Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2599
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2676
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2679 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
  -formView: Symfony\Component\Form\FormView {#2715 …}
  -form: Symfony\Component\Form\Form {#2865 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1874
    -id: 746
    -nom: "Latin In A Satin Mood"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Julie London (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F2IGBGFeC5w"
    -referenceProduit: "Analogue Productions AAPP 7278"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "SIDE A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frenesi"
      ]
      [
        "ordre" => 2
        "nom" => "2. Be Mine Tonight"
      ]
      [
        "ordre" => 3
        "nom" => "3. Yours"
      ]
      [
        "ordre" => 4
        "nom" => "4. Besame Mucho"
      ]
      [
        "ordre" => 5
        "nom" => "5. Adios"
      ]
      [
        "ordre" => 6
        "nom" => "6. Sway"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Perfidia"
      ]
      [
        "ordre" => 9
        "nom" => "2. Come Closer To Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. Amor"
      ]
      [
        "ordre" => 11
        "nom" => "4. Magic Is The Moonlight"
      ]
      [
        "ordre" => 12
        "nom" => "5. You Belong To My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Vaya Con Dios"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1423472060 {#1929
      date: 2015-02-09 08:54:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769853018 {#1922
      date: 2026-01-31 09:50:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-latin-in-a-satin-mood-analogue-productions-aapp-7278"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3136
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#1874
    -id: 746
    -nom: "Latin In A Satin Mood"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold LP plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Julie London (vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=F2IGBGFeC5w"
    -referenceProduit: "Analogue Productions AAPP 7278"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "SIDE A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Frenesi"
      ]
      [
        "ordre" => 2
        "nom" => "2. Be Mine Tonight"
      ]
      [
        "ordre" => 3
        "nom" => "3. Yours"
      ]
      [
        "ordre" => 4
        "nom" => "4. Besame Mucho"
      ]
      [
        "ordre" => 5
        "nom" => "5. Adios"
      ]
      [
        "ordre" => 6
        "nom" => "6. Sway"
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Perfidia"
      ]
      [
        "ordre" => 9
        "nom" => "2. Come Closer To Me"
      ]
      [
        "ordre" => 10
        "nom" => "3. Amor"
      ]
      [
        "ordre" => 11
        "nom" => "4. Magic Is The Moonlight"
      ]
      [
        "ordre" => 12
        "nom" => "5. You Belong To My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Vaya Con Dios"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2081 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1955 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1423472060 {#1929
      date: 2015-02-09 08:54:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769853018 {#1922
      date: 2026-01-31 09:50:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2075 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-latin-in-a-satin-mood-analogue-productions-aapp-7278"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2098
    -id: 1159
    -nom: "Latin In A Satin Mood (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality !\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the back up male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OlQBjjbX-lw"
    -referenceProduit: "Analogue Production AAPP 7278-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Vaya Con Dios"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Belong To My Heart"
      ]
      [
        "ordre" => 3
        "nom" => "3. Adios"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Be Mine Tonight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Come Closer To Me"
      ]
      [
        "ordre" => 7
        "nom" => "3. Amor"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Frenesi"
      ]
      [
        "ordre" => 10
        "nom" => "2. Magic Is The Moonlight"
      ]
      [
        "ordre" => 11
        "nom" => "3. Besame Mucho"
      ]
      [
        "ordre" => 12
        "nom" => "Side D :"
      ]
      [
        "ordre" => 13
        "nom" => "1. Yours"
      ]
      [
        "ordre" => 14
        "nom" => "2. Perfidia"
      ]
      [
        "ordre" => 15
        "nom" => "3. Sway"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1502 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1490781276 {#2095
      date: 2017-03-29 09:54:36.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769852534 {#2096
      date: 2026-01-31 09:42:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-latin-in-a-satin-mood-2-lp-45-rpm-analogue-production-aapp-7278-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3252
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2098
    -id: 1159
    -nom: "Latin In A Satin Mood (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie London sings Latin In A Satin Mood in dramatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality !\r\n
      \r\n
      Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the back up male "mariachi-esque" serenade ads to the romantic ambiance.\r\n
      \r\n
      Speaking of the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OlQBjjbX-lw"
    -referenceProduit: "Analogue Production AAPP 7278-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Vaya Con Dios"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Belong To My Heart"
      ]
      [
        "ordre" => 3
        "nom" => "3. Adios"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Be Mine Tonight"
      ]
      [
        "ordre" => 6
        "nom" => "2. Come Closer To Me"
      ]
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[
  "produit" => App\Entity\Produit {#2111
    -id: 1455
    -nom: "Julie Is Her Name (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Limited edition 45 RPM double mono LP set !\r\n
      - All-tube mastering by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      It's back. Analogue Productions' 45 RPM, (2 LP) version of the great Julie London debut on Liberty Records. Mastered by Bernie Grundman on his all-tube cutting system and now plated and pressed at Quality Record Pressings. This 45 RPM spreads the 12 tracks over two LPs for even better cartridge tracking and superior sound quality !\r\n
      \r\n
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      \r\n
      Supported by the legendary Barney Kessel on guitar and Ray Leatherwood on bass, this LP release brings back memories of the cool '50s. Whether you were a cool swinger in the '50s or you're a cool hi-fi lovin' swinger today, you will be transported to a time when a 15" coaxial speaker, a 20 watt amplifier and a girl who looks like Julie were all that mattered.
