Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2353
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2430
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2433 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
  -formView: Symfony\Component\Form\FormView {#2601 …}
  -form: Symfony\Component\Form\Form {#2685 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1549
    -id: 2880
    -nom: "Live At Pompeii (Box Set 4 LP + 24 page booklet with photos)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      David Gilmour (guitars, vocals), Phil Manzanera (guitars, backing vocals), Guy Pratt (bass guitar, backing vocals), Jon Carin (keyboards, guitars, vocals), Chuck Leavell (keyboards), Kevin McAlea (keyboards, saxophone), Bryan Chambers, Louise Clare Marshall (backing vocals), Steve DiStanislao (drums, percussion, backing vocals).\r\n
      \r\n
      - David Gilmour "Live At Pompeii"180 gram (4 LP) Box Set !\r\n
      - Double Gatefold Housed In Heavyweight Slipcase !\r\n
      - 24 Page Photo Booklet !\r\n
      \r\n
      Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of 2015. Live at Pompeii is available in multiple formats: a 2 CD live album, a standard DVD and Blu-Ray concert film, a Deluxe Boxset including the 2 CD live album and 1 Blu-Ray of the entire live concert with bonus content on 2nd Blu-ray disc, and a special 4 LP Vinyl package.\r\n
      \r\n
      Following the release of Rattle That Lock in 2015, David Gilmour set out to play a series of concerts in historic venues across the world. On July 7th and 8th, 2016, David Gilmour performed two spectacular shows at the legendary Pompeii Amphitheatre in the shadow of Mount Vesuvius, 45 years after he first played there for Adrian Maben’s classic film Pink Floyd Live at Pompeii. The concerts were the first-ever rock performances played to an audience in the ancient Roman amphitheatre, which was built in 90 BC and entombed in ash when Vesuvius erupted in AD 79. David Gilmour is the only performer to play to an audience in the arena since the time of the gladiators, almost 2000 years ago.\r\n
      \r\n
      Speaking about the Pompeii shows David Gilmour commented 'It's a magical place and coming back and seeing the stage and the arena was quite overwhelming. It's a place of ghosts...\r\n
      \r\n
      The album includes songs from throughout David's career including the title tracks of his two most recent N° 1 solo albums : Rattle That Lock and On An Island. Also included are other solo and Pink Floyd classics such as ‘Wish You Were Here’, 'Comfortably Numb,' and ‘One Of These Days’, the only song that was also performed by the band in 1971. Both concerts also saw extraordinary performances of ‘The Great Gig In The Sky’ from The Dark Side Of The Moon, which David rarely plays as a solo artist.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "David Gilmour (guitars, vocals), Phil Manzanera (guitars, backing vocals), Guy Pratt (bass guitar, backing vocals), Jon Carin (keyboards, guitars, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=26nZZSLs65o&list=PLsDZ7QcsbDR8Wx2-l1oDvJA-77ioQ6mDZ"
    -referenceProduit: "Columbia Records"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. 5 A.M."
        "ordre" => 1
      ]
      [
        "nom" => "2. Rattle That Lock"
        "ordre" => 2
      ]
      [
        "nom" => "3. Faces Of Stone"
        "ordre" => 3
      ]
      [
        "nom" => "4. What Do You Want From Me"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Blue"
        "ordre" => 6
      ]
      [
        "nom" => "2. The Great Gig In The Sky"
        "ordre" => 7
      ]
      [
        "nom" => "3. A Boat Lies Waiting"
        "ordre" => 8
      ]
      [
        "nom" => "Side C :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Wish You Were Here"
        "ordre" => 10
      ]
      [
        "nom" => "2. Money"
        "ordre" => 11
      ]
      [
        "nom" => "3. In Any Tongue"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. High Hopes"
        "ordre" => 14
      ]
      [
        "nom" => "2. One Of These Days"
        "ordre" => 15
      ]
      [
        "nom" => "Side E :"
        "ordre" => 16
      ]
      [
        "nom" => "1. Shine On You Crazy Diamond (Parts 1-5)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Fat Old Sun"
        "ordre" => 18
      ]
      [
        "nom" => "Side F : "
        "ordre" => 19
      ]
      [
        "nom" => "1. Coming Back To Life"
        "ordre" => 20
      ]
      [
        "nom" => "2. On An Island"
        "ordre" => 21
      ]
      [
        "nom" => "3. Today"
        "ordre" => 22
      ]
      [
        "nom" => "Side G : "
        "ordre" => 23
      ]
      [
        "nom" => "1. Sorrow"
        "ordre" => 24
      ]
      [
        "nom" => "2. Run Like Hell"
        "ordre" => 25
      ]
      [
        "nom" => "Side H : "
        "ordre" => 26
      ]
      [
        "nom" => "1. Time / Breathe (In The Air) (Reprise)"
        "ordre" => 27
      ]
      [
        "nom" => "2. Comfortably Numb"
        "ordre" => 28
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1645 …}
    -label: Proxies\__CG__\App\Entity\Label {#1668 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1698 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1719 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1759 …}
    -enregistreLe: DateTime @1760826536 {#1525
      date: 2025-10-18 22:28:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1760827614 {#1550
      date: 2025-10-18 22:46:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1765 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-pompeii-box-set-4-lp-24-page-booklet-with-photos-columbia-records"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2893
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1549
    -id: 2880
    -nom: "Live At Pompeii (Box Set 4 LP + 24 page booklet with photos)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      David Gilmour (guitars, vocals), Phil Manzanera (guitars, backing vocals), Guy Pratt (bass guitar, backing vocals), Jon Carin (keyboards, guitars, vocals), Chuck Leavell (keyboards), Kevin McAlea (keyboards, saxophone), Bryan Chambers, Louise Clare Marshall (backing vocals), Steve DiStanislao (drums, percussion, backing vocals).\r\n
      \r\n
      - David Gilmour "Live At Pompeii"180 gram (4 LP) Box Set !\r\n
      - Double Gatefold Housed In Heavyweight Slipcase !\r\n
      - 24 Page Photo Booklet !\r\n
      \r\n
      Live At Pompeii is the project from David Gilmour, and follows his critically acclaimed studio album Rattle That Lock from September of 2015. Live at Pompeii is available in multiple formats: a 2 CD live album, a standard DVD and Blu-Ray concert film, a Deluxe Boxset including the 2 CD live album and 1 Blu-Ray of the entire live concert with bonus content on 2nd Blu-ray disc, and a special 4 LP Vinyl package.\r\n
      \r\n
      Following the release of Rattle That Lock in 2015, David Gilmour set out to play a series of concerts in historic venues across the world. On July 7th and 8th, 2016, David Gilmour performed two spectacular shows at the legendary Pompeii Amphitheatre in the shadow of Mount Vesuvius, 45 years after he first played there for Adrian Maben’s classic film Pink Floyd Live at Pompeii. The concerts were the first-ever rock performances played to an audience in the ancient Roman amphitheatre, which was built in 90 BC and entombed in ash when Vesuvius erupted in AD 79. David Gilmour is the only performer to play to an audience in the arena since the time of the gladiators, almost 2000 years ago.\r\n
      \r\n
      Speaking about the Pompeii shows David Gilmour commented 'It's a magical place and coming back and seeing the stage and the arena was quite overwhelming. It's a place of ghosts...\r\n
      \r\n
      The album includes songs from throughout David's career including the title tracks of his two most recent N° 1 solo albums : Rattle That Lock and On An Island. Also included are other solo and Pink Floyd classics such as ‘Wish You Were Here’, 'Comfortably Numb,' and ‘One Of These Days’, the only song that was also performed by the band in 1971. Both concerts also saw extraordinary performances of ‘The Great Gig In The Sky’ from The Dark Side Of The Moon, which David rarely plays as a solo artist.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "David Gilmour (guitars, vocals), Phil Manzanera (guitars, backing vocals), Guy Pratt (bass guitar, backing vocals), Jon Carin (keyboards, guitars, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 4
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=26nZZSLs65o&list=PLsDZ7QcsbDR8Wx2-l1oDvJA-77ioQ6mDZ"
    -referenceProduit: "Columbia Records"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. 5 A.M."
