Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2559
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2636
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2639 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
  -formView: Symfony\Component\Form\FormView {#2675 …}
  -form: Symfony\Component\Form\Form {#2825 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 2915
    -nom: "Live In Finland 1961 & 1962  (Numbered Limited Edition Mono)"
    -informationComplementaire: "Plongez au cœur d’un Coltrane en pleine métamorphose. Avec "Live In Finland 1961–1962", chaque souffle devient feu, chaque improvisation repousse les frontières du jazz. Un voyage brut, intense et essentiel, là où la légende s’écrit en direct."
    -description: """
      Live In Finland 1961–1962 capture un moment charnière de la carrière de John Coltrane, à l’aube de ses explorations les plus audacieuses. Enregistré lors de ses tournées finlandaises entre 1961 et 1962, cet album restitue toute l’intensité brute et la liberté créative du saxophoniste en pleine mutation artistique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Eric Dolphy, McCoy Tyner, Reggie Workman et Elvin Jones, Coltrane livre des performances habitées, oscillant entre standards revisités et longues improvisations transcendantes.\r\n
      \r\n
      Des titres emblématiques comme "My Favorite Things", "Blue Train" ou encore "Impressions" prennent ici une dimension nouvelle, plus étirée, plus intense, presque hypnotique. Ces enregistrements témoignent de la transition entre le hard bop et le jazz modal, annonçant déjà les audaces spirituelles de ses œuvres futures.\r\n
      \r\n
      Un document rare et précieux, où chaque note semble capturer l’instant fragile, libre et incandescent.\r\n
      \r\n
      - John Coltrane "Live In Finland 1961 & 1962" !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      John Coltrane was never a loner. A tireless worker, he was on a perpetual quest to learn from others and build symbiotic relationships with them. Before playing, he listened. The 1950s were dazzling years, and decisive ones; he performed with Ellingtonian Johnny Hodges, collaborated with Dizzy Gillespie's band, and met Charlie Parker and Bud Powell. Then he encountered Miles Davis.\r\n
      \r\n
      Coltrane pursued his quest. In the space of just a few months he met Thelonious Monk, Yusef Lateef, Sonny Rollins, McCoy Tyner, Elvin Jones and Eric Dolphy. All of them shared the same passion for musical creativity. They were all exploring new modes of expression and new sounds, seeking a dense playing style that could cascade across astonishingly rapid tempi. To the standard harmonic chart, they added cycles of thirds that made polytonality a realm of infinite possibilities.\r\n
      \r\n
      On November 22, 1961, at the Kulttuuritalo in Helsinki, John Coltrane, Eric Dolphy, McCoy Tyner, Reggie Workman (on bass) and Elvin Jones were on stage. "My Favorite Things", which opened the session, is from Rodgers & Hammerstein's musical comedy The Sound of Music. Coltrane had made the piece one of the iconic hits of his career, and in March of that year had released an eponymous album.\r\n
      \r\n
      One detects in this piece the extension of innovations found in Kind of Blue: long modal passages alternate between major and minor modes. Coltrane said of it, "This waltz is fantastic : when you play it slowly, it has a ‘gospel' aspect, which is not at all unpleasant; when you play it fast, it has certain other undeniable qualities. It's very interesting to discover a terrain that renews itself according to the impulse that you give it; that's the reason why we don't always play this tune in the same tempo. Nothing is ever fixed with Coltrane, and this version is no doubt one of his finest...\r\n
      \r\n
      It has often been said that everything Trane did, he did to excess drugs and alcohol, then cigars, vegetarianism, and finally, religion. Overlooked, though, was his obsession with friendship, his passion for group musical performances where owing to his high expectations of himself and others the contribution of each individual musician was elevated. Even his spiritual conversion late in life was not self-centered. Miles Davis wrote in his autobiography that Coltrane turned into a diamond. He could have added that Trane was considered a beacon; he shaped music in general and jazz in particular, and he guided entire generations of immense jazzmen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (alto saxophone & flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i0PCZVMydAc"
    -referenceProduit: "The Lost Recordings 4065"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. My Favorite Things"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Blue Train"
      ]
      [
        "ordre" => 4
        "nom" => "2. I Want to Talk About You"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Impressions"
      ]
