater resolution and impact. Get them before they're sold out". – Myles Astor, Positive Feedback Online, Issue 34, \r\n
      \r\n
      This is the last album Bill Evans made for his first label. That fact alone would give this at least historical significance; and there is surely also some importance to its being one of only two occasions on which the pianist was recorded for Riverside during "live" performance (the other, of course, resulted in the classic pair of Village Vanguard albums). But above all, these two nights at Shelly Manne's club in Hollywood marked the only recording by the excellent but short-term third trio; after the death of Scott LaFaro, bassist Chuck Israels joined Bill and Paul Motian; then in 1963 Los Angeles studio-stalwart drummer Larry Bunker made this brief but noteworthy contribution to the Evans legend.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bill Evans (piano), Chuck Israels (bass), Larry Bunker (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DHMKhWQufg0&list=PLfJndz0utgOOv4mnKZVq6PnyKDTZoveYj"
    -referenceProduit: "Analogue Productions AAPP 9487"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Isn't It Romantic"
      ]
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        "nom" => "2. The Boy Next Door"
      ]
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        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Wonder Why"
      ]
      [
        "ordre" => 5
        "nom" => "2. Swedish Pastry"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Our Love Is Here To Stay"
      ]
      [
        "ordre" => 8
        "nom" => "2. 'Round Midnight"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Stella By Starlight"
      ]
      [
        "ordre" => 11
        "nom" => "2. Blues In "F""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1446726563 {#1876
      date: 2015-11-05 12:29:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770141379 {#1869
      date: 2026-02-03 17:56:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-shelly-s-manne-hole-2-lp-45-rpm-analogue-productions-aapp-9487"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

[
  "produit" => App\Entity\Produit {#2049
    -id: 2902
    -nom: "Live At The Aquarius Theatre - The First Performance"
    -informationComplementaire: null
    -description: """
      - The Doors "Live At The Aquarius Theatre : The First Performance" !\r\n
      - Numbered edition limited to 2000 copies !\r\n
      - 180 gram 3LP set !\r\n
      - 2016 mix by The Doors engineer Bruce Botnick !\r\n
      - Features private sound check recorded at the Aquarius the day after the concert !\r\n
      - Pressed at Quality Record Pressings on 180 gram vinyl !\r\n
      - Housed in a 3-Pocket M-Pack Tip-On Jacket from Stoughton Printing !\r\n
      \r\n
      This (3 LP) set features The Doors' first set at the Aquarius Theatre on Sunset Boulevard in Los Angeles, California on July 21, 1969. \r\n
      \r\n
      At the intimate Aquarius Theatre, The Doors took the stage for what would become one of their most captivating and underrated live recordings. Live at the Aquarius Theatre: The First Performance captures Morrison and company in rare form: loose, loud, and locked in, delivering a set that was equal parts dark poetry and rock 'n' roll exorcism.\r\n
      \r\n
      The setlist is a fiery blend of hits, deep cuts, and blues workouts, from a swaggering "Back Door Man" to a hypnotic "The End" that slithers like a fever dream through your speakers. Jim Morrison teeters between mystic shaman and cheeky frontman, while Robby Krieger's guitar cuts through the psychedelic fog with razor-sharp precision. Ray Manzarek's keyboards are their usual haunted carnival ride, and John Densmore's drumming is the glue holding together the madness.\r\n
      \r\n
      "The Doors' first show at the Aquarius that you have on vinyl is an entirely new mix. When it came time to make the lacquer masters... the only option was to remix the show, which turned out to be beneficial in the long run as it gave us an opportunity to do a new High-Resolution archive of the 8 track analogue masters to 192/24. Also, using new tools available to us that we didn't have in 2001, we were able to remove most, it not all, of the hum and buzz which permeated the show. The new mix, which was done on an Avid Icon digital console, is a revelation, as it is so clear that it's almost like hearing the show for the first time... the resulting complete show was broken up into the five sides that comprise the show for the lacquer mastering.\r\n
      \r\n
      "In the interest of giving something new that you may never have heard before, side six is from the soundcheck. It isn't all that long, but it has some good moments for you to enjoy". - Bruce Botnick, Jan. 7, 2016, from the liner notes\r\n
      \r\n
      The Doors "Live at the Aquarius Theatre : The First Performance" isn't just a concert recording it's a time machine.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=csl1mZvgdbU&list=PLO3z44dxr38j7FLR4nJv1425tb-_dIO9l&index=3"
    -referenceProduit: "Analogue Productions AAPP 220"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tuning"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim's Introduction"
      ]
      [
        "ordre" => 3
        "nom" => "3. Back Door Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Break On Through"
      ]
      [
        "ordre" => 5
        "nom" => "5. What Do We Do Next ?"
      ]
      [
        "ordre" => 6
        "nom" => "6. Soul Kitchen"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. You Make Me Real"
      ]
      [
        "ordre" => 9
        "nom" => "2. Tuning"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Will Never Be Untrue"
      ]
      [
        "ordre" => 11
        "nom" => "4. The Crowd Humbly Requests"
      ]
      [
        "ordre" => 12
        "nom" => "5. When The Music's Over"
      ]
      [
        "ordre" => 13
        "nom" => "Side C :"
      ]
      [
        "ordre" => 14
        "nom" => "1. Universal Mind"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Crowd Requests Their Favorites And Tuning"
      ]
      [
        "ordre" => 16
        "nom" => "3. Mystery Train / Crossroads"
      ]
      [
        "ordre" => 17
        "nom" => "4. Build Me A Woman"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Tuning"
      ]
      [
        "ordre" => 20
        "nom" => "2. Who Do You Love (False Start)"
      ]
      [
        "ordre" => 21
        "nom" => "3. Who Do You Love"
      ]
      [
        "ordre" => 22
        "nom" => "4. Light My Fire"
      ]
      [
        "ordre" => 23
        "nom" => "Side E :"
      ]
      [
        "ordre" => 24
        "nom" => "1. The Crowd Requests More"
      ]
      [
        "ordre" => 25
        "nom" => "2. The Celebration Of The Lizard"
      ]
      [
        "ordre" => 26
        "nom" => "Side F : "
      ]
      [
        "ordre" => 27
        "nom" => "1. Soundcheck"
      ]
      [
        "ordre" => 28
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2051 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2055 …}
    -enregistreLe: DateTime @1762815977 {#2042
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    }
    -modifierLe: DateTime @1770141180 {#2043
      date: 2026-02-03 17:53:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2057 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-aquarius-theatre-the-first-performance-analogue-productions-aapp-220"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3252
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2049
    -id: 2902
    -nom: "Live At The Aquarius Theatre - The First Performance"
    -informationComplementaire: null
    -description: """
      - The Doors "Live At The Aquarius Theatre : The First Performance" !\r\n
      - Numbered edition limited to 2000 copies !\r\n
      - 180 gram 3LP set !\r\n
      - 2016 mix by The Doors engineer Bruce Botnick !\r\n
      - Features private sound check recorded at the Aquarius the day after the concert !\r\n
      - Pressed at Quality Record Pressings on 180 gram vinyl !\r\n
      - Housed in a 3-Pocket M-Pack Tip-On Jacket from Stoughton Printing !\r\n
      \r\n
      This (3 LP) set features The Doors' first set at the Aquarius Theatre on Sunset Boulevard in Los Angeles, California on July 21, 1969. \r\n
      \r\n
      At the intimate Aquarius Theatre, The Doors took the stage for what would become one of their most captivating and underrated live recordings. Live at the Aquarius Theatre: The First Performance captures Morrison and company in rare form: loose, loud, and locked in, delivering a set that was equal parts dark poetry and rock 'n' roll exorcism.\r\n
      \r\n
      The setlist is a fiery blend of hits, deep cuts, and blues workouts, from a swaggering "Back Door Man" to a hypnotic "The End" that slithers like a fever dream through your speakers. Jim Morrison teeters between mystic shaman and cheeky frontman, while Robby Krieger's guitar cuts through the psychedelic fog with razor-sharp precision. Ray Manzarek's keyboards are their usual haunted carnival ride, and John Densmore's drumming is the glue holding together the madness.\r\n
      \r\n
      "The Doors' first show at the Aquarius that you have on vinyl is an entirely new mix. When it came time to make the lacquer masters... the only option was to remix the show, which turned out to be beneficial in the long run as it gave us an opportunity to do a new High-Resolution archive of the 8 track analogue masters to 192/24. Also, using new tools available to us that we didn't have in 2001, we were able to remove most, it not all, of the hum and buzz which permeated the show. The new mix, which was done on an Avid Icon digital console, is a revelation, as it is so clear that it's almost like hearing the show for the first time... the resulting complete show was broken up into the five sides that comprise the show for the lacquer mastering.\r\n
      \r\n
      "In the interest of giving something new that you may never have heard before, side six is from the soundcheck. It isn't all that long, but it has some good moments for you to enjoy". - Bruce Botnick, Jan. 7, 2016, from the liner notes\r\n
      \r\n
      The Doors "Live at the Aquarius Theatre : The First Performance" isn't just a concert recording it's a time machine.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Jim Morrison (vocals), Ray Manzarek (keyboards), Robby Krieger (guitar), John Densmore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=csl1mZvgdbU&list=PLO3z44dxr38j7FLR4nJv1425tb-_dIO9l&index=3"
    -referenceProduit: "Analogue Productions AAPP 220"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Tuning"
      ]
      [
        "ordre" => 2
        "nom" => "2. Jim's Introduction"
      ]
      [
        "ordre" => 3
        "nom" => "3. Back Door Man"
      ]
      [
        "ordre" => 4
        "nom" => "4. Break On Through"
      ]
      [
        "ordre" => 5
        "nom" => "5. What Do We Do Next ?"