        "ordre" => 1
      ]
      [
        "nom" => "2. Rattle That Lock"
        "ordre" => 2
      ]
      [
        "nom" => "3. Faces Of Stone"
        "ordre" => 3
      ]
      [
        "nom" => "4. What Do You Want From Me"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
      ]
      [
        "nom" => "1. The Blue"
        "ordre" => 6
      ]
      [
        "nom" => "2. The Great Gig In The Sky"
        "ordre" => 7
      ]
      [
        "nom" => "3. A Boat Lies Waiting"
        "ordre" => 8
      ]
      [
        "nom" => "Side C :"
        "ordre" => 9
      ]
      [
        "nom" => "1. Wish You Were Here"
        "ordre" => 10
      ]
      [
        "nom" => "2. Money"
        "ordre" => 11
      ]
      [
        "nom" => "3. In Any Tongue"
        "ordre" => 12
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
      [
        "nom" => "1. High Hopes"
        "ordre" => 14
      ]
      [
        "nom" => "2. One Of These Days"
        "ordre" => 15
      ]
      [
        "nom" => "Side E :"
        "ordre" => 16
      ]
      [
        "nom" => "1. Shine On You Crazy Diamond (Parts 1-5)"
        "ordre" => 17
      ]
      [
        "nom" => "2. Fat Old Sun"
        "ordre" => 18
      ]
      [
        "nom" => "Side F : "
        "ordre" => 19
      ]
      [
        "nom" => "1. Coming Back To Life"
        "ordre" => 20
      ]
      [
        "nom" => "2. On An Island"
        "ordre" => 21
      ]
      [
        "nom" => "3. Today"
        "ordre" => 22
      ]
      [
        "nom" => "Side G : "
        "ordre" => 23
      ]
      [
        "nom" => "1. Sorrow"
        "ordre" => 24
      ]
      [
        "nom" => "2. Run Like Hell"
        "ordre" => 25
      ]
      [
        "nom" => "Side H : "
        "ordre" => 26
      ]
      [
        "nom" => "1. Time / Breathe (In The Air) (Reprise)"
        "ordre" => 27
      ]
      [
        "nom" => "2. Comfortably Numb"
        "ordre" => 28
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1645 …}
    -label: Proxies\__CG__\App\Entity\Label {#1668 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1698 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1719 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1759 …}
    -enregistreLe: DateTime @1760826536 {#1525
      date: 2025-10-18 22:28:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1760827614 {#1550
      date: 2025-10-18 22:46:54.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1765 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-at-pompeii-box-set-4-lp-24-page-booklet-with-photos-columbia-records"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1780
    -id: 2879
    -nom: "I Robot - Super Deluxe Edition Half-Speed Mastered (Box Set 2 LP, 45 RPM, 4CD, Blu-ray)"
    -informationComplementaire: null
    -description: """
      - The Alan Parsons Project "I Robot Super Deluxe Edition" !\r\n
      - Half-Speed Mastered 180 gram 45 RPM 2 LP, 4CD & Blu-ray limited edition box set !\r\n
      - 4CDs including a stereo remaster of the original album by Miles Showell plus 70 bonus tracks!\r\n
      - Blu-ray with stunning Dolby Atmos + 5.1 Surround Sound mixes by Alan Parsons !\r\n
      - Plus new stereo HD remaster by Miles Showell !\r\n
      \r\n
      The Alan Parsons Project I Robot, widely regarded as one of the greatest concept albums of all time, is reissued in a variety of different formats including a 4CD+Blu-ray+LP box set. The album has been newly remastered by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      The Alan Parsons Project second studio album was originally released in July 1977, draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence. The album was a worldwide hit selling in excess of 2 million copies, achieving platinum and gold status in numerous countries.\r\n
      \r\n
      Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Steve Harley, Allan Clarke, Lenny Zakatek, Peter Straker, Jack Harris and Jaki Whitren. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Tosh, both of Pilot, with arrangements by Andrew Powell.\r\n
      \r\n
      The box set features 70 bonus tracks across three CDs. Mainly comprising studio outtakes, it also includes B-sides, single edits plus U.K. and U.S. radio advertisements for the album.\r\n
      \r\n
      All vinyl editions are hi-res transfers from "rarely played" duplicate analog tapes run off on a second master machine at the time, by Eric Woolfson.\r\n
      \r\n
      As well as the bonus tracks, the box comprises a Blu-ray housing a new Dolby Atmos and 5.1 Surround Sound remix of I Robot by Alan Parsons, plus the video of the single ‘I Wouldn't Want To Be Like You' and an archive interview with Eric Woolfson discussing the album. The LP included in the boxset is pressed on two 45 RPM records.\r\n
      \r\n
      Memorabilia in the boxset is a large format hardcover book featuring interviews with Parsons, the singers and musicians, lyrics, commentary on the bonus tracks and interviews with the late Woolfson's family. It also houses a replica of the original 1977 press folder, which features an A1 sized poster, a band biography, press photo, press release and postcard.\r\n
      \r\n
      The Alan Parsons Project went on to make eight further albums, before splitting after 1987's Gaudi. Their unreleased contractual obligation album The Sicilian Defence, recorded in 1979, was issued in 2014.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1556 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Cooking Vinyl 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn’t Want To Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don’t Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch.1 V.32"
        "ordre" => 13
      ]
      [
        "nom" => "CD 1"
        "ordre" => 14
      ]
      [
        "nom" => "1. I Robot, 2. I Wouldn’t Want To Be Like You, 3. Some Other Time, 4. Breakdown, "
        "ordre" => 15
      ]
      [
        "nom" => "5. Don’t Let It Show, 6. The Voice, 7. Nucleus, 8. Day After Day (The Show Must Go On), "
        "ordre" => 16
      ]
      [
        "nom" => "9. Total Eclipse,  10. Genesis Ch.1 V.32, 11. US Radio Commercial For I Robot ,"
        "ordre" => 17
      ]
      [
        "nom" => "12. I Robot (Boules Experiment),  13. I Robot (Hilary Western Soprano Vocal Rehearsal),"
        "ordre" => 18
      ]
      [
        "nom" => "14. Extract 1 From The Alan Parsons Project Audio Guide,  15. Extrac 2 From"
        "ordre" => 19
      ]
      [
        "nom" => "The Alan Parsons Project Audio Guide,  16. I Wouldn’t Want To Be Like You"
        "ordre" => 20
      ]
      [
        "nom" => "(Backing Track Rough Mix), 17. Some Other Time (Complete Vocal by Jaki Whitren), "
        "ordre" => 21
      ]
      [
        "nom" => "18. Breakdown (Early Demo Of Backing Riff), 19. Extract 3 From The Alan Parsons"
        "ordre" => 22
      ]
      [
        "nom" => "Project Audio Guide, 20. Breakdown (The Choir), 21. Don’t Let It Show (Eric Woolfson Demo),"
        "ordre" => 23
      ]
      [
        "nom" => "22. Day After Day (Early Stage Rough Mix), 23. Genesis Ch1. V.32 (Choir Session),"
        "ordre" => 24
      ]
      [
        "nom" => "24. The Naked Robot"
        "ordre" => 25
      ]
      [
        "nom" => "CD 2"
        "ordre" => 26
      ]
      [
        "nom" => "1. I Robot (Outtake and Rough Mix), 2. I Robot (Experimental Lead Guitar Part With"
        "ordre" => 27
      ]
      [
        "nom" => "Guide Count), 3. I Robot (John Leach Kantele Takes), 4. I Robot (Ian Bairnson Rhythm"
        "ordre" => 28
      ]
      [
        "nom" => "Electric Guitar) 5. I Robot (Choir Takes) 6. I Robot (Early Mix Before Choir), 7. I Robot"
        "ordre" => 29
      ]
      [
        "nom" => "(Single Edit), 8. I Wouldn’t Want To Be Like You (Slower Backing Outtake), 9. I Wouldn’t"
        "ordre" => 30
      ]
      [
        "nom" => "Want To Be Like You (Eric Woolfson Keyboard Take), 10. I Wouldn’t Want To Be Like You"
        "ordre" => 31
      ]
      [
        "nom" => "(Ian Bairnson Electric Rhythm Guitar), 11. I Wouldn’t Want To Be Like You (Early Mix Of"
        "ordre" => 32
      ]
      [
        "nom" => "Backing Track), 12. I Wouldn’t Want To Be Like You (Lenny Zakatek Alternative Vocal),"
        "ordre" => 33
      ]
      [
        "nom" => "13. Some Other Time (Eric Woolfson Piano Take), 14. Some Other Time (Ian Bairnson"
        "ordre" => 34
      ]
      [
        "nom" => "Acoustic Guitar Takes), 15. Some Other Time (Ian Bairnson Lead Electric Guitar Takes),"
        "ordre" => 35
      ]
      [
        "nom" => "16. Some Other Time (Rough Mix With Jaki Whitren Alternative Lyrics and Ad libs)"
        "ordre" => 36
      ]
      [
        "nom" => "CD 3"
        "ordre" => 37
      ]
      [
        "nom" => "1. Breakdown (Eric Woolfson Keyboard Part), 2. Breakdown (Projectron And Bass),"
        "ordre" => 38
      ]
      [
        "nom" => "3. Breakdown (Ian Bairnson Acoustic Guitar Takes), 4. Breakdown (Ian Bairnson Electric"
        "ordre" => 39
      ]
      [
        "nom" => "Guitar Harmony Solo), 5. Breakdown (Strings, Brass & Horns Take), 6. Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "(Rough Mix and Alternative Backing Track Outtake), 7. Breakdown (Rough Mix Of"
        "ordre" => 41
      ]
      [
        "nom" => "Backing Track), 8. Don’t Let It Show (Eric Woolfson Piano Takes), 9. Don’t Let It Show"
        "ordre" => 42
      ]
      [
        "nom" => "(Eric Woolfson Organ Take), 10. Don’t Let It Show (Recorder & Horns Outtake in Key Of D),"
        "ordre" => 43
      ]
      [
        "nom" => "11. Don’t Let It Show (String Section Take), 12. Don’t Let It Show (Woodwind Take In Key Of D),"
        "ordre" => 44
      ]
      [
        "nom" => "13. Don’t Let It Show (Backing Track Early Rough Mix), 14. Don’t Let It Show (Rough Mix"
        "ordre" => 45
      ]
      [
        "nom" => "With Alternative Orchestra Score), 15. Don’t Let It Show (Extended End Section),"
        "ordre" => 46
      ]
      [
        "nom" => "16. The Voice (Rough Mix With Extra Strings and Alan Parsons Vocoder), 17. The Voice"
        "ordre" => 47
      ]
      [
        "nom" => "(Backing Track Rough Mix), 18. Nucleus (Experimenting With Sound Effects), 19. Nucleus"
        "ordre" => 48
      ]
      [
        "nom" => "(Talking Sound Effects), 20. Nucleus (Stuart Tosh Drum Take With Delay), 21. Nucleus"
        "ordre" => 49
      ]
      [
        "nom" => "(Projectron Only)"
        "ordre" => 50
      ]
      [
        "nom" => "CD 4"
        "ordre" => 51
      ]
      [
        "nom" => "1. Day After Day (The Show Must Go On) (BJ Cole Steel Outtake), 2. Day After Day (The Show"
        "ordre" => 52
      ]
      [
        "nom" => "Must Go On) (Synth Experiments), 3. Day After Day (The Show Must Go On) (Eric Woolfson"
        "ordre" => 53
      ]
      [
        "nom" => "Celeste Take), 4. Day After Day (The Show Must Go On) (Ian Bairnson Acoustic Guitar Take),"
        "ordre" => 54
      ]
      [
        "nom" => "5. Day After Day (The Show Must Go On) (BJ Cole Pedal Steel Take), 6. Day After Day"
        "ordre" => 55
      ]
      [
        "nom" => "(The Show Must Go On) (Backing Vocals), 7. Day After Day (The Show Must Go On) (Backing"
        "ordre" => 56
      ]
      [
        "nom" => " Track), 8. Day After Day (The Show Must Go On) (Single Edit), 9. Total Eclipse & Nucleus"
        "ordre" => 57
      ]
      [
        "nom" => "(Choral Experiments), 10. Total Eclipse (Choir Only), 11. Genesis Ch.1 V.32 (Alan Parsons"
        "ordre" => 58
      ]
      [
        "nom" => "Demo), 12. Genesis Ch.1 V.32 (Everything But The Choir), 13. Genesis Ch.1 V.32 (Ian Bairnson"
        "ordre" => 59
      ]
      [
        "nom" => "Acoustic Guitars), 14. Genesis Ch.1 V.32 (Strings Only), 15. Genesis Ch.1 V.32 (Backing"
        "ordre" => 60
      ]
      [
        "nom" => "Singers & Choir Take), 16. Alan Parsons Spacey Vibraphone, 17. Eric’s Jupiter (Start Of"
        "ordre" => 61
      ]
      [
        "nom" => "Gemini Idea), 18. Taking It All Away (Eric Woolfson Songwriting Diary First Version),"
        "ordre" => 62
      ]
      [
        "nom" => "19. I Robot Radio Adverts"
        "ordre" => 63
      ]
      [
        "nom" => "Blu-ray"
        "ordre" => 64
      ]
      [
        "nom" => "1. 2025 Alan Parsons Dolby Atmos Mix"
        "ordre" => 65
      ]
      [
        "nom" => "2. 2025 Alan Parsons 5.1 Surround Sound Mix"
        "ordre" => 66
      ]
      [
        "nom" => "3. Original Album Remastered in Stereo by Miles Showell 2025"
        "ordre" => 67
      ]
      [
        "nom" => "4. I Wouldn’t Want To Be Like You (video)"
        "ordre" => 68
      ]
      [
        "nom" => "5. Eric Woolfson Interview Footage"
        "ordre" => 69
      ]
      [
        "nom" => ""
        "ordre" => 70
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1785 …}
    -label: Proxies\__CG__\App\Entity\Label {#1788 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1790 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1792 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1794 …}
    -enregistreLe: DateTime @1760776678 {#1768
      date: 2025-10-18 08:37:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018807 {#1771
      date: 2025-11-13 07:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1796 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-super-deluxe-edition-half-speed-mastered-box-set-2-lp-45-rpm-4cd-blu-ray-cooking-vinyl-0841"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3014
