Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2453
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2300 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2530
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2533 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2532 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2106 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2300 …}
  -formView: Symfony\Component\Form\FormView {#2569 …}
  -form: Symfony\Component\Form\Form {#2719 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1938
    -id: 2225
    -nom: "Thriller - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps), Anthony Marinelli, Bill Wolfer, Brian Banks, David Foster, David Paich, Greg Smith, Michael Boddicker, Rod Temperton, Steve Porcaro (synthesizer), Greg Phillinganes, James Ingram, Tom Bahler (keyboards),  David Paich (piano), Larry Williams (saxophone, flute), Bill Reichenbach (trombone), Gary Grant, Jerry Hey (trumpet, flugelhorn), Louis Johnson, Louis Johnson, Steve Lukather (bass), Becky Lopez, Bunny Hull, Howard Hewett, James Ingram, Janet Jackson, Julia Waters, LaToya Jackson, Maxine Waters, Oren Waters  (backing vocals), Paulinho Da Costa (percussion), Jeff Porcaro, Ndugu Chancler (drums)\r\n
      \r\n
      Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time Michael Jackson's "Thriller" has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed at RTI, and limited to 40000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 33 RPM LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.\r\n
      \r\n
      Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180 gram LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.\r\n
      \r\n
      The gorgeous packaging of the Thriller UD1S pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.\r\n
      \r\n
      Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59 week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.\r\n
      \r\n
      The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at N° 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. TIME deemed it "the greatest pop album of all time". The Independent called it "the most inspiring album of all time".\r\n
      \r\n
      hriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.\r\n
      \r\n
      Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single "The Girl Is Mine", a duet and co-write with Beatles legend Paul McCartney captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen at the time, the world's premier rock guitarist performed a similar bridge role by supplying the electrifying solo on "Beat It".\r\n
      \r\n
      Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1886 …}
    -musicienOrchestre: "Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sOnqjkJTMaA"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 042"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wanna Be Startin' Somethin'"
      ]
      [
        "ordre" => 1
        "nom" => "2. Baby Be Mine"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl Is Mine"
      ]
      [
        "ordre" => 3
        "nom" => "4. Thriller"
      ]
      [
        "ordre" => 4
        "nom" => "5. Beat It"
      ]
      [
        "ordre" => 5
        "nom" => "6. Billie Jean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Human Nature"
      ]
      [
        "ordre" => 7
        "nom" => "8. P.Y.T. (Pretty Young Thing)"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Lady in My Life"
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1933 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1964 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1652767898 {#1943
      date: 2022-05-17 06:11:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769107293 {#1923
      date: 2026-01-22 18:41:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thriller-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-042"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3003
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2532 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#2106 …}
  +produit: App\Entity\Produit {#1938
    -id: 2225
    -nom: "Thriller - UltraDisc One-Step (Box Set 1 LP) 33 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps), Anthony Marinelli, Bill Wolfer, Brian Banks, David Foster, David Paich, Greg Smith, Michael Boddicker, Rod Temperton, Steve Porcaro (synthesizer), Greg Phillinganes, James Ingram, Tom Bahler (keyboards),  David Paich (piano), Larry Williams (saxophone, flute), Bill Reichenbach (trombone), Gary Grant, Jerry Hey (trumpet, flugelhorn), Louis Johnson, Louis Johnson, Steve Lukather (bass), Becky Lopez, Bunny Hull, Howard Hewett, James Ingram, Janet Jackson, Julia Waters, LaToya Jackson, Maxine Waters, Oren Waters  (backing vocals), Paulinho Da Costa (percussion), Jeff Porcaro, Ndugu Chancler (drums)\r\n
      \r\n
      Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time Michael Jackson's "Thriller" has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman.\r\n
      \r\n
      Mastered from the original analog master tapes, pressed at RTI, and limited to 40000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180 gram 33 RPM LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.\r\n
      \r\n
      Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180 gram LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.\r\n
      \r\n
      The gorgeous packaging of the Thriller UD1S pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.\r\n
      \r\n
      Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59 week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.\r\n
      \r\n
      The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at N° 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. TIME deemed it "the greatest pop album of all time". The Independent called it "the most inspiring album of all time".\r\n
      \r\n
      hriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.\r\n
      \r\n
      Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single "The Girl Is Mine", a duet and co-write with Beatles legend Paul McCartney captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen at the time, the world's premier rock guitarist performed a similar bridge role by supplying the electrifying solo on "Beat It".\r\n
      \r\n
      Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.\r\n
      \r\n
      More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior \r\n
      Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
      """
    -prixVente: "199.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1886 …}
    -musicienOrchestre: "Michael Jackson (vocals), David Williams, Dean Parks, Paul Jackson, Steve Lukather (guitar), Greg Phillinganes, James Ingram, Louis Johnson, Steven Ray (handclaps)…"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=sOnqjkJTMaA"
    -referenceProduit: "Mobile Fidelity Sound Lab UD1S 042"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Wanna Be Startin' Somethin'"
      ]
      [
        "ordre" => 1
        "nom" => "2. Baby Be Mine"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl Is Mine"
