Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2582
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2659
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2662 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
  -formView: Symfony\Component\Form\FormView {#2698 …}
  -form: Symfony\Component\Form\Form {#2848 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 417
    -nom: "Stan Getz Quartet - Live At Zardi's 1956 Vol. 2"
    -informationComplementaire: null
    -description: """
      - Stan Getz "Getz At Zardi's 1956 Vol. 2" !\r\n
      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      On June 22 and 27, 1959 Stan Getz and his quartet gave two legendary concerts in a club on Hollywood Boulevard.\r\n
      \r\n
      Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South.\r\n
      \r\n
      It sustained a musical melting pot encouraged by a governor free of racial prejudice, the Republican Goodwin J. Knight, not to mention a booming labor market and the glamour of the movie industry in a nutshell, the mythical appeal of the West Coast. Their favourite clubs: the Tiffany, the Haig, and most of all, the celebrated Zardi's Jazzland, where Getz and his musicians performed these two evenings. The recordings remained unpublished on vinyl until this present edition.\r\n
      \r\n
      In spring 2025 we came across the original tapes in the suburbs of Chicago. The set list of the two concerts is diverse but the lineup is identical, with pianist Lou Levy, brilliantly representing the sound of the West Coast and whose style dovetailed perfectly with Getz's budding forms of inspiration of that year, Max Bennett was on base and Gary Frommer on drums.\r\n
      \r\n
      On June 27, Stan performed 14 titles. From the irresistible ballad "Little Girl Blue", the Afro-Cuban theme composed by Dizzy Gillespie "A Night in Tunisia", to Gershwin's "Summertime", every single note was inspired. Stan possessed this unique gift of thinking, creating, imagining in advance, and then, when the time came, bringing fantasy, charm, rhythm, and spontaneity to life on stage.\r\n
      \r\n
      That June 27, where the elegance and beauty of these melodies mingled with the scents and colors of the California sunset, was a resounding success for this magnificent quartet.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stan Getz (saxophone), Lou Levy (piano), Max Bennett (bass), Gary Frommer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kKW-zve2QTs&list=RDkKW-zve2QTs&start_radio=1&t=81s"
    -referenceProduit: "The Lost Recordings 4061"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I May Be Wrong"
      ]
      [
        "ordre" => 2
        "nom" => "2. Imagination"
      ]
      [
        "ordre" => 3
        "nom" => "3. Untitled N° 2 - Take 2"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Out of Nowhere"
      ]
      [
        "ordre" => 6
        "nom" => "2. Little Girl Blue"
      ]
      [
        "ordre" => 7
        "nom" => "3. Sweetie Pie"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. But Not for Me"
      ]
      [
        "ordre" => 10
        "nom" => "2. Untitled N° 1 - Take 2"
      ]
      [
        "ordre" => 11
        "nom" => "3. Summertime 4. Night in Tunisia"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Lover, Come Back to Me"
      ]
      [
        "ordre" => 14
        "nom" => "2. Ah-Moore (Amour)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Melancholy Baby"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
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      [
        "ordre" => 20
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1296648807 {#1876
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    }
    -modifierLe: DateTime @1765982473 {#1869
      date: 2025-12-17 14:41:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stan-getz-quartet-live-at-zardi-s-1956-vol-2-the-lost-recordings-4061"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3122
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 417
    -nom: "Stan Getz Quartet - Live At Zardi's 1956 Vol. 2"
    -informationComplementaire: null
    -description: """
      - Stan Getz "Getz At Zardi's 1956 Vol. 2" !\r\n
      - An elegant sax on Hollywood Boulevard !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      On June 22 and 27, 1959 Stan Getz and his quartet gave two legendary concerts in a club on Hollywood Boulevard.\r\n
      \r\n
      Saxophone players, pianists and singers all flocked to play the clubs and their sound resonated round the world from these sun-drenched settings. What drew all these jazz musicians of the time such as Oscar Peterson, Ella Fitzgerald, Art Tatum, Chet Baker, Sarah Vaughan and, of course, Stan Getz to these venues ? They were escaping the chilly East Coast for both a warmer climate and a more relaxed environment than the tense South.\r\n
      \r\n
      It sustained a musical melting pot encouraged by a governor free of racial prejudice, the Republican Goodwin J. Knight, not to mention a booming labor market and the glamour of the movie industry in a nutshell, the mythical appeal of the West Coast. Their favourite clubs: the Tiffany, the Haig, and most of all, the celebrated Zardi's Jazzland, where Getz and his musicians performed these two evenings. The recordings remained unpublished on vinyl until this present edition.\r\n