      [
        "ordre" => 7
        "nom" => "2. I Want to Talk About You"
      ]
      [
        "ordre" => 8
        "nom" => "3. Everytime We Say Goodbye"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Bye Bye Blackbird"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1765901899 {#1896
      date: 2025-12-16 16:18:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775637396 {#1889
      date: 2026-04-08 08:36:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-finland-1961-1962-numbered-limited-edition-mono-the-lost-recordings-4065"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3112
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 2915
    -nom: "Live In Finland 1961 & 1962  (Numbered Limited Edition Mono)"
    -informationComplementaire: "Plongez au cœur d’un Coltrane en pleine métamorphose. Avec "Live In Finland 1961–1962", chaque souffle devient feu, chaque improvisation repousse les frontières du jazz. Un voyage brut, intense et essentiel, là où la légende s’écrit en direct."
    -description: """
      Live In Finland 1961–1962 capture un moment charnière de la carrière de John Coltrane, à l’aube de ses explorations les plus audacieuses. Enregistré lors de ses tournées finlandaises entre 1961 et 1962, cet album restitue toute l’intensité brute et la liberté créative du saxophoniste en pleine mutation artistique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Eric Dolphy, McCoy Tyner, Reggie Workman et Elvin Jones, Coltrane livre des performances habitées, oscillant entre standards revisités et longues improvisations transcendantes.\r\n
      \r\n
      Des titres emblématiques comme "My Favorite Things", "Blue Train" ou encore "Impressions" prennent ici une dimension nouvelle, plus étirée, plus intense, presque hypnotique. Ces enregistrements témoignent de la transition entre le hard bop et le jazz modal, annonçant déjà les audaces spirituelles de ses œuvres futures.\r\n
      \r\n
      Un document rare et précieux, où chaque note semble capturer l’instant fragile, libre et incandescent.\r\n
      \r\n
      - John Coltrane "Live In Finland 1961 & 1962" !\r\n
      - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n
      - Meticulously restored from original analog tapes !\r\n
      - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n
      - Pressed by Phoenix Pressings !\r\n
      - Tip-on gatefold jacket printed in Italy !\r\n
      \r\n
      John Coltrane was never a loner. A tireless worker, he was on a perpetual quest to learn from others and build symbiotic relationships with them. Before playing, he listened. The 1950s were dazzling years, and decisive ones; he performed with Ellingtonian Johnny Hodges, collaborated with Dizzy Gillespie's band, and met Charlie Parker and Bud Powell. Then he encountered Miles Davis.\r\n
      \r\n
      Coltrane pursued his quest. In the space of just a few months he met Thelonious Monk, Yusef Lateef, Sonny Rollins, McCoy Tyner, Elvin Jones and Eric Dolphy. All of them shared the same passion for musical creativity. They were all exploring new modes of expression and new sounds, seeking a dense playing style that could cascade across astonishingly rapid tempi. To the standard harmonic chart, they added cycles of thirds that made polytonality a realm of infinite possibilities.\r\n
      \r\n
      On November 22, 1961, at the Kulttuuritalo in Helsinki, John Coltrane, Eric Dolphy, McCoy Tyner, Reggie Workman (on bass) and Elvin Jones were on stage. "My Favorite Things", which opened the session, is from Rodgers & Hammerstein's musical comedy The Sound of Music. Coltrane had made the piece one of the iconic hits of his career, and in March of that year had released an eponymous album.\r\n
      \r\n
      One detects in this piece the extension of innovations found in Kind of Blue: long modal passages alternate between major and minor modes. Coltrane said of it, "This waltz is fantastic : when you play it slowly, it has a ‘gospel' aspect, which is not at all unpleasant; when you play it fast, it has certain other undeniable qualities. It's very interesting to discover a terrain that renews itself according to the impulse that you give it; that's the reason why we don't always play this tune in the same tempo. Nothing is ever fixed with Coltrane, and this version is no doubt one of his finest...\r\n
      \r\n
      It has often been said that everything Trane did, he did to excess drugs and alcohol, then cigars, vegetarianism, and finally, religion. Overlooked, though, was his obsession with friendship, his passion for group musical performances where owing to his high expectations of himself and others the contribution of each individual musician was elevated. Even his spiritual conversion late in life was not self-centered. Miles Davis wrote in his autobiography that Coltrane turned into a diamond. He could have added that Trane was considered a beacon; he shaped music in general and jazz in particular, and he guided entire generations of immense jazzmen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1822 …}
