Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2577
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2654
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2657 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -formView: Symfony\Component\Form\FormView {#2693 …}
  -form: Symfony\Component\Form\Form {#2843 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1841
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Pianist McCoy Tyner had been increasingly looking to Mother Africa for inspiration on his Blue Note recordings of the late-1960s on pieces such as "African Village" and "Message from the Nile". With his 1970 album Asante, Tyner brought those influences to the fore with a powerful set rooted in the swirling percussive rhythmic bed laid by drummer Billy Hart and percussionist Mtume. Bassist Buster Williams, guitarist Ted Dunbar, and alto saxophonist Andrew White make up the rest of the extraordinary ensemble on this four-song set that also includes the ethereal vocals of Songai on the extended album opener "Malika" and the title track. While elements of the modal jazz that Tyner pioneered in the John Coltrane Quartet course through the album, most prominently on the kinetic closing track "Fulfillment", the music here also pointed towards future creative directions that Tyner would explore.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Malika"
      ]
      [
        "ordre" => 2
        "nom" => "2. Asante "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Goin' Home"
      ]
      [
        "ordre" => 5
        "nom" => "2. Fulfillment"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1775663309 {#1896
      date: 2026-04-08 15:48:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963907 {#1889
      date: 2026-05-05 06:51:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-asante-blue-note-tone-poet-series-9787"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3118
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#1841
    -id: 3057
    -nom: "Asante"
    -informationComplementaire: "Plongez au cœur d’un jazz incandescent avec "Asante", une œuvre vibrante de McCoy Tyner où rythmes africains, improvisations enflammées et spiritualité se rencontrent pour créer une expérience sonore aussi intense qu’intemporelle."
    -description: """
      Asante est un album du pianiste de jazz McCoy Tyner, enregistré en 1970 et publié sur le label Blue Note Records. À cette période charnière de sa carrière, après son passage légendaire aux côtés de John Coltrane, Tyner développe un langage musical profondément personnel, mêlant puissance rythmique, spiritualité et influences africaines.\r\n
      \r\n
      Entouré de musiciens d’exception comme Gary Bartz, Woody Shaw, Ron Carter et Elvin Jones, il livre une œuvre intense et immersive. Les compositions, souvent modales, s’étendent en longues explorations collectives, portées par une énergie brute et une recherche sonore audacieuse.\r\n
      \r\n
      Asante s’inscrit dans le courant du jazz spirituel et post-bop des années 70, où la musique devient à la fois voyage intérieur et célébration collective.\r\n
      \r\n
      - McCoy Tyner "Asante" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Pianist McCoy Tyner had been increasingly looking to Mother Africa for inspiration on his Blue Note recordings of the late-1960s on pieces such as "African Village" and "Message from the Nile". With his 1970 album Asante, Tyner brought those influences to the fore with a powerful set rooted in the swirling percussive rhythmic bed laid by drummer Billy Hart and percussionist Mtume. Bassist Buster Williams, guitarist Ted Dunbar, and alto saxophonist Andrew White make up the rest of the extraordinary ensemble on this four-song set that also includes the ethereal vocals of Songai on the extended album opener "Malika" and the title track. While elements of the modal jazz that Tyner pioneered in the John Coltrane Quartet course through the album, most prominently on the kinetic closing track "Fulfillment", the music here also pointed towards future creative directions that Tyner would explore.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "McCoy Tyner (piano), Andrew White, Gary Bartz (alto saxophone), Woody Shaw (trumpet), Ron Carter (bass), Elvin Jones (drums), James Mtume (percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=nzGrH4UBLfI&list=PLWX0mJtyf2cegRS8soO-FxsGohjYN8N3e&index=5"
    -referenceProduit: "Blue Note Tone Poet Series 9787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Malika"
      ]
      [
        "ordre" => 2
        "nom" => "2. Asante "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Goin' Home"
      ]
      [
        "ordre" => 5
        "nom" => "2. Fulfillment"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1917 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2018 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1920 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2006 …}
    -enregistreLe: DateTime @1775663309 {#1896
      date: 2026-04-08 15:48:29.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963907 {#1889
      date: 2026-05-05 06:51:47.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2012 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-asante-blue-note-tone-poet-series-9787"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2037
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2041 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1775666383 {#2033
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#2032
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3232
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2037
    -id: 3058
    -nom: "Dexter Calling"
    -informationComplementaire: "Le hard bop à l’état pur, porté par le souffle inimitable de Dexter Gordon. Avec "Dexter Calling...", chaque note respire, un son ample, chaleureux, et toute l’élégance du jazz Blue Note."