      ]
      [
        "ordre" => 6
        "nom" => "6. Soul Kitchen"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. You Make Me Real"
      ]
      [
        "ordre" => 9
        "nom" => "2. Tuning"
      ]
      [
        "ordre" => 10
        "nom" => "3. I Will Never Be Untrue"
      ]
      [
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        "nom" => "4. The Crowd Humbly Requests"
      ]
      [
        "ordre" => 12
        "nom" => "5. When The Music's Over"
      ]
      [
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        "nom" => "Side C :"
      ]
      [
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        "nom" => "1. Universal Mind"
      ]
      [
        "ordre" => 15
        "nom" => "2. The Crowd Requests Their Favorites And Tuning"
      ]
      [
        "ordre" => 16
        "nom" => "3. Mystery Train / Crossroads"
      ]
      [
        "ordre" => 17
        "nom" => "4. Build Me A Woman"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Tuning"
      ]
      [
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        "nom" => "2. Who Do You Love (False Start)"
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        "nom" => "3. Who Do You Love"
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        "nom" => "4. Light My Fire"
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        "nom" => "Side E :"
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      [
        "ordre" => 24
        "nom" => "1. The Crowd Requests More"
      ]
      [
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        "nom" => "2. The Celebration Of The Lizard"
      ]
      [
        "ordre" => 26
        "nom" => "Side F : "
      ]
      [
        "ordre" => 27
        "nom" => "1. Soundcheck"
      ]
      [
        "ordre" => 28
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2051 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2060 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2053 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2071
    -id: 2962
    -nom: "Conversations (2 LP) 45 RPM - Hand-Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      - Anne Bisson & Vincent Belanger "Conversations" !\r\n
      - 180 gram 45 RPM (2 LP) Hand-Numbered Edition !\r\n
      \r\n
      Multi-talented pianist and vocalist Anne Bisson and cellist Vincent Belanger collaborate for an album of musical Conversations. The audiophile album includes music composed by Belanger and Bisson along with Sylvie Massicote, Pierre Lenoir, David Chesky, Vincent's uncle Marc Belanger, and Fung Sou. The variety of composers brings a variety of styles to the table including Chinese music (sung in Mandarin), jazz, Latin rhythms, Bossa Nova, and songs of relationships and lost loves.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Anne Bisson (piano, vocals), Vincent Bélanger (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4MgK4wVo5vs&list=PL4E2VnvygMVfCVRDhct0kIa2q3VkZDqjj"
    -referenceProduit: "Camilio Records 5290-45"
    -titreMorceau: [
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        "nom" => "1. When I Fall in Love (Bonus track)"
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        "nom" => "2. Rêverie Sentimentale"
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        "nom" => "3. Fly Away "
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        "nom" => "2. Sutton Place Chorinho"
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        "nom" => "1. Spring Commitment"
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        "nom" => "2. Fantasia for Morel Genesis (Bonus track)"
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2073 …}
    -label: Proxies\__CG__\App\Entity\Label {#2076 …}
    -style: App\Entity\Style {#1449 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3303
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2071
    -id: 2962
    -nom: "Conversations (2 LP) 45 RPM - Hand-Numbered Limited Edition"
    -informationComplementaire: null
    -description: """
      - Anne Bisson & Vincent Belanger "Conversations" !\r\n
      - 180 gram 45 RPM (2 LP) Hand-Numbered Edition !\r\n
      \r\n
      Multi-talented pianist and vocalist Anne Bisson and cellist Vincent Belanger collaborate for an album of musical Conversations. The audiophile album includes music composed by Belanger and Bisson along with Sylvie Massicote, Pierre Lenoir, David Chesky, Vincent's uncle Marc Belanger, and Fung Sou. The variety of composers brings a variety of styles to the table including Chinese music (sung in Mandarin), jazz, Latin rhythms, Bossa Nova, and songs of relationships and lost loves.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Anne Bisson (piano, vocals), Vincent Bélanger (cello)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=4MgK4wVo5vs&list=PL4E2VnvygMVfCVRDhct0kIa2q3VkZDqjj"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2073 …}
    -label: Proxies\__CG__\App\Entity\Label {#2076 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2082 …}
    -disponible: null
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    -slug: "vinyles-conversations-2-lp-45-rpm-hand-numbered-limited-edition-camilio-records-5290-45"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
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[
  "produit" => App\Entity\Produit {#2094
    -id: 2934
    -nom: "Ravel : Daphnis & Chloe (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      By far, this is Ravel's richest and most sumptuously colorful work. Charles Munch, throughout his conducting career, gave sympathetic attention to the music of Ravel, and, by performing the entire ballet score in its entirety, restored Daphnis and Chloe to a single rounded work, drawn together not only thematically, but by its characteristic mood and color. Recorded Jan. 23-24, 1955 at Symphony Hall. Originally released in 1960.\r\n
      \r\n
      Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Boston Symphony Orchestra conducted by Charles Munch"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions AAPC 1893-45"
    -titreMorceau: [
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        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Ravel : Daphnis & Chloe - Ballet In One Act - Part 1"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
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      [
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        "nom" => "1. Ravel : Daphnis & Chloe - Ballet In One Act - Part 2"
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      [
        "ordre" => 5
        "nom" => "1. Ravel : Daphnis & Chloe - Ballet In One Act - Part 3"
      ]
      [
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      [
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        "nom" => "1. Ravel : Daphnis & Chloe - Ballet In One Act - Concluded"
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      [
        "ordre" => 8
        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2096 …}
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    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
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    -modifierLe: DateTime @1770107846 {#2088
      date: 2026-02-03 08:37:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ravel-daphnis-chloe-2-lp-45-rpm-analogue-productions-aapc-1893-45"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3354
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2094
    -id: 2934
    -nom: "Ravel : Daphnis & Chloe (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound !\r\n
      - Part of the Analogue Productions RCA Living Stereo 45 RPM Series !\r\n
      - Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound !\r\n
      - Includes 2 panel insert !\r\n
      - 180 gram vinyl 45 RPM double LP pressed at Quality Record Pressings !\r\n
      \r\n
      By far, this is Ravel's richest and most sumptuously colorful work. Charles Munch, throughout his conducting career, gave sympathetic attention to the music of Ravel, and, by performing the entire ballet score in its entirety, restored Daphnis and Chloe to a single rounded work, drawn together not only thematically, but by its characteristic mood and color. Recorded Jan. 23-24, 1955 at Symphony Hall. Originally released in 1960.\r\n
      \r\n
      Mastered from the original 2 track master tapes and cut at 45 RPM by by Ryan K. Smith at Sterling Sound, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 180 gram platters available. Each reissue in the RCA Living Stereo 45 RPM Series also includes a special 2 panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Boston Symphony Orchestra conducted by Charles Munch"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: null
    -referenceProduit: "Analogue Productions AAPC 1893-45"
    -titreMorceau: [
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      [