    -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (alto saxophone & flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=i0PCZVMydAc"
    -referenceProduit: "The Lost Recordings 4065"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. My Favorite Things"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. Blue Train"
      ]
      [
        "ordre" => 4
        "nom" => "2. I Want to Talk About You"
      ]
      [
        "ordre" => 5
        "nom" => "Side C :"
      ]
      [
        "ordre" => 6
        "nom" => "1. Impressions"
      ]
      [
        "ordre" => 7
        "nom" => "2. I Want to Talk About You"
      ]
      [
        "ordre" => 8
        "nom" => "3. Everytime We Say Goodbye"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Bye Bye Blackbird"
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#1917 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1765901899 {#1896
      date: 2025-12-16 16:18:19.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775637396 {#1889
      date: 2026-04-08 08:36:36.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-live-in-finland-1961-1962-numbered-limited-edition-mono-the-lost-recordings-4065"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2041
    -id: 3016
    -nom: "The Best Of John Coltrane"
    -informationComplementaire: "The Best Of John Coltrane 1957-1958 capture John Coltrane au moment où il redéfinit le jazz. Des solos qui te happent, une énergie folle, et ce feeling unique qui traverse le temps."
    -description: """
      L’album The Best Of John Coltrane 1957-1958 est une plongée essentielle dans les premières années fulgurantes de John Coltrane, à un moment charnière où son langage musical prend forme avec une intensité et une inventivité remarquables.\r\n
      \r\n
      Entre 1957 et 1958, Coltrane s’impose comme une voix incontournable du jazz moderne, développant son style unique mêlant virtuosité technique, profondeur émotionnelle et recherche harmonique audacieuse. Cette compilation rassemble des enregistrements emblématiques de cette période, où l’on entend déjà émerger ce qui deviendra sa signature : des improvisations denses, un son puissant et une quête constante de dépassement musical.\r\n
      \r\n
      Accompagné de musiciens d’exception, Coltrane navigue entre hard bop et prémices du jazz modal, offrant des morceaux à la fois accessibles et profondément innovants. Cet album constitue ainsi une porte d’entrée idéale pour découvrir son univers, tout en étant un incontournable pour les amateurs de jazz.\r\n
      \r\n
      The Best of John Coltrane captures the legendary saxophonist in his most formative and creative years with Prestige. Curated from his prolific 1957-1958 output, this LP features selections that spotlight Coltrane's rapid artistic evolution as an original tenor saxophonist. Featuring both American songbook classics and jazz standards, it is both the perfect introduction for new listeners and a prized acquisition for aficionados, presenting the recordings that cemented John Coltrane's legacy.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Red Garland, Thelonious Monk (piano), Paul Chambers, Earl May, Wilbur Ware (double bass), Donald Byrd, Johnnie Splawn (trumpet), Sahib Shihab (baritone saxophone), Art Taylor, Al Heath, Shadow Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y8bDcQwj-Yg&list=RDY8bDcQwj-Yg&start_radio=1"
    -referenceProduit: "Concord Craft Recording 8077"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Hear a Rhapsody"
      ]
      [
        "ordre" => 2
        "nom" => "2. Traneing In"
      ]
      [
        "ordre" => 3
        "nom" => "3. Theme for Ernie "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I Love You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Lover Come Back to Me"
      ]
      [
        "ordre" => 7
        "nom" => "3. Trinkle, Tinkle"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2043 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2052 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2045 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2047 …}
    -enregistreLe: DateTime @1773435361 {#2033
      date: 2026-03-13 20:56:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773863966 {#2032
      date: 2026-03-18 19:59:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2049 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-best-of-john-coltrane-concord-craft-recording-8077"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3203
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2041
    -id: 3016
    -nom: "The Best Of John Coltrane"
    -informationComplementaire: "The Best Of John Coltrane 1957-1958 capture John Coltrane au moment où il redéfinit le jazz. Des solos qui te happent, une énergie folle, et ce feeling unique qui traverse le temps."
