Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2594
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2671
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2674 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
  -formView: Symfony\Component\Form\FormView {#2710 …}
  -form: Symfony\Component\Form\Form {#2860 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=i-R9qiS_n50&list=PL4W2uOPeutt6b-5nELOpnmccUDOLcYZkF&index=2"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9991"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mannish Boy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Screamin' & Crying"
      ]
      [
        "ordre" => 3
        "nom" => "3. Just To Be With You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Walking In The Park"
      ]
      [
        "ordre" => 5
        "nom" => "5. Walking Blues"
      ]
      [
        "ordre" => 6
        "nom" => "6. Canary Bird  Side"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Same Thing"
      ]
      [
        "ordre" => 9
        "nom" => "2. Gypsy Women"
      ]
      [
        "ordre" => 10
        "nom" => "3. Rollin' & Tumblin'"
      ]
      [
        "ordre" => 11
        "nom" => "4. 40 Days & 40 Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Little Geneva"
      ]
      [
        "ordre" => 13
        "nom" => "6. You Can't Lose What You Ain't Never Had"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1775545580 {#1876
      date: 2026-04-07 07:06:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775545613 {#1869
      date: 2026-04-07 07:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-real-folk-blues-mono-acoustic-sounds-serie-chess-records-9991"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3134
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 3055
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Un blues brut, viscéral et intemporel. Avec "The Real Folk Blues", Muddy Waters incarne l’âme du Chicago blues dans ce qu’elle a de plus authentique. Une musique née de la terre, électrifiée en ville, et devenue légende."
    -description: """
      Sorti en 1966 sur le label Chess Records, "The Real Folk Blues" de Muddy Waters est bien plus qu’un simple album, c’est une plongée dans les racines profondes du blues électrique. Cette compilation rassemble des enregistrements réalisés entre la fin des années 1940 et les années 1950, période durant laquelle Muddy Waters façonne le son du Chicago blues.\r\n
      \r\n
      Porté par une voix puissante et une guitare slide immédiatement reconnaissable, Muddy Waters s’entoure de musiciens d’exception tels que Little Walter à l’harmonica, Otis Spann au piano ou encore Willie Dixon à la basse. Ensemble, ils donnent naissance à un son brut, direct et profondément expressif.\r\n
      \r\n
      Des titres emblématiques comme “Mannish Boy” ou “Rollin’ Stone” capturent toute l’intensité de cette musique, un mélange de tension, de groove et d’émotion qui influencera durablement le rock et toute la musique moderne.\r\n
      \r\n
      The Real Folk Blues est une œuvre essentielle, à la fois historique et vibrante, qui continue de résonner comme l’un des témoignages les plus puissants du blues urbain américain.\r\n
      \r\n
      - Muddy Waters "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Issued by Chess Records at the height of the 1960s folk revival, this classic compilation cleverly reframed Waters' early Chicago recordings with a title and cover that aligned him with a new, younger audience discovering the roots of American music. The irony, of course, is that Muddy didn't need repositioning. He was the source.\r\n
      \r\n
      Although most of these tracks were recorded in Chicago studios, often with electric guitar in the mix, the spirit is unmistakably down-home. There's a stark, front-porch authority in the performances spare instrumentation, unvarnished arrangements, and a gritty, conversational vocal style that carries the emotional weight of Delta tradition straight into the urban blues era.\r\n
      \r\n
      This is the Muddy Waters who changed the language of modern blues. "Mannish Boy" stomps with primal swagger, its hypnotic riff and call-and-response vocal becoming one of the most recognizable signatures in postwar blues. "Screamin' & Cryin'" and "Just To Be With You" simmer with tension and longing, while "Walking Blues" reconnects directly to the Delta lineage that Waters absorbed in his youth. "Walking In The Park", "Same Thing", and "Canary Bird" round out a program that's stacked with grit, groove, and raw storytelling.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Muddy Waters (guitar, vocals), Jimmy Rogers, Robert Lockwood Jr. (guitar), Otis Spann (piano), Little Walter (harmonica), Willie Dixon (bass), Fred Below (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=i-R9qiS_n50&list=PL4W2uOPeutt6b-5nELOpnmccUDOLcYZkF&index=2"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9991"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Mannish Boy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Screamin' & Crying"
      ]
      [
        "ordre" => 3
        "nom" => "3. Just To Be With You"
      ]
      [
        "ordre" => 4
        "nom" => "4. Walking In The Park"
      ]
      [
        "ordre" => 5
        "nom" => "5. Walking Blues"
      ]
      [
        "ordre" => 6
        "nom" => "6. Canary Bird  Side"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Same Thing"
      ]
      [
        "ordre" => 9
        "nom" => "2. Gypsy Women"
      ]
      [
        "ordre" => 10
        "nom" => "3. Rollin' & Tumblin'"
      ]
      [
        "ordre" => 11
        "nom" => "4. 40 Days & 40 Nights"
      ]
      [
        "ordre" => 12
        "nom" => "5. Little Geneva"
      ]
      [
        "ordre" => 13
        "nom" => "6. You Can't Lose What You Ain't Never Had"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1775545580 {#1876
      date: 2026-04-07 07:06:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775545613 {#1869
      date: 2026-04-07 07:06:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-real-folk-blues-mono-acoustic-sounds-serie-chess-records-9991"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2045
    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Howlin' Wolf (harmonica, vocals), Hubert Sumlin (lead guitar), Willie Johnson, Jody Williams, Buddy Guy (guitar), Otis Spann, Hosea Lee Kennard (piano), Willie Dixon, Andrew McMahon (bass), Earl Phillips, Fred Below, Sam Lay (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=ETMhupZUCsc&list=PLOFsCPXqLYfopdCzb5JMOXPFyT2Ie8u6T&index=3"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Killing Floor 2:48"
      ]
      [
        "ordre" => 2
        "nom" => "2. Louise"
      ]
      [
        "ordre" => 3
        "nom" => "3. Poor Boy"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sittin' On Top Of The World"
      ]
      [
        "ordre" => 5
        "nom" => "5. Nature"
      ]
      [
        "ordre" => 6
        "nom" => "6. My Country Sugar Mama "
      ]
      [
        "ordre" => 7
        "nom" => "Side B :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Tail Dragger"
      ]
      [
        "ordre" => 9
        "nom" => "2. Three Hundred Pounds Of Joy"
      ]
      [
        "ordre" => 10
        "nom" => "3. Natchez Burnin'"
      ]
      [
        "ordre" => 11
        "nom" => "4. Built For Comfort"
      ]
      [
        "ordre" => 12
        "nom" => "5. Ooh Baby, Hold Me"
      ]
      [
        "ordre" => 13
        "nom" => "6. Tell Me What I've Done"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2049 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2051 …}
    -enregistreLe: DateTime @1775543324 {#2042
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    }
    -modifierLe: DateTime @1775543342 {#2043
      date: 2026-04-07 06:29:02.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2053 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-real-folk-blues-mono-acoustic-sounds-serie-chess-records-9990"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3248
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2045
    -id: 3054
    -nom: "The Real Folk Blues  (Mono)"
    -informationComplementaire: "Une voix. Une légende. Le blues à l’état pur. Avec "The Real Folk Blues", Howlin' Wolf livre une collection essentielle de titres bruts et intemporels, où chaque note résonne avec l’âme du Chicago blues."
    -description: """
      The Real Folk Blues (Mono) de Howlin' Wolf est une plongée brute et authentique dans l’âge d’or du blues de Chicago. Cette compilation rassemble certaines des sessions les plus marquantes enregistrées pour Chess Records entre les années 1950 et 1960.\r\n
      \r\n
      Porté par la voix puissante, rugueuse et profondément expressive de Howlin’ Wolf, l’album capture toute l’intensité émotionnelle du blues électrique. Chaque morceau est soutenu par une section rythmique solide et des musiciens d’exception, dont le guitariste Hubert Sumlin, dont le jeu incisif et nerveux est devenu indissociable du son du Wolf.\r\n
      \r\n
      Entre riffs hypnotiques, grooves lourds et atmosphères sombres, cet album incarne une musique viscérale, à la fois sauvage et raffinée. Le mix mono renforce encore cette sensation d’immersion directe, comme si l’auditeur se retrouvait au cœur d’un club enfumé du South Side de Chicago.\r\n
      \r\n
      - Howlin' Wolf "The Real Folk Blues" (Mono) !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Mastered from digital sources by Matt Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      Most of Chess Records' Real Folk Blues albums were compilations of singles recorded over a span of years (in Wolf's case, from 1956 to 1965). This album did not fit the usual definitions of "folk blues," featuring instead Chicago urban blues by an incomparable singer and a host of great sidemen (including Hubert Sumlin and Buddy Guy), but Chess was making a move to remarket the blues to a new audience that had developed with the boom in folk music.\r\n
      \r\n
      This was Chess' second LP of Wolf singles, and a comment posted on the Blues Hall of Fame web site about the first LP applies to this one too : "Considering how many of the songs here have become standards in the repertoires of countless blues and rock bands, it's hard to fathom that none of these Wolf 45s sold well enough to make the Billboard R&B charts". The Real Folk Blues classics include "Killing Floor", "Tail Dragger", "Built for Comfort", and "Three Hundred Pounds of Joy".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ETMhupZUCsc&list=PLOFsCPXqLYfopdCzb5JMOXPFyT2Ie8u6T&index=3"
    -referenceProduit: "Acoustic Sounds Serie (Chess Records) 9990"
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        "nom" => "5. Ooh Baby, Hold Me"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2047 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2056 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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}

[
  "produit" => App\Entity\Produit {#2061
    -id: 3053
    -nom: "Heart Shaped World - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans l’atmosphère envoûtante de Heart Shaped World de Chris Isaak. Porté par le mythique "Wicked Game", cet album mêle mélancolie et sensualité dans un son à la fois rétro et intemporel."
