Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2547
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2624
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2627 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -formView: Symfony\Component\Form\FormView {#2663 …}
  -form: Symfony\Component\Form\Form {#2813 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 706
    -nom: "Kenya"
    -informationComplementaire: ""
    -description: """
      Machito was born Frank Raul Grillo 16th February 1912, Tampa, Florida. Machito played a huge role in the history of Latin jazz, for his bands of the 1940’s were probably the first to achieve a fusion of powerful Afro-Cuban rhythms and jazz improvisation. At it’s roaring best , the band had a hard charging sound, loaded with jostling, hyperactive bongos and congas and razor-edged riffing brass. Machito was the front man, singing, conducting, shaking maracas, while his brother-in-law Mario Bauza was the innovator behind the scenes, getting Machito to hire jazz-orientated arrangers. After an earlier aborted attempt to launch a band with Bauza, Machito founded the Afro-Cubans in 1940, taking on Bauza the following year as music director where he remained for 35 years. Playing regularly at New York’s Palladium, Machito’s band reached it’s peak of popularity during the mambo craze of the 1950’s, when this album was recorded. \r\n
      \r\n
      This outstanding album, recorded in 1957, in honor of the then recently formed republic of Kenya, highlights the wonderful Afro-American and Afro-Cuban musical language Machito spoke so well.\r\n
      \r\n
      In this album, Machito has combined all the elements needed in bringing the true meaning of Afro-Cuban jazz music to the listener. Machito, his musical director Mario Bauza, Rene Hernandez and A. K. Salim who along with Mr Bauza composed and arranged this music, define it this way : Afro-Cuban rhythm differs from other rhythms in that instead of the usual drums carrying the rhythmic beat, it is carried by Cuban percussion instruments such as the bongos, congas, timbales, guiros and maracas. Also, and even more elemental, is that although there are four beats to the bar as in all jazz, in Afro-Cuban jazz the beat is not played by any instrunments as such. It is felt, rather than actually heard. Afro-Cuban jazz is, in it’s performance, the marriage of Afro-Cuban rhythm and soloists.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Machito (vocal, conductor), Mario Bauza, Doc Cheatham, Joe Newman (trumpet), Cannonball Adderley (alto sax), Ray Santos (ts), Santo Russo, Eddie Bert (trombone), Rene Hernandez (piano), R. Rodriguez (bass), J. Mangual, Uba Nieto, C. Camero (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5SYYfcAz3No"
    -referenceProduit: "Pure Pleasure Records PPAN 52006"
    -titreMorceau: [
      [
        "nom" => "1. Frenzy "
        "ordre" => 8
      ]
      [
        "nom" => "1. Wild Jungle "
        "ordre" => 1
      ]
      [
        "nom" => "2. Blues A La Machito "
        "ordre" => 9
      ]
      [
        "nom" => "2. Congo Mulence "
        "ordre" => 2
      ]
      [
        "nom" => "3. Conversation "
        "ordre" => 10
      ]
      [
        "nom" => "3. Kenya "
        "ordre" => 3
      ]
      [
        "nom" => "4. Oyeme "
        "ordre" => 4
      ]
      [
        "nom" => "4. Tin Tin Deo "
        "ordre" => 11
      ]
      [
        "nom" => "5. Holiday "
        "ordre" => 5
      ]
      [
        "nom" => "5. Minor Rama "
        "ordre" => 12
      ]
      [
        "nom" => "6. Cannonology "
        "ordre" => 6
      ]
      [
        "nom" => "6. Tururato "
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1469 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1410808565 {#1896
      date: 2014-09-15 19:16:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1577263631 {#1889
      date: 2019-12-25 08:47:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kenya-pure-pleasure-records-ppan-52006"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3088
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 706
    -nom: "Kenya"
    -informationComplementaire: ""
    -description: """
      Machito was born Frank Raul Grillo 16th February 1912, Tampa, Florida. Machito played a huge role in the history of Latin jazz, for his bands of the 1940’s were probably the first to achieve a fusion of powerful Afro-Cuban rhythms and jazz improvisation. At it’s roaring best , the band had a hard charging sound, loaded with jostling, hyperactive bongos and congas and razor-edged riffing brass. Machito was the front man, singing, conducting, shaking maracas, while his brother-in-law Mario Bauza was the innovator behind the scenes, getting Machito to hire jazz-orientated arrangers. After an earlier aborted attempt to launch a band with Bauza, Machito founded the Afro-Cubans in 1940, taking on Bauza the following year as music director where he remained for 35 years. Playing regularly at New York’s Palladium, Machito’s band reached it’s peak of popularity during the mambo craze of the 1950’s, when this album was recorded. \r\n
      \r\n
      This outstanding album, recorded in 1957, in honor of the then recently formed republic of Kenya, highlights the wonderful Afro-American and Afro-Cuban musical language Machito spoke so well.\r\n
      \r\n
      In this album, Machito has combined all the elements needed in bringing the true meaning of Afro-Cuban jazz music to the listener. Machito, his musical director Mario Bauza, Rene Hernandez and A. K. Salim who along with Mr Bauza composed and arranged this music, define it this way : Afro-Cuban rhythm differs from other rhythms in that instead of the usual drums carrying the rhythmic beat, it is carried by Cuban percussion instruments such as the bongos, congas, timbales, guiros and maracas. Also, and even more elemental, is that although there are four beats to the bar as in all jazz, in Afro-Cuban jazz the beat is not played by any instrunments as such. It is felt, rather than actually heard. Afro-Cuban jazz is, in it’s performance, the marriage of Afro-Cuban rhythm and soloists.\r\n
      \r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Machito (vocal, conductor), Mario Bauza, Doc Cheatham, Joe Newman (trumpet), Cannonball Adderley (alto sax), Ray Santos (ts), Santo Russo, Eddie Bert (trombone), Rene Hernandez (piano), R. Rodriguez (bass), J. Mangual, Uba Nieto, C. Camero (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=5SYYfcAz3No"
