Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2476
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2553
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2556 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2555 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
  -formView: Symfony\Component\Form\FormView {#2592 …}
  -form: Symfony\Component\Form\Form {#2742 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1896
    -id: 2668
    -nom: "Piano Concertos N° 25 & 27"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl Double LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4-Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Hand-Numbered, Limited Edition !\r\n
      \r\n
      For its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      Released on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are limited and numbered. They are accompanied by additional photos and facsimiles of the recording logs and tape boxes, plus an article, which explains the exact technical background.\r\n
      \r\n
      The collaboration between the eccentric pianist Friedrich Gulda, star conductor Claudio Abbado and the Vienna Philharmonic is legendary. Their recording of Mozart's Piano Concertos N° 25 and 27 are among the best interpretations of these works. "There the sky comes very close" (FonoForum)\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality", notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series :\r\n
      \r\n
      "Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4 track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      "In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4-track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      "Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4-track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      "A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2-track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      "For the new releases, two technical aspects have to be taken into account. Firstly, 4-track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      "The Original Source Series means : no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !"
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Friedrich Gulda (piano), Claudio Abbado conducts the Vienna Philharmonic Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Deutsche Grammophon Records 8862"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I. Allegro maestoso (Cadenza by Gulda)"
        "ordre" => 1
      ]
      [
        "nom" => "2; II. Andante"
        "ordre" => 2
      ]
      [
        "nom" => "3. III. Allegretto"
        "ordre" => 3
      ]
      [
        "nom" => ""
        "ordre" => 4
      ]
      [
        "nom" => "1. I. Allegro (Cadenza by Mozart)"
        "ordre" => 5
      ]
      [
        "nom" => "2; II. Larghetto"
        "ordre" => 6
      ]
      [
        "nom" => "3. III. Allegro (Cadenzas by Mozart/Gulda/Mozart)"
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2014 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1916 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2002 …}
    -enregistreLe: DateTime @1742647140 {#1883
      date: 2025-03-22 12:39:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764438652 {#1879
      date: 2025-11-29 17:50:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2008 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-concertos-n-25-27-deutsche-grammophon-records-8862"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3029
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2555 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#1896
    -id: 2668
    -nom: "Piano Concertos N° 25 & 27"
    -informationComplementaire: null
    -description: """
      - 100 % Pure Analogue 180 gram Virgin Vinyl Double LP !\r\n
      - DG's The Original Source Series !\r\n
      - Remastered from the Original 4-Track Recordings at Emil Berliner Studios !\r\n
      - No Tape Copies Used, No Unnecessary Devices in the Signal Path, No Digital Sound Processing !\r\n
      - Pressed by Optimal !\r\n
      - Hand-Numbered, Limited Edition !\r\n
      \r\n
      For its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100 % analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.\r\n
      \r\n
      Released on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, the copies of this series are limited and numbered. They are accompanied by additional photos and facsimiles of the recording logs and tape boxes, plus an article, which explains the exact technical background.\r\n
      \r\n
      The collaboration between the eccentric pianist Friedrich Gulda, star conductor Claudio Abbado and the Vienna Philharmonic is legendary. Their recording of Mozart's Piano Concertos N° 25 and 27 are among the best interpretations of these works. "There the sky comes very close" (FonoForum)\r\n
      \r\n
      The Original Source Series :\r\n
      \r\n
      The Original Source is one of several new initiatives introduced by Deutsche Grammophon in 2023 as part of its 125th-anniversary celebrations. The Original Source draws on the technical innovation that has been part of the label's identity ever since it was founded in 1898 by Emil Berliner, inventor of the gramophone.\r\n
      \r\n