      \r\n
      In spring 2025 we came across the original tapes in the suburbs of Chicago. The set list of the two concerts is diverse but the lineup is identical, with pianist Lou Levy, brilliantly representing the sound of the West Coast and whose style dovetailed perfectly with Getz's budding forms of inspiration of that year, Max Bennett was on base and Gary Frommer on drums.\r\n
      \r\n
      On June 27, Stan performed 14 titles. From the irresistible ballad "Little Girl Blue", the Afro-Cuban theme composed by Dizzy Gillespie "A Night in Tunisia", to Gershwin's "Summertime", every single note was inspired. Stan possessed this unique gift of thinking, creating, imagining in advance, and then, when the time came, bringing fantasy, charm, rhythm, and spontaneity to life on stage.\r\n
      \r\n
      That June 27, where the elegance and beauty of these melodies mingled with the scents and colors of the California sunset, was a resounding success for this magnificent quartet.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Stan Getz (saxophone), Lou Levy (piano), Max Bennett (bass), Gary Frommer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kKW-zve2QTs&list=RDkKW-zve2QTs&start_radio=1&t=81s"
    -referenceProduit: "The Lost Recordings 4061"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I May Be Wrong"
      ]
      [
        "ordre" => 2
        "nom" => "2. Imagination"
      ]
      [
        "ordre" => 3
        "nom" => "3. Untitled N° 2 - Take 2"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Out of Nowhere"
      ]
      [
        "ordre" => 6
        "nom" => "2. Little Girl Blue"
      ]
      [
        "ordre" => 7
        "nom" => "3. Sweetie Pie"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. But Not for Me"
      ]
      [
        "ordre" => 10
        "nom" => "2. Untitled N° 1 - Take 2"
      ]
      [
        "ordre" => 11
        "nom" => "3. Summertime 4. Night in Tunisia"
      ]
      [
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        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Lover, Come Back to Me"
      ]
      [
        "ordre" => 14
        "nom" => "2. Ah-Moore (Amour)"
      ]
      [
        "ordre" => 15
        "nom" => "3. Melancholy Baby"
      ]
      [
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        "nom" => ""
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        "nom" => ""
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1765982473 {#1869
      date: 2025-12-17 14:41:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stan-getz-quartet-live-at-zardi-s-1956-vol-2-the-lost-recordings-4061"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
      \r\n
      The Glocke was one of Herbert von Karajan's favorite concert halls in Europe. Located in the Hanseatic city of Bremen, a capital of commerce that gained its riches from the coffee business, it is an unusual place. The hall itself has been at the confluence of all the arts for decades. It was designed on an octagonal plan in 1737 and despite several fires, it has retained some of the finest acoustics on the continent.\r\n
      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Oscar Peterson (piano), Ray Brown (bass), Ed Thigpen (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=VHVHlWfsZBU"
    -referenceProduit: "The Lost Recordings 4053"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Les Filles de Cadix (the Girls From Cadiz)"
      ]
      [
        "ordre" => 2
        "nom" => "2. I Could Have Danced All Night"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Golden Striker"
      ]
      [
        "ordre" => 5
        "nom" => "2. Introduction by Oscar Peterson"
      ]
      [
        "ordre" => 6
        "nom" => "3. Where Do I Go From Here"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. My Funny Valentine"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I’ve Grown Accustomed to Her Face"
      ]
      [
        "ordre" => 11
        "nom" => "2. Blues For Big Scotia"
      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2055 …}
    -typeMasterTape: null
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    -enregistreLe: DateTime @1544979025 {#2043
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    }
    -modifierLe: DateTime @1765982222 {#2042
      date: 2025-12-17 14:37:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2059 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-live-at-the-concertgebouw-1961-the-lost-recordings-4053"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3236
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2051
    -id: 1474
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - Oscar Peterson Trio "Live In Bremen 1961" !\r\n
      - First-ever release! Live concert featuring jazz greats Oscar Peterson, Ray Brown and Ed Thigpen !\r\n
      - Numbered edition on 180 gram vinyl 45 RPM (2 LP) limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Simon Garcia, Marciac, France !\r\n
      - Gatefold tip-on jackets printed in Italy !\r\n
      \r\n
      The Glocke was one of Herbert von Karajan's favorite concert halls in Europe. Located in the Hanseatic city of Bremen, a capital of commerce that gained its riches from the coffee business, it is an unusual place. The hall itself has been at the confluence of all the arts for decades. It was designed on an octagonal plan in 1737 and despite several fires, it has retained some of the finest acoustics on the continent.\r\n