    -referenceProduit: "Pure Pleasure Records PPAN 52006"
    -titreMorceau: [
      [
        "nom" => "1. Frenzy "
        "ordre" => 8
      ]
      [
        "nom" => "1. Wild Jungle "
        "ordre" => 1
      ]
      [
        "nom" => "2. Blues A La Machito "
        "ordre" => 9
      ]
      [
        "nom" => "2. Congo Mulence "
        "ordre" => 2
      ]
      [
        "nom" => "3. Conversation "
        "ordre" => 10
      ]
      [
        "nom" => "3. Kenya "
        "ordre" => 3
      ]
      [
        "nom" => "4. Oyeme "
        "ordre" => 4
      ]
      [
        "nom" => "4. Tin Tin Deo "
        "ordre" => 11
      ]
      [
        "nom" => "5. Holiday "
        "ordre" => 5
      ]
      [
        "nom" => "5. Minor Rama "
        "ordre" => 12
      ]
      [
        "nom" => "6. Cannonology "
        "ordre" => 6
      ]
      [
        "nom" => "6. Tururato "
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1469 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1410808565 {#1896
      date: 2014-09-15 19:16:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1577263631 {#1889
      date: 2019-12-25 08:47:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-kenya-pure-pleasure-records-ppan-52006"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2035
    -id: 766
    -nom: "Plays The Blues For You"
    -informationComplementaire: ""
    -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kavKbLCm870"
    -referenceProduit: "Pure Pleasure Records PPAN 020"
    -titreMorceau: [
      [
        "nom" => "1. Cadillac Assembly Line"
        "ordre" => 7
      ]
      [
        "nom" => "1. Talking To Anna-Mae (Part 1)"
        "ordre" => 1
      ]
      [
        "nom" => "2. T.V. Mama"
        "ordre" => 2
      ]
      [
        "nom" => "2. Voodoo Daddy"
        "ordre" => 8
      ]
      [
        "nom" => "3. I’ll Play The Blues For You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Talking To Anna-Mae (Part 2)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Born To Lose"
        "ordre" => 4
      ]
      [
        "nom" => "4. Groovin’ In Paris"
        "ordre" => 10
      ]
      [
        "nom" => "5. Tribute To Wes"
        "ordre" => 5
      ]
      [
        "nom" => "SIDE A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1428040932 {#2032
      date: 2015-04-03 06:02:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575358617 {#2033
      date: 2019-12-03 07:36:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-plays-the-blues-for-you-pure-pleasure-records-ppan-020"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3202
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2035
    -id: 766
    -nom: "Plays The Blues For You"
    -informationComplementaire: ""
    -description: "Guitarist Melvin Taylor's fluid, smartly constructed solos and understated yet winning vocals are surprises on this 1984 nine track set recorded for Isabel. Taylor is not a fancy or arresting singer but succeeds through his simple, effective delivery of lyrics, slight inflections, and vocal nuances. His guitar work is impressive, with skittering riffs, shifting runs, and dashing solos. Organist/pianist Lucky Peterson is an excellent second soloist, adding cute background phrases at times, then stepping forward and challenging or buttressing Taylor's playing with his own dazzling lines. - Ron Wynn / AMG"
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Melvin Taylor (guitar, vocals), Lucky Peterson (piano,organ), Titus Williams (bass, guitar), Ray Allison (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=kavKbLCm870"
    -referenceProduit: "Pure Pleasure Records PPAN 020"
    -titreMorceau: [
      [
        "nom" => "1. Cadillac Assembly Line"
        "ordre" => 7
      ]
      [
        "nom" => "1. Talking To Anna-Mae (Part 1)"
        "ordre" => 1
      ]
      [
        "nom" => "2. T.V. Mama"
        "ordre" => 2
      ]
      [
        "nom" => "2. Voodoo Daddy"
        "ordre" => 8
      ]
      [
        "nom" => "3. I’ll Play The Blues For You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Talking To Anna-Mae (Part 2)"
        "ordre" => 9
      ]
      [
        "nom" => "4. Born To Lose"
        "ordre" => 4
      ]
      [
        "nom" => "4. Groovin’ In Paris"
        "ordre" => 10
      ]
      [
        "nom" => "5. Tribute To Wes"
        "ordre" => 5
      ]
      [
        "nom" => "SIDE A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2037 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2046 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2039 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2041 …}
    -enregistreLe: DateTime @1428040932 {#2032
      date: 2015-04-03 06:02:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1575358617 {#2033
      date: 2019-12-03 07:36:57.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2043 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-plays-the-blues-for-you-pure-pleasure-records-ppan-020"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2051
    -id: 780
    -nom: "Ao Vivo"
    -informationComplementaire: ""
    -description: """
      Marcos Valle celebrates his 50th career anniversary as a songwriter, arranger, instrumentalist and singer with Stacey Kent's sweet American voice. Recorded at Miranda, in Rio de Janeiro, the performances here also have the special participation of Jim Tomlinson on saxophone. Each track on this LP presents an aspect of Marcos Valle's various musical facets, mixing genres and rhythms, placing Pop, Jazz, Bossa Nova, World Music, and MPB music side by side. Stacey Kent, one of the most prominent jazz singers in the world, lends her voice to songs like "Summer Samba (Samba de Verão)", "If You Went Away (Preciso Aprender a Ser Só)", "The Face I Love (Seu Encanto)", "Look Who's Mine (Dia de Vitória)", and many other of Marcos' classics.\r\n
      \r\n
      The voices of Valle and Kent are accompanied by Marcos' acoustic piano and by the band composed by Jessé Sadoc (with his trumpet and flugelhorn), Marcelo Martins (with his sax and flute), Aldivas Ayres (on the trombone), Luiz Brasil (on the guitar), Alberto Continentino (on the acoustic bass), and Renato "Massa" Calmon (on the drums). Highly recommended. \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Marcos Valle (piano, vocals), Stacey Kent (vocals),  Jessé Sadoc (trumpet, flugelhorn), Marcelo Martins (saxophone, flute), Aldivas Ayres (trombone), Luiz Brasil (guitar), Alberto Continentino (acoustic bass), Renato “Massa” Calmon (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=0OSHbfQxeyU"