      "Deutsche Grammophon's distinctive nature was forged by iconic classical artists of the past, whose recordings are of timeless quality", notes Dr. Clemens Trautmann, President of Deutsche Grammophon. "Everything we do today is embedded in the wonderful 125 years of history we're celebrating this year and, in this new series, exceptional creative content goes hand in hand with the finest engineering techniques. We're delighted to present great music to our listeners in a unique audio format that will invite them to engage in a conscious listening experience".\r\n
      \r\n
      Rainer Maillard, recording producer and managing director of Emil Berliner Studios, explains more about the process involved in creating The Original Source series :\r\n
      \r\n
      "Sometimes many years have to pass before old treasures are rediscovered. For its 125th anniversary in 2023, DG will be reissuing a series of legendary recordings from the 1970s, cut for the first time directly from the 4 track ½-inch masters, rather than the stereo ¼-inch tape copies. The result will be the highest possible, audiophile quality, giving listeners the chance to enjoy this repertoire as never before.\r\n
      \r\n
      "In order to better understand the background to this extraordinary series, it is worth looking at DG's technical developments in sound recording. It started recording for quadraphonic surround sound as early as 1970. The format was 4 track analogue tape, with left, right, front and rear channels. After the recording was finished, the 4-track tapes were edited in the studio at DG's site in Hannover. The various takes were cut with scissors and joined together again with sticky tape.\r\n
      \r\n
      "Back then, however, there was no consumer format ready for quadraphonic playback, so DG was producing for the future. The label did release these recordings on regular vinyl LPs in stereo, of course, which meant the engineers had to create a stereo downmix of the 4-track master tape. For international distribution, DG made copies of this copy and sent them around the world for local manufacturing.\r\n
      \r\n
      "A tape copy can never sound as good as the original master tape, so the idea was born to make a product of the highest quality by using the original 4-track masters instead of the 2-track copies for lacquer cutting. They sound sensational, thanks to the expert team involved back in the day, and the analogue recording technology they were using.\r\n
      \r\n
      "For the new releases, two technical aspects have to be taken into account. Firstly, 4-track tape is twice as wide as the usual 2-track tape, therefore we need a special tape machine. This has to be able to deliver a so-called preview signal, which allows the disc-cutting lathe to etch a perfect groove on the disc. Our tape machine had to be modified for this purpose and is probably the only one of its kind in the world right now. Secondly, we need to mix the front and rear channels down to stereo in real time. A completely new, custom-built mixing desk was required for this project. Emil Berliner Studios have designed a passive mixer, which renders the highest quality without introducing any additional noise to the signal.\r\n
      \r\n
      "The Original Source Series means : no tape copies used, no unnecessary devices in the signal path and, of course, no digital sound processing. This is the shortest possible way from the original master to the cutter head.\r\n
      \r\n
      "Compared to the original releases, the advantages in sound for the vinyl reissues are outstanding: greater clarity, more details and a better frequency response; less noise, less distortion, less compression… Enjoy !"
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1818 …}
    -musicienOrchestre: "Friedrich Gulda (piano), Claudio Abbado conducts the Vienna Philharmonic Orchestra"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Deutsche Grammophon Records 8862"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I. Allegro maestoso (Cadenza by Gulda)"
        "ordre" => 1
      ]
      [
        "nom" => "2; II. Andante"
        "ordre" => 2
      ]
      [
        "nom" => "3. III. Allegretto"
        "ordre" => 3
      ]
      [
        "nom" => ""
        "ordre" => 4
      ]
      [
        "nom" => "1. I. Allegro (Cadenza by Mozart)"
        "ordre" => 5
      ]
      [
        "nom" => "2; II. Larghetto"
        "ordre" => 6
      ]
      [
        "nom" => "3. III. Allegro (Cadenzas by Mozart/Gulda/Mozart)"
        "ordre" => 7
      ]
      [
        "nom" => ""
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2014 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1916 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2002 …}
    -enregistreLe: DateTime @1742647140 {#1883
      date: 2025-03-22 12:39:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764438652 {#1879
      date: 2025-11-29 17:50:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2008 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-piano-concertos-n-25-27-deutsche-grammophon-records-8862"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
}

[
  "produit" => App\Entity\Produit {#2033
    -id: 2666
    -nom: "Requiem"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals), Wiener Staatsopernchor, conductor Norbert Balatsch (choeur).\r\n
      \r\n
      - 180 gram gatefold 2 LP !\r\n
      \r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      \r\n
      - 100 % pure analog AAA mastering !\r\n
      \r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      \r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      \r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      - Karl Böhm conducts the Vienna Philharmonic !\r\n
      \r\n
