Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2475
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2322 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2552
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2555 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2554 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2128 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2322 …}
  -formView: Symfony\Component\Form\FormView {#2591 …}
  -form: Symfony\Component\Form\Form {#2741 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1917
    -id: 3009
    -nom: "World Clique"
    -informationComplementaire: "Redécouvrez "World Clique" dans une édition audiophile exceptionnelle signée Mobile Fidelity Sound Lab. Ce double vinyle 45 RPM sublime les grooves funk, house et pop de Deee-Lite avec une qualité sonore remarquable et une immersion totale."
    -description: """
      Redécouvrez toute l’énergie et l’originalité de "World Clique" dans cette prestigieuse édition audiophile 2 LP 45 RPM signée Mobile Fidelity Sound Lab. Véritable icône du début des années 90, cet album culte du groupe Deee-Lite mélange avec audace house, funk, pop, hip-hop et influences psychédéliques dans un cocktail sonore aussi festif qu’innovant. Porté par l’incontournable “Groove Is in the Heart”, World Clique reste aujourd’hui une référence majeure de la scène dance alternative.\r\n
      \r\n
      Grâce au savoir-faire reconnu de Mobile Fidelity et au pressage en double vinyle 45 tours, cette édition offre une restitution sonore exceptionnelle, avec une dynamique impressionnante, des basses profondes et un niveau de détail remarquable. Chaque titre bénéficie d’une scène sonore ample et immersive qui sublime les arrangements et l’énergie du groupe. Pensé pour les audiophiles comme pour les collectionneurs, ce pressage premium permet de redécouvrir l’album dans des conditions d’écoute optimales, au plus proche des bandes originales. Une pièce incontournable pour toute collection vinyle exigeante.\r\n
      \r\n
      Musicians : \r\n
      Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals), Q-Tip (rap vocals), Fred Wesley (trombone), Maceo Parker (saxophone), Bill “Chicken on Fire” Coleman (vocals), Sheila Slappy (background vocals).\r\n
      \r\n
      - De-lovely, Delightful, and Truly Delicious: Deee-Lite’s World Clique Makes Deliriously Fun Dance Magic with House, Funk, and Soul Music, Includes “Groove Is in the Heart” and Contributions from Bootsy Collins, Maceo Parker, and Fred Wesley !\r\n
      \r\n
      - Hear the 1990 Club Favorite in Audiophile Sound for the First Time : Strictly Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Abounds with Tones, Colors, Definition, and Spatial Details !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasi-psychedelic name Deee-Lite hints at the sheer fun, quirky personality, and humorous flair within its diverse borders. Renowned for the smash “Groove Is in the Heart”, ranked  N° 233 on Rolling Stone’s list of the 500 Greatest Songs of All Time and N° 2 on Billboard’s 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners’ faces or a spring in their step. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort rhythmic grooves, natch tremendously benefits from the fact the 48 minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you’ve got out-of-print 12 inch singles from this Billboard Top 20 set, you’ve never even come close to hearing how good it sounds. \r\n
      \r\n
      Constructed via a hybrid of instrumentation, singing, and samples, World Clique unfurls with a rainbow of colors, tones, details, and effects. This collectible reissue zeros in on the separation and spatial location crucial to the tracks, with clever touches such as supplementary echoes to panned vocals and hand claps in defined positions amid broad, deep soundstages. The clarity of everything from Lady Miss Kier’s breathy vocals and the group’s effortless hooks to the statement-making horns from James Brown band legends Maceo Parker and Fred Wesley brings Deee-Lite’s joyous delirium to life in multi-dimensional fashion. \r\n
      \r\n