      \r\n
      On that evening in April 1961, before an audience of 1400, the imposing figure of Oscar Peterson sat down at his piano with his two acolytes. There was Ray Brown, known to his admirers as "the handsome bassist", and Ed Thigpen, one of the most sought-after drummers on the New York scene.\r\n
      \r\n
      Some 15 years earlier, in the mid-1940s, the Canadian pianist was on the path to becoming a classical performer. Then, influenced by popular pianists such as Nat King Cole and the prodigious Art Tatum, whom he would idolize, he suddenly changed direction. In September 1949, Norman Granz discovered Peterson at Carnegie Hall and launched his career as a jazz legend. By 1958, with some ten years of success behind him, the man his fans nicknamed "the man with four hands" and the "Bomber of Boogie Woogie" began to feel that the structure of his repertoire and interpretations needed to evolve.\r\n
      \r\n
      Peterson had been performing chiefly with guitarist Herb Ellis (with whom he never stopped playing), but now he decided to try out working with a trio. This marked an important turning point in his artistic development. The counterpoint of the guitar gave way to the functional and rhythmic backing of the drums and bass, enabling the musical magician to give freer rein to his creativity. In the words of Quebecois novelist Claude Vaillancourt in April 2008, his concerts were imbued with the magic of "hidden pleasure". At a time when jazz, influenced by the new sounds of rock, was in the throes of deconstruction, Peterson responded by grounding his music in the deep roots of the blues, in his classical training and in popular trends. To quote Vaillancourt again, he gave a "grounded earthiness" to the flights of virtuosity that made him so famous. And with spectacular results, as this Bremen concert proves : Peterson, instead of sacrificing swing, imbues it with constant refinement and elegance, and at times even seriousness.\r\n
      \r\n
      The concert kicks off with "Les Filles de Cadix", using the theme of Léo Delibes' famous 1874 composition, revisited by Miles Davis in 1957 on his Miles Ahead album. Initially barely perceptible, the trio ornaments and develops the theme with restraint and elegance up until the central section, where an enchanting swing takes over, before vanishing as discreetly as it had appeared. There are few tunes more popular than "I Could Have Danced all Night" from My Fair Lady, the Broadway musical that premiered in 1956. The rhythm builds up gradually, punctuated by Peterson's occasional humming, growing and amplifying before ending in a soft murmur of the piano.\r\n
      \r\n
      "The Golden Striker" opens with a choral-like melody reminiscent of Bach. Peterson's solo part is solemn; his delicacy nevertheless has forcefulness. His inspiration is drawn from a musical phrase and here, his classical training is evident. A variation follows on from a sudden stop: a wild swing with responses first from Brown and then Thigpen, and Peterson's flourishes on the piano. In only four minutes, the trio propels us into a vortex with the intensity of their performance. A few calm words introduce "Where Do We Go From Here ?", a springtime ballad, which, in contrast with the preceding piece, is light and carefree; we could imagine ourselves on the the banks of a cool, undulating stream. The virtuosity of the piano is so subtle as to be almost imperceptible, and time stands still until the very last chord, delicately played in arpeggio.\r\n
      \r\n
      "My Funny Valentine" is a standard that needs no introduction, but only after a few minutes does the solo piano, still leaving a role for the bass and drums, finally unveil the theme. Peterson drives his fellow musicians to increase the rhythm, the substance, the power. Brown responds with a solo that is just as enchanting. The last piano notes restore the lightness that Frank Sinatra had imparted to the song. Peterson gently introduces "I've Grown Accustomed to her Face", another song from My Fair Lady. Although the melody is less well known, the swirls of the piano in this interpretation transport the listeners into a thrilling whirlwind of delight. With "Blues for Big Scotia", the concert comes to an end in a different register: the trio gives us a version that is truly original. Dazzling arpeggios lead into a series of chords, , reminiscent of Peterson's experiences touring in the Deep South.\r\n
      \r\n
      The Lost Recordings retrieved the tapes of this landmark concert from the archives of the Bremen Radio, and many long weeks were spent on their restoration. As the trio leaves the stage to the thunderous applause of the German audience that we can hear here, it is clear that Oscar Peterson is an alchemist of genius, and in a certain sense, his very own Pygmalion who sees his transformations through to end. Already a master of swing, Peterson surpassed himself in every way. He broadened his repertoire and constantly reinvented himself, all the while remaining faithful to his innermost self. His legacy, the magical lustre he brought to jazz, is priceless.