      """
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
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    -id: 1455
    -nom: "Julie Is Her Name (2 LP) 45 RPM"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
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      - Limited edition 45 RPM double mono LP set !\r\n
      - All-tube mastering by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
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      It's back. Analogue Productions' 45 RPM, (2 LP) version of the great Julie London debut on Liberty Records. Mastered by Bernie Grundman on his all-tube cutting system and now plated and pressed at Quality Record Pressings. This 45 RPM spreads the 12 tracks over two LPs for even better cartridge tracking and superior sound quality !\r\n
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      Much like Dean Martin's 1954 debut LP (Dean Martin Sings), Julie London's recording career started on the silver screen in the 1940s. In 1955 she made her debut LP on the newly formed Liberty Records. Recorded in August of that same year, in state-of-the-art mono sound, Julie Is Her Name is regarded by jazz buffs and '50s pop enthusiasts as a genuine classic! This LP features the hit single "Cry Me A River" and her stellar performances of "I Should Care" and "No Moon At All".\r\n
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      Supported by the legendary Barney Kessel on guitar and Ray Leatherwood on bass, this LP release brings back memories of the cool '50s. Whether you were a cool swinger in the '50s or you're a cool hi-fi lovin' swinger today, you will be transported to a time when a 15" coaxial speaker, a 20 watt amplifier and a girl who looks like Julie were all that mattered.
      """
    -prixVente: "129.50"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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[
  "produit" => App\Entity\Produit {#2124
    -id: 1158
    -nom: "Julie Is Her Name - Volume Two (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie Is Her Name Volume 2, making it an undeniable classic in every sense of the word. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the result is a memory-stirring masterpiece. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality!\r\n
      \r\n
      Julie Is Her Name - Volume Two, has all the sincerity and warmth of her professional album debut, the best-selling Julie Is Her Name, from Liberty. An untested singer with uncompromising musical faith, an unknown record company, sophisticated, tastefully presented standards presented simply backed by just a bass and guitar - Julie Is Her Name faced long odds of success. Yet it soared to become a best-selling hit. Julie London rose to the Top 10 of every list of female vocalists.\r\n
      \r\n
      And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Julie London (vocals), Howard Roberts (guitar), Red Mitchell (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wBLjGE8Wl1M"
    -referenceProduit: "Analogue Productions AAPP 7100-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Blue Moon"
      ]
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        "ordre" => 2
        "nom" => "2. What Is This Thing Called Love"
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        "ordre" => 3
        "nom" => "3. How Long Has This Been Going On"
      ]
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        "nom" => "1. Too Good To Be True"
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        "nom" => "3. Goody Goody"
      ]
      [
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      ]
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1950 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3348
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2124
    -id: 1158
    -nom: "Julie Is Her Name - Volume Two (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n
      - 200 gram gatefold double LP, cut at 45 RPM !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was "discovered" while running a department store elevator in Hollywood.\r\n
      \r\n
      Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.\r\n
      \r\n
      The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.\r\n
      \r\n
      Analogue Productions has brought back Julie Is Her Name Volume 2, making it an undeniable classic in every sense of the word. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200 gram vinyl at Quality Record Pressings, the result is a memory-stirring masterpiece. And we've cut this version at 45 RPM, meaning the 12 tracks are spread over two LPs for even better cartridge tracking for superior sound quality!\r\n
      \r\n
      Julie Is Her Name - Volume Two, has all the sincerity and warmth of her professional album debut, the best-selling Julie Is Her Name, from Liberty. An untested singer with uncompromising musical faith, an unknown record company, sophisticated, tastefully presented standards presented simply backed by just a bass and guitar - Julie Is Her Name faced long odds of success. Yet it soared to become a best-selling hit. Julie London rose to the Top 10 of every list of female vocalists.\r\n
      \r\n
      And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal.\r\n
      \r\n
      London appeared in nearly two dozen motion pictures during the 1940s and '50s; she was best known to TV audiences as nurse Dixie McCall on the 1970s hospital drama "Emergency !" She was hired on "Emergency !" by Webb, her then-former spouse, to co-star with her second husband, jazz musician Bobby Troup. Troup, who composed the iconic musical hit "Route 66" played a doctor on the show and it was he who helped sign Julie to the Liberty record label.\r\n
      \r\n
      Describing her smoky vocal style, London once said, "It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate". A style inimitable, in our estimation.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Julie London (vocals), Howard Roberts (guitar), Red Mitchell (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1172 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=wBLjGE8Wl1M"
    -referenceProduit: "Analogue Productions AAPP 7100-45"
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        "ordre" => 0
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        "nom" => "1. Blue Moon"
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        "ordre" => 2
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[
  "produit" => App\Entity\Produit {#2137
    -id: 2342
    -nom: "Hejira - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Joni Mitchell (acoustic & electric guitar, vocals), Chuck Findley, Tom Scott (horns), Abe Most (clarinet), Neil Young (harmonica), Victor Feldman (vibraphone), Larry Carlton (electric guitar), Max Bennett (bass guitar), Jaco Pastorius (fretless bass), Chuck Domanico (double bass), Bobbye Hall (percussion), John Guerin (drums)  \r\n
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      \r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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    -nom: "Hejira - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
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    -prixVente: "249.50"
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[
  "produit" => App\Entity\Produit {#2156
    -id: 2569
    -nom: "Court and Spark - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark : Ranked the 110th Greatest Album of All Time by Rolling Stone !\r\n
      - Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) Plays with Definitive Detail and Clarity : Pressed on MoFi SuperVinyl and Strictly Limited to 5000 Numbered Copies, Box Set Includes New Liner Notes !\r\n
      - 1/4” / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing on MoFi SuperVinyl, strictly limited to 5,000 numbered copies, and featuring new liner notes, Mobile Fidelity's UltraDisc One-Step 180 ram 45 RPM (2 LP) box set presents the 1974 classic with definitive detail, tonality, and directness. Marking the first time the revered LP has received audiophile-quality treatment, it's one of six iconic 1970s Mitchell records Mobile Fidelity is reissuing on vinyl and SACD sets.\r\n
      \r\n
      Benefitting from a virtually nonexistent noise floor, dead-quiet surfaces, and superior groove definition, this collectible edition reproduces without compromise the textures, details, and breathtaking craftsmanship that help make Court and Spark into what many fans believe is the Canadian native’s finest hour. Notes bloom and decay as they do amid an acoustic live environment. Soundstages extend far and deep, with black backgrounds and balanced tones adding to the uncanny realism.\r\n