      Cool, real, fresh: The terms the trio tosses about on the album-opening “Deee-Lite Theme” still apply, even with the evolution of beat technology. Beholden to no trend, look or algorithm, Deee-Lite approaches World Clique as if anything is possible. That feeling extends to how the group weaves a broad palette of samples into its arrangements. Rather than using pieces of songs by the likes of Betty Wright, Quincy Jones, and the Monkees as foundations  and then layering original segments on top Deee-Lite eschews then-popular excessive convention and judiciously incorporates samples as smart accents, transitions, and punctuation marks. The group’s savvy knack for sunny hooks, piano riffs, and unpredictability does the rest. \r\n
      \r\n
      “Won’t you listen to what the DJ is spinnin’”, Kier instructs on the nuanced “E.S.P.”, the advice indicative of the carefree spirit and feet-moving vibes that make World Clique an instant party starter and mood elevator. Indeed, the very titles of most of the songs make Deee-Lite’s positive intentions transparent. The collective follows through with music steeped in retro R&B, daisy-age hip-hop, lite psychedelia, and bubbly pop that wiggles, flows, and turns your space into an imaginary dance floor. \r\n
      \r\n
      More proof World Clique is much more than a one-hit wonder ? Kier’s spry and airy vocals, which inject songs such as the simmering “Good Beat”, hop-scotching title track, and percolating “What Is Love ?” with intrigue, soulfulness, and spice. They helped turn “Power of Love” into Deee-Lite’s second N° 1 hit on Billboard’s Dance Club Songs chart. And they seamlessly blend with Collins’ guitar riffs and Parker and Wesley’s horns on the multifaceted “Try Me On... ’m Very You”.\r\n
      \r\n
      Of course, what else needs to be said about that tandem’s work on “Groove Is in the Heart,” which hit the Top 5 on three Billboard charts and the Top 30 on yet another ? Collins’ cooler-than-thou spoken intro and chorus interjections. That slide whistle. The start of an Eva Gabor comment on “Green Acres” transformed into its own speech motif. That cowbell. Those fluid bass lines. That get-down sass and kitsch. That spot-on rap interlude from Q-Tip. Add it all up and you have the song voted Best Single in the 1990 Pazz & Jop poll and one that is on “best” decade lists from Pitchfork, NME, Time Out, Billboard, Slant, and more to say nothing of “best” all-time lists.\r\n
      \r\n
      De-lovely, delightful, and truly delicious.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=etviGf1uWlg&list=OLAK5uy_l6b5h-Keoiin0TiXs_1hnLR3pV1ZVhozE"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-609"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Deee-Lite Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. Good Beat"
      ]
      [
        "ordre" => 3
        "nom" => "3. Power of Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Try Me On... ’m Very You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Smile On"
      ]
      [
        "ordre" => 7
        "nom" => "3. What Is Love ?"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. World Clique"
      ]
      [
        "ordre" => 10
        "nom" => "2. E.S.P."
      ]
      [
        "ordre" => 11
        "nom" => "3. Groove Is in the Heart"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Who Was That ?"
      ]
      [
        "ordre" => 14
        "nom" => "2. Deep-Ending"
      ]
      [
        "ordre" => 15
        "nom" => "3. Build the Bridge"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1912 …}
    -label: Proxies\__CG__\App\Entity\Label {#1954 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1945 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1772526682 {#1922
      date: 2026-03-03 08:31:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778165047 {#1902
      date: 2026-05-07 14:44:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-world-clique-mobile-fidelity-sound-lab-2-609"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3013
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2554 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2128 …}
  +produit: App\Entity\Produit {#1917
    -id: 3009
    -nom: "World Clique"
    -informationComplementaire: "Redécouvrez "World Clique" dans une édition audiophile exceptionnelle signée Mobile Fidelity Sound Lab. Ce double vinyle 45 RPM sublime les grooves funk, house et pop de Deee-Lite avec une qualité sonore remarquable et une immersion totale."