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        "nom" => "1. Ravel : Daphnis & Chloe - Ballet In One Act - Part 1"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2096 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1438 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1767427962 {#2087
      date: 2026-01-03 08:12:42.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770107846 {#2088
      date: 2026-02-03 08:37:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-ravel-daphnis-chloe-2-lp-45-rpm-analogue-productions-aapc-1893-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2927
    -nom: "Blue Gene (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Gene Ammons "Blue Gene" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Jazz lovers and sonic thrill seekers here's a horn-heavy hangout starring the smooth, swaggering Gene Ammons and a dream team of mid-century jazz legends. Think of it as a top-shelf jam session that someone wisely remembered to hit "record" on.\r\n
      \r\n
      This 1958 Prestige gem is bluesy by name and bluesier by nature three of the four tracks ride those familiar blues changes like a Cadillac with velvet seats. But don't get too comfortable, because pianist Mal Waldron penned the entire setlist, including the haunting, minor-key ballad "Hip Tip", just to keep your ears on their toes.\r\n
      \r\n
      Gene Ammons, aka "Jug", brings that famously expressive tenor sax of his rich enough to butter toast with and pairs up with two of the finest co-conspirators ever to bless a horn: the sharp, soulful Idrees Sulieman on trumpet and the baritone brawler himself, Pepper Adams. This trio doesn't just blow; they converse, they duel, and occasionally they just throw down.\r\n
      \r\n
      Every player on this date had already jammed with Gene before, so the chemistry is tighter than a snare drum. It's the kind of session where everyone shows up knowing it's about to go down and it does.\r\n
      \r\n
      The vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Blue Gene is a must-have slice of golden-era jazz equal parts brains, brawn, and bluesy brilliance. File it under "Instant Vibe".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Gene Ammons (tenor saxophone), Sonny Clark (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aBThHLgiZVg&list=RDaBThHLgiZVg&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 205-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Gene"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Scamperin'"
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
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        "ordre" => 5
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
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    -modifierLe: DateTime @1770107637 {#2111
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3405
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2117
    -id: 2927
    -nom: "Blue Gene (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Gene Ammons "Blue Gene" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      Jazz lovers and sonic thrill seekers here's a horn-heavy hangout starring the smooth, swaggering Gene Ammons and a dream team of mid-century jazz legends. Think of it as a top-shelf jam session that someone wisely remembered to hit "record" on.\r\n
      \r\n
      This 1958 Prestige gem is bluesy by name and bluesier by nature three of the four tracks ride those familiar blues changes like a Cadillac with velvet seats. But don't get too comfortable, because pianist Mal Waldron penned the entire setlist, including the haunting, minor-key ballad "Hip Tip", just to keep your ears on their toes.\r\n
      \r\n
      Gene Ammons, aka "Jug", brings that famously expressive tenor sax of his rich enough to butter toast with and pairs up with two of the finest co-conspirators ever to bless a horn: the sharp, soulful Idrees Sulieman on trumpet and the baritone brawler himself, Pepper Adams. This trio doesn't just blow; they converse, they duel, and occasionally they just throw down.\r\n
      \r\n
      Every player on this date had already jammed with Gene before, so the chemistry is tighter than a snare drum. It's the kind of session where everyone shows up knowing it's about to go down and it does.\r\n
      \r\n
      The vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      Blue Gene is a must-have slice of golden-era jazz equal parts brains, brawn, and bluesy brilliance. File it under "Instant Vibe".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Gene Ammons (tenor saxophone), Sonny Clark (piano), Doug Watkins (bass), Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=aBThHLgiZVg&list=RDaBThHLgiZVg&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 205-45"
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[
  "produit" => App\Entity\Produit {#2137
    -id: 2926
    -nom: "In New York (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Chet Baker "In New York" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      On Chet Baker In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.\r\n
      \r\n
      Chet Baker didn't play the trumpet. He seduced it. His tone ? So velvety, you might try spreading it on toast. His solos ? Like a conversation with someone who never raises their voice but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\r\n
      \r\n
      Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the "Little Giant" brings a big sound and a bebop bite, pushing Chet into edgier territory and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.\r\n
      \r\n
      Among the tracks, "Fair Weather" opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. "Solar" is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. "Polka Dots and Moonbeams" is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.\r\n
      \r\n
      This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Chet Baker (trumpet), Johnny Griffin (tenor saxophone), Al Haig (piano), Paul Chambers (bass), Philly Joe Jones (drums), Zoot Sims (tenor saxophone), Bob Corwin (piano), Charlie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NTU08M3t3Ww&list=RDNTU08M3t3Ww&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 206-45"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "ordre" => 1
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      ]
      [
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        "nom" => "Side B : "
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        "nom" => "1. Hotel 49"
      ]
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        "nom" => "Side C :"
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      [
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        "nom" => "1. Solar"
      ]
      [
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        "nom" => "2. Blue Thoughts"
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        "nom" => "1. When Lights Are Low"
      ]
      [
        "ordre" => 10
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -modifierLe: DateTime @1770107523 {#2131
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3456
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2137
    -id: 2926
    -nom: "In New York (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Chet Baker "In New York" !\r\n
      - Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering !\r\n
      - Double LP cut at 45 RPM and pressed on 180-gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish !\r\n
      \r\n
      On Chet Baker In New York, Chet plays like an angel with a muted trumpet. In New York captures the moody prince of cool stepping into the East Coast hard bop ring and holding his own with charm, tone, and those impossibly lyrical lines that seem to float above the beat like cigarette smoke in a club basement.\r\n
      \r\n
      Chet Baker didn't play the trumpet. He seduced it. His tone ? So velvety, you might try spreading it on toast. His solos ? Like a conversation with someone who never raises their voice but always gets the last word. On In New York, Chet proves that his famously fragile persona belied a rock-solid sense of melody, timing, and understated swagger.\r\n
      \r\n
      Chet may be the name on the cover, but he came to town with some serious firepower. Johnny Griffin (tenor sax), known as the "Little Giant" brings a big sound and a bebop bite, pushing Chet into edgier territory and yes, it works. Al Haig (piano), is bebop royalty. Cool, crisp, and a perfect harmonic foil for Baker's phrasing. Paul Chambers (bass), is from Miles' first-call list. He doesn't just walk the bass he struts. Lastly, Philly Joe Jones (drums) swings so hard, it's a wonder the studio walls didn't cave in. This lineup turns In New York from a moody trumpet feature into a full-on jazz heavyweight bout, where elegance and energy shake hands for 42 glorious minutes.\r\n
      \r\n
