Components
4
Twig Components
15
Render Count
9
ms
Render Time
8.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
12 | 4.41ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 3.23ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.39ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.27ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 8.0 MiB | 3.23 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2608 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 8.0 MiB | 1.39 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2685 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2688 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} -formView: Symfony\Component\Form\FormView {#2724 …} -form: Symfony\Component\Form\Form {#2874 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.76 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1821 -id: 3082 -nom: "Pet Sounds - (Edition One-Step Mono)" -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson." -description: """ Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n \r\n Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n \r\n Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n \r\n Musicians : \r\n Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n \r\n - The Beach Boys "Pet Sounds" (Mono) !\r\n - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n - Release inspired by the legendary 1972 Brother Records pressing !\r\n - Sourced from rare analog tapes discovered in the archive !\r\n - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n \r\n Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n \r\n To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n \r\n Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n \r\n While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n \r\n "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history". """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1" -referenceProduit: "Capitol (Definitive Sound Series) 4280" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Wouldn't It Be Nice" ] [ "ordre" => 2 "nom" => "2. You Still Believe In Me" ] [ "ordre" => 3 "nom" => "3. That's Not Me" ] [ "ordre" => 4 "nom" => "4. Don't Talk (Put Your Head On My Shoulder)" ] [ "ordre" => 5 "nom" => "5. I'm Waiting For The Day" ] [ "ordre" => 6 "nom" => "6. Let's Go Away For Awhile" ] [ "ordre" => 7 "nom" => "7. Sloop John B" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. God Only Knows" ] [ "ordre" => 10 "nom" => "2. I Know There's An Answer" ] [ "ordre" => 11 "nom" => "3. Here Today" ] [ "ordre" => 12 "nom" => "4. I Just Wasn't Made For These Times" ] [ "ordre" => 13 "nom" => "5. Pet Sounds" ] [ "ordre" => 14 "nom" => "6. Caroline, No" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1778593421 {#1876 : 2026-05-12 13:43:41.0 UTC (+00:00) } -modifierLe: DateTime @1778594679 {#1869 : 2026-05-12 14:04:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-pet-sounds-edition-one-step-mono-capitol-definitive-sound-series-4280" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3148 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#1821 -id: 3082 -nom: "Pet Sounds - (Edition One-Step Mono)" -informationComplementaire: "Redécouvrez "Pet Sounds" de The Beach Boys avec cette édition limitée numérotée One-Step Mono. Un pressage prestigieux offrant une restitution sonore remarquable du chef-d’œuvre intemporel de Brian Wilson." -description: """ Redécouvrez l’un des albums les plus influents de l’histoire de la musique avec cette édition d’exception de "Pet Sounds" des The Beach Boys. Véritable chef-d’œuvre de la pop orchestrale imaginé par Brian Wilson, cet album mythique bénéficie ici d’un traitement audiophile haut de gamme grâce au procédé One-Step Mono de la série Capitol Definitive Sound Series.\r\n \r\n Pressé avec un soin extrême et proposé en édition limitée numérotée, ce vinyle restitue toute la richesse harmonique, la profondeur émotionnelle et les arrangements révolutionnaires qui ont fait de "Pet Sounds" une œuvre intemporelle. Des titres légendaires comme "Wouldn’t It Be Nice", "God Only Knows" ou "Sloop John B" retrouvent une présence et une chaleur sonore exceptionnelles dans ce mix mono fidèle à la vision originale de l’époque.\r\n \r\n Cette édition collector séduira aussi bien les audiophiles exigeants que les passionnés de rock et de pop des années 60, avec un packaging premium et une qualité de fabrication pensée pour les collectionneurs.\r\n \r\n Musicians : \r\n Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals), Carol Kaye (electric bass),Larry Knechtel (keyboards, bass), Don Randi (piano), Glen Campbell, Barney Kessel, Tommy Tedesco (guitar), Plas Johnson (saxophone), Steve Douglas (woodwinds), Julius Wechter (percussion), Lyle Ritz (upright bass), Hal Blaine (drums, percussion).\r\n \r\n - The Beach Boys "Pet Sounds" (Mono) !\r\n - Interscope-Capitol's Definitive Sound Series One-Step pressing !\r\n - Pressed in monophonic sound, the way Brian Wilson cut it !\r\n - Release inspired by the legendary 1972 Brother Records pressing !\r\n - Sourced from rare analog tapes discovered in the archive !\r\n - One-Step plating and pressing on 180 gram high-definition vinyl at RTI !\r\n \r\n Sixty years after its release, The Beach Boys' Pet Sounds still ranks among the most revered and influential albums in music history. Cited among the greatest albums ever made, the 1966 masterpiece crafted by Brian Wilson pushed the boundaries of pop music.\r\n \r\n To mark the album's 60th anniversary, Interscope-Capitol's Definitive Sound Series (DSS) will release a limited-edition pressing of 6000 numbered copies presenting the album in the original monophonic mix Brian Wilson originally crafted in the studio. The all analog recording pressed on Neotech VR900 DS 180-gram high-definition vinyl compound at RTI, using the state-of-the-art One Step process, which eliminates multiple steps in the plating process and delivers the album's intricate arrangements and vocal harmonies with remarkable clarity. The Definitive Sound Series edition includes a certificate of authenticity detailing the mastering, plating, and pressing chain.\r\n \r\n Mastered by Chris Bellman at Bernie Grundman Mastering from rarely used circa-1972 original analog tapes, the new audiophile edition was inspired by the circa-1972 Brother Records' pressing, first issued as a two-fer with Carl and the Passions — "So Tough" and later released as a standalone LP. Long celebrated among collectors for its striking sonic clarity, the pressing became the blueprint for the Definitive Sound Series edition. With nearly 400 different variants circulating worldwide, debate over the best-sounding version of Pet Sounds has become legendary among collectors and audiophiles.\r\n \r\n While researching archival materials, the DSS team and producer Tom "grover" Biery discovered analog tapes labeled "Reprise Master" Reprise having distributed the Beach Boys' Brother Records releases. Further analysis by mastering engineer Chris Bellman confirmed that the tapes matched the revered early-'70s pressing, with identical running times and catalog references, indicating they were the source for the circa-1972 Artisan-cut lacquers.\r\n \r\n "For years I thought the versions I had were great, until I heard that early ‘70s Brother Records pressing," says Biery. "It felt like hearing Pet Sounds in three-dimensional mono sound for the first time. The balance, the arrangements, the emotional depth-everything came alive. Finding these tapes is like discovering a missing chapter of history". """ -prixVente: "129.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Brian Wilson (bass, keyboards, vocals, arrangements), Carl Wilson (guitar, vocals), Mike Love (lead vocals), Al Jardine (guitar, vovals), Bruce Johnston (vocals), Dennis Wilson (drums, vocals)..." -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=f9keMETFIbk&list=RDf9keMETFIbk&start_radio=1" -referenceProduit: "Capitol (Definitive Sound Series) 4280" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Wouldn't It Be Nice" ] [ "ordre" => 2 "nom" => "2. You Still Believe In Me" ] [ "ordre" => 3 "nom" => "3. That's Not Me" ] [ "ordre" => 4 "nom" => "4. Don't Talk (Put Your Head On My Shoulder)" ] [ "ordre" => 5 "nom" => "5. I'm Waiting For The Day" ] [ "ordre" => 6 "nom" => "6. Let's Go Away For Awhile" ] [ "ordre" => 7 "nom" => "7. Sloop John B" ] [ "ordre" => 8 "nom" => "Side B : " ] [ "ordre" => 9 "nom" => "1. God Only Knows" ] [ "ordre" => 10 "nom" => "2. I Know There's An Answer" ] [ "ordre" => 11 "nom" => "3. Here Today" ] [ "ordre" => 12 "nom" => "4. I Just Wasn't Made For These Times" ] [ "ordre" => 13 "nom" => "5. Pet Sounds" ] [ "ordre" => 14 "nom" => "6. Caroline, No" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …} -label: Proxies\__CG__\App\Entity\Label {#1911 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …} -enregistreLe: DateTime @1778593421 {#1876 : 2026-05-12 13:43:41.0 UTC (+00:00) } -modifierLe: DateTime @1778594679 {#1869 : 2026-05-12 14:04:39.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-pet-sounds-edition-one-step-mono-capitol-definitive-sound-series-4280" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2051 -id: 3081 -nom: "Whistle Stop" -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle." -description: """ Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n \r\n L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n \r\n À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n \r\n - Kenny Dorham "Whistle Stop" !\r\n - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n \r\n After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n \r\n This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1" -referenceProduit: "Blue Note Records 1366" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. 'Philly' Twist" ] [ "ordre" => 2 "nom" => "2. Buffalo" ] [ "ordre" => 3 "nom" => "3. Sunset " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Whistle Stop" ] [ "ordre" => 6 "nom" => "2. Sunrise In Mexico" ] [ "ordre" => 7 "nom" => "3. Windmill" ] [ "ordre" => 8 "nom" => "4. Dorham's Epitaph" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …} -label: Proxies\__CG__\App\Entity\Label {#2056 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …} -enregistreLe: DateTime @1778398047 {#2043 : 2026-05-10 07:27:27.0 UTC (+00:00) } -modifierLe: DateTime @1778399685 {#2042 : 2026-05-10 07:54:45.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-whistle-stop-blue-note-records-1366" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3262 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2051 -id: 3081 -nom: "Whistle Stop" -informationComplementaire: "Élégant, subtil et intensément inspiré, "Whistle Stop" de Kenny Dorham incarne toute la finesse du hard bop des années 60. Un album incontournable signé Blue Note Records, entre swing raffiné, mélodies lumineuses et atmosphère intemporelle." -description: """ Avec Whistle Stop, Kenny Dorham signe l’un des albums majeurs du jazz hard bop des années 60. Enregistré pour Blue Note Records, ce disque réunit autour du trompettiste un casting prestigieux, Hank Mobley au saxophone ténor, Kenny Drew au piano, Paul Chambers à la contrebasse et Philly Joe Jones à la batterie.\r\n \r\n L’album se distingue par l’élégance de ses arrangements, la finesse de ses compositions originales et l’équilibre parfait entre virtuosité et retenue. Le morceau-titre “Whistle Stop” ouvre le voyage avec une énergie maîtrisée, tandis que des titres comme “Sunrise in Mexico” ou “Windmill” révèlent toute la richesse harmonique et mélodique de Dorham.\r\n \r\n À la fois accessible et profondément sophistiqué, "Whistle Stop" demeure une référence incontournable pour les amateurs de jazz moderne et de l’esthétique Blue Note. Un album intemporel où chaque note semble raconter une histoire, entre tension urbaine et chaleur mélodique.\r\n \r\n - Kenny Dorham "Whistle Stop" !\r\n - Blue Note Classic Vinyl Edition on 180 gram LP !\r\n \r\n After having recorded early bop classics such as Afro-Cuban and ‘Round About Midnight At The Café Bohemia for Blue Note in the mid-1950s, trumpeter Kenny Dorham made an invigorating return to the label in 1961 with Whistle Stop. The album is a seven-song set of Dorham originals performed by a top-shelf hard bop quintet with Hank Mobley on tenor saxophone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Inventive compositions like "Philly Twist", "Sunset", and "Sunrise In Mexico" provide ample grist for the mill, leading the musicians down inspired paths.