Components
4
Twig Components
15
Render Count
9
ms
Render Time
8.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.25ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.20ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.43ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.26ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 8.0 MiB | 3.20 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2550 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 8.0 MiB | 1.43 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2627 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2630 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} -formView: Symfony\Component\Form\FormView {#2666 …} -form: Symfony\Component\Form\Form {#2816 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.79 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1820 -id: 1706 -nom: "Souvenirs : A Collection of Favourite Violin Pieces " -informationComplementaire: "" -description: """ Violinist Kyung Wha Chung is accompanied here by pianist Itamar Golan for an album of violin pieces composed by Dvorak, Stravinsky, Rachmaninov, Debussy and more.\r\n \r\n "Chung dispatches her 19 souvenirs with endearing candor and a refreshing lack of affectation. The Four Romantic Pieces are intimate and lightly brushed... Szymanowski’s fragrant Nocturne sings to a shimmering accompaniment, recalling Roxana’s exotic vocal lines in King Roger, though there’s an upbeat, quasi-Spanish central section and a highly flammable Tarantella to follow that puts the excellent Itamar Golan through his pace. Stravinsky is represented by the wistful ‘Dithyrambe’ from his Duo concertant, played with an appropriate sense of stillness, and Bach by an expressive account of the ubiquitous ‘Air’ from the Third Orchestral Suite. It’s nice to have Rachmaninov’s Op.6 pieces on board, the first sounding like a near-relation of Schumann’s D minor Piano Trio, the second a racy ‘Hungarian Dance’ performed here with genuine swagger. Beau soir is suitably smoky, Le petit Ane blanc suavely charming and Golan’s perky playing 4’06” into Zigeurnerweisen confirms that he is no ‘mere’ accompanist. With excellent sound and a generous playing time, this disc makes for a relaxing – and at times extremely rewarding – listening experience". - Gramophone\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Kyung Wha Chung (violin), Itamar Golan (piano)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=93oTt28UnuM" -referenceProduit: "Analogphonic PWC2L 0004" -titreMorceau: [ [ "nom" => "1. Dance Hongroise, Op. 6, N° 2" "ordre" => 28 ] [ "nom" => "1. Humoreske in G flat, Op. 101 N° 7" "ordre" => 2 ] [ "nom" => "1. Notturne" "ordre" => 9 ] [ "nom" => "1. Schon Rosmarin" "ordre" => 19 ] [ "nom" => "2. Caprice Viennois" "ordre" => 20 ] [ "nom" => "2. Romantic Pieces, Op. 75, N° 1" "ordre" => 3 ] [ "nom" => "2. Tarantella" "ordre" => 10 ] [ "nom" => "2. Thais : Meditation" "ordre" => 30 ] [ "nom" => "3. Air" "ordre" => 12 ] [ "nom" => "3. Beau Soir" "ordre" => 32 ] [ "nom" => "3. Romantic Pieces, Op. 75 N° 2" "ordre" => 4 ] [ "nom" => "3. Tamborin Chinois" "ordre" => 21 ] [ "nom" => "4. Ave Maria" "ordre" => 23 ] [ "nom" => "4. Dithyrambe" "ordre" => 14 ] [ "nom" => "4. Romantic Pieces, Op. 75 N° 3" "ordre" => 5 ] [ "nom" => "4. Zigeunerweigen, op. 20 " "ordre" => 34 ] [ "nom" => "5. Le petit Ane blanc" "ordre" => 16 ] [ "nom" => "5. Romance, Op. 6 N° 1" "ordre" => 25 ] [ "nom" => "5. Romantic Pieces, Op. 75 N° 4" "ordre" => 6 ] [ "nom" => "ANTON DVORAK" "ordre" => 1 ] [ "nom" => "CLAUDE DEBUSSY" "ordre" => 31 ] [ "nom" => "FRANZ SCHUBERT" "ordre" => 22 ] [ "nom" => "FRITZ KREISIER" "ordre" => 18 ] [ "nom" => "IGOR STRAVINSKY : Duo Concertant V" "ordre" => 13 ] [ "nom" => "JACQUES IBERT " "ordre" => 15 ] [ "nom" => "JOHANN SEBASTIAN BACH : Suite No. 3 in D" "ordre" => 11 ] [ "nom" => "JULES MASSENET" "ordre" => 29 ] [ "nom" => "KAROL SZYMANOWSKI : Notturno e Tarantella, Op. 28" "ordre" => 8 ] [ "nom" => "PABLO DE SARASATE" "ordre" => 33 ] [ "nom" => "SERGEI RACHMANINOV" "ordre" => 24 ] [ "nom" => "SERGEI RACHMANINOV" "ordre" => 27 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 17 ] [ "nom" => "Side D : " "ordre" => 26 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1562826664 {#1875 : 2019-07-11 06:31:04.0 UTC (+00:00) } -modifierLe: DateTime @1576486579 {#1868 : 2019-12-16 08:56:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-souvenirs-a-collection-of-favourite-violin-pieces-analogphonic-pwc2l-0004" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3091 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#1820 -id: 1706 -nom: "Souvenirs : A Collection of Favourite Violin Pieces " -informationComplementaire: "" -description: """ Violinist Kyung Wha Chung is accompanied here by pianist Itamar Golan for an album of violin pieces composed by Dvorak, Stravinsky, Rachmaninov, Debussy and more.\r\n \r\n "Chung dispatches her 19 souvenirs with endearing candor and a refreshing lack of affectation. The Four Romantic Pieces are intimate and lightly brushed... Szymanowski’s fragrant Nocturne sings to a shimmering accompaniment, recalling Roxana’s exotic vocal lines in King Roger, though there’s an upbeat, quasi-Spanish central section and a highly flammable Tarantella to follow that puts the excellent Itamar Golan through his pace. Stravinsky is represented by the wistful ‘Dithyrambe’ from his Duo concertant, played with an appropriate sense of stillness, and Bach by an expressive account of the ubiquitous ‘Air’ from the Third Orchestral Suite. It’s nice to have Rachmaninov’s Op.6 pieces on board, the first sounding like a near-relation of Schumann’s D minor Piano Trio, the second a racy ‘Hungarian Dance’ performed here with genuine swagger. Beau soir is suitably smoky, Le petit Ane blanc suavely charming and Golan’s perky playing 4’06” into Zigeurnerweisen confirms that he is no ‘mere’ accompanist. With excellent sound and a generous playing time, this disc makes for a relaxing – and at times extremely rewarding – listening experience". - Gramophone\r\n """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Kyung Wha Chung (violin), Itamar Golan (piano)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=93oTt28UnuM" -referenceProduit: "Analogphonic PWC2L 0004" -titreMorceau: [ [ "nom" => "1. Dance Hongroise, Op. 6, N° 2" "ordre" => 28 ] [ "nom" => "1. Humoreske in G flat, Op. 101 N° 7" "ordre" => 2 ] [ "nom" => "1. Notturne" "ordre" => 9 ] [ "nom" => "1. Schon Rosmarin" "ordre" => 19 ] [ "nom" => "2. Caprice Viennois" "ordre" => 20 ] [ "nom" => "2. Romantic Pieces, Op. 75, N° 1" "ordre" => 3 ] [ "nom" => "2. Tarantella" "ordre" => 10 ] [ "nom" => "2. Thais : Meditation" "ordre" => 30 ] [ "nom" => "3. Air" "ordre" => 12 ] [ "nom" => "3. Beau Soir" "ordre" => 32 ] [ "nom" => "3. Romantic Pieces, Op. 75 N° 2" "ordre" => 4 ] [ "nom" => "3. Tamborin Chinois" "ordre" => 21 ] [ "nom" => "4. Ave Maria" "ordre" => 23 ] [ "nom" => "4. Dithyrambe" "ordre" => 14 ] [ "nom" => "4. Romantic Pieces, Op. 75 N° 3" "ordre" => 5 ] [ "nom" => "4. Zigeunerweigen, op. 20 " "ordre" => 34 ] [ "nom" => "5. Le petit Ane blanc" "ordre" => 16 ] [ "nom" => "5. Romance, Op. 6 N° 1" "ordre" => 25 ] [ "nom" => "5. Romantic Pieces, Op. 75 N° 4" "ordre" => 6 ] [ "nom" => "ANTON DVORAK" "ordre" => 1 ] [ "nom" => "CLAUDE DEBUSSY" "ordre" => 31 ] [ "nom" => "FRANZ SCHUBERT" "ordre" => 22 ] [ "nom" => "FRITZ KREISIER" "ordre" => 18 ] [ "nom" => "IGOR STRAVINSKY : Duo Concertant V" "ordre" => 13 ] [ "nom" => "JACQUES IBERT " "ordre" => 15 ] [ "nom" => "JOHANN SEBASTIAN BACH : Suite No. 3 in D" "ordre" => 11 ] [ "nom" => "JULES MASSENET" "ordre" => 29 ] [ "nom" => "KAROL SZYMANOWSKI : Notturno e Tarantella, Op. 28" "ordre" => 8 ] [ "nom" => "PABLO DE SARASATE" "ordre" => 33 ] [ "nom" => "SERGEI RACHMANINOV" "ordre" => 24 ] [ "nom" => "SERGEI RACHMANINOV" "ordre" => 27 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 7 ] [ "nom" => "Side C : " "ordre" => 17 ] [ "nom" => "Side D : " "ordre" => 26 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …} -enregistreLe: DateTime @1562826664 {#1875 : 2019-07-11 06:31:04.0 UTC (+00:00) } -modifierLe: DateTime @1576486579 {#1868 : 2019-12-16 08:56:19.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-souvenirs-a-collection-of-favourite-violin-pieces-analogphonic-pwc2l-0004" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2044 -id: 759 -nom: "Piano Concerto N° 1" -informationComplementaire: "" -description: """ Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n \r\n Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n \r\n In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.\r\n \r\n This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n \r\n Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n Production : Otto Gerdes\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Geza Anda (piano), The Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "DG 138708" -titreMorceau: [ [ "nom" => "1. Rhapsodie (Für Klavier Und Orchester)" "ordre" => 5 ] [ "nom" => "1. Satz : Allegro Moderato - Allegro" "ordre" => 1 ] [ "nom" => "2. Satz : Andante" "ordre" => 2 ] [ "nom" => "3. Satz : Allegro Molto" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …} -enregistreLe: DateTime @1425834805 {#2041 : 2015-03-08 17:13:25.0 UTC (+00:00) } -modifierLe: DateTime @1573195919 {#2042 : 2019-11-08 06:51:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-piano-concerto-n-1-dg-138708" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3205 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2044 -id: 759 -nom: "Piano Concerto N° 1" -informationComplementaire: "" -description: """ Béla Bartók : Concerto for Piano and Orchestra N° 1, Rhapsody for Piano and Orchestra, Op. 1 - Géza Anda and the Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay.\r\n \r\n Between Bartók's Rhapsody for Piano and his First Piano Concerto lie 22 years of development, a struggle to find subject matter, form and his own musical language. While the Rhapsody from 1904 is dominated by a late-Romantic tone, which delights in a free, craggy and capricious feast of affable harmonies, the Piano Concerto reflects contemplation and a delving into the formal strictness of the classical three-movement concerto form. Rather less concerto-like and unconventional is, however, the use of the piano as a percussion instrument, which after just a few bars on the winds, hammers out an unrelenting staccato against the harsh and dissonant orchestra.\r\n \r\n In the slow movement too the piano is predominantly employed as a percussion instrument that, like the pendulum of a clock, rhythmically bulldozes on against the cheerless, bleak winds. Wild emotion predominates in the Finale. Stormy, insistent figures in the piano are answered by the orchestra with animated blows, but the quick flashes of melodies cannot establish themselves and are slashed to pieces as if caught in a storm.\r\n \r\n This uncompromising severity presents an enormous challenge that is mastered with aplomb by Géza Anda and the RSO Berlin under Ferenc Fricsay. Bartók's musical language is milder and more accessible in his Second and Third Piano Concertos, which are now available in a new pressing from Speakers Corner Records.\r\n \r\n Recording : October 1960 at Jesus-Christus-Kirche, Berlin, by Günter Hermanns?\r\n Production : Otto Gerdes\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Geza Anda (piano), The Radio Symphonie Orchester Berlin conducted by Ferenc Fricsay" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "DG 138708" -titreMorceau: [ [ "nom" => "1. Rhapsodie (Für Klavier Und Orchester)" "ordre" => 5 ] [ "nom" => "1. Satz : Allegro Moderato - Allegro" "ordre" => 1 ] [ "nom" => "2. Satz : Andante" "ordre" => 2 ] [ "nom" => "3. Satz : Allegro Molto" "ordre" => 3 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …} -enregistreLe: DateTime @1425834805 {#2041 : 2015-03-08 17:13:25.0 UTC (+00:00) } -modifierLe: DateTime @1573195919 {#2042 : 2019-11-08 06:51:59.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-piano-concerto-n-1-dg-138708" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2063 -id: 855 -nom: "Chamber Music From Marlboro" -informationComplementaire: "" -description: """ The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n \r\n Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n \r\n Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n Production : Howard H. Scott """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Columbia MS 6236" -titreMorceau: [ [ "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (I-XII)" "ordre" => 1 ] [ "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (XIII-XVIII)" "ordre" => 3 ] [ "nom" => "2. Franz Schubert : The Shepherd On The Rock, Op. 129" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1451639528 {#2060 : 2016-01-01 09:12:08.0 UTC (+00:00) } -modifierLe: DateTime @1573158836 {#2061 : 2019-11-07 20:33:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-chamber-music-from-marlboro-columbia-ms-6236" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3256 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2063 -id: 855 -nom: "Chamber Music From Marlboro" -informationComplementaire: "" -description: """ The waltz was perhaps the most important thing that the rather level-headed and conservative Johannes Brahms from Hamburg brought back with him from his sojourn in Vienna. In addition to his purely instrumental waltzes for the piano, he also composed the "Liebeslieder Waltzes" – uniquely folk like and highly original vocal joyfulness in ¾ time. The lyrics are taken from real life and tell of love, longing, desire, and suffering but also of anger and derision.