      Among the tracks, "Fair Weather" opens like a sigh and builds to a gorgeous melodic statement. Chet's tone is so pure, you'll swear it's whispering secrets. "Solar" is the Miles Davis tune. Chet steps into the master's world and makes it his own. Confident, cool, and swinging. "Polka Dots and Moonbeams" is a ballad done Baker-style: Romantic, vulnerable, and smoother than a vintage Cadillac. These are just a taste of the treasures that await on In New York.\r\n
      \r\n
      This vinyl reissue is par excellence: Mastering by Kevin Gray and Steve Hoffman at Acoustech Mastering, double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings! Plus it's housed in a Stoughton Printing Old Style Tip-On gatefold jacket with scuff-resistant matte finish.\r\n
      \r\n
      This is an album that deserves space in every jazz fan's collection. It captures a unique moment in Chet's career between the breezy West Coast cool and the rawer later years. It's a must-have for any jazz collector who values tone, taste, and a little touch of trumpet romance. Add to cart. Drop the needle. Cue the cool.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Chet Baker (trumpet), Johnny Griffin (tenor saxophone), Al Haig (piano), Paul Chambers (bass), Philly Joe Jones (drums), Zoot Sims (tenor saxophone), Bob Corwin (piano), Charlie Smith (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=NTU08M3t3Ww&list=RDNTU08M3t3Ww&start_radio=1"
    -referenceProduit: "Analogue Productions AAPJ 206-45"
    -titreMorceau: [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -modifierLe: DateTime @1770107523 {#2131
      date: 2026-02-03 08:32:03.0 UTC (+00:00)
    }
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[
  "produit" => App\Entity\Produit {#2157
    -id: 2958
    -nom: "Kaya (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar), Tyrone Downie, Earl Lindo (keyboards), Alvin Patterson (percussion), Carlton Barrett (drums).\r\n
      \r\n
      - Bob Marley & The Wailers "Kaya" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.\r\n
      \r\n
      Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.\r\n
      \r\n
      Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.\r\n
      \r\n
      Now, Analogue Productions presents Kaya in sonic perfection featured on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vbED91NU4vE&list=RDvbED91NU4vE&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 181-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Easy Skanking"
      ]
      [
        "ordre" => 2
        "nom" => "2. Kaya"
      ]
      [
        "ordre" => 3
        "nom" => "3. Is This Love "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Sun Is Shining"
      ]
      [
        "ordre" => 6
        "nom" => "2. Satisfy My Soul "
      ]
      [
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        "nom" => "Side C :"
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      [
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        "nom" => "1. She's Gone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Misty Morning"
      ]
      [
        "ordre" => 10
        "nom" => "3. Crisis "
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Running Away"
      ]
      [
        "ordre" => 13
        "nom" => "2. Time Will Tell"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
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App\Twig\Components\GestionPanierFavoriComponents {#3507
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2157
    -id: 2958
    -nom: "Kaya (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar), Tyrone Downie, Earl Lindo (keyboards), Alvin Patterson (percussion), Carlton Barrett (drums).\r\n
      \r\n
      - Bob Marley & The Wailers "Kaya" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Kaya, released in 1978, was the tenth studio album by the Jamaican band Bob Marley & The Wailers, comprising tracks recorded alongside those released on the Exodus album. On Kaya, the band continued what has become an unspoken tradition in the evolution of Bob Marley & The Wailers discography blending western sounds and motifs with the icons and traditions from the very core of Jamaican society.\r\n
      \r\n
      Released in 1978, Kaya wasn't necessarily made with American tastes in mind, but it was an album that presented a more accessible version of Bob Marley. Lyrically, the songs avoided the political commentary or Rastafarian philosophizing that was at the forefront of Natty Dread and Rastaman Vibration, and instead emphasized tunes about love and ganga, such as "Easy Skanking" and the title cut. And the palpable musical tension that simmered beneath the surface on the Wailers' earlier material gave way to a more laid-back riddim that was more comfortable but a bit less demanding. Kaya presented a gentler and friendlier version of Bob Marley & the Wailers, but it also documented Marley and his group at the peak of their abilities.\r\n
      \r\n
      Likewise, Kaya could also be easily construed as an open love letter or musical paean to the lifestyle that Marley so eagerly embraced and promoted. Evidence that the spirituality that permeates the Wailers music is real and not lip service.\r\n
      \r\n
      Now, Analogue Productions presents Kaya in sonic perfection featured on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Junior Marvin, Al Anderson (lead guitar), Aston Barrett (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=vbED91NU4vE&list=RDvbED91NU4vE&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 181-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Easy Skanking"
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        "ordre" => 2
        "nom" => "2. Kaya"
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        "ordre" => 3
        "nom" => "3. Is This Love "
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        "nom" => "1. Sun Is Shining"
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        "nom" => "2. Satisfy My Soul "
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        "nom" => "2. Misty Morning"
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        "nom" => "3. Crisis "
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        "nom" => "Side D : "
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        "nom" => "1. Running Away"
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        "nom" => "2. Time Will Tell"
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2959
    -nom: "Uprising (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Carlton Barrett (drums, percussion).\r\n
      \r\n
      - Bob Marley & The Wailers "Uprising" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.\r\n
      \r\n
      Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.\r\n
      \r\n
      Tracks such as the iconic "Redemption Song", with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah", reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.\r\n
      \r\n
      Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.\r\n
      \r\n
      For Marley fans, it's more than an album it's a testament to his enduring spirit.\r\n
      \r\n
      Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=S-qI0l-Am8I&list=PLXUOoLol9dVNouOGzV_hgxtsw65Ww84v5"
    -referenceProduit: "Analogue Productions AAPP 182-45"
    -titreMorceau: [
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      ]
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        "nom" => "1. Coming In From The Cold"
      ]
      [
        "ordre" => 2
        "nom" => "2. Real Situation"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Bad Card"
      ]
      [
        "ordre" => 5
        "nom" => "2. We And Them"
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        "nom" => "3. Work"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Zion Train"
      ]
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        "nom" => "2. Pimper's Paradise"
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        "nom" => "3. Could You Be Loved"
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        "nom" => "Side D : "
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        "nom" => "1. Forever Loving Jah"
      ]
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        "ordre" => 13
        "nom" => "2. Redemption Song"
      ]
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
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    -modifierLe: DateTime @1770102255 {#2171
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3560
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2177
    -id: 2959
    -nom: "Uprising (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards), Rita Marley, Judy Mowatt, Marcia Griffiths (backing vocals), Carlton Barrett (drums, percussion).\r\n
      \r\n
      - Bob Marley & The Wailers "Uprising" !\r\n
      - Mastered by Frank Arkwright and Ryan K. Smith at Abbey Road Studios in London, from the original master tape !\r\n
      - Two 45 RPM LPs pressed on 180 gram vinyl at Quality Record Pressings / Also on Hybrid Multichannel SACD !\r\n
      - Deluxe Old-Style Tip-On Stoughton Printing gatefold jacket !\r\n
      \r\n
      Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley's lifetime. Prophetically, it also contains some of the band's finest crafted material, as if they were cognizant that this would be their final outing.\r\n
      \r\n
      Released in 1980, Uprising stands as one of Bob Marley's most poignant and spiritually charged albums, embodying both his enduring reggae genius and his reflective, almost prophetic musings on life and faith. What makes Uprising particularly unique in Marley's discography is its duality-balancing socially conscious anthems with deeply personal expressions of faith, hope, and mortality.\r\n
      \r\n
      Tracks such as the iconic "Redemption Song", with its acoustic simplicity and universal message of liberation, and the haunting "Forever Loving Jah", reveal a man at peace with his spirituality. Meanwhile, songs such as "Could You Be Loved" deliver infectious grooves and crossover appeal, proving Marley's ability to blend message and melody effortlessly.\r\n
      \r\n
      Critics and fans alike hailed Uprising as a high point in Marley's career. It received acclaim for its mature sound and cohesive vision, with reviewers highlighting its raw emotional power. While it didn't achieve the explosive commercial success of Exodus or Kaya, it cemented Marley's status as a global ambassador for reggae and freedom.\r\n
      \r\n
      For Marley fans, it's more than an album it's a testament to his enduring spirit.\r\n
      \r\n
      Now, Analogue Productions gives Uprising the deluxe treatment this album, with its rich heritage, deserves. Pressed on 180 gram vinyl pressed at 45 RPM at Quality Record Pressings. Housed in a deluxe Old Style Tip-On Jacket from Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Bob Marley (rhythm guitar, lead vocals), Aston Barrett (bass guitar),  Junior Marvin, Al Anderson (lead guitar), Tyrone Downie, Earl Lindo (keyboards)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=S-qI0l-Am8I&list=PLXUOoLol9dVNouOGzV_hgxtsw65Ww84v5"
    -referenceProduit: "Analogue Productions AAPP 182-45"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "2. Real Situation"
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      [
        "ordre" => 3
        "nom" => "Side B : "
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        "ordre" => 4
        "nom" => "1. Bad Card"
      ]
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        "ordre" => 5
        "nom" => "2. We And Them"
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        "ordre" => 6
        "nom" => "3. Work"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
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        "ordre" => 8
        "nom" => "1. Zion Train"
      ]
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        "nom" => "3. Could You Be Loved"
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        "nom" => "Side D : "
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        "nom" => "1. Forever Loving Jah"
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        "nom" => "2. Redemption Song"
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        "nom" => ""
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2159 …}
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    -modifierLe: DateTime @1770102255 {#2171
      date: 2026-02-03 07:04:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2194
    -id: 880
    -nom: "The Singles"
    -informationComplementaire: null
    -description: """
      The Singles collection charts Genesis' Phil Collins' entire solo career from his smash 1981 debut "In The Air Tonight" to "(Love Is Like A) Heatwave" from his 2010 studio album, "Going Back". It encompasses seven U.S. N° 1s ("Against All Odds (Take A Look At Me Now)," "Sussudio", "One More Night", "Separate Lives", "A Groovy Kind of Love", "Two Hearts" and "Another Day In Paradise" plus further Top 10 hits. Few artists have so dominated the charts as Collins, the English singer, songwriter, multi-instrumentalist, music producer and actor, and the memorable music on The Singles shows why. The mastering process for the tracks was overseen by Nick Davis.\r\n
      \r\n
      Phil Collins gained fame as both the drummer and lead singer for the rock band Genesis, and he also gained worldwide fame as a solo artist. Collins is one of the most successful songwriters and performers of all time, singing the lead vocals on dozens of hit albums and singles in the U.K. and the U.S. between 1976 and 2010, either as a solo artist or with Genesis. He has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yNU9RMdyE18"
    -referenceProduit: "Rhino Records 67326"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. In The Air Tonight (2015 Remastered)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Missed Again (2015 Remastered)"
      ]
      [
        "ordre" => 3
        "nom" => "3. You Can’t Hurry Love (2016 Remastered)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Against All Odds (Take A Look At Me Now) [2016 Remastered]"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Lover – Philip Bailey & Phil Collins"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sussudio (2016 Remastered)"
      ]
      [
        "ordre" => 8
        "nom" => "2. One More Night (2016 Remastered)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Separate Lives (Love Theme From White Nights) [2016 Remastered]"
      ]
      [
        "ordre" => 10
        "nom" => "– Phil Collins And Marilyn Martin"
      ]
      [
        "ordre" => 11
        "nom" => "4. A Groovy Kind Of Love (2016 Remastered)4. "
      ]
      [
        "ordre" => 12
        "nom" => "5. Two Hearts (2016 Remastered)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Another Day In Paradise (2016 Remastered) "
      ]
      [
        "ordre" => 15
        "nom" => "2. I Wish It Would Rain Down (2016 Remastered) "
      ]
      [
        "ordre" => 16
        "nom" => "3. Something Happened On The Way To Heaven (2016 Remastered) \t"
      ]
      [
        "ordre" => 17
        "nom" => "4. Do You Remember? (2016 Remastered)"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Both Sides Of The Story (2015 Remastered) "
      ]
      [
        "ordre" => 20
        "nom" => "2. Dance Into The Light (2016 Remastered) "
      ]
      [
        "ordre" => 21
        "nom" => "3. True Colors (2016 Remastered) "
      ]
      [
        "ordre" => 22
        "nom" => "4. Can’t Stop Loving You (2016 Remastered) "
      ]
      [
        "ordre" => 23
        "nom" => "5. (Love Is Like A) Heatwave (2016 Remastered)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2199 …}
    -style: App\Entity\Style {#1453 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
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    }
    -modifierLe: DateTime @1770043755 {#2188
      date: 2026-02-02 14:49:15.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-singles-rhino-records-67326"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3606
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2194
    -id: 880
    -nom: "The Singles"
    -informationComplementaire: null
    -description: """
      The Singles collection charts Genesis' Phil Collins' entire solo career from his smash 1981 debut "In The Air Tonight" to "(Love Is Like A) Heatwave" from his 2010 studio album, "Going Back". It encompasses seven U.S. N° 1s ("Against All Odds (Take A Look At Me Now)," "Sussudio", "One More Night", "Separate Lives", "A Groovy Kind of Love", "Two Hearts" and "Another Day In Paradise" plus further Top 10 hits. Few artists have so dominated the charts as Collins, the English singer, songwriter, multi-instrumentalist, music producer and actor, and the memorable music on The Singles shows why. The mastering process for the tracks was overseen by Nick Davis.\r\n
      \r\n
      Phil Collins gained fame as both the drummer and lead singer for the rock band Genesis, and he also gained worldwide fame as a solo artist. Collins is one of the most successful songwriters and performers of all time, singing the lead vocals on dozens of hit albums and singles in the U.K. and the U.S. between 1976 and 2010, either as a solo artist or with Genesis. He has been described by AllMusic as "one of the most successful pop and adult contemporary singers of the '80s and beyond".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yNU9RMdyE18"
    -referenceProduit: "Rhino Records 67326"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. In The Air Tonight (2015 Remastered)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Missed Again (2015 Remastered)"
      ]
      [
        "ordre" => 3
        "nom" => "3. You Can’t Hurry Love (2016 Remastered)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Against All Odds (Take A Look At Me Now) [2016 Remastered]"
      ]
      [
        "ordre" => 5
        "nom" => "5. Easy Lover – Philip Bailey & Phil Collins"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sussudio (2016 Remastered)"
      ]
      [
        "ordre" => 8
        "nom" => "2. One More Night (2016 Remastered)"