    -description: """
      Redécouvrez toute l’énergie et l’originalité de "World Clique" dans cette prestigieuse édition audiophile 2 LP 45 RPM signée Mobile Fidelity Sound Lab. Véritable icône du début des années 90, cet album culte du groupe Deee-Lite mélange avec audace house, funk, pop, hip-hop et influences psychédéliques dans un cocktail sonore aussi festif qu’innovant. Porté par l’incontournable “Groove Is in the Heart”, World Clique reste aujourd’hui une référence majeure de la scène dance alternative.\r\n
      \r\n
      Grâce au savoir-faire reconnu de Mobile Fidelity et au pressage en double vinyle 45 tours, cette édition offre une restitution sonore exceptionnelle, avec une dynamique impressionnante, des basses profondes et un niveau de détail remarquable. Chaque titre bénéficie d’une scène sonore ample et immersive qui sublime les arrangements et l’énergie du groupe. Pensé pour les audiophiles comme pour les collectionneurs, ce pressage premium permet de redécouvrir l’album dans des conditions d’écoute optimales, au plus proche des bandes originales. Une pièce incontournable pour toute collection vinyle exigeante.\r\n
      \r\n
      Musicians : \r\n
      Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals), Q-Tip (rap vocals), Fred Wesley (trombone), Maceo Parker (saxophone), Bill “Chicken on Fire” Coleman (vocals), Sheila Slappy (background vocals).\r\n
      \r\n
      - De-lovely, Delightful, and Truly Delicious: Deee-Lite’s World Clique Makes Deliriously Fun Dance Magic with House, Funk, and Soul Music, Includes “Groove Is in the Heart” and Contributions from Bootsy Collins, Maceo Parker, and Fred Wesley !\r\n
      \r\n
      - Hear the 1990 Club Favorite in Audiophile Sound for the First Time : Strictly Limited to 2000 Numbered Copies, Mobile Fidelity’s 180 gram 45 RPM (2 LP) Set Abounds with Tones, Colors, Definition, and Spatial Details !\r\n
      \r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasi-psychedelic name Deee-Lite hints at the sheer fun, quirky personality, and humorous flair within its diverse borders. Renowned for the smash “Groove Is in the Heart”, ranked  N° 233 on Rolling Stone’s list of the 500 Greatest Songs of All Time and N° 2 on Billboard’s 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners’ faces or a spring in their step. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180 gram 45 RPM (2 LP) set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort rhythmic grooves, natch tremendously benefits from the fact the 48 minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you’ve got out-of-print 12 inch singles from this Billboard Top 20 set, you’ve never even come close to hearing how good it sounds. \r\n
      \r\n
      Constructed via a hybrid of instrumentation, singing, and samples, World Clique unfurls with a rainbow of colors, tones, details, and effects. This collectible reissue zeros in on the separation and spatial location crucial to the tracks, with clever touches such as supplementary echoes to panned vocals and hand claps in defined positions amid broad, deep soundstages. The clarity of everything from Lady Miss Kier’s breathy vocals and the group’s effortless hooks to the statement-making horns from James Brown band legends Maceo Parker and Fred Wesley brings Deee-Lite’s joyous delirium to life in multi-dimensional fashion. \r\n
      \r\n
      Cool, real, fresh: The terms the trio tosses about on the album-opening “Deee-Lite Theme” still apply, even with the evolution of beat technology. Beholden to no trend, look or algorithm, Deee-Lite approaches World Clique as if anything is possible. That feeling extends to how the group weaves a broad palette of samples into its arrangements. Rather than using pieces of songs by the likes of Betty Wright, Quincy Jones, and the Monkees as foundations  and then layering original segments on top Deee-Lite eschews then-popular excessive convention and judiciously incorporates samples as smart accents, transitions, and punctuation marks. The group’s savvy knack for sunny hooks, piano riffs, and unpredictability does the rest. \r\n
      \r\n
      “Won’t you listen to what the DJ is spinnin’”, Kier instructs on the nuanced “E.S.P.”, the advice indicative of the carefree spirit and feet-moving vibes that make World Clique an instant party starter and mood elevator. Indeed, the very titles of most of the songs make Deee-Lite’s positive intentions transparent. The collective follows through with music steeped in retro R&B, daisy-age hip-hop, lite psychedelia, and bubbly pop that wiggles, flows, and turns your space into an imaginary dance floor. \r\n
      \r\n
      More proof World Clique is much more than a one-hit wonder ? Kier’s spry and airy vocals, which inject songs such as the simmering “Good Beat”, hop-scotching title track, and percolating “What Is Love ?” with intrigue, soulfulness, and spice. They helped turn “Power of Love” into Deee-Lite’s second N° 1 hit on Billboard’s Dance Club Songs chart. And they seamlessly blend with Collins’ guitar riffs and Parker and Wesley’s horns on the multifaceted “Try Me On... ’m Very You”.\r\n
      \r\n
      Of course, what else needs to be said about that tandem’s work on “Groove Is in the Heart,” which hit the Top 5 on three Billboard charts and the Top 30 on yet another ? Collins’ cooler-than-thou spoken intro and chorus interjections. That slide whistle. The start of an Eva Gabor comment on “Green Acres” transformed into its own speech motif. That cowbell. Those fluid bass lines. That get-down sass and kitsch. That spot-on rap interlude from Q-Tip. Add it all up and you have the song voted Best Single in the 1990 Pazz & Jop poll and one that is on “best” decade lists from Pitchfork, NME, Time Out, Billboard, Slant, and more to say nothing of “best” all-time lists.\r\n
      \r\n
      De-lovely, delightful, and truly delicious.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Lady Miss Kier (lead & backing vocals), DJ Dmitry (keyboards, bass, guitar), Towa Tei (sampling, programming), Bootsy Collins (bass, guitar, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=etviGf1uWlg&list=OLAK5uy_l6b5h-Keoiin0TiXs_1hnLR3pV1ZVhozE"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-609"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Deee-Lite Theme"
      ]
      [
        "ordre" => 2
        "nom" => "2. Good Beat"
      ]
      [
        "ordre" => 3
        "nom" => "3. Power of Love"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Try Me On... ’m Very You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Smile On"
      ]
      [
        "ordre" => 7
        "nom" => "3. What Is Love ?"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. World Clique"
      ]
      [
        "ordre" => 10
        "nom" => "2. E.S.P."