    -description: """
      Sorti en 1989, "Heart Shaped World" est l’album qui révèle pleinement Chris Isaak au grand public. Entre rock, rockabilly et ambiances dream pop, il développe une identité sonore immédiatement reconnaissable, guitares réverbérées, rythmiques épurées et voix habitée.\r\n
      \r\n
      Porté par le succès planétaire de "Wicked Game", l’album s’impose comme une œuvre à la fois intime et cinématographique. Chaque morceau explore des thèmes universels, le désir, la solitude, l’amour impossible, dans une atmosphère nocturne et élégante.\r\n
      \r\n
      La guitare aérienne de James Calvin Wilsey joue un rôle central, créant un paysage sonore hypnotique qui enveloppe l’auditeur. L’ensemble donne un disque intemporel, à la croisée des influences vintage et d’une sensibilité moderne.\r\n
      \r\n
      - Chris Isaak’s Heart Shaped World Is a Mood Masterpiece : Double-Platinum Album Features the Smash “Wicked Game”, Brilliant Singing, and Extraordinary Guitar Tones\r\n
      \r\n
      - Experience the Brooding 1989 Album in Definitive Sound : Mobile Fidelity’s UltraDisc 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Includes the Bonus Track “Diddley Daddy” !\r\n
      \r\n
      - 1/2” 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      There was nothing in contemporary music like Chris Isaak’s Heart Shaped World when it hit shelves in June 1989. More than three decades later, the singer-songwriter’s third album still sounds unique and claims a backstory nearly as fascinating as the retro-leaning material and standout performances that propelled it to sales of more than 2.5 million copies. Home to the Top 10 smash “Wicked Game”, the set remains a masterful mood piece that invites you to pour a late-night drink, sit in a dimmed room, and relish Isaak’s elegant albeit raw ruminations on love, relationships, and questionable decisions. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 3000 numbered copies, and featuring the bonus track “Diddley Daddy”, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Heart Shaped World unearths the staggering inner details, saturated tones, and brilliant atmospherics of the crisp production. It brings you up close and personal with Isaak’s spectacular singing impeccably controlled, tense, brooding, steamy, smoldering, haunted situated amidst stripped-down backdrops that allow every note to fully bloom and decay. \r\n
      \r\n
      While Isaak’s ever-steady baritone remains the anchor, the contributions of his trusty backing band, the aptly named Silvertone, come across with just as much cool, command, and realism. The indispensable playing of guitarist James Calvin Wilsey particularly emerges with superb clarity and dimensionality. The character of his 1965 Fender Stratocaster, shivering twang of his spring-coiled fills, and his signature use of reverb, delay, and vibrato seamlessly match Isaak's patient deliveries and the band’s unhurried rhythms. Experienced on UD1S with ultra-black backgrounds and a nearly invisible noise floor, Heart Shaped World is in every regard a demonstration disc. \r\n
      \r\n
      The premium packaging of this UD1S pressing befits its elevated status. Housed in a deluxe slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, this reissue is for discerning listeners who desire to immerse themselves in everything involved with the album, not the least of which is the cover art depicting a lost-in-thought Isaak staring ahead and sitting in what appears to be an efficiency apartment. The image epitomizes the record’s lonesome temperaments and pensive themes.\r\n
      \r\n
      Of course, if not for director David Lynch hand-picking two cuts from Heart Shaped World for his 1990 film Wild at Heart, the record would’ve probably suffered the same fate as Isaak’s prior efforts and gone unnoticed by the mainstream. Despite receiving raves from outlets such as NME, Chicago Tribune, and Rolling Stone upon its original release, the album stalled in the lower quadrants of the Billboard charts and, after a few weeks, dropped off. \r\n
      \r\n
      Cue the ear of Lee Chesnut. Then the music director for a large Atlanta radio station, Chesnut heard the instrumental version of “Wicked Game” on Lynch’s soundtrack and started airing the album rendition at all hours of the day. Aided by a sensual video featuring Isaak and supermodel Helena Christensen, the song found its way into the public consciousness by early ‘91 and helped make Isaak a most unlikely mainstream star in an era where his techniques had little to nothing in common with popular tastes. \r\n
      \r\n
      Despite its vintage vibes and shared DNA with legends such as Roy Orbison, Chet Baker, and Glen Campbell, Heart Shaped World transcends nostalgia, rockabilly, and throwback tropes. For all the melodrama and sadness at hand, Isaak’s gorgeously transparent singing dives deep underneath emotional surfaces. He mines subtleties that indicate his feelings go beyond heartbreak and anguish, and occasionally suggest frustration, menace, and anger. You can hear it in his quivering falsetto, and the slow and methodical ways he allows delicate whispers to break into shadowy phrasing that crosses over to the darker sides of romance and desire.\r\n
      \r\n
      That approach bolsters the title track, which suggests calm yet moves on ominous currents its simmering pace and snare-drum snappiness foreshadowing Isaak raising the volume and urgency during the coda. The southwestern-tinged “Wrong to Love You” plays with similar concepts of hesitation, unease, and discord, Isaak careful never to fully erupt and give anything away. His poised deliveries offer a master class in the art of insinuation and hurt on “Nothing’s Changed”, sent up with a wordless backing chorus and crackling guitar lines straight out of a Memphis blues joint. \r\n
      \r\n
      Heart Shaped World further boosts its merit via its abundant stylistic variations, from the upbeat country-and-western trot of “I’m Not Waiting” and Spanish acoustic shimmer of the jazz-based ballad “Blue Spanish Sky” to the swinging horn-accompanied grooves of “Don’t Make Me Love You” and desert smokiness of the understated “Kings of the Highway”. On the latter, Isaak comes across as resigned and absolute. His singing and pain worm their way into your soul, and echo akin to the way the music prepares to strike when you least expect. \r\n
      \r\n
      “Trouble going 'round”, Isaak croons right as the album begins. “Trouble going down”. Damn straight.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Chris Isaak (guitar, vocals), James Calvin Wilsey (lead guitar), Rowland Salley (bass), Kenney Dale Johnson (drums), John Shanks (guitar, keyboards), Jeff Watson (guitar), Greg Leisz (pedal steel guitar)."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jd-qI62gNJM&list=OLAK5uy_mCikd-mLC4SYxsssIh394kKCcHtfs-vpo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 45UD1S 2-075"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Heart Shaped World"
      ]
      [
        "ordre" => 2
        "nom" => "2. I'm Not Waiting"
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      [
        "ordre" => 3
        "nom" => "3. Don't Make Me Dream About You"
      ]
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        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Kings Of The Highway"
      ]
      [
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        "nom" => "2. Wicked Game "
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        "nom" => "Side C :"
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      ]
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      ]
      [
        "ordre" => 13
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      ]
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        "nom" => ""
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1453 …}
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    -modifierLe: DateTime @1775497125 {#2059
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2072 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3299
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2061
    -id: 3053
    -nom: "Heart Shaped World - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans l’atmosphère envoûtante de Heart Shaped World de Chris Isaak. Porté par le mythique "Wicked Game", cet album mêle mélancolie et sensualité dans un son à la fois rétro et intemporel."
    -description: """
      Sorti en 1989, "Heart Shaped World" est l’album qui révèle pleinement Chris Isaak au grand public. Entre rock, rockabilly et ambiances dream pop, il développe une identité sonore immédiatement reconnaissable, guitares réverbérées, rythmiques épurées et voix habitée.\r\n
      \r\n
      Porté par le succès planétaire de "Wicked Game", l’album s’impose comme une œuvre à la fois intime et cinématographique. Chaque morceau explore des thèmes universels, le désir, la solitude, l’amour impossible, dans une atmosphère nocturne et élégante.\r\n
      \r\n
      La guitare aérienne de James Calvin Wilsey joue un rôle central, créant un paysage sonore hypnotique qui enveloppe l’auditeur. L’ensemble donne un disque intemporel, à la croisée des influences vintage et d’une sensibilité moderne.\r\n
      \r\n
      - Chris Isaak’s Heart Shaped World Is a Mood Masterpiece : Double-Platinum Album Features the Smash “Wicked Game”, Brilliant Singing, and Extraordinary Guitar Tones\r\n
      \r\n
      - Experience the Brooding 1989 Album in Definitive Sound : Mobile Fidelity’s UltraDisc 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Includes the Bonus Track “Diddley Daddy” !\r\n
      \r\n
      - 1/2” 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      There was nothing in contemporary music like Chris Isaak’s Heart Shaped World when it hit shelves in June 1989. More than three decades later, the singer-songwriter’s third album still sounds unique and claims a backstory nearly as fascinating as the retro-leaning material and standout performances that propelled it to sales of more than 2.5 million copies. Home to the Top 10 smash “Wicked Game”, the set remains a masterful mood piece that invites you to pour a late-night drink, sit in a dimmed room, and relish Isaak’s elegant albeit raw ruminations on love, relationships, and questionable decisions. \r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 3000 numbered copies, and featuring the bonus track “Diddley Daddy”, Mobile Fidelity's UltraDisc One-Step 180 gram 45 RPM (2 LP) box set of Heart Shaped World unearths the staggering inner details, saturated tones, and brilliant atmospherics of the crisp production. It brings you up close and personal with Isaak’s spectacular singing impeccably controlled, tense, brooding, steamy, smoldering, haunted situated amidst stripped-down backdrops that allow every note to fully bloom and decay. \r\n
      \r\n
      While Isaak’s ever-steady baritone remains the anchor, the contributions of his trusty backing band, the aptly named Silvertone, come across with just as much cool, command, and realism. The indispensable playing of guitarist James Calvin Wilsey particularly emerges with superb clarity and dimensionality. The character of his 1965 Fender Stratocaster, shivering twang of his spring-coiled fills, and his signature use of reverb, delay, and vibrato seamlessly match Isaak's patient deliveries and the band’s unhurried rhythms. Experienced on UD1S with ultra-black backgrounds and a nearly invisible noise floor, Heart Shaped World is in every regard a demonstration disc. \r\n
      \r\n
      The premium packaging of this UD1S pressing befits its elevated status. Housed in a deluxe slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. Aurally and visually, this reissue is for discerning listeners who desire to immerse themselves in everything involved with the album, not the least of which is the cover art depicting a lost-in-thought Isaak staring ahead and sitting in what appears to be an efficiency apartment. The image epitomizes the record’s lonesome temperaments and pensive themes.\r\n
      \r\n
      Of course, if not for director David Lynch hand-picking two cuts from Heart Shaped World for his 1990 film Wild at Heart, the record would’ve probably suffered the same fate as Isaak’s prior efforts and gone unnoticed by the mainstream. Despite receiving raves from outlets such as NME, Chicago Tribune, and Rolling Stone upon its original release, the album stalled in the lower quadrants of the Billboard charts and, after a few weeks, dropped off. \r\n
      \r\n
      Cue the ear of Lee Chesnut. Then the music director for a large Atlanta radio station, Chesnut heard the instrumental version of “Wicked Game” on Lynch’s soundtrack and started airing the album rendition at all hours of the day. Aided by a sensual video featuring Isaak and supermodel Helena Christensen, the song found its way into the public consciousness by early ‘91 and helped make Isaak a most unlikely mainstream star in an era where his techniques had little to nothing in common with popular tastes. \r\n
      \r\n
      Despite its vintage vibes and shared DNA with legends such as Roy Orbison, Chet Baker, and Glen Campbell, Heart Shaped World transcends nostalgia, rockabilly, and throwback tropes. For all the melodrama and sadness at hand, Isaak’s gorgeously transparent singing dives deep underneath emotional surfaces. He mines subtleties that indicate his feelings go beyond heartbreak and anguish, and occasionally suggest frustration, menace, and anger. You can hear it in his quivering falsetto, and the slow and methodical ways he allows delicate whispers to break into shadowy phrasing that crosses over to the darker sides of romance and desire.\r\n
      \r\n
      That approach bolsters the title track, which suggests calm yet moves on ominous currents its simmering pace and snare-drum snappiness foreshadowing Isaak raising the volume and urgency during the coda. The southwestern-tinged “Wrong to Love You” plays with similar concepts of hesitation, unease, and discord, Isaak careful never to fully erupt and give anything away. His poised deliveries offer a master class in the art of insinuation and hurt on “Nothing’s Changed”, sent up with a wordless backing chorus and crackling guitar lines straight out of a Memphis blues joint. \r\n
      \r\n
      Heart Shaped World further boosts its merit via its abundant stylistic variations, from the upbeat country-and-western trot of “I’m Not Waiting” and Spanish acoustic shimmer of the jazz-based ballad “Blue Spanish Sky” to the swinging horn-accompanied grooves of “Don’t Make Me Love You” and desert smokiness of the understated “Kings of the Highway”. On the latter, Isaak comes across as resigned and absolute. His singing and pain worm their way into your soul, and echo akin to the way the music prepares to strike when you least expect. \r\n
      \r\n
      “Trouble going 'round”, Isaak croons right as the album begins. “Trouble going down”. Damn straight.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Chris Isaak (guitar, vocals), James Calvin Wilsey (lead guitar), Rowland Salley (bass), Kenney Dale Johnson (drums), John Shanks (guitar, keyboards), Jeff Watson (guitar), Greg Leisz (pedal steel guitar)."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=jd-qI62gNJM&list=OLAK5uy_mCikd-mLC4SYxsssIh394kKCcHtfs-vpo"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL MFSL 45UD1S 2-075"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2063 …}
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    -modifierLe: DateTime @1775497125 {#2059
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[
  "produit" => App\Entity\Produit {#2080
    -id: 1694
    -nom: "Sings The Cole Porter Song Book (Mono)"
    -informationComplementaire: "Une interprétation magistrale où la voix d’Ella Fitzgerald sublime l’œuvre de Cole Porter. Chaque morceau révèle un équilibre parfait entre raffinement, émotion et précision. Une version mono d’une rare authenticité, destinée aux véritables amateurs."