    -referenceProduit: "Pure Pleasure Records PPAN 20092"
    -titreMorceau: [
      [
        "nom" => "1. Batucada Surgiu"
        "ordre" => 11
      ]
      [
        "nom" => "1. Drift Away"
        "ordre" => 6
      ]
      [
        "nom" => "1. Pigmaliao 70"
        "ordre" => 15
      ]
      [
        "nom" => "1. The White Puma"
        "ordre" => 1
      ]
      [
        "nom" => "2. La Petite Valse"
        "ordre" => 12
      ]
      [
        "nom" => "2. Look Who's Mine"
        "ordre" => 2
      ]
      [
        "nom" => "2. Summer Samba"
        "ordre" => 7
      ]
      [
        "nom" => "2. The Crickets"
        "ordre" => 16
      ]
      [
        "nom" => "3. Gente"
        "ordre" => 8
      ]
      [
        "nom" => "3. If You Went Away"
        "ordre" => 13
      ]
      [
        "nom" => "3. She Told Me, She Told Me"
        "ordre" => 17
      ]
      [
        "nom" => "3. The Face I Love"
        "ordre" => 3
      ]
      [
        "nom" => "4. My Nightingale"
        "ordre" => 18
      ]
      [
        "nom" => "4. Passa por Mim"
        "ordre" => 9
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …}
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    -nom: "Ao Vivo"
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[
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      Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n
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App\Twig\Components\GestionPanierFavoriComponents {#3304
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    -nom: "East Coasting By Charles Mingus"
    -informationComplementaire: ""
    -description: """
      Charles Mingus is usually known for his wild, soulful and avant-garde compositions. "East Coasting" is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as "soulful" in the traditional sense, but his introverted and sensitive style works well with Mingus's music. His playing on "West Coast Ghost" (the album's stand-out track) and "Celia" are two examples of Evans' ability to understand an artist's musical vision and play accordingly in his own beautifully original style.\r\n
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[
  "produit" => App\Entity\Produit {#2083
    -id: 642
    -nom: "The Lowdown Back Porch Blues"
    -informationComplementaire: ""
    -description: """
      The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n
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      \r\n
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      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    ]
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App\Twig\Components\GestionPanierFavoriComponents {#3355
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  +produit: App\Entity\Produit {#2083
    -id: 642
    -nom: "The Lowdown Back Porch Blues"
    -informationComplementaire: ""
    -description: """
      The legacy of blues music is distinctly American in its origins. Most (if not all) of these artists were raised in the dimness of Southern prejudice with limited opportunities. Playing music was not financially viable. Consequently, labor-intensive jobs became a necessity for survival. To complicate matters, blues musicians were routinely shortchanged on royalties, often depending on European audiences (and ultimately British rock bands) to sustain their careers. Within this life of struggle, a plethora of iconic songs kept the idiom alive for the world to cherish.\r\n
      \r\n
      One of these artists is Louisiana Red. Formerly known as Iverson Minter, he survived a devastating childhood (Red’s mother died of pneumonia and his father was lynched by the Klu Klux Klan in Alabama) to make his mark on the blues scene. After a stint in the army he joined the legions of blues men who emigrated north to begin a new life. He briefly played with John Lee Hooker before getting an audition with Roulette Records. His trademark guitar/harmonica and vocals extended his recording and performance stature for decades.\r\n
      \r\n
      Pure Pleasure Records has re-issued his 1963 debut, Lowdown, Back Porch Blues on 180-gram vinyl. Performing a mix of traditional and original (although there are some ‘dubious” songwriting credits) compositions, Louisiana Red is backed by a bassist (Karl Lynch) and drummer (Panama Francis). Side One gets off to a rowdy start with the self-introductory gem, “Red’s Blues”. There is a socio-political narrative to the song, but it includes a touch of humor. Red’s vocals and guitar are emotive. The blues framework is standard, updating Delta blues in Chicago hooks. “Working Man’s Blues” examines the hardship of balancing hard work and blues music. A certain highlight is the autobiographical “I’m Louisiana Red”. The jam is anchored by a rolling bass line and recounts life in Vicksburg (…”142 in the shade, 162 in the house…”). The listener is treated to a cross section of material, both lowdown (“Sweet Aleese”) and unadulterated, up tempo mojo (“Keep Your Hands Off My Woman”).\r\n
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[
  "produit" => App\Entity\Produit {#2099
    -id: 634
    -nom: "Let Yourself Go"
    -informationComplementaire: ""
    -description: """
      "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
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    -nom: "Let Yourself Go"
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      "Let Yourself Go" is an exceptional collection of 13 tunes written by the cream of popular song writers Berlin, Gershwin Brothers, and others honoring Fred Astaire's contributions to the vocal art. With his low key, narrow ranged voice, Astaire probably introduced and/or made popular more songs that were destined to become standard entries in the Great American Songbook than any other artist. Kent delivers this selective play list with one of three musical combinations, just piano, with piano plus rhythm, and with a larger aggregation which includes sax and guitar. Irrespective of the instrumental context, all of the tunes are delivered with Stacey's pleasant nasal twang to help her create the impression that the lyrics she's singing are part of an intimate one on one conversation with each listener. \r\n