      ]
      [
        "ordre" => 11
        "nom" => "3. Groove Is in the Heart"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Who Was That ?"
      ]
      [
        "ordre" => 14
        "nom" => "2. Deep-Ending"
      ]
      [
        "ordre" => 15
        "nom" => "3. Build the Bridge"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1912 …}
    -label: Proxies\__CG__\App\Entity\Label {#1954 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2071 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1945 …}
    -typeMasterTape: null
    -marque: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2059 …}
    -enregistreLe: DateTime @1772526682 {#1922
      date: 2026-03-03 08:31:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1778165047 {#1902
      date: 2026-05-07 14:44:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2065 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-world-clique-mobile-fidelity-sound-lab-2-609"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2322 …}
}

[
  "produit" => App\Entity\Produit {#2088
    -id: 2743
    -nom: ""Sex Machine" (2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      James Brown (vocals), 'Sweet' Charles Sherrell, Bootsy Collins (bass), Johnny Griggs (congas), Catfish Collins, Jimmy Nolen (guitar), Bobby Byrd (organ), St-Clair Pinckney (baritone saxophone), Eldee Williams, Maceo Parker, Robert Chopper McCollough   (tenor saxophone), Fred Wesley (trombone), Clayton Gunnells, Darryl Hassan Jamison, Joseph Davis, Richard Griffith (trumpet), Clyde Stubblefield, John Jabo Starks, Melvin Parker (drums).\r\n
      \r\n
      - Monster 1970 Double Album Presented in Audiophile Sound for the First Time : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM (2 LP) Set Plays with Explosive Dynamics and Vibrant Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      James Brown wants to know one thing before he and his band begin Sex Machine. “Can I get into the thing, really ?,” he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-the-red, drop-everything-you’re-doing-and-dance performance for the ages. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown’s inimitable legacy as well as the peak powers of his voice, vibrancy, and bands.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM (2 LP) set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy : Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.\r\n
      \r\n
      Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.\r\n
      \r\n
      Just how lifelike does this reissue sound ? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes : “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history”.\r\n
      \r\n
      Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn”, the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.\r\n
      \r\n
      As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.\r\n
      \r\n
      Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group as well as two different drummers laid down a nearly 11 minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered”, “I Got the Feeling”, and “Give It Up or Turnit a Loose”. A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn”, each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.\r\n
      \r\n
      Complicated ? Somewhat. Unusual ? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.\r\n
      \r\n
      “Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II)”, one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose”, which provides jolts on the order of sticking your finger into a socket.\r\n
      \r\n
      Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World”.\r\n
      \r\n
      And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn”. Mercy.\r\n
      \r\n
      Ain’t it funky ? Sure ‘nuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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    -id: 2743
    -nom: ""Sex Machine" (2 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      James Brown (vocals), 'Sweet' Charles Sherrell, Bootsy Collins (bass), Johnny Griggs (congas), Catfish Collins, Jimmy Nolen (guitar), Bobby Byrd (organ), St-Clair Pinckney (baritone saxophone), Eldee Williams, Maceo Parker, Robert Chopper McCollough   (tenor saxophone), Fred Wesley (trombone), Clayton Gunnells, Darryl Hassan Jamison, Joseph Davis, Richard Griffith (trumpet), Clyde Stubblefield, John Jabo Starks, Melvin Parker (drums).\r\n
      \r\n
      - Monster 1970 Double Album Presented in Audiophile Sound for the First Time : Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM (2 LP) Set Plays with Explosive Dynamics and Vibrant Immediacy !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      James Brown wants to know one thing before he and his band begin Sex Machine. “Can I get into the thing, really ?,” he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-the-red, drop-everything-you’re-doing-and-dance performance for the ages. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown’s inimitable legacy as well as the peak powers of his voice, vibrancy, and bands.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 33 RPM (2 LP) set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy : Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.\r\n