    -description: """
      Enregistré en 1961 pour le mythique label Blue Note Records, "Dexter Calling..." capture Dexter Gordon à un moment de parfaite maîtrise artistique. Son jeu de saxophone ténor, à la fois posé et expressif, déroule des phrases longues, pleines de swing et d’une élégance naturelle.\r\n
      \r\n
      Pour cette session, il s’entoure d’un trio d’exception, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie. Ensemble, ils créent un équilibre parfait entre souplesse rythmique et énergie bop, donnant à chaque morceau une respiration fluide et vivante.\r\n
      \r\n
      Entre standards revisités et compositions originales, l’album oscille avec finesse entre lyrisme et swing, confirmant le statut de Dexter Gordon comme l’une des grandes voix du jazz moderne.\r\n
      \r\n
      Dexter Calling... n’est pas seulement un disque, c’est une conversation musicale, un appel lancé aux amateurs de jazz et une réponse immédiate pour ceux qui cherchent l’essence du hard bop.\r\n
      \r\n
      - Dexter Gordon "Dexter Calling" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Though he first recorded in the late-1940s, Dexter Gordon's 1961 signing to Blue Note Records marked the beginning of a career renaissance for the great tenor saxophonist after a tumultuous decade. With the swift one-two punch of his label debut Doin' Allright and Dexter Calling, recorded just three days apart in May 1961, Dexter solidified his return to form with aplomb. Dexter Calling featured an entirely different band with Dexter holding forth at the helm of a potent quartet with pianist Kenny Drew, bassist Paul Chambers, and drummer Philly Joe Jones. The set opens with the soulful hard bop gem "Soul Sister" before shifting into high gear and proving his dexterity on hard-charging numbers such as "Modal Mood", "I Want More", and "Clear the Dex". Gordon slows down for the stunning ballad "Ernie's Tune" before closing the set with Charlie Chaplin's joyous "Smile".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Dexter Gordon (tenor saxophone), Kenny Drew –(piano), Paul Chambers (bass), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=nxLCnWurc48&list=RDnxLCnWurc48&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series  9548"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Soul Sister"
      ]
      [
        "ordre" => 2
        "nom" => "2. Modal Mood"
      ]
      [
        "ordre" => 3
        "nom" => "3. I Want More "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. End Of A Love Affair"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear The Dex"
      ]
      [
        "ordre" => 7
        "nom" => "3. Ernie's Tune"
      ]
      [
        "ordre" => 8
        "nom" => "4. Smile"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2039 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2048 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2041 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2043 …}
    -enregistreLe: DateTime @1775666383 {#2033
      date: 2026-04-08 16:39:43.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1777963829 {#2032
      date: 2026-05-05 06:50:29.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2045 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dexter-calling-blue-note-tone-poet-series-9548"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2057
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
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        "nom" => "Side A :"
      ]
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        "nom" => "1. Monaco"
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        "nom" => "2. ‘Round About Midnight"
      ]
      [
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        "nom" => "3. Mexico City "
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      [
        "ordre" => 4
        "nom" => "Side B : "
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      [
        "ordre" => 5
        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 6
        "nom" => "2. Autumn In New York"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hill’s Edge "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
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      [
        "ordre" => 9
        "nom" => "1. K.D.’s Blues"
      ]
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        "nom" => "2. Who Cares"
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        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "Side D : "
      ]
      [
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        "nom" => "1. Royal Roost"
      ]
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        "nom" => "2. My Heart Stood Still"
      ]
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        "nom" => "3. The Prophet "
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        "nom" => "Side E : "
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      ]
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      [
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        "nom" => ""
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      [
        "ordre" => 24
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3283
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2057
    -id: 1832
    -nom: "The Complete 'Round About At The Cafe Bohemia"
    -informationComplementaire: "Un club mythique, une nuit de 1956, et l’un des plus beaux témoignages live du hard bop. Ce coffret exceptionnel de Kenny Dorham vous ouvre les portes du Café Bohemia dans une édition audiophile somptueuse, aussi immersive à l’écoute qu’à regarder."
    -description: """
      Avec "The Complete ’Round About Midnight at the Café Bohemia", plongez au cœur de l’âge d’or du jazz new-yorkais grâce à une réédition vinyle d’exception signée Blue Note. Enregistrées en live le 31 mai 1956, ces sessions capturent toute la magie du Café Bohemia, haut lieu du Greenwich Village où se retrouvaient les plus grands musiciens de l’époque.\r\n
      \r\n
      Ce coffret rassemble l’intégralité des performances du sextet de Kenny Dorham, entouré de J.R. Monterose, Kenny Burrell, Bobby Timmons, Sam Jones et Arthur Edgehill. Entre standards revisités et compositions originales, le groupe déploie une énergie vibrante, portée par des improvisations inspirées et une interaction constante entre les musiciens.\r\n
      \r\n
      Cette édition premium propose plusieurs vinyles pressés avec un soin audiophile, offrant une restitution sonore chaleureuse et détaillée, fidèle à l’ambiance du club. Le coffret est accompagné d’un livret richement illustré, incluant photos d’époque et notes détaillées, pour une immersion complète dans l’univers Blue Note.\r\n
      \r\n
      À la fois objet de collection et expérience d’écoute unique, ce coffret est une pièce incontournable pour les amateurs de jazz et de vinyle haut de gamme.\r\n
      \r\n
      - Kenny Dorham "The Complete 'Round About At The Cafe Bohemia" 180 gram (3 LP) !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tapes !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The great unsung trumpeter Kenny Dorham was a vital part of the early Blue Note story appearing as a sideman on bebop dates by Thelonious Monk and Art Blakey as well as foundational hard bop sessions with Horace Silver and as a founding member of The Jazz Messengers. In fact, just six months after The Jazz Messengers cut their landmark namesake live recordings at the Cafe Bohemia, Dorham brought his own sextet into the fabled NYC jazz club in May 1956 to record his maiden live recording date under his own name. Presented in full on the 3LP Tone Poet Vinyl Edition of "The Complete ‘Round About Midnight At The Cafe Bohemia" the sublime set features the trumpeter with J.R. Monterose on tenor saxophone, Kenny Burrell on guitar, Bobby Timmons on piano, Sam Jones on bass, and Arthur Edgehill on drums for an inspired collection of originals by Dorham, Monk, and Dizzy Gillespie, as well as choice Great American Songbook standards.\r\n
      \r\n
      Produced for release by Joe Harley, the vinyl is all-analog and cut directly from Rudy Van Gelder's original master tapes by Kevin Gray. Pressed on 180 gram vinyl at RTI, the three LPs come packaged in a deluxe tip-on trifold jacket which includes a booklet with never-before-seen photos by Francis Wolff and an in-depth essay and track-by-track analysis by Syd Schwartz.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Kenny Dorham (trumpet), J. R. Monterose (tenor saxophone), Kenny Burrell (guitar), Bobby Timmons (piano), Sam Jones (bass), Arthur Edgehill (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=MwYajj7T0q0&list=RDMwYajj7T0q0&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 2882"
