Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2484
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2561
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2564 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
  -formView: Symfony\Component\Form\FormView {#2600 …}
  -form: Symfony\Component\Form\Form {#2750 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1932
    -id: 2227
    -nom: "Eye In The Sky"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve), Chris Rainbow, Colin Blunstone, David Paton, Elmer Gantry, Eric Woolfson, Lenny Zakatek, The English Chorale (vocals), Stuart Elliott (drums, percussion).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES : 180 Gram 45 RPM (2 LP) SET PRESENTS MUSIC'S HALLMARK SMOOTHNESS, LUSHNESS, AND DETAIL IN REFERENCE SOUND\r\n
      \r\n
      1/2" / 30 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      The Alan Parsons Project's Most Cohesive, Accessible, and Commercially Successful Album: Eye in the Sky Features Exquisite Arrangements, Orchestral Scope, and Pop Melodies\r\n
      \r\n
      Mastered from the Original Master Tapes : Mobile Fidelity Numbered 180g 45 RPM 2LP Set Presents Music's Hallmark Smoothness, Lushness, and Detail in Reference Sound\r\n
      \r\n
      The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM 2 LP, this numbered version of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's I Robot, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance more of everything to be experienced.\r\n
      \r\n
      Boasting front-to-back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, Mobile Fidelity's edition of Eye in the Sky illustrates the lasting importance of perfectionist-minded engineering and recording techniques. Few works possess such a mesmerizing blend of reference-setting sonics and commercial acumen, facets that helped earn the set a Grammy nomination for Best Engineered Album and, more than 35 years after its release, a Grammy for Best Immersive Audio Album for its surround format. Parsons' track record he sat behind the boards for the Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon speaks for itself. As do the performances throughout Eye in the Sky, which features Woolfson's exquisite songwriting and memorable lead vocals on the hit title track.\r\n
      \r\n
      Bypassing the conceptual themes present on the group's other signature efforts, Eye in the Sky uses a string of seamless melodies, hooks, and mood to draw and hold listeners' attention. It survives as Parsons and Woolfson's pop triumph, full of exquisite songwriting, dreamy emotions, and soft edges that parallel an underlying orchestral scope and prog-derived drama. For example, the string- and brass-laden "Silence and I" alone qualifies as a rhapsodic symphony. The music's craftsmanship, cohesiveness, and accessibility can be attributed to Parsons and Woolfson's knack for recruiting session pros who translate the duo's visions with unquestioned emotion particularly, the assembly of star vocalists that include Elmer Gantry "Psychobabble", former Zombies frontman Colin Blunstone "Old and Wise", and soul singer Lenny Zakatek "You're Gonna Get Your Fingers Burned" and "Step by Step".\r\n
      \r\n
      As with all Parsons releases, the arrangements proverbially dot every "i" and cross every "t". Each note seems perfectly placed, every sequence painstakingly constructed. Not to mention the narratives to the surveillance-obsessed title track and pulsing "Psychobabble" carry more weight in the 21st century than they did in the early stages of the Reagan / Thatcher era. And, just as it begins, with an appropriate flourish announcing the catchiness that follows, the platinum-selling Eye on the Sky finishes with fitting sentimentality in the form of a spiraling, saxophone-led ballad "Old and Wise" that could easily fit on Pink Floyd's Wish You Were Here.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j6Tz3LlrgTA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-500"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sirius"
        "ordre" => 1
      ]
      [
        "nom" => "2. Eye In The Sky"
        "ordre" => 2
      ]
      [
        "nom" => "3. Children Of The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Gemini"
        "ordre" => 5
      ]
      [
        "nom" => "2. Silence And I"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're Gonna Get Your Fingers Burned"
        "ordre" => 8
      ]
      [
        "nom" => "2. Psychobabble"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Mammagamma"
        "ordre" => 11
      ]
      [
        "nom" => "2. Step By Step"
        "ordre" => 12
      ]
      [
        "nom" => "3. Old And Wise"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1966 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1653462070 {#1947
      date: 2022-05-25 07:01:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763019317 {#1777
      date: 2025-11-13 07:35:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eye-in-the-sky-mobile-fidelity-sound-lab-mfsl-2-500"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3034
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +produit: App\Entity\Produit {#1932
    -id: 2227
    -nom: "Eye In The Sky"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve), Chris Rainbow, Colin Blunstone, David Paton, Elmer Gantry, Eric Woolfson, Lenny Zakatek, The English Chorale (vocals), Stuart Elliott (drums, percussion).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES : 180 Gram 45 RPM (2 LP) SET PRESENTS MUSIC'S HALLMARK SMOOTHNESS, LUSHNESS, AND DETAIL IN REFERENCE SOUND\r\n