      \r\n
      Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.\r\n
      \r\n
      Just how lifelike does this reissue sound ? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes : “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history”.\r\n
      \r\n
      Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn”, the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.\r\n
      \r\n
      As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.\r\n
      \r\n
      Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group as well as two different drummers laid down a nearly 11 minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered”, “I Got the Feeling”, and “Give It Up or Turnit a Loose”. A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn”, each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.\r\n
      \r\n
      Complicated ? Somewhat. Unusual ? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.\r\n
      \r\n
      “Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II)”, one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose”, which provides jolts on the order of sticking your finger into a socket.\r\n
      \r\n
      Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World”.\r\n
      \r\n
      And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn”. Mercy.\r\n
      \r\n
      Ain’t it funky ? Sure ‘nuff.
      """
    -prixVente: "99.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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[
  "produit" => App\Entity\Produit {#2104
    -id: 1638
    -nom: "Stax Revue : Live in '65 !"
    -informationComplementaire: null
    -description: """
      - Various Artists "Stax Revue : Live In '65 !"  (2 LP) !\r\n
      - Featuring 18 live performances! Six previously unreleased !\r\n
      - Newly mastered by Joe Tarantino !\r\n
      - Lacquers cut by Jeff Powell at Take Out Vinyl !\r\n
      \r\n
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      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=sbpJMhPk5XQ&list=PL79xK-VVZpslR2JJ-KUfBQpJ11VgHAQHz"
    -referenceProduit: "Concord Craft Recordings 9365"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "CLUB PARADISE"
        "ordre" => 1
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        "nom" => "1. Booker T. & The M.G.’s – Green Onions"
        "ordre" => 2
      ]
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        "nom" => "2. Booker T. & The M.G.’s – Boot-Leg"
        "ordre" => 3
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      [
        "nom" => "3. Booker T. & The M.G.’s – You Can’t Sit Down"
        "ordre" => 4
      ]
      [
        "nom" => "4. Booker T. & The M.G.’s – Summertime"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Booker T. & The M.G.’s – Soul Twist"
        "ordre" => 7
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      [
        "nom" => "2. David Porter – Just Be True"
        "ordre" => 8
      ]
      [
        "nom" => "3. David Porter – Can’t See You When I Want To"
        "ordre" => 9
      ]
      [
        "nom" => "4. The Astors – What Can It Be"
        "ordre" => 10
      ]
      [
        "nom" => "5. Wendy Rene – Bar-B-Q"
        "ordre" => 11
      ]
      [
        "nom" => "Side C :"
        "ordre" => 12
      ]
      [
        "nom" => "5-4 BALLROOM"
        "ordre" => 13
      ]
      [
        "nom" => "1. The Mar-Keys – Last Night"
        "ordre" => 14
      ]
      [
        "nom" => "2. The Mad Lads – Don’t Have To Shop Around"
        "ordre" => 15
      ]
      [
        "nom" => "3. The Astors – Candy"
        "ordre" => 16
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      [
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        "ordre" => 17
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      [
        "nom" => "Side D : "
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        "nom" => "1. Carla Thomas – Every Ounce Of Strength"
        "ordre" => 20
      ]
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        "nom" => "2. Booker T. & The M.G.’S – Boot-Leg"
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        "nom" => "3. Wilson Pickett – In The Midnight Hour"
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      [
        "nom" => "4. Rufus Thomas – Walking The Dog"
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2115 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stax-revue-live-in-65-concord-craft-recordings-9365"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3178
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2554 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2128 …}
  +produit: App\Entity\Produit {#2104
    -id: 1638
    -nom: "Stax Revue : Live in '65 !"