    -description: """
      L’album The Best Of John Coltrane 1957-1958 est une plongée essentielle dans les premières années fulgurantes de John Coltrane, à un moment charnière où son langage musical prend forme avec une intensité et une inventivité remarquables.\r\n
      \r\n
      Entre 1957 et 1958, Coltrane s’impose comme une voix incontournable du jazz moderne, développant son style unique mêlant virtuosité technique, profondeur émotionnelle et recherche harmonique audacieuse. Cette compilation rassemble des enregistrements emblématiques de cette période, où l’on entend déjà émerger ce qui deviendra sa signature : des improvisations denses, un son puissant et une quête constante de dépassement musical.\r\n
      \r\n
      Accompagné de musiciens d’exception, Coltrane navigue entre hard bop et prémices du jazz modal, offrant des morceaux à la fois accessibles et profondément innovants. Cet album constitue ainsi une porte d’entrée idéale pour découvrir son univers, tout en étant un incontournable pour les amateurs de jazz.\r\n
      \r\n
      The Best of John Coltrane captures the legendary saxophonist in his most formative and creative years with Prestige. Curated from his prolific 1957-1958 output, this LP features selections that spotlight Coltrane's rapid artistic evolution as an original tenor saxophonist. Featuring both American songbook classics and jazz standards, it is both the perfect introduction for new listeners and a prized acquisition for aficionados, presenting the recordings that cemented John Coltrane's legacy.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Red Garland, Thelonious Monk (piano), Paul Chambers, Earl May, Wilbur Ware (double bass), Donald Byrd, Johnnie Splawn (trumpet), Sahib Shihab (baritone saxophone), Art Taylor, Al Heath, Shadow Wilson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y8bDcQwj-Yg&list=RDY8bDcQwj-Yg&start_radio=1"
    -referenceProduit: "Concord Craft Recording 8077"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Hear a Rhapsody"
      ]
      [
        "ordre" => 2
        "nom" => "2. Traneing In"
      ]
      [
        "ordre" => 3
        "nom" => "3. Theme for Ernie "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I Love You"
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[
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App\Twig\Components\GestionPanierFavoriComponents {#3251
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[
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App\Twig\Components\GestionPanierFavoriComponents {#3299
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    -style: App\Entity\Style {#1472 …}
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[
  "produit" => App\Entity\Produit {#2095
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
      Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' new audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180 gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\r\n
      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
    -titreMorceau: [
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        "ordre" => 0
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3347
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2095
    -id: 2695
    -nom: "A Love Supreme"
    -informationComplementaire: null
    -description: """
      - All-Analog 180 gram Vinyl LP !\r\n
      - Remastered & Pressed at Quality Record Pressings !\r\n
      - Mastered by Ryan K. Smith at Sterling Sound From Original Analog Tapes !\r\n
      - Michael Fremer Rated 11/11 Music, 10/11 Sonics !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 66 / 500 !\r\n
      \r\n
      Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two-and-a-half years.\r\n
      \r\n
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      \r\n
      "We are excited to launch our Acoustic Sounds series", said Bruce Resnikoff, President & CEO of UMe. "Verve and UMe have one of the richest jazz catalogs ever recorded and our goal is to give vinyl and music lovers the best possible versions of classic albums. The Acoustic Sounds series is designed to appeal to today's most discriminating fans, and those discovering this treasured legacy for the first time, looking for the very finest in both artistic content and audio quality".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=ll3CMgiUPuU&list=RDll3CMgiUPuU&start_radio=1"
    -referenceProduit: "Acoustic Sounds Series Impulse 8744"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-a-love-supreme-acoustic-sounds-series-impulse-8744"
  }
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[
  "produit" => App\Entity\Produit {#2111
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
      [
        "nom" => "1. Say It (Over And Over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young To Go Steady (4:20)"
        "ordre" => 4
      ]
      [
        "nom" => "4. All Or Nothing At All (3:35)"
        "ordre" => 5
      ]
      [
        "nom" => "5. I Wish I Knew (4:54)"
        "ordre" => 7
      ]
      [
        "nom" => "6. What's New (3:43)"