      \r\n
      1/2" / 30 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      The Alan Parsons Project's Most Cohesive, Accessible, and Commercially Successful Album: Eye in the Sky Features Exquisite Arrangements, Orchestral Scope, and Pop Melodies\r\n
      \r\n
      Mastered from the Original Master Tapes : Mobile Fidelity Numbered 180g 45 RPM 2LP Set Presents Music's Hallmark Smoothness, Lushness, and Detail in Reference Sound\r\n
      \r\n
      The opening track to the Alan Parsons Project's Eye in the Sky remains the most recognized instrumental in sports – fanfare inseparably tied with introducing NBA legend Michael Jordan and his six-time world-champion Chicago Bulls mates before games, and still used by many teams as an energy-raising prelude. Indeed, the subdued grandiosity, cosmic bluster, and lights-out wonder of "Sirius" also sets the table for the band's smash 1982 album, whose hallmark smoothness, lushness, and balance reach epic heights on Mobile Fidelity's analog reissue.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM 2 LP, this numbered version of Eye in the Sky features succulent warmth, magnificent balance, low-end heft, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road. Akin to Mobile Fidelity's meticulous restoration of Parsons and company's I Robot, this super-clean edition will test the full-range capabilities of the world's finest stereo systems. In sum, there's more information, more detail, more texture, more nuance more of everything to be experienced.\r\n
      \r\n
      Boasting front-to-back depth, concert-hall-level separation, realistic presence, and bang-on accuracy, Mobile Fidelity's edition of Eye in the Sky illustrates the lasting importance of perfectionist-minded engineering and recording techniques. Few works possess such a mesmerizing blend of reference-setting sonics and commercial acumen, facets that helped earn the set a Grammy nomination for Best Engineered Album and, more than 35 years after its release, a Grammy for Best Immersive Audio Album for its surround format. Parsons' track record he sat behind the boards for the Beatles' Abbey Road and Pink Floyd's Dark Side of the Moon speaks for itself. As do the performances throughout Eye in the Sky, which features Woolfson's exquisite songwriting and memorable lead vocals on the hit title track.\r\n
      \r\n
      Bypassing the conceptual themes present on the group's other signature efforts, Eye in the Sky uses a string of seamless melodies, hooks, and mood to draw and hold listeners' attention. It survives as Parsons and Woolfson's pop triumph, full of exquisite songwriting, dreamy emotions, and soft edges that parallel an underlying orchestral scope and prog-derived drama. For example, the string- and brass-laden "Silence and I" alone qualifies as a rhapsodic symphony. The music's craftsmanship, cohesiveness, and accessibility can be attributed to Parsons and Woolfson's knack for recruiting session pros who translate the duo's visions with unquestioned emotion particularly, the assembly of star vocalists that include Elmer Gantry "Psychobabble", former Zombies frontman Colin Blunstone "Old and Wise", and soul singer Lenny Zakatek "You're Gonna Get Your Fingers Burned" and "Step by Step".\r\n
      \r\n
      As with all Parsons releases, the arrangements proverbially dot every "i" and cross every "t". Each note seems perfectly placed, every sequence painstakingly constructed. Not to mention the narratives to the surveillance-obsessed title track and pulsing "Psychobabble" carry more weight in the 21st century than they did in the early stages of the Reagan / Thatcher era. And, just as it begins, with an appropriate flourish announcing the catchiness that follows, the platinum-selling Eye on the Sky finishes with fitting sentimentality in the form of a spiraling, saxophone-led ballad "Old and Wise" that could easily fit on Pink Floyd's Wish You Were Here.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Alan Parsons, Eric Woolfson (keyboards, engineer), Ian Bairnson (acoustic & electric guitar), David Paton (bass), Mel Collins (saxophone), Colin Chambers, Hipgnosis (sleeve)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j6Tz3LlrgTA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-500"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Sirius"
        "ordre" => 1
      ]
      [
        "nom" => "2. Eye In The Sky"
        "ordre" => 2
      ]
      [
        "nom" => "3. Children Of The Moon"
        "ordre" => 3
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "1. Gemini"
        "ordre" => 5
      ]
      [
        "nom" => "2. Silence And I"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. You're Gonna Get Your Fingers Burned"
        "ordre" => 8
      ]
      [
        "nom" => "2. Psychobabble"
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 10
      ]
      [
        "nom" => "1. Mammagamma"
        "ordre" => 11
      ]
      [
        "nom" => "2. Step By Step"
        "ordre" => 12
      ]
      [
        "nom" => "3. Old And Wise"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2064 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1966 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2052 …}
    -enregistreLe: DateTime @1653462070 {#1947
      date: 2022-05-25 07:01:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763019317 {#1777