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1780
    -id: 2879
    -nom: "I Robot - Super Deluxe Edition Half-Speed Mastered (Box Set 2 LP, 45 RPM, 4CD, Blu-ray)"
    -informationComplementaire: null
    -description: """
      - The Alan Parsons Project "I Robot Super Deluxe Edition" !\r\n
      - Half-Speed Mastered 180 gram 45 RPM 2 LP, 4CD & Blu-ray limited edition box set !\r\n
      - 4CDs including a stereo remaster of the original album by Miles Showell plus 70 bonus tracks!\r\n
      - Blu-ray with stunning Dolby Atmos + 5.1 Surround Sound mixes by Alan Parsons !\r\n
      - Plus new stereo HD remaster by Miles Showell !\r\n
      \r\n
      The Alan Parsons Project I Robot, widely regarded as one of the greatest concept albums of all time, is reissued in a variety of different formats including a 4CD+Blu-ray+LP box set. The album has been newly remastered by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      The Alan Parsons Project second studio album was originally released in July 1977, draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence. The album was a worldwide hit selling in excess of 2 million copies, achieving platinum and gold status in numerous countries.\r\n
      \r\n
      Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Steve Harley, Allan Clarke, Lenny Zakatek, Peter Straker, Jack Harris and Jaki Whitren. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Tosh, both of Pilot, with arrangements by Andrew Powell.\r\n
      \r\n
      The box set features 70 bonus tracks across three CDs. Mainly comprising studio outtakes, it also includes B-sides, single edits plus U.K. and U.S. radio advertisements for the album.\r\n
      \r\n
      All vinyl editions are hi-res transfers from "rarely played" duplicate analog tapes run off on a second master machine at the time, by Eric Woolfson.\r\n
      \r\n
      As well as the bonus tracks, the box comprises a Blu-ray housing a new Dolby Atmos and 5.1 Surround Sound remix of I Robot by Alan Parsons, plus the video of the single ‘I Wouldn't Want To Be Like You' and an archive interview with Eric Woolfson discussing the album. The LP included in the boxset is pressed on two 45 RPM records.\r\n
      \r\n
      Memorabilia in the boxset is a large format hardcover book featuring interviews with Parsons, the singers and musicians, lyrics, commentary on the bonus tracks and interviews with the late Woolfson's family. It also houses a replica of the original 1977 press folder, which features an A1 sized poster, a band biography, press photo, press release and postcard.\r\n
      \r\n
      The Alan Parsons Project went on to make eight further albums, before splitting after 1987's Gaudi. Their unreleased contractual obligation album The Sicilian Defence, recorded in 1979, was issued in 2014.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1556 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Cooking Vinyl 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn’t Want To Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don’t Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch.1 V.32"
        "ordre" => 13
      ]
      [
        "nom" => "CD 1"
        "ordre" => 14
      ]
      [
        "nom" => "1. I Robot, 2. I Wouldn’t Want To Be Like You, 3. Some Other Time, 4. Breakdown, "
        "ordre" => 15
      ]
      [
        "nom" => "5. Don’t Let It Show, 6. The Voice, 7. Nucleus, 8. Day After Day (The Show Must Go On), "
        "ordre" => 16
      ]
      [
        "nom" => "9. Total Eclipse,  10. Genesis Ch.1 V.32, 11. US Radio Commercial For I Robot ,"
        "ordre" => 17
      ]
      [
        "nom" => "12. I Robot (Boules Experiment),  13. I Robot (Hilary Western Soprano Vocal Rehearsal),"
        "ordre" => 18
      ]
      [
        "nom" => "14. Extract 1 From The Alan Parsons Project Audio Guide,  15. Extrac 2 From"
        "ordre" => 19
      ]
      [
        "nom" => "The Alan Parsons Project Audio Guide,  16. I Wouldn’t Want To Be Like You"
        "ordre" => 20
      ]
      [
        "nom" => "(Backing Track Rough Mix), 17. Some Other Time (Complete Vocal by Jaki Whitren), "
        "ordre" => 21
      ]
      [
        "nom" => "18. Breakdown (Early Demo Of Backing Riff), 19. Extract 3 From The Alan Parsons"
        "ordre" => 22
      ]
      [
        "nom" => "Project Audio Guide, 20. Breakdown (The Choir), 21. Don’t Let It Show (Eric Woolfson Demo),"
        "ordre" => 23
      ]
      [
        "nom" => "22. Day After Day (Early Stage Rough Mix), 23. Genesis Ch1. V.32 (Choir Session),"
        "ordre" => 24
      ]
      [
        "nom" => "24. The Naked Robot"
        "ordre" => 25
      ]
      [
        "nom" => "CD 2"
        "ordre" => 26
      ]
      [
        "nom" => "1. I Robot (Outtake and Rough Mix), 2. I Robot (Experimental Lead Guitar Part With"
        "ordre" => 27
      ]
      [
        "nom" => "Guide Count), 3. I Robot (John Leach Kantele Takes), 4. I Robot (Ian Bairnson Rhythm"
        "ordre" => 28
      ]
      [
        "nom" => "Electric Guitar) 5. I Robot (Choir Takes) 6. I Robot (Early Mix Before Choir), 7. I Robot"
        "ordre" => 29
      ]
      [
        "nom" => "(Single Edit), 8. I Wouldn’t Want To Be Like You (Slower Backing Outtake), 9. I Wouldn’t"
        "ordre" => 30
      ]
      [
        "nom" => "Want To Be Like You (Eric Woolfson Keyboard Take), 10. I Wouldn’t Want To Be Like You"
        "ordre" => 31
      ]
      [
        "nom" => "(Ian Bairnson Electric Rhythm Guitar), 11. I Wouldn’t Want To Be Like You (Early Mix Of"
        "ordre" => 32
      ]
      [
        "nom" => "Backing Track), 12. I Wouldn’t Want To Be Like You (Lenny Zakatek Alternative Vocal),"
        "ordre" => 33
      ]
      [
        "nom" => "13. Some Other Time (Eric Woolfson Piano Take), 14. Some Other Time (Ian Bairnson"
        "ordre" => 34
      ]
      [
        "nom" => "Acoustic Guitar Takes), 15. Some Other Time (Ian Bairnson Lead Electric Guitar Takes),"
        "ordre" => 35
      ]
      [
        "nom" => "16. Some Other Time (Rough Mix With Jaki Whitren Alternative Lyrics and Ad libs)"
        "ordre" => 36
      ]
      [
        "nom" => "CD 3"
        "ordre" => 37
      ]
      [
        "nom" => "1. Breakdown (Eric Woolfson Keyboard Part), 2. Breakdown (Projectron And Bass),"
        "ordre" => 38
      ]
      [
        "nom" => "3. Breakdown (Ian Bairnson Acoustic Guitar Takes), 4. Breakdown (Ian Bairnson Electric"
        "ordre" => 39
      ]
      [
        "nom" => "Guitar Harmony Solo), 5. Breakdown (Strings, Brass & Horns Take), 6. Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "(Rough Mix and Alternative Backing Track Outtake), 7. Breakdown (Rough Mix Of"
        "ordre" => 41
      ]
      [
        "nom" => "Backing Track), 8. Don’t Let It Show (Eric Woolfson Piano Takes), 9. Don’t Let It Show"
        "ordre" => 42
      ]
      [
        "nom" => "(Eric Woolfson Organ Take), 10. Don’t Let It Show (Recorder & Horns Outtake in Key Of D),"
        "ordre" => 43
      ]
      [
        "nom" => "11. Don’t Let It Show (String Section Take), 12. Don’t Let It Show (Woodwind Take In Key Of D),"
        "ordre" => 44
      ]
      [
        "nom" => "13. Don’t Let It Show (Backing Track Early Rough Mix), 14. Don’t Let It Show (Rough Mix"
        "ordre" => 45
      ]
      [
        "nom" => "With Alternative Orchestra Score), 15. Don’t Let It Show (Extended End Section),"
        "ordre" => 46
      ]
      [
        "nom" => "16. The Voice (Rough Mix With Extra Strings and Alan Parsons Vocoder), 17. The Voice"
        "ordre" => 47
      ]
      [
        "nom" => "(Backing Track Rough Mix), 18. Nucleus (Experimenting With Sound Effects), 19. Nucleus"
        "ordre" => 48
      ]
      [
        "nom" => "(Talking Sound Effects), 20. Nucleus (Stuart Tosh Drum Take With Delay), 21. Nucleus"
        "ordre" => 49
      ]
      [
        "nom" => "(Projectron Only)"
        "ordre" => 50
      ]
      [
        "nom" => "CD 4"
        "ordre" => 51
      ]
      [
        "nom" => "1. Day After Day (The Show Must Go On) (BJ Cole Steel Outtake), 2. Day After Day (The Show"
        "ordre" => 52
      ]
      [
        "nom" => "Must Go On) (Synth Experiments), 3. Day After Day (The Show Must Go On) (Eric Woolfson"
        "ordre" => 53
      ]
      [
        "nom" => "Celeste Take), 4. Day After Day (The Show Must Go On) (Ian Bairnson Acoustic Guitar Take),"
        "ordre" => 54
      ]
      [
        "nom" => "5. Day After Day (The Show Must Go On) (BJ Cole Pedal Steel Take), 6. Day After Day"
        "ordre" => 55
      ]
      [
        "nom" => "(The Show Must Go On) (Backing Vocals), 7. Day After Day (The Show Must Go On) (Backing"
        "ordre" => 56
      ]
      [
        "nom" => " Track), 8. Day After Day (The Show Must Go On) (Single Edit), 9. Total Eclipse & Nucleus"
        "ordre" => 57
      ]
      [
        "nom" => "(Choral Experiments), 10. Total Eclipse (Choir Only), 11. Genesis Ch.1 V.32 (Alan Parsons"
        "ordre" => 58
      ]
      [
        "nom" => "Demo), 12. Genesis Ch.1 V.32 (Everything But The Choir), 13. Genesis Ch.1 V.32 (Ian Bairnson"
        "ordre" => 59
      ]
      [
        "nom" => "Acoustic Guitars), 14. Genesis Ch.1 V.32 (Strings Only), 15. Genesis Ch.1 V.32 (Backing"
        "ordre" => 60
      ]
      [
        "nom" => "Singers & Choir Take), 16. Alan Parsons Spacey Vibraphone, 17. Eric’s Jupiter (Start Of"
        "ordre" => 61
      ]
      [
        "nom" => "Gemini Idea), 18. Taking It All Away (Eric Woolfson Songwriting Diary First Version),"
        "ordre" => 62
      ]
      [
        "nom" => "19. I Robot Radio Adverts"
        "ordre" => 63
      ]
      [
        "nom" => "Blu-ray"
        "ordre" => 64
      ]
      [
        "nom" => "1. 2025 Alan Parsons Dolby Atmos Mix"
        "ordre" => 65
      ]
      [
        "nom" => "2. 2025 Alan Parsons 5.1 Surround Sound Mix"
        "ordre" => 66
      ]
      [
        "nom" => "3. Original Album Remastered in Stereo by Miles Showell 2025"
        "ordre" => 67
      ]
      [
        "nom" => "4. I Wouldn’t Want To Be Like You (video)"
        "ordre" => 68
      ]
      [
        "nom" => "5. Eric Woolfson Interview Footage"
        "ordre" => 69
      ]
      [
        "nom" => ""
        "ordre" => 70
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1785 …}
    -label: Proxies\__CG__\App\Entity\Label {#1788 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1790 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1792 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1794 …}
    -enregistreLe: DateTime @1760776678 {#1768
      date: 2025-10-18 08:37:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018807 {#1771
      date: 2025-11-13 07:26:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1796 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-super-deluxe-edition-half-speed-mastered-box-set-2-lp-45-rpm-4cd-blu-ray-cooking-vinyl-0841"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1801
    -id: 2877
    -nom: "Jacknife"
    -informationComplementaire: null
    -description: """
      - Jackie McLean "Jacknife" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Jackie McLean's evocative 1965 album Jacknife captured the alto saxophonist in an envelope-pushing post-bop mode. The session featured two trumpeters-Lee Morgan and Charles Tolliver-who are heard together to great effect on Morgan's groovy "Soft Blue", but otherwise take turns in the spotlight. McLean also assembled a deeply engaged rhythm section for the date featuring pianist Larry Willis, bassist Larry Ridley, and drummer Jack DeJohnette.\r\n
      \r\n
      McLean's fiery sound ignites a wide range of material from the expansive modal explorations of Tolliver's "On The Nile" to the churning rhythms of DeJohnette's "Climax" to McLean's own "Blue Fable", which delivers a loping melody over shifting feels before settling into a deep pocketed swing for emphatic solos by McLean and Morgan.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Lee Morgan, Charles Tolliver (trumpet), Larry Willis (piano), Jackie McLean (alto saxophone), Larry Ridley (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Blue Note Tone Poet Series 4499"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. On The Nile"
      ]
      [
        "ordre" => 2
        "nom" => "2. Climax"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Soft Blue"
      ]
      [
        "ordre" => 5
        "nom" => "2. Jacknife"
      ]
      [
        "ordre" => 6
        "nom" => "3. Blue Fable"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1803 …}
    -label: Proxies\__CG__\App\Entity\Label {#1806 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1811 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1813 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1815 …}
    -enregistreLe: DateTime @1760604779 {#1798
      date: 2025-10-16 08:52:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769521658 {#1799
      date: 2026-01-27 13:47:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1817 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jacknife-blue-note-tone-poet-series-4499"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3074
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1801
    -id: 2877
    -nom: "Jacknife"
    -informationComplementaire: null
    -description: """