      Mozart's monumental work with the aura of dramatic eschatology, conducted by Karl Böhm, one of the best Mozart exegetes of the 20th century. His clear, yet dedicated view of Mozart, coupled with the class of the Vienna Philharmonic and a unique quartet of soloists (Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch), leads to an extraordinary interpretation of the Requiem. To improve the audio quality, the work was redistributed onto two LPs.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a completely new sound quality. To achieve this, the renowned Emil Berliner Studios remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically for the production of the series. The sonic differences compared to the original releases are considerable: Greater clarity, more subtleties and improvements in frequency response, as well as less background noise, distortion and compression enable an audiophile listening experience like never before.\r\n
      \r\n
      The copies in this series are released limited and numbered on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, accompanied by additional photos and facsimiles of the recording protocols and tape boxes.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1870 …}
    -musicienOrchestre: "Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZlY3L4Cw8ms"
    -referenceProduit: "Deutsche Grammophon Records 2530143"
    -titreMorceau: [
      [
        "nom" => "1. Benedictus"
        "ordre" => 14
      ]
      [
        "nom" => "1. Domine Jesu"
        "ordre" => 10
      ]
      [
        "nom" => "1. Requiem"
        "ordre" => 1
      ]
      [
        "nom" => "1. Rex Tremendae"
        "ordre" => 5
      ]
      [
        "nom" => "2. Agnus Dei"
        "ordre" => 15
      ]
      [
        "nom" => "2. Dies irae"
        "ordre" => 2
      ]
      [
        "nom" => "2. Hostias"
        "ordre" => 11
      ]
      [
        "nom" => "2. Recordare"
        "ordre" => 6
      ]
      [
        "nom" => "3. Confutatis"
        "ordre" => 7
      ]
      [
        "nom" => "3. Sanctus"
        "ordre" => 12
      ]
      [
        "nom" => "3. Tuba Mirum"
        "ordre" => 3
      ]
      [
        "nom" => "4. Lacrimosa"
        "ordre" => 8
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 4
      ]
      [
        "nom" => "Side C : "
        "ordre" => 9
      ]
      [
        "nom" => "Side D : "
        "ordre" => 13
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1913 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2041 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2034 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2036 …}
    -enregistreLe: DateTime @1742548082 {#2029
      date: 2025-03-21 09:08:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1742570587 {#2028
      date: 2025-03-21 15:23:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2038 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-requiem-deutsche-grammophon-records-2530143"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3120
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2555 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2033
    -id: 2666
    -nom: "Requiem"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Orchestra Wiener Philharmoniker conducting for Karl Böhm, Edith Mathis (soprano vocals), Wieslaw Ochman (tenor vocals), Julia Hamari (contralto vocals), Hans Haselböck (organ), Karl Ridderbusch (bass vocals), Wiener Staatsopernchor, conductor Norbert Balatsch (choeur).\r\n
      \r\n
      - 180 gram gatefold 2 LP !\r\n
      \r\n
      - Part of The Original Source Series from Deutsche Grammophon !\r\n
      \r\n
      - 100 % pure analog AAA mastering !\r\n
      \r\n
      - Remastered from the original 8 track recordings at Emil Berliner Studios !\r\n
      \r\n
      - No tape copies used, no unnecessary devices in the signal path, no digital sound processing !\r\n
      \r\n
      - Pressed by Optimal in Germany !\r\n
      \r\n
      - Karl Böhm conducts the Vienna Philharmonic !\r\n
      \r\n
      Mozart's monumental work with the aura of dramatic eschatology, conducted by Karl Böhm, one of the best Mozart exegetes of the 20th century. His clear, yet dedicated view of Mozart, coupled with the class of the Vienna Philharmonic and a unique quartet of soloists (Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch), leads to an extraordinary interpretation of the Requiem. To improve the audio quality, the work was redistributed onto two LPs.\r\n
      \r\n
      The audiophile vinyl series The Original Source presents outstanding recordings from the 1970s in a completely new sound quality. To achieve this, the renowned Emil Berliner Studios remastered and edited the original 4 and 8 track tapes in 100 % analog quality (AAA) using technologies developed specifically for the production of the series. The sonic differences compared to the original releases are considerable: Greater clarity, more subtleties and improvements in frequency response, as well as less background noise, distortion and compression enable an audiophile listening experience like never before.\r\n
      \r\n
      The copies in this series are released limited and numbered on 180 gram vinyl records and in a deluxe gatefold edition with original covers and lyrics, accompanied by additional photos and facsimiles of the recording protocols and tape boxes.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1870 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ZlY3L4Cw8ms"
    -referenceProduit: "Deutsche Grammophon Records 2530143"
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        "nom" => "1. Domine Jesu"