      date: 2025-11-13 07:35:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2058 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-eye-in-the-sky-mobile-fidelity-sound-lab-mfsl-2-500"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
}

[
  "produit" => App\Entity\Produit {#2081
    -id: 2879
    -nom: "I Robot - Super Deluxe Edition Half-Speed Mastered (Box Set 2 LP, 45 RPM, 4CD, Blu-ray)"
    -informationComplementaire: null
    -description: """
      - The Alan Parsons Project "I Robot Super Deluxe Edition" !\r\n
      - Half-Speed Mastered 180 gram 45 RPM 2 LP, 4CD & Blu-ray limited edition box set !\r\n
      - 4CDs including a stereo remaster of the original album by Miles Showell plus 70 bonus tracks!\r\n
      - Blu-ray with stunning Dolby Atmos + 5.1 Surround Sound mixes by Alan Parsons !\r\n
      - Plus new stereo HD remaster by Miles Showell !\r\n
      \r\n
      The Alan Parsons Project I Robot, widely regarded as one of the greatest concept albums of all time, is reissued in a variety of different formats including a 4CD+Blu-ray+LP box set. The album has been newly remastered by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      The Alan Parsons Project second studio album was originally released in July 1977, draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence. The album was a worldwide hit selling in excess of 2 million copies, achieving platinum and gold status in numerous countries.\r\n
      \r\n
      Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Steve Harley, Allan Clarke, Lenny Zakatek, Peter Straker, Jack Harris and Jaki Whitren. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Tosh, both of Pilot, with arrangements by Andrew Powell.\r\n
      \r\n
      The box set features 70 bonus tracks across three CDs. Mainly comprising studio outtakes, it also includes B-sides, single edits plus U.K. and U.S. radio advertisements for the album.\r\n
      \r\n
      All vinyl editions are hi-res transfers from "rarely played" duplicate analog tapes run off on a second master machine at the time, by Eric Woolfson.\r\n
      \r\n
      As well as the bonus tracks, the box comprises a Blu-ray housing a new Dolby Atmos and 5.1 Surround Sound remix of I Robot by Alan Parsons, plus the video of the single ‘I Wouldn't Want To Be Like You' and an archive interview with Eric Woolfson discussing the album. The LP included in the boxset is pressed on two 45 RPM records.\r\n
      \r\n
      Memorabilia in the boxset is a large format hardcover book featuring interviews with Parsons, the singers and musicians, lyrics, commentary on the bonus tracks and interviews with the late Woolfson's family. It also houses a replica of the original 1977 press folder, which features an A1 sized poster, a band biography, press photo, press release and postcard.\r\n
      \r\n
      The Alan Parsons Project went on to make eight further albums, before splitting after 1987's Gaudi. Their unreleased contractual obligation album The Sicilian Defence, recorded in 1979, was issued in 2014.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Cooking Vinyl 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn’t Want To Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don’t Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch.1 V.32"
        "ordre" => 13
      ]
      [
        "nom" => "CD 1"
        "ordre" => 14
      ]
      [
        "nom" => "1. I Robot, 2. I Wouldn’t Want To Be Like You, 3. Some Other Time, 4. Breakdown, "
        "ordre" => 15
      ]
      [
        "nom" => "5. Don’t Let It Show, 6. The Voice, 7. Nucleus, 8. Day After Day (The Show Must Go On), "
        "ordre" => 16
      ]
      [
        "nom" => "9. Total Eclipse,  10. Genesis Ch.1 V.32, 11. US Radio Commercial For I Robot ,"
        "ordre" => 17
      ]
      [
        "nom" => "12. I Robot (Boules Experiment),  13. I Robot (Hilary Western Soprano Vocal Rehearsal),"
        "ordre" => 18
      ]
      [
        "nom" => "14. Extract 1 From The Alan Parsons Project Audio Guide,  15. Extrac 2 From"
        "ordre" => 19
      ]
      [
        "nom" => "The Alan Parsons Project Audio Guide,  16. I Wouldn’t Want To Be Like You"
        "ordre" => 20
      ]
      [
        "nom" => "(Backing Track Rough Mix), 17. Some Other Time (Complete Vocal by Jaki Whitren), "
        "ordre" => 21
      ]
      [
        "nom" => "18. Breakdown (Early Demo Of Backing Riff), 19. Extract 3 From The Alan Parsons"
        "ordre" => 22
      ]
      [
        "nom" => "Project Audio Guide, 20. Breakdown (The Choir), 21. Don’t Let It Show (Eric Woolfson Demo),"
        "ordre" => 23
      ]
      [
        "nom" => "22. Day After Day (Early Stage Rough Mix), 23. Genesis Ch1. V.32 (Choir Session),"
        "ordre" => 24
      ]
      [
        "nom" => "24. The Naked Robot"
        "ordre" => 25
      ]
      [
        "nom" => "CD 2"
        "ordre" => 26
      ]
      [
        "nom" => "1. I Robot (Outtake and Rough Mix), 2. I Robot (Experimental Lead Guitar Part With"
        "ordre" => 27
      ]
      [
        "nom" => "Guide Count), 3. I Robot (John Leach Kantele Takes), 4. I Robot (Ian Bairnson Rhythm"
        "ordre" => 28
      ]
      [
        "nom" => "Electric Guitar) 5. I Robot (Choir Takes) 6. I Robot (Early Mix Before Choir), 7. I Robot"
        "ordre" => 29
      ]
      [
        "nom" => "(Single Edit), 8. I Wouldn’t Want To Be Like You (Slower Backing Outtake), 9. I Wouldn’t"
        "ordre" => 30
      ]
      [
        "nom" => "Want To Be Like You (Eric Woolfson Keyboard Take), 10. I Wouldn’t Want To Be Like You"