    -description: """
      Ella Fitzgerald "Sings The Cole Porter Songbook" est l’un des enregistrements les plus emblématiques de Ella Fitzgerald, souvent considérée comme la "First Lady of Song". Paru en 1956 chez Verve Records, cet album marque le début de la célèbre série des Songbooks, dédiée aux plus grands compositeurs américains.\r\n
      \r\n
      Dans ce volume consacré à Cole Porter, Ella Fitzgerald sublime avec élégance et précision les standards du Great American Songbook. Sa voix limpide, son sens du swing et sa maîtrise exceptionnelle du phrasé donnent une nouvelle dimension à des titres intemporels comme "Night and Day", "I’ve Got You Under My Skin" ou encore "Love for Sale".\r\n
      \r\n
      Présenté ici en version Mono, l’album restitue toute la chaleur et l’authenticité des enregistrements originaux, offrant une immersion fidèle dans l’atmosphère des studios des années 50. Les arrangements raffinés de Buddy Bregman accompagnent parfaitement la voix d’Ella, créant un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Un incontournable du jazz vocal, aussi essentiel pour les amateurs que pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone), Ted Nash (clarinet, flute, tenor saxophone), Pete Candoli, Harry "Sweets" Edison, Maynard Ferguson, Conrad Gozzo (trumpet),  Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass, baritone trombone), Corky Hale( harp), Robert LaMarchina, Edgar Lustgarten (cello), Barney Kessel (guitar), Joe Mondragon (double bass), Alvin Stoller (drums, percussion).\r\n
      \r\n
      - Ella Fitzgerald "Ella Fitzgerald Sings The Cole Porter Songbook" (Mono) !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      One of the most enduring vocal jazz recordings ever committed to tape Ella Fitzgerald Sings the Cole Porter Songbook (Mono Version) stands as a defining artistic statement from Ella Fitzgerald and a crown jewel in the catalog of Verve Records.\r\n
      \r\n
      The album that launched Fitzgerald's legendary "Songbook" series finds her in sublime form, interpreting the urbane, witty compositions of Cole Porter with a grace, intelligence, and emotional clarity that remain unmatched. Here Fitzgerald leans into the lyric delivering some of the most refined, fully realized pop performances of her career.\r\n
      \r\n
      Recorded at Capitol Studios beginning February 7, 1956, these sessions were guided by producer Norman Granz, the visionary founder of Verve, and brought vividly to life through the remarkably sophisticated arrangements of a then-teenaged Buddy Bregman. Backed by an all-star roster of Los Angeles session musicians, Fitzgerald glides effortlessly across a three-octave range, equally commanding on buoyant up-tempo numbers and tender ballads alike.\r\n
      \r\n
      Completed over four sessions, concluding March 27, 1956, this landmark recording remains nothing short of essential. Its induction into the Grammy Hall of Fame in 2000 only affirms what listeners have known for decades: this is perfection, pressed into vinyl. In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jAawm4OhQJU&list=PL4xcscYzGSrV2KmFlyBZS0l4DW7Hk46Om"
    -referenceProduit: "Acoustic Sounds Serie (Verve)) 0304"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. All Through The Night"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything Goes"
      ]
      [
        "ordre" => 3
        "nom" => "3. Miss Otis Regrets (She's Unable To Lunch Today)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Too Darn Hot"
      ]
      [
        "ordre" => 5
        "nom" => "5. In The Still Of The Night "
      ]
      [
        "ordre" => 6
        "nom" => "6. I Get A Kick Out Of You"
      ]
      [
        "ordre" => 7
        "nom" => "7. Do I Love You ?"
      ]
      [
        "ordre" => 8
        "nom" => "8. Always True To You In My Fashion"
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Let's Do It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Just One Of Those Things"
      ]
      [
        "ordre" => 12
        "nom" => "3. Ev'ry Time We Say Goodbye"
      ]
      [
        "ordre" => 13
        "nom" => "4. All Of You"
      ]
      [
        "ordre" => 14
        "nom" => "5. Being The Beguine"
      ]
      [
        "ordre" => 15
        "nom" => "6. Get Out Of Town"
      ]
      [
        "ordre" => 16
        "nom" => "7. I Am In Love"
      ]
      [
        "ordre" => 17
        "nom" => "8. From This Moment On"
      ]
      [
        "ordre" => 18
        "nom" => "Side C : "
      ]
      [
        "ordre" => 19
        "nom" => "1. I Love Paris"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Do Something To Me"
      ]
      [
        "ordre" => 21
        "nom" => "3. Ridin' High"
      ]
      [
        "ordre" => 22
        "nom" => "4. Easy To Love"
      ]
      [
        "ordre" => 23
        "nom" => "5. It's All Right With Me"
      ]
      [
        "ordre" => 24
        "nom" => "6. Why Can't You Behave ?"
      ]
      [
        "ordre" => 25
        "nom" => "7. What Is This Thing Called Love ?"
      ]
      [
        "ordre" => 26
        "nom" => "8. You're The Top"
      ]
      [
        "ordre" => 27
        "nom" => "Side D :"
      ]
      [
        "ordre" => 28
        "nom" => "1. Love For Sale"
      ]
      [
        "ordre" => 29
        "nom" => "2. It's DeLovely"
      ]
      [
        "ordre" => 30
        "nom" => "3. Night And Day"
      ]
      [
        "ordre" => 31
        "nom" => "4. Ace In The Hole"
      ]
      [
        "ordre" => 32
        "nom" => "5. So In Love"
      ]
      [
        "ordre" => 33
        "nom" => "6. Ive Got You Under My Skin"
      ]
      [
        "ordre" => 34
        "nom" => "7. I Concentrate On You"
      ]
      [
        "ordre" => 35
        "nom" => "8. Don't Fence Me In"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2094 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2087 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2089 …}
    -enregistreLe: DateTime @1560097282 {#2077
      date: 2019-06-09 16:21:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775481033 {#2078
      date: 2026-04-06 13:10:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-sings-the-cole-porter-song-book-mono-acoustic-sounds-serie-verve-0304"
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  "detaillePage" => false
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App\Twig\Components\GestionPanierFavoriComponents {#3350
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2080
    -id: 1694
    -nom: "Sings The Cole Porter Song Book (Mono)"
    -informationComplementaire: "Une interprétation magistrale où la voix d’Ella Fitzgerald sublime l’œuvre de Cole Porter. Chaque morceau révèle un équilibre parfait entre raffinement, émotion et précision. Une version mono d’une rare authenticité, destinée aux véritables amateurs."
