Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2434
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2511
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2514 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2513 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2087 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
  -formView: Symfony\Component\Form\FormView {#2550 …}
  -form: Symfony\Component\Form\Form {#2700 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1879
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Burning Love (EPiC Version)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
        "ordre" => 14
        "nom" => "Side C :"
      ]
      [
        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 18
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 19
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 20
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 21
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
      ]
      [
        "ordre" => 23
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 24
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 25
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 26
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 27
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 28
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 29
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1777322564 {#1894
      date: 2026-04-27 20:42:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777323478 {#1724
      date: 2026-04-27 20:57:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-baz-luhrmann-s-epic-elvis-presley-in-concert-original-motion-picture-soundtrack-legacy-records-3117"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#2987
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2513 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2087 …}
  +produit: App\Entity\Produit {#1879
    -id: 3072
    -nom: "Baz Luhrmann's EPiC : Elvis Presley In Concert  (Original Motion Picture Soundtrack)"
    -informationComplementaire: "Le King comme vous ne l’avez jamais entendu. Une icône, une voix, une renaissance. Un son puissant, une émotion brute, une légende revisitée. Elvis Presley revient en force. Plongez dans son univers intemporel, sublimé par une production d’exception."
    -description: """
      Baz Luhrmann's EPiC : Elvis Presley In Concert (Original Motion Picture Soundtrack) est bien plus qu’une simple bande originale, c’est une célébration vibrante de l’héritage musical de Elvis Presley.\r\n
      \r\n
      Construit à partir de performances live emblématiques des années 1970, cet album restitue toute l’intensité et le charisme du King sur scène. Sa voix, capturée dans des moments d’une rare authenticité, est ici magnifiée par une production contemporaine qui mêle subtilement orchestrations modernes, remasterisation de haute précision et arrangements inédits.\r\n
      \r\n
      On y retrouve l’énergie incomparable de son groupe historique, guitares incisives, section rythmique puissante, chœurs gospel envoûtants, enrichie par un travail sonore actuel qui donne une nouvelle dimension à ces enregistrements légendaires.\r\n
      \r\n
      Supervisé dans l’esprit du cinéma spectaculaire par Baz Luhrmann, ce projet offre une immersion totale entre passé et présent. Le résultat, une expérience musicale à la fois nostalgique et résolument moderne, capable de séduire aussi bien les fans de toujours que les nouvelles générations.\r\n
      \r\n
      Musicians : \r\n
      Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums), The Sweet Inspirations, J.D. Sumner & the Stamps Quartet (backing vocals), Kathy Westmoreland (soprano vocals), Joe Guercio (orchestra conductor).\r\n
      \r\n
      - Elvis Presley "Baz Luhrmann's EPiC : Elvis Presley In Concert" !\r\n
      - Original Motion Picture Soundtrack !\r\n
      \r\n
      Discover Elvis like never before with the Original Motion Picture Soundtrack to "Baz Luhrmann's EPiC : Elvis Presley in Concert". Executive produced by Baz Luhrmann, this collection features the showstopping performances featured in the film, including new mixes and fresh remixes of classic Elvis hits, along with two exclusive new tracks that blend and reimagine iconic Elvis performances, delivering bold, innovative interpretations that celebrate the King in an entirely new way.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (vocals), James Burton (lead guitar), John Wilkinson (rhythm guitar), Charlie Hodge (acoustic guitar, backing vocals), Jerry Scheff (bass), Tony Brown (piano), Bobby Ogdin (keyboards), Ronnie Tutt (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i5yJ7iSfFUo&list=PLLRIXAxtV8zybiPlnoWJEssZmC-4Hi-F2&index=7"
    -referenceProduit: "Legacy Records 3117"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Can’t Help Falling In Love (EPiC Intro)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Also Sprach Zarathustra / An American Trilogy (EPiC Version)"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s All Right (EPiC Version)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tiger Man (EPiC Version)"