        "ordre" => 31
      ]
      [
        "nom" => "(Ian Bairnson Electric Rhythm Guitar), 11. I Wouldn’t Want To Be Like You (Early Mix Of"
        "ordre" => 32
      ]
      [
        "nom" => "Backing Track), 12. I Wouldn’t Want To Be Like You (Lenny Zakatek Alternative Vocal),"
        "ordre" => 33
      ]
      [
        "nom" => "13. Some Other Time (Eric Woolfson Piano Take), 14. Some Other Time (Ian Bairnson"
        "ordre" => 34
      ]
      [
        "nom" => "Acoustic Guitar Takes), 15. Some Other Time (Ian Bairnson Lead Electric Guitar Takes),"
        "ordre" => 35
      ]
      [
        "nom" => "16. Some Other Time (Rough Mix With Jaki Whitren Alternative Lyrics and Ad libs)"
        "ordre" => 36
      ]
      [
        "nom" => "CD 3"
        "ordre" => 37
      ]
      [
        "nom" => "1. Breakdown (Eric Woolfson Keyboard Part), 2. Breakdown (Projectron And Bass),"
        "ordre" => 38
      ]
      [
        "nom" => "3. Breakdown (Ian Bairnson Acoustic Guitar Takes), 4. Breakdown (Ian Bairnson Electric"
        "ordre" => 39
      ]
      [
        "nom" => "Guitar Harmony Solo), 5. Breakdown (Strings, Brass & Horns Take), 6. Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "(Rough Mix and Alternative Backing Track Outtake), 7. Breakdown (Rough Mix Of"
        "ordre" => 41
      ]
      [
        "nom" => "Backing Track), 8. Don’t Let It Show (Eric Woolfson Piano Takes), 9. Don’t Let It Show"
        "ordre" => 42
      ]
      [
        "nom" => "(Eric Woolfson Organ Take), 10. Don’t Let It Show (Recorder & Horns Outtake in Key Of D),"
        "ordre" => 43
      ]
      [
        "nom" => "11. Don’t Let It Show (String Section Take), 12. Don’t Let It Show (Woodwind Take In Key Of D),"
        "ordre" => 44
      ]
      [
        "nom" => "13. Don’t Let It Show (Backing Track Early Rough Mix), 14. Don’t Let It Show (Rough Mix"
        "ordre" => 45
      ]
      [
        "nom" => "With Alternative Orchestra Score), 15. Don’t Let It Show (Extended End Section),"
        "ordre" => 46
      ]
      [
        "nom" => "16. The Voice (Rough Mix With Extra Strings and Alan Parsons Vocoder), 17. The Voice"
        "ordre" => 47
      ]
      [
        "nom" => "(Backing Track Rough Mix), 18. Nucleus (Experimenting With Sound Effects), 19. Nucleus"
        "ordre" => 48
      ]
      [
        "nom" => "(Talking Sound Effects), 20. Nucleus (Stuart Tosh Drum Take With Delay), 21. Nucleus"
        "ordre" => 49
      ]
      [
        "nom" => "(Projectron Only)"
        "ordre" => 50
      ]
      [
        "nom" => "CD 4"
        "ordre" => 51
      ]
      [
        "nom" => "1. Day After Day (The Show Must Go On) (BJ Cole Steel Outtake), 2. Day After Day (The Show"
        "ordre" => 52
      ]
      [
        "nom" => "Must Go On) (Synth Experiments), 3. Day After Day (The Show Must Go On) (Eric Woolfson"
        "ordre" => 53
      ]
      [
        "nom" => "Celeste Take), 4. Day After Day (The Show Must Go On) (Ian Bairnson Acoustic Guitar Take),"
        "ordre" => 54
      ]
      [
        "nom" => "5. Day After Day (The Show Must Go On) (BJ Cole Pedal Steel Take), 6. Day After Day"
        "ordre" => 55
      ]
      [
        "nom" => "(The Show Must Go On) (Backing Vocals), 7. Day After Day (The Show Must Go On) (Backing"
        "ordre" => 56
      ]
      [
        "nom" => " Track), 8. Day After Day (The Show Must Go On) (Single Edit), 9. Total Eclipse & Nucleus"
        "ordre" => 57
      ]
      [
        "nom" => "(Choral Experiments), 10. Total Eclipse (Choir Only), 11. Genesis Ch.1 V.32 (Alan Parsons"
        "ordre" => 58
      ]
      [
        "nom" => "Demo), 12. Genesis Ch.1 V.32 (Everything But The Choir), 13. Genesis Ch.1 V.32 (Ian Bairnson"
        "ordre" => 59
      ]
      [
        "nom" => "Acoustic Guitars), 14. Genesis Ch.1 V.32 (Strings Only), 15. Genesis Ch.1 V.32 (Backing"
        "ordre" => 60
      ]
      [
        "nom" => "Singers & Choir Take), 16. Alan Parsons Spacey Vibraphone, 17. Eric’s Jupiter (Start Of"
        "ordre" => 61
      ]
      [
        "nom" => "Gemini Idea), 18. Taking It All Away (Eric Woolfson Songwriting Diary First Version),"
        "ordre" => 62
      ]
      [
        "nom" => "19. I Robot Radio Adverts"
        "ordre" => 63
      ]
      [
        "nom" => "Blu-ray"
        "ordre" => 64
      ]
      [
        "nom" => "1. 2025 Alan Parsons Dolby Atmos Mix"
        "ordre" => 65
      ]
      [
        "nom" => "2. 2025 Alan Parsons 5.1 Surround Sound Mix"
        "ordre" => 66
      ]
      [
        "nom" => "3. Original Album Remastered in Stereo by Miles Showell 2025"
        "ordre" => 67
      ]
      [
        "nom" => "4. I Wouldn’t Want To Be Like You (video)"
        "ordre" => 68
      ]
      [
        "nom" => "5. Eric Woolfson Interview Footage"
        "ordre" => 69
      ]
      [
        "nom" => ""
        "ordre" => 70
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2092 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2085 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2087 …}
    -enregistreLe: DateTime @1760776678 {#2078
      date: 2025-10-18 08:37:58.0 UTC (+00:00)
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    -modifierLe: DateTime @1763018807 {#2079
      date: 2025-11-13 07:26:47.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2089 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3125
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +produit: App\Entity\Produit {#2081