      """
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[
  "produit" => App\Entity\Produit {#2073
    -id: 2068
    -nom: "Live In Paris 1969 / Berlin"
    -informationComplementaire: null
    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      Julian "Cannonball" Adderley earned his nickname from childhood antics, but it would soon become synonymous with brilliance in jazz. One of the most versatile musicians of the 20th century, he embraced all jazz styles from cool and hard bop to funk drawing equally from African, South American, and blues traditions. Adderley was a relentless creator, forming and reshaping ensembles, always seeking deeper musical expression. His motto: jazz must move forward, but never forget its roots.\r\n
      \r\n
      Freed from the weight of the American segregation, Adderley found in Europe the space to experiment and evolve. He merged the roots of the blues with Brazilian rhythms, funk harmonies with the rigor of hard bop. At every concert, he gathered, reinvented, transmitted.\r\n
      \r\n
      This album features unreleased recordings from Berlin (1972) and Paris (1969), showcasing Adderley at the height of his powers. From the vibrant energy of "Hummin" to the tender depth of "Manhã de Carnaval", every track reflects refined artistry. Standouts such as "Walk Tall" and "Work Song" embody his commitment to dignity and justice, while "Oh Babe" and "Mercy, Mercy, Mercy" blend raw emotion with joyful groove. The funk undertones throughout hint at the future of R&B, confirming Cannonball's role as a visionary. A builder of sound and soul, he remains, truly, the Gargantua of jazz.
      """
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=e_cMo0-7mjI&list=RDe_cMo0-7mjI&start_radio=1"
    -referenceProduit: "The Lost Recordings 4059"
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App\Twig\Components\GestionPanierFavoriComponents {#3287
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    -nom: "Live In Paris 1969 / Berlin"
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    -description: """
      - Cannonball Adderley "Live In Paris 1969 / Berlin 1972" !\r\n
      - 180 gram double vinyl limited to 3000 hand-numbered copies !\r\n
      - Remastered 2024 by The Lost Recordings from the original analog tape !\r\n
      - 33 1/3 RPM lacquer cuts by Kevin Gray !\r\n
      - Pressed by MEK Vinyl, Switzerland !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
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      \r\n
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      \r\n
      This album features unreleased recordings from Berlin (1972) and Paris (1969), showcasing Adderley at the height of his powers. From the vibrant energy of "Hummin" to the tender depth of "Manhã de Carnaval", every track reflects refined artistry. Standouts such as "Walk Tall" and "Work Song" embody his commitment to dignity and justice, while "Oh Babe" and "Mercy, Mercy, Mercy" blend raw emotion with joyful groove. The funk undertones throughout hint at the future of R&B, confirming Cannonball's role as a visionary. A builder of sound and soul, he remains, truly, the Gargantua of jazz.
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
  "produit" => App\Entity\Produit {#2097
    -id: 486
    -nom: "Like Someone In Love"
    -informationComplementaire: "This item is Back Ordered and currently unavailable."
    -description: """
      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Arranged by Frank DeVol and enlivened by what the liner notes described as the "sensitive, poignant saxophone solos of Stan Getz" on four tracks, Like Someone In Love was targeted at "people in love". But its real audience, then as now, was anyone who loves timeless songs impeccably sung. What was timeless in 1957 still is.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Ella Fitzgerald (vocals),? Stan Getz (tenor saxophone),? Ted Nash (alto saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. There's A Lull In My Life"
      ]
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        "ordre" => 2
        "nom" => "2. More Than You Know"
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        "ordre" => 3
        "nom" => "3. What Will I Tell My Heart"
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        "nom" => "4. I Never Had A Chance"
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        "nom" => "1. What's New"
      ]
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        "ordre" => 17
        "nom" => "2. Hurry Home"
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        "nom" => "3. How Long Has This Been Going On"
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App\Twig\Components\GestionPanierFavoriComponents {#3338
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    -nom: "Like Someone In Love"
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      "...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen !" Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November / December 2011\r\n
      \r\n
      Arranged by Frank DeVol and enlivened by what the liner notes described as the "sensitive, poignant saxophone solos of Stan Getz" on four tracks, Like Someone In Love was targeted at "people in love". But its real audience, then as now, was anyone who loves timeless songs impeccably sung. What was timeless in 1957 still is.\r\n
      \r\n
      Originally released in 1957.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals),? Stan Getz (tenor saxophone),? Ted Nash (alto saxophone)"
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    -grammageMusic: App\Enum\GrammageMusicEnum {#1119 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=KlLr-vuShP8"
    -referenceProduit: "Analogue Productions AVRJ 6000-45"
    -titreMorceau: [
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        "nom" => "1. There's A Lull In My Life"
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        "nom" => "2. More Than You Know"
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        "nom" => "3. What Will I Tell My Heart"
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        "nom" => "4. I Never Had A Chance"
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        "nom" => "Side B : "
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        "ordre" => 6
        "nom" => "1. Close Your Eyes"
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        "ordre" => 7
        "nom" => "2. We'll Be Together Again"
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        "nom" => "3. Then I'll Be Tired Of You"
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        "nom" => "1. What's New"
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        "nom" => "2. Hurry Home"
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        "nom" => "3. How Long Has This Been Going On"
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    -id: 1529
    -nom: "Ella at the Shrine"
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    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Joe Mondragon, Vernon Alley (bass), Don Abney (piano), Frank Capp (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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        "nom" => "4. Glad To Be Unhappy "
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        "nom" => "1. And The Angels Sing"
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        "nom" => "2. Joe William's Blues"
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    -description: "Verve Records, celebrating Ella Fitzgerald's 100th birthday in 2017, released at the end of that year Ella at Zardi's a vibrant, previously unreleased album recorded during a two-week stint at the Hollywood nightclub. Captured February 2, 1956, all signs pointed to the album as the label's, and Ella's, first live recording. Incredibly, it was discovered that Verve founder Norman Granz had also recorded Ella at Los Angeles, California's Shrine Auditorium the week before. It's a thrilling but brief set because, as Granz announces, Ella "has to get back to Zardi's." The newly discovered 20 minute live JATP recording is presented for the first time here on 45 RPM 12" vinyl !"
