Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2610
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2687
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2690 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
  -formView: Symfony\Component\Form\FormView {#2726 …}
  -form: Symfony\Component\Form\Form {#2876 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1873
    -id: 1700
    -nom: "Foreigner 4"
    -informationComplementaire: "Re-edition"
    -description: """
      - #1 ALBUM TEEMS WITH HITS : "URGENT", "WAITING FOR A GIRL LIKE YOU", "JUKE BOX HERO" !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Want to be a juke box hero ? Here's your chance. Featuring Mutt Lange's spotless production, contributions from Motown legend Junior Walker and new-wave icon Thomas Dolby, no less than three huge singles, and Foreigner's most economical performances, 4 is classic-rock nirvana, a model of crystalline pop-rock melodies and lighter-flicking balladry. More than six million copies later, the 1981 record is still rightly discussed as a front-to-back masterpiece of precision, power, and economy. It's an album that demands to be experienced in the highest-possible fidelity.\r\n
      \r\n
      Half-speed mastered from the original master tapes, our 180 gram LP presents 4 in a room-filling, stadium-big sound. Replete with energetic rockers such as "Urgent", "Night Life", and "Woman In Black", the record benefits from a sonic facelift that opens up the previously compressed dynamics, expands the dimensions of the soundstage, dials in a clear path to the instrumental images, and erases the ceiling that pressed down on Lou Gramm's superhuman vocals. For the first time, Lange's obsessive, detail-oriented production can be enjoyed in all its splendid glory.\r\n
      \r\n
      Fresh off blockbuster success with AC/DC's "Back In Black", Lange uses his magic touch on 4, pairing with guitarist Mick Jones who, armed with the best batch of riffs of his career, shared a the producer's sentiment for discipline, efficiency, and cleanliness. And so, on crisp tunes like "Break It Up", pianos and hard-hitting guitars share the same space without ever impinging on one another or overstepping boundaries. The winning formula also propels Top 5 hits like the wildly funky "Urgent", sent to new heights by Walker's dazzling saxophone solo, and the touching "Waiting for a Girl Like You", a crossover smash that introduced Foreigner to soft-rock and adult-pop audiences.\r\n
      \r\n
      Simply stated, 4 has everything: Rowdy frustration-releasing cuts, fiery rock n' roll tunes, heartfelt torch songs, and synth-drenched pop numbers. The playing throughout positively smokes, as the one-two punch of Gramm and Jones lands with both emotional and musical impact every time. There's not a single wasted note. And, reduced to a quartet, Foreigner seems bent on making more with less, just as Lange does with the polished production. This is 42 minutes of hard-rocking bliss.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Mick Jones (lead guitar, keyboards, background vocals), Rick Wills (bass guitar, background vocals), Lou Gramm (percussion, lead vocals), Dennis Elliott (drums, background vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AwPh5i6Z9rA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-343"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Juke Box Hero"
      ]
      [
        "ordre" => 3
        "nom" => "3. Break It Up"
      ]
      [
        "ordre" => 4
        "nom" => "4. Waiting for a Girl Like You"
      ]
      [
        "ordre" => 5
        "nom" => "5. Luanne"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Urgent"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm Gonna Win"
      ]
      [
        "ordre" => 9
        "nom" => "3. Woman in Black"
      ]
      [
        "ordre" => 10
        "nom" => "4. Girl on the Moon"
      ]
      [
        "ordre" => 11
        "nom" => "5. Don't Let Go"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1562443040 {#1928
      date: 2019-07-06 19:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768299864 {#1921
      date: 2026-01-13 10:24:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-foreigner-4-mobile-fidelity-sound-lab-mfsl-1-343"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3148
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#1873
    -id: 1700
    -nom: "Foreigner 4"
    -informationComplementaire: "Re-edition"
    -description: """
      - #1 ALBUM TEEMS WITH HITS : "URGENT", "WAITING FOR A GIRL LIKE YOU", "JUKE BOX HERO" !\r\n
      - 1/4" / 15 IPS analog master to DSD 64 to analog console to lathe !\r\n
      \r\n
      Want to be a juke box hero ? Here's your chance. Featuring Mutt Lange's spotless production, contributions from Motown legend Junior Walker and new-wave icon Thomas Dolby, no less than three huge singles, and Foreigner's most economical performances, 4 is classic-rock nirvana, a model of crystalline pop-rock melodies and lighter-flicking balladry. More than six million copies later, the 1981 record is still rightly discussed as a front-to-back masterpiece of precision, power, and economy. It's an album that demands to be experienced in the highest-possible fidelity.\r\n
      \r\n
      Half-speed mastered from the original master tapes, our 180 gram LP presents 4 in a room-filling, stadium-big sound. Replete with energetic rockers such as "Urgent", "Night Life", and "Woman In Black", the record benefits from a sonic facelift that opens up the previously compressed dynamics, expands the dimensions of the soundstage, dials in a clear path to the instrumental images, and erases the ceiling that pressed down on Lou Gramm's superhuman vocals. For the first time, Lange's obsessive, detail-oriented production can be enjoyed in all its splendid glory.\r\n
      \r\n
      Fresh off blockbuster success with AC/DC's "Back In Black", Lange uses his magic touch on 4, pairing with guitarist Mick Jones who, armed with the best batch of riffs of his career, shared a the producer's sentiment for discipline, efficiency, and cleanliness. And so, on crisp tunes like "Break It Up", pianos and hard-hitting guitars share the same space without ever impinging on one another or overstepping boundaries. The winning formula also propels Top 5 hits like the wildly funky "Urgent", sent to new heights by Walker's dazzling saxophone solo, and the touching "Waiting for a Girl Like You", a crossover smash that introduced Foreigner to soft-rock and adult-pop audiences.\r\n
      \r\n
      Simply stated, 4 has everything: Rowdy frustration-releasing cuts, fiery rock n' roll tunes, heartfelt torch songs, and synth-drenched pop numbers. The playing throughout positively smokes, as the one-two punch of Gramm and Jones lands with both emotional and musical impact every time. There's not a single wasted note. And, reduced to a quartet, Foreigner seems bent on making more with less, just as Lange does with the polished production. This is 42 minutes of hard-rocking bliss.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Mick Jones (lead guitar, keyboards, background vocals), Rick Wills (bass guitar, background vocals), Lou Gramm (percussion, lead vocals), Dennis Elliott (drums, background vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=AwPh5i6Z9rA"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-343"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Night Life"
      ]
      [
        "ordre" => 2
        "nom" => "2. Juke Box Hero"
      ]
      [
        "ordre" => 3
        "nom" => "3. Break It Up"
      ]
      [
        "ordre" => 4
        "nom" => "4. Waiting for a Girl Like You"
      ]
      [
        "ordre" => 5
        "nom" => "5. Luanne"
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Urgent"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm Gonna Win"
      ]
      [
        "ordre" => 9
        "nom" => "3. Woman in Black"
      ]
      [
        "ordre" => 10
        "nom" => "4. Girl on the Moon"
      ]
      [
        "ordre" => 11
        "nom" => "5. Don't Let Go"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2080 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1954 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2068 …}
    -enregistreLe: DateTime @1562443040 {#1928
      date: 2019-07-06 19:57:20.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768299864 {#1921
      date: 2026-01-13 10:24:24.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-foreigner-4-mobile-fidelity-sound-lab-mfsl-1-343"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2097
    -id: 2682
    -nom: "Head Games"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Platinum-selling third album !\r\n
      - Featuring the smash title track, plus "Dirty White Boy", and "Women" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Foreigner's platinum-selling winning streak continued on Head Games, the band's third album. Tailor-made for the airwaves, songs such as "Dirty White Boy" and "Head Games" kept Foreigner at the top of the arena rock heap as the decade came to a close; and the supergroup's successes would continue well into the '80s.\r\n
      \r\n