    -id: 2879
    -nom: "I Robot - Super Deluxe Edition Half-Speed Mastered (Box Set 2 LP, 45 RPM, 4CD, Blu-ray)"
    -informationComplementaire: null
    -description: """
      - The Alan Parsons Project "I Robot Super Deluxe Edition" !\r\n
      - Half-Speed Mastered 180 gram 45 RPM 2 LP, 4CD & Blu-ray limited edition box set !\r\n
      - 4CDs including a stereo remaster of the original album by Miles Showell plus 70 bonus tracks!\r\n
      - Blu-ray with stunning Dolby Atmos + 5.1 Surround Sound mixes by Alan Parsons !\r\n
      - Plus new stereo HD remaster by Miles Showell !\r\n
      \r\n
      The Alan Parsons Project I Robot, widely regarded as one of the greatest concept albums of all time, is reissued in a variety of different formats including a 4CD+Blu-ray+LP box set. The album has been newly remastered by Miles Showell at Abbey Road Studios.\r\n
      \r\n
      The Alan Parsons Project second studio album was originally released in July 1977, draws conceptually on author Isaac Asimov's science fiction Robot stories, exploring philosophical themes regarding artificial intelligence. The album was a worldwide hit selling in excess of 2 million copies, achieving platinum and gold status in numerous countries.\r\n
      \r\n
      Like other Alan Parsons Project albums, there were a variety of different lead vocalists employed including Steve Harley, Allan Clarke, Lenny Zakatek, Peter Straker, Jack Harris and Jaki Whitren. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Tosh, both of Pilot, with arrangements by Andrew Powell.\r\n
      \r\n
      The box set features 70 bonus tracks across three CDs. Mainly comprising studio outtakes, it also includes B-sides, single edits plus U.K. and U.S. radio advertisements for the album.\r\n
      \r\n
      All vinyl editions are hi-res transfers from "rarely played" duplicate analog tapes run off on a second master machine at the time, by Eric Woolfson.\r\n
      \r\n
      As well as the bonus tracks, the box comprises a Blu-ray housing a new Dolby Atmos and 5.1 Surround Sound remix of I Robot by Alan Parsons, plus the video of the single ‘I Wouldn't Want To Be Like You' and an archive interview with Eric Woolfson discussing the album. The LP included in the boxset is pressed on two 45 RPM records.\r\n
      \r\n
      Memorabilia in the boxset is a large format hardcover book featuring interviews with Parsons, the singers and musicians, lyrics, commentary on the bonus tracks and interviews with the late Woolfson's family. It also houses a replica of the original 1977 press folder, which features an A1 sized poster, a band biography, press photo, press release and postcard.\r\n
      \r\n
      The Alan Parsons Project went on to make eight further albums, before splitting after 1987's Gaudi. Their unreleased contractual obligation album The Sicilian Defence, recorded in 1979, was issued in 2014.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Cooking Vinyl 0841"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn’t Want To Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don’t Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C :"
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch.1 V.32"
        "ordre" => 13
      ]
      [
        "nom" => "CD 1"
        "ordre" => 14
      ]
      [
        "nom" => "1. I Robot, 2. I Wouldn’t Want To Be Like You, 3. Some Other Time, 4. Breakdown, "
        "ordre" => 15
      ]
      [
        "nom" => "5. Don’t Let It Show, 6. The Voice, 7. Nucleus, 8. Day After Day (The Show Must Go On), "
        "ordre" => 16
      ]
      [
        "nom" => "9. Total Eclipse,  10. Genesis Ch.1 V.32, 11. US Radio Commercial For I Robot ,"
        "ordre" => 17
      ]
      [
        "nom" => "12. I Robot (Boules Experiment),  13. I Robot (Hilary Western Soprano Vocal Rehearsal),"
        "ordre" => 18
      ]
      [
        "nom" => "14. Extract 1 From The Alan Parsons Project Audio Guide,  15. Extrac 2 From"
        "ordre" => 19
      ]
      [
        "nom" => "The Alan Parsons Project Audio Guide,  16. I Wouldn’t Want To Be Like You"
        "ordre" => 20
      ]
      [
        "nom" => "(Backing Track Rough Mix), 17. Some Other Time (Complete Vocal by Jaki Whitren), "
        "ordre" => 21
      ]
      [
        "nom" => "18. Breakdown (Early Demo Of Backing Riff), 19. Extract 3 From The Alan Parsons"
        "ordre" => 22
      ]
      [
        "nom" => "Project Audio Guide, 20. Breakdown (The Choir), 21. Don’t Let It Show (Eric Woolfson Demo),"
        "ordre" => 23
      ]
      [
        "nom" => "22. Day After Day (Early Stage Rough Mix), 23. Genesis Ch1. V.32 (Choir Session),"
        "ordre" => 24
      ]
      [
        "nom" => "24. The Naked Robot"
        "ordre" => 25
      ]
      [
        "nom" => "CD 2"
        "ordre" => 26
      ]
      [
        "nom" => "1. I Robot (Outtake and Rough Mix), 2. I Robot (Experimental Lead Guitar Part With"
        "ordre" => 27
      ]
      [
        "nom" => "Guide Count), 3. I Robot (John Leach Kantele Takes), 4. I Robot (Ian Bairnson Rhythm"
        "ordre" => 28
      ]
      [
        "nom" => "Electric Guitar) 5. I Robot (Choir Takes) 6. I Robot (Early Mix Before Choir), 7. I Robot"
        "ordre" => 29
      ]
      [
        "nom" => "(Single Edit), 8. I Wouldn’t Want To Be Like You (Slower Backing Outtake), 9. I Wouldn’t"
        "ordre" => 30
      ]
      [
        "nom" => "Want To Be Like You (Eric Woolfson Keyboard Take), 10. I Wouldn’t Want To Be Like You"