    -prixVente: "38.00"
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[
  "produit" => App\Entity\Produit {#2134
    -id: 2032
    -nom: "Ella Wishes You A Swinging Christmas"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      A holiday album from the jazz legend! Have a swinging Christmas and a jazzy new year with this joyous 1960 Ella LP in your collection. She sings (and swings) "Jingle Bells", "Sleigh Ride", "Winter Wonderland", and more! She puts her singular stamp on everything from a sultry vamp like "What Are You Doing New Year's Eve ?" to the sweet and cozy "The Christmas Song". Even potentially shopworn standards like "Santa Claus Is Comin' to Town" sound fresher when they're coming from Ella Fitzgerald.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), with the Frank DeVol Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=Z4VCjTecHyA&list=PLph8hEsdeSe2kPuEbetS7dAJZ0Rra_j-J"
    -referenceProduit: "Acoustic Sounds Series 74601"
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        "nom" => "1. Jingle Bells "
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        "ordre" => 2
        "nom" => "2. Santa Claus Is Coming To Town "
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        "ordre" => 3
        "nom" => "3. Have Yourself A Merry Little Christmas "
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        "nom" => "1. Good Morning Blues "
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        "ordre" => 9
        "nom" => "2. Let It Snow, Let It Snow, Let It Snow "
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        "nom" => "5. Frosty The Snow Man "
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        "nom" => "6. White Christmas"
      ]
    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3439
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    -id: 2032
    -nom: "Ella Wishes You A Swinging Christmas"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
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      """
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        "nom" => "6. White Christmas"
      ]
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[
  "produit" => App\Entity\Produit {#2152
    -id: 1187
    -nom: "Sunshine of Your Love"
    -informationComplementaire: null
    -description: """
      In her extraordinary career, Ella Fitzgerald, the « first lady of song », collaborated with the key figures of big band jazz – among others with Chick Webb and Dizzy Gillespie – won a total of 13 Grammys and was awarded the National Medal of Arts in 1987. Her distinctive interpretations of jazz standards can be found in countless American songbook albums. Ella’s expanded repertoire, enthusiastic about the then burgeoning Bossa nova and pop, appeared principally on her albums from the late 1960s. As the founder of Verve, Norman Granz put together many of her live recordings in 1969 for an MPS album, so the album title was chosen as the Clapton - classic « Sunshine of Your Love ». The album offers an impressive musical range of colors with compositions by John Lennon, Eric Clapton and Antônio Carlos Jobim on the one hand, and big band classics, such as « Give Me the Simple Life » and « Old Devil Moon » on the other. Rousingly interpreted by the Ernie Heckscher Big Band and the Tommy Flanagan Trio. \r\n
      \r\n
      Captured on AAA tape, the euphoric evenings of the series of concerts from the San Francisco Fairmont Hotel become an analogous journey through time full of jazz nostalgia.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Frank de la Rosa (bass), Ed Thigpen (drums), Ernie Heckscher Big Band"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=tC5hXBt5RIs"
    -referenceProduit: "MPS 8744"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "ordre" => 1
        "nom" => "1. Hey Jude"
      ]
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        "ordre" => 2
        "nom" => "2. Sunshine Of Your Love"
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        "ordre" => 3
        "nom" => "3. This Girl's In Love With You"
      ]
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        "ordre" => 4
        "nom" => "4. Watch What Happens"
      ]
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        "ordre" => 5
        "nom" => "5. Alright Okay, You Win"
      ]
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        "nom" => "6. Love You Madly"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3487
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  +produit: App\Entity\Produit {#2152
    -id: 1187
    -nom: "Sunshine of Your Love"
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    -description: """
      In her extraordinary career, Ella Fitzgerald, the « first lady of song », collaborated with the key figures of big band jazz – among others with Chick Webb and Dizzy Gillespie – won a total of 13 Grammys and was awarded the National Medal of Arts in 1987. Her distinctive interpretations of jazz standards can be found in countless American songbook albums. Ella’s expanded repertoire, enthusiastic about the then burgeoning Bossa nova and pop, appeared principally on her albums from the late 1960s. As the founder of Verve, Norman Granz put together many of her live recordings in 1969 for an MPS album, so the album title was chosen as the Clapton - classic « Sunshine of Your Love ». The album offers an impressive musical range of colors with compositions by John Lennon, Eric Clapton and Antônio Carlos Jobim on the one hand, and big band classics, such as « Give Me the Simple Life » and « Old Devil Moon » on the other. Rousingly interpreted by the Ernie Heckscher Big Band and the Tommy Flanagan Trio. \r\n
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      Captured on AAA tape, the euphoric evenings of the series of concerts from the San Francisco Fairmont Hotel become an analogous journey through time full of jazz nostalgia.