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      Kent's pianist, David Newton, is one of the premiere accompanists in the U.K., having worked with such top flight singers as Tina May. He and Kent display their musical attraction to each other on a relaxed, suave rendition of "Isn't This a Lovely Day" and "They Can't Take That Away From Me", where Kent and Newton gently joust as they deliver an elegant rendition of this tune. 'Relaxed' is as good a word as any to describe the atmosphere for this session. \r\n
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[
  "produit" => App\Entity\Produit {#2115
    -id: 539
    -nom: "Explores Your Mind"
    -informationComplementaire: ""
    -description: """
      By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n
      \r\n
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      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3457
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2115
    -id: 539
    -nom: "Explores Your Mind"
    -informationComplementaire: ""
    -description: """
      By the time of 1974's Al Green Explores Your Mind, this version of the Memphis sound was the production style for only a handful of artists. Producer Willie Mitchell used a lighter touch for his most famous artist, and it's all but crafted into the Al Green sound. Despite his skills, Green never falls into mannerism here and gives heartfelt and cogent vocals rooted in intelligence and technique. "Sha-La-La (Make Me Happy)", although lyrically slight, has the artist's charisma and Mitchell's pop chops.\r\n
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    -prixVente: "34.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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[
  "produit" => App\Entity\Produit {#2131
    -id: 689
    -nom: "Changing Lights"
    -informationComplementaire: ""
    -description: """
      Stacey Kent's latest recording again demonstrates her vocal mastery. The immaculate intonation, timing and diction are flawless to the point of sheer purity. Her voice becomes an instrument with impeccable clarity and minimal vibrato. The album’s musical focus is Brazilian, mixing classics with originals, while switching smoothly between English, Portuguese and French. \r\n
      \r\n
      There are covers of Bossa Nova numbers from Tom Jobim, Roberto Menescal, Marcos Valle and others. Highlights include Jobim's How Insensitive, which is quietly and intensely melancholic, whilst the Jobim classic, One Note Samba, is given a cheeky up-tempo treatment. It is a difficult number to handle at such pace with the short-spaced, almost staccato notes. Stacey effortlessly takes the scale runs in her stride. Roberto Menescal’s O Barquinho is given a fresh arrangement and is performed by the composer himself on guitar. \r\n
      \r\n
      Six originals by Jim Tomlinson make up the rest of the album, three written with novelist and lyricist, Kazuo Ishiguro; the sublime title song, The Changing Lights, The Summer We Crossed Europe in the Rain, a story gracefully sung by Ms Kent and Waiter, Oh Waiter, a neat and jaunty request for help in choosing from a French menu. Two songs in Portuguese, Mais Uma Vez and A Tarde, written with poet, Antonio Ladeira, and Chanson Légère, written with Bernie Beaupère, who penned the title track to Stacey’s Raconte-Moi, add yet more flavours to the album. The arrangements and accompaniment of producer and husband, Jim Tomlinson are outstanding. The rhythm section is wonderfully subtle with praise for the percussionists, Josh Morrison and Matt Home, pianist Graham Harvey, bassist, Jeremy Brown and the guitarists, Roberto Menescal and John Parricelli. However, The Changing Lights is Stacey Kent's record first and foremost; impressive and top class.\r\n
      \r\n
      Explaining his and Stacey's musical process, Tomlinson elaborates on Kazuo Ishiguro's thoughts in his liner note of Stacey's 2001 Candid album, In Love Again. "Stacey's style reminds me of the best film actors who, on camera, develop a very different style to that of stage actors who are required to project their voices and gestures in order to express themselves across the space of the theatre. In film, an actor can do a lot with very little, whether in terms of expression, gesture, inflection or tone of voice. With Stacey, I believe that we create music in the same way, where even the smallest gestures have great emotional significance".\r\n
      \r\n
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Stacey Kent (guitar, vocals), Jim Tomlinson (tenor & soprano saxophone, flute), Graham Harvey (piano, Fender Rhodes),  Roberto Menescal, John Parricelli (guitar), Jeremy Brown (double bass), Raymundo Bittencourt (ganza), Matt Home, Joshua Morrison (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
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        "nom" => "1. Mais Uma Vez"
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        "nom" => "1. The Changing Lights"
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        "nom" => "3. O Bêbado E A Equilibrista / Smile "
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        "nom" => "3. One Note Samba (Samba De Uma Nota Só) "
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      [
        "nom" => "4. Chanson Légère"
        "ordre" => 16
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        "nom" => "Side A : "
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        "nom" => "Side D : "
        "ordre" => 12
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
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      date: 2019-11-25 15:10:32.0 UTC (+00:00)
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App\Twig\Components\GestionPanierFavoriComponents {#3510
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2131
    -id: 689
    -nom: "Changing Lights"
    -informationComplementaire: ""
    -description: """
      Stacey Kent's latest recording again demonstrates her vocal mastery. The immaculate intonation, timing and diction are flawless to the point of sheer purity. Her voice becomes an instrument with impeccable clarity and minimal vibrato. The album’s musical focus is Brazilian, mixing classics with originals, while switching smoothly between English, Portuguese and French. \r\n