    -titreMorceau: [
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        "ordre" => 2
        "nom" => "2. ‘Round About Midnight"
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      [
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        "nom" => "3. Mexico City "
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        "nom" => "Side B : "
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        "nom" => "1. A Night In Tunisia"
      ]
      [
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        "nom" => "2. Autumn In New York"
      ]
      [
        "ordre" => 7
        "nom" => "3. Hill’s Edge "
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      [
        "ordre" => 8
        "nom" => "Side C :"
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        "nom" => "1. K.D.’s Blues"
      ]
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        "nom" => "2. Who Cares"
      ]
      [
        "ordre" => 11
        "nom" => "3. Mexico City (alternate take) "
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        "nom" => "Side D : "
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        "nom" => "1. Royal Roost"
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        "nom" => "2. My Heart Stood Still"
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        "nom" => "3. The Prophet "
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        "nom" => "Side E : "
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        "nom" => "1. K.D.’s Blues (alternate take)"
      ]
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        "nom" => "2. Riffin’ "
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        "nom" => "Side F : "
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        "nom" => "1. Who Cares (alternate take)"
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        "nom" => "2. Monaco (alternate take)"
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        "nom" => "3. N.Y. Theme"
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      [
        "ordre" => 23
        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2059 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2068 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2061 …}
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    -modifierLe: DateTime @1777113607 {#2051
      date: 2026-04-25 10:40:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-the-complete-round-about-at-the-cafe-bohemia-blue-note-tone-poet-series-2882"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2075
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mother Ship"
      ]
      [
        "ordre" => 2
        "nom" => "2. Street Scene"
      ]
      [
        "ordre" => 3
        "nom" => "3. Visions "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Trip Merchant"
      ]
      [
        "ordre" => 6
        "nom" => "2. Love Drops"
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
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      [
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        "nom" => ""
      ]
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        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2077 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2086 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2079 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …}
    -enregistreLe: DateTime @1771778468 {#2071
      date: 2026-02-22 16:41:08.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1775115455 {#2070
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …}
    -disponible: null
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    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3334
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2075
    -id: 3006
    -nom: "Mother Ship"
    -informationComplementaire: "Un vaisseau sonore en orbite entre tradition et exploration, "Mother Ship" embarque l’auditeur dans un voyage cosmique où l’orgue de Larry Young défie les lois du jazz classique, porté par une énergie mystique et une liberté rare."
    -description: """
      Sorti en 1969 sur le mythique label Blue Note Records, "Mother Ship" de Larry Young est une œuvre fascinante à la croisée du jazz modal, du hard bop et des premières explorations électriques. L’organiste, déjà reconnu pour son approche novatrice du Hammond B-3, s’éloigne ici des formats traditionnels pour proposer un son plus libre, presque cosmique.\r\n
      \r\n
      Entouré de musiciens d’exception comme Lee Morgan à la trompette et Herbie Hancock au piano, Larry Young construit un univers dense et spirituel. Les compositions, telles que "Mother Ship" ou "Street Scene", oscillent entre grooves hypnotiques, harmonies audacieuses et élans improvisés d’une grande intensité.\r\n
      \r\n
      L’album se distingue par :\r\n
      \r\n
      - Une utilisation inventive de l’orgue, loin des clichés soul-jazz\r\n
      - Des structures ouvertes inspirées du jazz modal\r\n
      - Une ambiance presque spatiale, annonçant certaines tendances du jazz fusion\r\n
      \r\n
      "Mother Ship" est souvent considéré comme l’un des disques les plus ambitieux de Larry Young, capturant un moment charnière où le jazz regarde résolument vers l’avenir.\r\n
      \r\n
      - Larry Young "Mother Ship" 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      1969's Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination of a tremendous run of records albums that redefined the sonic possibilities of the Hammond B3 organ. On his highly regarded 1965 album Unity, Young pushed the limits of his instrument into the far reaches of post-bop exploration. First released in 1980 as part of the LT Series, Mother Ship featured Lee Morgan on trumpet, Herbert Morgan on tenor saxophone, and Eddie Gladden on drums. The album bristles with unbridled kinetic energy while still delivering soulful grooves on a set of Young originals from the avant-garde tinged excursions of the title track and "Trip Merchant" to the in-the-pocket soul jazz of "Street Scene", "Visions", and "Love Drops".\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Larry Young (organ), Herbert Morgan (tenor saxophone), Lee Morgan (trumpet), Eddie Gladden (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KgfQVgGmlEA&list=RDKgfQVgGmlEA&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9547"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "Side B : "
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        "nom" => "1. Trip Merchant"
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        "nom" => "2. Love Drops"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2077 …}
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    -style: App\Entity\Style {#1468 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …}
    -enregistreLe: DateTime @1771778468 {#2071
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    }
    -modifierLe: DateTime @1775115455 {#2070
      date: 2026-04-02 07:37:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-mother-ship-blue-note-tone-poet-series-9547"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2095
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Dippin' In The Bag"
      ]
      [
        "ordre" => 2
        "nom" => "2. Southern Exposure"
      ]
      [
        "ordre" => 3
        "nom" => "3. Preach Brother "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hootin' 'N Tootin'"
      ]
      [
        "ordre" => 6
        "nom" => "2. Easin' On Down"
      ]
      [
        "ordre" => 7
        "nom" => "3. That's Where It's At"
      ]
      [
        "ordre" => 8
        "nom" => "4. Way Down Home"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1771749615 {#2088
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    }
    -modifierLe: DateTime @1775114936 {#2089
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3385
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2095
    -id: 3005
    -nom: "Hootin' N' Tootin'"
    -informationComplementaire: "Un groove brûlant, un saxophone habité, "Hootin’ N’ Tootin’" de Fred Jackson capture toute l’énergie du jazz soul des sixties en quelques notes inoubliables."