\r\n \r\n This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180 gram vinyl at Optimal. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Kenny Dorham (trumpet), Hank Mobley (tenor saxophone), Kenny Drew (piano), Paul Chambers (bass), Philly Joe Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=RHuBSAeTC3E&list=RDRHuBSAeTC3E&start_radio=1" -referenceProduit: "Blue Note Records 1366" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. 'Philly' Twist" ] [ "ordre" => 2 "nom" => "2. Buffalo" ] [ "ordre" => 3 "nom" => "3. Sunset " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Whistle Stop" ] [ "ordre" => 6 "nom" => "2. Sunrise In Mexico" ] [ "ordre" => 7 "nom" => "3. Windmill" ] [ "ordre" => 8 "nom" => "4. Dorham's Epitaph" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2053 …} -label: Proxies\__CG__\App\Entity\Label {#2056 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2065 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2058 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2060 …} -enregistreLe: DateTime @1778398047 {#2043 : 2026-05-10 07:27:27.0 UTC (+00:00) } -modifierLe: DateTime @1778399685 {#2042 : 2026-05-10 07:54:45.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2062 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-whistle-stop-blue-note-records-1366" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.39 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2072 -id: 3075 -nom: "Fun House" -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable." -description: """ Fun House, l’album culte de The Stooges !\r\n \r\n Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n \r\n L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n \r\n - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n \r\n - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n \r\n - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n \r\n “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n \r\n This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n \r\n Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n \r\n From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n \r\n Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n \r\n The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n \r\n Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n \r\n That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n \r\n Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Down on the Street" ] [ "ordre" => 2 "nom" => "2. Loose " ] [ "ordre" => 3 "nom" => "Side B : " ] [ "ordre" => 4 "nom" => "1. T.V. Eye" ] [ "ordre" => 5 "nom" => "2. Dirt " ] [ "ordre" => 6 "nom" => "Side C :" ] [ "ordre" => 7 "nom" => "1. 1970 " ] [ "ordre" => 8 "nom" => "Side D : " ] [ "ordre" => 9 "nom" => "1. Fun House" ] [ "ordre" => 10 "nom" => "2. L.A. Blues" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] [ "ordre" => 15 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2074 …} -label: Proxies\__CG__\App\Entity\Label {#2077 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2086 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2079 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …} -enregistreLe: DateTime @1777926616 {#2068 : 2026-05-04 20:30:16.0 UTC (+00:00) } -modifierLe: DateTime @1777927181 {#2067 : 2026-05-04 20:39:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606" } "detaillePage" => false ] |
|||
| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3313 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2072 -id: 3075 -nom: "Fun House" -informationComplementaire: "Avec Iggy Pop au sommet de son intensité, "Fun House" vous plonge dans un rock sauvage, sans compromis. Riffs puissants, rythme hypnotique, et une touche de folie apportée par Steve Mackay au saxophone, tout est réuni pour une écoute inoubliable." -description: """ Fun House, l’album culte de The Stooges !\r\n \r\n Sorti en 1970, "Fun House" est un album incontournable du rock proto-punk. Mené par Iggy Pop, The Stooges livrent une performance brute et intense, marquée par les riffs saturés de Ron Asheton et une rythmique puissante.\r\n \r\n L’apport du saxophoniste Steve Mackay confère à l’album une dimension expérimentale unique. Véritable référence du rock alternatif et du punk, Fun House influence encore aujourd’hui de nombreux artistes.\r\n \r\n - The Stooges Make the Ultimate Rock ‘n’ Roll Statement on "Fun House" : Primal Punk-Jazz Landmark Is Ranked the 94th Greatest Album of All Time by Rolling Stone !\r\n \r\n - Experience the Band’s 1970 Effort in Definitive Sound on Vinyl : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Explodes with Energy, Immediacy, and Force !\r\n \r\n - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n \r\n “Do you feel it ?” Iggy Pop asks on “Dirt”. The answer is patently obvious for anyone who encounters the Stooges’ Fun House. \r\n \r\n This is a record on which unabandoned feeling takes precedence, primal energy surges to the fore, outsider attitude snarls with destructive force, electrifying chaos assumes the form of wild joyousness all of which might very well be impossible to put into words. Legendary Village Voice journalist Robert Christgau even admitted “language wasn’t designed for the job” of conveying what many critics and artists believe to be the ultimate rock ‘n’ roll statement. \r\n \r\n Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set marks the first time this 1970 landmark is available at 45 RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater emotionalism, and more realistic ambience than prior versions. \r\n \r\n From beginning to end, the live-in-the-room characteristics and sudden mayhem closely identified with Fun House and Don Gallucci’s esteemed production the unrelenting sense of groove; the sheer impact of the rhythms; the bleed of the unmuted volumes; the ferocity of Pop’s heat-seeking vocals; the bruising churn of the low end; the grit, grime, and grind of four dudes and auxiliary saxophonist Steven Mackay bent on breaking into another dimension emerge with gripping presence, body, and power. The Stooges’ most controlled, focused, and hot-wired creation, Fun House now adopts the sonic vigor of the atom bomb or hydroelectric plant to which Christgau thought of comparing it.\r\n \r\n Intense, cohesive, and aggressive, Fun House differs from and improves upon the Stooges’ groundbreaking debut in several ways. For starters, the quartet developed nearly all of the songs that ended up on the record over the course of several months of shows they performed on the weekends. They weren’t under pressure to write additional material once the sessions commenced a circumstance that led to on-the-spot songs such as “Not Right” and “Little Doll” on their self-titled set. Just as importantly, they were matched with Gallucci, whose pedigree as an organist on the Kingsmen’s “Louie Louie” and television credits as a member of Dick Clark’s house band in Don and the Good Times immediately endeared him to the band.\r\n \r\n The Stooges’ instinctive faith in Gallucci paid immediate dividends. In tune with the fact the Stooges’ managed the equivalent of bottling lightning at their distinctive shows, Gallucci sought to capture their concert vibe. He thwarted convention and removed all the drapes, carpeting, and other vibration-deadening accoutrements from Elektra Sound Recorders the studio just a short stroll away from the group’s temporary digs at Tropicana Motel. He also let Pop sing, grunt, shout, and bark in live fashion via a hand-held microphone sent through two Marshall amplifiers that served as his personal PA system. Engineer Brian Ross-Myring was the final piece to what became a recording for the ages. \r\n \r\n Gallucci and Ross-Myring had another brilliant idea when they planned to have the Stooges knock out one tune in the studio per day in an order that would mirror the sequence on the record. First, they invited the band to run through the songs on what essentially functioned as a preparation day during which levels, baffles, and positions would be dialed in. Then, they got down to business, achieving the goal of nailing down a song each day and providing Gallucci roughly between 15 and 25 takes of each to choose for the official version. Reportedly, aside from two guitar overdubs, every note of Fun House transpired as you hear it today. \r\n \r\n That goes for the relentless riffing of guitarist Ron Asheton, corrosive pounding of drummer Scott Asheton, sinewy swaying of bassist Dave Alexander, blustery howling of Pop, and untamed, nearly stream-of-conscious blaring of Mackay. Plucked from his job at a record store in Michigan just two days before the sessions began, the young saxophonist helped push the Stooges to avant galaxies no artist ever visited on “1970”, the title track, and “L.A. Blues”, the latter an attempt by Gallucci to chronicle the Stooges’ famed concert-ending freak-outs. To get in the proper frame of mind, the band dropped acid and let fly. \r\n \r\n Often imitated and never duplicated, the results continue to melt minds more than 50 years after Pop and company got loose. Ranked the 94th greatest album of all time by Rolling Stone, said to be “the greatest rock ‘n’ roll album ever made” by Jack White, and championed by everyone from vaunted critics such as Lester Bangs and Ben Edmonds to musicians like Henry Rollins and Steve Albini, Fun House feels alright. It’s gonna stick you deep inside. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Iggy Pop (vocals), Ron Asheton (guitar), Dave Alexander (bass), Steve Mackay (saxophone), Scott Asheton (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=B9Q5luXFkAI&list=RDB9Q5luXFkAI&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-606" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Down on the Street" ] [ "ordre" => 2 "nom" => "2. Loose " ] [ "ordre" => 3 "nom" => "Side B : " ] [ "ordre" => 4 "nom" => "1. T.V. Eye" ] [ "ordre" => 5 "nom" => "2. Dirt " ] [ "ordre" => 6 "nom" => "Side C :" ] [ "ordre" => 7 "nom" => "1. 1970 " ] [ "ordre" => 8 "nom" => "Side D : " ] [ "ordre" => 9 "nom" => "1. Fun House" ] [ "ordre" => 10 "nom" => "2. L.A. Blues" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] [ "ordre" => 15 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2074 …} -label: Proxies\__CG__\App\Entity\Label {#2077 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2086 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2079 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2081 …} -enregistreLe: DateTime @1777926616 {#2068 : 2026-05-04 20:30:16.0 UTC (+00:00) } -modifierLe: DateTime @1777927181 {#2067 : 2026-05-04 20:39:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2083 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-fun-house-mobile-fidelity-sound-lab-mfsl-2-606" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2091 -id: 2970 -nom: "Homecoming (2 LP) 45 RPM" -informationComplementaire: "Plongez dans "Homecoming" de America comme jamais auparavant grâce à cette édition audiophile (2 LP) 45 RPM. Une redécouverte sonore exceptionnelle d’un classique intemporel du folk-rock." -description: """ Redécouvrez toute la richesse du folk-rock américain avec "Homecoming", le deuxième album emblématique du groupe America, ici proposé dans une édition audiophile d’exception signée Analogue Productions. Sorti en 1972, cet opus mythique, porté par l’inoubliable “A Horse with No Name”, capture l’essence d’une époque tout en conservant une modernité intemporelle.\r\n \r\n Cette version (2 LP) en 45 RPM offre une expérience d’écoute incomparable. Grâce à une remasterisation minutieuse à partir des bandes analogiques originales et à un pressage haut de gamme, chaque détail sonore est sublimé : les guitares acoustiques gagnent en précision, les harmonies vocales en profondeur, et l’ensemble bénéficie d’une dynamique et d’une clarté remarquables. Le format 45 RPM permet une meilleure restitution du signal, réduisant la distorsion et offrant une scène sonore plus large et plus immersive.\r\n \r\n Pensée pour les audiophiles exigeants comme pour les collectionneurs passionnés, cette édition transcende l’écoute classique du vinyle et redonne à cet album culte toute sa dimension artistique. Une pièce incontournable pour toute discothèque digne de ce nom.\r\n \r\n - America "Homcoming" !\r\n - The sound of the '70s California dream warmer, wider and more alive than ever !