      In August 1979, the release of the album was preceded by its first single, the hard rock "Dirty White Boy, which peaked at N° 12 on the Billboard Hot 100 chart. The album itself continued Foreigner's popularity, climbing to N° 5 on the Billboard 200 chart and receiving a platinum certification four months after it hit the stores. By now, Head Games has gained a 5× Platinum status for selling at least 5 million copies in the United States. The next singles were the title track and "Women", which reached N° 14 and 41, respectively.\r\n
      \r\n
      Head Games continued in the vein of Foreigner's previous successful albums, maintaining a consistent quality of music that fans had come to expect.\r\n
      \r\n
      We expect this definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of Head Games to find a prominent place in your most-listened-to album rotation.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Mick Jones (lead guitar, piano, vocals), Ian McDonald (guitar, keyboards, vocals), Lou Gramm (lead vocals), Al Greenwood (keyboards, synthesizer), Rick Wills (bass, vocals), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8TDRZrhY9XA"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dirty White Boy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love On The Telephone"
      ]
      [
        "ordre" => 3
        "nom" => "3. Women"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I'll Get Even With You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Seventeen"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Head Games"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Modern Day"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blinded By Science"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Do What You Like"
      ]
      [
        "ordre" => 13
        "nom" => "2. Rev On The Red Line"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1748675447 {#2094
      date: 2025-05-31 07:10:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768299255 {#2095
      date: 2026-01-13 10:14:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-head-games-analogue-productions-atlantic-75-series-analogue-productions-atlantic-75-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3264
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2097
    -id: 2682
    -nom: "Head Games"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Platinum-selling third album !\r\n
      - Featuring the smash title track, plus "Dirty White Boy", and "Women" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Foreigner's platinum-selling winning streak continued on Head Games, the band's third album. Tailor-made for the airwaves, songs such as "Dirty White Boy" and "Head Games" kept Foreigner at the top of the arena rock heap as the decade came to a close; and the supergroup's successes would continue well into the '80s.\r\n
      \r\n
      In August 1979, the release of the album was preceded by its first single, the hard rock "Dirty White Boy, which peaked at N° 12 on the Billboard Hot 100 chart. The album itself continued Foreigner's popularity, climbing to N° 5 on the Billboard 200 chart and receiving a platinum certification four months after it hit the stores. By now, Head Games has gained a 5× Platinum status for selling at least 5 million copies in the United States. The next singles were the title track and "Women", which reached N° 14 and 41, respectively.\r\n
      \r\n
      Head Games continued in the vein of Foreigner's previous successful albums, maintaining a consistent quality of music that fans had come to expect.\r\n
      \r\n
      We expect this definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of Head Games to find a prominent place in your most-listened-to album rotation.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Mick Jones (lead guitar, piano, vocals), Ian McDonald (guitar, keyboards, vocals), Lou Gramm (lead vocals), Al Greenwood (keyboards, synthesizer), Rick Wills (bass, vocals), Dennis Elliott (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=8TDRZrhY9XA"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Dirty White Boy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love On The Telephone"
      ]
      [
        "ordre" => 3
        "nom" => "3. Women"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I'll Get Even With You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Seventeen"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Head Games"
      ]
      [
        "ordre" => 9
        "nom" => "2. The Modern Day"
      ]
      [
        "ordre" => 10
        "nom" => "3. Blinded By Science"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Do What You Like"
      ]
      [
        "ordre" => 13
        "nom" => "2. Rev On The Red Line"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1949 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2108 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2101 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2103 …}
    -enregistreLe: DateTime @1748675447 {#2094
      date: 2025-05-31 07:10:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768299255 {#2095
      date: 2026-01-13 10:14:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2105 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-head-games-analogue-productions-atlantic-75-series-analogue-productions-atlantic-75-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2113
    -id: 2652
    -nom: "Mirage"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Delivers Soft-Rock Bliss Amid Thematic Longing on Mirage: 1982 Album Distills Band’s Trademark Strengths, Features Addictive Pop Hooks and Three Top 25 Hits !\r\n
      - Experience the Well-Recorded and Well-Crafted Set in Reference Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Is Sourced from the Original Master Tapes and Pressed at Fidelity Record Pressing !\r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      If every significant artist has an underrated gem in its catalog, then Mirage is that album for Fleetwood Mac. An obvious return to relative simplicity after the dramatic tension of Rumours and experimental ambitions of Tusk, the 1982 album finds the band re-grouping after a brief hiatus and again climbing to the top of the charts. Extremely well-crafted, well-produced, and well-performed, the double-platinum effort distills the group’s hallmark strengths into a filler-free set that never runs short of addictive pop hooks or daft accents. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents Mirage in reference sound for the first time. The efforts co-producers/engineers Ken Caillat and Richard Dashut went to capture the splintered albeit formidable band can be heard with stunning accuracy, range, depth, and detail. \r\n
      \r\n
      Though Rumours understandably gets a permanent spot in the audiophile hall of fame, the smooth, clear, and dynamic sonics on Mirage confirm that the record that stood as Fleetwood Mac’s last effort for five years deserves a place in the same vaunted arena. The presence and imaging of Mick Fleetwood’s percussion alone on this reissue might have you wondering how this slice of soft-rock bliss has gone under-noticed for decades. Other prized aural aspects separation, definition, impact, tonal balance are also here in spades. \r\n
      \r\n
      Like much surrounding Fleetwood Mac in the 1980s, arriving at Mirage was not easy. Caillat searched for studios located outside of Los Angeles on a mission to change up the vibe of the band’s prior recording sessions. Everyone settled on Le Chateau in France, where relations between some members remained icy  and cooperation with the producers strained. Battles with exhaustion, bitterness, and addiction further informed the proceedings at the 18th century complex in the French countryside, where even communal meals were allegedly eaten in silence. \r\n
      \r\n
      Inevitably, the feelings that co-producer Lindsey Buckingham, Stevie Nicks, Christine McVie, and company harbored as well as the situations in which they found themselves drifted into the songwriting. In its rapid ascent to rock-star royalty status, Fleetwood Mac drifted apart, embarked on solo pursuits, and found it was lonely at the top. Emptiness, the illusion of dreams, the longing for love, the want to escape to bygone times of innocence and happiness: Such themes inform a majority of the narratives. Even if the lyrics regularly take a back seat to easygoing arrangements that allow Mirage to come on like a refreshing breeze on a sunny summer afternoon.\r\n
      \r\n
      Home to three Top 25 singles in the U.S. and having occupied the pole position of the Top 200 album charts for five weeks, Mirage rightfully resonated with the mainstream and attracted listeners on both sides of the pond. And how, via a smart blend of sugary melodies, warm harmonies, interlaced notes, nimble rhythms, taut structures, and passionate vocals. Not to mention the presence of what arguably remains Nicks’ signature song, the biographical “Gypsy”, a meditation on the loss of her close friend Robin Anderson that teems with majesty, mystery, and mysticism and which gets an assist from Buckinham’s shaded tack piano and richly strummed guitar chords. \r\n
      \r\n