    -description: """
      Sorti en 1962 sur le prestigieux label Blue Note Records, "Hootin’ N’ Tootin’" est l’unique album en leader du saxophoniste ténor Fred Jackson, une figure discrète mais remarquable de la scène jazz soul des années 60.\r\n
      \r\n
      Porté par une énergie brute et une approche résolument ancrée dans le groove, l’album navigue entre hard bop et soul jazz avec une spontanéité contagieuse. Entouré d’un casting solide de musiciens issus de l’écurie Blue Note, Jackson privilégie une expression directe : "riffs accrocheurs, phrasés chaleureux et improvisations pleines de caractère".\r\n
      \r\n
      L’ambiance générale est à la fois festive et organique,  un jazz qui se vit autant qu’il s’écoute. Les compositions, souvent construites autour de motifs simples et efficaces, laissent toute la place à l’interaction entre les instruments, notamment l’orgue et les cuivres, qui renforcent cette couleur typiquement "club" du début des sixties.\r\n
      \r\n
      "Hootin’ N’ Tootin’" est aujourd’hui considéré comme un petit trésor caché du catalogue Blue Note, un disque authentique, sans prétention, mais profondément sincère et vibrant.\r\n
      \r\n
      - Fred Jackson "Hootin' N' Tootin'" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby Face Willette's Face To Face in 1961 and would later add his full-throttled sound to Big John Patton's Blue Note albums Along Came John and The Way I Feel. In 1962, Jackson recorded his own leader debut for the label with Hootin' ‘N Tootin', a deeply soulful set of hot-blooded originals performed by a muscular 4 piece band with guitarist Willie Jones, drummer Wilbert Hogan, and organist Earl Van Dyke, who would later become part of Motown house band the Funk Brothers.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Fred Jackson (tenor saxophone), Willie Jones (guitar), Earl Vandyke (organ), Wilbert Hogan (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rtqv8ATAEZI"
    -referenceProduit: "Blue Note Tone Poet Series 9685"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "nom" => "1. Dippin' In The Bag"
      ]
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        "nom" => "2. Southern Exposure"
      ]
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        "nom" => "3. Preach Brother "
      ]
      [
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        "nom" => "Side B : "
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        "nom" => "1. Hootin' 'N Tootin'"
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      [
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        "nom" => "3. That's Where It's At"
      ]
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        "nom" => "4. Way Down Home"
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2097 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2106 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2099 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2101 …}
    -enregistreLe: DateTime @1771749615 {#2088
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    }
    -modifierLe: DateTime @1775114936 {#2089
      date: 2026-04-02 07:28:56.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2103 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-hootin-n-tootin-blue-note-tone-poet-series-9685"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. You Make Me Feel So Young"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Happened In Monterey"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're Getting To Be A Habit With Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Brought A New Kind Of Love To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. Too Marvelous For Words"
      ]
      [
        "ordre" => 6
        "nom" => "6. Old Devil Moon"
      ]
      [
        "ordre" => 7
        "nom" => "7. Pennies From Heaven"
      ]
      [
        "ordre" => 8
        "nom" => "8. Love Is Here to Stay "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got You Under My Skin"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Thought About You"
      ]
      [
        "ordre" => 12
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 13
        "nom" => "4. Makin' Whoopee"
      ]
      [
        "ordre" => 14
        "nom" => "5. Swingin' Down The Lane"
      ]
      [
        "ordre" => 15
        "nom" => "6. Anything Goes"
      ]
      [
        "ordre" => 16
        "nom" => "7. How About You ?"
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1771780114 {#2109
      date: 2026-02-22 17:08:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774720485 {#2108
      date: 2026-03-28 17:54:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-songs-for-swingin-blue-note-tone-poet-series-9867"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3436
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2113
    -id: 3007
    -nom: "Songs For Swingin'"
    -informationComplementaire: "Frank Sinatra au sommet de son art, entre charme irrésistible, orchestre scintillant et énergie contagieuse. Un classique absolu qui transforme chaque instant en soirée jazzy inoubliable."