      \r\n
      The reference-grade presence and openness put in transparent view Mitchell’s incisive words and unique phrasing, as well as the contributions of her prized support musicians including Tom Scott and the L.A. Express as well as guest turns by the likes of David Crosby, Graham Nash, Jose Feliciano, and Robbie Robertson. Mitchell, experimenting with the melodic parameters of guitar and piano, is rightly found at the center of it all. The jazz-rock rhythms of drummer John Guerin, slippery guitar lines of Larry Carlton, vibrant horns and reeds laid down by Scott crucial to the songs’ shape-shifting arrangements — can now also be heard with fresh ears. \r\n
      \r\n
      Visually and physically, the packaging of the Court and Spark UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendor of the recording. This reissue is for listeners who desire to engage themselves in everything involved with the album, including Mitchell’s “The Mountain Loves the Sea” painting a picture of waves embracing and receding away from a mountain, a metaphor for the record’s lyrical themes on the cover art.\r\n
      \r\n
      Pitching deceptively light compositions against underlying tensions, Court and Spark witnesses the singer-songwriter finding her footing with a group of top-shelf musicians who seemingly understand her visions as well as expanding her lyrical palette and venturing further into territory no artist had dared explore. Mitchell’s accessibly complex structures, beat-propelled rhythms, and spirited interplay with Scott & Co. both give the music a different identity than her prior efforts and point in the directions she soon headed.\r\n
      \r\n
      Lyrically, Court and Spark matches the wit, integrity, originality, and intellect of anything in Mitchell’s oeuvre no small feat. Offsetting positives with negatives, and considering circumstances from multiple angles, Mitchell explores issues connected to love and freedom, certainty and confusion, and trust and fear with unfettered boldness and introspective empathy. She teeters between surrender and retreat, and spends a majority of the record sussing out the complications and sacrifices involved with such actions. \r\n
      \r\n
      Mitchell addresses the transactional nature of desire (the intimate title track, the upbeat “Raised on Robbery”, complete with rock ‘n’ roll pep from Robertson and zesty sax from Scott); anticipation and disappointment of romance (“Car on a Hill”, “”Down to You); fame and celebrity (“A Free Man in Paris”, “People’s Parties”); and sanity (the dark and stormy “Trouble Child”, a satirical cover of Annie Ross’ “Twisted”). Throughout, she sings with an emotionally penetrating beauty and devastating honesty that teaches about ourselves. \r\n
      \r\n
      Or, as Mitchell relays on “People’s Parties”: “Laughing and crying/You know it’s the same release”.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XZLVYoO6r9g"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S-052"
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    -id: 2569
    -nom: "Court and Spark - (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: null
    -description: """
      - Joni Mitchell Counterbalances Love and Trust with Freedom and Confusion on Court and Spark : Ranked the 110th Greatest Album of All Time by Rolling Stone !\r\n
      - Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) Plays with Definitive Detail and Clarity : Pressed on MoFi SuperVinyl and Strictly Limited to 5000 Numbered Copies, Box Set Includes New Liner Notes !\r\n
      - 1/4” / 15 IPS / Dolby A analog master to DSD 256 to analog console to lathe !\r\n
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      Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks #110 on Rolling Stone’s list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing on MoFi SuperVinyl, strictly limited to 5,000 numbered copies, and featuring new liner notes, Mobile Fidelity's UltraDisc One-Step 180 ram 45 RPM (2 LP) box set presents the 1974 classic with definitive detail, tonality, and directness. Marking the first time the revered LP has received audiophile-quality treatment, it's one of six iconic 1970s Mitchell records Mobile Fidelity is reissuing on vinyl and SACD sets.\r\n
      \r\n
      Benefitting from a virtually nonexistent noise floor, dead-quiet surfaces, and superior groove definition, this collectible edition reproduces without compromise the textures, details, and breathtaking craftsmanship that help make Court and Spark into what many fans believe is the Canadian native’s finest hour. Notes bloom and decay as they do amid an acoustic live environment. Soundstages extend far and deep, with black backgrounds and balanced tones adding to the uncanny realism.\r\n
      \r\n
      The reference-grade presence and openness put in transparent view Mitchell’s incisive words and unique phrasing, as well as the contributions of her prized support musicians including Tom Scott and the L.A. Express as well as guest turns by the likes of David Crosby, Graham Nash, Jose Feliciano, and Robbie Robertson. Mitchell, experimenting with the melodic parameters of guitar and piano, is rightly found at the center of it all. The jazz-rock rhythms of drummer John Guerin, slippery guitar lines of Larry Carlton, vibrant horns and reeds laid down by Scott crucial to the songs’ shape-shifting arrangements — can now also be heard with fresh ears. \r\n
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      \r\n
      Pitching deceptively light compositions against underlying tensions, Court and Spark witnesses the singer-songwriter finding her footing with a group of top-shelf musicians who seemingly understand her visions as well as expanding her lyrical palette and venturing further into territory no artist had dared explore. Mitchell’s accessibly complex structures, beat-propelled rhythms, and spirited interplay with Scott & Co. both give the music a different identity than her prior efforts and point in the directions she soon headed.\r\n
      \r\n
      Lyrically, Court and Spark matches the wit, integrity, originality, and intellect of anything in Mitchell’s oeuvre no small feat. Offsetting positives with negatives, and considering circumstances from multiple angles, Mitchell explores issues connected to love and freedom, certainty and confusion, and trust and fear with unfettered boldness and introspective empathy. She teeters between surrender and retreat, and spends a majority of the record sussing out the complications and sacrifices involved with such actions. \r\n
      \r\n
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      \r\n
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      """
    -prixVente: "249.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
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        "nom" => "11. Twisted"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -modifierLe: DateTime @1769798432 {#2154
      date: 2026-01-30 18:40:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-court-and-spark-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-ud1s-052"
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[
  "produit" => App\Entity\Produit {#2169
    -id: 2340
    -nom: "Ladies Of The Canyon - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - ULTRADISC ONE-STEP PRESENTS LANDMARK 1970 ALBUM IN UNPARALLELED SOUND !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area – her house is depicted in a watercolor painting she made for the record's cover – the Canadian icon turned to her immediate surroundings for inspiration all the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The rather upbeat Ladies of the Canyon also finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard. Deemed "powerful and brilliant" upon release by The New York Times, this 1970 set marks the first of six consecutive masterworks Mitchell made and an album that deserves to be heard in the finest-possible fidelity on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joni Mitchell (guitars, keyboards, vocals), Teresa Adams (cello),  Paul Horn (clarinet, flute), Jim Horn (baritone saxophone), The Lookout Mountain United Downstairs Choir (vocal chorus), Milt Holland (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j_g8QQubIdA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL45UD1S2-049"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "1. Morning Morgantown "
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        "nom" => "2. For Free "
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      [
        "ordre" => 3
        "nom" => "4. Ladies of the Canyon "
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        "nom" => "10. Big Yellow Taxi \t11."