\r\n \r\n Just how ideally this music fits in with the workshop atmosphere of the Marlboro Summer Music Festival is fully evident here. The musicians gathered around Rudolf Serkin sing the very finest Brahms – joyous, inspired yet completely relaxed – and reflect light upon all aspects of earthly existence. An excellent choice to complement these emotions is Schubert’s penultimate composition "The Shepherd On The Rock" D 965. This great and far-too-seldom performed lied is based on three poems, which are performed impressively and with brilliant musicality by the soloist Benita Valente. And last but not least, the addition of the clarinet, which functions both as a soloist as well as imitating the voice, lends the work its particular charm.\r\n \r\n Recording : August 1960 at Marlboro School of Music, Vermont (USA), by Fred Plaut\r\n Production : Howard H. Scott """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Leon Fleisher, Rudolf Serkin (piano), Harold Wright (clarinet), Marlena Kleinman (alto vocals), Martial Singher (bass vocals), Benita Valente (soprano vocals), Wayne Connor (tenor vocals)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Columbia MS 6236" -titreMorceau: [ [ "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (I-XII)" "ordre" => 1 ] [ "nom" => "1. Johannes Brahms : Liebeslieder Walzer, Op. 52 (XIII-XVIII)" "ordre" => 3 ] [ "nom" => "2. Franz Schubert : The Shepherd On The Rock, Op. 129" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …} -enregistreLe: DateTime @1451639528 {#2060 : 2016-01-01 09:12:08.0 UTC (+00:00) } -modifierLe: DateTime @1573158836 {#2061 : 2019-11-07 20:33:56.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-chamber-music-from-marlboro-columbia-ms-6236" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2079 -id: 312 -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2" -informationComplementaire: "" -description: """ With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n \r\n Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n Production : Wilma Cozart-Fine\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc" -referenceProduit: "Mercury SR 90281" -titreMorceau: [ [ "nom" => "1. Lever Du Jour" "ordre" => 7 ] [ "nom" => "1. Nuages (Clouds)" "ordre" => 2 ] [ "nom" => "2. Fêtes (Festivals)" "ordre" => 3 ] [ "nom" => "2. Pantomime" "ordre" => 8 ] [ "nom" => "3. Danse Générale" "ordre" => 9 ] [ "nom" => "3. Sirènes (Sirens)" "ordre" => 4 ] [ "nom" => "Claude Debussy : Nocturnes For Orchestra" "ordre" => 1 ] [ "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 5 ] ] -artiste: null -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1278690823 {#2076 : 2010-07-09 15:53:43.0 UTC (+00:00) } -modifierLe: DateTime @1573110665 {#2077 : 2019-11-07 07:11:05.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3309 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2079 -id: 312 -nom: "Debussy : Nocturnes / Ravel : Daphnis and Chloe Suite N° 2" -informationComplementaire: "" -description: """ With his Nocturnes, Debussy’s vision of music inspired by Nature enters a new sphere. His first multi-part orchestral work the composition was originally conceived for violin but was published as a vocal-symphonic work offers a wealth of subtleties as regards melody and sound colouring, the likes of which had never been heard before in Debussy’s oeuvre. Unlike traditional orchestral writing, the woodwinds here provide motivic vitality with a wide spectrum of tonal colouring while the strings unroll a dynamically finely graded carpet of sound. Absolutely innovative is the wordless female chorus in the third movement whose voices combine with the instruments to produce a mysterious tonal concoction.\r\n \r\n Debussy’s compatriot, Ravel, went to even greater lengths in his "Daphnis and Chloé" Suites. As the instrumental distribution leads one to suspect full orchestra plus 15 percussion instruments, chorus and wind machine, the work is a fully-fledged modern-age French choreographic symphony and one of the greatest compositions of its time. It is almost superfluous to mention that a thrilling performance of both works can only be achieved by the very best of symphony orchestras.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : March 1961 at Cass Technical High School Auditorium, Detroit (MI), USA, by Robert Eberenz\r\n Production : Wilma Cozart-Fine\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "The Detroit Symphony Orchestra conducted by Paul Paray" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=lMm8W5199Bc" -referenceProduit: "Mercury SR 90281" -titreMorceau: [ [ "nom" => "1. Lever Du Jour" "ordre" => 7 ] [ "nom" => "1. Nuages (Clouds)" "ordre" => 2 ] [ "nom" => "2. Fêtes (Festivals)" "ordre" => 3 ] [ "nom" => "2. Pantomime" "ordre" => 8 ] [ "nom" => "3. Danse Générale" "ordre" => 9 ] [ "nom" => "3. Sirènes (Sirens)" "ordre" => 4 ] [ "nom" => "Claude Debussy : Nocturnes For Orchestra" "ordre" => 1 ] [ "nom" => "Maurice Ravel : Daphnis Et Chloé, Suite N° 2" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 5 ] ] -artiste: null -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …} -enregistreLe: DateTime @1278690823 {#2076 : 2010-07-09 15:53:43.0 UTC (+00:00) } -modifierLe: DateTime @1573110665 {#2077 : 2019-11-07 07:11:05.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-debussy-nocturnes-ravel-daphnis-and-chloe-suite-n-2-mercury-sr-90281" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2092 -id: 300 -nom: "Spartacus Gayaneh" -informationComplementaire: "" -description: """ Aram Khachaturian, the most well-known of all Armenian composers, believed that art should be closely bound to the people and indeed it was a pre-requisite for his own creative inspiration. Largely uninfluenced by the manifold trends of the 20th century, Khachaturian’s works reflect the folk heritage of his native country. In the two richly orchestrated ballets, which he himself later arranged into suites, we find the musical spirit and customs of an ancient culture. In particular the unrestrained exuberance of the Sabre Dance from Gayaneh has contributed to the immense popularity of this suite. The ballet Spartacus could be described as a monumental historical drama and made Khachaturian one of the Soviet Union’s most highly honoured composers.