    -description: """
      Sorti en 1956, "Songs for Swingin’ Lovers !" est l’un des albums les plus emblématiques de Frank Sinatra et un pilier du jazz vocal et du swing orchestral. Arrangé et dirigé par Nelson Riddle, cet album marque une évolution majeure dans la carrière de Sinatra, qui adopte ici un ton plus léger, enjoué et irrésistiblement séduisant.\r\n
      \r\n
      L’album rassemble des standards américains revisités avec élégance, mêlant sophistication musicale et décontraction. Sinatra y incarne un personnage charmant et espiègle, porté par des orchestrations dynamiques et raffinées. Chaque morceau respire l’énergie du swing tout en conservant une grande précision émotionnelle.\r\n
      \r\n
      Des titres comme “You Make Me Feel So Young”, “I’ve Got You Under My Skin” ou “Love Is Here to Stay” illustrent parfaitement cet équilibre entre virtuosité et accessibilité. L’album est souvent considéré comme l’un des premiers grands “concept albums”, avec une cohérence d’ambiance et de style tout au long de l’écoute.\r\n
      \r\n
      Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone), George Seabright, Vincent DeRosa (Frenh Horns), Buddy Collette, Babe Russin, Jules Jacob, Skeets Herfurt, Joe Koch (saxophones, woodwinds), Bill Miller (piano), Barney Kessel (guitar), Joe Comfort (bass), Alvin Stoller (drums), Felix Slatkin Capitol’s studio string players (violin,viola,cello).\r\n
      \r\n
      - Frank Sinatra "Songs For Swingin' Lovers" (Mono) 180 gram mono LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      After his melancholy masterpiece In The Wee Small Hours, the legendary vocalist Frank Sinatra brightened the mood considerably with his exuberant album Songs For Swingin' Lovers! released on Capitol Records in 1956. Together, the two albums presented an enthralling duality with the brokenhearted lover of the former relishing the joys of newfound romance on the latter. Recorded at Capitol's KHJ Studios in Hollywood, the album was once again produced by Voyle Gilmore and presented delightful Nelson Riddle arrangements of Great American Songbook standards including "You Make Me Feel So Young", "Too Marvelous For Words", "Love Is Here To Stay", "I've Got You Under My Skin", and more.\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Frank Sinatra (vocals), Nelson Riddle and His Orchestra : Conrad Gozzo, Harry “Sweets” Edison, Manny Klein, Zeke Zarchy (trumpet), Milt Bernhart, Lloyd Ulyate, Dick Reynolds (trombone)..."
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8XuL5xSVL7s&list=PLL-NbN8uTOihE8pVvExgTDTS5ZJ8hJH2i"
    -referenceProduit: "Blue Note Tone Poet Series 9867"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. You Make Me Feel So Young"
      ]
      [
        "ordre" => 2
        "nom" => "2. It Happened In Monterey"
      ]
      [
        "ordre" => 3
        "nom" => "3. You're Getting To Be A Habit With Me"
      ]
      [
        "ordre" => 4
        "nom" => "4. You Brought A New Kind Of Love To Me"
      ]
      [
        "ordre" => 5
        "nom" => "5. Too Marvelous For Words"
      ]
      [
        "ordre" => 6
        "nom" => "6. Old Devil Moon"
      ]
      [
        "ordre" => 7
        "nom" => "7. Pennies From Heaven"
      ]
      [
        "ordre" => 8
        "nom" => "8. Love Is Here to Stay "
      ]
      [
        "ordre" => 9
        "nom" => "Side B : "
      ]
      [
        "ordre" => 10
        "nom" => "1. I've Got You Under My Skin"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Thought About You"
      ]
      [
        "ordre" => 12
        "nom" => "3. We'll Be Together Again"
      ]
      [
        "ordre" => 13
        "nom" => "4. Makin' Whoopee"
      ]
      [
        "ordre" => 14
        "nom" => "5. Swingin' Down The Lane"
      ]
      [
        "ordre" => 15
        "nom" => "6. Anything Goes"
      ]
      [
        "ordre" => 16
        "nom" => "7. How About You ?"
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
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      date: 2026-02-22 17:08:34.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1774720485 {#2108
      date: 2026-03-28 17:54:45.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2133
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6642"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Compulsion"
      ]
      [
        "ordre" => 2
        "nom" => "2. Legacy "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Premonition"
      ]
      [
        "ordre" => 5
        "nom" => "2. Limbo"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
        "ordre" => 7
        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1771746362 {#2126
      date: 2026-02-22 07:46:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958331 {#2127
      date: 2026-03-08 08:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3487
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2133
    -id: 3003
    -nom: "Compulsion !!!!!"