        "ordre" => 31
      ]
      [
        "nom" => "(Ian Bairnson Electric Rhythm Guitar), 11. I Wouldn’t Want To Be Like You (Early Mix Of"
        "ordre" => 32
      ]
      [
        "nom" => "Backing Track), 12. I Wouldn’t Want To Be Like You (Lenny Zakatek Alternative Vocal),"
        "ordre" => 33
      ]
      [
        "nom" => "13. Some Other Time (Eric Woolfson Piano Take), 14. Some Other Time (Ian Bairnson"
        "ordre" => 34
      ]
      [
        "nom" => "Acoustic Guitar Takes), 15. Some Other Time (Ian Bairnson Lead Electric Guitar Takes),"
        "ordre" => 35
      ]
      [
        "nom" => "16. Some Other Time (Rough Mix With Jaki Whitren Alternative Lyrics and Ad libs)"
        "ordre" => 36
      ]
      [
        "nom" => "CD 3"
        "ordre" => 37
      ]
      [
        "nom" => "1. Breakdown (Eric Woolfson Keyboard Part), 2. Breakdown (Projectron And Bass),"
        "ordre" => 38
      ]
      [
        "nom" => "3. Breakdown (Ian Bairnson Acoustic Guitar Takes), 4. Breakdown (Ian Bairnson Electric"
        "ordre" => 39
      ]
      [
        "nom" => "Guitar Harmony Solo), 5. Breakdown (Strings, Brass & Horns Take), 6. Breakdown"
        "ordre" => 40
      ]
      [
        "nom" => "(Rough Mix and Alternative Backing Track Outtake), 7. Breakdown (Rough Mix Of"
        "ordre" => 41
      ]
      [
        "nom" => "Backing Track), 8. Don’t Let It Show (Eric Woolfson Piano Takes), 9. Don’t Let It Show"
        "ordre" => 42
      ]
      [
        "nom" => "(Eric Woolfson Organ Take), 10. Don’t Let It Show (Recorder & Horns Outtake in Key Of D),"
        "ordre" => 43
      ]
      [
        "nom" => "11. Don’t Let It Show (String Section Take), 12. Don’t Let It Show (Woodwind Take In Key Of D),"
        "ordre" => 44
      ]
      [
        "nom" => "13. Don’t Let It Show (Backing Track Early Rough Mix), 14. Don’t Let It Show (Rough Mix"
        "ordre" => 45
      ]
      [
        "nom" => "With Alternative Orchestra Score), 15. Don’t Let It Show (Extended End Section),"
        "ordre" => 46
      ]
      [
        "nom" => "16. The Voice (Rough Mix With Extra Strings and Alan Parsons Vocoder), 17. The Voice"
        "ordre" => 47
      ]
      [
        "nom" => "(Backing Track Rough Mix), 18. Nucleus (Experimenting With Sound Effects), 19. Nucleus"
        "ordre" => 48
      ]
      [
        "nom" => "(Talking Sound Effects), 20. Nucleus (Stuart Tosh Drum Take With Delay), 21. Nucleus"
        "ordre" => 49
      ]
      [
        "nom" => "(Projectron Only)"
        "ordre" => 50
      ]
      [
        "nom" => "CD 4"
        "ordre" => 51
      ]
      [
        "nom" => "1. Day After Day (The Show Must Go On) (BJ Cole Steel Outtake), 2. Day After Day (The Show"
        "ordre" => 52
      ]
      [
        "nom" => "Must Go On) (Synth Experiments), 3. Day After Day (The Show Must Go On) (Eric Woolfson"
        "ordre" => 53
      ]
      [
        "nom" => "Celeste Take), 4. Day After Day (The Show Must Go On) (Ian Bairnson Acoustic Guitar Take),"
        "ordre" => 54
      ]
      [
        "nom" => "5. Day After Day (The Show Must Go On) (BJ Cole Pedal Steel Take), 6. Day After Day"
        "ordre" => 55
      ]
      [
        "nom" => "(The Show Must Go On) (Backing Vocals), 7. Day After Day (The Show Must Go On) (Backing"
        "ordre" => 56
      ]
      [
        "nom" => " Track), 8. Day After Day (The Show Must Go On) (Single Edit), 9. Total Eclipse & Nucleus"
        "ordre" => 57
      ]
      [
        "nom" => "(Choral Experiments), 10. Total Eclipse (Choir Only), 11. Genesis Ch.1 V.32 (Alan Parsons"
        "ordre" => 58
      ]
      [
        "nom" => "Demo), 12. Genesis Ch.1 V.32 (Everything But The Choir), 13. Genesis Ch.1 V.32 (Ian Bairnson"
        "ordre" => 59
      ]
      [
        "nom" => "Acoustic Guitars), 14. Genesis Ch.1 V.32 (Strings Only), 15. Genesis Ch.1 V.32 (Backing"
        "ordre" => 60
      ]
      [
        "nom" => "Singers & Choir Take), 16. Alan Parsons Spacey Vibraphone, 17. Eric’s Jupiter (Start Of"
        "ordre" => 61
      ]
      [
        "nom" => "Gemini Idea), 18. Taking It All Away (Eric Woolfson Songwriting Diary First Version),"
        "ordre" => 62
      ]
      [
        "nom" => "19. I Robot Radio Adverts"
        "ordre" => 63
      ]
      [
        "nom" => "Blu-ray"
        "ordre" => 64
      ]
      [
        "nom" => "1. 2025 Alan Parsons Dolby Atmos Mix"
        "ordre" => 65
      ]
      [
        "nom" => "2. 2025 Alan Parsons 5.1 Surround Sound Mix"
        "ordre" => 66
      ]
      [
        "nom" => "3. Original Album Remastered in Stereo by Miles Showell 2025"
        "ordre" => 67
      ]
      [
        "nom" => "4. I Wouldn’t Want To Be Like You (video)"
        "ordre" => 68
      ]
      [
        "nom" => "5. Eric Woolfson Interview Footage"
        "ordre" => 69
      ]
      [
        "nom" => ""
        "ordre" => 70
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#2083 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2087 …}
    -enregistreLe: DateTime @1760776678 {#2078
      date: 2025-10-18 08:37:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018807 {#2079
      date: 2025-11-13 07:26:47.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2089 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-super-deluxe-edition-half-speed-mastered-box-set-2-lp-45-rpm-4cd-blu-ray-cooking-vinyl-0841"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
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[