      ]
      [
        "ordre" => 5
        "nom" => "5. Wearin’ That Night Life Look"
      ]
      [
        "ordre" => 6
        "nom" => "6. Hound Dog (EPiC Version)"
      ]
      [
        "ordre" => 7
        "nom" => "7. Polk Salad Annie (EPiC Version)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. You’ve Lost That Loving Feeling (EPiC Version)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Little Sister / Get Back (EPiC Version)"
      ]
      [
        "ordre" => 11
        "nom" => "3. Burning Love (EPiC Version)"
      ]
      [
        "ordre" => 12
        "nom" => "4. Never Been To Spain (EPiC Version)"
      ]
      [
        "ordre" => 13
        "nom" => "5. Love Me (Jamieson Shaw Remix)"
      ]
      [
        "ordre" => 14
        "nom" => "Side C :"
      ]
      [
        "ordre" => 15
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 16
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 18
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 19
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 20
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 21
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 22
        "nom" => "Side D : "
      ]
      [
        "ordre" => 23
        "nom" => "1. I Can’t Stop Loving You (EPiC Version)"
      ]
      [
        "ordre" => 24
        "nom" => "2. Are You Lonesome Tonight (EPiC Version)"
      ]
      [
        "ordre" => 25
        "nom" => "3. Always On My Mind (EPiC Version)"
      ]
      [
        "ordre" => 26
        "nom" => "4. How Great Thou Art (EPiC Version)"
      ]
      [
        "ordre" => 27
        "nom" => "5. Oh Happy Day (EPiC Version)"
      ]
      [
        "ordre" => 28
        "nom" => "6. Big Hunk O’ Love (EPiC Version)"
      ]
      [
        "ordre" => 29
        "nom" => "7. Bridge Over Troubled Water (EPiC Version)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
      [
        "ordre" => 31
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1472 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2011 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1913 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#1999 …}
    -enregistreLe: DateTime @1777322564 {#1894
      date: 2026-04-27 20:42:44.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777323478 {#1724
      date: 2026-04-27 20:57:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2005 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-baz-luhrmann-s-epic-elvis-presley-in-concert-original-motion-picture-soundtrack-legacy-records-3117"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
}

[
  "produit" => App\Entity\Produit {#2030
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
      ]
      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
      ]
      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. A Big Hunk"
      ]
      [
        "ordre" => 7
        "nom" => "2. All Shook Up"
      ]
      [
        "ordre" => 8
        "nom" => "3. (Let Me Be Your) Teddy Bear"
      ]
      [
        "ordre" => 9
        "nom" => "4. Jailhouse Rock"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wear My Ring Around Your Neck"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :  "
      ]
      [
        "ordre" => 12
        "nom" => "1. Love Me tender"
      ]
      [
        "ordre" => 13
        "nom" => "2. Stuck On You"
      ]
      [
        "ordre" => 14
        "nom" => "3. It's Now or Never"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Are You Lonesome Tonight"
      ]
      [
        "ordre" => 17
        "nom" => "2. Surrender"
      ]
      [
        "ordre" => 18
        "nom" => "3. (Marie's The Name) His Latest Flame"
      ]
      [
        "ordre" => 19
        "nom" => "4. Little Sister"
      ]
      [
        "ordre" => 20
        "nom" => "Side E : "
      ]
      [
        "ordre" => 21
        "nom" => "1. Can't Help Falling In Love"
      ]
      [
        "ordre" => 22
        "nom" => "2. Good Luck Charm"
      ]
      [
        "ordre" => 23
        "nom" => "3. She's Not You"
      ]
      [
        "ordre" => 24
        "nom" => "4. Return To Sender"
      ]
      [
        "ordre" => 25
        "nom" => "Side F : "
      ]
      [
        "ordre" => 26
        "nom" => "1. (You're The) Devil In Disguise"
      ]
      [
        "ordre" => 27
        "nom" => "2. Crying In The Chapel"
      ]
      [
        "ordre" => 28
        "nom" => "3. In The Ghetto"
      ]
      [
        "ordre" => 29
        "nom" => "4. Suspicious Minds"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1476 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2036 …}
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      date: 2010-07-09 16:01:30.0 UTC (+00:00)
    }
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      date: 2026-04-25 11:07:44.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3078
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  +produit: App\Entity\Produit {#2030
    -id: 373
    -nom: "24 Karat Hits !"