\r\n \r\n That a slave uprising can not only be expressed in music but can also take place on an international dimension is admirably demonstrated by the maestro personally in this recording where Khachaturian takes on the role of leader of the Vienna Philharmonic Orchestra.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : March 1967 at Sofiensaal, Vienna by James Brown \r\n Production : Erik Smith\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Vienna Philharmonic Orchestra conducted by Aram Khachaturian" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=of5ebCY5__Q" -referenceProduit: "Decca SXL 6000" -titreMorceau: [ [ "nom" => "1. Adagio of Spartacus & Phrygia" "ordre" => 2 ] [ "nom" => "1. Sabre Dance" "ordre" => 8 ] [ "nom" => "2. Aysheh's Awakening And Dance" "ordre" => 9 ] [ "nom" => "2. Variation of Aegina & Beccannalia" "ordre" => 3 ] [ "nom" => "3. Lezghinka" "ordre" => 10 ] [ "nom" => "3. Scene And Dance With Crotalums" "ordre" => 4 ] [ "nom" => "4. Dance Of Gaditanae And Victory Of Spartacus" "ordre" => 5 ] [ "nom" => "4. Gayaneh's Adagio" "ordre" => 11 ] [ "nom" => "5. Gopak" "ordre" => 12 ] [ "nom" => "GAYANEH" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "SPARTACUS" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2096 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …} -enregistreLe: DateTime @1278690738 {#2089 : 2010-07-09 15:52:18.0 UTC (+00:00) } -modifierLe: DateTime @1572426677 {#2090 : 2019-10-30 09:11:17.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-spartacus-gayaneh-decca-sxl-6000" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3355 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2092 -id: 300 -nom: "Spartacus Gayaneh" -informationComplementaire: "" -description: """ Aram Khachaturian, the most well-known of all Armenian composers, believed that art should be closely bound to the people and indeed it was a pre-requisite for his own creative inspiration. Largely uninfluenced by the manifold trends of the 20th century, Khachaturian’s works reflect the folk heritage of his native country. In the two richly orchestrated ballets, which he himself later arranged into suites, we find the musical spirit and customs of an ancient culture. In particular the unrestrained exuberance of the Sabre Dance from Gayaneh has contributed to the immense popularity of this suite. The ballet Spartacus could be described as a monumental historical drama and made Khachaturian one of the Soviet Union’s most highly honoured composers.\r\n \r\n That a slave uprising can not only be expressed in music but can also take place on an international dimension is admirably demonstrated by the maestro personally in this recording where Khachaturian takes on the role of leader of the Vienna Philharmonic Orchestra.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : March 1967 at Sofiensaal, Vienna by James Brown \r\n Production : Erik Smith\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Vienna Philharmonic Orchestra conducted by Aram Khachaturian" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=of5ebCY5__Q" -referenceProduit: "Decca SXL 6000" -titreMorceau: [ [ "nom" => "1. Adagio of Spartacus & Phrygia" "ordre" => 2 ] [ "nom" => "1. Sabre Dance" "ordre" => 8 ] [ "nom" => "2. Aysheh's Awakening And Dance" "ordre" => 9 ] [ "nom" => "2. Variation of Aegina & Beccannalia" "ordre" => 3 ] [ "nom" => "3. Lezghinka" "ordre" => 10 ] [ "nom" => "3. Scene And Dance With Crotalums" "ordre" => 4 ] [ "nom" => "4. Dance Of Gaditanae And Victory Of Spartacus" "ordre" => 5 ] [ "nom" => "4. Gayaneh's Adagio" "ordre" => 11 ] [ "nom" => "5. Gopak" "ordre" => 12 ] [ "nom" => "GAYANEH" "ordre" => 7 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "SPARTACUS" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2094 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2103 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2096 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2098 …} -enregistreLe: DateTime @1278690738 {#2089 : 2010-07-09 15:52:18.0 UTC (+00:00) } -modifierLe: DateTime @1572426677 {#2090 : 2019-10-30 09:11:17.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2100 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-spartacus-gayaneh-decca-sxl-6000" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2108 -id: 303 -nom: "Symphonies N° 40 and N° 41 “Jupiter“" -informationComplementaire: "" -description: """ Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n \r\n The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk what more could Mozart have wished for.\r\n \r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : October/ November 1965 at Kingsway Hall, London by Kenneth Wilkinson\r\n Production : Ray Minshull\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "New Philharmonia Orchestra conducted by Carlo Maria Giulini" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=IioCLFiw17g" -referenceProduit: "Decca SXL 6225" -titreMorceau: [ [ "nom" => "1. Molto Allegro" "ordre" => 2 ] [ "nom" => "2. Andante" "ordre" => 3 ] [ "nom" => "3. Menuetto : Allegretto" "ordre" => 4 ] [ "nom" => "4. Allegro Assai" "ordre" => 5 ] [ "nom" => "Allegro Vivace" "ordre" => 8 ] [ "nom" => "Andante Cantabile" "ordre" => 9 ] [ "nom" => "Menuetto : Allegretto" "ordre" => 10 ] [ "nom" => "Molto Allegro" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "Symphony N° 40 G Minor, K. 550" "ordre" => 1 ] [ "nom" => "Symphony N° 41 C Major K. 551" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2119 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2112 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2114 …} -enregistreLe: DateTime @1278690764 {#2105 : 2010-07-09 15:52:44.0 UTC (+00:00) } -modifierLe: DateTime @1572075113 {#2106 : 2019-10-26 07:31:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2116 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-symphonies-n-40-and-n-41-jupiter-decca-sxl-6225" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3406 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2108 -id: 303 -nom: "Symphonies N° 40 and N° 41 “Jupiter“" -informationComplementaire: "" -description: """ Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n \r\n The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk what more could Mozart have wished for.