\r\n - Part of the Acoustic Sounds 40 Series !\r\n - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n - Mastered from the original analog master tape !\r\n - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n \r\n With Homecoming (1972), America proved their debut success was no fluke. The band Dewey Bunnell, Gerry Beckley, and Dan Peek expanded their acoustic folk-pop foundation into something lusher, more textured, and timelessly melodic. The result is one of the definitive albums of the era - a sunlit blend of shimmering harmonies, open-road optimism, and introspective songwriting.\r\n \r\n Anchored by the band's enduring classic "Ventura Highway", Homecoming also delivers gems such as "Don't Cross the River", "Only in Your Heart", and "Till the Sun Comes Up Again". The platinum-selling album captured America's easygoing West Coast vibe and cemented their place beside Crosby, Stills & Nash and the Eagles in the pantheon of classic ‘70s rock harmony. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Dewey Bunnell (guitars, lead & backing vocals), Dan Peek, Gerry Beckley (guitars, bass, keyboards, lead & backing vocals), Joe Osborn (bass guitar), Larry Knechtel (keyboards, piano, organ), Hal Blaine, Jim Gordon (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=tnV7dTXlXxs&list=PLJfwklRIOOp07EmsjpuqhcZUsFEI3chHv" -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 002-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Ventura Highway" ] [ "ordre" => 2 "nom" => "2. To Each His Own" ] [ "ordre" => 3 "nom" => "3. Don't Cross The River " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Moon Song" ] [ "ordre" => 6 "nom" => "2. Only In Your Heart " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. Till The Sun Comes Up Again" ] [ "ordre" => 9 "nom" => "2. Cornwall Blank" ] [ "ordre" => 10 "nom" => "3. Head & Heart " ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. California Revisited" ] [ "ordre" => 13 "nom" => "2. Saturn Nights" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …} -label: Proxies\__CG__\App\Entity\Label {#2096 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …} -enregistreLe: DateTime @1770187916 {#2088 : 2026-02-04 06:51:56.0 UTC (+00:00) } -modifierLe: DateTime @1777705350 {#2089 : 2026-05-02 07:02:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-homecoming-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-002-45" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3364 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2091 -id: 2970 -nom: "Homecoming (2 LP) 45 RPM" -informationComplementaire: "Plongez dans "Homecoming" de America comme jamais auparavant grâce à cette édition audiophile (2 LP) 45 RPM. Une redécouverte sonore exceptionnelle d’un classique intemporel du folk-rock." -description: """ Redécouvrez toute la richesse du folk-rock américain avec "Homecoming", le deuxième album emblématique du groupe America, ici proposé dans une édition audiophile d’exception signée Analogue Productions. Sorti en 1972, cet opus mythique, porté par l’inoubliable “A Horse with No Name”, capture l’essence d’une époque tout en conservant une modernité intemporelle.\r\n \r\n Cette version (2 LP) en 45 RPM offre une expérience d’écoute incomparable. Grâce à une remasterisation minutieuse à partir des bandes analogiques originales et à un pressage haut de gamme, chaque détail sonore est sublimé : les guitares acoustiques gagnent en précision, les harmonies vocales en profondeur, et l’ensemble bénéficie d’une dynamique et d’une clarté remarquables. Le format 45 RPM permet une meilleure restitution du signal, réduisant la distorsion et offrant une scène sonore plus large et plus immersive.\r\n \r\n Pensée pour les audiophiles exigeants comme pour les collectionneurs passionnés, cette édition transcende l’écoute classique du vinyle et redonne à cet album culte toute sa dimension artistique. Une pièce incontournable pour toute discothèque digne de ce nom.\r\n \r\n - America "Homcoming" !\r\n - The sound of the '70s California dream warmer, wider and more alive than ever !\r\n - Part of the Acoustic Sounds 40 Series !\r\n - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n - Mastered from the original analog master tape !\r\n - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n \r\n With Homecoming (1972), America proved their debut success was no fluke. The band Dewey Bunnell, Gerry Beckley, and Dan Peek expanded their acoustic folk-pop foundation into something lusher, more textured, and timelessly melodic. The result is one of the definitive albums of the era - a sunlit blend of shimmering harmonies, open-road optimism, and introspective songwriting.\r\n \r\n Anchored by the band's enduring classic "Ventura Highway", Homecoming also delivers gems such as "Don't Cross the River", "Only in Your Heart", and "Till the Sun Comes Up Again". The platinum-selling album captured America's easygoing West Coast vibe and cemented their place beside Crosby, Stills & Nash and the Eagles in the pantheon of classic ‘70s rock harmony. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Dewey Bunnell (guitars, lead & backing vocals), Dan Peek, Gerry Beckley (guitars, bass, keyboards, lead & backing vocals), Joe Osborn (bass guitar), Larry Knechtel (keyboards, piano, organ), Hal Blaine, Jim Gordon (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=tnV7dTXlXxs&list=PLJfwklRIOOp07EmsjpuqhcZUsFEI3chHv" -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 002-45" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Ventura Highway" ] [ "ordre" => 2 "nom" => "2. To Each His Own" ] [ "ordre" => 3 "nom" => "3. Don't Cross The River " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Moon Song" ] [ "ordre" => 6 "nom" => "2. Only In Your Heart " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. Till The Sun Comes Up Again" ] [ "ordre" => 9 "nom" => "2. Cornwall Blank" ] [ "ordre" => 10 "nom" => "3. Head & Heart " ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. California Revisited" ] [ "ordre" => 13 "nom" => "2. Saturn Nights" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2093 …} -label: Proxies\__CG__\App\Entity\Label {#2096 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2105 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2098 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2100 …} -enregistreLe: DateTime @1770187916 {#2088 : 2026-02-04 06:51:56.0 UTC (+00:00) } -modifierLe: DateTime @1777705350 {#2089 : 2026-05-02 07:02:30.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2102 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-homecoming-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-002-45" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2112 -id: 3066 -nom: "N° 4" -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée." -description: """ Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n \r\n La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n \r\n Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n \r\n Musicians :\r\n Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars, lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n \r\n - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n \r\n - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n \r\n - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n \r\n Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n \r\n Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n \r\n Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n \r\n Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n \r\n Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n \r\n Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n \r\n Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars, lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=zDQr4cPahXo&list=RDzDQr4cPahXo&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab 2-595" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Down" ] [ "ordre" => 2 "nom" => "2. Heaven & Hot Rods" ] [ "ordre" => 3 "nom" => "3. Pruno " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Church on Tuesday" ] [ "ordre" => 6 "nom" => "2. Sour Girl " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. No Way Out" ] [ "ordre" => 9 "nom" => "2. Sex & Violence" ] [ "ordre" => 10 "nom" => "3. Glide " ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. I Got You" ] [ "ordre" => 13 "nom" => "2. MC5" ] [ "ordre" => 14 "nom" => "3. Atlanta" ] [ "ordre" => 15 "nom" => "" ] [ "ordre" => 16 "nom" => "" ] [ "ordre" => 17 "nom" => "" ] [ "ordre" => 18 "nom" => "" ] [ "ordre" => 19 "nom" => "" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …} -label: Proxies\__CG__\App\Entity\Label {#2077 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …} -enregistreLe: DateTime @1776114274 {#2108 : 2026-04-13 21:04:34.0 UTC (+00:00) } -modifierLe: DateTime @1776114514 {#2107 : 2026-04-13 21:08:34.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-n-4-mobile-fidelity-sound-lab-2-595" } "detaillePage" => false ] |
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| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3415 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2112 -id: 3066 -nom: "N° 4" -informationComplementaire: "Plongez dans l’intensité brute de "N° 4", l’un des albums les plus puissants de Stone Temple Pilots. Entre riffs tranchants, mélodies envoûtantes et énergie alternative des années 90, ce disque incarne toute la tension et le génie du groupe à son apogée." -description: """ Sorti en 1999, "N° 4" de Stone Temple Pilots marque un retour aux racines rock du groupe après des expérimentations plus psychédéliques. Porté par la voix charismatique de Scott Weiland, l’album mêle habilement puissance grunge, influences hard rock et touches mélodiques plus subtiles.\r\n \r\n La section rythmique solide formée par Robert DeLeo et Eric Kretz soutient les guitares incisives et créatives de Dean DeLeo, donnant naissance à des titres emblématiques comme “Down”, “Heaven & Hot Rods” ou encore la ballade sombre “Atlanta”.\r\n \r\n Entre rage contenue et moments de fragilité, "N° 4" reflète aussi une période turbulente pour le groupe, ce qui confère à l’album une authenticité et une intensité rares. C’est un disque à la fois brut, mélodique et profondément humain, devenu incontournable dans la discographie du rock alternatif.\r\n \r\n Musicians :\r\n Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars, lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion), Brendan O’Brien (keyboards, piano, percussion, backing vocals), David Campbell (string arrangement), Suzie Katayama, Larry Corbett (cello), Joel Derouin (concertmaster), Evan Wilson (violin, strings), Barrett Martin (bass marimba). \r\n \r\n - Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy "N° 4" : Brendan O’Brien-Produced Album Explores Dark Themes, Includes the Hit Single “Sour Girl” !\r\n \r\n - Hear the 1999 Record in Audiophile Sound : Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold Jacket !\r\n \r\n - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n \r\n Vengeance is sweet. Dismissed by some insiders due to vocalist Scott Weiland’s legal issues, and viewed by many critics as a band that rode the coattails of its predecessors, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of N° 4. Blending the strengths of the quartet’s three prior LPs while marking a return to its hard-rock roots, the platinum-certified record stands as the heaviest and edgiest of the California ensemble’s career. That it succeeded while flying in the face of prevailing trends underlines its historic significance and appeal.\r\n \r\n Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents N° 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible edition plays with enhanced liveliness, balance, and solidity that raise the profile of an album that doubled down on rock during a time when most of the style’s practitioners abandoned it in favor of electronic elements or quit the scene entirely. \r\n \r\n Helmed by the band’s go-to producer, Brendan O’Brien, "N° 4" makes a big noise. The thick crunch of the guitars, bang and crash of the drums, fluid textures of the bass, and lingering echo of the studio space: All are conveyed with newly revealed immediacy, presence, and scope on this reissue, which also delivers the music’s punch and power with visceral impact. Other aspects that tremendously benefit from the restoration: The tenor, attitude, grain, and pitch of Weiland’s versatile voice. While partially obscured or collapsed on prior pressings, imaging and separation come into full view on this version.