      ]
      [
        "ordre" => 9
        "nom" => "3. Separate Lives (Love Theme From White Nights) [2016 Remastered]"
      ]
      [
        "ordre" => 10
        "nom" => "– Phil Collins And Marilyn Martin"
      ]
      [
        "ordre" => 11
        "nom" => "4. A Groovy Kind Of Love (2016 Remastered)4. "
      ]
      [
        "ordre" => 12
        "nom" => "5. Two Hearts (2016 Remastered)"
      ]
      [
        "ordre" => 13
        "nom" => "Side C : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Another Day In Paradise (2016 Remastered) "
      ]
      [
        "ordre" => 15
        "nom" => "2. I Wish It Would Rain Down (2016 Remastered) "
      ]
      [
        "ordre" => 16
        "nom" => "3. Something Happened On The Way To Heaven (2016 Remastered) \t"
      ]
      [
        "ordre" => 17
        "nom" => "4. Do You Remember? (2016 Remastered)"
      ]
      [
        "ordre" => 18
        "nom" => "Side D : "
      ]
      [
        "ordre" => 19
        "nom" => "1. Both Sides Of The Story (2015 Remastered) "
      ]
      [
        "ordre" => 20
        "nom" => "2. Dance Into The Light (2016 Remastered) "
      ]
      [
        "ordre" => 21
        "nom" => "3. True Colors (2016 Remastered) "
      ]
      [
        "ordre" => 22
        "nom" => "4. Can’t Stop Loving You (2016 Remastered) "
      ]
      [
        "ordre" => 23
        "nom" => "5. (Love Is Like A) Heatwave (2016 Remastered)"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2199 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2208 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2201 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2203 …}
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    }
    -modifierLe: DateTime @1770043755 {#2188
      date: 2026-02-02 14:49:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2205 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-singles-rhino-records-67326"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

[
  "produit" => App\Entity\Produit {#2213
    -id: 977
    -nom: "Face Value"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Face Value Phil Collin's smash solo album featuring "In The Air Tonight" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering and cut to lacquer from a 1/4" EQ'd Dolby tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings and RTI !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      For a YouTube comparison of the Atlantic 75 Series edition with the original click here.\r\n
      \r\n
      The 5x platinum-selling album in the U.S., Face Value, was the debut solo album released by Genesis drummer and singer-songwriter Phil Collins, released in February 1981 by Virgin Records. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton.\r\n
      \r\n
      Face Value was an instant commercial success and reached No. 1 on the U.K. Albums Chart for three weeks and No. 7 on the U.S. Billboard 200. It has since sold more than 5 million copies in the U.S. and more than 1.5 million in the U.K. The album received widespread praise from critics. Its lead single "In the Air Tonight," released in January 1981, reached No. 2 on the U.K. Singles Chart and became known for its drum arrangement and use of gated reverb.\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Face Value has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Like "Misunderstanding" (one of Genesis's best songs), Face Value is pop music about personal turmoil: in this case, the dissolution of Collins' marriage. Rolling Stone wrote: "At times, the singer's broken heart is too clearly on his sleeve, and musical missteps abound: the annoying Munchkin-like Vocoder effects in 'I'm Not Moving,' some rote horn charts, a batch of indistinguishable ballads and a flaccid cover version of the Beatles' 'Tomorrow Never Knows.'\r\n
      \r\n
      "But Collins hits more often than not, adeptly blending moody keyboard trills and bone-crunching drumbeats in 'In the Air Tonight' and shifting with surprising sure-footedness from the Eno-esque repetition of 'Droned' through the percussive horn blasts of 'Hand in Hand' to the persuasive intimacy of 'If Leaving Me Is Easy'".\r\n
      \r\n
      AllMusic gave the album 5 stars, with reviewer Tim Sendra writing: "Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop... (He made)an album that stands as a classic moment of '80s pop/rock... Collins felt driven to make this album to help him heal. It's not a career move or a cash grab; it's a transmission from a wounded soul delivered with a soft touch and sensitivity".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Phil Collins (keyboards, percussion, drums, vocals), Don Myrick, Ronnie Scott (tenor saxophone), Michael Harris, Rahmlee Michael Davis (trumpet), Louis Satterfield (trombone), Shankar (violin, tambura), Daryl Stuermer (banjo), Eric Clapton (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MN3x-kAbgFU"
    -referenceProduit: "AAPA 003-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. In The Air Tonight  "
      ]
      [
        "ordre" => 1
        "nom" => "2. This Must Be Love  "
      ]
      [
        "ordre" => 2
        "nom" => "3. Behind The Lines  "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Roof Is Leaking  "
      ]
      [
        "ordre" => 4
        "nom" => "5. Droned  "
      ]
      [
        "ordre" => 5
        "nom" => "6. Hand In Hand "
      ]
      [
        "ordre" => 6
        "nom" => "7. I Missed Again "
      ]
      [
        "ordre" => 7
        "nom" => "8. You Know What I Mean "
      ]
      [
        "ordre" => 8
        "nom" => "9. Thunder And Lightning"
      ]
      [
        "ordre" => 9
        "nom" => "10. I'm Not Moving "
      ]
      [
        "ordre" => 10
        "nom" => "11. If Leaving Me Is Easy "
      ]
      [
        "ordre" => 11
        "nom" => "12. Tomorrow Never Knows"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
    -style: App\Entity\Style {#1452 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2224 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2217 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1468570926 {#2210
      date: 2016-07-15 08:22:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770043559 {#2211
      date: 2026-02-02 14:45:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-face-value-aapa-003-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3659
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2213
    -id: 977
    -nom: "Face Value"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Face Value Phil Collin's smash solo album featuring "In The Air Tonight" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering and cut to lacquer from a 1/4" EQ'd Dolby tape copy of the original master tape !\r\n
      - Pressed at Quality Record Pressings and RTI !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      For a YouTube comparison of the Atlantic 75 Series edition with the original click here.\r\n
      \r\n
      The 5x platinum-selling album in the U.S., Face Value, was the debut solo album released by Genesis drummer and singer-songwriter Phil Collins, released in February 1981 by Virgin Records. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton.\r\n
      \r\n
      Face Value was an instant commercial success and reached No. 1 on the U.K. Albums Chart for three weeks and No. 7 on the U.S. Billboard 200. It has since sold more than 5 million copies in the U.S. and more than 1.5 million in the U.K. The album received widespread praise from critics. Its lead single "In the Air Tonight," released in January 1981, reached No. 2 on the U.K. Singles Chart and became known for its drum arrangement and use of gated reverb.\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Face Value has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Like "Misunderstanding" (one of Genesis's best songs), Face Value is pop music about personal turmoil: in this case, the dissolution of Collins' marriage. Rolling Stone wrote: "At times, the singer's broken heart is too clearly on his sleeve, and musical missteps abound: the annoying Munchkin-like Vocoder effects in 'I'm Not Moving,' some rote horn charts, a batch of indistinguishable ballads and a flaccid cover version of the Beatles' 'Tomorrow Never Knows.'\r\n
      \r\n
      "But Collins hits more often than not, adeptly blending moody keyboard trills and bone-crunching drumbeats in 'In the Air Tonight' and shifting with surprising sure-footedness from the Eno-esque repetition of 'Droned' through the percussive horn blasts of 'Hand in Hand' to the persuasive intimacy of 'If Leaving Me Is Easy'".\r\n
      \r\n
      AllMusic gave the album 5 stars, with reviewer Tim Sendra writing: "Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop... (He made)an album that stands as a classic moment of '80s pop/rock... Collins felt driven to make this album to help him heal. It's not a career move or a cash grab; it's a transmission from a wounded soul delivered with a soft touch and sensitivity".