    -description: """
      Ella Fitzgerald "Sings The Cole Porter Songbook" est l’un des enregistrements les plus emblématiques de Ella Fitzgerald, souvent considérée comme la "First Lady of Song". Paru en 1956 chez Verve Records, cet album marque le début de la célèbre série des Songbooks, dédiée aux plus grands compositeurs américains.\r\n
      \r\n
      Dans ce volume consacré à Cole Porter, Ella Fitzgerald sublime avec élégance et précision les standards du Great American Songbook. Sa voix limpide, son sens du swing et sa maîtrise exceptionnelle du phrasé donnent une nouvelle dimension à des titres intemporels comme "Night and Day", "I’ve Got You Under My Skin" ou encore "Love for Sale".\r\n
      \r\n
      Présenté ici en version Mono, l’album restitue toute la chaleur et l’authenticité des enregistrements originaux, offrant une immersion fidèle dans l’atmosphère des studios des années 50. Les arrangements raffinés de Buddy Bregman accompagnent parfaitement la voix d’Ella, créant un équilibre parfait entre sophistication et émotion.\r\n
      \r\n
      Un incontournable du jazz vocal, aussi essentiel pour les amateurs que pour les collectionneurs.\r\n
      \r\n
      Musicians : \r\n
      Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone), Ted Nash (clarinet, flute, tenor saxophone), Pete Candoli, Harry "Sweets" Edison, Maynard Ferguson, Conrad Gozzo (trumpet),  Milt Bernhart, Joe Howard, Lloyd Ulyate (trombone), George Roberts (bass, baritone trombone), Corky Hale( harp), Robert LaMarchina, Edgar Lustgarten (cello), Barney Kessel (guitar), Joe Mondragon (double bass), Alvin Stoller (drums, percussion).\r\n
      \r\n
      - Ella Fitzgerald "Ella Fitzgerald Sings The Cole Porter Songbook" (Mono) !\r\n
      - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      - Monthly releases highlighting the world's most historic and best jazz records !\r\n
      - Mastered by Matthew Lutthans at The Mastering Lab from the original analog master tape !\r\n
      - 180 gram LPs pressed at Quality Record Pressings !\r\n
      - Stoughton Printing gatefold old-style tip-on jackets !\r\n
      - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n
      \r\n
      One of the most enduring vocal jazz recordings ever committed to tape Ella Fitzgerald Sings the Cole Porter Songbook (Mono Version) stands as a defining artistic statement from Ella Fitzgerald and a crown jewel in the catalog of Verve Records.\r\n
      \r\n
      The album that launched Fitzgerald's legendary "Songbook" series finds her in sublime form, interpreting the urbane, witty compositions of Cole Porter with a grace, intelligence, and emotional clarity that remain unmatched. Here Fitzgerald leans into the lyric delivering some of the most refined, fully realized pop performances of her career.\r\n
      \r\n
      Recorded at Capitol Studios beginning February 7, 1956, these sessions were guided by producer Norman Granz, the visionary founder of Verve, and brought vividly to life through the remarkably sophisticated arrangements of a then-teenaged Buddy Bregman. Backed by an all-star roster of Los Angeles session musicians, Fitzgerald glides effortlessly across a three-octave range, equally commanding on buoyant up-tempo numbers and tender ballads alike.\r\n
      \r\n
      Completed over four sessions, concluding March 27, 1956, this landmark recording remains nothing short of essential. Its induction into the Grammy Hall of Fame in 2000 only affirms what listeners have known for decades: this is perfection, pressed into vinyl. In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Paul Smith (piano, celeste), Herb Geller (alto saxophone, clarinet), Chuck Gentry (bass clarinet, baritone saxophone), Bud Shank (clarinet, flute, alto saxophone), Bob Cooper (clarinet, oboe, tenor saxophone)…"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=jAawm4OhQJU&list=PL4xcscYzGSrV2KmFlyBZS0l4DW7Hk46Om"
    -referenceProduit: "Acoustic Sounds Serie (Verve)) 0304"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. All Through The Night"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything Goes"
      ]
      [
        "ordre" => 3
        "nom" => "3. Miss Otis Regrets (She's Unable To Lunch Today)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Too Darn Hot"
      ]
      [
        "ordre" => 5
        "nom" => "5. In The Still Of The Night "
      ]
      [
        "ordre" => 6
        "nom" => "6. I Get A Kick Out Of You"
      ]
      [
        "ordre" => 7
        "nom" => "7. Do I Love You ?"
      ]
      [
        "ordre" => 8
        "nom" => "8. Always True To You In My Fashion"
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Let's Do It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Just One Of Those Things"
      ]
      [
        "ordre" => 12
        "nom" => "3. Ev'ry Time We Say Goodbye"
      ]
      [
        "ordre" => 13
        "nom" => "4. All Of You"
      ]
      [
        "ordre" => 14
        "nom" => "5. Being The Beguine"
      ]
      [
        "ordre" => 15
        "nom" => "6. Get Out Of Town"
      ]
      [
        "ordre" => 16
        "nom" => "7. I Am In Love"
      ]
      [
        "ordre" => 17
        "nom" => "8. From This Moment On"
      ]
      [
        "ordre" => 18
        "nom" => "Side C : "
      ]
      [
        "ordre" => 19
        "nom" => "1. I Love Paris"
      ]
      [
        "ordre" => 20
        "nom" => "2. You Do Something To Me"
      ]
      [
        "ordre" => 21
        "nom" => "3. Ridin' High"
      ]
      [
        "ordre" => 22
        "nom" => "4. Easy To Love"
      ]
      [
        "ordre" => 23
        "nom" => "5. It's All Right With Me"
      ]
      [
        "ordre" => 24
        "nom" => "6. Why Can't You Behave ?"
      ]
      [
        "ordre" => 25
        "nom" => "7. What Is This Thing Called Love ?"
      ]
      [
        "ordre" => 26
        "nom" => "8. You're The Top"
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        "nom" => "Side D :"
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      ]
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        "nom" => "7. I Concentrate On You"
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      [
        "ordre" => 35
        "nom" => "8. Don't Fence Me In"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: Proxies\__CG__\App\Entity\Label {#2085 …}
    -style: App\Entity\Style {#1449 …}
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      date: 2026-04-06 13:10:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2099
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D0MkfbtQBac&list=RDD0MkfbtQBac&start_radio=1"
    -referenceProduit: "Blue Note Records 1365"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Say You're Mine"
      ]
      [
        "ordre" => 2
        "nom" => "2. Duke's Mixture"
      ]
      [
        "ordre" => 3
        "nom" => "3. Each Time I Think of You "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Cat Walk"
      ]
      [
        "ordre" => 6
        "nom" => "2. Cute"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hello Bright Sunflower"
      ]
      [
        "ordre" => 8
        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: Proxies\__CG__\App\Entity\Label {#2104 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
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    }
    -modifierLe: DateTime @1775479473 {#2097
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3401
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2099
    -id: 3052
    -nom: "The Cat Walk"
    -informationComplementaire: "New York, début des années 60. En pleine effervescence jazz, Donald Byrd enregistre "The Cat Walk", entouré de musiciens d’exception. Un album entre élégance et énergie, emblématique de l’âge d’or de Blue Note Records."
    -description: """
      Sorti en 1961 sur le mythique label Blue Note Records, "The Cat Walk" est un album emblématique du trompettiste Donald Byrd, figure majeure du hard bop.\r\n
      \r\n
      Entouré d’un quintet d’exception notamment Pepper Adams au saxophone baryton et Duke Pearson au piano, Donald Byrd propose ici un jazz élégant, énergique et profondément groove. L’alchimie entre les musiciens donne naissance à des compositions sophistiquées mais accessibles, portées par des lignes mélodiques accrocheuses et une section rythmique impeccable.\r\n
      \r\n
      Entre puissance et raffinement, "The Cat Walk" illustre parfaitement l’âge d’or du jazz Blue Note, un son chaleureux, une cohésion sans faille et une créativité toujours en mouvement.\r\n
      \r\n
      - Blue Note Classic Vinyl Reissue Series !\r\n
      - 180 gram Vinyl LP !\r\n
      - All-Analog Pressing !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from Original Master Tapes !\r\n
      - Manufactured at Optimal in Germany !\r\n
      \r\n
      Donald Byrd was deep in a groove in 1961 as the trumpeter turned out one hard bop classic after another for Blue Note including The Cat Walk featuring Byrd's quintet with Pepper Adams on baritone saxophone, Duke Pearson on piano, Laymon Jackson on bass, and Philly Joe Jones on drums. The band struts their stuff on an engaging set of swinging originals including Pearson's alluring opener "Say You're Mine", Byrd's swaggering title track, and an up-tempo sprint through Neal Hefti's tune "Cute" featuring a commanding performance by Jones.\r\n
      \r\n
      This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Donald Byrd (trumpet), Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=D0MkfbtQBac&list=RDD0MkfbtQBac&start_radio=1"
    -referenceProduit: "Blue Note Records 1365"
    -titreMorceau: [
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        "nom" => "1. Say You're Mine"
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        "ordre" => 2
        "nom" => "2. Duke's Mixture"
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        "nom" => "3. Each Time I Think of You "
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        "nom" => "Side B : "
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        "ordre" => 5
        "nom" => "1. The Cat Walk"
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      [
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        "nom" => "2. Cute"
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        "nom" => "3. Hello Bright Sunflower"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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      [
        "ordre" => 12
        "nom" => ""
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      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2101 …}
    -label: Proxies\__CG__\App\Entity\Label {#2104 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …}
    -enregistreLe: DateTime @1775479473 {#2096
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    }
    -modifierLe: DateTime @1775479473 {#2097
      date: 2026-04-06 12:44:33.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-the-cat-walk-blue-note-records-1365"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2120
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
      \r\n
      Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights (2 LP) 180 gram features selections from the 1997 Grammy®-nominated 4CD box set The Pet Sounds Sessions. It includes 25 Pet Sounds a cappellas, alternate versions and tracking sessions (all on vinyl for the first time), along with new liner notes. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles "God Only Knows," "Sloop John B," and "Wouldn't It Be Nice." Note: "I'm Waiting for the Day (Vocals Only)" is included on both LP1 and LP2.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_pO1xeRh0Ro&list=PLndw0FTo-j_Tt6mTAvSXcD36XgBZvZdyV"
    -referenceProduit: "Capitol Records 0141"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Wouldn’t It Be Nice (Vocals Only)"
      ]
      [
        "ordre" => 2
        "nom" => "2. You Still Believe in Me (Vocals Only)"
      ]
      [
        "ordre" => 3
        "nom" => "3. I’m Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 4
        "nom" => "4. Sloop John B. (Vocals Only)"
      ]
      [
        "ordre" => 5
        "nom" => "5. God Only Knows (Vocals Only)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Here Today (Vocals Only)"
      ]
      [
        "ordre" => 7
        "nom" => "7. I Just Wasn’t Made for These Times (Vocals Only)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
      ]
      [
        "ordre" => 11
        "nom" => " Instrumental Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Sloop John B. (Carl Sings First Verse)"
      ]
      [
        "ordre" => 14
        "nom" => "5. God Only Knows (Sax Solo, Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
      ]
      [
        "ordre" => 16
        "nom" => "7. Here Today (Alternate Version)"
      ]
      [
        "ordre" => 17
        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 19
        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 20
        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
      ]
      [
        "ordre" => 21
        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
      ]
      [
        "ordre" => 22
        "nom" => "5. That's Not Me (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 23
        "nom" => "6. Here Today (Stereo Backing Track)"
      ]
      [
        "ordre" => 24
        "nom" => "Side D : "
      ]
      [
        "ordre" => 25
        "nom" => "1. I'm Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 26
        "nom" => "2. Caroline, No (Stereo Mix, Original Speed)"
      ]
      [
        "ordre" => 27
        "nom" => "3. God Only Knows (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 28
        "nom" => "4. Good Vibrations (Highlights from Tracking Date)"
      ]
      [
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        "nom" => "5. Good Vibrations (Stereo Backing Track)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: Proxies\__CG__\App\Entity\Label {#2125 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
    -enregistreLe: DateTime @1775462572 {#2116
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775462572 {#2115
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-pet-sounds-sessions-highlights-capitol-records-0141"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3452
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2120
    -id: 3051
    -nom: "The Pet Sounds Sessions Highlights"
    -informationComplementaire: "Plongez au cœur de "Pet Sounds", l’album mythique qui a redéfini la pop moderne. Harmonies envoûtantes, arrangements audacieux et innovations sonores au service d’une œuvre unique."