      \r\n
      There are covers of Bossa Nova numbers from Tom Jobim, Roberto Menescal, Marcos Valle and others. Highlights include Jobim's How Insensitive, which is quietly and intensely melancholic, whilst the Jobim classic, One Note Samba, is given a cheeky up-tempo treatment. It is a difficult number to handle at such pace with the short-spaced, almost staccato notes. Stacey effortlessly takes the scale runs in her stride. Roberto Menescal’s O Barquinho is given a fresh arrangement and is performed by the composer himself on guitar. \r\n
      \r\n
      Six originals by Jim Tomlinson make up the rest of the album, three written with novelist and lyricist, Kazuo Ishiguro; the sublime title song, The Changing Lights, The Summer We Crossed Europe in the Rain, a story gracefully sung by Ms Kent and Waiter, Oh Waiter, a neat and jaunty request for help in choosing from a French menu. Two songs in Portuguese, Mais Uma Vez and A Tarde, written with poet, Antonio Ladeira, and Chanson Légère, written with Bernie Beaupère, who penned the title track to Stacey’s Raconte-Moi, add yet more flavours to the album. The arrangements and accompaniment of producer and husband, Jim Tomlinson are outstanding. The rhythm section is wonderfully subtle with praise for the percussionists, Josh Morrison and Matt Home, pianist Graham Harvey, bassist, Jeremy Brown and the guitarists, Roberto Menescal and John Parricelli. However, The Changing Lights is Stacey Kent's record first and foremost; impressive and top class.\r\n
      \r\n
      Explaining his and Stacey's musical process, Tomlinson elaborates on Kazuo Ishiguro's thoughts in his liner note of Stacey's 2001 Candid album, In Love Again. "Stacey's style reminds me of the best film actors who, on camera, develop a very different style to that of stage actors who are required to project their voices and gestures in order to express themselves across the space of the theatre. In film, an actor can do a lot with very little, whether in terms of expression, gesture, inflection or tone of voice. With Stacey, I believe that we create music in the same way, where even the smallest gestures have great emotional significance".\r\n
      \r\n
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    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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        "nom" => "1. The Changing Lights"
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      [
        "nom" => "3. O Barquinho"
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      [
        "nom" => "3. O Bêbado E A Equilibrista / Smile "
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      [
        "nom" => "3. One Note Samba (Samba De Uma Nota Só) "
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        "nom" => "Side A : "
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      [
        "nom" => "Side D : "
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: App\Entity\Label {#1063 …}
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    }
    -modifierLe: DateTime @1574694632 {#2129
      date: 2019-11-25 15:10:32.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#2144
    -id: 490
    -nom: "Singin’ The Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone), Willard McDaniel (piano), Jake Porter (trumpet), Floyd Newman (alto & baritone saxophone), Jesse Price, Jesse Sailes (drums). \r\n
      \r\n
      "Singin' The Blues" was issued as Crown 5020 in spring 1957 and featured some of B.B. King's best-loved songs up to that point. The LP included four #1 R&B hits : '3 O'Clock Blues' and 'You Know I Love You' (1952), 'Please Love Me' (1953) and 'You Upset Me Baby' (1954); four other top ten hits; plus 'Blind Love' from 1953 and covers of Tampa Red's 'Crying Won't Help You' (1955) and Gatemouth Moore's 'Did You Ever Love A Woman' from 1956. \r\n
      \r\n
      To fill out the album, a superior alternate take of 'Sweet Little Angel' was included. As John Broven observes in his notes: "In 1957 "Singin' The Blues" gave the first real indication that B.B. King was destined to be a major star. - Tony Burke\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q-fQd3uoPjQ"
    -referenceProduit: "Pure Pleasure Records PPAN CLP 5020"
    -titreMorceau: [
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        "nom" => "1. Please Love Me"
        "ordre" => 1
      ]
      [
        "nom" => "1. Woke Up This Morning"
        "ordre" => 8
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      [
        "nom" => "2. You Know I Love You"
        "ordre" => 9
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      [
        "nom" => "2. You Upset Me Baby"
        "ordre" => 2
      ]
      [
        "nom" => "3. Everyday I Have the Blues"
        "ordre" => 3
      ]
      [
        "nom" => "3. Sweet Little Angel"
        "ordre" => 10
      ]
      [
        "nom" => "4. Bad Luck"
        "ordre" => 4
      ]
      [
        "nom" => "4. Ten Long Years"
        "ordre" => 11
      ]
      [
        "nom" => "5. 3 O'Clock Blues"
        "ordre" => 5
      ]
      [
        "nom" => "5. Did You Ever Love a Woman"
        "ordre" => 12
      ]
      [
        "nom" => "6. Blind Love"
        "ordre" => 6
      ]
      [
        "nom" => "6. Crying Won't Help You"
        "ordre" => 13
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2146 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2150 …}
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    }
    -modifierLe: DateTime @1574692609 {#2142
      date: 2019-11-25 14:36:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2152 …}
    -disponible: null
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    -slug: "vinyles-singin-the-blues-pure-pleasure-records-ppan-clp-5020"
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App\Twig\Components\GestionPanierFavoriComponents {#3556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2144
    -id: 490
    -nom: "Singin’ The Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone), Willard McDaniel (piano), Jake Porter (trumpet), Floyd Newman (alto & baritone saxophone), Jesse Price, Jesse Sailes (drums). \r\n
      \r\n