      - Jackie McLean "Jacknife" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Jackie McLean's evocative 1965 album Jacknife captured the alto saxophonist in an envelope-pushing post-bop mode. The session featured two trumpeters-Lee Morgan and Charles Tolliver-who are heard together to great effect on Morgan's groovy "Soft Blue", but otherwise take turns in the spotlight. McLean also assembled a deeply engaged rhythm section for the date featuring pianist Larry Willis, bassist Larry Ridley, and drummer Jack DeJohnette.\r\n
      \r\n
      McLean's fiery sound ignites a wide range of material from the expansive modal explorations of Tolliver's "On The Nile" to the churning rhythms of DeJohnette's "Climax" to McLean's own "Blue Fable", which delivers a loping melody over shifting feels before settling into a deep pocketed swing for emphatic solos by McLean and Morgan.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Jackie McLean (alto saxophone), Lee Morgan, Charles Tolliver (trumpet), Larry Willis (piano), Jackie McLean (alto saxophone), Larry Ridley (bass), Jack DeJohnette (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Blue Note Tone Poet Series 4499"
    -titreMorceau: [
      [
        "ordre" => 0
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      ]
      [
        "ordre" => 1
        "nom" => "1. On The Nile"
      ]
      [
        "ordre" => 2
        "nom" => "2. Climax"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Soft Blue"
      ]
      [
        "ordre" => 5
        "nom" => "2. Jacknife"
      ]
      [
        "ordre" => 6
        "nom" => "3. Blue Fable"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1803 …}
    -label: Proxies\__CG__\App\Entity\Label {#1806 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1811 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1813 …}
    -typeMasterTape: null
    -marque: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1815 …}
    -enregistreLe: DateTime @1760604779 {#1798
      date: 2025-10-16 08:52:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769521658 {#1799
      date: 2026-01-27 13:47:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1817 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-jacknife-blue-note-tone-poet-series-4499"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1822
    -id: 2876
    -nom: "The Tokyo Blues"
    -informationComplementaire: null
    -description: """
      - The Horace Silver Quintet "The Tokyo Blues" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Horace Silver's 1962 tour of Japan had a profound impact on the pianist who returned to the U.S. and dedicated his subsequent album The Tokyo Blues to his fervent Japanese fans.\r\n
      \r\n
      Along with his quintet featuring trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer John Harris Jr., Silver delivered an inspired 5-song set including his alluring originals "The Tokyo Blues", "Too Much Sake", "Sayonara Blues", and "Ah! So", as well as Ronnell Bright's lovely ballad "Cherry Blossom".\r\n
      \r\n
      Silver had noticed a love of Latin music among the Japanese jazz fans he met and in his compositions he sought to "combine the Japanese feeling in the melodies with the Latin feeling in the rhythms".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Horace Silver (piano), Blue Mitchell (trumpet), Junior Cook (tenor saxophone), Gene Taylor (bass), John Harris Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HJtC_Lys5qk&list=RDHJtC_Lys5qk&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 4306"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Too Much Sake"
      ]
      [
        "ordre" => 2
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1824 …}
    -label: Proxies\__CG__\App\Entity\Label {#1806 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1826 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1828 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1830 …}
    -enregistreLe: DateTime @1760603624 {#1819
      date: 2025-10-16 08:33:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769276419 {#1820
      date: 2026-01-24 17:40:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1832 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-tokyo-blues-blue-note-tone-poet-series-4306"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3134
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1822
    -id: 2876
    -nom: "The Tokyo Blues"
    -informationComplementaire: null
    -description: """
      - The Horace Silver Quintet "The Tokyo Blues" !\r\n
      - 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Horace Silver's 1962 tour of Japan had a profound impact on the pianist who returned to the U.S. and dedicated his subsequent album The Tokyo Blues to his fervent Japanese fans.\r\n
      \r\n
      Along with his quintet featuring trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer John Harris Jr., Silver delivered an inspired 5-song set including his alluring originals "The Tokyo Blues", "Too Much Sake", "Sayonara Blues", and "Ah! So", as well as Ronnell Bright's lovely ballad "Cherry Blossom".\r\n
      \r\n
      Silver had noticed a love of Latin music among the Japanese jazz fans he met and in his compositions he sought to "combine the Japanese feeling in the melodies with the Latin feeling in the rhythms".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Horace Silver (piano), Blue Mitchell (trumpet), Junior Cook (tenor saxophone), Gene Taylor (bass), John Harris Jr. (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=HJtC_Lys5qk&list=RDHJtC_Lys5qk&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 4306"
    -titreMorceau: [
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        "nom" => "Side A :"
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      [
        "ordre" => 2
        "nom" => "2. Sayonara Blues"
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      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. The Tokyo Blues"
      ]
      [
        "ordre" => 5
        "nom" => "2. Cherry Blossom"
      ]
      [
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        "nom" => "3. Ah! So"
      ]
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        "ordre" => 7
        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
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      [
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        "nom" => ""
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      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1824 …}
    -label: Proxies\__CG__\App\Entity\Label {#1806 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1826 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1828 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1830 …}
    -enregistreLe: DateTime @1760603624 {#1819
      date: 2025-10-16 08:33:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769276419 {#1820
      date: 2026-01-24 17:40:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1832 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-tokyo-blues-blue-note-tone-poet-series-4306"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1837
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
      \r\n
      - Michael Jackson "Dangerous" !\r\n
      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
      - 180 gram 331/3 RPM (2 LP) plays with superb clarity, detail and presence !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Dangerous saw Michael Jackson go in a new direction. The strategy paid off when the 1991 release debuted at N° 1 on the Billboard 200 and sold more than 25 million copies worldwide by September 1994. Global sales now near 40 million.\r\n
      \r\n
      Sourced from the original masters, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM (2 LP) set presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence, along with the fullness of his range and the soaring heights of his falsetto. You'll also enjoy expansive soundstages, ample instrumental separation, black backgrounds, and broad dynamics.\r\n
      \r\n
      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
      \r\n
      Provenance info :\r\n
      \r\n
      "Jam", "Why You Wanna Trip on Me", "In the Closet", "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", and "Dangerous" - 1/2" / 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Heal the World" and "Keep the Faith" -  Mitsubishi X-86 HS 1/4" 48 kHz 16-bit digital format to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Black or White", "Who Is It", and "Give in to Me" - 1/2" 30 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Will You Be There" and "Gone Too Soon" - 1/4" 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3snPmZJkn8"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-571"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jam"
      ]
      [
        "ordre" => 2
        "nom" => "2. Why You Wanna Trip on Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. In the Closet"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. She Drives Me Wild"
      ]
      [
        "ordre" => 6
        "nom" => "2. Remember the Time"
      ]
      [
        "ordre" => 7
        "nom" => "3. Can’t Let Her Get Away"
      ]
      [
        "ordre" => 8
        "nom" => "4. Heal the World"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Black or White"
      ]
      [
        "ordre" => 11
        "nom" => "2. Who Is It"
      ]
      [
        "ordre" => 12
        "nom" => "3. Give in to Me"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Will You Be There"
      ]
      [
        "ordre" => 15
        "nom" => "2. Keep the Faith"
      ]
      [
        "ordre" => 16
        "nom" => "3. Gone Too Soon"
      ]
      [
        "ordre" => 17
        "nom" => "4. Dangerous"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1839 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1844 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1846 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1848 …}
    -enregistreLe: DateTime @1758618202 {#1834
      date: 2025-09-23 09:03:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769106775 {#1835
      date: 2026-01-22 18:32:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1850 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dangerous-limited-numbered-edition-mobile-fidelity-sound-lab-2-571"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3190
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1837
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
      \r\n
      - Michael Jackson "Dangerous" !\r\n
      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
      - 180 gram 331/3 RPM (2 LP) plays with superb clarity, detail and presence !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Dangerous saw Michael Jackson go in a new direction. The strategy paid off when the 1991 release debuted at N° 1 on the Billboard 200 and sold more than 25 million copies worldwide by September 1994. Global sales now near 40 million.\r\n
      \r\n
      Sourced from the original masters, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM (2 LP) set presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence, along with the fullness of his range and the soaring heights of his falsetto. You'll also enjoy expansive soundstages, ample instrumental separation, black backgrounds, and broad dynamics.\r\n
      \r\n
      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
      \r\n
      Provenance info :\r\n
      \r\n
      "Jam", "Why You Wanna Trip on Me", "In the Closet", "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", and "Dangerous" - 1/2" / 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Heal the World" and "Keep the Faith" -  Mitsubishi X-86 HS 1/4" 48 kHz 16-bit digital format to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Black or White", "Who Is It", and "Give in to Me" - 1/2" 30 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Will You Be There" and "Gone Too Soon" - 1/4" 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3snPmZJkn8"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-571"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jam"
      ]
      [
        "ordre" => 2
        "nom" => "2. Why You Wanna Trip on Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. In the Closet"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. She Drives Me Wild"
      ]
      [
        "ordre" => 6
        "nom" => "2. Remember the Time"
      ]
      [
        "ordre" => 7
        "nom" => "3. Can’t Let Her Get Away"
      ]
      [
        "ordre" => 8
        "nom" => "4. Heal the World"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Black or White"
      ]
      [
        "ordre" => 11
        "nom" => "2. Who Is It"
      ]
      [
        "ordre" => 12
        "nom" => "3. Give in to Me"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Will You Be There"
      ]
      [
        "ordre" => 15
        "nom" => "2. Keep the Faith"
      ]
      [
        "ordre" => 16
        "nom" => "3. Gone Too Soon"
      ]
      [
        "ordre" => 17
        "nom" => "4. Dangerous"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1839 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1844 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1846 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1848 …}
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      date: 2025-09-23 09:03:22.0 UTC (+00:00)
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    -modifierLe: DateTime @1769106775 {#1835
      date: 2026-01-22 18:32:55.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#1855
    -id: 2844