    -description: """
      The Pet Sounds Sessions Highlights de The Beach Boys offre une plongée captivante dans l’un des albums les plus influents de l’histoire de la musique. Porté par la vision créative de Brian Wilson, à la fois compositeur, producteur et chanteur, ce projet met en lumière la richesse des harmonies vocales et l’innovation sonore qui ont redéfini la pop des années 1960.\r\n
      \r\n
      Entouré des membres du groupe, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine et Bruce Johnston et soutenu par les talentueux musiciens de The Wrecking Crew, "Pet Sounds" se distingue par des arrangements audacieux, des textures inédites et une sensibilité émotionnelle rare.\r\n
      \r\n
      Cette sélection de moments forts révèle les coulisses d’un chef-d’œuvre intemporel, entre expérimentations en studio et perfectionnisme artistique.\r\n
      \r\n
      Musicians : \r\n
      Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals), The Wrecking Crew : Hal Blaine (drums), Carol Kaye (bass), Glen Campbell (guitar).\r\n
      \r\n
      - The Beach Boys "Pet Sounds" 60th Anniversary !\r\n
      - Double LP 180 gram Vinyl  !\r\n
      - All Tracks on Vinyl for the First Time !\r\n
      - New Liner Notes !\r\n
      - "I'm Waiting for the Day (Vocals Only)" Appears on Both LP 1 & LP 2 !\r\n
      \r\n
      Celebrating the 60th anniversary of the Beach Boys' legendary masterpiece, The Pet Sounds Sessions Highlights (2 LP) 180 gram features selections from the 1997 Grammy®-nominated 4CD box set The Pet Sounds Sessions. It includes 25 Pet Sounds a cappellas, alternate versions and tracking sessions (all on vinyl for the first time), along with new liner notes. Released on May 16, 1966, Pet Sounds was produced and primarily composed by Brian Wilson and is considered a masterpiece of pop music and one of the most influential albums in history. It features the classic singles "God Only Knows," "Sloop John B," and "Wouldn't It Be Nice." Note: "I'm Waiting for the Day (Vocals Only)" is included on both LP1 and LP2.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (drums, vocals), Mike Love (lead vocals), Al Jardine (rhythm guitar, vocals), Bruce Johnston (keyboards, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_pO1xeRh0Ro&list=PLndw0FTo-j_Tt6mTAvSXcD36XgBZvZdyV"
    -referenceProduit: "Capitol Records 0141"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
        "ordre" => 1
        "nom" => "1. Wouldn’t It Be Nice (Vocals Only)"
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      [
        "ordre" => 2
        "nom" => "2. You Still Believe in Me (Vocals Only)"
      ]
      [
        "ordre" => 3
        "nom" => "3. I’m Waiting for the Day (Vocals Only)"
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      [
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        "nom" => "4. Sloop John B. (Vocals Only)"
      ]
      [
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        "nom" => "5. God Only Knows (Vocals Only)"
      ]
      [
        "ordre" => 6
        "nom" => "6. Here Today (Vocals Only)"
      ]
      [
        "ordre" => 7
        "nom" => "7. I Just Wasn’t Made for These Times (Vocals Only)"
      ]
      [
        "ordre" => 8
        "nom" => "Side B : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Wouldn’t It Be Nice (Stereo Track and Backing Vocals)"
      ]
      [
        "ordre" => 10
        "nom" => "2. Don't Talk (Put Your Head on My Shoulder) (Brian Wilson’s"
      ]
      [
        "ordre" => 11
        "nom" => " Instrumental Demo)"
      ]
      [
        "ordre" => 12
        "nom" => "3. I'm Waiting for the Day (Mike Sings Lead)"
      ]
      [
        "ordre" => 13
        "nom" => "4. Sloop John B. (Carl Sings First Verse)"
      ]
      [
        "ordre" => 14
        "nom" => "5. God Only Knows (Sax Solo, Alternate Version)"
      ]
      [
        "ordre" => 15
        "nom" => "6. Hang on to Your Ego (Alternate Mix)"
      ]
      [
        "ordre" => 16
        "nom" => "7. Here Today (Alternate Version)"
      ]
      [
        "ordre" => 17
        "nom" => "Side C :"
      ]
      [
        "ordre" => 18
        "nom" => "1. Wouldn't It Be Nice (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 19
        "nom" => "2. Trombone Dixie (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 20
        "nom" => "3. Don't Talk (Put Your Head on My Shoulder) (Vocal Snippet)"
      ]
      [
        "ordre" => 21
        "nom" => "4. Don't Talk (Put Your Head on My Shoulder) (Vocals Only)"
      ]
      [
        "ordre" => 22
        "nom" => "5. That's Not Me (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 23
        "nom" => "6. Here Today (Stereo Backing Track)"
      ]
      [
        "ordre" => 24
        "nom" => "Side D : "
      ]
      [
        "ordre" => 25
        "nom" => "1. I'm Waiting for the Day (Vocals Only)"
      ]
      [
        "ordre" => 26
        "nom" => "2. Caroline, No (Stereo Mix, Original Speed)"
      ]
      [
        "ordre" => 27
        "nom" => "3. God Only Knows (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 28
        "nom" => "4. Good Vibrations (Highlights from Tracking Date)"
      ]
      [
        "ordre" => 29
        "nom" => "5. Good Vibrations (Stereo Backing Track)"
      ]
      [
        "ordre" => 30
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2122 …}
    -label: Proxies\__CG__\App\Entity\Label {#2125 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2134 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2127 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2129 …}
    -enregistreLe: DateTime @1775462572 {#2116
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775462572 {#2115
      date: 2026-04-06 08:02:52.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2131 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-pet-sounds-sessions-highlights-capitol-records-0141"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2141
    -id: 3047
    -nom: "The Unreleased Berlin Recordings  (Numbered Limited Edition)"
    -informationComplementaire: "Un enregistrement rare des années 60. Lorin Maazel dirige le Radio-Symphonie-Orchester Berlin dans un programme puissant réunissant Ludwig van Beethoven, Claude Debussy et Béla Bartók. Un témoignage orchestral intense, entre précision, énergie et poésie."
    -description: """
      - Enregistrements rares issus d’archives berlinoises !\r\n
      - Un Lorin Maazel au sommet de sa jeunesse artistique !\r\n
      - Un témoignage sonore du Berlin musical des années 60 !\r\n
      - Un programme riche : Beethoven, Debussy, Bartók !\r\n
      \r\n
      Ce double enregistrement issu des archives berlinoises des années 1960 met en lumière un Lorin Maazel jeune mais déjà magistral, dirigeant avec une autorité impressionnante et une sensibilité remarquable.\r\n
      \r\n
      La Symphonie N° 4 en si bémol majeur, Op. 60 de Ludwig van Beethoven y déploie toute son élégance classique, entre énergie vive et lyrisme maîtrisé. Maazel y révèle une lecture claire et incisive, soulignant la modernité de cette œuvre souvent sous-estimée.\r\n
      \r\n
      Avec La Mer, L. 109 de Claude Debussy, l’orchestre berlinois explore une palette sonore d’une richesse exceptionnelle. Les textures orchestrales évoquent tour à tour la lumière, le mouvement et la puissance des éléments naturels.\r\n
      \r\n
      L’album se conclut par la Danse Suite, SZ. 77 de Béla Bartók, œuvre rythmique et colorée, où se mêlent influences folkloriques et modernité orchestrale.\r\n
      \r\n
      - Lorin Maazel "The Unreleased Berlin Recordings" !\r\n
      - Recorded at the Concertgebouw, Amsterdam on Apri 15, 1980 !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "When I first discovered Maazel's recordings conducting the Berlin Radio Symphony Orchestra, I was completely captivated by his singular artistic choices, particularly in Beethoven's 4th Symphony. It is only at the end of the Finale, that the listener has the feeling of having experienced a unique reading, truthful and as inspired as it is organic. The version of La Mer sparkles with a thousand lights and one could not imagine more authentic Bartók. Maazel is definitely a conductor of the highest range and these recordings are simply fascinating". - Frédéric D'ORIA-NICOLAS, Musical Treasure Hunter\r\n
      \r\n
      Many musicians feared Maazel's chilly authoritarianism, his inability to make concessions. Unfailingly demanding, he insisted that the orchestras show him blind obedience and that the boards in charge run operations smoothly. His temper was legendary.\r\n
      \r\n
      But if he was demanding, it was first and foremost of himself. "Little Lorin", as the former child prodigy was known then, was first asked to lead a professional orchestra when he was nine years old and already a violin virtuoso. When he was eleven, Toscanini invited him to take the baton of the NBC orchestra in New York.\r\n
      \r\n
      Maazel had phenomenal gifts. These, coupled with his sheer hard work and exceptional resilience, resulted in a career of 72 years that encompassed more than 7000 performances with the most prestigious orchestras worldwide. His repertoire was seemingly boundless. During the 1960s and 1970s, when he was at the helm of the Sinfonie Orchester Berlin, Maazel proved himself to be a maestro of style, a magician of sound gifted with not only a perfect sense of line and color, but also infallible technique.\r\n
      \r\n
      The Lost Recordings found these hitherto unpublished recordings, made in October 1969 in Studio 1 of Berlin Radio. Here Maazel's inspiration takes him to the very summit of refinement and expressive intensity.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Lorin Maazel conducts the Berlin Radio Symphony Orchestra"
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        "nom" => "1. Ludwig Van Beethoven : Symphony N° 4 in B-flat major, Op. 60"
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        "nom" => "Side C :"
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        "nom" => "1. Claude Debussy : La Mer, Trois Esquisses Symphoniques pour"
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        "ordre" => 9
        "nom" => "Orchestre, L 109"
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        "ordre" => 10
        "nom" => "I. De l'aube à midi sur la mer (From Dawn till Noon on the Sea)"
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        "nom" => "II. Jeux de vagues (Play of the Waves)"
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        "ordre" => 14
        "nom" => "2. Bela Bartók : Danse Suite, SZ. 77"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3503
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  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2141
    -id: 3047
    -nom: "The Unreleased Berlin Recordings  (Numbered Limited Edition)"
    -informationComplementaire: "Un enregistrement rare des années 60. Lorin Maazel dirige le Radio-Symphonie-Orchester Berlin dans un programme puissant réunissant Ludwig van Beethoven, Claude Debussy et Béla Bartók. Un témoignage orchestral intense, entre précision, énergie et poésie."