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        "nom" => "Woodstock "
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        "nom" => "12. The Circle Game"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2172 …}
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    -modifierLe: DateTime @1769798217 {#2167
      date: 2026-01-30 18:36:57.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2174 …}
    -disponible: null
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    -slug: "vinyles-ladies-of-the-canyon-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-mfsl45ud1s2-049"
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App\Twig\Components\GestionPanierFavoriComponents {#3495
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
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  +produit: App\Entity\Produit {#2169
    -id: 2340
    -nom: "Ladies Of The Canyon - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - ULTRADISC ONE-STEP PRESENTS LANDMARK 1970 ALBUM IN UNPARALLELED SOUND !\r\n
      - Mastering Source to Be Determined Closer to Production Date; Specifics Will Be Posted Here When Authenticated !\r\n
      \r\n
      Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area – her house is depicted in a watercolor painting she made for the record's cover – the Canadian icon turned to her immediate surroundings for inspiration all the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The rather upbeat Ladies of the Canyon also finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard. Deemed "powerful and brilliant" upon release by The New York Times, this 1970 set marks the first of six consecutive masterworks Mitchell made and an album that deserves to be heard in the finest-possible fidelity on Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joni Mitchell (guitars, keyboards, vocals), Teresa Adams (cello),  Paul Horn (clarinet, flute), Jim Horn (baritone saxophone), The Lookout Mountain United Downstairs Choir (vocal chorus), Milt Holland (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=j_g8QQubIdA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL45UD1S2-049"
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        "nom" => "12. The Circle Game"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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    -modifierLe: DateTime @1769798217 {#2167
      date: 2026-01-30 18:36:57.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
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    -disponible: null
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    -slug: "vinyles-ladies-of-the-canyon-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-mfsl45ud1s2-049"
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}

[
  "produit" => App\Entity\Produit {#2182
    -id: 2339
    -nom: "Blue - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - BLUE REACHES NEW AUDIOPHILE HEIGHTS ON ULTRADISC ONE-STEP !\r\n
      - 1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Blue would literally change everything shortly after its release in June 1971. But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joni Mitchell (guitar, piano, vocals), Stephen Stills (bass, guitar), James Taylor (guitar), Sneeky Pete (pedal steel guitar), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Wq2jhs19_V8"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S2-050"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. All I Want "
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      [
        "ordre" => 1
        "nom" => "2. My Old Man "
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      [
        "ordre" => 2
        "nom" => "3. Little Green "
      ]
      [
        "ordre" => 3
        "nom" => "4. Carey "
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      [
        "ordre" => 4
        "nom" => "5. Blue "
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        "nom" => "6. California "
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        "nom" => "7. This Flight Tonight "
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        "nom" => "9. A Case of You "
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        "nom" => "10. The Last Time I Saw Richard"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2185 …}
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    -modifierLe: DateTime @1769798099 {#2180
      date: 2026-01-30 18:34:59.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2187 …}
    -disponible: null
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    -slug: "vinyles-blue-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s2-050"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3543
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2182
    -id: 2339
    -nom: "Blue - (2 LP) 45 RPM Ultradisc One-Step"
    -informationComplementaire: null
    -description: """
      - BLUE REACHES NEW AUDIOPHILE HEIGHTS ON ULTRADISC ONE-STEP !\r\n
      - 1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Blue would literally change everything shortly after its release in June 1971. But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. It is the epitome of brilliance and sounds more intimate, involving, and inescapable than ever on MoFi SuperVinyl via Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Joni Mitchell (guitar, piano, vocals), Stephen Stills (bass, guitar), James Taylor (guitar), Sneeky Pete (pedal steel guitar), Russ Kunkel (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=Wq2jhs19_V8"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2139 …}
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      date: 2026-01-30 18:34:59.0 UTC (+00:00)
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2195
    -id: 441
    -nom: "The Fabulous Johnny Cash"
    -informationComplementaire: null
    -description: "Impex Records et Audio International annoncent la résurrection d'un classique américain! Une merveille : « The Fabulous Johnny Cash » sur vinyIe de 180 grammes! « The Fabulous Johnny Cash » a été le troisième album du chanteur de country Johnny Cash. Initialement publié en 1959 par Columbia, peu de temps après son départ de chez Sun Records. Ce nouveau et fabuleux Johnny Cash prend ici une nouvelle ampleur et lui permet de se diriger artistiquement sur d’autres registres comme la country, le folk et le gospel. Lorsque Johnny Cash est sur la radio, personne ne change de station. C’est une voix, un nom avec une âme qui traverse toutes les frontières et c’est une voix que nous croyons tous."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (lead guitar), Don Helms  (steel guitar), Marshall Grant (bass), The Jordanaires (background vocals), Marvin Hughes (piano), Buddy Harman, Morris Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=s9Ig4lW7yD4"
    -referenceProduit: "Impex Records IMP 6008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Run Softly, Blue River"
      ]
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        "ordre" => 2
        "nom" => "2. Frankie's Man, Johnny"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's All Over"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Troubadour"
      ]
      [
        "ordre" => 5
        "nom" => "5. One More Ride"
      ]
      [
        "ordre" => 6
        "nom" => "6. That's Enough"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Still Miss Someone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Take Your Guns to Town"
      ]
      [
        "ordre" => 10
        "nom" => "3. I'd Rather Die Young"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pickin' Time"
      ]
      [
        "ordre" => 12
        "nom" => "5. Shepherd of My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Suppertime"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#2200 …}
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      date: 2026-01-30 18:24:24.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …}
    -disponible: null
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    -slug: "vinyles-the-fabulous-johnny-cash-impex-records-imp-6008"
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App\Twig\Components\GestionPanierFavoriComponents {#3589
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2195
    -id: 441
    -nom: "The Fabulous Johnny Cash"
    -informationComplementaire: null
    -description: "Impex Records et Audio International annoncent la résurrection d'un classique américain! Une merveille : « The Fabulous Johnny Cash » sur vinyIe de 180 grammes! « The Fabulous Johnny Cash » a été le troisième album du chanteur de country Johnny Cash. Initialement publié en 1959 par Columbia, peu de temps après son départ de chez Sun Records. Ce nouveau et fabuleux Johnny Cash prend ici une nouvelle ampleur et lui permet de se diriger artistiquement sur d’autres registres comme la country, le folk et le gospel. Lorsque Johnny Cash est sur la radio, personne ne change de station. C’est une voix, un nom avec une âme qui traverse toutes les frontières et c’est une voix que nous croyons tous."