    -nom: "Sonny's Dream (Birth Of The New Cool)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sonny Criss (alto & soprano saxophone), Conte Candoli (trumpet), Dick Nash (trombone), Ray Draper (tuba), David Sherr (alto saxophone), Teddy Edwards (tenor saxophone), Pete Christlieb (baritone saxophone), Tommy Flanagan (piano), Al McKibbon (bass), Everett Brown, Jr. (drums).\r\n
      \r\n
      - The Sonny Criss Orchestra "Sonny's Dream (Birth Of The New Cool)" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with Obi strip !\r\n
      \r\n
      Sonny's Dream (Birth of the New Cool) is a 1968 album by jazz sax player Sonny Criss, released on Prestige. Featuring cuts written and arranged by Horace Tapscott, Criss is joined by Conte Candoli, Teddy Edwards, Tommy Flanagan, and more. Identified by The Penguin Guide to Jazz as part of their "core collection," this new edition is released as part of the OJC Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Printing Tip-On Jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Sonny Criss (alto & soprano saxophone), Conte Candoli (trumpet), Dick Nash (trombone), Ray Draper (tuba), David Sherr (alto saxophone), Teddy Edwards (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aqGPgQvpU68&list=RDaqGPgQvpU68&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0864"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "1. Sonny's Dream"
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      [
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      [
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        "nom" => "2. Daughter Of Cochise"
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      [
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        "nom" => "3. Sandy And Niles"
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1857 …}
    -label: Proxies\__CG__\App\Entity\Label {#1860 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1862 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1864 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1866 …}
    -enregistreLe: DateTime @1758405363 {#1852
      date: 2025-09-20 21:56:03.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770041447 {#1853
      date: 2026-02-02 14:10:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1868 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-s-dream-birth-of-the-new-cool-concord-craft-recordings-0864"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3248
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1855
    -id: 2844
    -nom: "Sonny's Dream (Birth Of The New Cool)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sonny Criss (alto & soprano saxophone), Conte Candoli (trumpet), Dick Nash (trombone), Ray Draper (tuba), David Sherr (alto saxophone), Teddy Edwards (tenor saxophone), Pete Christlieb (baritone saxophone), Tommy Flanagan (piano), Al McKibbon (bass), Everett Brown, Jr. (drums).\r\n
      \r\n
      - The Sonny Criss Orchestra "Sonny's Dream (Birth Of The New Cool)" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with Obi strip !\r\n
      \r\n
      Sonny's Dream (Birth of the New Cool) is a 1968 album by jazz sax player Sonny Criss, released on Prestige. Featuring cuts written and arranged by Horace Tapscott, Criss is joined by Conte Candoli, Teddy Edwards, Tommy Flanagan, and more. Identified by The Penguin Guide to Jazz as part of their "core collection," this new edition is released as part of the OJC Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Printing Tip-On Jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Sonny Criss (alto & soprano saxophone), Conte Candoli (trumpet), Dick Nash (trombone), Ray Draper (tuba), David Sherr (alto saxophone), Teddy Edwards (tenor saxophone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=aqGPgQvpU68&list=RDaqGPgQvpU68&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0864"
    -titreMorceau: [
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        "nom" => "2. Ballad For Samuel"
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. The Golden Pearl"
      ]
      [
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        "nom" => "2. Daughter Of Cochise"
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      [
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        "nom" => "3. Sandy And Niles"
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        "nom" => ""
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      [
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        "nom" => ""
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      [
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      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1857 …}
    -label: Proxies\__CG__\App\Entity\Label {#1860 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1862 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1864 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1866 …}
    -enregistreLe: DateTime @1758405363 {#1852
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    }
    -modifierLe: DateTime @1770041447 {#1853
      date: 2026-02-02 14:10:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1868 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-s-dream-birth-of-the-new-cool-concord-craft-recordings-0864"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 2843
    -nom: "Kenny Drew Trio"
    -informationComplementaire: null
    -description: """
      - Kenny Drew Trio "Kenny Drew Trio" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with Obi strip !\r\n
      \r\n
      Kenny Drew Trio is the 1956 album by jazz pianist Kenny Drew, Paul Chambers (bass), and Philly Joe Jones (drums) — the trio who would go on the following year to be the rhythm section for the legendary John Coltrane album Blue Train. Originally released on the Riverside label this new edition is released as part of the OJC Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Printing Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1531 …}
    -musicienOrchestre: "Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pqnEMZmEPYs&list=RDpqnEMZmEPYs&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0863"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Caravan"
        "ordre" => 1
      ]
      [
        "nom" => "2. Come Rain or Come Shine"
        "ordre" => 2
      ]
      [
        "nom" => "3. Ruby, My Dear"
        "ordre" => 3
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      [
        "nom" => "4. Weird-O"
        "ordre" => 4
      ]
      [
        "nom" => "Side B : "
        "ordre" => 5
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      [
        "nom" => "1. Taking A Chance On Love"
        "ordre" => 6
      ]
      [
        "nom" => "2. When You Wish Upon a Star"
        "ordre" => 7
      ]
      [
        "nom" => "3. Blues for Nica"
        "ordre" => 8
      ]
      [
        "nom" => "4. It's Only a Paper Moon"
        "ordre" => 9
      ]
      [
        "nom" => ""
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      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1875 …}
    -label: Proxies\__CG__\App\Entity\Label {#1860 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1877 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1879 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1881 …}
    -enregistreLe: DateTime @1758404888 {#1870
      date: 2025-09-20 21:48:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1758449716 {#1871
      date: 2025-09-21 10:15:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1883 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kenny-drew-trio-concord-craft-recordings-0863"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3308
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1873
    -id: 2843
    -nom: "Kenny Drew Trio"
    -informationComplementaire: null
    -description: """
      - Kenny Drew Trio "Kenny Drew Trio" !\r\n
      - From the Craft Recordings Original Jazz Classics Series !\r\n
      - Produced on audiophile-quality vinyl from Craft Recordings !\r\n
      - All-analog mastering from the original tapes by Kevin Gray at Cohearent Audio !\r\n
      - Pressed on 180 gram vinyl at RTI !\r\n
      - Presented in tip-on jackets with Obi strip !\r\n
      \r\n
      Kenny Drew Trio is the 1956 album by jazz pianist Kenny Drew, Paul Chambers (bass), and Philly Joe Jones (drums) — the trio who would go on the following year to be the rhythm section for the legendary John Coltrane album Blue Train. Originally released on the Riverside label this new edition is released as part of the OJC Series on 180 gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Printing Tip-On Jacket.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1531 …}
    -musicienOrchestre: "Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=pqnEMZmEPYs&list=RDpqnEMZmEPYs&start_radio=1"
    -referenceProduit: "Concord Craft Recordings 0863"
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      [
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      [
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      [
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        "ordre" => 6
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      [
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      ]
      [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1875 …}
    -label: Proxies\__CG__\App\Entity\Label {#1860 …}
    -style: Proxies\__CG__\App\Entity\Style {#1809 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1877 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1879 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#1881 …}
    -enregistreLe: DateTime @1758404888 {#1870
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    }
    -modifierLe: DateTime @1758449716 {#1871
      date: 2025-09-21 10:15:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1883 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kenny-drew-trio-concord-craft-recordings-0863"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1888
    -id: 2834
    -nom: "Mad Dogs & Englishmen Revisited: Live At Lockn'"
    -informationComplementaire: null
    -description: """
      - Tedeschi Trucks Band And Leon Russell "Mad Dogs & Englishmen Revisited: Live At Lockn'" !\r\n
      - 180 gram gatefold double LP !\r\n
      - Pressed at Paramount Pressing !\r\n
      \r\n
      Tedeschi Trucks Band and Leon Russell's Mad Dogs & Englishmen Revisited is a vibrant tribute to one of the most iconic live rock collaborations in music history. Originally led by Joe Cocker and the legendary keyboardist and bandleader Leon Russell in 1970, Mad Dogs & Englishmen was a raucous, soulful tour that brought together a massive ensemble of musicians. In September 2015, Tedeschi Trucks Band helmed by guitar virtuoso Derek Trucks and powerhouse vocalist Susan Tedeschi revived this landmark event, infusing it with their own blend of Southern soul, blues, and rock.\r\n
      \r\n
      The historic, star-studded tribute concert took place at the LOCKN' Festival 45 years after the original tour. That night, TTB's 12-piece ensemble and Russell welcomed original Mad Dogs members, such as Rita Coolidge, Claudia Lennear, and Chris Stainton, along with a diverse group of special guests including Chris Robinson of The Black Crowes, Warren Haynes, Anders Osborne, and Dave Mason. The stage often swelled to more than 20 musicians, echoing the original tour's grand, communal spirit.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Susan Tedeschi (guitar, vocals), Derek Trucks (guitar), Gabe Dixon (keyboards, vocals), Brandon Boone (bass), Tyler “Falcon” Greenwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1563 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WIzB4YG-fFw&list=RDWIzB4YG-fFw&start_radio=1"
    -referenceProduit: "Fantasy Records 5787"
    -titreMorceau: [
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      [
        "nom" => "2. With a Little Help From My Friends"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1890 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3366
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1888
    -id: 2834
    -nom: "Mad Dogs & Englishmen Revisited: Live At Lockn'"
    -informationComplementaire: null
    -description: """
      - Tedeschi Trucks Band And Leon Russell "Mad Dogs & Englishmen Revisited: Live At Lockn'" !\r\n
      - 180 gram gatefold double LP !\r\n
      - Pressed at Paramount Pressing !\r\n
      \r\n
      Tedeschi Trucks Band and Leon Russell's Mad Dogs & Englishmen Revisited is a vibrant tribute to one of the most iconic live rock collaborations in music history. Originally led by Joe Cocker and the legendary keyboardist and bandleader Leon Russell in 1970, Mad Dogs & Englishmen was a raucous, soulful tour that brought together a massive ensemble of musicians. In September 2015, Tedeschi Trucks Band helmed by guitar virtuoso Derek Trucks and powerhouse vocalist Susan Tedeschi revived this landmark event, infusing it with their own blend of Southern soul, blues, and rock.\r\n
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      The historic, star-studded tribute concert took place at the LOCKN' Festival 45 years after the original tour. That night, TTB's 12-piece ensemble and Russell welcomed original Mad Dogs members, such as Rita Coolidge, Claudia Lennear, and Chris Stainton, along with a diverse group of special guests including Chris Robinson of The Black Crowes, Warren Haynes, Anders Osborne, and Dave Mason. The stage often swelled to more than 20 musicians, echoing the original tour's grand, communal spirit.