    -description: """
      - Enregistrements rares issus d’archives berlinoises !\r\n
      - Un Lorin Maazel au sommet de sa jeunesse artistique !\r\n
      - Un témoignage sonore du Berlin musical des années 60 !\r\n
      - Un programme riche : Beethoven, Debussy, Bartók !\r\n
      \r\n
      Ce double enregistrement issu des archives berlinoises des années 1960 met en lumière un Lorin Maazel jeune mais déjà magistral, dirigeant avec une autorité impressionnante et une sensibilité remarquable.\r\n
      \r\n
      La Symphonie N° 4 en si bémol majeur, Op. 60 de Ludwig van Beethoven y déploie toute son élégance classique, entre énergie vive et lyrisme maîtrisé. Maazel y révèle une lecture claire et incisive, soulignant la modernité de cette œuvre souvent sous-estimée.\r\n
      \r\n
      Avec La Mer, L. 109 de Claude Debussy, l’orchestre berlinois explore une palette sonore d’une richesse exceptionnelle. Les textures orchestrales évoquent tour à tour la lumière, le mouvement et la puissance des éléments naturels.\r\n
      \r\n
      L’album se conclut par la Danse Suite, SZ. 77 de Béla Bartók, œuvre rythmique et colorée, où se mêlent influences folkloriques et modernité orchestrale.\r\n
      \r\n
      - Lorin Maazel "The Unreleased Berlin Recordings" !\r\n
      - Recorded at the Concertgebouw, Amsterdam on Apri 15, 1980 !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 3000 copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      "When I first discovered Maazel's recordings conducting the Berlin Radio Symphony Orchestra, I was completely captivated by his singular artistic choices, particularly in Beethoven's 4th Symphony. It is only at the end of the Finale, that the listener has the feeling of having experienced a unique reading, truthful and as inspired as it is organic. The version of La Mer sparkles with a thousand lights and one could not imagine more authentic Bartók. Maazel is definitely a conductor of the highest range and these recordings are simply fascinating". - Frédéric D'ORIA-NICOLAS, Musical Treasure Hunter\r\n
      \r\n
      Many musicians feared Maazel's chilly authoritarianism, his inability to make concessions. Unfailingly demanding, he insisted that the orchestras show him blind obedience and that the boards in charge run operations smoothly. His temper was legendary.\r\n
      \r\n
      But if he was demanding, it was first and foremost of himself. "Little Lorin", as the former child prodigy was known then, was first asked to lead a professional orchestra when he was nine years old and already a violin virtuoso. When he was eleven, Toscanini invited him to take the baton of the NBC orchestra in New York.\r\n
      \r\n
      Maazel had phenomenal gifts. These, coupled with his sheer hard work and exceptional resilience, resulted in a career of 72 years that encompassed more than 7000 performances with the most prestigious orchestras worldwide. His repertoire was seemingly boundless. During the 1960s and 1970s, when he was at the helm of the Sinfonie Orchester Berlin, Maazel proved himself to be a maestro of style, a magician of sound gifted with not only a perfect sense of line and color, but also infallible technique.\r\n
      \r\n
      The Lost Recordings found these hitherto unpublished recordings, made in October 1969 in Studio 1 of Berlin Radio. Here Maazel's inspiration takes him to the very summit of refinement and expressive intensity.
      """
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        "nom" => "I. De l'aube à midi sur la mer (From Dawn till Noon on the Sea)"
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        "nom" => "II. Jeux de vagues (Play of the Waves)"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2143 …}
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[
  "produit" => App\Entity\Produit {#2166
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One of Those Things"
      ]
      [
        "ordre" => 2
        "nom" => "2. Like Someone in Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy He Calls Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. In a Mellow Tone"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Moon at All"
      ]
      [
        "ordre" => 6
        "nom" => "6. Georgia on My Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. All of Me"
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        "ordre" => 8
        "nom" => "8. Moonlight in Vermont"
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        "nom" => "9. Misty"
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        "nom" => "10. Hallelujah, I Love Him So"
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        "nom" => "11. Mack the Knife"
      ]
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        "nom" => "LP 2"
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      [
        "ordre" => 13
        "nom" => "1. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 14
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 16
        "nom" => "4. Lush Life"
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        "ordre" => 17
        "nom" => "5. Runnin' Wild"
      ]
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        "nom" => "6. Georgia On My Mind"
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        "nom" => "7. A Lot of Livin' to Do"
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        "ordre" => 20
        "nom" => "8. 'S Wonderful"
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        "nom" => "9. Desafinado"
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      [
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        "nom" => "10. Tenderly"
      ]
      [
        "ordre" => 23
        "nom" => "11. How High the Moon"
      ]
      [
        "ordre" => 24
        "nom" => "LP 3"
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      [
        "ordre" => 25
        "nom" => "1. Walk Right In"
      ]
      [
        "ordre" => 26
        "nom" => "2. That Old Black Magic"
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        "nom" => "3. Body and Soul"
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        "nom" => "4. Here's That Rainy Day"
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        "nom" => "5. The Angels Sing"
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        "nom" => "6. A Hard Day's Night"
      ]
      [
        "ordre" => 31
        "nom" => "7. Medley :"
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        "ordre" => 32
        "nom" => "- Do Nothin' Till You Hear From Me"
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      [
        "ordre" => 33
        "nom" => "- Mood Indigo"
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      [
        "ordre" => 34
        "nom" => "- It Don't Mean a Thing"
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        "nom" => "8. The Boy from Ipanema"
      ]
      [
        "ordre" => 36
        "nom" => "9. Don't Rain on My Parade from 'Funny Girl'"
      ]
      [
        "ordre" => 37
        "nom" => "10. Mack the Knife"
      ]
    ]
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2166
    -id: 2914
    -nom: "Live In Helsinki 1963 & 1965"
    -informationComplementaire: "Plongez au cœur de la magie du live avec Ella Fitzgerald. À Helsinki, en 1963 et 1965, la First Lady of Song enflamme la scène et réinvente chaque note avec une élégance et une liberté inégalées. Une voix, un moment, une légende comme si vous y étiez."
    -description: """
      L’album "Live in Helsinki 1963 & 1965" de Ella Fitzgerald est une plongée rare et précieuse dans l’art de la scène de l’une des plus grandes voix du jazz. Enregistrées lors de deux concerts donnés en Finlande, ces performances capturent Ella Fitzgerald au sommet de son talent, dans toute la spontanéité et la virtuosité qui ont fait sa légende.\r\n
      \r\n
      Entre standards intemporels, improvisations audacieuses et scat époustouflant, Ella transforme chaque morceau en un moment unique. Son sens du swing, sa justesse parfaite et sa capacité à dialoguer avec les musiciens offrent une expérience live authentique et vibrante.\r\n
      \r\n
      Ces enregistrements révèlent une artiste libre, joueuse et profondément connectée à son public, un témoignage vivant de l’âge d’or du jazz et de la puissance de la performance en direct.\r\n
      \r\n
      - Ella Fitzgerald "Live In Helsinki 1963 & 1965" !\r\n
      - 180 gram mono (3 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      In 1960 Ella Fitzgerald bought a house in Copenhagen. It might seem surprising for someone born in Virginia to choose Denmark with its icy winters. There was indeed a part of folly in the decision, because she was once more in love. This time, the man was Swedish. But the chain of events had not been random. Norman Granz, her mentor, friend and producer had decided to leave the U.S. and move to Switzerland around the same time. He was weary of battling away in a country fraught with racism, bogged down in the Cold War and witch hunts.\r\n
      \r\n
      Ray Charles, Miles Davis and many other musicians were also victims of obnoxious prejudice and Europe became their new mecca. Granz had already led the way and Ella followed. However, she never definitively left the United States, where she continued to fight racism, supporting Martin Luther King and appearing with her blond "sister," Marilyn Monroe. Across the Atlantic, she made more and more European tours, speaking German in Berlin, French in Paris, and Italian in Rome. She used English in Helsinki, where she gave two memorable concerts in April 1963 and March 1965. She felt a close affinity to Copenhagen. One thing was sure, she was happy, and it showed.\r\n
      \r\n
      It took us at The Lost Recordings months of talks and two trips to Helsinki to unearth the tapes of these concerts, never before published as records. We were immediately struck by Ella's virtuosity - her vocal acrobatics - and the quality of her voice, whose very essence and tonal confidence still shine through. This imposing woman's stage presence is magnetic, masking her stage fright in the wings and the shyness she had retained since childhood.\r\n
      \r\n
      After listening to these concerts, it is clear that her musical legacy extends beyond the musical framework of jazz. Her repertoire included not only the composers of The Great American Songbook, such as Cole Porter, Irving Berlin and George Gershwin, but also popular Broadway numbers, songs by The Beatles and South American music. The last piece of the puzzle: she knew no boundaries. She swept up everything along her way. Her timbre, her style and her very presence are immediately recognisable. She was inimitable. Whether she was living in Harlem, London, Los Angeles, Copenhagen or Helsinki, she was the very embodiment of swing, of scat, and of jazz. Ella and music are one.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Ella Fitzgerald (vocals), Tommy Flanagan (piano), Les Spann (guitar, flute), Jim Hughart, Ketter Betts (bass), Gus Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1113 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=XFq4_h6Yz6E&list=RDXFq4_h6Yz6E&start_radio=1"
    -referenceProduit: "The Lost Recordings 4064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "LP 1"
      ]
      [
        "ordre" => 1
        "nom" => "1. Just One of Those Things"
      ]
      [
        "ordre" => 2
        "nom" => "2. Like Someone in Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Crazy He Calls Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. In a Mellow Tone"
      ]
      [
        "ordre" => 5
        "nom" => "5. No Moon at All"
      ]
      [
        "ordre" => 6
        "nom" => "6. Georgia on My Mind"
      ]
      [
        "ordre" => 7
        "nom" => "7. All of Me"
      ]
      [
        "ordre" => 8
        "nom" => "8. Moonlight in Vermont"
      ]
      [
        "ordre" => 9
        "nom" => "9. Misty"
      ]
      [
        "ordre" => 10
        "nom" => "10. Hallelujah, I Love Him So"
      ]
      [
        "ordre" => 11
        "nom" => "11. Mack the Knife"
      ]
      [
        "ordre" => 12
        "nom" => "LP 2"
      ]
      [
        "ordre" => 13
        "nom" => "1. Don't Get Around Much Anymore"
      ]
      [
        "ordre" => 14
        "nom" => "2. They Can't Take That Away From Me"
      ]
      [
        "ordre" => 15
        "nom" => "3. Summertime"
      ]
      [
        "ordre" => 16
        "nom" => "4. Lush Life"
      ]
      [
        "ordre" => 17
        "nom" => "5. Runnin' Wild"
      ]
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        "ordre" => 18
        "nom" => "6. Georgia On My Mind"
      ]
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        "ordre" => 19
        "nom" => "7. A Lot of Livin' to Do"
      ]
      [
        "ordre" => 20
        "nom" => "8. 'S Wonderful"
      ]
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        "ordre" => 21
        "nom" => "9. Desafinado"
      ]
      [
        "ordre" => 22
        "nom" => "10. Tenderly"
      ]
      [
        "ordre" => 23
        "nom" => "11. How High the Moon"
      ]
      [
        "ordre" => 24
        "nom" => "LP 3"
      ]
      [
        "ordre" => 25
        "nom" => "1. Walk Right In"
      ]
      [
        "ordre" => 26
        "nom" => "2. That Old Black Magic"
      ]
      [
        "ordre" => 27
        "nom" => "3. Body and Soul"
      ]
      [
        "ordre" => 28
        "nom" => "4. Here's That Rainy Day"
      ]
      [
        "ordre" => 29
        "nom" => "5. The Angels Sing"
      ]
      [
        "ordre" => 30
        "nom" => "6. A Hard Day's Night"
      ]
      [
        "ordre" => 31
        "nom" => "7. Medley :"
      ]
      [
        "ordre" => 32
        "nom" => "- Do Nothin' Till You Hear From Me"
      ]
      [
        "ordre" => 33
        "nom" => "- Mood Indigo"
      ]
      [
        "ordre" => 34
        "nom" => "- It Don't Mean a Thing"
      ]
      [
        "ordre" => 35
        "nom" => "8. The Boy from Ipanema"
      ]
      [
        "ordre" => 36
        "nom" => "9. Don't Rain on My Parade from 'Funny Girl'"
      ]
      [
        "ordre" => 37
        "nom" => "10. Mack the Knife"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2082 …}
    -label: Proxies\__CG__\App\Entity\Label {#2146 …}
    -style: App\Entity\Style {#1449 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …}
    -enregistreLe: DateTime @1765732271 {#2158
      date: 2025-12-14 17:11:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775379346 {#2157
      date: 2026-04-05 08:55:46.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-helsinki-1963-1965-the-lost-recordings-4064"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}

[
  "produit" => App\Entity\Produit {#2183
    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
      \r\n
      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Al Di Meola (guitar, synthesizer), Mario Parmisano (acoustic piano, synthesizer), András Sturcz (cello), Gyula Benkö (viola), Gábor Gsonka (1st violin), Victor Uhzik (2nd violin), Gumbi Ortiz (percussion), Ernie Adams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q7KbTZZg2hc&list=PLrrrLOu1whQw8JdXwi3NDiIhrFy4e91EB"
    -referenceProduit: "IN-AKUSTIK 0011"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Innamorata"
      ]
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        "nom" => "2. Misterio"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Azzura"
      ]
      [
        "ordre" => 5
        "nom" => "2. Orient Blue"
      ]
      [
        "ordre" => 6
        "nom" => "3. Rhapsody Of Fire"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2185 …}
    -label: Proxies\__CG__\App\Entity\Label {#2188 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1756238585 {#2176
      date: 2025-08-26 20:03:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775375532 {#2177
      date: 2026-04-05 07:52:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-one-of-these-nights-part-1-limited-edition-import-dmm-in-akustik-0011"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3602
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2183
    -id: 2790
    -nom: "One Of These Nights Part 1  (Limited Edition Import DMM)"
    -informationComplementaire: "Plongez dans l’univers unique de "One Of These Nights Part 1", une odyssée musicale où la virtuosité rencontre l’émotion, et où chaque note raconte une histoire."