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1958 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (lead guitar), Don Helms  (steel guitar), Marshall Grant (bass), The Jordanaires (background vocals), Marvin Hughes (piano), Buddy Harman, Morris Palmer (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=s9Ig4lW7yD4"
    -referenceProduit: "Impex Records IMP 6008"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Run Softly, Blue River"
      ]
      [
        "ordre" => 2
        "nom" => "2. Frankie's Man, Johnny"
      ]
      [
        "ordre" => 3
        "nom" => "3. That's All Over"
      ]
      [
        "ordre" => 4
        "nom" => "4. The Troubadour"
      ]
      [
        "ordre" => 5
        "nom" => "5. One More Ride"
      ]
      [
        "ordre" => 6
        "nom" => "6. That's Enough"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. I Still Miss Someone"
      ]
      [
        "ordre" => 9
        "nom" => "2. Don't Take Your Guns to Town"
      ]
      [
        "ordre" => 10
        "nom" => "3. I'd Rather Die Young"
      ]
      [
        "ordre" => 11
        "nom" => "4. Pickin' Time"
      ]
      [
        "ordre" => 12
        "nom" => "5. Shepherd of My Heart"
      ]
      [
        "ordre" => 13
        "nom" => "6. Suppertime"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#2200 …}
    -style: App\Entity\Style {#1492 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2209 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2202 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2204 …}
    -enregistreLe: DateTime @1305355499 {#2192
      date: 2011-05-14 06:44:59.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797464 {#2193
      date: 2026-01-30 18:24:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2206 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-fabulous-johnny-cash-impex-records-imp-6008"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2214
    -id: 2536
    -nom: "At Folsom Prison"
    -informationComplementaire: null
    -description: """
      - The 1968 album that made Johnny Cash a music legend !\r\n
      - 180 gram double LP, 45 RPM !\r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      - Double LP set plays arresting immediacy, spaciousness, and directness !\r\n
      \r\n
      Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution's forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He'd played there two years prior. But this time was different.\r\n
      \r\n
      Cash took the stage that day for two shows amid a darkening sociopolitical atmosphere and a raging war in Vietnam, as well as the knowledge his career and health hung on by a thread. The Arkansas native shared many of the long odds and abject failures of the inmates for which he performed. The songs he chose, and the conviction with which he delivered them, say as much. The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\r\n
      \r\n
      Mastered on MoFi's renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set of At Folsom Prison veritably places you in the cafeteria with the hootin' and hollerin' prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. A through-line to the no-frills rawness that helps make this landmark record among the most genuine documents ever committed to tape, this audiophile reissue presents what transpired that winter day with a fullness, directness, spaciousness, and dynamic absent prior editions.\r\n
      \r\n
      You can hear it echo off the walls of the room; pulse through the Tennessee Three's itchy, acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash's knockout singing. The bedrock foundation of all his music, the singer's baritone resonates with profound degrees of depth, pliability, and passion that underscore how much this appearance meant to him and the extent he was living the narratives.\r\n
      \r\n
      Indeed, every song on At Folsom Prison serves a purpose and speaks to the conditions mental, emotional, physical, geographical, legal, social the inmates confronted on a daily basis. Beginning with the explicit messages of the opening "Folsom Prison Blues", Cash makes it clear he understands and shares many of their plights. Not for nothing did the myth of Cash having done hard time persist for decades once this record hit the streets. That's how real it is, and how dedicated Cash remains to conveying every note with the same truth he invests in the impromptu comments he makes between and amid songs.\r\n
      \r\n
      Listen to the sorrow, regret, pity, and loneliness of Merle Travis' "Dark as the Dungeon", Cash pulling syllables until they threaten to break and inhabiting the mood of bleak phrases such as "pleasures are few" and "the sun never shines". Witness the isolation, dejection, and sadness punctuating the walking-blues "I Still Miss Someone", matched in gravity by a solemn reading of "The Long Black Veil" a traditional dirge that involves murder, cheating, and deception. Cash cuts even deeper on a heartbreaking solo rendition of "Send a Picture of Mother" and plainspoken version of Harlan Howard's "The Wall", detailing a suicide disguised as jailbreak through cliched-jaw deliveries that softly curse the impossible situation.\r\n
      \r\n
      In chronicling temptations, mistakes, mortality, punishment, and life "inside" — for better or worse, the stories of the disenfranchised, forgotten, written-off, and unrepentant "At Folsom Prison" also has a blast playing the outlaw role. Cash captures wild-eyed craziness and out-of-control mayhem on a revved-up take of "Cocaine Blues", taking extra satisfaction in its dastardly tales by way of voice that shifts into character for the sheriff and judge. The gallows humor and racing drama of "25 Minutes to Go"; quicksilver accents and resigned acceptance of "I Got Stripes"; train-whistle blare and twangy locomotion of "Folsom Prison Blues" all fight the law only to see the law win.\r\n
      \r\n
      Cash remains deeply committed at every moment, and inseparably connected with the tortured souls removed from the goings-on of the outside world. No wonder all but two songs here stem from the day's first performance that saw Cash, Luther Perkins, Marshall Grant, and company give everything. As does the Man in Black's soon-to-be-wife, June Carter. The couple's fiery duet on "Jackson" scorches; their combination of surrender and fortitude "Give My Love to Rose" puts us in the dying protagonist's shoes.\r\n
      \r\n
      And with the closing "Greystone Chapel", famously penned by convict Glen Sherley, who watched it all happen under the watchful eye of guards, Cash separates the corporeal from the spiritual, relaying lessons about salvation and survival. Heady themes to which he'd return for the remainder of his illustrious career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (electric guitar), Carl Perkins (electric guitar, vocals), Marshall Grant (bass), June Carter Cash, The Statler Brothers (vocals), The Carter Family (guitar, vocals), Randall Martin, W.S. Holland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=GpZ-2HDJzFw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-543"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Folsom Prison Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dark As The Dungeon"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Still Miss Someone"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cocaine Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. 25 Minutes To Go"