  "produit" => App\Entity\Produit {#2099
    -id: 2237
    -nom: "I Robot (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180 gram 45 RPM (2 LP) box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45 RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages—the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron," devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p6Fpllm1Iy8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 040"
    -titreMorceau: [
      [
        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
      [
        "nom" => "3. Some Other Time"
        "ordre" => 2
      ]
      [
        "nom" => "4. Breakdown"
        "ordre" => 3
      ]
      [
        "nom" => "5. Don't Let It Show"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1654104262 {#2095
      date: 2022-06-01 17:24:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018515 {#2094
      date: 2025-11-13 07:21:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-040"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3173
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +produit: App\Entity\Produit {#2099
    -id: 2237
    -nom: "I Robot (Box Set 2 LP) 45 RPM - UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180 gram 45 RPM (2 LP) box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45 RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages—the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron," devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert". Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1930 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=p6Fpllm1Iy8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 040"
    -titreMorceau: [
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        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
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      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2107 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2100 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2102 …}
    -enregistreLe: DateTime @1654104262 {#2095
      date: 2022-06-01 17:24:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018515 {#2094
      date: 2025-11-13 07:21:55.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2104 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-040"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
}

[
  "produit" => App\Entity\Produit {#2112
    -id: 2187
    -nom: "I Robot - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-040"
    -titreMorceau: [
      [
        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
      [
        "nom" => "3. Some Other Time"
        "ordre" => 2
      ]
      [
        "nom" => "4. Breakdown"
        "ordre" => 3
      ]
      [
        "nom" => "5. Don't Let It Show"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2113 …}
    -typeMasterTape: null
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    -poids: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1641036928 {#2109
      date: 2022-01-01 11:35:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763018096 {#2110
      date: 2025-11-13 07:14:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-i-robot-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-040"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3221
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +produit: App\Entity\Produit {#2112
    -id: 2187
    -nom: "I Robot - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      MASTERED FROM THE ORIGINAL MASTER TAPES: ULTRADISC ONE-STEP SET IS THE ULTIMATE ANALOG VERSION OF 1977 AUDIOPHILE STANDARD !\r\n
      \r\n
      Audiophiles don't need any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved ? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 45RPM 2LP box set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes, pressed at RTI on MoFi SuperVinyl, and afforded the luxurious groove space of 45 RPM LPs, I Robot comes to life like never before on this numbered, limited-edition reissue. Boasting a nearly undetectable noise floor, immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems.\r\n
      \r\n
      Put simply, there's more music, more information, more detail, more nuance, more of everything you want. Mobile Fidelity's transcendent UD1S 45RPM edition invites you to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, these LPs are demonstration records for the ages the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      The beautiful presentation of the numbered, limited-edition UD1S I Robot pressing speaks to the music's merit. Housed in a deluxe box, the reissue features special foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, it is made for discerning listeners who prize sound quality and production, and who desire to fully immerse themselves in everything about this conceptual landmark. Parsons' most iconic record deserves nothing less.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record extremely relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as "The Voice" call into question human behavior and their relationship to increasing robotic supremacy in everyday life. Parsons musically reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      The absorbing tunes on I Robot also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion that only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as a frightening track that presages the climactic "Genesis Ch. 1 V. 32".