    -description: """
      L’album "One Of These Nights Part 1" de Al Di Meola est une œuvre vibrante qui illustre toute la richesse et la finesse du jeu du guitariste légendaire. Fidèle à son univers mêlant jazz fusion, influences latines et sonorités acoustiques sophistiquées, cet opus propose une expérience immersive où virtuosité technique et émotion pure se rencontrent.\r\n
      \r\n
      À travers des compositions à la fois intenses et contemplatives, Al Di Meola explore des paysages sonores cinématographiques, portés par des mélodies envoûtantes et des rythmes subtils. Chaque morceau révèle une maîtrise exceptionnelle de la guitare, mais aussi une sensibilité artistique qui transcende les genres.\r\n
      \r\n
      Cet album s’adresse autant aux amateurs de jazz qu’aux passionnés de musique instrumentale raffinée, offrant une écoute à la fois exigeante et profondément captivante.\r\n
      \r\n
      - Numbered, Limited Edition DMM 180 gram Audiophile Vinyl LP !\r\n
      - Strict One-Time Pressing !\r\n
      - New album mix produced from the original master multi-track recording mastered to analog tape !\r\n
      - Direct Metal Mastering cut directly from the analog tape master !\r\n
      \r\n
      Right from the start, Al Di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al Di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Al Di Meola (guitar, synthesizer), Mario Parmisano (acoustic piano, synthesizer), András Sturcz (cello), Gyula Benkö (viola), Gábor Gsonka (1st violin), Victor Uhzik (2nd violin), Gumbi Ortiz (percussion), Ernie Adams (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=q7KbTZZg2hc&list=PLrrrLOu1whQw8JdXwi3NDiIhrFy4e91EB"
    -referenceProduit: "IN-AKUSTIK 0011"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. Innamorata"
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        "nom" => "2. Misterio"
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      [
        "ordre" => 3
        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. Azzura"
      ]
      [
        "ordre" => 5
        "nom" => "2. Orient Blue"
      ]
      [
        "ordre" => 6
        "nom" => "3. Rhapsody Of Fire"
      ]
      [
        "ordre" => 7
        "nom" => ""
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        "ordre" => 8
        "nom" => ""
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      [
        "ordre" => 9
        "nom" => ""
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      [
        "ordre" => 10
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2185 …}
    -label: Proxies\__CG__\App\Entity\Label {#2188 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2197 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2190 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2192 …}
    -enregistreLe: DateTime @1756238585 {#2176
      date: 2025-08-26 20:03:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775375532 {#2177
      date: 2026-04-05 07:52:12.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2194 …}
    -disponible: null
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    -slug: "vinyles-one-of-these-nights-part-1-limited-edition-import-dmm-in-akustik-0011"
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}

[
  "produit" => App\Entity\Produit {#2206
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. See No Evil"
      ]
      [
        "ordre" => 2
        "nom" => "2. Venus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Elevation"
      ]
      [
        "ordre" => 8
        "nom" => "2. Guiding Light "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Prove It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Torn Curtain"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
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        "nom" => ""
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2217 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2210 …}
    -typeMasterTape: null
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    -typeMateriel: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2212 …}
    -enregistreLe: DateTime @1775112158 {#2199
      date: 2026-04-02 06:42:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775112582 {#2200
      date: 2026-04-02 06:49:42.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-marquee-moon-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-2-064"
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App\Twig\Components\GestionPanierFavoriComponents {#3653
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2206
    -id: 3037
    -nom: "Marquee Moon - Box Set (2 LP) 45 RPM UltraDisc One-Step"
    -informationComplementaire: "Plongez dans "Marquee Moon", le chef-d’œuvre de Television : une explosion de guitares entrelacées, d’énergie brute et d’élégance sonore. Un album culte qui redéfinit le rock et continue d’inspirer, près de 50 ans après sa sortie."
    -description: """
      Sorti en 1977, Marquee Moon de Television s’impose comme l’un des albums les plus influents de la scène rock new-yorkaise. À contre-courant du punk brut de l’époque, le groupe propose une musique sophistiquée, mêlant énergie nerveuse et finesse instrumentale.\r\n
      \r\n
      Porté par la voix singulière et le jeu de guitare tranchant de Tom Verlaine, l’album se distingue surtout par le dialogue fascinant entre deux guitares. Avec Richard Lloyd, Television développe un style unique fait de lignes mélodiques entrelacées, créant une tension constante et hypnotique. La section rythmique, assurée par Fred Smith à la basse et Billy Ficca à la batterie, apporte une précision presque jazz qui renforce la profondeur sonore de l’ensemble.\r\n
      \r\n
      Le morceau-titre, long de plus de dix minutes, est devenu emblématique pour ses envolées guitaristiques et son atmosphère envoûtante. Marquee Moon est aujourd’hui considéré comme un pilier de l’art rock et une référence incontournable pour des générations de musiciens.\r\n
      \r\n
      - Television Reimagines Guitar Rock on Marquee Moon: Band’s 1977 Debut Is Ranked the 107th Greatest Album of All Time by Rolling Stone and Cited on Virtually Every Major “Best” List\r\n
      \r\n
      - Experience the Pioneering Record in Definitive Sound : Mobile Fidelity’s UltraDisc One-Step 180 gram 45 RPM (2 LP) Box Set Is Strictly Limited to 3000 Numbered Copies and Reveals Brilliant Dynamics, Textures, and Tones\r\n
      \r\n
      - 1/4” / 15 IPS analog master to DSD 256 to analog console to lathe\r\n
      \r\n
      Television’s Marquee Moon reimagines guitar rock in such original, pioneering ways that critics and fans still struggle to describe its essence five decades after its original release. Made after the band cut its teeth for four years amid New York’s thriving arts scene, the 1977 album blends the inimitable interplay of guitarists Tom Verlaine and Richard Lloyd; spontaneous and precise approaches; and winding arrangements that draw as much from classical, jazz, and psychedelia as the punk ethos to which the album is often linked. \r\n
      \r\n
      Available as a 45 RPM edition for the first time, Marquee Moon reaches a new sonic pinnacle on Mobile Fidelity’s UltraDisc One-Step 180 gram (2 LP) box set. Strictly limited to 3000 numbered copies and pressed at Fidelity Record Pressing in California, this deluxe reissue of the effort Pitchfork named the third greatest of the entire 1970s plays with incredible detail, dynamics, and definition. The presence, emotionalism, warmth, and dimensionality of the textures alone make this premium reissue a treat for both listeners who know the record inside-out and for audiophiles embarking on Television’s incomparable journeys for perhaps the first time. \r\n
      \r\n
      Mobile Fidelity Sound Lab’s deluxe, industry-leading packaging adds to the set’s desirability and collectibility. Housed in a gorgeous slipcase, it features foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for those who want to immerse themselves in everything involved with the Marquee Moon from the now-iconic front cover depicting a Xeroxed color print of a Robert Mapplethorpe photo of the quartet to the rear image showcasing what Verlaine described as a “weird spirally shape” that visually captures the inertia, vibe, and patterns of the songs.\r\n
      \r\n
      So distinctive are Television’s styles, arrangements, and chemistry that producer Andy Johns repeatedly had to ask Verlaine and company about their aesthetic. Recording in a small room at A & R Studios, a space selected due to its resemblance to what the band used to rehearse, Johns initially recoiled from the retro setup complete with an all-tube board. Johns also misread Television’s desire for a dry sound at odds with the big, meaty acoustic that carried the day. He spent a day working on the drum kit to engineer effects in line with those he’d achieved with Led Zeppelin and the Rolling Stones. Only to tear it apart once Television expressed a desire for a basic, reverb-free perspective. \r\n
      \r\n
      You can hear that direct, focused, straight-line sound like never before here, and how it illustrates the clean contours, tones, and shapes of every note committed to tape. And how it relates to the relatively minimal overdubs (piano, vocals) the band laid down after barely a week of main sessions with Johns, whose fanciest implementation involved swinging a vintage microphone like a lasso over his head as Lloyd double-tracked the solo to “Elevation”.\r\n
      \r\n
      Johns returned a few months later to mix. By that point, his take on Marquee Moon had shifted from arms-length curiosity to wholesale adoration. His change of heart is easy to understand. It would dovetail with the opinions of nearly everyone who spent time with the strange, beautiful, seemingly contradictory record shortly after it hit in early 1977. Few albums of that era as well as any before or since combine such high-wire technical prowess, back-to-basics architecture, jam-band improvisation, narrative mysticism, delicate finesse, hook-laden catchiness, and excess-free exploration. \r\n
      \r\n
      Another principal reason Marquee Moon remains distinctive ? Verlaine’s playing and lyrics, sure, but also his interests and background. Unlike archetypal guitar heroes, let alone first-wave punk practitioners, he first fell in love with classical music before gravitating to jazz and the saxophone. Having changed his last name to honor that of the 19th century French poet, Verlaine prized responsiveness and intricacy over density, speed, and volume. He recognized that fills, harmonics, and accents allowed for as many if not more opportunities for communicative colors and commentaries as solos do.  \r\n
      \r\n
      Verlaine’s incisive ingenuity, discipline, and feel emerge throughout Marquee Moon, and are part and parcel of the impressionistic six-string dialogues with Lloyd. Their push-and-pull subverts expectations and creates new, hard-to-decipher languages strung together with vocabularies comprised of wondrous melodies, modes, bridges, scales, vamps, and tunings. Lloyd would aptly describe the duo’s results as analogous to putting together pieces in a jigsaw puzzle. The pair’s exploratory vision and economical nature further accounts for why Marquee Moon defies age and trends. \r\n
      \r\n
      As do the hands-off, syncopated rhythms generated by bassist Fred Smith and jazz-based drummer Billy Ficca. Akin to their mates, each are dialed-in from the extended period of woodshedding Television enjoyed before hitting the studio. Together, the four members achieve blends of virtuosic tightness, chromatism, expressionism, and moodiness that exist in gray areas between garage rock, punk, prog, and free-jazz disciplines. No wonder Marquee Moon proved a major influence on the new wave, experimental rock, art pop, and so-called “alt rock” subgenres that followed.\r\n
      \r\n
      Allergic to bombast, repetition, and convention, all eight songs function as individual highlight reels that simultaneously feed an inter-related, organic whole. And yet everything revolves around the epic title track, Ranked by Rolling Stone as the 173rd Greatest Song of All Time, it’s distinguished by a a double-stop guitar intro, dramatic jam section, and a climactic coda that encapsulates what makes Television unique — and Marquee Moon a landmark of conception, composition, and execution.