      """
    -prixVente: "89.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: "Susan Tedeschi (guitar, vocals), Derek Trucks (guitar), Gabe Dixon (keyboards, vocals), Brandon Boone (bass), Tyler “Falcon” Greenwell (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1890 …}
    -label: Proxies\__CG__\App\Entity\Label {#1893 …}
    -style: Proxies\__CG__\App\Entity\Style {#1896 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1898 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
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    -slug: "vinyles-mad-dogs-englishmen-revisited-live-at-lockn-fantasy-records-5787"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1909
    -id: 2831
    -nom: "Prisoner In Disguise  (Limited Numbered Edition)"
    -informationComplementaire: "AVAILABILITY : 31/10/2025 (subject Mobile Fidelity Sound Lab)"
    -description: """
      Musicians : \r\n
      Linda Ronstadt (lead vocals), Andrew Gold (acoustic guitar, electric guitar, piano, electric piano, synthesizers, tambourine, drums, congas, organ, backing vocals, handclaps, bagpipes), Kenny Edwards (bass guitar, backing vocals), Herb Pedersen (banjo, backing vocals), Dan Dugmore (steel guitar), Lowell George (slide guitar), Danny Kortchmar (electric guitar), J.D. Souther, Emmylou Harris (acoustic guitar, harmony vocals), David Grisman (mandolin), James Taylor (acoustic guitar), Ed Black (electric guitar), Glen Hardin (piano), Jim Conner (harmonica), David Lindley (fiddle), Maria Muldaur (backing & harmony vocals), Pat Henderson, Julia Tillman Waters, Maxine Willard Waters, Don Francisco (backing vocals), Russ Kunkel, Nigel Olsson, David Kemper (drums). \r\n
      \r\n
      - Linda Ronstadt (Prisoner In Disguise) !\r\n
      - Ronstadt secures her position as the 1970's premier female vocalist with 1975 album !\r\n
      - Includes covers of "Love Is A Rose" and "I Will Always Love You" !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      - Stoughton Printing gatefold jacket !\r\n
      - Reissued at 45 RPM for the first time for its 50th anniversary and Elektra Record's 75th anniversary !\r\n
      - Mobile Fidelity's 180 gram 45 RPM (2 LP) set of platinum-selling certified album plays with superb purity, detail, tonality, and definition !\r\n
      \r\n
      If there was any doubt whether Linda Ronstadt would emerge as the premier female vocalist of the 1970s, the question became moot when she dropped Prisoner in Disguise in 1975. Picking up exactly where she left off on Heart Like a Wheel, the singer pairs with the same perfectionist-oriented producer and many of the same session pros on a follow-up in every way the equal of her 1974 breakthrough. The platinum-certified set not only established Ronstadt as an all-time great. It confirmed her as the voice of the decade, a performer the press soon deemed "The First Lady of Rock".\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton Printing gatefold jacket, and reissued to celebrate Elektra Records' 75th anniversary, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set presents the Top 5 album with extra groove space via 45 RPM speed for the first time. This special 50th anniversary version plays with reference-caliber definition, depth, and dimensionality. The definitive vinyl edition of Prisoner in Disguise, it lifts prior veils that impeded the gorgeous singing and spectacular craftsmanship gracing the 11 songs.\r\n
      \r\n
      The elevated degrees of clarity, presence, and separation exceed those of even Mobile Fidelity's long-out-of-print 33 1/3 RPM reissue. Vocals often the most difficult instrument to faithfully portray resonate with superb tonality, openness, and naturalism. Here, there's practically nothing between you and Ronstadt's whippoorwill deliveries. Her wide-spanning range and varied subtleties vibrato, hiccups, shivers, falsetto fades come across with rich, transparent detail. They affirm why Prisoner in Disguise is one of the four consecutive albums she made that sold a million or more copies, making her the first female artist to achieve that feat.\r\n
      \r\n
      Each aspect of the record reveals how and why Ronstadt crashed through the glass ceiling not only with commercial and critical success, but by attaining then-unprecedented recognition in the form of national stories in the likes of Rolling Stone and Newsweek. Collaborating for the third time with producer Peter Asher, Ronstadt turns to her career-long strengths interpretative covers, roots-based music, aching balladry and seamlessly jibes with a Hall of Fame-worthy cast. James Taylor, Kenny Edwards, Herb Pedersen, JD Souther, David Grisman, and Russ Kunkel are some of the elite musicians along for the ride. David Campbell handles string arrangement and conducting duties.\r\n
      \r\n
      Everyone works toward a common and sensible goal: Spotlighting, shading, and complementing Ronstadt's singing. Playing with an all-for-one mindset so the meanings and emotions she pulls from every song get top billing and with a selfless restraint that helps expose the kernels of truth and beautiful melodies in indelible tunes by the likes of Neil Young, Lowell George, Jimmy Cliff, and Taylor. Few, if any, pop-rock singers ever exhibited adaptive skills on a par with that of the Arizona native. Her contemporaries ensure she has the ideal settings in which to maneuver.\r\n
      \r\n
      It all begins with the swirling rustic charm on Young's "Love Is a Rose", a banjo-picked rendition that went to the Top 5 of the Billboard Country chart and establishes the vocal control, command, and smoothness Ronstadt demonstrates throughout the album. As further confirmation of her crossover appeal and boundless diversity, the B-side a catchy, soulful, strum-and-jangle take on the Motown smash "Heat Wave" garnered more attention and landed in the Top 5 of the Hot 100 chart. Adorned with organ swells and contemplative drama, Ronstadt's memorable reading of another Motown staple, "Tracks of My Tears", served as the third single and landed another Top 5 position, this one on the Adult Contemporary chart.\r\n
      \r\n
      Successful hits aside, the timelessness of Prisoner in Disguise owes to its deeper cuts and Ronstadt's all-in investment on material that sounds expressly written for her. Consider the mellow yet greasy and slightly sassy run through Little Feat's "Roll Um Easy". Or the forlorn version of Taylor's "Hey Mister, That's Me Up on the Jukebox", its longing pedal-steel passages and tucked-and-pointed piano notes framing Ronstadt's from-the-diaphragm phrasing with flawless precision. And delve into her startling version of Dolly Parton's "I Will Always Love You," Ronstadt using the full capacity of her range but never overdoing it and finishing with a transition into a higher register that doubles as a template for all country- and Americana-leaning pop singers who follow.\r\n
      \r\n
      That poignant performance, and a tender duet with Emmylou Harris on "The Sweetest Gift" arguably the album's finest moment hints at the future Trio album she'd record with her celebrated peers in the late '80s. Ronstadt's knack for harmony, melody, and contrast explode into view, as does her wondrous blend with acoustic instrumentation (key in on the violins) and gospel-flecked nuance.\r\n
      \r\n
      A songbird with a singular voice, Ronstadt time and again achieves "sweet harmony in unison" on Prisoner in Disguise, a record on which she's at her peak.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1531 …}
    -musicienOrchestre: "Linda Ronstadt (lead vocals), Andrew Gold (acoustic guitar, electric guitar, piano, electric piano, synthesizers, tambourine, drums, congas, organ, backing vocals, handclaps, bagpipes)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1556 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pNXTo7QZrC4&list=RDpNXTo7QZrC4&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-608"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
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        "ordre" => 2
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      [
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        "nom" => "2. Many Rivers to Cross"
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      [
        "nom" => "1. You Tell Me That I’m Falling Down"
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      [
        "nom" => "2. I Will Always Love You"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1911 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3422
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1909
    -id: 2831
    -nom: "Prisoner In Disguise  (Limited Numbered Edition)"
    -informationComplementaire: "AVAILABILITY : 31/10/2025 (subject Mobile Fidelity Sound Lab)"
    -description: """
      Musicians : \r\n
      Linda Ronstadt (lead vocals), Andrew Gold (acoustic guitar, electric guitar, piano, electric piano, synthesizers, tambourine, drums, congas, organ, backing vocals, handclaps, bagpipes), Kenny Edwards (bass guitar, backing vocals), Herb Pedersen (banjo, backing vocals), Dan Dugmore (steel guitar), Lowell George (slide guitar), Danny Kortchmar (electric guitar), J.D. Souther, Emmylou Harris (acoustic guitar, harmony vocals), David Grisman (mandolin), James Taylor (acoustic guitar), Ed Black (electric guitar), Glen Hardin (piano), Jim Conner (harmonica), David Lindley (fiddle), Maria Muldaur (backing & harmony vocals), Pat Henderson, Julia Tillman Waters, Maxine Willard Waters, Don Francisco (backing vocals), Russ Kunkel, Nigel Olsson, David Kemper (drums). \r\n
      \r\n
      - Linda Ronstadt (Prisoner In Disguise) !\r\n
      - Ronstadt secures her position as the 1970's premier female vocalist with 1975 album !\r\n
      - Includes covers of "Love Is A Rose" and "I Will Always Love You" !\r\n
      - 1/4" 15 ips Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressing !\r\n
      - Stoughton Printing gatefold jacket !\r\n
      - Reissued at 45 RPM for the first time for its 50th anniversary and Elektra Record's 75th anniversary !\r\n
      - Mobile Fidelity's 180 gram 45 RPM (2 LP) set of platinum-selling certified album plays with superb purity, detail, tonality, and definition !\r\n
      \r\n
      If there was any doubt whether Linda Ronstadt would emerge as the premier female vocalist of the 1970s, the question became moot when she dropped Prisoner in Disguise in 1975. Picking up exactly where she left off on Heart Like a Wheel, the singer pairs with the same perfectionist-oriented producer and many of the same session pros on a follow-up in every way the equal of her 1974 breakthrough. The platinum-certified set not only established Ronstadt as an all-time great. It confirmed her as the voice of the decade, a performer the press soon deemed "The First Lady of Rock".\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton Printing gatefold jacket, and reissued to celebrate Elektra Records' 75th anniversary, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set presents the Top 5 album with extra groove space via 45 RPM speed for the first time. This special 50th anniversary version plays with reference-caliber definition, depth, and dimensionality. The definitive vinyl edition of Prisoner in Disguise, it lifts prior veils that impeded the gorgeous singing and spectacular craftsmanship gracing the 11 songs.\r\n
      \r\n
      The elevated degrees of clarity, presence, and separation exceed those of even Mobile Fidelity's long-out-of-print 33 1/3 RPM reissue. Vocals often the most difficult instrument to faithfully portray resonate with superb tonality, openness, and naturalism. Here, there's practically nothing between you and Ronstadt's whippoorwill deliveries. Her wide-spanning range and varied subtleties vibrato, hiccups, shivers, falsetto fades come across with rich, transparent detail. They affirm why Prisoner in Disguise is one of the four consecutive albums she made that sold a million or more copies, making her the first female artist to achieve that feat.\r\n
      \r\n
      Each aspect of the record reveals how and why Ronstadt crashed through the glass ceiling not only with commercial and critical success, but by attaining then-unprecedented recognition in the form of national stories in the likes of Rolling Stone and Newsweek. Collaborating for the third time with producer Peter Asher, Ronstadt turns to her career-long strengths interpretative covers, roots-based music, aching balladry and seamlessly jibes with a Hall of Fame-worthy cast. James Taylor, Kenny Edwards, Herb Pedersen, JD Souther, David Grisman, and Russ Kunkel are some of the elite musicians along for the ride. David Campbell handles string arrangement and conducting duties.\r\n
      \r\n
      Everyone works toward a common and sensible goal: Spotlighting, shading, and complementing Ronstadt's singing. Playing with an all-for-one mindset so the meanings and emotions she pulls from every song get top billing and with a selfless restraint that helps expose the kernels of truth and beautiful melodies in indelible tunes by the likes of Neil Young, Lowell George, Jimmy Cliff, and Taylor. Few, if any, pop-rock singers ever exhibited adaptive skills on a par with that of the Arizona native. Her contemporaries ensure she has the ideal settings in which to maneuver.\r\n
      \r\n
      It all begins with the swirling rustic charm on Young's "Love Is a Rose", a banjo-picked rendition that went to the Top 5 of the Billboard Country chart and establishes the vocal control, command, and smoothness Ronstadt demonstrates throughout the album. As further confirmation of her crossover appeal and boundless diversity, the B-side a catchy, soulful, strum-and-jangle take on the Motown smash "Heat Wave" garnered more attention and landed in the Top 5 of the Hot 100 chart. Adorned with organ swells and contemplative drama, Ronstadt's memorable reading of another Motown staple, "Tracks of My Tears", served as the third single and landed another Top 5 position, this one on the Adult Contemporary chart.\r\n
      \r\n
      Successful hits aside, the timelessness of Prisoner in Disguise owes to its deeper cuts and Ronstadt's all-in investment on material that sounds expressly written for her. Consider the mellow yet greasy and slightly sassy run through Little Feat's "Roll Um Easy". Or the forlorn version of Taylor's "Hey Mister, That's Me Up on the Jukebox", its longing pedal-steel passages and tucked-and-pointed piano notes framing Ronstadt's from-the-diaphragm phrasing with flawless precision. And delve into her startling version of Dolly Parton's "I Will Always Love You," Ronstadt using the full capacity of her range but never overdoing it and finishing with a transition into a higher register that doubles as a template for all country- and Americana-leaning pop singers who follow.\r\n
      \r\n
      That poignant performance, and a tender duet with Emmylou Harris on "The Sweetest Gift" arguably the album's finest moment hints at the future Trio album she'd record with her celebrated peers in the late '80s. Ronstadt's knack for harmony, melody, and contrast explode into view, as does her wondrous blend with acoustic instrumentation (key in on the violins) and gospel-flecked nuance.\r\n
      \r\n
      A songbird with a singular voice, Ronstadt time and again achieves "sweet harmony in unison" on Prisoner in Disguise, a record on which she's at her peak.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1531 …}
    -musicienOrchestre: "Linda Ronstadt (lead vocals), Andrew Gold (acoustic guitar, electric guitar, piano, electric piano, synthesizers, tambourine, drums, congas, organ, backing vocals, handclaps, bagpipes)..."