      "Singin' The Blues" was issued as Crown 5020 in spring 1957 and featured some of B.B. King's best-loved songs up to that point. The LP included four #1 R&B hits : '3 O'Clock Blues' and 'You Know I Love You' (1952), 'Please Love Me' (1953) and 'You Upset Me Baby' (1954); four other top ten hits; plus 'Blind Love' from 1953 and covers of Tampa Red's 'Crying Won't Help You' (1955) and Gatemouth Moore's 'Did You Ever Love A Woman' from 1956. \r\n
      \r\n
      To fill out the album, a superior alternate take of 'Sweet Little Angel' was included. As John Broven observes in his notes: "In 1957 "Singin' The Blues" gave the first real indication that B.B. King was destined to be a major star. - Tony Burke\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "B.B. King (guitar, vocals), Red Callender, Ralph Hamilton, Billy Hadnot (bass guitar), Maxwell Davis, Maurice Simon, Lorenzo Holden, Jack McVea, Charles Waller, Bumps Myers (tenor saxophone), Jewell L. Grant (alto saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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        "nom" => "2. You Upset Me Baby"
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        "nom" => "3. Everyday I Have the Blues"
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        "nom" => "3. Sweet Little Angel"
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        "nom" => "4. Bad Luck"
        "ordre" => 4
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        "nom" => "4. Ten Long Years"
        "ordre" => 11
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      [
        "nom" => "5. 3 O'Clock Blues"
        "ordre" => 5
      ]
      [
        "nom" => "5. Did You Ever Love a Woman"
        "ordre" => 12
      ]
      [
        "nom" => "6. Blind Love"
        "ordre" => 6
      ]
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        "nom" => "6. Crying Won't Help You"
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        "nom" => "Side A : "
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        "nom" => "Side B : "
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2146 …}
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    }
    -modifierLe: DateTime @1574692609 {#2142
      date: 2019-11-25 14:36:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-singin-the-blues-pure-pleasure-records-ppan-clp-5020"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2160
    -id: 654
    -nom: "In The Winners Circle"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes), Freddie Green, Kenny Burrell (guitar), Oscar Pettiford (bass), Philly Joe Jones, Ed Thingpen (drums).\r\n
      \r\n
      Rare stuff from John Coltrane! The album features Trane playing tenor on only 4 of the album's 8 tracks making it kind of surprising that they used his name in the title but the album is a lesser-known batch of large group recordings that offer an interesting early chapter in his career ! The main force behind the album is arranger Harry Tubbs possibly not a name that's as sexy as John Coltrane, hence the billing but a worthy leader for the date, given the quality of the music.\r\n
      \r\n
      Many of the other players here are small combo heroes who can also shine brightly in bigger groups such as Donald Byrd and Art Farmer on trumpets, Kenny Burrell on guitar, Al Cohn on baritone sax, Eddie Costa on piano and vibes, and Oscar Pettiford on bass plus Rolf Kuhn, making an early American appearance on clarinet. Coltrane gets in some nice, but short moments on the date but the bigger charm is the full ensemble work on titles that include "She Didn't Say Yes", "Turtle Walk", "At Home With The Blues", "Seabreeze", and "Love & The Weather".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: " Pure Pleasure Records BCP 6066"
    -titreMorceau: [
      [
        "nom" => "1. Lazy Afternoon"
        "ordre" => 1
      ]
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        "nom" => "1. She Didn't Say Yes"
        "ordre" => 6
      ]
      [
        "nom" => "2. If I'm Lucky (I'll Be the One)"
        "ordre" => 7
      ]
      [
        "nom" => "2. Not So Sleepy"
        "ordre" => 2
      ]
      [
        "nom" => "3. At Home With the Blues"
        "ordre" => 8
      ]
      [
        "nom" => "3. Seabreeze"
        "ordre" => 3
      ]
      [
        "nom" => "4. Love and the Weather"
        "ordre" => 4
      ]
      [
        "nom" => "4. Turtle Walk"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1381129489 {#2157
      date: 2013-10-07 07:04:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574667131 {#2158
      date: 2019-11-25 07:32:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-in-the-winners-circle-pure-pleasure-records-bcp-6066"
  }
  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3607
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2160
    -id: 654
    -nom: "In The Winners Circle"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes), Freddie Green, Kenny Burrell (guitar), Oscar Pettiford (bass), Philly Joe Jones, Ed Thingpen (drums).\r\n
      \r\n
      Rare stuff from John Coltrane! The album features Trane playing tenor on only 4 of the album's 8 tracks making it kind of surprising that they used his name in the title but the album is a lesser-known batch of large group recordings that offer an interesting early chapter in his career ! The main force behind the album is arranger Harry Tubbs possibly not a name that's as sexy as John Coltrane, hence the billing but a worthy leader for the date, given the quality of the music.\r\n
      \r\n
      Many of the other players here are small combo heroes who can also shine brightly in bigger groups such as Donald Byrd and Art Farmer on trumpets, Kenny Burrell on guitar, Al Cohn on baritone sax, Eddie Costa on piano and vibes, and Oscar Pettiford on bass plus Rolf Kuhn, making an early American appearance on clarinet. Coltrane gets in some nice, but short moments on the date but the bigger charm is the full ensemble work on titles that include "She Didn't Say Yes", "Turtle Walk", "At Home With The Blues", "Seabreeze", and "Love & The Weather".\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd, Art Farmer (trumpet), Frank Rehak (trombone), Gene Quill (alto saxophone), Al Cohn (baritone saxophone), Rolf Kuhn (clarinet), Eddie Costa (piano, vibes)…"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -setBoxMusic: false
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    -extraitYoutube: ""
    -referenceProduit: " Pure Pleasure Records BCP 6066"