\r\n \r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : October/ November 1965 at Kingsway Hall, London by Kenneth Wilkinson\r\n Production : Ray Minshull\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "New Philharmonia Orchestra conducted by Carlo Maria Giulini" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=IioCLFiw17g" -referenceProduit: "Decca SXL 6225" -titreMorceau: [ [ "nom" => "1. Molto Allegro" "ordre" => 2 ] [ "nom" => "2. Andante" "ordre" => 3 ] [ "nom" => "3. Menuetto : Allegretto" "ordre" => 4 ] [ "nom" => "4. Allegro Assai" "ordre" => 5 ] [ "nom" => "Allegro Vivace" "ordre" => 8 ] [ "nom" => "Andante Cantabile" "ordre" => 9 ] [ "nom" => "Menuetto : Allegretto" "ordre" => 10 ] [ "nom" => "Molto Allegro" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] [ "nom" => "Symphony N° 40 G Minor, K. 550" "ordre" => 1 ] [ "nom" => "Symphony N° 41 C Major K. 551" "ordre" => 7 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2119 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2112 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2114 …} -enregistreLe: DateTime @1278690764 {#2105 : 2010-07-09 15:52:44.0 UTC (+00:00) } -modifierLe: DateTime @1572075113 {#2106 : 2019-10-26 07:31:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2116 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-symphonies-n-40-and-n-41-jupiter-decca-sxl-6225" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2124 -id: 298 -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D" -informationComplementaire: "" -description: """ Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n \r\n From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n \r\n The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n \r\n This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stuttgart Chamber Orchestra conducted by Karl Münchinger" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Decca SXL 2270" -titreMorceau: [ [ "nom" => "1. Allegro" "ordre" => 2 ] [ "nom" => "1. Allegro" "ordre" => 8 ] [ "nom" => "2. Menuetto, Trio" "ordre" => 9 ] [ "nom" => "2. Romance, Andante" "ordre" => 3 ] [ "nom" => "3. Adagio Cantabile" "ordre" => 10 ] [ "nom" => "3. Menuetto and Trio " "ordre" => 4 ] [ "nom" => "4. Presto" "ordre" => 11 ] [ "nom" => "4. Rond, (Allegro" "ordre" => 5 ] [ "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522" "ordre" => 7 ] [ "nom" => "Eine Kleine Nachtmusik" "ordre" => 1 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1278690722 {#2121 : 2010-07-09 15:52:02.0 UTC (+00:00) } -modifierLe: DateTime @1571988808 {#2122 : 2019-10-25 07:33:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-eine-kleine-nachtmusik-divertimento-n-1-in-d-decca-sxl-2270" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3459 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2124 -id: 298 -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D" -informationComplementaire: "" -description: """ Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n \r\n From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n \r\n The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n \r\n This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Stuttgart Chamber Orchestra conducted by Karl Münchinger" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Decca SXL 2270" -titreMorceau: [ [ "nom" => "1. Allegro" "ordre" => 2 ] [ "nom" => "1. Allegro" "ordre" => 8 ] [ "nom" => "2. Menuetto, Trio" "ordre" => 9 ] [ "nom" => "2. Romance, Andante" "ordre" => 3 ] [ "nom" => "3. Adagio Cantabile" "ordre" => 10 ] [ "nom" => "3. Menuetto and Trio " "ordre" => 4 ] [ "nom" => "4. Presto" "ordre" => 11 ] [ "nom" => "4. Rond, (Allegro" "ordre" => 5 ] [ "nom" => "Divertimento N° 1 in D Major K.136, A Musical Joke K522" "ordre" => 7 ] [ "nom" => "Eine Kleine Nachtmusik" "ordre" => 1 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2132 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2125 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2127 …} -enregistreLe: DateTime @1278690722 {#2121 : 2010-07-09 15:52:02.0 UTC (+00:00) } -modifierLe: DateTime @1571988808 {#2122 : 2019-10-25 07:33:28.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2129 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-eine-kleine-nachtmusik-divertimento-n-1-in-d-decca-sxl-2270" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2137 -id: 1117 -nom: " Concerto for Violin and Orchestra N° 2 " -informationComplementaire: "" -description: """ Bartók’s Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.\r\n \r\n Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.\r\n \r\n During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.\r\n \r\n This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n \r\n Recording : January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy\r\n Production : Howard H. Scott """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Isaac Stern (violin) and the New York Philharmonic Orchestra conducted by Leonard Bernstein" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Columbia MS 6002" -titreMorceau: [ [ "nom" => "1. I. Allegro Non Troppo" "ordre" => 1 ] [ "nom" => "1. II. Andante Tranquillo" "ordre" => 3 ] [ "nom" => "2. III. Allegro Molto" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …} -enregistreLe: DateTime @1484991580 {#2134 : 2017-01-21 09:39:40.0 UTC (+00:00) } -modifierLe: DateTime @1570428577 {#2135 : 2019-10-07 06:09:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-concerto-for-violin-and-orchestra-n-2-columbia-ms-6002" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3507 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2137 -id: 1117 -nom: " Concerto for Violin and Orchestra N° 2 " -informationComplementaire: "" -description: """ Bartók’s Second Violin Concerto combines a potent mixture of traditional concerto writing, compositional history and biographical upheavals. It was one of the last works he wrote before emigrating to the USA, and its classical three-movement form unites a mature feeling for form, sparkling musicality and exceptional violinistic sophistication.\r\n \r\n Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognise peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.\r\n \r\n During his career spanning 60 years Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.\r\n \r\n This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n \r\n Recording : January 1958 at Columbia 30th Street Studio, New York, by Jack Ashkinzy\r\n Production : Howard H. Scott """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Isaac Stern (violin) and the New York Philharmonic Orchestra conducted by Leonard Bernstein" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Columbia MS 6002" -titreMorceau: [ [ "nom" => "1. I. Allegro Non Troppo" "ordre" => 1 ] [ "nom" => "1. II. Andante Tranquillo" "ordre" => 3 ] [ "nom" => "2. III. Allegro Molto" "ordre" => 4 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 2 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2145 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2138 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2140 …} -enregistreLe: DateTime @1484991580 {#2134 : 2017-01-21 09:39:40.0 UTC (+00:00) } -modifierLe: DateTime @1570428577 {#2135 : 2019-10-07 06:09:37.