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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[
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    -nom: "Ella Fitzgerald Ella at the Hollywood Bowl : The Irving Berlin Songbook"
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App\Twig\Components\GestionPanierFavoriComponents {#3535
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[
  "produit" => App\Entity\Produit {#2183
    -id: 2316
    -nom: "Live at Montreux 1969"
    -informationComplementaire: null
    -description: "Live At Montreux 1969 finds The First Lady of Song expertly backed by the Tommy Flanagan Trio (Tommy Flanagan (piano), Frank de la Rosa (bass), and Ed Thigpen (drums)) and performing a stunning set that combines contemporary tracks, such as "Sunshine Of Your Love" and "Hey Jude" alongside such classics as "I Won't Dance" and "That Old Black Magic" plus a scat medley. Available on vinyl for the first time !"
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3583
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    -id: 2316
    -nom: "Live at Montreux 1969"
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    -description: "Live At Montreux 1969 finds The First Lady of Song expertly backed by the Tommy Flanagan Trio (Tommy Flanagan (piano), Frank de la Rosa (bass), and Ed Thigpen (drums)) and performing a stunning set that combines contemporary tracks, such as "Sunshine Of Your Love" and "Hey Jude" alongside such classics as "I Won't Dance" and "That Old Black Magic" plus a scat medley. Available on vinyl for the first time !"
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    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-montreux-1969-mercury-records-594731"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
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[
  "produit" => App\Entity\Produit {#2199
    -id: 2504
    -nom: "Great Women Of Song: Ella Fitzgerald"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra, Sy Oliver and His Orchestra, Buddy Bergman’s Orchestra, Nelson Riddle’s Orchestra.\r\n
      \r\n
      - Ella Fitzgerald's cherished recordings on vinyl LP !\r\n
      \r\n
      Known internationally as "The First Lady of Song", Ella Fitzgerald was also, importantly, the first lady of Verve Records the label that was essentially created for her by her manager and the label's founder, Norman Granz.\r\n
      \r\n
      This collection brings together Ella's most cherished recordings in the company of American music's greatest performers and composers-Louis Armstrong, George & Ira Gershwin, Irving Berlin and Jerome Kern, among many others.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Musicians :  Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OAVZuSoP8dk"
    -referenceProduit: "Verve Records 3400"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. It's A Lovely Day Today"
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        "nom" => "2. Dream A Little Dream Of Me"
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        "nom" => "5. You Do Something To Me"
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      [
        "ordre" => 12
        "nom" => "4. Bewitched, Bothered, And Bewildered"
      ]
      [
        "ordre" => 13
        "nom" => "5. Puttin' On The Ritz"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1709931536 {#2196
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    }
    -modifierLe: DateTime @1765723938 {#2197
      date: 2025-12-14 14:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
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    -slug: "vinyles-great-women-of-song-ella-fitzgerald-verve-records-3400"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3631
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2199
    -id: 2504
    -nom: "Great Women Of Song: Ella Fitzgerald"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Ella Fitzgerald (vocals), Louis Armstrong (trumpet, vocals), Ellis Larkins, Oscar Peterson, Paul Smith (piano), Herb Ellis, Barney Kessel (guitar), Ray Brown, Joe Mondragon (bass), Buddy Rich, Alvin Stoller (drums), Paul Weston’s Orchestra, Sy Oliver and His Orchestra, Buddy Bergman’s Orchestra, Nelson Riddle’s Orchestra.\r\n
      \r\n
      - Ella Fitzgerald's cherished recordings on vinyl LP !\r\n
      \r\n
      Known internationally as "The First Lady of Song", Ella Fitzgerald was also, importantly, the first lady of Verve Records the label that was essentially created for her by her manager and the label's founder, Norman Granz.\r\n
      \r\n
      This collection brings together Ella's most cherished recordings in the company of American music's greatest performers and composers-Louis Armstrong, George & Ira Gershwin, Irving Berlin and Jerome Kern, among many others.