    -informationComplementaire: "Avec "24 Karat Hits !", plongez dans l’essence même du King, sublimée par un pressage audiophile d’exception. Chaque note, chaque souffle de Elvis Presley reprend vie avec une richesse sonore incomparable."
    -description: """
      Avec "24 Karat Hits !", redécouvrez toute la puissance et l’élégance du répertoire de Elvis Presley dans une édition audiophile d’exception. Cet album (3 LP) en 45 RPM a été conçu pour offrir une restitution sonore d’une précision remarquable, bien au-delà des pressages vinyles traditionnels.\r\n
      \r\n
      Regroupant les titres les plus emblématiques du King, cette compilation met en lumière l’étendue de son talent, du rock’n’roll énergique aux ballades empreintes d’émotion. Chaque morceau a bénéficié d’un remastering minutieux, permettant de révéler toute la richesse des enregistrements originaux avec une voix plus présente, des instruments mieux définis, et une scène sonore plus large.\r\n
      \r\n
      Le choix du format 45 RPM n’est pas anodin. Il permet une lecture plus fidèle des sillons, offrant ainsi une dynamique accrue, une meilleure séparation des instruments et une clarté sonore impressionnante. Répartis sur trois vinyles, les titres disposent de davantage d’espace, ce qui réduit la compression et améliore considérablement la qualité d’écoute.\r\n
      \r\n
      Pensé pour les audiophiles comme pour les collectionneurs exigeants, cet album s’impose comme une référence incontournable. Que ce soit pour redécouvrir Elvis Presley ou pour enrichir une collection de vinyles haut de gamme, "24 Karat Hits !" offre une immersion sonore rare, au plus près de l’intention artistique originale.\r\n
      \r\n
      - Elvis Presley "24 Karat Hits", 180 gram, 45 RPM three LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - An audiophile dream set; the best sounding Elvis record ever pressed !\r\n
      - Includes every one of the King's all-time greatest singles !\r\n
      \r\n
      "Thick vinyl rotating at 45 RPM, two dozen certified Presley masterpieces, mastered by George Marino at Sterling Sound from the original 1, 2 and 3 track masters : it doesn't get any better than this, musically or sonically". Sound Quality : 90 % - Ken Kessler, Hi-Fi News, March 2011.\r\n
      \r\n
      "All I can say is this set is an Elvis fan's dream come true... destined to be a collector's item." Music = 9/11; Sound = 9/11 - Michael Fremer, musicangle.\r\n
      \r\n
      It's no understatement to call Evis Presley the chief catalyst of the rock 'n' roll era. Presley earned his nickname "The King" by releasing dozens of course-altering singles over the course of his influential career; during the 1950s Presley's records spent a collective 53 weeks in the N° 1 chart position. Almost everything you could want from Elvis is in one towering collection "24 Karat Hits", now a brilliant 45 RPM, three LP set released by Analogue Productions !\r\n
      \r\n
      Elvis' 24 greatest recordings here are painstakingly compiled and remastered from the original 1, 2 and 3 track master tapes lovingly stored in the vaults of RCA-Victor. All the hits are here from 1956's "Heartbreak Hotel" to 1969's "Suspicious Minds". This three LP Fort Knox of music is mandatory for every music lover, let alone Presley diehards and record collectors. A long-out-of-print audiophile favorite known for its first-rate sound quality it gets the royal treatment here on six wide-grooved sides of 45 RPM 180 gram super-silent vinyl. Incredible !\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (reaching prices upwards of $ 350 on eBay) as well as the DCC gold disc (a rare find fetching $ 150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Contained in the grooves of this album are some of the best rock 'n' roll cuts recorded in the last 50 years. Had Elvis Presley done nothing else but record "That's Alright, Mama", his place in pop music history would be secure. Presley fused rhythm and blues with country and legitimized beat music for white audiences. On 24 Karat Hits, every memorable facet of Presley's multiple personas is represented:The hip-shaking rebel "Jailhouse Rock", sensitive balladeer "Can't Help Falling in Love", beckoning romantic "Are You Lonesome Tonight", teen idol "Let Me Be Your Teddy Bear", socially conscious soul man "In the Ghetto", and passionate loverman "Suspicious Minds". The two dozen songs on this golden compilation read like a history of pop music and play like it is unfolding before our very eyes. There's no substitution for the experience this set provides.\r\n
      \r\n
      Do not miss the chance to own part of American history in unsurpassed fidelity that brings the cream of Elvis' music into your room, in stunning clarity.\r\n
      \r\n
      This release is a gem to treat your ears !!!