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        "nom" => "1. Requiem"
        "ordre" => 1
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      [
        "nom" => "1. Rex Tremendae"
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        "nom" => "2. Agnus Dei"
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        "nom" => "2. Dies irae"
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        "nom" => "3. Tuba Mirum"
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        "nom" => "Side C : "
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      [
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    -description: "Dennis Brain was a British virtuoso horn player largely responsible for popularizing the horn as a solo classical instrument. Along with Herbert von Karajan and the Philharmonia Orchestra, Brain recorded the definitive versions of Mozart's horn concertos. \r\n"
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    -musicienOrchestre: "Philharmonia Orchestra conducted by Herbert Von Karajan, Dennis Brain (horns)"
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        "nom" => "3. Band 3 : First Movement – Allegro"
        "ordre" => 5
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        "ordre" => 16
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      [
        "nom" => "Concerto N° 1 in D Major, K. 412"
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    -nom: "Horn Concertos N° 1-4"
    -informationComplementaire: ""
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[
  "produit" => App\Entity\Produit {#2062
    -id: 303
    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
    -informationComplementaire: ""
    -description: """
      Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n
      \r\n
      The Mozart specialist Carlo Maria Giulini, who only enters the recording studio when he is quite totally sure of a thing, has set down a performance here which does without orchestral fireworks and concentrates on a seemingly endless flow of melody. The orchestral playing is light, airy and unpretentious, the strings as soft as silk what more could Mozart have wished for.\r\n
      \r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : October/ November 1965 at Kingsway Hall, London by Kenneth Wilkinson\r\n
      Production : Ray Minshull\r\n
      \r\n
      """
    -prixVente: "32.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: "New Philharmonia Orchestra conducted by Carlo Maria Giulini"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=IioCLFiw17g"
    -referenceProduit: "Decca SXL 6225"
    -titreMorceau: [
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        "nom" => "1. Molto Allegro"
        "ordre" => 2
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        "nom" => "2. Andante"
        "ordre" => 3
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        "nom" => "3. Menuetto : Allegretto"
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        "nom" => "Molto Allegro"
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        "nom" => "Side A : "
        "ordre" => 0
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        "nom" => "Side B : "
        "ordre" => 6
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        "nom" => "Symphony N° 40 G Minor, K. 550"
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        "nom" => "Symphony N° 41 C Major K. 551"
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App\Twig\Components\GestionPanierFavoriComponents {#3216
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2062
    -id: 303
    -nom: "Symphonies N° 40 and N° 41 “Jupiter“"
    -informationComplementaire: ""
    -description: """
      Like all the works he composed during his extremely productive years in Vienna, Mozart’s last two symphonies are remarkable for their ambitious and demanding individuality, despite the fact that they were written in the amazingly short space of only six weeks. Any inference to the dire circumstances in which the composer was living at the time might possibly be detected in the grave character of Symphony N° 40 in G minor. The so-called Jupiter-Symphony, however, which owes its name to the Roman god, brims over with an endless joy of life. The powerful final movement with its combination of fugal technique, rondo and sonata form is quite rightly regarded as a unique compositional achievement in the classical era.\r\n
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      \r\n
      \r\n
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      Production : Ray Minshull\r\n
      \r\n
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    -slug: "vinyles-symphonies-n-40-and-n-41-jupiter-decca-sxl-6225"
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[
  "produit" => App\Entity\Produit {#2078
    -id: 298
    -nom: " “Eine kleine Nachtmusik”, Divertimento N° 1 in D"
    -informationComplementaire: ""
    -description: """
      Mozart wrote the Divertimento No. 1 at the age of six, while A Musical Joke and Eine kleine Nachtmusik were composed shortly before his death.\r\n
      \r\n
      From what one hears, apparently only a few music lovers enjoy listening to Eine kleine Nachtmusik. Far too often has it been performed routinely rather than being filled with life. This recording is quite different: living up to his reputation, Karl Münchinger proves that this favourite can be imbued with significance. \r\n
      \r\n