\r\n \r\n Despite its general back-to-basics nature, "N° 4" contains a wealth of colors, dynamics, and subtle accents that demand careful unpacking and transparent resolution. Nothing more so than the wide-spanning sounds and sizable footprints of the guitars and percussion. Massive riffs drive sledgehammer tracks such as the grinding “Down”, stormy “Heaven & Hot Rods”, stomping “No Way Out”, and vitriolic “Sex & Violence”. The latter is as close as Stone Temple Pilots ever came to garage-rock territory. The aforementioned cuts and several others bulldoze and plow, their muscular arrangements caked with rich sludge and aluminum tones, their sinister moods draped in distortion. \r\n \r\n Even as they embrace aggression and toughness, Stone Temple Pilots don’t overlook the importance of sticky hooks and accessible melodies. The springboard motions of the pop-streaked “Church on Sunday” and shuffling patterns of the dreamy “Sour Girl”, the group’s biggest-ever Billboard single, spotlight the ace songwriting chemistry between Weiland and guitarist Robert DeLeo. Ditto the lush “Glide”, a spacy nod to the ‘70s glam movement. It features Weiland singing at the top of his range and, for good measure, a folksy outro steered by an otherworldly zither. And let’s not forget the closing “Atlanta”, a mini-epic complete with a formal string section and spry tunefulness that echoes the Rodgers and Hammerstein standard “My Favorite Things”. \r\n \r\n Stone Temple Pilots also briefly dial it back and hint at optimism on “I Got You”, a country-tinged ditty sent up with pedal-steel guitar, six-string bass, and piano. Yet N° 4 unmistakably remains a creation of its circumstances. While the album’s edgy sonic character speaks to the gaping holes left by artists who abandoned rock to chase the latest crazes, the lyrical themes relate to Weiland’s problems and addictions. \r\n \r\n Recorded after the singer spent time in jail for drug violations, N° 4 doesn’t shy from dark desires or wallowing despair. Most narratives seemingly read as confessions and pleas. They concern personal loss, chemical abuse, toxic impulses, and desperate struggles. Weiland addresses everything head on without gloss or protective shielding, the painful disclosures “I used to love me but I hate me now”; “troubled times, when my mind begins to wander to the spoon”; “ I got the message but I lost the race”; “son of a bitch, I know what the itch is like”; “keep it away now, motherfucker, keep it away” - jibing with the band’s omnipresent snarl. \r\n \r\n Having climbed to N° 6 on the charts amid a de-fanged mainstream era that rewarded boy bands and pin-up pop stars, "N° 4" may not be Stone Temple Pilots’ most commercially successful effort. But it remains their most uncompromising. And that status that arguably carries more weight than any other. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Scott Weiland (vocals, organ), Dean DeLeo (electric & acoustic guitars, lap steel and six-string bass), Robert DeLeo (bass, percussion, guitar, fuzz bass, and zither, backing vocals), Eric Kretz (drums, percussion)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1121 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=zDQr4cPahXo&list=RDzDQr4cPahXo&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab 2-595" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Down" ] [ "ordre" => 2 "nom" => "2. Heaven & Hot Rods" ] [ "ordre" => 3 "nom" => "3. Pruno " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Church on Tuesday" ] [ "ordre" => 6 "nom" => "2. Sour Girl " ] [ "ordre" => 7 "nom" => "Side C :" ] [ "ordre" => 8 "nom" => "1. No Way Out" ] [ "ordre" => 9 "nom" => "2. Sex & Violence" ] [ "ordre" => 10 "nom" => "3. Glide " ] [ "ordre" => 11 "nom" => "Side D : " ] [ "ordre" => 12 "nom" => "1. I Got You" ] [ "ordre" => 13 "nom" => "2. MC5" ] [ "ordre" => 14 "nom" => "3. Atlanta" ] [ "ordre" => 15 "nom" => "" ] [ "ordre" => 16 "nom" => "" ] [ "ordre" => 17 "nom" => "" ] [ "ordre" => 18 "nom" => "" ] [ "ordre" => 19 "nom" => "" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2114 …} -label: Proxies\__CG__\App\Entity\Label {#2077 …} -style: App\Entity\Style {#1453 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2123 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2116 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2118 …} -enregistreLe: DateTime @1776114274 {#2108 : 2026-04-13 21:04:34.0 UTC (+00:00) } -modifierLe: DateTime @1776114514 {#2107 : 2026-04-13 21:08:34.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2120 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-n-4-mobile-fidelity-sound-lab-2-595" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2128 -id: 3063 -nom: "Faure, Debussy, Szymanowski, Chopin" -informationComplementaire: "Deux sensibilités, une même poésie. Rafał Blechacz et Bomsori Kim tissent un dialogue délicat entre rêve et émotion, dans un voyage musical d’une élégance lumineuse." -description: """ Dans cet enregistrement raffiné, le pianiste Rafał Blechacz et la violoniste Bomsori Kim unissent leurs sensibilités pour explorer un répertoire d’une grande richesse poétique.\r\n \r\n Le programme traverse les univers de Gabriel Fauré, Claude Debussy, Karol Szymanowski et Frédéric Chopin, offrant un dialogue subtil entre les esthétiques française et polonaise du tournant des XIXe et XXe siècles.\r\n \r\n Entre impressionnisme vaporeux, lyrisme romantique et modernité naissante, les deux interprètes façonnent un univers sonore d’une grande délicatesse. Le jeu limpide et introspectif de Blechacz se mêle à la sonorité chaleureuse et expressive de Bomsori Kim, révélant toute la profondeur émotionnelle de ces œuvres pour violon et piano.\r\n \r\n - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First Time Ever on Vinyl !\r\n \r\n It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone) """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Rafal Blechacz (piano), Bomsori Ki (violin)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ua5oSMOxrOw&list=RDUa5oSMOxrOw&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 1953" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "Gabriel Fauré - Sonata For Violin And Piano N° 1 In A Major Op. 13" ] [ "ordre" => 2 "nom" => "1. Allegro Molto" ] [ "ordre" => 3 "nom" => "2. Andante" ] [ "ordre" => 4 "nom" => "3. Allegro Vivo" ] [ "ordre" => 5 "nom" => "4. Allegro Quasi Presto" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "Claude Debussy - Sonata For Violin And Piano In G Minor L 148" ] [ "ordre" => 8 "nom" => "1. Allegro Vivo" ] [ "ordre" => 9 "nom" => "2. Intermede. Fantasque Et Leger" ] [ "ordre" => 10 "nom" => "3. Finale. Tres Anime" ] [ "ordre" => 11 "nom" => "Frederic Chopin - Nocturne N° 20 In C Sharp Minor Op. Posth. Arrangement For " ] [ "ordre" => 12 "nom" => "Violin And Piano) - Nathan Milstein" ] [ "ordre" => 13 "nom" => "4. Lento Con Gran Espressione" ] [ "ordre" => 14 "nom" => "Side C :" ] [ "ordre" => 15 "nom" => "Karol Szymanowski - Sonata For Piano And Violin In D Minor Op. 9" ] [ "ordre" => 16 "nom" => "1. Allegro Moderato. Patetico" ] [ "ordre" => 17 "nom" => "2. Andantino Tranquillo E Dolce" ] [ "ordre" => 18 "nom" => "3. Finale. Allegro Molto Quasi Presto" ] [ "ordre" => 19 "nom" => "Side D : " ] [ "ordre" => 20 "nom" => "1. Blank" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …} -enregistreLe: DateTime @1775927447 {#2125 : 2026-04-11 17:10:47.0 UTC (+00:00) } -modifierLe: DateTime @1775927875 {#2126 : 2026-04-11 17:17:55.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-faure-debussy-szymanowski-chopin-deutsche-grammophon-records-1953" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3466 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2128 -id: 3063 -nom: "Faure, Debussy, Szymanowski, Chopin" -informationComplementaire: "Deux sensibilités, une même poésie. Rafał Blechacz et Bomsori Kim tissent un dialogue délicat entre rêve et émotion, dans un voyage musical d’une élégance lumineuse." -description: """ Dans cet enregistrement raffiné, le pianiste Rafał Blechacz et la violoniste Bomsori Kim unissent leurs sensibilités pour explorer un répertoire d’une grande richesse poétique.\r\n \r\n Le programme traverse les univers de Gabriel Fauré, Claude Debussy, Karol Szymanowski et Frédéric Chopin, offrant un dialogue subtil entre les esthétiques française et polonaise du tournant des XIXe et XXe siècles.\r\n \r\n Entre impressionnisme vaporeux, lyrisme romantique et modernité naissante, les deux interprètes façonnent un univers sonore d’une grande délicatesse. Le jeu limpide et introspectif de Blechacz se mêle à la sonorité chaleureuse et expressive de Bomsori Kim, révélant toute la profondeur émotionnelle de ces œuvres pour violon et piano.\r\n \r\n - Rafal Blechacz & Bomsori Kim "Faure, Debussy, Szymanowski, Chopin" 180 gram Audiophile Virgin Vinyl Double LP !\r\n - Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First Time Ever on Vinyl !\r\n \r\n It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata N° 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself : direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone) """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Rafal Blechacz (piano), Bomsori Ki (violin)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Ua5oSMOxrOw&list=RDUa5oSMOxrOw&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 1953" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "Gabriel Fauré - Sonata For Violin And Piano N° 1 In A Major Op. 13" ] [ "ordre" => 2 "nom" => "1. Allegro Molto" ] [ "ordre" => 3 "nom" => "2. Andante" ] [ "ordre" => 4 "nom" => "3. Allegro Vivo" ] [ "ordre" => 5 "nom" => "4. Allegro Quasi Presto" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "Claude Debussy - Sonata For Violin And Piano In G Minor L 148" ] [ "ordre" => 8 "nom" => "1. Allegro Vivo" ] [ "ordre" => 9 "nom" => "2. Intermede. Fantasque Et Leger" ] [ "ordre" => 10 "nom" => "3. Finale. Tres Anime" ] [ "ordre" => 11 "nom" => "Frederic Chopin - Nocturne N° 20 In C Sharp Minor Op. Posth. Arrangement For " ] [ "ordre" => 12 "nom" => "Violin And Piano) - Nathan Milstein" ] [ "ordre" => 13 "nom" => "4. Lento Con Gran Espressione" ] [ "ordre" => 14 "nom" => "Side C :" ] [ "ordre" => 15 "nom" => "Karol Szymanowski - Sonata For Piano And Violin In D Minor Op. 9" ] [ "ordre" => 16 "nom" => "1. Allegro Moderato. Patetico" ] [ "ordre" => 17 "nom" => "2. Andantino Tranquillo E Dolce" ] [ "ordre" => 18 "nom" => "3. Finale. Allegro Molto Quasi Presto" ] [ "ordre" => 19 "nom" => "Side D : " ] [ "ordre" => 20 "nom" => "1. Blank" ] [ "ordre" => 21 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2130 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2142 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2135 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2137 …} -enregistreLe: DateTime @1775927447 {#2125 : 2026-04-11 17:10:47.0 UTC (+00:00) } -modifierLe: DateTime @1775927875 {#2126 : 2026-04-11 17:17:55.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2139 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-faure-debussy-szymanowski-chopin-deutsche-grammophon-records-1953" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2147 -id: 3062 -nom: "Rachmaninoff : Piano Concerto N° 3" -informationComplementaire: "Martha Argerich s’empare du redoutable Concerto N° 3 de Sergei Rachmaninoff avec une intensité saisissante. Portée par Riccardo Chailly et le RSO Berlin, cette version live est un concentré de virtuosité et d’émotion." -description: """ Cet enregistrement live du Concerto pour piano N° 3 en ré mineur, op. 30 de Sergei Rachmaninoff réunit des interprètes d’exception, la pianiste Martha Argerich, le chef d’orchestre Riccardo Chailly et le RSO Berlin.\r\n \r\n Œuvre mythique du répertoire romantique, ce concerto est réputé pour sa redoutable difficulté technique et sa profondeur expressive. Dans cette version captée en concert, Martha Argerich livre une interprétation électrisante, mêlant virtuosité fulgurante, liberté rythmique et intensité émotionnelle.\r\n \r\n Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n \r\n Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n \r\n - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n - From the Original Master of Universal Music !\r\n - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First Time Ever on Vinyl !