      Its ranking as an all-time classic aside, that N° 12 hit has plenty of company when it comes to brilliant pop turns on Mirage. On the subject of Nicks, the raspy singer gets a little bit country on “That’s Alright”. Its clip-clopping pace and two-stepping progression complement subtle vocal swells that emerge during the final verse of a tune that is ostensibly about leaving but still conveys forgiveness and grace. And what would a Fleetwood Mac record be without Nicks drawing on the tools of the supernatural cards, dreams, wolves, and the like on the twirling “Straight Back”.\r\n
      \r\n
      Despite the potency of Nicks’ primary contributions, Mirage seemingly unfolds as a tight competition between Buckingham and McVie and one that ultimately ends in a draw. Buckingham’s salvos include the contagious “Can’t Go Back”, a yearning to time-travel back to the past that’s complete with hall-of-mirrors backing vocals; “Oh Diane”, out-of- left-field ear candy sweetened with hiccupped vocals and salt-and-pepper-shaken grooves; the chiming “Eyes of the World”; and “Empire State”, a delightfully fluttering track whose high-range vocals, lap harp notes, and ringing xylophones hint at the galaxies of sound that would erupt on Tango in the Night. \r\n
      \r\n
      Then there’s McVie. As elegant, understated, and coolheaded as she’s ever been on record, she pours her heart out on cuts that revolve around her inevitable split with Beach Boy Dennis Wilson. In the process, she punctuates Mirage with a characteristic not always associated with catchy pop music: emotional weight, and the sense of dreaded acceptance in the face of dreams deferred.\r\n
      \r\n
      “I wish you were here/Holding me tight”, McVie sings over a delicate melody on the album-closing piano ballad “Wish You Were Here.” Though they hoped otherwise, for the members Fleetwood Mac, distance and separation were always close at hand. Believing otherwise, inviting nostalgia, and pretending everything was fine only amounts to a mirage.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (vocals), Lindsey Buckingham (guitars, keyboards, lap harp, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mwgg1Pu6cNg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-570"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love in Store"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can’t Go Back"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s Alright"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Book of Love"
      ]
      [
        "ordre" => 6
        "nom" => "5. Gypsy"
      ]
      [
        "ordre" => 7
        "nom" => "6. Only over You"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Empire State"
      ]
      [
        "ordre" => 10
        "nom" => "8. Straight Back"
      ]
      [
        "ordre" => 11
        "nom" => "9. Hold Me"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Oh Diane"
      ]
      [
        "ordre" => 14
        "nom" => "11. Eyes of the World"
      ]
      [
        "ordre" => 15
        "nom" => "12. Wish You Were Here"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1740692910 {#2110
      date: 2025-02-27 21:48:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768298991 {#2111
      date: 2026-01-13 10:09:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mirage-mobile-fidelity-sound-lab-mfsl-2-570"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3310
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2113
    -id: 2652
    -nom: "Mirage"
    -informationComplementaire: null
    -description: """
      - Fleetwood Mac Delivers Soft-Rock Bliss Amid Thematic Longing on Mirage: 1982 Album Distills Band’s Trademark Strengths, Features Addictive Pop Hooks and Three Top 25 Hits !\r\n
      - Experience the Well-Recorded and Well-Crafted Set in Reference Sound: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Is Sourced from the Original Master Tapes and Pressed at Fidelity Record Pressing !\r\n
      - 1/2” / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      If every significant artist has an underrated gem in its catalog, then Mirage is that album for Fleetwood Mac. An obvious return to relative simplicity after the dramatic tension of Rumours and experimental ambitions of Tusk, the 1982 album finds the band re-grouping after a brief hiatus and again climbing to the top of the charts. Extremely well-crafted, well-produced, and well-performed, the double-platinum effort distills the group’s hallmark strengths into a filler-free set that never runs short of addictive pop hooks or daft accents. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set presents Mirage in reference sound for the first time. The efforts co-producers/engineers Ken Caillat and Richard Dashut went to capture the splintered albeit formidable band can be heard with stunning accuracy, range, depth, and detail. \r\n
      \r\n
      Though Rumours understandably gets a permanent spot in the audiophile hall of fame, the smooth, clear, and dynamic sonics on Mirage confirm that the record that stood as Fleetwood Mac’s last effort for five years deserves a place in the same vaunted arena. The presence and imaging of Mick Fleetwood’s percussion alone on this reissue might have you wondering how this slice of soft-rock bliss has gone under-noticed for decades. Other prized aural aspects separation, definition, impact, tonal balance are also here in spades. \r\n
      \r\n
      Like much surrounding Fleetwood Mac in the 1980s, arriving at Mirage was not easy. Caillat searched for studios located outside of Los Angeles on a mission to change up the vibe of the band’s prior recording sessions. Everyone settled on Le Chateau in France, where relations between some members remained icy  and cooperation with the producers strained. Battles with exhaustion, bitterness, and addiction further informed the proceedings at the 18th century complex in the French countryside, where even communal meals were allegedly eaten in silence. \r\n
      \r\n
      Inevitably, the feelings that co-producer Lindsey Buckingham, Stevie Nicks, Christine McVie, and company harbored as well as the situations in which they found themselves drifted into the songwriting. In its rapid ascent to rock-star royalty status, Fleetwood Mac drifted apart, embarked on solo pursuits, and found it was lonely at the top. Emptiness, the illusion of dreams, the longing for love, the want to escape to bygone times of innocence and happiness: Such themes inform a majority of the narratives. Even if the lyrics regularly take a back seat to easygoing arrangements that allow Mirage to come on like a refreshing breeze on a sunny summer afternoon.\r\n
      \r\n
      Home to three Top 25 singles in the U.S. and having occupied the pole position of the Top 200 album charts for five weeks, Mirage rightfully resonated with the mainstream and attracted listeners on both sides of the pond. And how, via a smart blend of sugary melodies, warm harmonies, interlaced notes, nimble rhythms, taut structures, and passionate vocals. Not to mention the presence of what arguably remains Nicks’ signature song, the biographical “Gypsy”, a meditation on the loss of her close friend Robin Anderson that teems with majesty, mystery, and mysticism and which gets an assist from Buckinham’s shaded tack piano and richly strummed guitar chords. \r\n
      \r\n
      Its ranking as an all-time classic aside, that N° 12 hit has plenty of company when it comes to brilliant pop turns on Mirage. On the subject of Nicks, the raspy singer gets a little bit country on “That’s Alright”. Its clip-clopping pace and two-stepping progression complement subtle vocal swells that emerge during the final verse of a tune that is ostensibly about leaving but still conveys forgiveness and grace. And what would a Fleetwood Mac record be without Nicks drawing on the tools of the supernatural cards, dreams, wolves, and the like on the twirling “Straight Back”.\r\n
      \r\n
      Despite the potency of Nicks’ primary contributions, Mirage seemingly unfolds as a tight competition between Buckingham and McVie and one that ultimately ends in a draw. Buckingham’s salvos include the contagious “Can’t Go Back”, a yearning to time-travel back to the past that’s complete with hall-of-mirrors backing vocals; “Oh Diane”, out-of- left-field ear candy sweetened with hiccupped vocals and salt-and-pepper-shaken grooves; the chiming “Eyes of the World”; and “Empire State”, a delightfully fluttering track whose high-range vocals, lap harp notes, and ringing xylophones hint at the galaxies of sound that would erupt on Tango in the Night. \r\n
      \r\n
      Then there’s McVie. As elegant, understated, and coolheaded as she’s ever been on record, she pours her heart out on cuts that revolve around her inevitable split with Beach Boy Dennis Wilson. In the process, she punctuates Mirage with a characteristic not always associated with catchy pop music: emotional weight, and the sense of dreaded acceptance in the face of dreams deferred.\r\n
      \r\n
      “I wish you were here/Holding me tight”, McVie sings over a delicate melody on the album-closing piano ballad “Wish You Were Here.” Though they hoped otherwise, for the members Fleetwood Mac, distance and separation were always close at hand. Believing otherwise, inviting nostalgia, and pretending everything was fine only amounts to a mirage.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "John McVie (bass guitar), Christine McVie (keyboards, vocals), Stevie Nicks (vocals), Lindsey Buckingham (guitars, keyboards, lap harp, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=mwgg1Pu6cNg"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-570"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Love in Store"