    -sonMusic: App\Enum\SonMusicEnum {#1421 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1385 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1556 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=pNXTo7QZrC4&list=RDpNXTo7QZrC4&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-608"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Love Is a Rose"
        "ordre" => 1
      ]
      [
        "nom" => "2. Hey Mister, That’s Me Up on the Jukebox"
        "ordre" => 2
      ]
      [
        "nom" => "3. Roll Um Easy"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Tracks of My Tears"
        "ordre" => 5
      ]
      [
        "nom" => "2. Prisoner in Disguise"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. Heat Wave"
        "ordre" => 8
      ]
      [
        "nom" => "2. Many Rivers to Cross"
        "ordre" => 9
      ]
      [
        "nom" => "3. The Sweetest Gift"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. You Tell Me That I’m Falling Down"
        "ordre" => 12
      ]
      [
        "nom" => "2. I Will Always Love You"
        "ordre" => 13
      ]
      [
        "nom" => "3. Silver Blue"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
      [
        "nom" => ""
        "ordre" => 19
      ]
      [
        "nom" => ""
        "ordre" => 20
      ]
      [
        "nom" => ""
        "ordre" => 21
      ]
      [
        "nom" => ""
        "ordre" => 22
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1911 …}
    -label: Proxies\__CG__\App\Entity\Label {#1842 …}
    -style: Proxies\__CG__\App\Entity\Style {#1688 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#1913 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1915 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1917 …}
    -enregistreLe: DateTime @1757964054 {#1906
      date: 2025-09-15 19:20:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1757976164 {#1907
      date: 2025-09-15 22:42:44.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1551 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1919 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-prisoner-in-disguise-limited-numbered-edition-mobile-fidelity-sound-lab-2-608"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1926
    -id: 259
    -nom: "PS-100+"
    -informationComplementaire: null
    -description: """
      Audio Block est la marque qui a conquis le marché de la hi-fi depuis quelques années. La marque de Michael Blocks propose désormais une gamme impressionnante d'appareils abordables, tous dotés d'une excellente finition, d'une technologie sophistiquée et, surtout, d'une excellente qualité sonore.\r\n
      \r\n
      La PS-100+ est une platine vinyle haut de gamme à un excellent rapport qualité-prix ! Équipé d'un moteur externe de 1,5 kg qui permet d’adapté la vitesse en 33 et 45 tr/min. Elle est équipée d'un châssis de type sandwich à deux couches en MDF pour une absorption optimale des résonnances parfaitement adapté au plateau et aux supports en aluminium massif, qui repose sur des pieds à pointes réglables. Le plateau en verre acrylique, le tapis antidérapant en feutre et le bras de lecture Project de 9,5 pouces de seulement 11,5 g, avec contrepoids de 65 grammes et masse anti-skating, complètent l'équipement. Ce modèle a trouvé sa place au prix de 1599 € en version noire, deux options édition spéciale blanc ou argent. Détail important, le bras de lecture est maintenu magnétiquement en position de repos par des clips afin d'éviter tout dommage et dysfonctionnement. La cellule phono Ortofon OM5E est installé et prêt à l'emploi. Un câble de connexion RCA avec mise à la terre et des gants en coton pour un montage soigné sont inclus.
      """
    -prixVente: "1599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15719"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1927 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1944 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1964 …}
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: "15.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Construction sandwich à deux couches pour une absorption optimale des résonances\r\n
      - Pieds en métal en forme de pointe\r\n
      - Plateau en acrylique massif\r\n
      - Bras de lecture ProJect de 9,5 pouces, 11,5 g avec anti-skating\r\n
      - Moteur séparé découplé avec courroie d'entraînement en Téflon\r\n
      - Régulation de vitesse entièrement automatique\r\n
      - Cellule phono Ortofon OM5E de série\r\n
      - Câble de connexion RCA avec mise à la terre\r\n
      - Design noir, édition spéciale blanc et argent\r\n
      \r\n
      \r\n
      - Vitesse : 33,33 / 45 tr/min\r\n
      - Contrôle de vitesse : Entièrement automatique\r\n
      - Pleurage et scintillement : ± 0,1 %\r\n
      - Rapport signal/bruit : > 65 dB\r\n
      - Longueur effective du bras de lecture : 236,2 mm\r\n
      - Masse effective du bras de lecture : 11,5 g\r\n
      - Entrée alimentation externe : CA 100-240 V à 50-60 Hz\r\n
      - Sortie alimentation externe : CC 18 V à 1,33 A\r\n
      - Consommation : 5,5 W\r\n
      - Cellule phono : Ortofon OM 5E\r\n
      - Dimensions en cm (L x H x P) : 45 x 18 x 37,5 (avec moteur)\r\n
      - Poids : 12,5 kg\r\n
      - Équipement : Tapis en feutre, câble de connexion RCA avec mise à la terre, bras de lecture, courroie, contrepoids du bras de lecture, poids anti-skating, entretoise pour disques simples (45 tr/min), moteur externe, gants en coton\r\n
      - Garantie : 5 ans
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1971 …}
    -enregistreLe: DateTime @1749281722 {#1923
      date: 2025-06-07 07:35:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764925510 {#1924
      date: 2025-12-05 09:05:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1973 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-ps-100-materiel15719"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3484
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1926
    -id: 259
    -nom: "PS-100+"
    -informationComplementaire: null
    -description: """
      Audio Block est la marque qui a conquis le marché de la hi-fi depuis quelques années. La marque de Michael Blocks propose désormais une gamme impressionnante d'appareils abordables, tous dotés d'une excellente finition, d'une technologie sophistiquée et, surtout, d'une excellente qualité sonore.\r\n
      \r\n
      La PS-100+ est une platine vinyle haut de gamme à un excellent rapport qualité-prix ! Équipé d'un moteur externe de 1,5 kg qui permet d’adapté la vitesse en 33 et 45 tr/min. Elle est équipée d'un châssis de type sandwich à deux couches en MDF pour une absorption optimale des résonnances parfaitement adapté au plateau et aux supports en aluminium massif, qui repose sur des pieds à pointes réglables. Le plateau en verre acrylique, le tapis antidérapant en feutre et le bras de lecture Project de 9,5 pouces de seulement 11,5 g, avec contrepoids de 65 grammes et masse anti-skating, complètent l'équipement. Ce modèle a trouvé sa place au prix de 1599 € en version noire, deux options édition spéciale blanc ou argent. Détail important, le bras de lecture est maintenu magnétiquement en position de repos par des clips afin d'éviter tout dommage et dysfonctionnement. La cellule phono Ortofon OM5E est installé et prêt à l'emploi. Un câble de connexion RCA avec mise à la terre et des gants en coton pour un montage soigné sont inclus.