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2142 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-concerto-for-violin-and-orchestra-n-2-columbia-ms-6002" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2150 -id: 1115 -nom: "Prokofiev : Symphony N° 5" -informationComplementaire: "" -description: """ Prokofiev’s Symphony N° 5 is one of just a handful of traditional Russian works that have advanced to become a celebrated repertoire piece in the area of conflict between socialist artistic realism and conservative modernism. Although, in contrast to his colleague Shostakovich, Prokofiev toed the party line and was highly privileged, which made it very difficult to believe his later claim that his art was free of politics, his music has touched the hearts of concertgoers all over the world.\r\n \r\n In the present recording, the cosmopolitan Leonard Bernstein and the New York Philharmonic present the whole beauty of the melodies that unfold in the first movement with full orchestral radiance. Cheerfulness as a "hymn to free and happy Man" is given voice in the clarinet theme of the burlesque second movement with its imaginative changes. Reminiscences of the "Symphonie classique" appear to be intentional. In the finale, Prokofiev proves himself to be a confident master of the classical-romantic canon form, which uses the theme of the first movement and new motifs to create far more than just a melodious apotheosis. Jagged, sharp and percussive final bars round off this supreme orchestral firework, which makes great demands on every single musician.\r\n \r\n This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n \r\n Recording : February 1966 at the Philharmonic Hall of Lincoln Center, New York\r\n Production : John McClure\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "The New York Philharmonic Orchestra conducted by Leonard Bernstein" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9zm7Z5FlHHs" -referenceProduit: "Columbia MS 7005" -titreMorceau: [ [ "nom" => "1. I. Andante" "ordre" => 1 ] [ "nom" => "1. III. Adagio" "ordre" => 4 ] [ "nom" => "2. II. Allegro Marcato" "ordre" => 2 ] [ "nom" => "2. IV. Allegro Giocoso" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2156 …} -enregistreLe: DateTime @1484987550 {#2147 : 2017-01-21 08:32:30.0 UTC (+00:00) } -modifierLe: DateTime @1570345707 {#2148 : 2019-10-06 07:08:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-prokofiev-symphony-n-5-columbia-ms-7005" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3553 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2150 -id: 1115 -nom: "Prokofiev : Symphony N° 5" -informationComplementaire: "" -description: """ Prokofiev’s Symphony N° 5 is one of just a handful of traditional Russian works that have advanced to become a celebrated repertoire piece in the area of conflict between socialist artistic realism and conservative modernism. Although, in contrast to his colleague Shostakovich, Prokofiev toed the party line and was highly privileged, which made it very difficult to believe his later claim that his art was free of politics, his music has touched the hearts of concertgoers all over the world.\r\n \r\n In the present recording, the cosmopolitan Leonard Bernstein and the New York Philharmonic present the whole beauty of the melodies that unfold in the first movement with full orchestral radiance. Cheerfulness as a "hymn to free and happy Man" is given voice in the clarinet theme of the burlesque second movement with its imaginative changes. Reminiscences of the "Symphonie classique" appear to be intentional. In the finale, Prokofiev proves himself to be a confident master of the classical-romantic canon form, which uses the theme of the first movement and new motifs to create far more than just a melodious apotheosis. Jagged, sharp and percussive final bars round off this supreme orchestral firework, which makes great demands on every single musician.\r\n \r\n This Speakers Corner production was manufactured 100 % analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.\r\n \r\n Recording : February 1966 at the Philharmonic Hall of Lincoln Center, New York\r\n Production : John McClure\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "The New York Philharmonic Orchestra conducted by Leonard Bernstein" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=9zm7Z5FlHHs" -referenceProduit: "Columbia MS 7005" -titreMorceau: [ [ "nom" => "1. I. Andante" "ordre" => 1 ] [ "nom" => "1. III. Adagio" "ordre" => 4 ] [ "nom" => "2. II. Allegro Marcato" "ordre" => 2 ] [ "nom" => "2. IV. Allegro Giocoso" "ordre" => 5 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2152 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2161 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2154 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2156 …} -enregistreLe: DateTime @1484987550 {#2147 : 2017-01-21 08:32:30.0 UTC (+00:00) } -modifierLe: DateTime @1570345707 {#2148 : 2019-10-06 07:08:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2158 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-prokofiev-symphony-n-5-columbia-ms-7005" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2166 -id: 302 -nom: "Sinfonia Concertante K. 364" -informationComplementaire: "" -description: """ “Now I am going to compose a Sinfonia concertante”, wrote Mozart to his father, quite unsuspecting that his contribution to this hybrid of concerto and symphony would not bring the immediate approval and success to which he was accustomed. But opinions have changed drastically since then, especially since the Sinfonia concertante K. 364 has far greater depth to it than its title suggests. \r\n \r\n The wealth of melodic ideas, subtly allotted alternately to the soloist and the orchestra, testifies to the fact that this is one of Mozart’s mature orchestral masterpieces which he composed while in Vienna. The superb performers in this Decca recording guarantee that the listener will not only enjoy the deceptive merriment of the outer movements but will be deeply moved by the sad Andante. What bad luck for rival performances ! But when father and son take up their bows, this is the recording to beat all recordings ! \r\n \r\n On the B side, the Duo for Violin and Viola, K. 423 is a welcome bonus since it offers a wonderful opportunity for a display of virtuosity and counterpoint. And of course the old question pops up once again as to who is the better master of his instrument : father or son ? The answer is simple : neither the one nor the other ! – Both, of course !