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Phil Collins (keyboards, percussion, drums, vocals), Don Myrick, Ronnie Scott (tenor saxophone), Michael Harris, Rahmlee Michael Davis (trumpet), Louis Satterfield (trombone), Shankar (violin, tambura), Daryl Stuermer (banjo), Eric Clapton (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=MN3x-kAbgFU"
    -referenceProduit: "AAPA 003-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. In The Air Tonight  "
      ]
      [
        "ordre" => 1
        "nom" => "2. This Must Be Love  "
      ]
      [
        "ordre" => 2
        "nom" => "3. Behind The Lines  "
      ]
      [
        "ordre" => 3
        "nom" => "4. The Roof Is Leaking  "
      ]
      [
        "ordre" => 4
        "nom" => "5. Droned  "
      ]
      [
        "ordre" => 5
        "nom" => "6. Hand In Hand "
      ]
      [
        "ordre" => 6
        "nom" => "7. I Missed Again "
      ]
      [
        "ordre" => 7
        "nom" => "8. You Know What I Mean "
      ]
      [
        "ordre" => 8
        "nom" => "9. Thunder And Lightning"
      ]
      [
        "ordre" => 9
        "nom" => "10. I'm Not Moving "
      ]
      [
        "ordre" => 10
        "nom" => "11. If Leaving Me Is Easy "
      ]
      [
        "ordre" => 11
        "nom" => "12. Tomorrow Never Knows"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
    -label: Proxies\__CG__\App\Entity\Label {#2215 …}
    -style: App\Entity\Style {#1452 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2219 …}
    -enregistreLe: DateTime @1468570926 {#2210
      date: 2016-07-15 08:22:06.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770043559 {#2211
      date: 2026-02-02 14:45:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2221 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-face-value-aapa-003-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

[
  "produit" => App\Entity\Produit {#2229
    -id: 2471
    -nom: "Hello I Must Be Going !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Phil Collins (keyboards, bass pedals, percussion, handclaps, timpani, ), trumpet, tambourine, marimba, acoustic piano, drums, vocals), Daryl Stuermer (guitars), John Giblin, Mo Foster (bass guitar), J. Peter Robinson (acoustic piano, vibraphone and glockenspiel), Don Myrick (tenor & alto saxophone), Louis Satterfield (trombone), Michael Harris, Rahmlee Michael Davis (trumpet).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Hello, I Must Be Going ! Phil Collins' second solo studio album !\r\n
      - Featuring "You Can't Hurry Love" and "I Cannot Believe It's True" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      \r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering and cut to lacquer from a 1/4" EQ'd Dolby tape copy of the original master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings and RTI !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On his first solo album, 1981's Face Value, Genesis drummer-singer Phil Collins showed that he wasn't about to be left behind in the mire of classical-rock sludge. That LP boasted shorter songs and demonstrated that Collins had a true pop sensibility. Hello, I Must Be Going! continues that trend, with some familiar patterns emerging, wrote Rolling Stone's John Milward.\r\n
      \r\n
      "First, there are the dramatic rock dirges that use drums as a lead instrument; 'I Don't Care Anymore,' with Collins' one-man band playing alongside Daryl Stuermer's atmospheric guitars, wins in this category. Then there are the buttery ballads, of which "Don't Let Him Steal Your Heart Away" is the best by virtue of a Beatles-like melody that buoys Collins' anonymously sweet voice. Both of these styles were already Genesis staples; it was Collins' uptempo soul tunes on Face Value and Genesis' Abacab that surprised old fans and found new ones. 'I Cannot Believe It's True', with Earth, Wind and Fire's Phoenix Horns casting out clean lines, clobbers the other soul contenders on Hello, I Must Be Going !, especially his remake of the Supremes' 'You Can't Hurry Love'. Collins took the golden-oldie route on that song and the result isn't soulful, it's superfluous. Despite its trend-bucking boast of an 8 track recording, the album's rich luster is of the old classical-rock school. In fact, the LP sounds like stripped-down Genesis, ornamental but not too ostentatious. John Milward, Rolling Stone (3 Stars)".\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Hello, I Must Be Going! has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing on 180 gram vinyl is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Hello, I Must Be Going! was a triple-platinum-selling hit in the U.S. for Collins in the 1980s and it stayed on the U.K. album charts for more than a year, peaking at N° 2. For the fans it is a drummer's album, a record that expresses rage and desperation as well as loneliness and longing. Not an album for every day, but one that really speaks to you when you need it, wrote Martin Klinkhardt, in a review for genesis-news.com.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Phil Collins (keyboards, bass pedals, percussion, handclaps, timpani, ), trumpet, tambourine, marimba, acoustic piano, drums, vocals), Daryl Stuermer (guitars), John Giblin, Mo Foster (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IkUSyo5fstw"
    -referenceProduit: "Analogue Productions AAPA 012-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. I Don't Care Anymore"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Cannot Believe It's True"
      ]
      [
        "ordre" => 3
        "nom" => "3. Like China"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Do You Know, Do You Care ?"
      ]
      [
        "ordre" => 6
        "nom" => "2. You Can't Hurry Love"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. It Don't Matter To Me"
      ]
      [
        "ordre" => 9
        "nom" => "2. Thru These Walls"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. Don't Let Him Steal Your Heart Away"
      ]
      [
        "ordre" => 12
        "nom" => "2. The West Side"
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      [
        "ordre" => 13
        "nom" => "3. Why Can't It Wait 'Til Morning"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2196 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3707
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  +produit: App\Entity\Produit {#2229
    -id: 2471
    -nom: "Hello I Must Be Going !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Phil Collins (keyboards, bass pedals, percussion, handclaps, timpani, ), trumpet, tambourine, marimba, acoustic piano, drums, vocals), Daryl Stuermer (guitars), John Giblin, Mo Foster (bass guitar), J. Peter Robinson (acoustic piano, vibraphone and glockenspiel), Don Myrick (tenor & alto saxophone), Louis Satterfield (trombone), Michael Harris, Rahmlee Michael Davis (trumpet).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Hello, I Must Be Going ! Phil Collins' second solo studio album !\r\n
      - Featuring "You Can't Hurry Love" and "I Cannot Believe It's True" !\r\n
      - 180 gram 45 RPM double LP release !\r\n
      \r\n
      - Mastered by Chris Bellman at Bernie Grundman Mastering and cut to lacquer from a 1/4" EQ'd Dolby tape copy of the original master tape !\r\n
      \r\n
      - Pressed at Quality Record Pressings and RTI !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      On his first solo album, 1981's Face Value, Genesis drummer-singer Phil Collins showed that he wasn't about to be left behind in the mire of classical-rock sludge. That LP boasted shorter songs and demonstrated that Collins had a true pop sensibility. Hello, I Must Be Going! continues that trend, with some familiar patterns emerging, wrote Rolling Stone's John Milward.\r\n
      \r\n
      "First, there are the dramatic rock dirges that use drums as a lead instrument; 'I Don't Care Anymore,' with Collins' one-man band playing alongside Daryl Stuermer's atmospheric guitars, wins in this category. Then there are the buttery ballads, of which "Don't Let Him Steal Your Heart Away" is the best by virtue of a Beatles-like melody that buoys Collins' anonymously sweet voice. Both of these styles were already Genesis staples; it was Collins' uptempo soul tunes on Face Value and Genesis' Abacab that surprised old fans and found new ones. 'I Cannot Believe It's True', with Earth, Wind and Fire's Phoenix Horns casting out clean lines, clobbers the other soul contenders on Hello, I Must Be Going !, especially his remake of the Supremes' 'You Can't Hurry Love'. Collins took the golden-oldie route on that song and the result isn't soulful, it's superfluous. Despite its trend-bucking boast of an 8 track recording, the album's rich luster is of the old classical-rock school. In fact, the LP sounds like stripped-down Genesis, ornamental but not too ostentatious. John Milward, Rolling Stone (3 Stars)".\r\n
      \r\n
      This Analogue Productions (Atlantic Series) reissue of Hello, I Must Be Going! has the essential elements that make it a standout for your collection. First, we turned to Chris Bellman at Bernie Grundman Mastering to cut lacquers from a 1/4" EQ'd Dolby tape copy of the original master. Pressing on 180 gram vinyl is by Quality Record Pressings and RTI, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Hello, I Must Be Going! was a triple-platinum-selling hit in the U.S. for Collins in the 1980s and it stayed on the U.K. album charts for more than a year, peaking at N° 2. For the fans it is a drummer's album, a record that expresses rage and desperation as well as loneliness and longing. Not an album for every day, but one that really speaks to you when you need it, wrote Martin Klinkhardt, in a review for genesis-news.com.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Phil Collins (keyboards, bass pedals, percussion, handclaps, timpani, ), trumpet, tambourine, marimba, acoustic piano, drums, vocals), Daryl Stuermer (guitars), John Giblin, Mo Foster (bass guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=IkUSyo5fstw"
    -referenceProduit: "Analogue Productions AAPA 012-45"
    -titreMorceau: [
      [
        "ordre" => 0
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        "ordre" => 1
        "nom" => "1. I Don't Care Anymore"
      ]
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        "ordre" => 2
        "nom" => "2. I Cannot Believe It's True"
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        "nom" => "3. Like China"
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        "nom" => "1. Do You Know, Do You Care ?"