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -lpsMusic: 3
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    -extraitYoutube: "https://www.youtube.com/watch?v=YEqTWMvfIBo"
    -referenceProduit: "AAPJ 2040-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "ordre" => 1
        "nom" => "1. Heartbreak Hotel"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Me"
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      [
        "ordre" => 3
        "nom" => "3. Don't Be Cruel"
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      [
        "ordre" => 4
        "nom" => "4. Hound Dog"
      ]
      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. A Big Hunk"
      ]
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        "nom" => "2. All Shook Up"
      ]
      [
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        "nom" => "3. (Let Me Be Your) Teddy Bear"
      ]
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        "ordre" => 9
        "nom" => "4. Jailhouse Rock"
      ]
      [
        "ordre" => 10
        "nom" => "5. Wear My Ring Around Your Neck"
      ]
      [
        "ordre" => 11
        "nom" => "Side C :  "
      ]
      [
        "ordre" => 12
        "nom" => "1. Love Me tender"
      ]
      [
        "ordre" => 13
        "nom" => "2. Stuck On You"
      ]
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        "nom" => "3. It's Now or Never"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
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        "nom" => "1. Are You Lonesome Tonight"
      ]
      [
        "ordre" => 17
        "nom" => "2. Surrender"
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      [
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        "nom" => "3. (Marie's The Name) His Latest Flame"
      ]
      [
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        "nom" => "4. Little Sister"
      ]
      [
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        "nom" => "Side E : "
      ]
      [
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        "nom" => "1. Can't Help Falling In Love"
      ]
      [
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        "nom" => "2. Good Luck Charm"
      ]
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        "nom" => "3. She's Not You"
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      [
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        "nom" => "4. Return To Sender"
      ]
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        "nom" => "Side F : "
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        "nom" => "1. (You're The) Devil In Disguise"
      ]
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        "nom" => "2. Crying In The Chapel"
      ]
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        "nom" => "3. In The Ghetto"
      ]
      [
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        "nom" => "4. Suspicious Minds"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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    -slug: "vinyles-24-karat-hits-aapj-2040-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
}

[
  "produit" => App\Entity\Produit {#2046
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=WK8NfSCkmJk&list=RDWK8NfSCkmJk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. I Beg of You (Take 1)"
      ]
      [
        "ordre" => 2
        "nom" => "2. Is It So Strange (Take 1)"
      ]
      [
        "ordre" => 3
        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
      ]
      [
        "ordre" => 4
        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Blueberry Hill (Take 2)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Mean Woman Blues (Take 14)"
      ]
      [
        "ordre" => 8
        "nom" => "3. There'll Be Peace in the Valley (Takes 2,3)"
      ]
      [
        "ordre" => 9
        "nom" => "4. Have I Told You Lately That I Love You (Take 6)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Blueberry Hill (Take 7)"
      ]
      [
        "ordre" => 12
        "nom" => "2. That's When Your Heartaches Begin (Takes 4,5,6)"
      ]
      [
        "ordre" => 13
        "nom" => "3. Is It So Strange (Takes 7,11)"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. I Beg of You (Takes 6,8)"
      ]
      [
        "ordre" => 16
        "nom" => "2. There'll Be Peace in the Valley (Take 7)"
      ]
      [
        "ordre" => 17
        "nom" => "3. Have I Told You Lately That I Love You (Takes 12,13)"
      ]
      [
        "ordre" => 18
        "nom" => "4. I Beg of You (Take 12)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2513 …}
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  +produit: App\Entity\Produit {#2046
    -id: 1498
    -nom: "Stereo '57"
    -informationComplementaire: null
    -description: """