      ]
      [
        "ordre" => 3
        "nom" => "4. Thriller"
      ]
      [
        "ordre" => 4
        "nom" => "5. Beat It"
      ]
      [
        "ordre" => 5
        "nom" => "6. Billie Jean"
      ]
      [
        "ordre" => 6
        "nom" => "7. Human Nature"
      ]
      [
        "ordre" => 7
        "nom" => "8. P.Y.T. (Pretty Young Thing)"
      ]
      [
        "ordre" => 8
        "nom" => "9. The Lady in My Life"
      ]
    ]
    -artiste: App\Entity\Artiste {#1116 …}
    -label: Proxies\__CG__\App\Entity\Label {#1933 …}
    -style: App\Entity\Style {#1525 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2062 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1964 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1652767898 {#1943
      date: 2022-05-17 06:11:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1769107293 {#1923
      date: 2026-01-22 18:41:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2056 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-thriller-ultradisc-one-step-box-set-1-lp-33-rpm-mobile-fidelity-sound-lab-ud1s-042"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2300 …}
}

[
  "produit" => App\Entity\Produit {#2079
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
      \r\n
      - Michael Jackson "Dangerous" !\r\n
      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
      - 180 gram 331/3 RPM (2 LP) plays with superb clarity, detail and presence !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Dangerous saw Michael Jackson go in a new direction. The strategy paid off when the 1991 release debuted at N° 1 on the Billboard 200 and sold more than 25 million copies worldwide by September 1994. Global sales now near 40 million.\r\n
      \r\n
      Sourced from the original masters, pressed at Fidelity Record Pressing in California, and housed in a Stoughton Printing gatefold jacket, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM (2 LP) set presents Dangerous in audiophile-quality sound for the first time. Jackson's signature vocals come across with incredible transparency and presence, along with the fullness of his range and the soaring heights of his falsetto. You'll also enjoy expansive soundstages, ample instrumental separation, black backgrounds, and broad dynamics.\r\n
      \r\n
      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
      \r\n
      Provenance info :\r\n
      \r\n
      "Jam", "Why You Wanna Trip on Me", "In the Closet", "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", and "Dangerous" - 1/2" / 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Heal the World" and "Keep the Faith" -  Mitsubishi X-86 HS 1/4" 48 kHz 16-bit digital format to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Black or White", "Who Is It", and "Give in to Me" - 1/2" 30 IPS analog master to DSD 256 to analog console to lathe.\r\n
      \r\n
      "Will You Be There" and "Gone Too Soon" - 1/4" 30 IPS analog master with Dolby SR noise reduction to DSD 256 to analog console to lathe.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1886 …}
    -musicienOrchestre: "Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=m3snPmZJkn8"
    -referenceProduit: "Mobile Fidelity Sound Lab 2-571"
    -titreMorceau: [
      [
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        "nom" => "4. Heal the World"
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App\Twig\Components\GestionPanierFavoriComponents {#3094
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  +produit: App\Entity\Produit {#2079
    -id: 2845
    -nom: "Dangerous  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Michael Jackson (lead & backing vocals), Teddy Riley (keyboards, synthesizers, drum programming), Bill Bottrell (guitars, keyboards, drum programming), Steve Porcaro, Michael Boddicker (synthesizer), Greg Phillinganes (keyboards, synthesizer), Bryan Loren (keyboards, drum programming), Slash, Steve Stevens (guitar), Paul Jackson Jr. (rhythm guitar), Brad Buxer (keyboards), John Barnes (keyboards, synthesizer), Andrae Crouch Choir (gospel choir), Siedah Garrett, Rose Banks,   (backing vocals), Teddy Campbell (percussion).\r\n
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      - RIAA Certified 8 x platinum-selling album features "Black or White", and eight other singles !\r\n
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      Featuring 14 songs, Dangerous includes hits such as "Black or White", "In the Closet", "Remember the Time", "Jam", and "Heal the World". Each of the album's nine singles was supported by a unique Michael Jackson short film, later compiled in Dangerous : The Short Films (1993).\r\n
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[
  "produit" => App\Entity\Produit {#2092
    -id: 2575
    -nom: "Off the Wall - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
      Michael Jackson (vocals, percussion), Patti Austin (lead and backing vocals), Michael Boddicker, George Duke, David Foster  (synthesizer), Larry Carlton, Marlo Henderson, Phil Upchurch, Wah Wah Watson, David Williams (guitar), Gary Grant (trumpet), Jerry Hey (horn arrangements, trumpet, and flugelhorn), Kim Hutchcroft (baritone & tenor saxophone, flute),  Louis Johnson (bass guitar), Greg Phillinganes (Rhodes piano, synthesizer, clavinet), Bill Reichenbach Jr. (trombone),  Bobby Watson (bass guitar),  Larry Williams (tenor saxophone & alto saxophone, flute), Hawk Wolinski (organFender Rhodes), Stevie Wonder (rhythm arrangement), Jim Gilstrap, Mortonette Jenkins, Augie Johnson, Paulette McWilliams, Zedrick Williams (background vocals), Paulinho Da Costa, Richard Heath, Randy Jackson (percussion), John Robinson (drums, percussion).\r\n
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      """
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
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        "ordre" => 0
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    -artiste: App\Entity\Artiste {#1116 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3142
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2532 …}
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  +produit: App\Entity\Produit {#2092
    -id: 2575
    -nom: "Off the Wall - UltraDisc One-Step (2 LP) 45 RPM Box Set"
    -informationComplementaire: ""
    -description: """
      Musicians : \r\n
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      """
    -prixVente: "179.50"
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    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
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      [
        "nom" => "9. It's The Falling In Love"
        "ordre" => 8
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    ]
    -artiste: App\Entity\Artiste {#1116 …}
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App\Twig\Components\AjoutMailNewsletterComponent {#3334
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2300 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3335 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3383 …}
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}