\r\n \r\n To describe both performances as 'live' is to deal in understatement, for rarely in her entire and extraordinary career has Argerich sounded more exhaustingly restless and quixotic, her mind and fingers flashing with reflexes merely dreamt of by other less phenomenally endowed pianists. Yet her Rachmaninov is full of surprises, her opening Allegro almost convivial until she meets directions such as più vivo or veloce, where the tigress in her shows her claws and the music is made to seethe and boil at a white-hot temperature. The cadenza rises to the sort of climax that will make all pianists' hearts beat faster and her first entry in the "Intermezzo" interrupts the orchestra's musing with the impatience of a hurricane. But throughout these pages it is almost as if she is searching for music that will allow her virtuosity its fullest scope. In the finale she finds it, accelerating out of the second movement with a sky-rocketing propulsion. Here the music races like wildfire, with a truly death-defying turn of speed at 7:20 and an explosive energy throughout that must have left audience, conductor and orchestra feeling as if hit by some seismic shock-wave. (Gramophone) """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Martha Argerich (piano), Riccardo Chailly conducts the RSO Berlin Orchestra" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "http://outube.com/watch?v=ms4qQaMUaAk&list=RDms4qQaMUaAk&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 3189" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Allegro ma non tanto" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Intermezzo. Adagio" ] [ "ordre" => 4 "nom" => "2. Finale. Alla breve" ] [ "ordre" => 5 "nom" => "" ] [ "ordre" => 6 "nom" => "" ] [ "ordre" => 7 "nom" => "" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …} -enregistreLe: DateTime @1775913194 {#2144 : 2026-04-11 13:13:14.0 UTC (+00:00) } -modifierLe: DateTime @1775913569 {#2145 : 2026-04-11 13:19:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rachmaninoff-piano-concerto-n-3-deutsche-grammophon-records-3189" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3517 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2147 -id: 3062 -nom: "Rachmaninoff : Piano Concerto N° 3" -informationComplementaire: "Martha Argerich s’empare du redoutable Concerto N° 3 de Sergei Rachmaninoff avec une intensité saisissante. Portée par Riccardo Chailly et le RSO Berlin, cette version live est un concentré de virtuosité et d’émotion." -description: """ Cet enregistrement live du Concerto pour piano N° 3 en ré mineur, op. 30 de Sergei Rachmaninoff réunit des interprètes d’exception, la pianiste Martha Argerich, le chef d’orchestre Riccardo Chailly et le RSO Berlin.\r\n \r\n Œuvre mythique du répertoire romantique, ce concerto est réputé pour sa redoutable difficulté technique et sa profondeur expressive. Dans cette version captée en concert, Martha Argerich livre une interprétation électrisante, mêlant virtuosité fulgurante, liberté rythmique et intensité émotionnelle.\r\n \r\n Sous la direction précise et engagée de Riccardo Chailly, l’orchestre berlinois accompagne avec puissance et finesse, mettant en valeur les contrastes dramatiques et les élans lyriques de la partition.\r\n \r\n Un enregistrement de référence, où la tension du live sublime chaque instant de cette œuvre monumentale.\r\n \r\n - Martha Argerich "Rachmaninoff : Piano Concerto N° 3" 180 gram Audiophile Virgin Vinyl LP !\r\n - From the Original Master of Universal Music !\r\n - Audiophile Analog Mastering by Sidney Claire Meyer at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First Time Ever on Vinyl !\r\n \r\n To describe both performances as 'live' is to deal in understatement, for rarely in her entire and extraordinary career has Argerich sounded more exhaustingly restless and quixotic, her mind and fingers flashing with reflexes merely dreamt of by other less phenomenally endowed pianists. Yet her Rachmaninov is full of surprises, her opening Allegro almost convivial until she meets directions such as più vivo or veloce, where the tigress in her shows her claws and the music is made to seethe and boil at a white-hot temperature. The cadenza rises to the sort of climax that will make all pianists' hearts beat faster and her first entry in the "Intermezzo" interrupts the orchestra's musing with the impatience of a hurricane. But throughout these pages it is almost as if she is searching for music that will allow her virtuosity its fullest scope. In the finale she finds it, accelerating out of the second movement with a sky-rocketing propulsion. Here the music races like wildfire, with a truly death-defying turn of speed at 7:20 and an explosive energy throughout that must have left audience, conductor and orchestra feeling as if hit by some seismic shock-wave. (Gramophone) """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Martha Argerich (piano), Riccardo Chailly conducts the RSO Berlin Orchestra" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "http://outube.com/watch?v=ms4qQaMUaAk&list=RDms4qQaMUaAk&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 3189" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Allegro ma non tanto" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Intermezzo. Adagio" ] [ "ordre" => 4 "nom" => "2. Finale. Alla breve" ] [ "ordre" => 5 "nom" => "" ] [ "ordre" => 6 "nom" => "" ] [ "ordre" => 7 "nom" => "" ] [ "ordre" => 8 "nom" => "" ] [ "ordre" => 9 "nom" => "" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2149 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2158 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2151 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2153 …} -enregistreLe: DateTime @1775913194 {#2144 : 2026-04-11 13:13:14.0 UTC (+00:00) } -modifierLe: DateTime @1775913569 {#2145 : 2026-04-11 13:19:29.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2155 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-rachmaninoff-piano-concerto-n-3-deutsche-grammophon-records-3189" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2163 -id: 3061 -nom: "Beethoven : Violin Sonatas 6-8" -informationComplementaire: "Une rencontre au sommet entre deux légendes, Kremer et Argerich insufflent à Beethoven une intensité brûlante, où chaque phrase devient dialogue, tension et émotion pure." -description: """ Dans cet enregistrement des sonates pour violon et piano N° 6 à 8, opus 30, Beethoven affirme un langage plus libre et audacieux, où les deux instruments dialoguent d’égal à égal. Entre élégance classique (N° 6), tension dramatique (N° 7) et éclat virtuose (N° 8), ces œuvres marquent une étape clé dans son évolution.\r\n \r\n Le duo formé par Gidon Kremer et Martha Argerich en offre une lecture d’une rare intensité, un jeu incisif, des contrastes puissants et une complicité musicale qui donne à l’ensemble une énergie presque improvisée.\r\n \r\n Une interprétation de référence, à la fois fougueuse, profonde et captivante.\r\n \r\n - Gidon Kremer & Martha Argerich "Beethoven : Violin Sonatas 6-8" 180 gram double LP !\r\n - Mastered from the original masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First-time ever on vinyl !\r\n \r\n "Beethoven's op.30 violin and piano sonatas are three irresistibly lively and individual spirits in the hands and imaginations of Martha Argerich and Gidon Kremer. The first, in A major, has that particular quality of blithe and elusive joy reminiscent of the Spring Sonata, and created here by the lightest and truest touch on string and key, fused with bright rhythmic clarity. The slow movement is a tremulous song of long-forgotten, far-off things, in which violin and piano find an intimate balance of tone. The G major Sonata's centrepiece is its Minuet and Trio, which Argerich and Kremer cunningly tease and charm into revealing its archaic qualities: a dance glimpsed through a lace veil. It is framed by two fast movements that would identify their performers anywhere, with their high-voltage velocity and wittily imaginative anticipation of each other's every move". - Gramophone """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Gidon Kremer (violin), Martha Argerich (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Niu-1HcKDCo&list=RDNiu-1HcKDCo&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 3196" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "Sonate A Dur, Op. 30 NR 1" ] [ "ordre" => 2 "nom" => "1. Allegro" ] [ "ordre" => 3 "nom" => "2. Adagio molto espressivo" ] [ "ordre" => 4 "nom" => "3. Allegretto con Variazioni (I—VI)" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "Sonate C-Moll, Op. 30 NR 2" ] [ "ordre" => 7 "nom" => "1. Allegro con brio" ] [ "ordre" => 8 "nom" => "2. Adagio cantabile" ] [ "ordre" => 9 "nom" => "3. Scherzo. Allegro" ] [ "ordre" => 10 "nom" => "4. Finale. Allegro - Presto" ] [ "ordre" => 11 "nom" => "Side C :" ] [ "ordre" => 12 "nom" => "1. Allegro assai" ] [ "ordre" => 13 "nom" => "2. Tempo di Minuetto, ma molto moderato e grazioso" ] [ "ordre" => 14 "nom" => "3. Allegro vivace" ] [ "ordre" => 15 "nom" => "Side D : " ] [ "ordre" => 16 "nom" => "1. Blank" ] [ "ordre" => 17 "nom" => "" ] [ "ordre" => 18 "nom" => "" ] [ "ordre" => 19 "nom" => "" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] [ "ordre" => 22 "nom" => "" ] [ "ordre" => 23 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1775827832 {#2160 : 2026-04-10 13:30:32.0 UTC (+00:00) } -modifierLe: DateTime @1775912144 {#2161 : 2026-04-11 12:55:44.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-beethoven-violin-sonatas-6-8-deutsche-grammophon-records-3196" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3568 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2163 -id: 3061 -nom: "Beethoven : Violin Sonatas 6-8" -informationComplementaire: "Une rencontre au sommet entre deux légendes, Kremer et Argerich insufflent à Beethoven une intensité brûlante, où chaque phrase devient dialogue, tension et émotion pure." -description: """ Dans cet enregistrement des sonates pour violon et piano N° 6 à 8, opus 30, Beethoven affirme un langage plus libre et audacieux, où les deux instruments dialoguent d’égal à égal. Entre élégance classique (N° 6), tension dramatique (N° 7) et éclat virtuose (N° 8), ces œuvres marquent une étape clé dans son évolution.\r\n \r\n Le duo formé par Gidon Kremer et Martha Argerich en offre une lecture d’une rare intensité, un jeu incisif, des contrastes puissants et une complicité musicale qui donne à l’ensemble une énergie presque improvisée.\r\n \r\n Une interprétation de référence, à la fois fougueuse, profonde et captivante.\r\n \r\n - Gidon Kremer & Martha Argerich "Beethoven : Violin Sonatas 6-8" 180 gram double LP !\r\n - Mastered from the original masters of Universal Music by Rainer Maillard at Emil Berliner Studios !\r\n - Pressed at Optimal in Germany !\r\n - First-time ever on vinyl !\r\n \r\n "Beethoven's op.30 violin and piano sonatas are three irresistibly lively and individual spirits in the hands and imaginations of Martha Argerich and Gidon Kremer. The first, in A major, has that particular quality of blithe and elusive joy reminiscent of the Spring Sonata, and created here by the lightest and truest touch on string and key, fused with bright rhythmic clarity. The slow movement is a tremulous song of long-forgotten, far-off things, in which violin and piano find an intimate balance of tone. The G major Sonata's centrepiece is its Minuet and Trio, which Argerich and Kremer cunningly tease and charm into revealing its archaic qualities: a dance glimpsed through a lace veil. It is framed by two fast movements that would identify their performers anywhere, with their high-voltage velocity and wittily imaginative anticipation of each other's every move". - Gramophone """ -prixVente: "89.