      - Nearly lost to history, Elvis 2 track masters saved by chance !\r\n
      - Now presented as a double LP cut at 45 RPM and pressed on 180 gram vinyl at Quality Record Pressings !\r\n
      - Mastered at Sterling Sound !\r\n
      - Deluxe gatefold jacket !\r\n
      \r\n
      The discovery of these 2 track masters comprising Stereo ‘57 - The Essential Elvis Volume 2, is nothing short of a miracle, and this 180 gram pressing cut at 45 RPM from Quality Record Pressings sounds so astonishing, your jaw will hit the floor!\r\n
      \r\n
      From the moment Elvis began working with a new song, sound engineer Thorne Norgar had the 15 ips mono tape machine rolling simultaneously with a 2 track protection copy. The machines weren't switched to pause until Elvis was satisfied with the take.\r\n
      \r\n
      A couple of years before the advent of the stereo LP in mid-1958, major record companies were experimenting with stereophonic recordings, often refered to then as binaural. Studios were using the new Ampex 2 track tape recorders for other purposes, such as for recording session back-ups. But few Elvis fans know how close history came to permanently losing these precious audio glimpses of a young Elvis engrossed in the creative process.\r\n
      \r\n
      Founded in 1933, Radio Recorders of Los Angeles was the preeminent recording studio of its day, and its director of recording, long-time engineer Thorne Nogar, engineered all of the Elvis sessions from 1955 to 1961. Some of popular music's greatest hits : "Jailhouse Rock", "All Shook Up", "Loving You", and "Teddy Bear", are just a few of the blockbusters that Nogar oversaw Elvis record at the studios, located at 7000 Santa Monica Blvd.\r\n
      \r\n
      Elvis would be right in the center of everything, at every recording session, Nogar would later recall. "Like with the Jordanaires when he sang, we would set it up with a unidirectional mike, so he would be standing right in front of them, facing them, and they would have their own directional microphone and they would be singing to one another".\r\n
      \r\n
      The 2-tracks from which this record was pressed could not have sounded better, and there was no one more careful, more experienced and technically skilled to record these historic sessions than Nogar, says Acoustic Sounds' founder and CEO Chad Kassem.\r\n
      \r\n
      Yet one day years later when Thorne was "cleaning out" his tapes closet, remarkably, he set these 2-track backup tapes aside, intending to dispose of them. Noted producer Bones Howe had worked for Nogar as a tape operator at Radio Recorders, and thanks to him the tapes were saved from a final resting place in the trash can. Bones took the tapes home with him. He'd put them safely away in a bank vault.\r\n
      \r\n
      These 2 tracks have "erase" clearly written on the master log sheets. They're from January 1957 sessions at which Presley produced material for two EPs and the film "Loving You" soundtrack. They're the only known ones surviving from the pre-stereo era.\r\n
      \r\n
      RCA's Essential Elvis series was a vehicle for the release of Presley's alternate takes. On this double LP set, listeners hear Presley at work, refining band arrangements and working through the nuances of his vocal performance. The LP reveals the Jordanaires voices' sparkling with a natural lifelike sound that's both sonically rich and detailed.\r\n
      \r\n
      The Jordanaires, a vocal quartet originally formed as a gospel group in 1948, gained fame largely for being Elvis' background singers, both in live appearances and recordings, from 1956 to 1972. If discovering these rare, almost lost recorded treasures weren't enough, the sound reproduction puts this release over the top! When the Jordanaires sing "Peace in the Valley," you'll swear you're hearing a melody sent from heaven. An audiophile's prayer come true!\r\n
      \r\n
      There are a number of first and second takes, during which Presley and his backing musicians make tentative passes at the material. As the record progresses, arrangements take shape and Presley, growing more confident that a keeper take is imminent, sings with more enthusiasm. Throughout, Presley is heard directing the proceedings and demonstrating a lot of "aw shucks" charm in the process, goofing with band members and laughing through his and others', flubs.\r\n
      \r\n
      Like other reissues pressed by QRP, this magnificent 180 gram LP is notable for its absolutely silent background. The vocal harmonies are tingle-inducing, life-sized and utterly natural.\r\n
      \r\n
      For serious Elvis fans and anyone else interested in the creative process, Volume 2 meets the first definition of "essential" as well as the second: it's indispensable stuff.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (rhythm guitar, vocals), Scotty Moore (electric guitar),  Howard Roberts (rhythm guitar), Bill Black (upright bass), Gordon Stoker (piano), D.J. Fontana (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=WK8NfSCkmJk&list=RDWK8NfSCkmJk&start_radio=1"