      """
    -prixVente: "38.00"
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    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=OAVZuSoP8dk"
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        "nom" => "5. Puttin' On The Ritz"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2118 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2207 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2200 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2202 …}
    -enregistreLe: DateTime @1709931536 {#2196
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    }
    -modifierLe: DateTime @1765723938 {#2197
      date: 2025-12-14 14:52:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2204 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-great-women-of-song-ella-fitzgerald-verve-records-3400"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2214
    -id: 871
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On February 10, 1961 at the Concertgebouw in Amsterdam, just one year after her famous concert in Berlin, Ella found herself once again in front of a packed house. Following a sober presentation of the musicians by Norman Granz, Ella enters the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of "Too Close for Comfort".\r\n
      \r\n
      The voice settles down, she holds her audience by the hand, softly, surely. Ella settles on stage as if she were in her living room. She welcomes each spectator like a privileged guest. Each piece is a glass of champagne that she offers with grace. Sometimes melancholic, sometimes joking, most of the time laughing, dynamic and catchy. "Hilariously inventive Ella !" As Bing Crosby used to say : "Man, woman or child, Ella is the greatest of them all".\r\n
      \r\n
      Recorded at the Concertgebouw, Amsterdam, Nov. 18, 1961
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Herb Ellis (guitar), Wilfred Middlebrooks (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "The Lost Recordings 4027"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. Introduction "
      ]
      [
        "ordre" => 2
        "nom" => "2. Won't you please let me in "
      ]
      [
        "ordre" => 3
        "nom" => "3. Too close for comfort "
      ]
      [
        "ordre" => 4
        "nom" => "4. On a slow boat to china "
      ]
      [
        "ordre" => 5
        "nom" => "Side B :"
      ]
      [
        "ordre" => 6
        "nom" => "1. How long has this been going on ? "
      ]
      [
        "ordre" => 7
        "nom" => "2. Heart and soul "
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        "nom" => "3. You're driving me crazy "
      ]
      [
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        "nom" => "4. That old black magic "
      ]
      [
        "ordre" => 10
        "nom" => "5. Lover come back to me "
      ]
      [
        "ordre" => 11
        "nom" => "Side C : "
      ]
      [
        "ordre" => 12
        "nom" => "1. My funny valentine "
      ]
      [
        "ordre" => 13
        "nom" => "2. I've got a crush on you "
      ]
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        "nom" => "3. Lorelei "
      ]
      [
        "ordre" => 15
        "nom" => "4. Mr. Paganini "
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      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Mack the knife "
      ]
      [
        "ordre" => 18
        "nom" => "2. Saint Louis blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1455273320 {#2210
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    }
    -modifierLe: DateTime @1765723439 {#2209
      date: 2025-12-14 14:43:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-concertgebouw-1961-the-lost-recordings-4027"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3679
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2214
    -id: 871
    -nom: "Live at the Concertgebouw 1961"
    -informationComplementaire: null
    -description: """
      - 180 gram double LP !\r\n
      - Second pressing non-numbered !\r\n
      - Remastered from the original analog tapes !\r\n
      - Lacquers cut by André Perriat !\r\n
      \r\n
      On February 10, 1961 at the Concertgebouw in Amsterdam, just one year after her famous concert in Berlin, Ella found herself once again in front of a packed house. Following a sober presentation of the musicians by Norman Granz, Ella enters the stage. With the freshness of the eternal, slightly impertinent little girl, she propels herself one note into the rhythm of "Too Close for Comfort".\r\n
      \r\n
      The voice settles down, she holds her audience by the hand, softly, surely. Ella settles on stage as if she were in her living room. She welcomes each spectator like a privileged guest. Each piece is a glass of champagne that she offers with grace. Sometimes melancholic, sometimes joking, most of the time laughing, dynamic and catchy. "Hilariously inventive Ella !" As Bing Crosby used to say : "Man, woman or child, Ella is the greatest of them all".\r\n
      \r\n
      Recorded at the Concertgebouw, Amsterdam, Nov. 18, 1961
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Herb Ellis (guitar), Wilfred Middlebrooks (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "The Lost Recordings 4027"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "2. Won't you please let me in "
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      [
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        "nom" => "3. Too close for comfort "
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      [
        "ordre" => 4
        "nom" => "4. On a slow boat to china "
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        "nom" => "Side B :"
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        "nom" => "1. How long has this been going on ? "
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        "ordre" => 7
        "nom" => "2. Heart and soul "
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        "nom" => "3. You're driving me crazy "