        "ordre" => 8
      ]
      [
        "nom" => "7. It's Easy To Remember"
        "ordre" => 10
      ]
      [
        "nom" => "8. Nancy (With The Laughing Face)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2113 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …}
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    -modifierLe: DateTime @1719220721 {#2109
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3395
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2111
    -id: 2514
    -nom: "Ballads - UHQR Box Set (2 LP) Clarity Vinyl"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions' UHQR, the pinnacle of high-quality vinyl !\r\n
      \r\n
      - 45 RPM Ultra High Quality Record release limited to 5000 copies !\r\n
      \r\n
      - Mastered from the original tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings using Clarity Vinyl® !\r\n
      \r\n
      - Includes a 12" x 12", 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall !\r\n
      \r\n
      "If you're a serious hardcore Coltrane fan, I would opt for the UHQR because I think this one sounds best in terms of depth, dimension, soundstage and detail. It is an amazing UHQR version". - Kenny's Audiophile Record Reviews. YouTube video\r\n
      \r\n
      "Coltrane's closely miked sax sounds vividly present, a bit more so on this UHQR compared to the others, and Tyner's piano, while not brilliantly recorded (n the RVG style) sounds a bit more solid and grounded in space on the UHQR compared to RKS's 33 1/3 cut... Does this edition beat the RKS 33 1/3 edition ? Yes. By leaps and bounds ? No, but it is better. Is the presentation superior? Yes. By leaps and bounds". - Music = 10/11; Sound = 9/11 - Michael Fremer, TrackingAngle.com. To read Fremer's full review click here.\r\n
      \r\n
      Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.\r\n
      \r\n
      You're about to experience Ballads at its peak of vinyl perfection in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.\r\n
      \r\n
      For this 45 RPM 2 LP edition you'll also receive a !2" x 12" 12 page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.\r\n
      \r\n
      The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All", "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety".\r\n
      \r\n
      While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.\r\n
      \r\n
      Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.\r\n
      \r\n
      "It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more". - The Jazz Record\r\n
      """
    -prixVente: "249.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Jimmy Garrison (bass), McCoy Tyner (piano), Elvin Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=8rOMV0A5jd0"
    -referenceProduit: "Analogue Productions "
    -titreMorceau: [
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        "nom" => "1. Say It (Over And Over Again)"
        "ordre" => 1
      ]
      [
        "nom" => "2. You Don't Know What Love Is"
        "ordre" => 2
      ]
      [
        "nom" => "3. Too Young To Go Steady (4:20)"
        "ordre" => 4
      ]
      [
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        "ordre" => 5
      ]
      [
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        "ordre" => 7
      ]
      [
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        "ordre" => 8
      ]
      [
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        "ordre" => 10
      ]
      [
        "nom" => "8. Nancy (With The Laughing Face)"
        "ordre" => 11
      ]
      [
        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "Side B : "
        "ordre" => 3
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      [
        "nom" => "Side C : "
        "ordre" => 6
      ]
      [
        "nom" => "Side D : "
        "ordre" => 9
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2113 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …}
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    -modifierLe: DateTime @1719220721 {#2109
      date: 2024-06-24 09:18:41.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-ballads-uhqr-box-set-2-lp-clarity-vinyl-analogue-productions"
  }
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
}

[
  "produit" => App\Entity\Produit {#2129
    -id: 2510
    -nom: "My Favorite Things"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n
      \r\n
      This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n
      \r\n
      Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n
      \r\n
      Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n
      \r\n
      In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n
      \r\n
      We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3443
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    -id: 2510
    -nom: "My Favorite Things"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's seminal 1961 release featuring "Everytime We Say Goodbye" !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      John Coltrane's landmark 1961 jazz album My Favorite Things was born of the same recording sessions that yielded a majority of the albums Coltrane Plays the Blues (1962), Coltrane's Sound (1964), and Coltrane Legacy. That My Favorite Things was recorded in less than three days was in itself, remarkable.\r\n