    -referenceProduit: "Analogue Productions AAPP 054-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. I Beg of You (Take 1)"
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        "ordre" => 2
        "nom" => "2. Is It So Strange (Take 1)"
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        "nom" => "3. Have I Told You Lately That I Love You (Take 2)"
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        "nom" => "4. It Is No Secret (What God Can Do) [Takes 1,2,3]"
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        "ordre" => 5
        "nom" => "Side B : "
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        "nom" => "1. Blueberry Hill (Take 2)"
      ]
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        "nom" => "2. Mean Woman Blues (Take 14)"
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        "nom" => "4. I Beg of You (Take 12)"
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      [
        "ordre" => 19
        "nom" => ""
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    ]
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  "produit" => App\Entity\Produit {#2059
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
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        "nom" => "2. Fever"
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        "nom" => "3. The Girl of My Best Friend"
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        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
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        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
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        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2032 …}
    -style: App\Entity\Style {#1472 …}
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      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
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  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2513 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2087 …}
  +produit: App\Entity\Produit {#2059
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
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      ]
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      ]
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        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
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        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
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        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
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[
  "produit" => App\Entity\Produit {#2072
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2076 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
    -enregistreLe: DateTime @1641035422 {#2069
      date: 2022-01-01 11:10:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765370242 {#2070
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2080 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3222
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2513 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2087 …}
  +produit: App\Entity\Produit {#2072
    -id: 2186
    -nom: "From Elvis In Memphis - UltraDisc One-Step (Box Set 2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone), Dick Steff, R.F. Taylor, Wayne Jackson (trumpet), Mike Leech, Tommy Cogbill (bass), Dan Penn, Reggie Young (electric guitar), Joe D'Gerolamo, Tony Cason (french Horn), Gene Chrisman (drums), Charlie Hodge, Dolores Edgin, Donna Thatcher, Ginger Holladay, Hurschel Wiginton*, Joe Babcock, June Page, Mary Greene, Mary Holladay, Millie Kirkham, Ronnie Milsap, Sandy Posey, Sonja Montgomery, Susan Pilkington (backing vocals).\r\n
      \r\n
      MASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10000 NUMBERED COPIES !\r\n
      \r\n
      From Elvis in Memphis retains the distinction of being the most cohesive, passionate, mature, and emotionally invested record Elvis Presley ever made. Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by "The "Memphis Boys" and teems with rhythm-heavy country, gospel, R&B, and blues. Lauded for its natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.\r\n
      \r\n
      Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM 2 LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing – widely considered by many to represent the finest of his career located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing a balance of leisure with swiftness, grandiosity with concision, freedom with control dovetails with Presley's vernacular.\r\n
      \r\n