    -informationComplementaire: null
    -description: """
      - Various Artists "Stax Revue : Live In '65 !"  (2 LP) !\r\n
      - Featuring 18 live performances! Six previously unreleased !\r\n
      - Newly mastered by Joe Tarantino !\r\n
      - Lacquers cut by Jeff Powell at Take Out Vinyl !\r\n
      \r\n
      In 1965 in the face of social unrest, legendary Memphis record label Stax Records put on two pulsating shows at the 5-4 Ballroom in Los Angeles, featuring Rufus Thomas, Booker T. & The M.G.'s, William Bell, Carla Thomas, Wilson Pickett and more. Sixty years later these recordings, newly mastered by Joe Tarantino, with lacquers cut by Jeff Powell at Take Out Vinyl, have been collected with a bonus set of performances recorded at Club Paradise, Memphis that same year, to form Stax Revue - Live In '65 !. Featuring 18 live performances on two LP's, six previously unreleased.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sbpJMhPk5XQ&list=PL79xK-VVZpslR2JJ-KUfBQpJ11VgHAQHz"
    -referenceProduit: "Concord Craft Recordings 9365"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "CLUB PARADISE"
        "ordre" => 1
      ]
      [
        "nom" => "1. Booker T. & The M.G.’s – Green Onions"
        "ordre" => 2
      ]
      [
        "nom" => "2. Booker T. & The M.G.’s – Boot-Leg"
        "ordre" => 3
      ]
      [
        "nom" => "3. Booker T. & The M.G.’s – You Can’t Sit Down"
        "ordre" => 4
      ]
      [
        "nom" => "4. Booker T. & The M.G.’s – Summertime"
        "ordre" => 5
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
      [
        "nom" => "1. Booker T. & The M.G.’s – Soul Twist"
        "ordre" => 7
      ]
      [
        "nom" => "2. David Porter – Just Be True"
        "ordre" => 8
      ]
      [
        "nom" => "3. David Porter – Can’t See You When I Want To"
        "ordre" => 9
      ]
      [
        "nom" => "4. The Astors – What Can It Be"
        "ordre" => 10
      ]
      [
        "nom" => "5. Wendy Rene – Bar-B-Q"
        "ordre" => 11
      ]
      [
        "nom" => "Side C :"
        "ordre" => 12
      ]
      [
        "nom" => "5-4 BALLROOM"
        "ordre" => 13
      ]
      [
        "nom" => "1. The Mar-Keys – Last Night"
        "ordre" => 14
      ]
      [
        "nom" => "2. The Mad Lads – Don’t Have To Shop Around"
        "ordre" => 15
      ]
      [
        "nom" => "3. The Astors – Candy"
        "ordre" => 16
      ]
      [
        "nom" => "4. William Bell – Any Other Way"
        "ordre" => 17
      ]
      [
        "nom" => "5. William Bell – You Don’t Miss Your Water"
        "ordre" => 18
      ]
      [
        "nom" => "Side D : "
        "ordre" => 19
      ]
      [
        "nom" => "1. Carla Thomas – Every Ounce Of Strength"
        "ordre" => 20
      ]
      [
        "nom" => "2. Booker T. & The M.G.’S – Boot-Leg"
        "ordre" => 21
      ]
      [
        "nom" => "3. Wilson Pickett – In The Midnight Hour"
        "ordre" => 22
      ]
      [
        "nom" => "4. Rufus Thomas – Walking The Dog"
        "ordre" => 23
      ]
      [
        "nom" => ""
        "ordre" => 24
      ]
      [
        "nom" => ""
        "ordre" => 25
      ]
      [
        "nom" => ""
        "ordre" => 26
      ]
      [
        "nom" => ""
        "ordre" => 27
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2106 …}
    -label: Proxies\__CG__\App\Entity\Label {#2109 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2118 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2111 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2113 …}
    -enregistreLe: DateTime @1556000247 {#2101
      date: 2019-04-23 06:17:27.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1755106003 {#2102
      date: 2025-08-13 17:26:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2115 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stax-revue-live-in-65-concord-craft-recordings-9365"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2322 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3371
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2322 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3372 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3420 …}
  +isValidated: false
  +validatedFields: []
}