Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2389
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2236 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2466
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2469 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2468 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2042 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2236 …}
  -formView: Symfony\Component\Form\FormView {#2505 …}
  -form: Symfony\Component\Form\Form {#2655 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1724
    -id: 719
    -nom: "Byrd in Paris, Vol 2"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 904.\r\n
      \r\n
      - Re-mastered from the original master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original cover art (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from 1958.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      - Important : A slight distortion may appear on the piano or the drums. This defect, due to the poor quality of the master tapes, is impossible to erase without distorting the entire recording.\r\n
      \r\n
      \r\n
      \r\n
      In its October ‘58 issue, the title carried by Jazz Hot magazine was : “Revelation at the Chat Qui Pêche’. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.” And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.\r\n
      \r\n
      After appearing in Cannes (in the sun) and Knokke-le-Zoute (a much smaller audience) for almost three months, the Donald Byrd Quintet settled down for the autumn in one of the capital’s top jazz spots, the Chat Qui Pêche on the Rue de la Huchette. To crown a tour that had been extremely satisfying for everyone, a concert at the Olympia theatre was organised (there were gigs there called “Jazz Wednesdays”). Byrd and Co. took things very seriously, even though they preserved the relaxed approach that their (relatively) long association now permitted: La Marseillaise, and And the angels sing are both present in the introduction to Parisian Thoroughfare played by the two horns. The latter then went on to imitate other horns, those of the cars on 52nd Street… However, when it came to Stardust, it was with all the seriousness in the world, almost in meditation in fact, that Donald Byrd improvised over the backing provided by just Walter Davis Jr. and Doug Watkins. Bobby Jaspar, of course, was marvellous. If he showed a marked obedience to Sonny Rollins, he still preserved, intact, the virtues of sobriety that prevented him falling into the trap of serving up torrents of notes in pieces taken at a rapid tempo (At This Time, for example). During the exchanges on Formidable, you’d be forgiven for saying that he gets the better of Donald Byrd. As for the complicity that reigned between the members of the rhythm section, it gave the formation a homogenous character that was very rare in a quintet.\r\n
      \r\n
      Now, almost half a century later, one can only agree with Jazz Magazine’s critic on the subject of the Donald Byrd Quintet: “The only thing missing (…) was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.”\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e7-duuuUbrM"
    -referenceProduit: "Sam Records SRLP 111"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Salt Peanuts"
        "ordre" => 1
      ]
      [
        "nom" => "2. Parisian Thoroughfare"
        "ordre" => 2
      ]
      [
        "nom" => "3. Stardust"
        "ordre" => 3
      ]
      [
        "nom" => "4. 52nd Street Theme 6’42"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. At This Time"
        "ordre" => 6
      ]
      [
        "nom" => "2. Formidable"
        "ordre" => 7
      ]
      [
        "nom" => "3. Two Bass Hit"
        "ordre" => 8
      ]
      [
        "nom" => "4. Salt Peanuts reprise"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …}
    -enregistreLe: DateTime @1415397292 {#1839
      date: 2014-11-07 21:54:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761295331 {#1890
      date: 2025-10-24 08:42:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-vol-2-sam-records-srlp-111"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2942
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2468 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2042 …}
  +produit: App\Entity\Produit {#1724
    -id: 719
    -nom: "Byrd in Paris, Vol 2"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 904.\r\n
      \r\n
      - Re-mastered from the original master tapes.\r\n
      - 180 gram vinyl pressed by Optimal in Germany using the Metal Mothers from Pallas.\r\n
      - Facsimile reissue using the original cover art (front photo is lost).\r\n
      - Double insert using an original photo by JP Leloir from 1958.\r\n
      - Each record has been visually checked to prevent defects.\r\n
      - Important : A slight distortion may appear on the piano or the drums. This defect, due to the poor quality of the master tapes, is impossible to erase without distorting the entire recording.\r\n
      \r\n
      \r\n
      \r\n
      In its October ‘58 issue, the title carried by Jazz Hot magazine was : “Revelation at the Chat Qui Pêche’. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.” And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.\r\n
      \r\n
      After appearing in Cannes (in the sun) and Knokke-le-Zoute (a much smaller audience) for almost three months, the Donald Byrd Quintet settled down for the autumn in one of the capital’s top jazz spots, the Chat Qui Pêche on the Rue de la Huchette. To crown a tour that had been extremely satisfying for everyone, a concert at the Olympia theatre was organised (there were gigs there called “Jazz Wednesdays”). Byrd and Co. took things very seriously, even though they preserved the relaxed approach that their (relatively) long association now permitted: La Marseillaise, and And the angels sing are both present in the introduction to Parisian Thoroughfare played by the two horns. The latter then went on to imitate other horns, those of the cars on 52nd Street… However, when it came to Stardust, it was with all the seriousness in the world, almost in meditation in fact, that Donald Byrd improvised over the backing provided by just Walter Davis Jr. and Doug Watkins. Bobby Jaspar, of course, was marvellous. If he showed a marked obedience to Sonny Rollins, he still preserved, intact, the virtues of sobriety that prevented him falling into the trap of serving up torrents of notes in pieces taken at a rapid tempo (At This Time, for example). During the exchanges on Formidable, you’d be forgiven for saying that he gets the better of Donald Byrd. As for the complicity that reigned between the members of the rhythm section, it gave the formation a homogenous character that was very rare in a quintet.\r\n