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Gidon Kremer (violin), Martha Argerich (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Niu-1HcKDCo&list=RDNiu-1HcKDCo&start_radio=1" -referenceProduit: "Deutsche Grammophon Records 3196" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "Sonate A Dur, Op. 30 NR 1" ] [ "ordre" => 2 "nom" => "1. Allegro" ] [ "ordre" => 3 "nom" => "2. Adagio molto espressivo" ] [ "ordre" => 4 "nom" => "3. Allegretto con Variazioni (I—VI)" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "Sonate C-Moll, Op. 30 NR 2" ] [ "ordre" => 7 "nom" => "1. Allegro con brio" ] [ "ordre" => 8 "nom" => "2. Adagio cantabile" ] [ "ordre" => 9 "nom" => "3. Scherzo. Allegro" ] [ "ordre" => 10 "nom" => "4. Finale. Allegro - Presto" ] [ "ordre" => 11 "nom" => "Side C :" ] [ "ordre" => 12 "nom" => "1. Allegro assai" ] [ "ordre" => 13 "nom" => "2. Tempo di Minuetto, ma molto moderato e grazioso" ] [ "ordre" => 14 "nom" => "3. Allegro vivace" ] [ "ordre" => 15 "nom" => "Side D : " ] [ "ordre" => 16 "nom" => "1. Blank" ] [ "ordre" => 17 "nom" => "" ] [ "ordre" => 18 "nom" => "" ] [ "ordre" => 19 "nom" => "" ] [ "ordre" => 20 "nom" => "" ] [ "ordre" => 21 "nom" => "" ] [ "ordre" => 22 "nom" => "" ] [ "ordre" => 23 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2165 …} -label: Proxies\__CG__\App\Entity\Label {#2133 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2174 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2167 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2169 …} -enregistreLe: DateTime @1775827832 {#2160 : 2026-04-10 13:30:32.0 UTC (+00:00) } -modifierLe: DateTime @1775912144 {#2161 : 2026-04-11 12:55:44.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2171 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-beethoven-violin-sonatas-6-8-deutsche-grammophon-records-3196" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2179 -id: 2382 -nom: "Listen To Art Farmer and the Orchestra" -informationComplementaire: "Plongez dans l’élégance du jazz orchestral avec "Listen to Art Farmer and the Orchestra", un voyage porté par le souffle unique d’Art Farmer et des arrangements somptueux signés Oliver Nelson. Un classique intemporel, entre douceur et sophistication." -description: """ Listen to Art Farmer and the Orchestra est un album emblématique du flugelhorniste Art Farmer, sublimé par les arrangements élégants de Oliver Nelson. Enregistré à une époque où le jazz orchestral atteint une maturité remarquable, cet album offre un équilibre parfait entre sophistication et émotion.\r\n \r\n Porté par un orchestre de haut niveau réunissant plusieurs grands noms du jazz, l’album met en lumière le jeu fluide, chaleureux et expressif d’Art Farmer. Sa sonorité au flugelhorn, à la fois douce et profonde, se déploie sur des arrangements riches, où chaque section, cuivres, bois et rythmique dialogue avec finesse.\r\n \r\n Loin des démonstrations techniques gratuites, cet enregistrement privilégie la musicalité, la nuance et l’élégance. Il s’inscrit dans la tradition du jazz moderne des années 60, tout en conservant une accessibilité qui séduira autant les amateurs éclairés que les auditeurs curieux.\r\n \r\n Un disque incontournable pour les amoureux de jazz orchestral, entre lyrisme, swing maîtrisé et raffinement sonore.\r\n \r\n Musicians :\r\n Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone), Phil Woods (alto saxophone), Jerome Richardson (reeds, multi-instrumentalist), Hank Jones (piano), George Duvivier (bass), Osie Johnson (drums).\r\n \r\n - Art Farmer "Listen To Art Farmer and the Orchestra" !\r\n - Part of the Verve Vault Series !\r\n - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n - 180 gram vinyl pressed at Optimal in Germany !\r\n \r\n Listen to Art Farmer and the Orchestra, recorded in 1962 and released the following year on Mercury, stands as one of trumpeter / flugelhornist Art Farmer's most ambitious statements as a leader.\r\n \r\n The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York's hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson's full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer.\r\n \r\n They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson's orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. This program draws on beloved standards including "Street of Dreams", and "Naima" and the orchestral setting underscores why Farmer was regarded as one of the era's most elegant and expressive horn players. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=s9eoqEDPEvI&list=PLb_GPRyrUSsXilcAVENMrvapk2IBe108z&index=3" -referenceProduit: "Verve Records (Vault Series) 1655" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. The Time and the Place" ] [ "ordre" => 2 "nom" => "2. The Shadow of Your Smile" ] [ "ordre" => 3 "nom" => "3. One for Juan" ] [ "ordre" => 4 "nom" => "4. The Gentle Rain" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. A Time for Love" ] [ "ordre" => 7 "nom" => "2. Goin’ Home" ] [ "ordre" => 8 "nom" => "3. I’m Easy to Find" ] [ "ordre" => 9 "nom" => "4. Listen to Art Farmer" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …} -label: Proxies\__CG__\App\Entity\Label {#2184 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1679415150 {#2176 : 2023-03-21 16:12:30.0 UTC (+00:00) } -modifierLe: DateTime @1775668870 {#2177 : 2026-04-08 17:21:10.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-listen-to-art-farmer-and-the-orchestra-verve-records-vault-series-1655" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3619 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2179 -id: 2382 -nom: "Listen To Art Farmer and the Orchestra" -informationComplementaire: "Plongez dans l’élégance du jazz orchestral avec "Listen to Art Farmer and the Orchestra", un voyage porté par le souffle unique d’Art Farmer et des arrangements somptueux signés Oliver Nelson. Un classique intemporel, entre douceur et sophistication." -description: """ Listen to Art Farmer and the Orchestra est un album emblématique du flugelhorniste Art Farmer, sublimé par les arrangements élégants de Oliver Nelson. Enregistré à une époque où le jazz orchestral atteint une maturité remarquable, cet album offre un équilibre parfait entre sophistication et émotion.\r\n \r\n Porté par un orchestre de haut niveau réunissant plusieurs grands noms du jazz, l’album met en lumière le jeu fluide, chaleureux et expressif d’Art Farmer. Sa sonorité au flugelhorn, à la fois douce et profonde, se déploie sur des arrangements riches, où chaque section, cuivres, bois et rythmique dialogue avec finesse.\r\n \r\n Loin des démonstrations techniques gratuites, cet enregistrement privilégie la musicalité, la nuance et l’élégance. Il s’inscrit dans la tradition du jazz moderne des années 60, tout en conservant une accessibilité qui séduira autant les amateurs éclairés que les auditeurs curieux.\r\n \r\n Un disque incontournable pour les amoureux de jazz orchestral, entre lyrisme, swing maîtrisé et raffinement sonore.\r\n \r\n Musicians :\r\n Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone), Phil Woods (alto saxophone), Jerome Richardson (reeds, multi-instrumentalist), Hank Jones (piano), George Duvivier (bass), Osie Johnson (drums).\r\n \r\n - Art Farmer "Listen To Art Farmer and the Orchestra" !\r\n - Part of the Verve Vault Series !\r\n - Mastered from the original analog tapes by Ryan K. Smith at Sterling Sound !\r\n - 180 gram vinyl pressed at Optimal in Germany !\r\n \r\n Listen to Art Farmer and the Orchestra, recorded in 1962 and released the following year on Mercury, stands as one of trumpeter / flugelhornist Art Farmer's most ambitious statements as a leader.\r\n \r\n The album places Farmer at the forefront of a large ensemble arranged and conducted by Oliver Nelson, whose writing gives the project a striking blend of sophistication and swing. The personnel bridges New York's hard-bop scene with leading studio and jazz musicians, with Farmer featured as the principal solo voice against Nelson's full complement of brass, reeds, and rhythm. Guitarists Jim Hall and Barry Galbraith, bassist George Duvivier, drummer Charlie Persip, and pianist Tommy Flanagan are among the players supporting Farmer.\r\n \r\n They appear alongside an expanded orchestral roster of trumpets, trombones, French horns, reeds, and percussion. Nelson's orchestrations give him space to showcase his lyricism and poised tone, balancing tightly-arranged ensemble passages with luminous solo statements. This program draws on beloved standards including "Street of Dreams", and "Naima" and the orchestral setting underscores why Farmer was regarded as one of the era's most elegant and expressive horn players. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Art Farmer (flugelhorn, trumpet, bandleader), Oliver Nelson (arranger & conductor), Clark Terry, Ernie Royal (trumpet), Jimmy Cleveland, Benny Powell (trombone)..." -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: true -extraitYoutube: "https://www.youtube.com/watch?v=s9eoqEDPEvI&list=PLb_GPRyrUSsXilcAVENMrvapk2IBe108z&index=3" -referenceProduit: "Verve Records (Vault Series) 1655" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. The Time and the Place" ] [ "ordre" => 2 "nom" => "2. The Shadow of Your Smile" ] [ "ordre" => 3 "nom" => "3. One for Juan" ] [ "ordre" => 4 "nom" => "4. The Gentle Rain" ] [ "ordre" => 5 "nom" => "Side B : " ] [ "ordre" => 6 "nom" => "1. A Time for Love" ] [ "ordre" => 7 "nom" => "2. Goin’ Home" ] [ "ordre" => 8 "nom" => "3. I’m Easy to Find" ] [ "ordre" => 9 "nom" => "4. Listen to Art Farmer" ] [ "ordre" => 10 "nom" => "" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2181 …} -label: Proxies\__CG__\App\Entity\Label {#2184 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2193 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2186 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2188 …} -enregistreLe: DateTime @1679415150 {#2176 : 2023-03-21 16:12:30.0 UTC (+00:00) } -modifierLe: DateTime @1775668870 {#2177 : 2026-04-08 17:21:10.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2190 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-listen-to-art-farmer-and-the-orchestra-verve-records-vault-series-1655" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2200 -id: 2915 -nom: "Live In Finland 1961 & 1962 (Numbered Limited Edition Mono)" -informationComplementaire: "Plongez au cœur d’un Coltrane en pleine métamorphose. Avec "Live In Finland 1961–1962", chaque souffle devient feu, chaque improvisation repousse les frontières du jazz. Un voyage brut, intense et essentiel, là où la légende s’écrit en direct." -description: """ Live In Finland 1961–1962 capture un moment charnière de la carrière de John Coltrane, à l’aube de ses explorations les plus audacieuses. Enregistré lors de ses tournées finlandaises entre 1961 et 1962, cet album restitue toute l’intensité brute et la liberté créative du saxophoniste en pleine mutation artistique.\r\n \r\n Entouré de musiciens d’exception comme Eric Dolphy, McCoy Tyner, Reggie Workman et Elvin Jones, Coltrane livre des performances habitées, oscillant entre standards revisités et longues improvisations transcendantes.\r\n \r\n Des titres emblématiques comme "My Favorite Things", "Blue Train" ou encore "Impressions" prennent ici une dimension nouvelle, plus étirée, plus intense, presque hypnotique. Ces enregistrements témoignent de la transition entre le hard bop et le jazz modal, annonçant déjà les audaces spirituelles de ses œuvres futures.\r\n \r\n Un document rare et précieux, où chaque note semble capturer l’instant fragile, libre et incandescent.\r\n \r\n - John Coltrane "Live In Finland 1961 & 1962" !\r\n - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n - Meticulously restored from original analog tapes !\r\n - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n - Pressed by Phoenix Pressings !\r\n - Tip-on gatefold jacket printed in Italy !\r\n \r\n John Coltrane was never a loner. A tireless worker, he was on a perpetual quest to learn from others and build symbiotic relationships with them. Before playing, he listened. The 1950s were dazzling years, and decisive ones; he performed with Ellingtonian Johnny Hodges, collaborated with Dizzy Gillespie's band, and met Charlie Parker and Bud Powell. Then he encountered Miles Davis.\r\n \r\n Coltrane pursued his quest. In the space of just a few months he met Thelonious Monk, Yusef Lateef, Sonny Rollins, McCoy Tyner, Elvin Jones and Eric Dolphy. All of them shared the same passion for musical creativity. They were all exploring new modes of expression and new sounds, seeking a dense playing style that could cascade across astonishingly rapid tempi. To the standard harmonic chart, they added cycles of thirds that made polytonality a realm of infinite possibilities.\r\n \r\n On November 22, 1961, at the Kulttuuritalo in Helsinki, John Coltrane, Eric Dolphy, McCoy Tyner, Reggie Workman (on bass) and Elvin Jones were on stage. "My Favorite Things", which opened the session, is from Rodgers & Hammerstein's musical comedy The Sound of Music. Coltrane had made the piece one of the iconic hits of his career, and in March of that year had released an eponymous album.