      ]
      [
        "ordre" => 2
        "nom" => "2. Can’t Go Back"
      ]
      [
        "ordre" => 3
        "nom" => "3. That’s Alright"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Book of Love"
      ]
      [
        "ordre" => 6
        "nom" => "5. Gypsy"
      ]
      [
        "ordre" => 7
        "nom" => "6. Only over You"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Empire State"
      ]
      [
        "ordre" => 10
        "nom" => "8. Straight Back"
      ]
      [
        "ordre" => 11
        "nom" => "9. Hold Me"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Oh Diane"
      ]
      [
        "ordre" => 14
        "nom" => "11. Eyes of the World"
      ]
      [
        "ordre" => 15
        "nom" => "12. Wish You Were Here"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2124 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2117 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2119 …}
    -enregistreLe: DateTime @1740692910 {#2110
      date: 2025-02-27 21:48:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768298991 {#2111
      date: 2026-01-13 10:09:51.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2121 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-mirage-mobile-fidelity-sound-lab-mfsl-2-570"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2129
    -id: 2574
    -nom: "Tango in the Night"
    -informationComplementaire: null
    -description: """
      - A Universe of Pop : Fleetwood Mac’s Tango in the Night Features Meticulous Production, Includes the Ageless Hits “Big Love”, “Everywhere”, “Seven Wonders”, and “Little Lies”.\r\n
      - Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Captures the Perfectionist Details, Plays with Extraordinary Openness !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes”.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms can now be heard with elevated accuracy, range, depth, and detail. \r\n
      \r\n
      Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album’s ageless pop brilliance. \r\n
      \r\n
      As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality ? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity’s collectible edition will have you considering Tango in the Night from a new perspective one that puts its lavish, gorgeous creations on a par with those from Rumours and Tusk.\r\n
      \r\n
      Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. Instead, it remains the final album credited to the peak Fleetwood Mac lineup involving Buckingham, Stevie Nicks, Chrstine McVie, Mick Fleetwood, and John McVie. Though the participation of all the members varies from track to track, the cohesive arrangements and alchemic production  Tango in the Night suggest a unity that remains on a par with the band’s other landmark works. \r\n
      \r\n
      Largely constructed from laborious methods that involved recording at half speed to achieve the desired sonics and tonal nuances, piecing together verses and choruses to attain seamless synchronicity, and Buckingham using a Fairlight CMI synthesizer/workstation in visionary ways, the songs pair electronic and acoustic elements to radiant effect. Tango in the Night also possesses light dance structures that resulted in several tunes being recast as dance mixes on extended-play singles. Above all, however, this is music that appears to float and cast dreamy spells. \r\n
      \r\n
      Surrender to the frisky interplay of the opening “Big Love”, big pop punctuated with Buckingham’s back-and-forth “oh-ah” sighs that ping the Top 5 smash with innocuous sensuality and toe-tapping momentum. Delight amid the shimmering lights of “Seven Wonders”, whose shades and shadows shift amid Nicks’ raspy vocals and a large group chorus. Wrap yourself in the warmth of the weightless “Everywhere”, a flawless slice of hummable pop that topped with Adult Contemporary charts for three weeks and towers as an ode to the love everyone desires. Stare into the mysterious landscape of the title track (and dig the synthesized harp) just before it explodes, briefly ceding to a terse riff and locked-in grooves. \r\n
      \r\n
      Tango in the Night teems with delightful surprises and well-honed specifics, especially when Buckinham and Christine McVie team together. In addition to the aforementioned “Everywhere”, the singer born Christine Anne Perfect plays a major role on four more cuts all highlights from the breathy, head-over-heels emotionalism of “Mystified” to the sweet, sweeping escapism of “Little Lies”, a cover-up of romantic despair aided by Nicks’ irreplaceable background vocals. \r\n
      \r\n
      “If I see you again/Will it be the same”, asks Buckingham on “When I See You Again”, finishing up a song a longing-sounding Nicks had started while voicing words that many likely knew would resonate far beyond the confines of the heartfelt song a goodbye wearing a faint disguise. Though Fleetwood Mac would never again reach the heights maintained throughout Tango in the Night, and members would go their own way, the album towers as a paean to what’s possible in the fields of pop, rock, and studio wizardry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Lindsey Buckingham (guitars, keyboards, Fairlight CMI, bass, percussion, drum programming, vocals), Stevie Nicks (vocals), Christine McVie (keyboards, synthesizers, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KNZIwD1I0gY&list=OLAK5uy_ltA3wQe8DfNCg5SYYAl9EEBAkuSAcWtyI"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-569"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Big Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Seven Wonders"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everywhere"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Caroline"
      ]
      [
        "ordre" => 6
        "nom" => "5. Tango in the Night"
      ]
      [
        "ordre" => 7
        "nom" => "6. Mystified"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Little Lies"
      ]
      [
        "ordre" => 10
        "nom" => "8. Family Man"
      ]
      [
        "ordre" => 11
        "nom" => "9. Welcome to the Room…Sara"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Isn’t It Midnight"
      ]
      [
        "ordre" => 14
        "nom" => "11. When I See You Again"
      ]
      [
        "ordre" => 15
        "nom" => "12. You and I, Part II"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2137 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2130 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2132 …}
    -enregistreLe: DateTime @1728546753 {#2126
      date: 2024-10-10 07:52:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768298598 {#2127
      date: 2026-01-13 10:03:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2134 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tango-in-the-night-mobile-fidelity-sound-lab-mfsl-2-569"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3363
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2129
    -id: 2574
    -nom: "Tango in the Night"
    -informationComplementaire: null
    -description: """
      - A Universe of Pop : Fleetwood Mac’s Tango in the Night Features Meticulous Production, Includes the Ageless Hits “Big Love”, “Everywhere”, “Seven Wonders”, and “Little Lies”.\r\n
      - Experience the 1987 Album in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180 gram 45 RPM (2 LP) Set Captures the Perfectionist Details, Plays with Extraordinary Openness !\r\n
      - 1/2" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      The perfectionism involved in crafting Fleetwood Mac’s Tango in the Night reached a level of intensity experienced by few artists before or since. Commercially and creatively, the painstaking efforts paid off. Recorded over the span of 18 months, the triple-platinum album spawned four hit singles and put Fleetwood Mac back at the center of mainstream conversation. Its demands also ultimately forced its primary architect, guitarist-singer Lindsey Buckingham, to leave the group shortly after its completion. Was it all worth it? A thousand times “yes”.\r\n
      \r\n
      Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) set of Tango in the Night presents the 1987 record in audiophile sound for the first time. Everything co-producers Buckingham and Richard Dashut sought to instill in the music the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms can now be heard with elevated accuracy, range, depth, and detail. \r\n
      \r\n
      Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album’s ageless pop brilliance. \r\n
      \r\n
      As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality ? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity’s collectible edition will have you considering Tango in the Night from a new perspective one that puts its lavish, gorgeous creations on a par with those from Rumours and Tusk.\r\n
      \r\n
      Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. Instead, it remains the final album credited to the peak Fleetwood Mac lineup involving Buckingham, Stevie Nicks, Chrstine McVie, Mick Fleetwood, and John McVie. Though the participation of all the members varies from track to track, the cohesive arrangements and alchemic production  Tango in the Night suggest a unity that remains on a par with the band’s other landmark works. \r\n
      \r\n
      Largely constructed from laborious methods that involved recording at half speed to achieve the desired sonics and tonal nuances, piecing together verses and choruses to attain seamless synchronicity, and Buckingham using a Fairlight CMI synthesizer/workstation in visionary ways, the songs pair electronic and acoustic elements to radiant effect. Tango in the Night also possesses light dance structures that resulted in several tunes being recast as dance mixes on extended-play singles. Above all, however, this is music that appears to float and cast dreamy spells. \r\n
      \r\n
      Surrender to the frisky interplay of the opening “Big Love”, big pop punctuated with Buckingham’s back-and-forth “oh-ah” sighs that ping the Top 5 smash with innocuous sensuality and toe-tapping momentum. Delight amid the shimmering lights of “Seven Wonders”, whose shades and shadows shift amid Nicks’ raspy vocals and a large group chorus. Wrap yourself in the warmth of the weightless “Everywhere”, a flawless slice of hummable pop that topped with Adult Contemporary charts for three weeks and towers as an ode to the love everyone desires. Stare into the mysterious landscape of the title track (and dig the synthesized harp) just before it explodes, briefly ceding to a terse riff and locked-in grooves. \r\n
      \r\n
      Tango in the Night teems with delightful surprises and well-honed specifics, especially when Buckinham and Christine McVie team together. In addition to the aforementioned “Everywhere”, the singer born Christine Anne Perfect plays a major role on four more cuts all highlights from the breathy, head-over-heels emotionalism of “Mystified” to the sweet, sweeping escapism of “Little Lies”, a cover-up of romantic despair aided by Nicks’ irreplaceable background vocals. \r\n
      \r\n
      “If I see you again/Will it be the same”, asks Buckingham on “When I See You Again”, finishing up a song a longing-sounding Nicks had started while voicing words that many likely knew would resonate far beyond the confines of the heartfelt song a goodbye wearing a faint disguise. Though Fleetwood Mac would never again reach the heights maintained throughout Tango in the Night, and members would go their own way, the album towers as a paean to what’s possible in the fields of pop, rock, and studio wizardry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Lindsey Buckingham (guitars, keyboards, Fairlight CMI, bass, percussion, drum programming, vocals), Stevie Nicks (vocals), Christine McVie (keyboards, synthesizers, vocals), John McVie (bass guitar), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=KNZIwD1I0gY&list=OLAK5uy_ltA3wQe8DfNCg5SYYAl9EEBAkuSAcWtyI"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-569"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Big Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Seven Wonders"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everywhere"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "4. Caroline"
      ]
      [
        "ordre" => 6
        "nom" => "5. Tango in the Night"
      ]
      [
        "ordre" => 7
        "nom" => "6. Mystified"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "7. Little Lies"
      ]
      [
        "ordre" => 10
        "nom" => "8. Family Man"
      ]
      [
        "ordre" => 11
        "nom" => "9. Welcome to the Room…Sara"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "10. Isn’t It Midnight"
      ]
      [
        "ordre" => 14
        "nom" => "11. When I See You Again"
      ]
      [
        "ordre" => 15
        "nom" => "12. You and I, Part II"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2115 …}
    -label: Proxies\__CG__\App\Entity\Label {#1963 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2137 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2130 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2132 …}
    -enregistreLe: DateTime @1728546753 {#2126
      date: 2024-10-10 07:52:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768298598 {#2127
      date: 2026-01-13 10:03:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2134 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tango-in-the-night-mobile-fidelity-sound-lab-mfsl-2-569"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2142
    -id: 637
    -nom: "Slowhand 35Th Anniversary"
    -informationComplementaire: null
    -description: """
      - Eric Clapton "Slowhand 35th Anniversary" !\r\n
      - The original album, remastered from the original analog master tape !\r\n
      \r\n
      Eric Clapton has been in the spotlight for close on 50 years and the portrait of his artistry is a complex one from his early days as a guitar icon to a songwriter of great sensitivity, as well as an interpreter of everything from blues and jazz to rock and country music. He has fashioned albums in many different styles and with many different themes, yet few have the sense of oneness that pervades Slowhand.\r\n
      \r\n
      Slowhand was recorded at Olympic Studios in South West London in May 1977 and was produced by Glyn Johns. Released in November 1977, Slowhand was the most successful album of Clapton's '70s studio recordings. It reached No.2 on the Billboard chart, where it stayed for five weeks, spending a total of 74 weeks on the American album chart.\r\n
      \r\n
      Slowhand features "Wonderful Tonight", "Lay Down Sally" and "Cocaine" songs that are still heard regularly on radio and at Eric Clapton's live shows. So long after its release is a great recommendation and testimony to its place in Clapton's canon. The album includes cover versions of songs written by some of his favorite songwriters (JJ Cale, John Martyn, Don Williams, Arthur Crudup) along with original compositions by Eric Clapton.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eric Clapton (guitar, vocals), George Terry (guitar), Carl Radle (bass), Marcy Levy & Yvonne Elliman (vocals), Jamie Oldaker (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_6beZtpvVzc&list=RD_6beZtpvVzc&start_radio=1"
    -referenceProduit: "Polydor 0201"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :  "
      ]
      [
        "ordre" => 1
        "nom" => "1. Cocaine "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wonderful Tonight "
      ]
      [
        "ordre" => 3
        "nom" => "3. Lay Down Sally "
      ]
      [
        "ordre" => 4
        "nom" => "4. Next Time You See Her "
      ]
      [
        "ordre" => 5
        "nom" => "5. We're All The Way "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. The Core "
      ]
      [
        "ordre" => 8
        "nom" => "2. May You Never "
      ]
      [
        "ordre" => 9
        "nom" => "3. Mean Old Frisco "
      ]
      [
        "ordre" => 10
        "nom" => "4. Peaches And Diesel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2147 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1372147912 {#2139
      date: 2013-06-25 08:11:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768074338 {#2140
      date: 2026-01-10 19:45:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-slowhand-35th-anniversary-polydor-0201"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3409
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2142
    -id: 637
    -nom: "Slowhand 35Th Anniversary"
    -informationComplementaire: null
    -description: """
      - Eric Clapton "Slowhand 35th Anniversary" !\r\n
      - The original album, remastered from the original analog master tape !\r\n
      \r\n
      Eric Clapton has been in the spotlight for close on 50 years and the portrait of his artistry is a complex one from his early days as a guitar icon to a songwriter of great sensitivity, as well as an interpreter of everything from blues and jazz to rock and country music. He has fashioned albums in many different styles and with many different themes, yet few have the sense of oneness that pervades Slowhand.\r\n
      \r\n
      Slowhand was recorded at Olympic Studios in South West London in May 1977 and was produced by Glyn Johns. Released in November 1977, Slowhand was the most successful album of Clapton's '70s studio recordings. It reached No.2 on the Billboard chart, where it stayed for five weeks, spending a total of 74 weeks on the American album chart.\r\n
      \r\n
      Slowhand features "Wonderful Tonight", "Lay Down Sally" and "Cocaine" songs that are still heard regularly on radio and at Eric Clapton's live shows. So long after its release is a great recommendation and testimony to its place in Clapton's canon. The album includes cover versions of songs written by some of his favorite songwriters (JJ Cale, John Martyn, Don Williams, Arthur Crudup) along with original compositions by Eric Clapton.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eric Clapton (guitar, vocals), George Terry (guitar), Carl Radle (bass), Marcy Levy & Yvonne Elliman (vocals), Jamie Oldaker (drums)."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1191 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_6beZtpvVzc&list=RD_6beZtpvVzc&start_radio=1"