      """
    -prixVente: "1599.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1411 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15719"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1927 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1929 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1944 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1964 …}
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: "15.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Construction sandwich à deux couches pour une absorption optimale des résonances\r\n
      - Pieds en métal en forme de pointe\r\n
      - Plateau en acrylique massif\r\n
      - Bras de lecture ProJect de 9,5 pouces, 11,5 g avec anti-skating\r\n
      - Moteur séparé découplé avec courroie d'entraînement en Téflon\r\n
      - Régulation de vitesse entièrement automatique\r\n
      - Cellule phono Ortofon OM5E de série\r\n
      - Câble de connexion RCA avec mise à la terre\r\n
      - Design noir, édition spéciale blanc et argent\r\n
      \r\n
      \r\n
      - Vitesse : 33,33 / 45 tr/min\r\n
      - Contrôle de vitesse : Entièrement automatique\r\n
      - Pleurage et scintillement : ± 0,1 %\r\n
      - Rapport signal/bruit : > 65 dB\r\n
      - Longueur effective du bras de lecture : 236,2 mm\r\n
      - Masse effective du bras de lecture : 11,5 g\r\n
      - Entrée alimentation externe : CA 100-240 V à 50-60 Hz\r\n
      - Sortie alimentation externe : CC 18 V à 1,33 A\r\n
      - Consommation : 5,5 W\r\n
      - Cellule phono : Ortofon OM 5E\r\n
      - Dimensions en cm (L x H x P) : 45 x 18 x 37,5 (avec moteur)\r\n
      - Poids : 12,5 kg\r\n
      - Équipement : Tapis en feutre, câble de connexion RCA avec mise à la terre, bras de lecture, courroie, contrepoids du bras de lecture, poids anti-skating, entretoise pour disques simples (45 tr/min), moteur externe, gants en coton\r\n
      - Garantie : 5 ans
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1971 …}
    -enregistreLe: DateTime @1749281722 {#1923
      date: 2025-06-07 07:35:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764925510 {#1924
      date: 2025-12-05 09:05:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1973 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-ps-100-materiel15719"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1978
    -id: 258
    -nom: "Serie PURE 18"
    -informationComplementaire: ""
    -description: """
      Haut-parleur large bande de 18 pouces à architecture à chicane ouverte avec masse à membrane ultralégère et une seule bobine acoustique. La source sonore ponctuelle parfaite sans aucun composant de croisement dans le chemin du signal.\r\n
      \r\n
      Caractéristiques spéciales : \r\n
      Châssis en aluminium moulé sous pression à large bande pour le haut-parleur de 18 pouces LII Audio modifié (avec bornes en bronze) à très haut rendement, caisson à baffle ouvert réglé acoustiquement avec éléments finis, base en aluminium lourd et serre-câble pour le câble d'enceinte à âme pleine SPATIAL EUROPE recommandé, pointes à bille en bronze avec absorbeur SPATIAL EUROPE adapté au poids de la SPATIAL Serie PURE 18.\r\n
      \r\n
      Configuration recommandée : \r\n
      \r\n
      Distance entre le bord avant de l'enceinte et le mur arrière à partir de 65 cm, distance d'écoute à partir de 2,5 m, pièce d'écoute à partir de 25 m².\r\n
      \r\n
      Important : \r\n
      \r\n
      Tous les modèles d'enceintes SPATIAL EUROPE ont une période de rodage allant jusqu'à 500 heures. Pour nos clients et revendeurs, nous proposons un service d'enregistrement dans notre cabine de son.\r\n
      """
    -prixVente: "4800.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1522 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15712"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1979 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1981 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1984 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1987 …}
    -produitTestePar: ""
    -adresseInternetTest: ""
    -poids: "70.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Principe : Haut-parleur large bande de 18 pouces\r\n
      - Réponse en fréquence : 40 Hz à 17 kHz\r\n
      - Efficacité : 98 dB/W/m\r\n
      - Impédance : 8 O\r\n
      \r\n
      Haut-parleur : \r\n
      \r\n
      - 1 haut-parleur large bande 18" de LII Audio\r\n
      - Dimensions en cm (H x L x P) : 85 x 60 x 35\r\n
      - Poids : 33 Kg\r\n
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1989 …}
    -enregistreLe: DateTime @1747744814 {#1975
      date: 2025-05-20 12:40:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747744814 {#1976
      date: 2025-05-20 12:40:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1991 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-serie-pure-18-materiel15712"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3550
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1978
    -id: 258
    -nom: "Serie PURE 18"
    -informationComplementaire: ""
    -description: """
      Haut-parleur large bande de 18 pouces à architecture à chicane ouverte avec masse à membrane ultralégère et une seule bobine acoustique. La source sonore ponctuelle parfaite sans aucun composant de croisement dans le chemin du signal.\r\n
      \r\n
      Caractéristiques spéciales : \r\n
      Châssis en aluminium moulé sous pression à large bande pour le haut-parleur de 18 pouces LII Audio modifié (avec bornes en bronze) à très haut rendement, caisson à baffle ouvert réglé acoustiquement avec éléments finis, base en aluminium lourd et serre-câble pour le câble d'enceinte à âme pleine SPATIAL EUROPE recommandé, pointes à bille en bronze avec absorbeur SPATIAL EUROPE adapté au poids de la SPATIAL Serie PURE 18.\r\n
      \r\n
      Configuration recommandée : \r\n
      \r\n
      Distance entre le bord avant de l'enceinte et le mur arrière à partir de 65 cm, distance d'écoute à partir de 2,5 m, pièce d'écoute à partir de 25 m².\r\n
      \r\n
      Important : \r\n
      \r\n
      Tous les modèles d'enceintes SPATIAL EUROPE ont une période de rodage allant jusqu'à 500 heures. Pour nos clients et revendeurs, nous proposons un service d'enregistrement dans notre cabine de son.\r\n
      """
    -prixVente: "4800.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1522 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15712"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1979 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1981 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1984 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1987 …}
    -produitTestePar: ""
    -adresseInternetTest: ""
    -poids: "70.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Principe : Haut-parleur large bande de 18 pouces\r\n
      - Réponse en fréquence : 40 Hz à 17 kHz\r\n
      - Efficacité : 98 dB/W/m\r\n
      - Impédance : 8 O\r\n
      \r\n
      Haut-parleur : \r\n
      \r\n
      - 1 haut-parleur large bande 18" de LII Audio\r\n
      - Dimensions en cm (H x L x P) : 85 x 60 x 35\r\n
      - Poids : 33 Kg\r\n
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1989 …}
    -enregistreLe: DateTime @1747744814 {#1975
      date: 2025-05-20 12:40:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747744814 {#1976
      date: 2025-05-20 12:40:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#1991 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-serie-pure-18-materiel15712"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}

[
  "produit" => App\Entity\Produit {#1996
    -id: 256
    -nom: "PURE 12/15"
    -informationComplementaire: ""
    -description: """
      La SPATIAL Serie PURE 12/15 est sans égal en termes de dynamique et d’image sonore.\r\n
      \r\n
      Dans la série PURE, SPATIAL n'utilise pas de filtre croisé dans le chemin du signal. La SPATIAL Serie PURE 12/15 dispose d'un haut-parleur large bande de 12 pouces ainsi un haut-parleur de grave en néodyme SPATIAL EUROPE de 15 pouces pour les fréquences très basses. Le haut-parleur large bande LII Audio de 12 pouces est donc sans filtre tandis que haut-parleur de grave en néodyme SPATIAL EUROPE de 15 pouces est filtré à environ 100 Hz.\r\n
      \r\n
      C'est en partie pour cette raison que l'image stéréo est très large et possède beaucoup de profondeur. La reproduction vocale est toujours une expérience avec un haut-parleur à large bande, et c'est également le cas avec la SPATIAL Serie 12/15. Le haut-parleur de grave de 15 pouces garantit également que les amateurs de basses profondes fermement contrôlées ne seront pas laissés sur leur faim.\r\n
      \r\n
      Caractéristiques spéciales : \r\n
      \r\n
      Châssis en aluminium moulé sous pression pour le haut-parleur large bande de 12 pouces LII Audio modifié (avec bornes en bronze) à très haut rendement, caisson à baffle ouvert réglé acoustiquement avec éléments finis, base en aluminium lourd et serre-câble pour le câble d'enceinte Solidcore SPATIAL EUROPE recommandé, pointes à bille en bronze avec absorbeur SPATIAL EUROPE adapté au poids de la SPATIAL Serie PURE 12/15.\r\n
      \r\n
      Configuration recommandée : \r\n
      \r\n
      Distance entre le bord avant de l'enceinte et le mur arrière à partir de 65 cm, distance d'écoute à partir de 2,5 m, pièce d'écoute à partir de 20 m²\r\n
      \r\n
      Important : \r\n
      \r\n
      Tous les modèles d'enceintes Spatial Europe ont une période de rodage allant jusqu'à 500 heures. Pour nos clients et revendeurs, nous proposons un service de rodage dans notre cabine de sonorisation.\r\n
      """
    -prixVente: "5800.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1522 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15710"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1997 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1999 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1984 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1987 …}
    -produitTestePar: ""
    -adresseInternetTest: ""
    -poids: "70.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Principe : 2 voies \r\n
      - Réponse en fréquence : 32 Hz à 17 kHz\r\n
      - Efficacité : 95 dB/W/m\r\n
      - Impédance : 4 O\r\n
      \r\n
      Haut-parleurs :\r\n
      \r\n
      - 1 Haut-parleur large bande LII Audio  de 12 pouces\r\n
      - 1 Basse néodyme SPATIAL EUROPE de 15 pouces\r\n
      \r\n
      - Dimensions en cm (H x L x P) : 113 x 46 x 35\r\n
      - Poids : 31 kg\r\n
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1747739570 {#1993
      date: 2025-05-20 11:12:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747739570 {#1994
      date: 2025-05-20 11:12:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-pure-12-15-materiel15710"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3609
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2432 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1261 …}
  +produit: App\Entity\Produit {#1996
    -id: 256
    -nom: "PURE 12/15"
    -informationComplementaire: ""
    -description: """
      La SPATIAL Serie PURE 12/15 est sans égal en termes de dynamique et d’image sonore.\r\n
      \r\n
      Dans la série PURE, SPATIAL n'utilise pas de filtre croisé dans le chemin du signal. La SPATIAL Serie PURE 12/15 dispose d'un haut-parleur large bande de 12 pouces ainsi un haut-parleur de grave en néodyme SPATIAL EUROPE de 15 pouces pour les fréquences très basses. Le haut-parleur large bande LII Audio de 12 pouces est donc sans filtre tandis que haut-parleur de grave en néodyme SPATIAL EUROPE de 15 pouces est filtré à environ 100 Hz.\r\n
      \r\n
      C'est en partie pour cette raison que l'image stéréo est très large et possède beaucoup de profondeur. La reproduction vocale est toujours une expérience avec un haut-parleur à large bande, et c'est également le cas avec la SPATIAL Serie 12/15. Le haut-parleur de grave de 15 pouces garantit également que les amateurs de basses profondes fermement contrôlées ne seront pas laissés sur leur faim.\r\n
      \r\n
      Caractéristiques spéciales : \r\n
      \r\n
      Châssis en aluminium moulé sous pression pour le haut-parleur large bande de 12 pouces LII Audio modifié (avec bornes en bronze) à très haut rendement, caisson à baffle ouvert réglé acoustiquement avec éléments finis, base en aluminium lourd et serre-câble pour le câble d'enceinte Solidcore SPATIAL EUROPE recommandé, pointes à bille en bronze avec absorbeur SPATIAL EUROPE adapté au poids de la SPATIAL Serie PURE 12/15.\r\n
      \r\n
      Configuration recommandée : \r\n
      \r\n
      Distance entre le bord avant de l'enceinte et le mur arrière à partir de 65 cm, distance d'écoute à partir de 2,5 m, pièce d'écoute à partir de 20 m²\r\n
      \r\n
      Important : \r\n
      \r\n
      Tous les modèles d'enceintes Spatial Europe ont une période de rodage allant jusqu'à 500 heures. Pour nos clients et revendeurs, nous proposons un service de rodage dans notre cabine de sonorisation.\r\n
      """
    -prixVente: "5800.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1522 …}
    -musicienOrchestre: null
    -sonMusic: null
    -grammageMusic: null
    -rpmMusic: null
    -lpsMusic: null
    -setBoxMusic: null
    -limitedEdition: null
    -preCommande: null
    -selectionAAD: null
    -extraitYoutube: null
    -referenceProduit: "MATERIEL15710"
    -titreMorceau: null
    -artiste: null
    -label: null
    -style: null
    -photoProduit: Doctrine\ORM\PersistentCollection {#1997 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1999 …}
    -typeMasterTape: null
    -marque: Proxies\__CG__\App\Entity\Marque {#1984 …}
    -typeMateriel: Proxies\__CG__\App\Entity\TypeMateriel {#1987 …}
    -produitTestePar: ""
    -adresseInternetTest: ""
    -poids: "70.00"
    -unite: App\Enum\UniteMaterielEnum {#1921 …}
    -caracteristique: """
      - Principe : 2 voies \r\n
      - Réponse en fréquence : 32 Hz à 17 kHz\r\n
      - Efficacité : 95 dB/W/m\r\n
      - Impédance : 4 O\r\n
      \r\n
      Haut-parleurs :\r\n
      \r\n
      - 1 Haut-parleur large bande LII Audio  de 12 pouces\r\n
      - 1 Basse néodyme SPATIAL EUROPE de 15 pouces\r\n
      \r\n
      - Dimensions en cm (H x L x P) : 113 x 46 x 35\r\n
      - Poids : 31 kg\r\n
      """
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2001 …}
    -enregistreLe: DateTime @1747739570 {#1993
      date: 2025-05-20 11:12:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1747739570 {#1994
      date: 2025-05-20 11:12:50.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1552 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2003 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "materiel-hifi-pure-12-15-materiel15710"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2200 …}
}