\r\n \r\n One detects in this piece the extension of innovations found in Kind of Blue: long modal passages alternate between major and minor modes. Coltrane said of it, "This waltz is fantastic : when you play it slowly, it has a ‘gospel' aspect, which is not at all unpleasant; when you play it fast, it has certain other undeniable qualities. It's very interesting to discover a terrain that renews itself according to the impulse that you give it; that's the reason why we don't always play this tune in the same tempo. Nothing is ever fixed with Coltrane, and this version is no doubt one of his finest...\r\n \r\n It has often been said that everything Trane did, he did to excess drugs and alcohol, then cigars, vegetarianism, and finally, religion. Overlooked, though, was his obsession with friendship, his passion for group musical performances where owing to his high expectations of himself and others the contribution of each individual musician was elevated. Even his spiritual conversion late in life was not self-centered. Miles Davis wrote in his autobiography that Coltrane turned into a diamond. He could have added that Trane was considered a beacon; he shaped music in general and jazz in particular, and he guided entire generations of immense jazzmen. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (alto saxophone & flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=i0PCZVMydAc" -referenceProduit: "The Lost Recordings 4065" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. My Favorite Things" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Blue Train" ] [ "ordre" => 4 "nom" => "2. I Want to Talk About You" ] [ "ordre" => 5 "nom" => "Side C :" ] [ "ordre" => 6 "nom" => "1. Impressions" ] [ "ordre" => 7 "nom" => "2. I Want to Talk About You" ] [ "ordre" => 8 "nom" => "3. Everytime We Say Goodbye" ] [ "ordre" => 9 "nom" => "Side D : " ] [ "ordre" => 10 "nom" => "1. Bye Bye Blackbird" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2202 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1765901899 {#2196 : 2025-12-16 16:18:19.0 UTC (+00:00) } -modifierLe: DateTime @1775637396 {#2195 : 2026-04-08 08:36:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-in-finland-1961-1962-numbered-limited-edition-mono-the-lost-recordings-4065" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3670 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2200 -id: 2915 -nom: "Live In Finland 1961 & 1962 (Numbered Limited Edition Mono)" -informationComplementaire: "Plongez au cœur d’un Coltrane en pleine métamorphose. Avec "Live In Finland 1961–1962", chaque souffle devient feu, chaque improvisation repousse les frontières du jazz. Un voyage brut, intense et essentiel, là où la légende s’écrit en direct." -description: """ Live In Finland 1961–1962 capture un moment charnière de la carrière de John Coltrane, à l’aube de ses explorations les plus audacieuses. Enregistré lors de ses tournées finlandaises entre 1961 et 1962, cet album restitue toute l’intensité brute et la liberté créative du saxophoniste en pleine mutation artistique.\r\n \r\n Entouré de musiciens d’exception comme Eric Dolphy, McCoy Tyner, Reggie Workman et Elvin Jones, Coltrane livre des performances habitées, oscillant entre standards revisités et longues improvisations transcendantes.\r\n \r\n Des titres emblématiques comme "My Favorite Things", "Blue Train" ou encore "Impressions" prennent ici une dimension nouvelle, plus étirée, plus intense, presque hypnotique. Ces enregistrements témoignent de la transition entre le hard bop et le jazz modal, annonçant déjà les audaces spirituelles de ses œuvres futures.\r\n \r\n Un document rare et précieux, où chaque note semble capturer l’instant fragile, libre et incandescent.\r\n \r\n - John Coltrane "Live In Finland 1961 & 1962" !\r\n - 180 gram mono (2 LP) 33 1/3 RPM limited to 4000 hand-numbered copies !\r\n - Meticulously restored from original analog tapes !\r\n - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n - Pressed by Phoenix Pressings !\r\n - Tip-on gatefold jacket printed in Italy !\r\n \r\n John Coltrane was never a loner. A tireless worker, he was on a perpetual quest to learn from others and build symbiotic relationships with them. Before playing, he listened. The 1950s were dazzling years, and decisive ones; he performed with Ellingtonian Johnny Hodges, collaborated with Dizzy Gillespie's band, and met Charlie Parker and Bud Powell. Then he encountered Miles Davis.\r\n \r\n Coltrane pursued his quest. In the space of just a few months he met Thelonious Monk, Yusef Lateef, Sonny Rollins, McCoy Tyner, Elvin Jones and Eric Dolphy. All of them shared the same passion for musical creativity. They were all exploring new modes of expression and new sounds, seeking a dense playing style that could cascade across astonishingly rapid tempi. To the standard harmonic chart, they added cycles of thirds that made polytonality a realm of infinite possibilities.\r\n \r\n On November 22, 1961, at the Kulttuuritalo in Helsinki, John Coltrane, Eric Dolphy, McCoy Tyner, Reggie Workman (on bass) and Elvin Jones were on stage. "My Favorite Things", which opened the session, is from Rodgers & Hammerstein's musical comedy The Sound of Music. Coltrane had made the piece one of the iconic hits of his career, and in March of that year had released an eponymous album.\r\n \r\n One detects in this piece the extension of innovations found in Kind of Blue: long modal passages alternate between major and minor modes. Coltrane said of it, "This waltz is fantastic : when you play it slowly, it has a ‘gospel' aspect, which is not at all unpleasant; when you play it fast, it has certain other undeniable qualities. It's very interesting to discover a terrain that renews itself according to the impulse that you give it; that's the reason why we don't always play this tune in the same tempo. Nothing is ever fixed with Coltrane, and this version is no doubt one of his finest...\r\n \r\n It has often been said that everything Trane did, he did to excess drugs and alcohol, then cigars, vegetarianism, and finally, religion. Overlooked, though, was his obsession with friendship, his passion for group musical performances where owing to his high expectations of himself and others the contribution of each individual musician was elevated. Even his spiritual conversion late in life was not self-centered. Miles Davis wrote in his autobiography that Coltrane turned into a diamond. He could have added that Trane was considered a beacon; he shaped music in general and jazz in particular, and he guided entire generations of immense jazzmen. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "John Coltrane (tenor & soprano saxophone), Eric Dolphy (alto saxophone & flute), McCoy Tyner (piano), Reggie Workman (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1113 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=i0PCZVMydAc" -referenceProduit: "The Lost Recordings 4065" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. My Favorite Things" ] [ "ordre" => 2 "nom" => "Side B : " ] [ "ordre" => 3 "nom" => "1. Blue Train" ] [ "ordre" => 4 "nom" => "2. I Want to Talk About You" ] [ "ordre" => 5 "nom" => "Side C :" ] [ "ordre" => 6 "nom" => "1. Impressions" ] [ "ordre" => 7 "nom" => "2. I Want to Talk About You" ] [ "ordre" => 8 "nom" => "3. Everytime We Say Goodbye" ] [ "ordre" => 9 "nom" => "Side D : " ] [ "ordre" => 10 "nom" => "1. Bye Bye Blackbird" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2202 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …} -enregistreLe: DateTime @1765901899 {#2196 : 2025-12-16 16:18:19.0 UTC (+00:00) } -modifierLe: DateTime @1775637396 {#2195 : 2026-04-08 08:36:36.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-in-finland-1961-1962-numbered-limited-edition-mono-the-lost-recordings-4065" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.34 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2225 -id: 3056 -nom: "Live at the Concertgebouw 1980 (Numbered Limited Edition)" -informationComplementaire: "Un piano, une salle légendaire, un Maître au sommet de son art. Avec ce récital capté en 1980 au Concertgebouw, Emil Gilels livre un Beethoven d’une intensité rare, profond, lumineux, inoubliable." -description: """ Enregistré le 15 avril 1980 au mythique Concertgebouw d’Amsterdam, ce récital d’Emil Gilels capture l’un des derniers témoignages d’un maître absolu du piano dans son répertoire de prédilection : "Ludwig van Beethoven".\r\n \r\n Seul sur scène, Gilels déploie toute la richesse de son art dans deux œuvres majeures : la Sonate n° 7 en ré majeur, Op. 10 n° 3, et les Variations et fugue "Eroica", Op. 35. Entre puissance architecturale et profondeur expressive, son jeu allie une clarté souveraine à une intensité presque introspective.\r\n \r\n Ce concert, capté en public dans une acoustique exceptionnelle, restitue avec une rare authenticité la présence du pianiste, la tension du moment et la poésie du silence entre les notes. Plus qu’un simple enregistrement, il s’agit d’un document vivant, où chaque phrase semble surgir dans l’instant.\r\n \r\n Une parution essentielle pour les amateurs de Beethoven comme pour les admirateurs de Gilels, témoignant d’un art arrivé à pleine maturité.\r\n \r\n - Emil Gilels "Live at the Concertgebouw 1980" !\r\n - 180 gram hand-numbered edition !\r\n - Limited to 3000 copies worldwide !\r\n - Remastered from the original analog tape by Kevin Gray at Cohearent Audio !\r\n - Gold foil and debossing on soft-touch cover !\r\n - Printed inner sleeve; pressed at Optimal in Germany !\r\n \r\n While exploring the Dutch archives, The Lost Recordings unearthed five forgotten recordings of Emil Gilels, captured between 1975 and 1980 at the Concertgebouw in Amsterdam.\r\n \r\n Among them : a recital performed on April 15, 1980, entirely dedicated to Beethoven. A unique performance, filled with calm power, absolute clarity, and a musicality carved out of silence.\r\n \r\n Beethoven, embodied! Gilels doesn't merely play Beethoven. He inhabits him shapes him sculpts every note. From Sonata N° 7 to the Eroica Variations, this recital journeys through shadow and light, tragedy and grace, with sovereign elegance. No effects, no artifice each movement reveals a raw, dense, and moving truth.\r\n \r\n This recital, rediscovered more than four decades later, is more than just a recording. It's a true legacy.\r\n \r\n Recorded at the Concertgebouw, Amsterdam.\r\n \r\n Remastered by The Lost Recordings from the original analog tapes. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Emil Gilels (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=1sObJaNgBMI" -referenceProduit: "The Lost Recordings 6032" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Beethoven : Sonata N° 7 in D Major, Op. 10, N° 3" ] [ "ordre" => 2 "nom" => "- I. Presto" ] [ "ordre" => 3 "nom" => "- II. Largo e mesto" ] [ "ordre" => 4 "nom" => "- III. Menuetto : Allegro" ] [ "ordre" => 5 "nom" => "- IV. Rondo : Allegro" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Beethoven : Varations and Fugue in E-flat major "Eroica", Op. 35 " ] [ "ordre" => 8 "nom" => "- I. Introduzione: Allegretto vivace" ] [ "ordre" => 9 "nom" => "- II. Tema" ] [ "ordre" => 10 "nom" => "- III. Variation N° 1" ] [ "ordre" => 11 "nom" => "- IV. Variation N° 2" ] [ "ordre" => 12 "nom" => "- V. Variation N° 3" ] [ "ordre" => 13 "nom" => "- VI. Variation N° 4" ] [ "ordre" => 14 "nom" => "- VII. Variation N° 5" ] [ "ordre" => 15 "nom" => "- VIII. Variation N° 6" ] [ "ordre" => 16 "nom" => "- IX. Variation N° 7 : Canone All'ottava" ] [ "ordre" => 17 "nom" => "- X. Variation N° 8" ] [ "ordre" => 18 "nom" => "- XI. Variation N° 9" ] [ "ordre" => 19 "nom" => "- XII. Variation N° 10" ] [ "ordre" => 20 "nom" => "- XIII. Variation N° 11" ] [ "ordre" => 21 "nom" => "- XIV. Variation N° 12" ] [ "ordre" => 22 "nom" => "- XV. Variation N° 13" ] [ "ordre" => 23 "nom" => "- XVI. Variation N° 14 minore" ] [ "ordre" => 24 "nom" => "- XVII. Variation N° 15 Maggiore - Largo" ] [ "ordre" => 25 "nom" => "- XVIII. Coda" ] [ "ordre" => 26 "nom" => "- XIX. Finale : Alla Fuga" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2227 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …} -enregistreLe: DateTime @1775632160 {#2217 : 2026-04-08 07:09:20.0 UTC (+00:00) } -modifierLe: DateTime @1775632160 {#2216 : 2026-04-08 07:09:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-at-the-concertgebouw-1980-numbered-limited-edition-the-lost-recordings-6032" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3721 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2225 -id: 3056 -nom: "Live at the Concertgebouw 1980 (Numbered Limited Edition)" -informationComplementaire: "Un piano, une salle légendaire, un Maître au sommet de son art. Avec ce récital capté en 1980 au Concertgebouw, Emil Gilels livre un Beethoven d’une intensité rare, profond, lumineux, inoubliable." -description: """ Enregistré le 15 avril 1980 au mythique Concertgebouw d’Amsterdam, ce récital d’Emil Gilels capture l’un des derniers témoignages d’un maître absolu du piano dans son répertoire de prédilection : "Ludwig van Beethoven".