      \r\n
      This record marked a significant turning point in Coltrane's career and showcased his distinctive playing style, which continues to inspire and influence musicians to this day. Coltrane's playing on My Favorite Things can be described as innovative, exploratory, and deeply emotive. The unforced, practically casual soloing styles of the assembled quartet which includes Coltrane (soprano / tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band, notes AllMusic.\r\n
      \r\n
      Coltrane was known for pushing the boundaries of jazz and expanding the possibilities of the saxophone as an instrument. Throughout the album, Coltrane's improvisations are characterized by their intensity, virtuosity, and sheer creativity. The title track is a modal rendition of the Rodgers and Hammerstein song "My Favorite Things" from The Sound of Music. Coltrane's use of modal playing made him a pioneer modal jazz emphasizes improvisation over specific chord progressions. Coltrane's modal approach allowed him to explore a broader range of tonal colors and to create more open and expansive musical landscapes.\r\n
      \r\n
      Each track of this album is a joy to revisit. The ultimate listenability may reside in this quartet's capacity to not be overwhelmed by the soloist. As a soloist, the definitive soprano sax runs during the Cole Porter standard "Everytime We Say Goodbye" and tenor solos on "But Not for Me" easily establish Coltrane as a pioneer of both instruments.\r\n
      \r\n
      In 1998, My Favorite Things received the Grammy Hall of Fame award. The album attained gold record certified status in 2018, having sold 500000 copies.\r\n
      \r\n
      We've given this definitive reissue of such a landmark album the presentation it deserves: Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "Coltrane (soprano & tenor saxophone), McCoy Tyner (piano), Steve Davis (bass), Elvin Jones (drums) "
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
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      [
        "nom" => "Side D : "
        "ordre" => 6
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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[
  "produit" => App\Entity\Produit {#2145
    -id: 2509
    -nom: "Giant Steps"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n
      \r\n
      - One of the most influential jazz albums of all time !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n
      \r\n
      Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n
      \r\n
      Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n
      \r\n
      All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n
      \r\n
      The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n
      \r\n
      The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n
      \r\n
      Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=g8QnKWPYRCs"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) SD 1311"
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        "nom" => "Side C : "
        "ordre" => 6
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        "ordre" => 8
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    ]
    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3491
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2145
    -id: 2509
    -nom: "Giant Steps"
    -informationComplementaire: ""
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      \r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      \r\n
      - John Coltrane's watershed 1960 release featuring the iconic title track and "Naima" !\r\n
      \r\n
      - One of the most influential jazz albums of all time !\r\n
      \r\n
      - 180 gram 45 RPM double LP !\r\n
      \r\n
      - Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound !\r\n
      \r\n
      - Pressed at Quality Record Pressings !\r\n
      \r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim.\r\n
      \r\n
      Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one.\r\n
      \r\n
      Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated replicating the alternate non-Bill Evans lineup featured on "Freddie the Freeloader" on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos.\r\n
      \r\n
      All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos enabling the solo to become infinitely more compelling. This would culminate in a frenetic performance style using melodic phrasing that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound".\r\n
      \r\n
      The Giant Steps chord progression consists of a distinctive set of chords that create key centers a major third apart. Jazz musicians ever since have used it as a practice piece, its difficult chord changes presenting a "kind of ultimate harmonic challenge", and serving as a gateway into modern jazz improvisation. Several pieces on this album went on to become jazz standards, most prominently "Naima" and "Giant Steps".\r\n