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        "nom" => "2. You Can't Hurry Love"
      ]
      [
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        "nom" => "Side C : "
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        "nom" => "Side D : "
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        "nom" => "1. Don't Let Him Steal Your Heart Away"
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      [
        "ordre" => 12
        "nom" => "2. The West Side"
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        "nom" => "3. Why Can't It Wait 'Til Morning"
      ]
    ]
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}

[
  "produit" => App\Entity\Produit {#2242
    -id: 942
    -nom: "Soular Energy"
    -informationComplementaire: null
    -description: """
      - The Ray Brown Trio "Soular Energy" !\r\n
      - Mastering by Kevin Gray at Cohearent Audio, cut at 45 RPM from the original master tape !\r\n
      - Double LP pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with redesigned artwork !\r\n
      \r\n
      "Soular Energy with the Ray Brown Trio, originally issued on Concord in 1985, has long been considered both great straight ahead jazz and an audiophile treasure... none (of the previous reissues) come even remotely close to this double 45 RPM edition mastered by Kevin Gray at his Cohearent Mastering and pressed at QRP. ... It has never sounded better than it does on this double 45. The room is small, the miking close, the sonic excitement intense! The longevity of this record's popularity and so many others on Concord proves that while Carl E. Jefferson was a used car salesman turned record company owner, he did not sell lemons! Very highly recommended !" Music = 8/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read Fremer's full review here: http://www.analogplanet.com/content/soular-energy-sounding-better-ever\r\n
      \r\n
      "This is one of my favorite LPs of all time... My heart literally skipped a beat when I saw that Analogue Productions was bringing us a 180 gram), 45 RPM version of this LP. To top it off, it would be pressed at the new Quality Record Pressings plant and be mastered by Kevin Gray. One more thing, at its price of $50, it's a bargain compared to what near mint or mint original Concord pressings are going for, much less the ridiculous price of the Japan pressing... This reissue does everything the original does, but it does it better. First, as quiet as my copy was, this pressing just allows the music to appear in my room with no hint that it is being played off vinyl. Second, there is just something relaxing about the sound of a well-done 45 RPM pressing. It loses none of its presence, clarity or transient speed, but at the same time it is more relaxed and simply sounds more beautiful". - Jack Roberts, dagogo.com\r\n
      \r\n
      Ray Brown, Gene Harris and Gerryck King are spectacular in this 1984 recording. Red Holloway (tenor sax) and a rare appearance by the great Emily Remler (guitar) round out the original musicians.\r\n
      \r\n
      This is a completely new mastering and pressing of this famous release. Kevin Gray at Cohearent Audio did exceptional mastering work for this double LP, cut at 45 RPM from the original master tape, and pressed by none other than the world's finest LP manufacturing plant, Quality Record Pressings. Gary Salstrom, then QRP's general manager and master plating technician, plated the lacquers, and lastly we redesigned the artwork for this deluxe Stoughton Printing Old Style Tip-On gatefold jacket presentation.\r\n
      \r\n
      "This album is important as an early milestone in pianist Gene Harris' second career. Harris, who had led the popular Three Sounds in the 1960s, had been living in obscurity in Boise, ID, for several years before he was urged by bassist Ray Brown to come to the West Coast for some recording sessions. Harris became a permanent member of Brown's regular trio for quite a few years before launching his own quartet. He had lost none of his technique, soul, or swing in the interim, as he shows throughout this fine release. Seven of the eight numbers (highlighted by 'Exactly Like You', 'Teach Me Tonight', and 'Sweet Georgia Brown') feature Brown, Harris, and drummer Gerryck King playing soulful bop, while 'Mistreated But Undefeated Blues' adds guitarist Emily Remler and the tenor of Red Holloway. An excellent effort". - AllMusic
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ray Brown (bass), Gene Harris (piano), Red Holloway (special guest, tenor saxophone), Emily Remler (special guest, guitar), Gerryck King (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=RkgT38i5HWg"
    -referenceProduit: "AAPJ 268-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Exactly Like You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cry Me A River"
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      [
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        "nom" => "Side B :"
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        "ordre" => 4
        "nom" => "1. Teach Me Tonight"
      ]
      [
        "ordre" => 5
        "nom" => "2. Take The "A" Train"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Mistreated But Undefeated Blues 2. That's All"
      ]
      [
        "ordre" => 8
        "nom" => "2. That's All"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Easy Does It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Sweet Georgia Brown"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1464550611 {#2239
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    }
    -modifierLe: DateTime @1770042334 {#2240
      date: 2026-02-02 14:25:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-soular-energy-aapj-268-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3753
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2677 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2242
    -id: 942
    -nom: "Soular Energy"
    -informationComplementaire: null
    -description: """
      - The Ray Brown Trio "Soular Energy" !\r\n
      - Mastering by Kevin Gray at Cohearent Audio, cut at 45 RPM from the original master tape !\r\n
      - Double LP pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Stoughton Printing Old Style Tip-On gatefold jacket with redesigned artwork !\r\n
      \r\n
      "Soular Energy with the Ray Brown Trio, originally issued on Concord in 1985, has long been considered both great straight ahead jazz and an audiophile treasure... none (of the previous reissues) come even remotely close to this double 45 RPM edition mastered by Kevin Gray at his Cohearent Mastering and pressed at QRP. ... It has never sounded better than it does on this double 45. The room is small, the miking close, the sonic excitement intense! The longevity of this record's popularity and so many others on Concord proves that while Carl E. Jefferson was a used car salesman turned record company owner, he did not sell lemons! Very highly recommended !" Music = 8/11; Sound = 10/11 - Michael Fremer, AnalogPlanet.com. Read Fremer's full review here: http://www.analogplanet.com/content/soular-energy-sounding-better-ever\r\n
      \r\n
      "This is one of my favorite LPs of all time... My heart literally skipped a beat when I saw that Analogue Productions was bringing us a 180 gram), 45 RPM version of this LP. To top it off, it would be pressed at the new Quality Record Pressings plant and be mastered by Kevin Gray. One more thing, at its price of $50, it's a bargain compared to what near mint or mint original Concord pressings are going for, much less the ridiculous price of the Japan pressing... This reissue does everything the original does, but it does it better. First, as quiet as my copy was, this pressing just allows the music to appear in my room with no hint that it is being played off vinyl. Second, there is just something relaxing about the sound of a well-done 45 RPM pressing. It loses none of its presence, clarity or transient speed, but at the same time it is more relaxed and simply sounds more beautiful". - Jack Roberts, dagogo.com\r\n
      \r\n
      Ray Brown, Gene Harris and Gerryck King are spectacular in this 1984 recording. Red Holloway (tenor sax) and a rare appearance by the great Emily Remler (guitar) round out the original musicians.\r\n
      \r\n
      This is a completely new mastering and pressing of this famous release. Kevin Gray at Cohearent Audio did exceptional mastering work for this double LP, cut at 45 RPM from the original master tape, and pressed by none other than the world's finest LP manufacturing plant, Quality Record Pressings. Gary Salstrom, then QRP's general manager and master plating technician, plated the lacquers, and lastly we redesigned the artwork for this deluxe Stoughton Printing Old Style Tip-On gatefold jacket presentation.\r\n
      \r\n
      "This album is important as an early milestone in pianist Gene Harris' second career. Harris, who had led the popular Three Sounds in the 1960s, had been living in obscurity in Boise, ID, for several years before he was urged by bassist Ray Brown to come to the West Coast for some recording sessions. Harris became a permanent member of Brown's regular trio for quite a few years before launching his own quartet. He had lost none of his technique, soul, or swing in the interim, as he shows throughout this fine release. Seven of the eight numbers (highlighted by 'Exactly Like You', 'Teach Me Tonight', and 'Sweet Georgia Brown') feature Brown, Harris, and drummer Gerryck King playing soulful bop, while 'Mistreated But Undefeated Blues' adds guitarist Emily Remler and the tenor of Red Holloway. An excellent effort". - AllMusic
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ray Brown (bass), Gene Harris (piano), Red Holloway (special guest, tenor saxophone), Emily Remler (special guest, guitar), Gerryck King (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=RkgT38i5HWg"
    -referenceProduit: "AAPJ 268-45"
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        "nom" => "2. That's All"
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        "ordre" => 10
        "nom" => "1. Easy Does It"
      ]
      [
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        "nom" => "2. Sweet Georgia Brown"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
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    -modifierLe: DateTime @1770042334 {#2240
      date: 2026-02-02 14:25:34.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-soular-energy-aapj-268-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3954
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2445 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3955 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4003 …}
  +isValidated: false
  +validatedFields: []
}