    -referenceProduit: "Polydor 0201"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :  "
      ]
      [
        "ordre" => 1
        "nom" => "1. Cocaine "
      ]
      [
        "ordre" => 2
        "nom" => "2. Wonderful Tonight "
      ]
      [
        "ordre" => 3
        "nom" => "3. Lay Down Sally "
      ]
      [
        "ordre" => 4
        "nom" => "4. Next Time You See Her "
      ]
      [
        "ordre" => 5
        "nom" => "5. We're All The Way "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. The Core "
      ]
      [
        "ordre" => 8
        "nom" => "2. May You Never "
      ]
      [
        "ordre" => 9
        "nom" => "3. Mean Old Frisco "
      ]
      [
        "ordre" => 10
        "nom" => "4. Peaches And Diesel"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2147 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2156 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2149 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2151 …}
    -enregistreLe: DateTime @1372147912 {#2139
      date: 2013-06-25 08:11:52.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768074338 {#2140
      date: 2026-01-10 19:45:38.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2153 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-slowhand-35th-anniversary-polydor-0201"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2161
    -id: 2950
    -nom: "Clapton Chronicles : The Best of Eric Clapton (Limited Edition Black & White Splatter Vinyl)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Eric Clapton (guitar, dobro, vocals), Robert Cray, Andy Fairweather Low, Steve Lukather, Darryl Crookes, Phil Palmer (guitar), Jerry Lynn Williams (guitar & backing vocals), Nathan East, Donald “Duck” Dunn, Laurence Cottle, Pino Palladino (bass), Jeff Bova (organ, synthesizer), Alan Clark (keyboards & synthesizer), Richard Cottle, Randy Kerber (synthesizer), Greg Phillinganes (piano), Jon Faddis, Randy Brecker (trumpet), Michael Brecker (saxophone), Katie Kissoon (backing vocals), Tessa Niles, Chaka Khan, Chyna Gordon, Marcy Levy (vocals), Phil Collins (drums, vocals), Steve Ferrone, Steve Gadd, Jim Keltner, Jamie Oldaker (drums), Mike Fasano, Luis Conte, Ray Cooper (percussion), Lenny Castro (percussion, conga), Jeff Porcaro (drums studio session).\r\n
      \r\n
      - Eric Clapton "Clapton Chronicles : The Best of Eric Clapton" !\r\n
      - Limited edition black & white splatter vinyl (2 LP) !\r\n
      - '80s & '90s compilation features "Tears in Heaven", "Layla", "Wonderful Tonight" and more !\r\n
      \r\n
      Clapton Chronicles : The Best of Eric Clapton is a compilation album featuring his hits from the 1980s and 1990s. The album was released on October 12, 1999 by the Duck / Reprise Records label. Two new songs are included on the disc: "Blue Eyes Blue", which was previously released as a single and "(I) Get Lost", which Clapton wrote for the soundtrack to the film The Story of Us.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eric Clapton (guitar, dobro, vocals), Robert Cray, Andy Fairweather Low, Steve Lukather, Darryl Crookes, Phil Palmer (guitar), Jerry Lynn Williams (guitar & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=64BmH87NhuQ&list=PLwxXESA4PX_P7ZUzDJAzGqdcWjuSSEJr5"
    -referenceProduit: "Bushbranch Records 3681"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Eyes Blue"
      ]
      [
        "ordre" => 2
        "nom" => "2. Change the World"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Father's Eyes"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tears in Heaven"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Layla (Unplugged version)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Pretending"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bad Love"
      ]
      [
        "ordre" => 9
        "nom" => "4. Before You Accuse Me (Take a Look at Yourself)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. It's in the Way That You Use It"
      ]
      [
        "ordre" => 12
        "nom" => "2. Forever Man"
      ]
      [
        "ordre" => 13
        "nom" => "3. Running on Faith (Unplugged version)"
      ]
      [
        "ordre" => 14
        "nom" => "4. She's Waiting"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. River of Tears"
      ]
      [
        "ordre" => 17
        "nom" => "2. (I) Get Lost"
      ]
      [
        "ordre" => 18
        "nom" => "3. Wonderful Tonight (Live Edit)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2163 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …}
    -enregistreLe: DateTime @1768066016 {#2158
      date: 2026-01-10 17:26:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768067041 {#2159
      date: 2026-01-10 17:44:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clapton-chronicles-the-best-of-eric-clapton-limited-edition-black-white-splatter-vinyl-bushbranch-records-3681"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3462
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2161
    -id: 2950
    -nom: "Clapton Chronicles : The Best of Eric Clapton (Limited Edition Black & White Splatter Vinyl)"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Eric Clapton (guitar, dobro, vocals), Robert Cray, Andy Fairweather Low, Steve Lukather, Darryl Crookes, Phil Palmer (guitar), Jerry Lynn Williams (guitar & backing vocals), Nathan East, Donald “Duck” Dunn, Laurence Cottle, Pino Palladino (bass), Jeff Bova (organ, synthesizer), Alan Clark (keyboards & synthesizer), Richard Cottle, Randy Kerber (synthesizer), Greg Phillinganes (piano), Jon Faddis, Randy Brecker (trumpet), Michael Brecker (saxophone), Katie Kissoon (backing vocals), Tessa Niles, Chaka Khan, Chyna Gordon, Marcy Levy (vocals), Phil Collins (drums, vocals), Steve Ferrone, Steve Gadd, Jim Keltner, Jamie Oldaker (drums), Mike Fasano, Luis Conte, Ray Cooper (percussion), Lenny Castro (percussion, conga), Jeff Porcaro (drums studio session).\r\n
      \r\n
      - Eric Clapton "Clapton Chronicles : The Best of Eric Clapton" !\r\n
      - Limited edition black & white splatter vinyl (2 LP) !\r\n
      - '80s & '90s compilation features "Tears in Heaven", "Layla", "Wonderful Tonight" and more !\r\n
      \r\n
      Clapton Chronicles : The Best of Eric Clapton is a compilation album featuring his hits from the 1980s and 1990s. The album was released on October 12, 1999 by the Duck / Reprise Records label. Two new songs are included on the disc: "Blue Eyes Blue", which was previously released as a single and "(I) Get Lost", which Clapton wrote for the soundtrack to the film The Story of Us.
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Eric Clapton (guitar, dobro, vocals), Robert Cray, Andy Fairweather Low, Steve Lukather, Darryl Crookes, Phil Palmer (guitar), Jerry Lynn Williams (guitar & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=64BmH87NhuQ&list=PLwxXESA4PX_P7ZUzDJAzGqdcWjuSSEJr5"
    -referenceProduit: "Bushbranch Records 3681"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Blue Eyes Blue"
      ]
      [
        "ordre" => 2
        "nom" => "2. Change the World"
      ]
      [
        "ordre" => 3
        "nom" => "3. My Father's Eyes"
      ]
      [
        "ordre" => 4
        "nom" => "4. Tears in Heaven"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Layla (Unplugged version)"
      ]
      [
        "ordre" => 7
        "nom" => "2. Pretending"
      ]
      [
        "ordre" => 8
        "nom" => "3. Bad Love"
      ]
      [
        "ordre" => 9
        "nom" => "4. Before You Accuse Me (Take a Look at Yourself)"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. It's in the Way That You Use It"
      ]
      [
        "ordre" => 12
        "nom" => "2. Forever Man"
      ]
      [
        "ordre" => 13
        "nom" => "3. Running on Faith (Unplugged version)"
      ]
      [
        "ordre" => 14
        "nom" => "4. She's Waiting"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. River of Tears"
      ]
      [
        "ordre" => 17
        "nom" => "2. (I) Get Lost"
      ]
      [
        "ordre" => 18
        "nom" => "3. Wonderful Tonight (Live Edit)"
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2163 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2172 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2165 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2167 …}
    -enregistreLe: DateTime @1768066016 {#2158
      date: 2026-01-10 17:26:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768067041 {#2159
      date: 2026-01-10 17:44:01.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2169 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-clapton-chronicles-the-best-of-eric-clapton-limited-edition-black-white-splatter-vinyl-bushbranch-records-3681"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2179
    -id: 797
    -nom: "Journeyman  (Deluxe Edition)"
    -informationComplementaire: "Eric Clapton (guitar, lead vocals), Jeff Bova (synthesizers horns, organ), Alan Clark (Hammond organ, synthesizers horns, keyboards), Greg Phillinganes (piano, keyboards, synthesizers, backing vocals)..."