      The historical roote of the serenade lie in the suite which consists of varied contrasting dance movements. In the spirit of this tradition, Münchinger offers a clear and unfussed interpretation which is absolutely credible and has a freshness rarely heard. The ensemble plays both cheerfully and and wittily. In A Musical Joke, Mozart parodies amateurish composers of his own era, and the orchestra quite obviously participates in the fun.\r\n
      \r\n
      This LP is distinguished by its musical and tonal balance and is one of DECCA’s best sound recordings.\r\n
      \r\n
      This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n
      \r\n
      Recording : November 1960, Victoria Hall at Geneva by Roy Wallace Production : James Walker\r\n
      \r\n
      """
    -prixVente: "32.50"
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[
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    -description: ""The two records that Clara Haskil and Arthur Grumiaux made of six of Mozart's sonatas for piano and violin (to give the two instruments their correct priorty) in the late 1950s remain models against which later versions are judged (and often found wanting)" - Gramophone \n"
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2110 …}
    -enregistreLe: DateTime @1465749311 {#2101
      date: 2016-06-12 16:35:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1562740590 {#2102
      date: 2019-07-10 06:36:30.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2112 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonatas-for-piano-and-violin-analogphonic-lp-43049"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
}

[
  "produit" => App\Entity\Produit {#2120
    -id: 1370
    -nom: "Clarinet Quintet in A Major, K 581"
    -informationComplementaire: ""
    -description: """
      Clarinetist Leopold Wlach performs Mozart's Clarinet Quintet in A Major with the Vienna Konzerthaus Quartet.\n
      \n
      This is in almost every way a fine performance of the limpid work. The temos are well chosen, the style is a very reasonably Mozartian one. The balance is well-adjusted throughout; save just at one place during the beautiful playing of the slow movement, when we could usefully have heard a little more of the first violin’s decorative passages. And Leopold Wlach is a masterly clarinet player; he plays... with beautiful tone and sensitivity, coupling them with perfect intonation and faultlessly smooth technique. - Gramophone\n
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: " Leopold Wlach ?(clarinet) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Analogphonic 43085"
    -titreMorceau: [
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        "nom" => "1. Allegro"
        "ordre" => 1
      ]
      [
        "nom" => "1. Menuetto"
        "ordre" => 4
      ]
      [
        "nom" => "2. Allegretto Con Variazione"
        "ordre" => 5
      ]
      [
        "nom" => "2. Larghetto"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1539847717 {#2117
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    }
    -modifierLe: DateTime @1562740408 {#2118
      date: 2019-07-10 06:33:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clarinet-quintet-in-a-major-k-581-analogphonic-43085"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3408
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2555 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1909 …}
  +produit: App\Entity\Produit {#2120
    -id: 1370
    -nom: "Clarinet Quintet in A Major, K 581"
    -informationComplementaire: ""
    -description: """
      Clarinetist Leopold Wlach performs Mozart's Clarinet Quintet in A Major with the Vienna Konzerthaus Quartet.\n
      \n
      This is in almost every way a fine performance of the limpid work. The temos are well chosen, the style is a very reasonably Mozartian one. The balance is well-adjusted throughout; save just at one place during the beautiful playing of the slow movement, when we could usefully have heard a little more of the first violin’s decorative passages. And Leopold Wlach is a masterly clarinet player; he plays... with beautiful tone and sensitivity, coupling them with perfect intonation and faultlessly smooth technique. - Gramophone\n
      """
    -prixVente: "52.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1890 …}
    -musicienOrchestre: " Leopold Wlach ?(clarinet) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Analogphonic 43085"
    -titreMorceau: [
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        "ordre" => 1
      ]
      [
        "nom" => "1. Menuetto"
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      [
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        "ordre" => 5
      ]
      [
        "nom" => "2. Larghetto"
        "ordre" => 2
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2106 …}
    -style: App\Entity\Style {#1457 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2128 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2121 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2123 …}
    -enregistreLe: DateTime @1539847717 {#2117
      date: 2018-10-18 07:28:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1562740408 {#2118
      date: 2019-07-10 06:33:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2125 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clarinet-quintet-in-a-major-k-581-analogphonic-43085"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3600
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2323 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3601 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3649 …}
  +isValidated: false
  +validatedFields: []
}