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Verlaine (lead guitar, vocals), Richard Lloyd (lead guitar, backing vocals), Fred Smith (bass guitar, backing vocals), Billy Ficca (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g4myghLPLZc&list=RDg4myghLPLZc&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 45UD1S 2-064"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
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      [
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        "nom" => "1. See No Evil"
      ]
      [
        "ordre" => 2
        "nom" => "2. Venus"
      ]
      [
        "ordre" => 3
        "nom" => "3. Friction "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Marquee Moon "
      ]
      [
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        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Elevation"
      ]
      [
        "ordre" => 8
        "nom" => "2. Guiding Light "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Prove It"
      ]
      [
        "ordre" => 11
        "nom" => "2. Torn Curtain"
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      [
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2208 …}
    -label: Proxies\__CG__\App\Entity\Label {#2066 …}
    -style: App\Entity\Style {#1453 …}
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      date: 2026-04-02 06:42:38.0 UTC (+00:00)
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    -modifierLe: DateTime @1775112582 {#2200
      date: 2026-04-02 06:49:42.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2214 …}
    -disponible: null
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    -slug: "vinyles-marquee-moon-box-set-2-lp-45-rpm-ultradisc-one-step-mobile-fidelity-sound-lab-mfsl-45ud1s-2-064"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
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[
  "produit" => App\Entity\Produit {#2222
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. One Way Out"
      ]
      [
        "ordre" => 2
        "nom" => "2. Too Young To Die"
      ]
      [
        "ordre" => 3
        "nom" => "3. Trust My Baby"
      ]
      [
        "ordre" => 4
        "nom" => "4. Checkin' Up On My Baby"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sad To Be Alone"
      ]
      [
        "ordre" => 6
        "nom" => "6. Got To Move"
      ]
      [
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        "nom" => "Side B : "
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        "nom" => "1. Bring It On Home"
      ]
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        "nom" => "2. Down Child"
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        "nom" => "3. Peach Tree"
      ]
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
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    -style: App\Entity\Style {#1436 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2228 …}
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    -modifierLe: DateTime @1774791706 {#2220
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3704
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2673 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2222
    -id: 2817
    -nom: "The Real Folk Blues"
    -informationComplementaire: "Avec "The Real Folk Blues", Sonny Boy Williamson II ne joue pas le blues, il le fait vibrer. Entre harmonica envoûtant et voix chargée d’émotion, chaque morceau capte l’essence d’un blues authentique et intemporel."
    -description: """
      Sorti en 1966 sur le label Chess Records, The Real Folk Blues est une compilation essentielle qui met en lumière le talent unique de Sonny Boy Williamson II, figure majeure du Chicago blues.\r\n
      \r\n
      L’album regroupe des enregistrements réalisés au début des années 1960, période durant laquelle l’artiste perfectionne un style immédiatement reconnaissable, une voix grave et habitée, un sens du rythme subtil et surtout un jeu d’harmonica expressif, capable d’alterner douceur et intensité avec une aisance remarquable.\r\n
      \r\n
      Porté par des arrangements sobres et efficaces, typiques du son Chess, le disque navigue entre blues lent, morceaux plus rythmés et ambiances chargées d’émotion. Des titres comme "Bring It On Home", "Down Child" témoignent de son influence durable sur le blues moderne et sur de nombreux artistes rock qui s’en inspireront par la suite.\r\n
      \r\n
      À la fois brut et raffiné, "The Real Folk Blues" constitue une excellente porte d’entrée dans l’univers de Sonny Boy Williamson II et reste aujourd’hui un témoignage incontournable de l’âge d’or du blues électrique de Chicago.\r\n
      \r\n
      Musicians : \r\n
      Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano), Lafayette Leake (piano, organ), Willie Dixon, Jack Meyers, Milton Rector (bass), Fred Below, Odie Payne, Al Duncan (drums). \r\n
      \r\n
      - Sonny Boy Williamson "The Real Folk Blues" !\r\n
      - Chess Records 75 Series from Chess Records and Acoustic Sounds !\r\n
      - Brilliant collection of postwar blues !\r\n
      - Electrifying tracks include "Bring It On Home", and "One Way Out" !\r\n
      - All-analog mastering by Matthew Lutthans at The Mastering Lab !\r\n
      - 180 gram vinyl pressed at Quality Record Pressings !\r\n
      \r\n
      If you think the blues is just three chords and a cloud of dust, meet the man who turned that cloud into a thunderstorm: Sonny Boy Williamson II. This 1966 Chess Records gem, The Real Folk Blues, is a masterclass in attitude, sly humor, and harmonica sorcery.\r\n
      \r\n
      From the hypnotic sway of "Checkin' Up on My Baby" to the swaggering "Bring It On Home" and the heartbreak of "Sad to Be Alone", Sonny Boy's every note feels like he's letting you in on a dangerous secret. His tone ? Razor-sharp and dripping with personality. His phrasing ? As unpredictable as a pool hall hustler. He didn't just play the harmonica he gave it a soul and a swagger that inspired a generation, influencing everyone from The Yardbirds to Led Zeppelin. (Hint : That "Bring It On Home" you love ? Yeah, this is the blueprint).\r\n
      \r\n
      Chess Records wasn't just a label; it was an institution of innovation. Muddy gave you muscle. Howlin' Wolf gave you menace. But Sonny Boy ? He gave you mischief and magic in a 10-hole harp. This album captures that Chess-era electricity a raw, amplified blues sound that rewrote the rules and laid the groundwork for rock's golden age.\r\n
      \r\n
      This isn't some dusty reprint. This is Matt Lutthans mastering at The Mastering Lab paired with Quality Record Pressings' world-class vinyl craft translation : you're about to hear Sonny Boy like never before. The harmonica's growl, the guitar's bite, the Chess echo chamber's moody vibe all rendered with jaw-dropping clarity on a 180 gram dead-quiet pressing.\r\n
      \r\n
      If you're building a serious blues collection or just want to experience one of the most influential harmonica voices of all time this is non-negotiable. Crank it up, and prepare to marvel at a man who made a small instrument sound bigger than life.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1865 …}
    -musicienOrchestre: "Sonny Boy Williamson (harmonica, vocals), Buddy Guy, Robert Lockwood Jr., Eddie King, Matt Murphy, Luther Tucker (guitar), Otis Spann (piano)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=j3PSzPPbcp4&list=PLB3twdzhiVHxIigjWSOdHmweO86yYj2jk"
    -referenceProduit: "Acoustic Sounds Series Chess Records 9069"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. One Way Out"
      ]
      [
        "ordre" => 2
        "nom" => "2. Too Young To Die"
      ]
      [
        "ordre" => 3
        "nom" => "3. Trust My Baby"
      ]
      [
        "ordre" => 4
        "nom" => "4. Checkin' Up On My Baby"
      ]
      [
        "ordre" => 5
        "nom" => "5. Sad To Be Alone"
      ]
      [
        "ordre" => 6
        "nom" => "6. Got To Move"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
      ]
      [
        "ordre" => 8
        "nom" => "1. Bring It On Home"
      ]
      [
        "ordre" => 9
        "nom" => "2. Down Child"
      ]
      [
        "ordre" => 10
        "nom" => "3. Peach Tree"
      ]
      [
        "ordre" => 11
        "nom" => "4. Dissatisfied"
      ]
      [
        "ordre" => 12
        "nom" => "5. That's All I Want"
      ]
      [
        "ordre" => 13
        "nom" => "6. Too Old To Think"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2224 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1436 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2233 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2226 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2228 …}
    -enregistreLe: DateTime @1757447877 {#2219
      date: 2025-09-09 19:57:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774791706 {#2220
      date: 2026-03-29 13:41:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2230 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-real-folk-blues-acoustic-sounds-series-chess-records-9069"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2441 …}
}