      \r\n
      Now, almost half a century later, one can only agree with Jazz Magazine’s critic on the subject of the Donald Byrd Quintet: “The only thing missing (…) was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.”\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1877 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=e7-duuuUbrM"
    -referenceProduit: "Sam Records SRLP 111"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Salt Peanuts"
        "ordre" => 1
      ]
      [
        "nom" => "2. Parisian Thoroughfare"
        "ordre" => 2
      ]
      [
        "nom" => "3. Stardust"
        "ordre" => 3
      ]
      [
        "nom" => "4. 52nd Street Theme 6’42"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. At This Time"
        "ordre" => 6
      ]
      [
        "nom" => "2. Formidable"
        "ordre" => 7
      ]
      [
        "nom" => "3. Two Bass Hit"
        "ordre" => 8
      ]
      [
        "nom" => "4. Salt Peanuts reprise"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2008 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1910 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1996 …}
    -enregistreLe: DateTime @1415397292 {#1839
      date: 2014-11-07 21:54:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761295331 {#1890
      date: 2025-10-24 08:42:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2002 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-vol-2-sam-records-srlp-111"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2236 …}
}

[
  "produit" => App\Entity\Produit {#2025
    -id: 597
    -nom: "Byrd In Paris"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 903.\r\n
      \r\n
      “They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well- served in Paris.” (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France… The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, Dear Old Stockholm, adapted from a Swedish traditional song; on Flute Blues, Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like The Blues Walk? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1832 …}
    -musicienOrchestre: "Donald Byrd (Trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gACVYZ3E4Bs"
    -referenceProduit: "Sam Records SRLP 101"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Dear Old Stockholm"
        "ordre" => 1
      ]
      [
        "nom" => "2. Paul’s Pal"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Flute Blues"
        "ordre" => 4
      ]
      [
        "nom" => "2. Ray’s Idea"
        "ordre" => 5
      ]
      [
        "nom" => "3. The Blues Walk "
        "ordre" => 6
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2033 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2026 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2028 …}
    -enregistreLe: DateTime @1366837341 {#2022
      date: 2013-04-24 21:02:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259782 {#2023
      date: 2025-10-23 22:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2030 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-sam-records-srlp-101"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3033
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2468 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2042 …}
  +produit: App\Entity\Produit {#2025
    -id: 597
    -nom: "Byrd In Paris"
    -informationComplementaire: null
    -description: """
      - Recorded October 22, 1958, Olympia hall, Paris.\r\n
      - Original LP issue : Brunswick 87 903.\r\n
      \r\n
      “They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well- served in Paris.” (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France… The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, Dear Old Stockholm, adapted from a Swedish traditional song; on Flute Blues, Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like The Blues Walk? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…\r\n
      Text – Alain Tercinet
      """
    -prixVente: "42.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1832 …}
    -musicienOrchestre: "Donald Byrd (Trumpet), Bobby Jaspar (flute, tenor saxophone), Walter Davis Jr. (piano), Doug Watkins (bass) Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gACVYZ3E4Bs"
    -referenceProduit: "Sam Records SRLP 101"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Dear Old Stockholm"
        "ordre" => 1
      ]
      [
        "nom" => "2. Paul’s Pal"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Flute Blues"
        "ordre" => 4
      ]
      [
        "nom" => "2. Ray’s Idea"
        "ordre" => 5
      ]
      [
        "nom" => "3. The Blues Walk "
        "ordre" => 6
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1906 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2033 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2026 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2028 …}
    -enregistreLe: DateTime @1366837341 {#2022
      date: 2013-04-24 21:02:21.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1761259782 {#2023
      date: 2025-10-23 22:49:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2030 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-byrd-in-paris-sam-records-srlp-101"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2236 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3227
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2236 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3228 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3276 …}
  +isValidated: false
  +validatedFields: []
}