      \r\n
      The Penguin Guide to Jazz selected this album as part of its suggested "Core Collection" calling it "Trane's first genuinely iconic record." In 2003, the album was ranked N° 102 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, 103 in a 2012 revised list, and 232 in a 2020 revised list.\r\n
      \r\n
      Undeniable music perfection deserves definitive sound and top-notch packaging. This reissue was mastered directly from the original master tape by Ryan K. Smith at Sterling Sound and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.\r\n
      \r\n
      Overall, Giant Steps is not only a critical triumph but also a defining moment in John Coltrane's career. Its innovative compositions, masterful performances, and profound influence on jazz make it an essential entry in Coltrane's discography and a timeless masterpiece in the history of the genre.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Paul Chambers (bass), Tommy Flanagan, Wynton Kelly (piano), Art Taylor, Jimmy Cobb (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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[
  "produit" => App\Entity\Produit {#2158
    -id: 1898
    -nom: "A Love Supreme"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
      \r\n
      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
      \r\n
      180 gram LPs pressed at Quality Record Pressings !\r\n
      \r\n
      Stoughton Printing gatefold old-style tip-on jackets !\r\n
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      \r\n
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    -artiste: App\Entity\Artiste {#1063 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3539
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
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    -id: 1898
    -nom: "A Love Supreme"
    -informationComplementaire: ""
    -description: """
      Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n
      \r\n
      Monthly releases highlighting the world's most historic and best jazz records !\r\n
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      Mastered by Ryan K. Smith at Sterling Sound from the original analog tapes !\r\n
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      180 gram LPs pressed at Quality Record Pressings !\r\n
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      Stoughton Printing gatefold old-style tip-on jackets !\r\n
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[
  "produit" => App\Entity\Produit {#2173
    -id: 2253
    -nom: "Blue Train - The Complete Masters  (Includes Bound Booklet)"
    -informationComplementaire: ""
    -description: """
      - Double LP 180 gram !\r\n
      \r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      \r\n
      - Features second disc with seven alternate and incomplete takes !\r\n
      \r\n
      - Plated and pressed at RTI !\r\n
      \r\n
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      \r\n
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      \r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=HT_Zs5FKDZE"
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        "ordre" => 3
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      [
        "nom" => "2. Blue Train (Alternate Take 7) "
        "ordre" => 9
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        "nom" => "2. Blue Train (Alternate Take 8) "
        "ordre" => 13
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      [
        "nom" => "2. Locomotion "
        "ordre" => 4
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      [
        "nom" => "3. I’m Old Fashioned "
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      [
        "nom" => "3. Moment’s Notice (Alternate Take 4)"
        "ordre" => 10
      ]
      [
        "nom" => "3. Moment’s Notice (Alternate Take 5A Incomplete) "
        "ordre" => 14
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      [
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        "ordre" => 15
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      [
        "nom" => "4. Lazy Bird"
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        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 11
      ]
    ]
    -artiste: App\Entity\Artiste {#1063 …}
    -label: Proxies\__CG__\App\Entity\Label {#2175 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3587
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
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    -id: 2253
    -nom: "Blue Train - The Complete Masters  (Includes Bound Booklet)"
    -informationComplementaire: ""
    -description: """
      - Double LP 180 gram !\r\n
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      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
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      - Features second disc with seven alternate and incomplete takes !\r\n
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      - Plated and pressed at RTI !\r\n