    -informationComplementaire: null
    -description: """
      - Andrew Hill "Compulsion !!!!! 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      One of the boldest statements in the Andrew Hill discography, 1965's Compulsion was the pianist's expression of the avant-garde through the prism of jazz music's roots in African rhythms. Hill's percussive piano drives an intrepid ensemble through four evocative originals "Compulsion", "Legacy", "Premonition", and "Limbo" given deeply engaged performances by trumpeter Freddie Hubbard, saxophonist John Gilmore, bassists Cecil McBee and Richard Davis, drummer Joe Chambers, and percussionists Nedi Qamar and Renaud Simmons.\r\n
      \r\n
      This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe gatefold tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Andrew Hill (piano), Cecil McBee, Richard Davis (bass), Renaud Simmons (congas), John Gilmore (tenor saxophone, bass clarinet), Freddie Hubbard\t(trumpet, flugelhorn), Nadi Qamar (African drums, African thumb piano), Joe Chambers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=4xCobq5eNUQ&list=RD4xCobq5eNUQ&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6642"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
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      ]
      [
        "ordre" => 2
        "nom" => "2. Legacy "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Premonition"
      ]
      [
        "ordre" => 5
        "nom" => "2. Limbo"
      ]
      [
        "ordre" => 6
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2135 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2144 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2137 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2139 …}
    -enregistreLe: DateTime @1771746362 {#2126
      date: 2026-02-22 07:46:02.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958331 {#2127
      date: 2026-03-08 08:25:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2141 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-compulsion-blue-note-tone-poet-series-6642"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2155
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Devil And The Deep Blue Sea"
      ]
      [
        "ordre" => 2
        "nom" => "2. Easy Living"
      ]
      [
        "ordre" => 3
        "nom" => "3. Minor Meeting"
      ]
      [
        "ordre" => 4
        "nom" => "4. Air Tight "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
        "ordre" => 8
        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1771748783 {#2147
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#2146
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tenorman-mono-version-blue-note-tone-poet-series-6641"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3538
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2155
    -id: 3004
    -nom: "Tenorman (Mono Version)"
    -informationComplementaire: null
    -description: """
      - The Lawrence Marable Quartet "Tenorman" (Mono) 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original mono master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session led by the esteemed drummer (Marable) that served as an introduction of the young Texan tenor (Clay) with sturdy support from pianist Sonny Clark and bassist Jimmy Bond. Recorded in August 1956 at Capitol Studios in Hollywood for the Jazz: West label, a boutique imprint allied with Pacific Jazz, the album presents assured versions of well-worn standards "The Devil And The Deep Blue Sea", "Easy Living", "Willow Weep For Me", "Lover Man" with a trio of original compositions by Clark interspersed "Minor Meeting", "Three Fingers North", "Marbles".\r\n
      \r\n
      This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180 gram vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lawrence Marable (drums), Jimmy Bond (bass), Sonny Clarke\t(piano), James Clay (tenor saxophone)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=CHXpUY5I3Mc&list=RDCHXpUY5I3Mc&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 6641"
    -titreMorceau: [
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        "nom" => "1. The Devil And The Deep Blue Sea"
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        "nom" => "2. Easy Living"
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        "nom" => "3. Minor Meeting"
      ]
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        "nom" => "4. Air Tight "
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        "ordre" => 5
        "nom" => "Side B : "
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      [
        "ordre" => 6
        "nom" => "1. Willow Weep For Me"
      ]
      [
        "ordre" => 7
        "nom" => "2. Three Fingers North"
      ]
      [
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        "nom" => "3. Lover Man"
      ]
      [
        "ordre" => 9
        "nom" => "4. Marbles"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2157 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1771748783 {#2147
      date: 2026-02-22 08:26:23.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1772958309 {#2146
      date: 2026-03-08 08:25:09.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2175
    -id: 1823
    -nom: "The Cooker"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Lee Morgan "The Cooker" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      When listening to Lee Morgan blow his molten solo on "A Night In Tunisia", the opening track of The Cooker, it's hard to fathom that he was only 19 years old at the time. Recorded just two weeks after Morgan's dazzling performance on John Coltrane's masterpiece Blue Train in September 1957, The Cooker was in fact Morgan's fifth Blue Note album as a leader. BassistPaul Chambers and drummer Philly Joe Jones (both of whom also played on Blue Train) are joined by baritone saxophone master Pepper Adams and the great Bobby Timmons on piano on this superbly swinging session.\r\n
      \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Paul Chambers (bass), Pepper Adams (baritione saxophone), Bobby Timmons (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ed80NAOQc54"
    -referenceProduit: "Blue Note Tone Poet 7701"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. Heavy Dipper"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Just One Of Those Things"
      ]
      [
        "ordre" => 5
        "nom" => "2. Lover Man"
      ]
      [
        "ordre" => 6
        "nom" => "3. New-Ma"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2186 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2179 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2181 …}
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    }
    -modifierLe: DateTime @1770797305 {#2169
      date: 2026-02-11 08:08:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2183 …}
    -disponible: null
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    -slug: "vinyles-the-cooker-blue-note-tone-poet-7701"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3589
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2175
    -id: 1823
    -nom: "The Cooker"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Lee Morgan "The Cooker" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      When listening to Lee Morgan blow his molten solo on "A Night In Tunisia", the opening track of The Cooker, it's hard to fathom that he was only 19 years old at the time. Recorded just two weeks after Morgan's dazzling performance on John Coltrane's masterpiece Blue Train in September 1957, The Cooker was in fact Morgan's fifth Blue Note album as a leader. BassistPaul Chambers and drummer Philly Joe Jones (both of whom also played on Blue Train) are joined by baritone saxophone master Pepper Adams and the great Bobby Timmons on piano on this superbly swinging session.\r\n
      \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1925 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Paul Chambers (bass), Pepper Adams (baritione saxophone), Bobby Timmons (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ed80NAOQc54"
    -referenceProduit: "Blue Note Tone Poet 7701"
    -titreMorceau: [
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        "nom" => "2. Lover Man"
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      [
        "ordre" => 6
        "nom" => "3. New-Ma"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2186 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2179 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2181 …}
    -enregistreLe: DateTime @1583218180 {#2168
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    }
    -modifierLe: DateTime @1770797305 {#2169
      date: 2026-02-11 08:08:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2183 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cooker-blue-note-tone-poet-7701"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2191
    -id: 2444
    -nom: "Infinity"
    -informationComplementaire: null
    -description: """
      - Lee Morgan "Infinity" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down but no less robust quintet line-up to record his next session Infinity, which wouldn't be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins both of whom were featured on Cornbread were at Morgan's side once again along with pianist Larry Willis and bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean's engaging ballad "Portrait of Doll" cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of "Miss Nettie B", the intricate interlaced lines of "Growing Pains", and the hard-charging closer "Zip Code".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Jackie McLean (alto saxophone), Larry Willis (piano), Reggie Workman (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y6zppSR91eM"
    -referenceProduit: "Blue Note Tone Poet Series 1091"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Infinity "
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        "ordre" => 2
        "nom" => "2. Miss Nettie B."