      ]
      [
        "ordre" => 7
        "nom" => "2. Orange Blossom Special"
      ]
      [
        "ordre" => 8
        "nom" => "3. The Long Black Veil"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Send A Picture Of Mother"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Wall"
      ]
      [
        "ordre" => 12
        "nom" => "3. Dirty Old Eggsuckin' Dog"
      ]
      [
        "ordre" => 13
        "nom" => "4. Flushed From The Bathroom Of Your Heart"
      ]
      [
        "ordre" => 14
        "nom" => "5. Jackson - with June Carter"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Give My Love To Rose - with June Carter"
      ]
      [
        "ordre" => 17
        "nom" => "2. I Got Stripes"
      ]
      [
        "ordre" => 18
        "nom" => "3. Green, Green Grass Of Home"
      ]
      [
        "ordre" => 19
        "nom" => "4. Greystone Chapel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
    -style: App\Entity\Style {#1492 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1720901863 {#2211
      date: 2024-07-13 20:17:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797122 {#2212
      date: 2026-01-30 18:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-folsom-prison-mobile-fidelity-sound-lab-mfsl-2-543"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3642
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2214
    -id: 2536
    -nom: "At Folsom Prison"
    -informationComplementaire: null
    -description: """
      - The 1968 album that made Johnny Cash a music legend !\r\n
      - 180 gram double LP, 45 RPM !\r\n
      - 1/4" / 15 ips analog master to DSD 256 to analog console to lathe !\r\n
      - Double LP set plays arresting immediacy, spaciousness, and directness !\r\n
      \r\n
      Johnny Cash already knew his way around Folsom Prison when he and his band stepped inside the institution's forbidding walls on the morning of January 13, 1968 to record At Folsom Prison. He'd played there two years prior. But this time was different.\r\n
      \r\n
      Cash took the stage that day for two shows amid a darkening sociopolitical atmosphere and a raging war in Vietnam, as well as the knowledge his career and health hung on by a thread. The Arkansas native shared many of the long odds and abject failures of the inmates for which he performed. The songs he chose, and the conviction with which he delivered them, say as much. The point at which Cash transformed from a country star into a legendary artist, and a bold statement about the American prison state and its commitment to rehabilitation, the triple-platinum At Folsom Prison remains one the most important, potent, and fabled records of the 20th century.\r\n
      \r\n
      Mastered on MoFi's renowned mastering system at its California studio and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 45 RPM (2 LP) set of At Folsom Prison veritably places you in the cafeteria with the hootin' and hollerin' prisoners with which Cash felt a mutual chemistry, sympathy, and spirit. A through-line to the no-frills rawness that helps make this landmark record among the most genuine documents ever committed to tape, this audiophile reissue presents what transpired that winter day with a fullness, directness, spaciousness, and dynamic absent prior editions.\r\n
      \r\n
      You can hear it echo off the walls of the room; pulse through the Tennessee Three's itchy, acoustic-based boom-chick rhythms; crackle in the announcements conveyed over the intercom; ring in the comedy of the off-cuff remarks and pair of novelty tunes; sense it in palpable energy that wells up within Cash and his audience. And you can experience it like never before via Cash's knockout singing. The bedrock foundation of all his music, the singer's baritone resonates with profound degrees of depth, pliability, and passion that underscore how much this appearance meant to him and the extent he was living the narratives.\r\n
      \r\n
      Indeed, every song on At Folsom Prison serves a purpose and speaks to the conditions mental, emotional, physical, geographical, legal, social the inmates confronted on a daily basis. Beginning with the explicit messages of the opening "Folsom Prison Blues", Cash makes it clear he understands and shares many of their plights. Not for nothing did the myth of Cash having done hard time persist for decades once this record hit the streets. That's how real it is, and how dedicated Cash remains to conveying every note with the same truth he invests in the impromptu comments he makes between and amid songs.\r\n
      \r\n
      Listen to the sorrow, regret, pity, and loneliness of Merle Travis' "Dark as the Dungeon", Cash pulling syllables until they threaten to break and inhabiting the mood of bleak phrases such as "pleasures are few" and "the sun never shines". Witness the isolation, dejection, and sadness punctuating the walking-blues "I Still Miss Someone", matched in gravity by a solemn reading of "The Long Black Veil" a traditional dirge that involves murder, cheating, and deception. Cash cuts even deeper on a heartbreaking solo rendition of "Send a Picture of Mother" and plainspoken version of Harlan Howard's "The Wall", detailing a suicide disguised as jailbreak through cliched-jaw deliveries that softly curse the impossible situation.\r\n
      \r\n
      In chronicling temptations, mistakes, mortality, punishment, and life "inside" — for better or worse, the stories of the disenfranchised, forgotten, written-off, and unrepentant "At Folsom Prison" also has a blast playing the outlaw role. Cash captures wild-eyed craziness and out-of-control mayhem on a revved-up take of "Cocaine Blues", taking extra satisfaction in its dastardly tales by way of voice that shifts into character for the sheriff and judge. The gallows humor and racing drama of "25 Minutes to Go"; quicksilver accents and resigned acceptance of "I Got Stripes"; train-whistle blare and twangy locomotion of "Folsom Prison Blues" all fight the law only to see the law win.\r\n
      \r\n
      Cash remains deeply committed at every moment, and inseparably connected with the tortured souls removed from the goings-on of the outside world. No wonder all but two songs here stem from the day's first performance that saw Cash, Luther Perkins, Marshall Grant, and company give everything. As does the Man in Black's soon-to-be-wife, June Carter. The couple's fiery duet on "Jackson" scorches; their combination of surrender and fortitude "Give My Love to Rose" puts us in the dying protagonist's shoes.\r\n