\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Igor Oistrakh (Violin) / David Oistrakh (Viola)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rBiplGG9WVo" -referenceProduit: "Decca SXL 6088" -titreMorceau: [ [ "nom" => "1. Allegro maestoso" "ordre" => 2 ] [ "nom" => "1. Presto" "ordre" => 5 ] [ "nom" => "2. Allegro" "ordre" => 7 ] [ "nom" => "2. Andante" "ordre" => 3 ] [ "nom" => "3. Adagio" "ordre" => 8 ] [ "nom" => "4. Rondeau, Allegro" "ordre" => 9 ] [ "nom" => "Duo for violin and viola in G K. 423" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] [ "nom" => "Sinfonia Concertante for violin, viola and orchestra K. 364" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1278690762 {#2163 : 2010-07-09 15:52:42.0 UTC (+00:00) } -modifierLe: DateTime @1570175518 {#2164 : 2019-10-04 07:51:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sinfonia-concertante-k-364-decca-sxl-6088" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3606 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2166 -id: 302 -nom: "Sinfonia Concertante K. 364" -informationComplementaire: "" -description: """ “Now I am going to compose a Sinfonia concertante”, wrote Mozart to his father, quite unsuspecting that his contribution to this hybrid of concerto and symphony would not bring the immediate approval and success to which he was accustomed. But opinions have changed drastically since then, especially since the Sinfonia concertante K. 364 has far greater depth to it than its title suggests. \r\n \r\n The wealth of melodic ideas, subtly allotted alternately to the soloist and the orchestra, testifies to the fact that this is one of Mozart’s mature orchestral masterpieces which he composed while in Vienna. The superb performers in this Decca recording guarantee that the listener will not only enjoy the deceptive merriment of the outer movements but will be deeply moved by the sad Andante. What bad luck for rival performances ! But when father and son take up their bows, this is the recording to beat all recordings ! \r\n \r\n On the B side, the Duo for Violin and Viola, K. 423 is a welcome bonus since it offers a wonderful opportunity for a display of virtuosity and counterpoint. And of course the old question pops up once again as to who is the better master of his instrument : father or son ? The answer is simple : neither the one nor the other ! – Both, of course !\r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Igor Oistrakh (Violin) / David Oistrakh (Viola)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=rBiplGG9WVo" -referenceProduit: "Decca SXL 6088" -titreMorceau: [ [ "nom" => "1. Allegro maestoso" "ordre" => 2 ] [ "nom" => "1. Presto" "ordre" => 5 ] [ "nom" => "2. Allegro" "ordre" => 7 ] [ "nom" => "2. Andante" "ordre" => 3 ] [ "nom" => "3. Adagio" "ordre" => 8 ] [ "nom" => "4. Rondeau, Allegro" "ordre" => 9 ] [ "nom" => "Duo for violin and viola in G K. 423" "ordre" => 6 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B :" "ordre" => 4 ] [ "nom" => "Sinfonia Concertante for violin, viola and orchestra K. 364" "ordre" => 1 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2110 …} -label: Proxies\__CG__\App\Entity\Label {#2049 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1278690762 {#2163 : 2010-07-09 15:52:42.0 UTC (+00:00) } -modifierLe: DateTime @1570175518 {#2164 : 2019-10-04 07:51:58.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-sinfonia-concertante-k-364-decca-sxl-6088" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2179 -id: 1011 -nom: "Nocturnes & Mother Goose " -informationComplementaire: "" -description: """ 2 LP 180 gram, 45 RPM\r\n \r\n Ernest Ansermet conducts L'Orchestre De La Suisse Romande for this audiophile recording on 180 gram 45 RPM 2 LP. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …} -musicienOrchestre: "Ernest Ansermet conducts L'Orchestre De La Suisse Romande" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "ORG 169-45" -titreMorceau: [ [ "nom" => "1. Prélude Et Danse Du Rouet" "ordre" => 1 ] [ "nom" => "2. Pavane De La Belle Au Bois Dormant" "ordre" => 2 ] [ "nom" => "3. Petit Poucet" "ordre" => 3 ] [ "nom" => "4. Laideronnette, Impératrice Des Pagodes" "ordre" => 4 ] [ "nom" => "5. Les Entretiens De La Belle Et De La Bête" "ordre" => 5 ] [ "nom" => "6. Le Jardin Féerique" "ordre" => 6 ] [ "nom" => "7. Nuages" "ordre" => 8 ] [ "nom" => "8. Fêtes" "ordre" => 9 ] [ "nom" => "9. Sirènes" "ordre" => 10 ] [ "nom" => "DEBUSSY : Nocturnes" "ordre" => 7 ] [ "nom" => "RAVEL : Ma Mere L'oye (Mother Goose)" "ordre" => 0 ] ] -artiste: null -label: Proxies\__CG__\App\Entity\Label {#2181 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …} -enregistreLe: DateTime @1471378076 {#2176 : 2016-08-16 20:07:56.0 UTC (+00:00) } -modifierLe: DateTime @1566111694 {#2177 : 2019-08-18 07:01:34.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-nocturnes-mother-goose-org-169-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3654 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2179 -id: 1011 -nom: "Nocturnes & Mother Goose " -informationComplementaire: "" -description: """ 2 LP 180 gram, 45 RPM\r\n \r\n Ernest Ansermet conducts L'Orchestre De La Suisse Romande for this audiophile recording on 180 gram 45 RPM 2 LP. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1801 …} -musicienOrchestre: "Ernest Ansermet conducts L'Orchestre De La Suisse Romande" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1140 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "ORG 169-45" -titreMorceau: [ [ "nom" => "1. Prélude Et Danse Du Rouet" "ordre" => 1 ] [ "nom" => "2. Pavane De La Belle Au Bois Dormant" "ordre" => 2 ] [ "nom" => "3. Petit Poucet" "ordre" => 3 ] [ "nom" => "4. Laideronnette, Impératrice Des Pagodes" "ordre" => 4 ] [ "nom" => "5. Les Entretiens De La Belle Et De La Bête" "ordre" => 5 ] [ "nom" => "6. Le Jardin Féerique" "ordre" => 6 ] [ "nom" => "7. Nuages" "ordre" => 8 ] [ "nom" => "8. Fêtes" "ordre" => 9 ] [ "nom" => "9. Sirènes" "ordre" => 10 ] [ "nom" => "DEBUSSY : Nocturnes" "ordre" => 7 ] [ "nom" => "RAVEL : Ma Mere L'oye (Mother Goose)" "ordre" => 0 ] ] -artiste: null -label: Proxies\__CG__\App\Entity\Label {#2181 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2190 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2183 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …} -enregistreLe: DateTime @1471378076 {#2176 : 2016-08-16 20:07:56.0 UTC (+00:00) } -modifierLe: DateTime @1566111694 {#2177 : 2019-08-18 07:01:34.