      The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art and everything involved with the album, from the images to the finishes.\r\n
      \r\n
      Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. Listen to the uplifting support provided by the cadre of backing vocalists (more than a dozen credited), unrivaled in Presley's canon and a precursor to the approach he'd soon adopt in Las Vegas.\r\n
      \r\n
      Of course, From Elvis in Memphis precedes the icon's transition into his glitzy jumpsuit phase and follows his merciful move away from the hoary soundtrack work that consumed nearly a decade of his creative life and prompted a rebirth that began in 1968. As the bridge between eras, the record seizes on Presley's rejuvenated attitude and commitment to quality, facets that drip from the fervency with which he delivers every word. For the same reasons, and for the fact it traces back to Presley's original roots and hip-shaking guise, the album further remains a cornerstone of American music history.\r\n
      \r\n
      Writing about the work's 40th anniversary for Rolling Stone, James Hunter correctly observed : "From Elvis in Memphis represented the full-on immersion in the Memphis idea of Elvis Presley, the American singer second only to Frank Sinatra for the ability to conjure a particular sonic universe with his merest vocal utterance. And from the album's first song, in which a bluesy Elvis espies a woman 'Wearin' That Loved On Look,' to its last, in which a more straight-up-pop Elvis regrets the injustices of life 'In the Ghetto,' his fully engaged, newly energized voice finds its most logical album setting in years".\r\n
      \r\n
      Incredibly, Presley and company completed more than two dozen cuts for From Elvis in Memphis. One, "Suspicious Minds", turned into the vocalist's final chart-topping single and lingers as one of his most beloved rock n' roll numbers. Even though it never formally appeared on the record, the non-album song is included here as a bonus track and attains newfound depth, energy, and swagger. Coupled with the other dozen tracks including the sultry "Power of My Love", balladic take of Dallas Frazier's "True Love Travels on a Gravel Road", and driving cover of Hank Snow's "I'm Moving On" it makes for the finest Elvis listening experience available.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\r\n
      \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.\r\n
      \r\n
      MoFi SuperVinyl\r\n
      \r\n
      Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1835 …}
    -musicienOrchestre: "Elvis Presley (guitar, piano, vocals), John Hughey (guitar Pedal Steel), Ed Kollis (harmonica), Bobby Emmons (organ), Bobby Wood (piano), Andrew Love, Glen Spreen, J.P. Luper, Jackie Thomas (saxophone), Ed Logan, Gerald Richardson, Jack Hale  (trombone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mtv3chIAjug"
    -referenceProduit: "Mobile Fidelity Sound Lab US1S-017"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wearin' That Loved On Look"
      ]
      [
        "ordre" => 1
        "nom" => "2. Only the Strong Survive"
      ]
      [
        "ordre" => 2
        "nom" => "3. I'll Hold You in My Heart (Till I Can Hold You in My Arms)"
      ]
      [
        "ordre" => 3
        "nom" => "4. Long Black Limousine"
      ]
      [
        "ordre" => 4
        "nom" => "5. It Keeps Right On A-Hurtin'"
      ]
      [
        "ordre" => 5
        "nom" => "6. I'm Movin' On"
      ]
      [
        "ordre" => 6
        "nom" => "7. Power of My Love"
      ]
      [
        "ordre" => 7
        "nom" => "8. Gentle on My Mind"
      ]
      [
        "ordre" => 8
        "nom" => "9. After Loving You"
      ]
      [
        "ordre" => 9
        "nom" => "10. True Love Travels on a Gravel Road"
      ]
      [
        "ordre" => 10
        "nom" => "11. Any Day Now"
      ]
      [
        "ordre" => 11
        "nom" => "12. In the Ghetto"
      ]
      [
        "ordre" => 12
        "nom" => "13. Suspicious Minds"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2074 …}
    -style: App\Entity\Style {#1471 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2083 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2076 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2078 …}
    -enregistreLe: DateTime @1641035422 {#2069
      date: 2022-01-01 11:10:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765370242 {#2070
      date: 2025-12-10 12:37:22.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2080 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-from-elvis-in-memphis-ultradisc-one-step-box-set-2-lp-45-rpm-mobile-fidelity-sound-lab-us1s-017"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3414
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2281 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3415 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3463 …}
  +isValidated: false
  +validatedFields: []
}