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        "ordre" => 3
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      [
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        "nom" => "1. Growing Pains "
      ]
      [
        "ordre" => 5
        "nom" => "2. Portrait Of Doll "
      ]
      [
        "ordre" => 6
        "nom" => "3. Zip Code"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2199 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2192 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2194 …}
    -enregistreLe: DateTime @1688020570 {#2188
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    }
    -modifierLe: DateTime @1770796845 {#2189
      date: 2026-02-11 08:00:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2196 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-infinity-blue-note-tone-poet-series-1091"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3642
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2191
    -id: 2444
    -nom: "Infinity"
    -informationComplementaire: null
    -description: """
      - Lee Morgan "Infinity" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down but no less robust quintet line-up to record his next session Infinity, which wouldn't be first released until 1981. Alto saxophonist Jackie McLean and drummer Billy Higgins both of whom were featured on Cornbread were at Morgan's side once again along with pianist Larry Willis and bassist Reggie Workman for a five-song set that ventured to the far reaches of the hard bop tradition and beyond. Four compelling Morgan originals and McLean's engaging ballad "Portrait of Doll" cover a wide expanse of musical terrain including the probing title track, the laid-back 6/8 groove of "Miss Nettie B", the intricate interlaced lines of "Growing Pains", and the hard-charging closer "Zip Code".
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Jackie McLean (alto saxophone), Larry Willis (piano), Reggie Workman (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Y6zppSR91eM"
    -referenceProduit: "Blue Note Tone Poet Series 1091"
    -titreMorceau: [
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      [
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        "nom" => "2. Portrait Of Doll "
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      [
        "ordre" => 6
        "nom" => "3. Zip Code"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2192 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2194 …}
    -enregistreLe: DateTime @1688020570 {#2188
      date: 2023-06-29 06:36:10.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770796845 {#2189
      date: 2026-02-11 08:00:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2196 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-infinity-blue-note-tone-poet-series-1091"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2206
    -id: 2547
    -nom: "Taru"
    -informationComplementaire: null
    -description: """
      - Lee Morgan "Taru" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current lineup of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session.\r\n
      \r\n
      Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino". A beautiful rendition of the ballad "Everything Happens To Me" and two swinging Mobley pieces comprise Side B, bringing this highly-enjoyable date to a close.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Reggie Workman (bass), John Hicks (piano), George Benson (guitar), Bennie Maupin (tenor saxophone), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=B-XHjSUYvO4&list=PLkP5lX8SHpvBN0E0d-lRXw7HBRdJtKdr7"
    -referenceProduit: "Blue Note Tone Poet Series 1352"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Avotcja One"
      ]
      [
        "ordre" => 2
        "nom" => "2. Haeschen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Dee Lawd"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Get Yourself Together"
      ]
      [
        "ordre" => 6
        "nom" => "2. Taru, What's Wrong With You ?"
      ]
      [
        "ordre" => 7
        "nom" => "3. Durem"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
    -typeMasterTape: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1722037325 {#2202
      date: 2024-07-26 23:42:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770794928 {#2201
      date: 2026-02-11 07:28:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-taru-blue-note-tone-poet-series-1352"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3690
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2206
    -id: 2547
    -nom: "Taru"
    -informationComplementaire: null
    -description: """
      - Lee Morgan "Taru" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      - Deluxe tip-on jacket !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Recorded in 1955 for producer Tom Wilson's short-lived Boston-based label Transition Records, Byrd's Eye View was trumpeter Donald Byrd's first issued recording as a leader. The date presented Byrd at the helm of what was then the current lineup of The Jazz Messengers with tenor saxophonist Hank Mobley, pianist Horace Silver, bassist Doug Watkins, and drummer Art Blakey. Local Boston area trumpeter Joe Gordon joins the band for some friendly brass sparring with Byrd on several numbers, further adding to the album's jovial air of a blowing session.\r\n
      \r\n
      Everyone is in fine form on this five-song set with Side A consisting of an extended stroll through Watkins' laid-back original "Doug's Blues" followed by some inspired trading between Byrd and Gordon on "El Sino". A beautiful rendition of the ballad "Everything Happens To Me" and two swinging Mobley pieces comprise Side B, bringing this highly-enjoyable date to a close.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Reggie Workman (bass), John Hicks (piano), George Benson (guitar), Bennie Maupin (tenor saxophone), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=B-XHjSUYvO4&list=PLkP5lX8SHpvBN0E0d-lRXw7HBRdJtKdr7"
    -referenceProduit: "Blue Note Tone Poet Series 1352"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Avotcja One"
      ]
      [
        "ordre" => 2
        "nom" => "2. Haeschen"
      ]
      [
        "ordre" => 3
        "nom" => "3. Dee Lawd"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Get Yourself Together"
      ]
      [
        "ordre" => 6
        "nom" => "2. Taru, What's Wrong With You ?"