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-nocturnes-mother-goose-org-169-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2195 -id: 1371 -nom: "To My Friends / Plays his best loved encores" -informationComplementaire: "" -description: """ Violinist Arthur Grimiaux, accompanied by pianist Istvan Hajdu, plays his best-loved encores including works by Mozart, Gluck, Granados, Vivaldi, Beethoven, and more for the first volume of the 2 part series.\n \n "The good Arthur Grumiaux was in a very sentimental mood when he chose the twenty-nine works for this pair of discs. The prevailing pace is andante, the prevailing mood one of heavy sweetness... a Mozart Rondo is bright, articulate, and well planned : Granados' Danza espanola N° 5 (Andaluza) is warm and compelling, with its minor major cadence as magical as ever : Kreisler's Schon Rosmarin is beguiling". - High Fidelity """ -prixVente: "52.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Arthur Grumiaux (violin), Istvan Hajdu (piano)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Analogphonic 43107" -titreMorceau: [ [ "nom" => "1. Allegro" "ordre" => 13 ] [ "nom" => "1. Sicilienne" "ordre" => 2 ] [ "nom" => "2. Rondo" "ordre" => 4 ] [ "nom" => "2. Siciliano, Op. 3, N° 11" "ordre" => 15 ] [ "nom" => "3. Melodie" "ordre" => 6 ] [ "nom" => "3. Tambourin" "ordre" => 17 ] [ "nom" => "4. Danza Espanola N° 5 "Andaluza"" "ordre" => 8 ] [ "nom" => "4. Minuet In G" "ordre" => 19 ] [ "nom" => "5. Ave Maria, Op. 52, N° 6" "ordre" => 21 ] [ "nom" => "5. Schon Rosmarin - Liebesleid - Liebesfreud" "ordre" => 10 ] [ "nom" => "6. Humoresque In G Flat, Op. 101, N° 7" "ordre" => 23 ] [ "nom" => "7. Meditation De Thais" "ordre" => 25 ] [ "nom" => "8. Valse Sentimentale, Op. 51, N° 6" "ordre" => 27 ] [ "nom" => "ANTONIN DVORAK" "ordre" => 22 ] [ "nom" => "ANTONIO VIVALDI" "ordre" => 14 ] [ "nom" => "CHRISTOPH WILLIBALD VON GLUCK" "ordre" => 5 ] [ "nom" => "ENRIQUE GRANADOS" "ordre" => 7 ] [ "nom" => "FRANCESCO MARIA VERACINI" "ordre" => 12 ] [ "nom" => "FRANZ SCHUBERT" "ordre" => 20 ] [ "nom" => "FRITZ KREISLER" "ordre" => 9 ] [ "nom" => "JEAN MARIE LECLAIR" "ordre" => 16 ] [ "nom" => "JULES MASSENET" "ordre" => 24 ] [ "nom" => "LUDWIG VAN BEETHOVEN" "ordre" => 18 ] [ "nom" => "MARIA THERESIA VON PARADIS" "ordre" => 1 ] [ "nom" => "PETER ILYICH TCHAIKOVSKY" "ordre" => 26 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 11 ] [ "nom" => "WOLFGANG AMADEUS MOZART" "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …} -enregistreLe: DateTime @1539848754 {#2192 : 2018-10-18 07:45:54.0 UTC (+00:00) } -modifierLe: DateTime @1562740673 {#2193 : 2019-07-10 06:37:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-to-my-friends-plays-his-best-loved-encores-analogphonic-43107" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3700 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2629 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …} +produit: App\Entity\Produit {#2195 -id: 1371 -nom: "To My Friends / Plays his best loved encores" -informationComplementaire: "" -description: """ Violinist Arthur Grimiaux, accompanied by pianist Istvan Hajdu, plays his best-loved encores including works by Mozart, Gluck, Granados, Vivaldi, Beethoven, and more for the first volume of the 2 part series.\n \n "The good Arthur Grumiaux was in a very sentimental mood when he chose the twenty-nine works for this pair of discs. The prevailing pace is andante, the prevailing mood one of heavy sweetness... a Mozart Rondo is bright, articulate, and well planned : Granados' Danza espanola N° 5 (Andaluza) is warm and compelling, with its minor major cadence as magical as ever : Kreisler's Schon Rosmarin is beguiling". - High Fidelity """ -prixVente: "52.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …} -musicienOrchestre: "Arthur Grumiaux (violin), Istvan Hajdu (piano)" -sonMusic: App\Enum\SonMusicEnum {#1133 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …} -rpmMusic: App\Enum\RPMMusicEnum {#1139 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "" -referenceProduit: "Analogphonic 43107" -titreMorceau: [ [ "nom" => "1. Allegro" "ordre" => 13 ] [ "nom" => "1. Sicilienne" "ordre" => 2 ] [ "nom" => "2. Rondo" "ordre" => 4 ] [ "nom" => "2. Siciliano, Op. 3, N° 11" "ordre" => 15 ] [ "nom" => "3. Melodie" "ordre" => 6 ] [ "nom" => "3. Tambourin" "ordre" => 17 ] [ "nom" => "4. Danza Espanola N° 5 "Andaluza"" "ordre" => 8 ] [ "nom" => "4. Minuet In G" "ordre" => 19 ] [ "nom" => "5. Ave Maria, Op. 52, N° 6" "ordre" => 21 ] [ "nom" => "5. Schon Rosmarin - Liebesleid - Liebesfreud" "ordre" => 10 ] [ "nom" => "6. Humoresque In G Flat, Op. 101, N° 7" "ordre" => 23 ] [ "nom" => "7. Meditation De Thais" "ordre" => 25 ] [ "nom" => "8. Valse Sentimentale, Op. 51, N° 6" "ordre" => 27 ] [ "nom" => "ANTONIN DVORAK" "ordre" => 22 ] [ "nom" => "ANTONIO VIVALDI" "ordre" => 14 ] [ "nom" => "CHRISTOPH WILLIBALD VON GLUCK" "ordre" => 5 ] [ "nom" => "ENRIQUE GRANADOS" "ordre" => 7 ] [ "nom" => "FRANCESCO MARIA VERACINI" "ordre" => 12 ] [ "nom" => "FRANZ SCHUBERT" "ordre" => 20 ] [ "nom" => "FRITZ KREISLER" "ordre" => 9 ] [ "nom" => "JEAN MARIE LECLAIR" "ordre" => 16 ] [ "nom" => "JULES MASSENET" "ordre" => 24 ] [ "nom" => "LUDWIG VAN BEETHOVEN" "ordre" => 18 ] [ "nom" => "MARIA THERESIA VON PARADIS" "ordre" => 1 ] [ "nom" => "PETER ILYICH TCHAIKOVSKY" "ordre" => 26 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 11 ] [ "nom" => "WOLFGANG AMADEUS MOZART" "ordre" => 3 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …} -label: Proxies\__CG__\App\Entity\Label {#1910 …} -style: App\Entity\Style {#1063 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2206 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2199 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2201 …} -enregistreLe: DateTime @1539848754 {#2192 : 2018-10-18 07:45:54.0 UTC (+00:00) } -modifierLe: DateTime @1562740673 {#2193 : 2019-07-10 06:37:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1047 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2203 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-to-my-friends-plays-his-best-loved-encores-analogphonic-43107" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 8.0 MiB | 0.26 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3900 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2397 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3901 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3949 …} +isValidated: false +validatedFields: [] } |
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