    -description: """
      Musicians : \r\n
      Eric Clapton (guitar, lead vocals), Jeff Bova (synthesizers horns, organ), Alan Clark (Hammond organ, synthesizers horns, keyboards), Greg Phillinganes (piano, keyboards, synthesizers, backing vocals), Richard Tee (acoustic piano, Fender Rhodes), Robbie Kondor (keyboards, synthesizers, vocoder, bass harmonica, drums), Rob Mounsey, Robbie Kilgore (synthesizers), Jerry Lynn Williams (guitar, backing vocals), Robert Cray (guitar, guitar solos), Phil Palmer (guitar), John Tropea (rhythm guitar), George Harrison (guitar, harmony vocals), Cecil Womack (acoustic guitar, backing vocals), Nathan East (bass, backing vocals), Pino Palladino, Darryl Jones (bass), Jimmy Bralower, Steve Ferrone, Jim Keltner (drums, percussion), Phil Collins (drums, backing vocals), Carol Steele (congas, tambourine, percussion), David “Fathead” Newman (tenor saxophone), Jon Faddis, Lew Soloff (trumpet), Chaka Khan, Katie Kissoon, Tessa Niles, Lani Groves, Tawatha Agee, Vaneese Thomas, Linda Womack (backing vocals), \r\n
      Timothy Wright Washington Temple Concert Choir (choir vocals).\r\n
      \r\n
      - Eric Clapton "Journeyman" - Deluxe Edition !\r\n
      - Includes four new bonus tracks from the original 1989 recording sessions !\r\n
      \r\n
      Eric Clapton's Journeyman: Deluxe Edition brings new life to the iconic double-platinum certified 1989 album with three previously unreleased tracks uncovered from the original recording sessions plus an additional bonus track. The album features classic songs "Pretending", "Bad Love", and "Running on Faith", with guest performances from George Harrison, Phil Collins, Chaka Khan, Daryl Hall, Robert Cray, and more.\r\n
      \r\n
      "Pretending" and the gold-selling "Bad Love" topped the mainstream rock charts, while "No Alibis" reached the Top 5. Original guest performers on Journeyman included George Harrison, Phil Collins and Daryl Hall, among others.\r\n
      \r\n
      "Journeyman... It's what I want to be known as; I like to think I'm a craftsman. I think I'm always working on mastering my craft". - Eric Clapton
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QUdiWHrxcRk&list=RDQUdiWHrxcRk&start_radio=1"
    -referenceProduit: "Bushbranch Records 8881"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Pretending"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything for your Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Bad Love"
      ]
      [
        "ordre" => 4
        "nom" => "4. Running on Faith"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Hard Times"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hound Dog"
      ]
      [
        "ordre" => 8
        "nom" => "3. No Alibis"
      ]
      [
        "ordre" => 9
        "nom" => "4. Run so Far"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Old Love"
      ]
      [
        "ordre" => 12
        "nom" => "2. Breaking Point"
      ]
      [
        "ordre" => 13
        "nom" => "3. Lead Me On"
      ]
      [
        "ordre" => 14
        "nom" => "4. Before You Accuse Me"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Higher Power (Bonus Track)"
      ]
      [
        "ordre" => 17
        "nom" => "2. Border Song (Bonus Track)"
      ]
      [
        "ordre" => 18
        "nom" => "3. Forever (Bonus Track)"
      ]
      [
        "ordre" => 19
        "nom" => "4. That Kind of Woman (Bonus Track)"
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2163 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2187 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2180 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2182 …}
    -enregistreLe: DateTime @1439739436 {#2175
      date: 2015-08-16 15:37:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768035613 {#2174
      date: 2026-01-10 09:00:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-journeyman-deluxe-edition-bushbranch-records-8881"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3510
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2179
    -id: 797
    -nom: "Journeyman  (Deluxe Edition)"
    -informationComplementaire: "Eric Clapton (guitar, lead vocals), Jeff Bova (synthesizers horns, organ), Alan Clark (Hammond organ, synthesizers horns, keyboards), Greg Phillinganes (piano, keyboards, synthesizers, backing vocals)..."
    -description: """
      Musicians : \r\n
      Eric Clapton (guitar, lead vocals), Jeff Bova (synthesizers horns, organ), Alan Clark (Hammond organ, synthesizers horns, keyboards), Greg Phillinganes (piano, keyboards, synthesizers, backing vocals), Richard Tee (acoustic piano, Fender Rhodes), Robbie Kondor (keyboards, synthesizers, vocoder, bass harmonica, drums), Rob Mounsey, Robbie Kilgore (synthesizers), Jerry Lynn Williams (guitar, backing vocals), Robert Cray (guitar, guitar solos), Phil Palmer (guitar), John Tropea (rhythm guitar), George Harrison (guitar, harmony vocals), Cecil Womack (acoustic guitar, backing vocals), Nathan East (bass, backing vocals), Pino Palladino, Darryl Jones (bass), Jimmy Bralower, Steve Ferrone, Jim Keltner (drums, percussion), Phil Collins (drums, backing vocals), Carol Steele (congas, tambourine, percussion), David “Fathead” Newman (tenor saxophone), Jon Faddis, Lew Soloff (trumpet), Chaka Khan, Katie Kissoon, Tessa Niles, Lani Groves, Tawatha Agee, Vaneese Thomas, Linda Womack (backing vocals), \r\n
      Timothy Wright Washington Temple Concert Choir (choir vocals).\r\n
      \r\n
      - Eric Clapton "Journeyman" - Deluxe Edition !\r\n
      - Includes four new bonus tracks from the original 1989 recording sessions !\r\n
      \r\n
      Eric Clapton's Journeyman: Deluxe Edition brings new life to the iconic double-platinum certified 1989 album with three previously unreleased tracks uncovered from the original recording sessions plus an additional bonus track. The album features classic songs "Pretending", "Bad Love", and "Running on Faith", with guest performances from George Harrison, Phil Collins, Chaka Khan, Daryl Hall, Robert Cray, and more.\r\n
      \r\n
      "Pretending" and the gold-selling "Bad Love" topped the mainstream rock charts, while "No Alibis" reached the Top 5. Original guest performers on Journeyman included George Harrison, Phil Collins and Daryl Hall, among others.\r\n
      \r\n
      "Journeyman... It's what I want to be known as; I like to think I'm a craftsman. I think I'm always working on mastering my craft". - Eric Clapton
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: null
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=QUdiWHrxcRk&list=RDQUdiWHrxcRk&start_radio=1"
    -referenceProduit: "Bushbranch Records 8881"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Pretending"
      ]
      [
        "ordre" => 2
        "nom" => "2. Anything for your Love"
      ]
      [
        "ordre" => 3
        "nom" => "3. Bad Love"
      ]
      [
        "ordre" => 4
        "nom" => "4. Running on Faith"
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. Hard Times"
      ]
      [
        "ordre" => 7
        "nom" => "2. Hound Dog"
      ]
      [
        "ordre" => 8
        "nom" => "3. No Alibis"
      ]
      [
        "ordre" => 9
        "nom" => "4. Run so Far"
      ]
      [
        "ordre" => 10
        "nom" => "Side C :"
      ]
      [
        "ordre" => 11
        "nom" => "1. Old Love"
      ]
      [
        "ordre" => 12
        "nom" => "2. Breaking Point"
      ]
      [
        "ordre" => 13
        "nom" => "3. Lead Me On"
      ]
      [
        "ordre" => 14
        "nom" => "4. Before You Accuse Me"
      ]
      [
        "ordre" => 15
        "nom" => "Side D : "
      ]
      [
        "ordre" => 16
        "nom" => "1. Higher Power (Bonus Track)"
      ]
      [
        "ordre" => 17
        "nom" => "2. Border Song (Bonus Track)"
      ]
      [
        "ordre" => 18
        "nom" => "3. Forever (Bonus Track)"
      ]
      [
        "ordre" => 19
        "nom" => "4. That Kind of Woman (Bonus Track)"
      ]
      [
        "ordre" => 20
        "nom" => ""
      ]
      [
        "ordre" => 21
        "nom" => ""
      ]
      [
        "ordre" => 22
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2144 …}
    -label: Proxies\__CG__\App\Entity\Label {#2163 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2187 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2180 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2182 …}
    -enregistreLe: DateTime @1439739436 {#2175
      date: 2015-08-16 15:37:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1768035613 {#2174
      date: 2026-01-10 09:00:13.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2184 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-journeyman-deluxe-edition-bushbranch-records-8881"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2192
    -id: 2925
    -nom: "Buffalo Springfield"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Self-titled debut album featuring "For What It's Worth" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Buffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth".\r\n
      \r\n
      Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S.\r\n
      \r\n
      Founding members of Buffalo Springfield Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth", becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles.\r\n