\r\n \r\n Seul sur scène, Gilels déploie toute la richesse de son art dans deux œuvres majeures : la Sonate n° 7 en ré majeur, Op. 10 n° 3, et les Variations et fugue "Eroica", Op. 35. Entre puissance architecturale et profondeur expressive, son jeu allie une clarté souveraine à une intensité presque introspective.\r\n \r\n Ce concert, capté en public dans une acoustique exceptionnelle, restitue avec une rare authenticité la présence du pianiste, la tension du moment et la poésie du silence entre les notes. Plus qu’un simple enregistrement, il s’agit d’un document vivant, où chaque phrase semble surgir dans l’instant.\r\n \r\n Une parution essentielle pour les amateurs de Beethoven comme pour les admirateurs de Gilels, témoignant d’un art arrivé à pleine maturité.\r\n \r\n - Emil Gilels "Live at the Concertgebouw 1980" !\r\n - 180 gram hand-numbered edition !\r\n - Limited to 3000 copies worldwide !\r\n - Remastered from the original analog tape by Kevin Gray at Cohearent Audio !\r\n - Gold foil and debossing on soft-touch cover !\r\n - Printed inner sleeve; pressed at Optimal in Germany !\r\n \r\n While exploring the Dutch archives, The Lost Recordings unearthed five forgotten recordings of Emil Gilels, captured between 1975 and 1980 at the Concertgebouw in Amsterdam.\r\n \r\n Among them : a recital performed on April 15, 1980, entirely dedicated to Beethoven. A unique performance, filled with calm power, absolute clarity, and a musicality carved out of silence.\r\n \r\n Beethoven, embodied! Gilels doesn't merely play Beethoven. He inhabits him shapes him sculpts every note. From Sonata N° 7 to the Eroica Variations, this recital journeys through shadow and light, tragedy and grace, with sovereign elegance. No effects, no artifice each movement reveals a raw, dense, and moving truth.\r\n \r\n This recital, rediscovered more than four decades later, is more than just a recording. It's a true legacy.\r\n \r\n Recorded at the Concertgebouw, Amsterdam.\r\n \r\n Remastered by The Lost Recordings from the original analog tapes. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "Emil Gilels (piano)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=1sObJaNgBMI" -referenceProduit: "The Lost Recordings 6032" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Beethoven : Sonata N° 7 in D Major, Op. 10, N° 3" ] [ "ordre" => 2 "nom" => "- I. Presto" ] [ "ordre" => 3 "nom" => "- II. Largo e mesto" ] [ "ordre" => 4 "nom" => "- III. Menuetto : Allegro" ] [ "ordre" => 5 "nom" => "- IV. Rondo : Allegro" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Beethoven : Varations and Fugue in E-flat major "Eroica", Op. 35 " ] [ "ordre" => 8 "nom" => "- I. Introduzione: Allegretto vivace" ] [ "ordre" => 9 "nom" => "- II. Tema" ] [ "ordre" => 10 "nom" => "- III. Variation N° 1" ] [ "ordre" => 11 "nom" => "- IV. Variation N° 2" ] [ "ordre" => 12 "nom" => "- V. Variation N° 3" ] [ "ordre" => 13 "nom" => "- VI. Variation N° 4" ] [ "ordre" => 14 "nom" => "- VII. Variation N° 5" ] [ "ordre" => 15 "nom" => "- VIII. Variation N° 6" ] [ "ordre" => 16 "nom" => "- IX. Variation N° 7 : Canone All'ottava" ] [ "ordre" => 17 "nom" => "- X. Variation N° 8" ] [ "ordre" => 18 "nom" => "- XI. Variation N° 9" ] [ "ordre" => 19 "nom" => "- XII. Variation N° 10" ] [ "ordre" => 20 "nom" => "- XIII. Variation N° 11" ] [ "ordre" => 21 "nom" => "- XIV. Variation N° 12" ] [ "ordre" => 22 "nom" => "- XV. Variation N° 13" ] [ "ordre" => 23 "nom" => "- XVI. Variation N° 14 minore" ] [ "ordre" => 24 "nom" => "- XVII. Variation N° 15 Maggiore - Largo" ] [ "ordre" => 25 "nom" => "- XVIII. Coda" ] [ "ordre" => 26 "nom" => "- XIX. Finale : Alla Fuga" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2227 …} -label: Proxies\__CG__\App\Entity\Label {#2205 …} -style: App\Entity\Style {#1438 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2236 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2229 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2231 …} -enregistreLe: DateTime @1775632160 {#2217 : 2026-04-08 07:09:20.0 UTC (+00:00) } -modifierLe: DateTime @1775632160 {#2216 : 2026-04-08 07:09:20.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2233 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-live-at-the-concertgebouw-1980-numbered-limited-edition-the-lost-recordings-6032" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 8.0 MiB | 0.33 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2247 -id: 422 -nom: "Inception" -informationComplementaire: "Avec "Inception", McCoy Tyner signe une entrée puissante et inspirée. Entre profondeur harmonique et énergie contenue, le trio explore un jazz en mutation. Un premier souffle intense, déjà habité d’une quête sonore." -description: """ Sorti en 1962, "Inception" marque les débuts discographiques en leader du pianiste McCoy Tyner, alors déjà membre du mythique quartet de John Coltrane. Cet album révèle une identité musicale forte, à la fois enracinée dans le hard bop et déjà tournée vers des horizons plus modaux et spirituels.\r\n \r\n Accompagné de Art Davis à la contrebasse et Elvin Jones à la batterie, deux musiciens également liés à Coltrane, McCoy Tyner déploie un jeu percussif, dense et harmonique, caractérisé par ses accords puissants et ses structures modales.\r\n \r\n Le répertoire alterne entre compositions originales et standards revisités, comme "There Is No Greater Love". Les morceaux oscillent entre lyrisme introspectif et énergie contenue, annonçant déjà les explorations plus spirituelles et expansives que Tyner développera dans les années suivantes.\r\n \r\n - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Recorded on January 10-11, 1962, at Rudy Van Gelder's studio, Inception marked McCoy Tyner's debut as a leader for Impulse! Records, introducing a cohesive new trio with bassist Art Davis anddrummer Elvin Jones, both colleagues from the Coltrane ensemble, whose familiarity lends the session its focused clarity. Across a six-track program featuring four Tyner originals "Inception", "Sunset", "Effendi", and "Blues for Gwen" alongside "There Is No Greater Love" and "Speak Low", the trio setting foregrounds Tyner's distinctive voicings, pedal-point harmonies, and rhythmic drive, supported by Davis and Jones's firm, responsive interplay. Released in 1962 as Impulse! was rapidly expanding, the album established Tyner's identity as a bandleader and stands as an essential early statement in his solo discography. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "McCoy Tyner (piano), Art Davis (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=sYvICoEVpCk" -referenceProduit: "Acoustic Sounds Serie (Impulse) 2263" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Inception" ] [ "ordre" => 2 "nom" => "2. There Is No Greater Love" ] [ "ordre" => 3 "nom" => "3. Blues for Gwen" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Sunset" ] [ "ordre" => 6 "nom" => "2. Effendi" ] [ "ordre" => 7 "nom" => "3. Speak Low" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …} -label: Proxies\__CG__\App\Entity\Label {#2252 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …} -enregistreLe: DateTime @1298398504 {#2239 : 2011-02-22 18:15:04.0 UTC (+00:00) } -modifierLe: DateTime @1775552501 {#2238 : 2026-04-07 09:01:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-inception-acoustic-sounds-serie-impulse-2263" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3772 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2687 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …} +produit: App\Entity\Produit {#2247 -id: 422 -nom: "Inception" -informationComplementaire: "Avec "Inception", McCoy Tyner signe une entrée puissante et inspirée. Entre profondeur harmonique et énergie contenue, le trio explore un jazz en mutation. Un premier souffle intense, déjà habité d’une quête sonore." -description: """ Sorti en 1962, "Inception" marque les débuts discographiques en leader du pianiste McCoy Tyner, alors déjà membre du mythique quartet de John Coltrane. Cet album révèle une identité musicale forte, à la fois enracinée dans le hard bop et déjà tournée vers des horizons plus modaux et spirituels.\r\n \r\n Accompagné de Art Davis à la contrebasse et Elvin Jones à la batterie, deux musiciens également liés à Coltrane, McCoy Tyner déploie un jeu percussif, dense et harmonique, caractérisé par ses accords puissants et ses structures modales.\r\n \r\n Le répertoire alterne entre compositions originales et standards revisités, comme "There Is No Greater Love". Les morceaux oscillent entre lyrisme introspectif et énergie contenue, annonçant déjà les explorations plus spirituelles et expansives que Tyner développera dans les années suivantes.\r\n \r\n - Acoustic Sounds Series reissues from Verve / Universal Music Enterprises !\r\n - Monthly releases highlighting the world's most historic and best jazz records !\r\n - Mastered by Matthew Lutthans at The Mastering Lab from the original analog tape !\r\n - 180 gram LPs pressed at Quality Record Pressings !\r\n - Stoughton Printing gatefold old-style tip-on jackets !\r\n - Series supervised by Chad Kassem CEO of Acoustic Sounds !\r\n \r\n Recorded on January 10-11, 1962, at Rudy Van Gelder's studio, Inception marked McCoy Tyner's debut as a leader for Impulse! Records, introducing a cohesive new trio with bassist Art Davis anddrummer Elvin Jones, both colleagues from the Coltrane ensemble, whose familiarity lends the session its focused clarity. Across a six-track program featuring four Tyner originals "Inception", "Sunset", "Effendi", and "Blues for Gwen" alongside "There Is No Greater Love" and "Speak Low", the trio setting foregrounds Tyner's distinctive voicings, pedal-point harmonies, and rhythmic drive, supported by Davis and Jones's firm, responsive interplay. Released in 1962 as Impulse! was rapidly expanding, the album established Tyner's identity as a bandleader and stands as an essential early statement in his solo discography. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …} -musicienOrchestre: "McCoy Tyner (piano), Art Davis (bass), Elvin Jones (drums)" -sonMusic: App\Enum\SonMusicEnum {#1114 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …} -rpmMusic: App\Enum\RPMMusicEnum {#1120 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=sYvICoEVpCk" -referenceProduit: "Acoustic Sounds Serie (Impulse) 2263" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Inception" ] [ "ordre" => 2 "nom" => "2. There Is No Greater Love" ] [ "ordre" => 3 "nom" => "3. Blues for Gwen" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Sunset" ] [ "ordre" => 6 "nom" => "2. Effendi" ] [ "ordre" => 7 "nom" => "3. Speak Low" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2249 …} -label: Proxies\__CG__\App\Entity\Label {#2252 …} -style: App\Entity\Style {#1449 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2261 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2254 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2256 …} -enregistreLe: DateTime @1298398504 {#2239 : 2011-02-22 18:15:04.0 UTC (+00:00) } -modifierLe: DateTime @1775552501 {#2238 : 2026-04-07 09:01:41.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1046 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2258 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-inception-acoustic-sounds-serie-impulse-2263" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 8.0 MiB | 0.27 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3971 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2455 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3972 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4020 …} +isValidated: false +validatedFields: [] } |
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