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        "nom" => "1. Lazy Bird (Alternate Take 1) "
        "ordre" => 12
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      [
        "nom" => "1. Moment’s Notice "
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      [
        "nom" => "2. Blue Train (Alternate Take 7) "
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      [
        "nom" => "2. Blue Train (Alternate Take 8) "
        "ordre" => 13
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      [
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        "ordre" => 4
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[
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    -nom: "The Paris Concert"
    -informationComplementaire: ""
    -description: """
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      \n
      This set is quintessential Coltrane through and through and offers a satisfying snapshot of genius at work as Coltrane and company tackle an additional two compositions that astute listeners will recognize from his studio recordings, "The Inch Worm", and the beautiful ballad "Ev'ry Time We Say Goodbye". A must-have for Coltrane fans and a great starting point for listeners interested in exploring the legendary tenorman's illustrious body of work.\n
      \n
      \n
      \n
      \n
      \n
      \n
      \n
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=x-xRZ2toSXE"
    -referenceProduit: "Original Jazz Classics 0781"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3635
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    -id: 1682
    -nom: "The Paris Concert"
    -informationComplementaire: ""
    -description: """
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      \n
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    -extraitYoutube: "https://www.youtube.com/watch?v=x-xRZ2toSXE"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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}

[
  "produit" => App\Entity\Produit {#2207
    -id: 1654
    -nom: "The Last Trane"
    -informationComplementaire: ""
    -description: "The Last Trane represents the final studio session for Prestige in the productive recording relationship between John Coltrane and Red Garland. Often with trumpeter Donald Byrd on Board, the two made a succession of dates in 1957 and '58 in which Coltrane's genius could be heard developing. His celebrated job with Thelonious Monk had Deepend his harmonic understanding and reinforced his determination to explore beyond the boundaries of standard jazz improvisations. In his remarkable blues solo on By the Numbers, Coltrane both aggirms his roots and announces a new direction. Compared with the other slow blues, Slowtrane, made eight months earlier, in instructive. Recording engineered by Rudy Van Gelder. "
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    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KJtoi_6VQ9s"
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-last-trane-original-jazz-classics-0394"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3683
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2638 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
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    -id: 1654
    -nom: "The Last Trane"
    -informationComplementaire: ""
    -description: "The Last Trane represents the final studio session for Prestige in the productive recording relationship between John Coltrane and Red Garland. Often with trumpeter Donald Byrd on Board, the two made a succession of dates in 1957 and '58 in which Coltrane's genius could be heard developing. His celebrated job with Thelonious Monk had Deepend his harmonic understanding and reinforced his determination to explore beyond the boundaries of standard jazz improvisations. In his remarkable blues solo on By the Numbers, Coltrane both aggirms his roots and announces a new direction. Compared with the other slow blues, Slowtrane, made eight months earlier, in instructive. Recording engineered by Rudy Van Gelder. "
    -prixVente: "34.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1879 …}
    -musicienOrchestre: "John Coltrane (tenor saxophone), Donald Byrd (trumpet), Red Garland (piano), Paul Chambers, Earl May (bass), Louis Hayes, Arthur Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1135 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=KJtoi_6VQ9s"
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      [
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        "ordre" => 3
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    -artiste: App\Entity\Artiste {#1063 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-last-trane-original-jazz-classics-0394"
  }
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}

App\Twig\Components\AjoutMailNewsletterComponent {#3878
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2406 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3879 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3927 …}
  +isValidated: false
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}