      \r\n
      And with the closing "Greystone Chapel", famously penned by convict Glen Sherley, who watched it all happen under the watchful eye of guards, Cash separates the corporeal from the spiritual, relaying lessons about salvation and survival. Heady themes to which he'd return for the remainder of his illustrious career.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "Johnny Cash (guitar, vocals), Luther Perkins (electric guitar), Carl Perkins (electric guitar, vocals), Marshall Grant (bass), June Carter Cash, The Statler Brothers (vocals), The Carter Family (guitar, vocals), Randall Martin, W.S. Holland (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=GpZ-2HDJzFw"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-543"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Folsom Prison Blues"
      ]
      [
        "ordre" => 2
        "nom" => "2. Dark As The Dungeon"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Still Miss Someone"
      ]
      [
        "ordre" => 4
        "nom" => "4. Cocaine Blues"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. 25 Minutes To Go"
      ]
      [
        "ordre" => 7
        "nom" => "2. Orange Blossom Special"
      ]
      [
        "ordre" => 8
        "nom" => "3. The Long Black Veil"
      ]
      [
        "ordre" => 9
        "nom" => "Side C :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Send A Picture Of Mother"
      ]
      [
        "ordre" => 11
        "nom" => "2. The Wall"
      ]
      [
        "ordre" => 12
        "nom" => "3. Dirty Old Eggsuckin' Dog"
      ]
      [
        "ordre" => 13
        "nom" => "4. Flushed From The Bathroom Of Your Heart"
      ]
      [
        "ordre" => 14
        "nom" => "5. Jackson - with June Carter"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Give My Love To Rose - with June Carter"
      ]
      [
        "ordre" => 17
        "nom" => "2. I Got Stripes"
      ]
      [
        "ordre" => 18
        "nom" => "3. Green, Green Grass Of Home"
      ]
      [
        "ordre" => 19
        "nom" => "4. Greystone Chapel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2197 …}
    -label: Proxies\__CG__\App\Entity\Label {#2142 …}
    -style: App\Entity\Style {#1492 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2222 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2215 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2217 …}
    -enregistreLe: DateTime @1720901863 {#2211
      date: 2024-07-13 20:17:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769797122 {#2212
      date: 2026-01-30 18:18:42.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2219 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-at-folsom-prison-mobile-fidelity-sound-lab-mfsl-2-543"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2227
    -id: 2331
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lee Hooker (guitar, steel guitar, vocals), Carlos Santana, Robert Cray, Henry Vestine, Cesar Rosas, George Thorogood (guitar), Bonnie Raitt (slide guitar, vocals), Chester D Thompson (keyboards), Roy Rogers (guitar, slide guitar), Richard Cousins, Larry Taylor, Conrad Lozano, Steve Ehrmann (bass), Steve Berlin (saxophone), Charlie Musselwhite (harmonica), David Hidalgo (guitar, accordion), Jose Areas (timbales), Armando Peraza (congas), Ndugu Chancler, Scott Mathews, Adolfo de la Parra, Louie Pérez (drums).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album from the "King of the Boogie" John Lee Hooker. First released in 1989, the collection features collaborations with artists including Carlos Santana, Bonnie Raitt, Charlie Musselwhite, Canned Heat, Los Lobos and George Thorogood.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Performance for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (vocals, guitar),?Carlos Santana & The Santana Band (guitar, tymbales, congas, drums), Bonnie Raitt (vocal, slide guitar), Robert Cray (guitar), George Thorogood (guitar), Charlie Musselwhite, (harmonica)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Si0teRtHY8o"
    -referenceProduit: "Concord Craft Recordings 0467"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Healer – feat. Carlos Santana & The Santana Band "
      ]
      [
        "ordre" => 2
        "nom" => "2. I’m In The Mood – feat. Bonnie Raitt "
      ]
      [
        "ordre" => 3
        "nom" => "3. Baby Lee – feat. Robert Cray "
      ]
      [
        "ordre" => 4
        "nom" => "4. Cuttin’ Out – feat. Canned Heat "
      ]
      [
        "ordre" => 5
        "nom" => "5. Think Twice Before You Go – feat. Los Lobos"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sally Mae – feat. George Thorogood "
      ]
      [
        "ordre" => 8
        "nom" => "2. That’s Alright – feat. Charlie Musselwhite "
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin’ Chair "
      ]
      [
        "ordre" => 10
        "nom" => "4. My Dream "
      ]
      [
        "ordre" => 11
        "nom" => "5. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#2232 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1670227087 {#2224
      date: 2022-12-05 07:58:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769793357 {#2225
      date: 2026-01-30 17:15:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-healer-concord-craft-recordings-0467"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3688
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2227
    -id: 2331
    -nom: "The Healer"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lee Hooker (guitar, steel guitar, vocals), Carlos Santana, Robert Cray, Henry Vestine, Cesar Rosas, George Thorogood (guitar), Bonnie Raitt (slide guitar, vocals), Chester D Thompson (keyboards), Roy Rogers (guitar, slide guitar), Richard Cousins, Larry Taylor, Conrad Lozano, Steve Ehrmann (bass), Steve Berlin (saxophone), Charlie Musselwhite (harmonica), David Hidalgo (guitar, accordion), Jose Areas (timbales), Armando Peraza (congas), Ndugu Chancler, Scott Mathews, Adolfo de la Parra, Louie Pérez (drums).\r\n
      \r\n
      - 180 gram vinyl !\r\n
      - Lacquers cut by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      The Healer is a critically acclaimed album from the "King of the Boogie" John Lee Hooker. First released in 1989, the collection features collaborations with artists including Carlos Santana, Bonnie Raitt, Charlie Musselwhite, Canned Heat, Los Lobos and George Thorogood.\r\n
      \r\n
      Hooker was 73 years of age when The Healer came out and earned his first of many future Grammy accolades, winning Best Traditional Blues Performance for "I'm In The Mood". This edition features lacquers cut by Bernie Grundman, and pressing on 180 gram vinyl at Quality Record Pressings, for superior sound.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (vocals, guitar),?Carlos Santana & The Santana Band (guitar, tymbales, congas, drums), Bonnie Raitt (vocal, slide guitar), Robert Cray (guitar), George Thorogood (guitar), Charlie Musselwhite, (harmonica)…"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1173 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Si0teRtHY8o"