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        "nom" => "4. That old black magic "
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      [
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        "nom" => "5. Lover come back to me "
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        "nom" => "Side C : "
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        "nom" => "1. My funny valentine "
      ]
      [
        "ordre" => 13
        "nom" => "2. I've got a crush on you "
      ]
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        "ordre" => 14
        "nom" => "3. Lorelei "
      ]
      [
        "ordre" => 15
        "nom" => "4. Mr. Paganini "
      ]
      [
        "ordre" => 16
        "nom" => "Side D : "
      ]
      [
        "ordre" => 17
        "nom" => "1. Mack the knife "
      ]
      [
        "ordre" => 18
        "nom" => "2. Saint Louis blues"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1455273320 {#2210
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    }
    -modifierLe: DateTime @1765723439 {#2209
      date: 2025-12-14 14:43:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-the-concertgebouw-1961-the-lost-recordings-4027"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

[
  "produit" => App\Entity\Produit {#2229
    -id: 2511
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Joe Mondragon (bass), Herb Ellis (guitar), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Acoustic Sounds Series 8678"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stella My Starlight"
      ]
      [
        "ordre" => 5
        "nom" => "5. 'Round Midnite"
      ]
      [
        "ordre" => 6
        "nom" => "6. Jersey Bounce"
      ]
      [
        "ordre" => 7
        "nom" => "7. Signing Off"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 10
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 11
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 12
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 13
        "nom" => "5. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 14
        "nom" => "6. Spring Can Really Hang You Up The Most"
      ]
      [
        "ordre" => 15
        "nom" => "7. Music Goes 'Round And 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1712050989 {#2225
      date: 2024-04-02 09:43:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720584 {#2224
      date: 2025-12-14 13:56:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-acoustic-sounds-series-8678"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3727
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2661 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2229
    -id: 2511
    -nom: "Clap Hands, Here Comes Charlie !"
    -informationComplementaire: null
    -description: """
      - Acoustic Sounds Series reissues from Verve/Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Bernie Grundman from the original analog tapes !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      Fourteen numbers from the heyday of swing, composed sometime between 1930 and 1945 played and sung time and time again in ballrooms, or on the radio to advertise biscuits or war bonds, were recorded by Ella in completely new and personal interpretations in 1961. No one should be put off by the rather unfortunate cover. Clap Hands... is absolutely top notch as regards musicality, perfect recording quality, superb accompaniment by a small ensemble, with room for improvisations; it offers a wonderful opportunity to discover something new in these evergreens, despite the occasionally banal lyrics. The songs of this recording conjure up bygone days, with listeners in the 21st century being offered a highly personal homage to one of the most successful periods in the 100-year history of jazz.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Lou Levy (piano), Joe Mondragon (bass), Herb Ellis (guitar), Stan Levey (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=vdE5hfcMgtE"
    -referenceProduit: "Acoustic Sounds Series 8678"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. You're My Thrill"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Reverie"
      ]
      [
        "ordre" => 4
        "nom" => "4. Stella My Starlight"
      ]
      [
        "ordre" => 5
        "nom" => "5. 'Round Midnite"
      ]
      [
        "ordre" => 6
        "nom" => "6. Jersey Bounce"
      ]
      [
        "ordre" => 7
        "nom" => "7. Signing Off"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Cry Me A River"
      ]
      [
        "ordre" => 10
        "nom" => "2. This Year's Kisses"
      ]
      [
        "ordre" => 11
        "nom" => "3. Good Morning Heartache"
      ]
      [
        "ordre" => 12
        "nom" => "4. (I Was) Born To Be Blue"
      ]
      [
        "ordre" => 13
        "nom" => "5. Clap Hands, Here Comes Charlie!"
      ]
      [
        "ordre" => 14
        "nom" => "6. Spring Can Really Hang You Up The Most"
      ]
      [
        "ordre" => 15
        "nom" => "7. Music Goes 'Round And 'Round"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2099 …}
    -label: Proxies\__CG__\App\Entity\Label {#2136 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2237 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2230 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2232 …}
    -enregistreLe: DateTime @1712050989 {#2225
      date: 2024-04-02 09:43:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765720584 {#2224
      date: 2025-12-14 13:56:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2234 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clap-hands-here-comes-charlie-acoustic-sounds-series-8678"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3923
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2429 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3924 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3972 …}
  +isValidated: false
  +validatedFields: []
}