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        "nom" => "1. Lazy Afternoon"
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        "ordre" => 8
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      [
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        "ordre" => 3
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      [
        "nom" => "4. Love and the Weather"
        "ordre" => 4
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      [
        "nom" => "4. Turtle Walk"
        "ordre" => 9
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 5
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2162 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2171 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2164 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2166 …}
    -enregistreLe: DateTime @1381129489 {#2157
      date: 2013-10-07 07:04:49.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574667131 {#2158
      date: 2019-11-25 07:32:11.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2168 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-in-the-winners-circle-pure-pleasure-records-bcp-6066"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2176
    -id: 722
    -nom: "Richland Woman Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar), Alvin Youngblood Hart, Angela Strehli, Maria Muldaur, Tracy Nelson (vocals).\r\n
      \r\n
      Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur inspired by a trip to Memphis' Beale Street digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin "Youngblood" Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. \r\n
      \r\n
      Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in "Me and My Chauffeur Blues" ("the way you ride so easy, I can't turn you down") or longing for her Southern home after moving north during the Depression in Bessie Smith's "Far Away Blues", the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.. - Hal Horowitz /AMG\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SCrrwnlITGc"
    -referenceProduit: "Pure Pleasure Records PPAN SP 1270"
    -titreMorceau: [
      [
        "nom" => "1. My Man Blues"
        "ordre" => 8
      ]
      [
        "nom" => "1. Richland Woman Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Grasshoppers In My Pillow"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Girlish Days"
        "ordre" => 9
      ]
      [
        "nom" => "3. Far Away Blues"
        "ordre" => 10
      ]
      [
        "nom" => "3. It’s A Blessing"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got To Move"
        "ordre" => 11
      ]
      [
        "nom" => "4. Me And My Chauffeur Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Lonesome Desert Blues"
        "ordre" => 12
      ]
      [
        "nom" => "5. Put It Right Here"
        "ordre" => 5
      ]
      [
        "nom" => "6. I’m Goin’ Back Home"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Of A Man"
        "ordre" => 13
      ]
      [
        "nom" => "7. I Belong To That Band"
        "ordre" => 14
      ]
      [
        "nom" => "8. It’s A Blessing (Reprise)"
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2187 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2180 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2182 …}
    -enregistreLe: DateTime @1415952427 {#2173
      date: 2014-11-14 08:07:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574665865 {#2174
      date: 2019-11-25 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
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    -slug: "vinyles-richland-woman-blues-pure-pleasure-records-ppan-sp-1270"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3658
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2176
    -id: 722
    -nom: "Richland Woman Blues"
    -informationComplementaire: ""
    -description: """
      Musicians :\r\n
      Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar), Alvin Youngblood Hart, Angela Strehli, Maria Muldaur, Tracy Nelson (vocals).\r\n
      \r\n
      Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur inspired by a trip to Memphis' Beale Street digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin "Youngblood" Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. \r\n
      \r\n
      Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in "Me and My Chauffeur Blues" ("the way you ride so easy, I can't turn you down") or longing for her Southern home after moving north during the Depression in Bessie Smith's "Far Away Blues", the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.. - Hal Horowitz /AMG\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Maria Muldaur (vocals), Roly Salley (bass), Alvin Youngblood Hart, Ernie Hawkins, John Sebastian, Roy Rogers (guitar), Bonnie Raitt (guitar, slide guitar), David Wilkie (mandocello), Dave Mathews (piano), Amos Garrett (twelve-string guitar)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SCrrwnlITGc"
    -referenceProduit: "Pure Pleasure Records PPAN SP 1270"
    -titreMorceau: [
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        "nom" => "1. My Man Blues"
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        "nom" => "1. Richland Woman Blues"
        "ordre" => 1
      ]
      [
        "nom" => "2. Grasshoppers In My Pillow"
        "ordre" => 2
      ]
      [
        "nom" => "2. In My Girlish Days"
        "ordre" => 9
      ]
      [
        "nom" => "3. Far Away Blues"
        "ordre" => 10
      ]
      [
        "nom" => "3. It’s A Blessing"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Got To Move"
        "ordre" => 11
      ]
      [
        "nom" => "4. Me And My Chauffeur Blues"
        "ordre" => 4
      ]
      [
        "nom" => "5. Lonesome Desert Blues"
        "ordre" => 12
      ]
      [
        "nom" => "5. Put It Right Here"
        "ordre" => 5
      ]
      [
        "nom" => "6. I’m Goin’ Back Home"
        "ordre" => 6
      ]
      [
        "nom" => "6. Soul Of A Man"
        "ordre" => 13
      ]
      [
        "nom" => "7. I Belong To That Band"
        "ordre" => 14
      ]
      [
        "nom" => "8. It’s A Blessing (Reprise)"
        "ordre" => 15
      ]
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "Side B :"
        "ordre" => 7