    -referenceProduit: "Concord Craft Recordings 0467"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. The Healer – feat. Carlos Santana & The Santana Band "
      ]
      [
        "ordre" => 2
        "nom" => "2. I’m In The Mood – feat. Bonnie Raitt "
      ]
      [
        "ordre" => 3
        "nom" => "3. Baby Lee – feat. Robert Cray "
      ]
      [
        "ordre" => 4
        "nom" => "4. Cuttin’ Out – feat. Canned Heat "
      ]
      [
        "ordre" => 5
        "nom" => "5. Think Twice Before You Go – feat. Los Lobos"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sally Mae – feat. George Thorogood "
      ]
      [
        "ordre" => 8
        "nom" => "2. That’s Alright – feat. Charlie Musselwhite "
      ]
      [
        "ordre" => 9
        "nom" => "3. Rockin’ Chair "
      ]
      [
        "ordre" => 10
        "nom" => "4. My Dream "
      ]
      [
        "ordre" => 11
        "nom" => "5. No Substitute"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#2232 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2241 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2234 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2236 …}
    -enregistreLe: DateTime @1670227087 {#2224
      date: 2022-12-05 07:58:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769793357 {#2225
      date: 2026-01-30 17:15:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2238 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-healer-concord-craft-recordings-0467"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

[
  "produit" => App\Entity\Produit {#2246
    -id: 527
    -nom: "It Serve You Right To Suffer - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker "It Serve You Right To Suffer" 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at AcousTech Mastering !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.\r\n
      \r\n
      And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Milt Hinton (bass), Joseph Barry Galbraith (guitar), William Wells (trombone), David "Panama" Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gJdHlra_fHA"
    -referenceProduit: "Analogue Productions AIPJ 9103"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shake It Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Country Boy"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Bottle Up And Go"
      ]
      [
        "ordre" => 5
        "nom" => "2. You're Wrong"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sugar Mama"
      ]
      [
        "ordre" => 8
        "nom" => "2. Decoration Day"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Money"
      ]
      [
        "ordre" => 11
        "nom" => "2. It Serve You Right To Suffer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2254 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2247 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2249 …}
    -enregistreLe: DateTime @1344180262 {#2243
      date: 2012-08-05 15:24:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769793069 {#2244
      date: 2026-01-30 17:11:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2251 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-serve-you-right-to-suffer-2-lp-45-rpm-analogue-productions-aipj-9103"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3741
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2678 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1864 …}
  +produit: App\Entity\Produit {#2246
    -id: 527
    -nom: "It Serve You Right To Suffer - (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - John Lee Hooker "It Serve You Right To Suffer" 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at AcousTech Mastering !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      \r\n
      John Lee Hooker himself did not know his exact date of birth. If he hadn't died at around the age of 80, this ageless musician would still be easily pulling the next generation to his gigs. Hooker remains a phenomenon, a mysterious figure of black rhythm and blues, a charismatic king who reigns supreme in rock 'n' roll's Hall of Fame. John W. Peters described his music as a synthesis of scorching emotional ardour, unrelenting rhythmic intensity, and original poetry of a highly personal character. Anyone hearing him for the first time may well be startled at the unfiltered passion and power of his music.\r\n
      \r\n
      And another surprise is in store for those who compare Hooker's late recordings with those made in the Sixties. His unmistakable, raw voice has fully matured, but his incantory style of singing appears markedly finer and more flexible. And then there is the perfect gem of a rhythm group whose sinewy sounds fill the grooves with merciless gravitational force. It's enough to make your spine tingle !
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1918 …}
    -musicienOrchestre: "John Lee Hooker (guitar, vocals), Milt Hinton (bass), Joseph Barry Galbraith (guitar), William Wells (trombone), David "Panama" Francis (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1167 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1171 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1174 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=gJdHlra_fHA"
    -referenceProduit: "Analogue Productions AIPJ 9103"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Shake It Baby"
      ]
      [
        "ordre" => 2
        "nom" => "2. Country Boy"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Bottle Up And Go"
      ]
      [
        "ordre" => 5
        "nom" => "2. You're Wrong"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Sugar Mama"
      ]
      [
        "ordre" => 8
        "nom" => "2. Decoration Day"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Money"
      ]
      [
        "ordre" => 11
        "nom" => "2. It Serve You Right To Suffer"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#1964 …}
    -style: App\Entity\Style {#1489 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2254 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2247 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2249 …}
    -enregistreLe: DateTime @1344180262 {#2243
      date: 2012-08-05 15:24:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769793069 {#2244
      date: 2026-01-30 17:11:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1099 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2251 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-it-serve-you-right-to-suffer-2-lp-45-rpm-analogue-productions-aipj-9103"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3937
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2446 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3938 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3986 …}
  +isValidated: false
  +validatedFields: []
}