      ]
      [
        "ordre" => 7
        "nom" => "3. Durem"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
    -typeMasterTape: null
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    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1722037325 {#2202
      date: 2024-07-26 23:42:05.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770794928 {#2201
      date: 2026-02-11 07:28:48.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-taru-blue-note-tone-poet-series-1352"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 2996
    -nom: "City Lights"
    -informationComplementaire: "Un sextet inspiré, des arrangements raffinés et l’énergie fulgurante d’un jeune prodige du jazz, où la trompette de Lee Morgan brille avec fougue, dans une session hard bop vibrante à la prise de son emblématique du label Blue Note."
    -description: """
      - Lee Morgan "City Lights" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Trumpeter Lee Morgan was just 19 years old and still early on in his lengthy Blue Note association when he cut his brightly swinging album City Lights in August 1957. The date featured a wonderful sextet with Curtis Fuller on trombone, George Coleman on alto and tenor saxophone, Ray Bryant on piano, Paul Chambers on bass, and Art Taylor on drums. The brilliant young trumpet prodigy was still turning heads with his show-stealing performances as part of the Dizzy Gillespie Big Band, and this excellent 5 song set presented further evidence of his irrepressible talent. The album includes three compositions by Morgan's mentor Benny Golson "City Lights", "Tempo De Waltz", "Just By Myself" as well as a stunning ballad performance of the standard "You're Mine You" and the groovy closer "Kin Folk" by Gigi Gryce.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Curtis Fuller (trombone),  George Coleman (tenor saxophone), Ray Bryant (piano), Paul Chambers (bass) , Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=va1qlbwJuEo&list=RDva1qlbwJuEo&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9635"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. City Lights"
      ]
      [
        "ordre" => 2
        "nom" => "2. Tempo De Waltz"
      ]
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      ]
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        "nom" => "2. Kin Folks"
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      [
        "ordre" => 11
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2229 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2222 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2224 …}
    -enregistreLe: DateTime @1770791150 {#2217
      date: 2026-02-11 06:25:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770794647 {#2216
      date: 2026-02-11 07:24:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2226 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-city-lights-blue-note-tone-poet-series-9635"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3738
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2656 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1804 …}
  +produit: App\Entity\Produit {#2221
    -id: 2996
    -nom: "City Lights"
    -informationComplementaire: "Un sextet inspiré, des arrangements raffinés et l’énergie fulgurante d’un jeune prodige du jazz, où la trompette de Lee Morgan brille avec fougue, dans une session hard bop vibrante à la prise de son emblématique du label Blue Note."
    -description: """
      - Lee Morgan "City Lights" 180 gram LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      The Blue Note Tone Poet Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the "Tone Poet", on board to curate and supervise a series of reissues from the Blue Note family of labels.\r\n
      \r\n
      Trumpeter Lee Morgan was just 19 years old and still early on in his lengthy Blue Note association when he cut his brightly swinging album City Lights in August 1957. The date featured a wonderful sextet with Curtis Fuller on trombone, George Coleman on alto and tenor saxophone, Ray Bryant on piano, Paul Chambers on bass, and Art Taylor on drums. The brilliant young trumpet prodigy was still turning heads with his show-stealing performances as part of the Dizzy Gillespie Big Band, and this excellent 5 song set presented further evidence of his irrepressible talent. The album includes three compositions by Morgan's mentor Benny Golson "City Lights", "Tempo De Waltz", "Just By Myself" as well as a stunning ballad performance of the standard "You're Mine You" and the groovy closer "Kin Folk" by Gigi Gryce.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1885 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Curtis Fuller (trombone),  George Coleman (tenor saxophone), Ray Bryant (piano), Paul Chambers (bass) , Art Taylor (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=va1qlbwJuEo&list=RDva1qlbwJuEo&start_radio=1"
    -referenceProduit: "Blue Note Tone Poet Series 9635"
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      [
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        "nom" => "Side B : "
      ]
      [
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        "nom" => "1. Just By Myself"
      ]
      [
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        "nom" => "2. Kin Folks"
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        "nom" => ""
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        "nom" => ""
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      [
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        "nom" => ""
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        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2177 …}
    -label: App\Entity\Label {#1063 …}
    -style: App\Entity\Style {#1468 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2229 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2222 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2224 …}
    -enregistreLe: DateTime @1770791150 {#2217
      date: 2026-02-11 06:25:50.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770794647 {#2216
      date: 2026-02-11 07:24:07.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2226 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-city-lights-blue-note-tone-poet-series-9635"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3932
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2424 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3933 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3981 …}
  +isValidated: false
  +validatedFields: []
}