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2178 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1455 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2187 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2180 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2182 …}
    -enregistreLe: DateTime @1415952427 {#2173
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    }
    -modifierLe: DateTime @1574665865 {#2174
      date: 2019-11-25 07:11:05.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
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    -slug: "vinyles-richland-woman-blues-pure-pleasure-records-ppan-sp-1270"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

[
  "produit" => App\Entity\Produit {#2192
    -id: 330
    -nom: "Now It'sMy Turn"
    -informationComplementaire: ""
    -description: """
      Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. She could solo for 20 minutes, scat at lightning speed, or drive home an emotion with wordless, bluesy moans and sighs. She wasn't quite avant-garde, but she was definitely "out". Yet as much as Carter was fascinated by pure, abstract sound, she was also a sensitive lyric interpreter when she chose, a tender and sensual ballad singer sometimes given to suggestive asides. \r\n
      \r\n
      Her wild unpredictability kept her marginalized for much of her career, and she never achieved the renown of peers like Ella Fitzgerald, Sarah Vaughan, or Carmen McRae. What was more, her exacting musical standards and assertive independence limited her recorded output somewhat. But Carter stuck around long enough to receive her proper due; her unwillingness to compromise eventually earned her the respect of the wider jazz audience, and many critics regarded her as perhaps the purest jazz singer active in the '80s and '90s. - AMG / Steve Huey\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Betty Carter (vocals), John Hicks (piano), Walter Booker (bass), Eddie Moore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Pure Pleasure Records PPAN 5005"
    -titreMorceau: [
      [
        "nom" => "1. Most Gentlemen Don't Like Love"
        "ordre" => 7
      ]
      [
        "nom" => "1. Music Maestro, Please"
        "ordre" => 1
      ]
      [
        "nom" => "2. Making Dreams Come True"
        "ordre" => 8
      ]
      [
        "nom" => "2. Swing Brother Swing"
        "ordre" => 2
      ]
      [
        "nom" => "3. I was Telling Him About You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Open the Door"
        "ordre" => 9
      ]
      [
        "nom" => "4. Just Friends / Star Eyes (Medley)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Wagon Wheels"
        "ordre" => 4
      ]
      [
        "nom" => "5. New Blues (You Purr)"
        "ordre" => 5
      ]
      [
        "nom" => "5. No More Words"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1278690972 {#2189
      date: 2010-07-09 15:56:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574413593 {#2190
      date: 2019-11-22 09:06:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
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    -slug: "vinyles-now-it-smy-turn-pure-pleasure-records-ppan-5005"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3709
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2626 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2192
    -id: 330
    -nom: "Now It'sMy Turn"
    -informationComplementaire: ""
    -description: """
      Arguably the most adventurous female jazz singer of all time, Betty Carter was an idiosyncratic stylist and a restless improviser who pushed the limits of melody and harmony as much as any bebop horn player. The husky-voiced Carter was capable of radical, off-the-cuff re-workings of whatever she sang, abruptly changing tempos and dynamics, or rearranging the lyrics into distinctive, off-the-beat rhythmic patterns. She could solo for 20 minutes, scat at lightning speed, or drive home an emotion with wordless, bluesy moans and sighs. She wasn't quite avant-garde, but she was definitely "out". Yet as much as Carter was fascinated by pure, abstract sound, she was also a sensitive lyric interpreter when she chose, a tender and sensual ballad singer sometimes given to suggestive asides. \r\n
      \r\n
      Her wild unpredictability kept her marginalized for much of her career, and she never achieved the renown of peers like Ella Fitzgerald, Sarah Vaughan, or Carmen McRae. What was more, her exacting musical standards and assertive independence limited her recorded output somewhat. But Carter stuck around long enough to receive her proper due; her unwillingness to compromise eventually earned her the respect of the wider jazz audience, and many critics regarded her as perhaps the purest jazz singer active in the '80s and '90s. - AMG / Steve Huey\r\n
      """
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Betty Carter (vocals), John Hicks (piano), Walter Booker (bass), Eddie Moore (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: ""
    -referenceProduit: "Pure Pleasure Records PPAN 5005"
    -titreMorceau: [
      [
        "nom" => "1. Most Gentlemen Don't Like Love"
        "ordre" => 7
      ]
      [
        "nom" => "1. Music Maestro, Please"
        "ordre" => 1
      ]
      [
        "nom" => "2. Making Dreams Come True"
        "ordre" => 8
      ]
      [
        "nom" => "2. Swing Brother Swing"
        "ordre" => 2
      ]
      [
        "nom" => "3. I was Telling Him About You"
        "ordre" => 3
      ]
      [
        "nom" => "3. Open the Door"
        "ordre" => 9
      ]
      [
        "nom" => "4. Just Friends / Star Eyes (Medley)"
        "ordre" => 10
      ]
      [
        "nom" => "4. Wagon Wheels"
        "ordre" => 4
      ]
      [
        "nom" => "5. New Blues (You Purr)"
        "ordre" => 5
      ]
      [
        "nom" => "5. No More Words"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 6
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1278690972 {#2189
      date: 2010-07-09 15:56:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1574413593 {#2190
      date: 2019-11-22 09:06:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-now-it-smy-turn-pure-pleasure-records-ppan-5005"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3909
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2394 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3910 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3958 …}
  +isValidated: false
  +validatedFields: []
}