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-040"
    -titreMorceau: [
      [
        "nom" => "1. I Robot"
        "ordre" => 0
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 1
      ]
      [
        "nom" => "3. Some Other Time"
        "ordre" => 2
      ]
      [
        "nom" => "4. Breakdown"
        "ordre" => 3
      ]
      [
        "nom" => "5. Don't Let It Show"
        "ordre" => 4
      ]
      [
        "nom" => "6. The Voice"
        "ordre" => 5
      ]
      [
        "nom" => "7. Nucleus"
        "ordre" => 6
      ]
      [
        "nom" => "8. Day After Day (The Show Must Go On)"
        "ordre" => 7
      ]
      [
        "nom" => "9. Total Eclipse"
        "ordre" => 8
      ]
      [
        "nom" => "10. Genesis Ch. 1 V. 32"
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2120 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2115 …}
    -enregistreLe: DateTime @1641036928 {#2109
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    }
    -modifierLe: DateTime @1763018096 {#2110
      date: 2025-11-13 07:14:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2117 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-040"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
}

[
  "produit" => App\Entity\Produit {#2125
    -id: 866
    -nom: "I Robot"
    -informationComplementaire: null
    -description: """
      Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued multiple times. Can it be improved ? Relish Mobile Fidelity's stupendous-sounding 180-Gram 45RPM 2LP set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.\r\n
      \r\n
      Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages – the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings – including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as "The Voice" call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as an aptly frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      Does man or machine win in the end ? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-455"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don't Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch. 1 V. 32"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1455001907 {#2122
      date: 2016-02-09 07:11:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763017566 {#2123
      date: 2025-11-13 07:06:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-mobile-fidelity-sound-lab-mfsl-2-455"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3269
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2563 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2137 …}
  +produit: App\Entity\Produit {#2125
    -id: 866
    -nom: "I Robot"
    -informationComplementaire: null
    -description: """
      Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued multiple times. Can it be improved ? Relish Mobile Fidelity's stupendous-sounding 180-Gram 45RPM 2LP set and the question becomes irrelevant.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45 RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.\r\n
      \r\n
      Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages – the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings – including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.\r\n
      \r\n
      Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Lyrically, songs such as "The Voice" call into question human behavior – and their relationship to increasing robotic supremacy – in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.\r\n
      \r\n
      I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. "Some Other Time" employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace "Don't Let It Show". The origins of "Nucleus" stem from a unique analog keyboard concoction dubbed "the Projectron", devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with "Total Eclipse" arriving as an aptly frightening track that presages the climactic "Genesis Ch. 1 V. 32".\r\n
      \r\n
      Does man or machine win in the end ? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1888 …}
    -musicienOrchestre: "Eric Woolfson, Alan Parsons, Duncan Mackay (claviers), David Paton (bass & acoustic guitar), Ian Bairnson (electric & acoustic guitar), BJ. Cole (steel guitar), Allan Clarke, Jack Harris, Peter Straker, Steve & Dave Towsend, (vocals), Stuart Tosh (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ROS-288KSnQ"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-455"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I Robot"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Wouldn't Want to Be Like You"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Some Other Time"
        "ordre" => 4
      ]
      [
        "nom" => "2. Breakdown"
        "ordre" => 5
      ]
      [
        "nom" => "3. Don't Let It Show"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. The Voice"
        "ordre" => 8
      ]
      [
        "nom" => "2. Nucleus"
        "ordre" => 9
      ]
      [
        "nom" => "3. Day After Day (The Show Must Go On)"
        "ordre" => 10
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
      [
        "nom" => "1. Total Eclipse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Genesis Ch. 1 V. 32"
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2133 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2126 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2128 …}
    -enregistreLe: DateTime @1455001907 {#2122
      date: 2016-02-09 07:11:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763017566 {#2123
      date: 2025-11-13 07:06:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2130 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-i-robot-mobile-fidelity-sound-lab-mfsl-2-455"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3461
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2331 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3462 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3510 …}
  +isValidated: false
  +validatedFields: []
}