      \r\n
      Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Stephen Stills (guitar, keyboards, vocals), Neil Young (lead guitar, vocals), Richie Furay (rhythm guitar, vocals), Dewey Martin (drums, vocals), Bruce Palmer (bass), Jim Messina (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=80_39eAx3z8&list=RD80_39eAx3z8&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 023-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. For What It's Worth"
      ]
      [
        "ordre" => 2
        "nom" => "2. Go And Say Goodbye"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sit Down I Think I Love You"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nowadays Clancy Can't Even Sing"
      ]
      [
        "ordre" => 6
        "nom" => "2. Hot Dusty Roads"
      ]
      [
        "ordre" => 7
        "nom" => "3. Everybody's Wrong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Flying On The Ground Is Wrong"
      ]
      [
        "ordre" => 10
        "nom" => "2. Burned"
      ]
      [
        "ordre" => 11
        "nom" => "3. Do I Have To Come Right Out And Say It"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Leave"
      ]
      [
        "ordre" => 14
        "nom" => "2. Out Of My Mind"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pay The Price"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1767299298 {#2189
      date: 2026-01-01 20:28:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767299586 {#2190
      date: 2026-01-01 20:33:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-buffalo-springfield-analogue-productions-atlantic-75-series-023-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3556
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2192
    -id: 2925
    -nom: "Buffalo Springfield"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Self-titled debut album featuring "For What It's Worth" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Buffalo Springfield was the short-lived yet influential band that united such superstars as Neil Young and Stephen Stills. Aptly named for a steamroller, they charged through their two-year tenure with such enduring, politically-charged songs as "For What It's Worth".\r\n
      \r\n
      Buffalo Springfield brought together brilliant songwriters and musical powerhouses that set the tone for Seventies folk- and country-rock. They formed in 1966 and spit in 1968; their self-titled debut album was led by the impactful single "For What It's Worth" which climbed its way into the Billboard Top Ten in March 1967. Written by Stephen Stills after he witnessed a riot on the Sunset Strip, the song swiftly spread across the U.S.\r\n
      \r\n
      Founding members of Buffalo Springfield Stills, Richie Furay, and Neil Young went on to fame either on their own or with such groups as Poco and Manassas. But their legacy as Buffalo Springfield was ensured by "For What It's Worth", becomming an enduring anthem and eventually serving as shorthand for all the political turmoil of the 1960s. So popular was the song that it threatened to obscure how instrumental Buffalo Springfield's original run of three albums were in reshaping the sound of rock & roll in the late '60s. Nominally a folk-rock band, Buffalo Springfield also showed a facility with country-rock, psychedelia, soul, and hard rock, all the while embracing the possibilities of the recording studios of Los Angeles.\r\n
      \r\n
      Now on 180 gram 45 RPM double LP you'll hear Foreigner in all its phenomenal glory. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering, this reissue rocks. Double LP cut at 45 RPM, pressed at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Stephen Stills (guitar, keyboards, vocals), Neil Young (lead guitar, vocals), Richie Furay (rhythm guitar, vocals), Dewey Martin (drums, vocals), Bruce Palmer (bass), Jim Messina (bass)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=80_39eAx3z8&list=RD80_39eAx3z8&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 023-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. For What It's Worth"
      ]
      [
        "ordre" => 2
        "nom" => "2. Go And Say Goodbye"
      ]
      [
        "ordre" => 3
        "nom" => "3. Sit Down I Think I Love You"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Nowadays Clancy Can't Even Sing"
      ]
      [
        "ordre" => 6
        "nom" => "2. Hot Dusty Roads"
      ]
      [
        "ordre" => 7
        "nom" => "3. Everybody's Wrong"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Flying On The Ground Is Wrong"
      ]
      [
        "ordre" => 10
        "nom" => "2. Burned"
      ]
      [
        "ordre" => 11
        "nom" => "3. Do I Have To Come Right Out And Say It"
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Leave"
      ]
      [
        "ordre" => 14
        "nom" => "2. Out Of My Mind"
      ]
      [
        "ordre" => 15
        "nom" => "3. Pay The Price"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2203 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2196 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2198 …}
    -enregistreLe: DateTime @1767299298 {#2189
      date: 2026-01-01 20:28:18.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767299586 {#2190
      date: 2026-01-01 20:33:06.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2200 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-buffalo-springfield-analogue-productions-atlantic-75-series-023-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2208
    -id: 2924
    -nom: "Buffalo Springfield Again"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Musicians :\r\n
      Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass), Dewey Martin (drums, percussion), Jim Fielder (bass), Byron Berline (fiddle), Doug Hastings (trumpet), James Burton (guitar), Ken Buttrey (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Buffalo Springfield's second album !\r\n
      - Featuring "Bluebird", "Rock & Roll Woman" and "Expecting to Fly" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.\r\n
      \r\n
      Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at N° 44 on the Billboard Top LPs chart. As of 2012 the album was N° 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow", both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.\r\n
      \r\n
      Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame", with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.\r\n
      \r\n
      Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qs1HL6zknhM&list=RDQs1HL6zknhM&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 024-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mr. Soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. A Child's Claim To Fame"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everydays"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Expecting To Fly"
      ]
      [
        "ordre" => 6
        "nom" => "2. Bluebird"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Hung Upside Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sad Memory"
      ]
      [
        "ordre" => 10
        "nom" => "3. Good Time Boy"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rock & Roll Woman"
      ]
      [
        "ordre" => 13
        "nom" => "2. Broken Arrow"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2211 …}
    -enregistreLe: DateTime @1767298269 {#2205
      date: 2026-01-01 20:11:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767298738 {#2206
      date: 2026-01-01 20:18:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-buffalo-springfield-again-analogue-productions-atlantic-75-series-024-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3609
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2208
    -id: 2924
    -nom: "Buffalo Springfield Again"
    -informationComplementaire: "AVAILABILITY : 31/01/2026 (subject Analogue Productions)"
    -description: """
      Musicians :\r\n
      Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass), Dewey Martin (drums, percussion), Jim Fielder (bass), Byron Berline (fiddle), Doug Hastings (trumpet), James Burton (guitar), Ken Buttrey (drums).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Buffalo Springfield's second album !\r\n
      - Featuring "Bluebird", "Rock & Roll Woman" and "Expecting to Fly" !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.\r\n
      \r\n
      Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at N° 44 on the Billboard Top LPs chart. As of 2012 the album was N° 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow", both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.\r\n
      \r\n
      Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame", with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.\r\n
      \r\n
      Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180 gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1854 …}
    -musicienOrchestre: "Stephen Stills (lead & rhythm guitars, bass, keyboards, vocals), Neil Young (lead & rhythm guitars, piano, harmonica, vocals), Richie Furay (rhythm guitar, vocals), Bruce Palmer (bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Qs1HL6zknhM&list=RDQs1HL6zknhM&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) 024-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Mr. Soul"
      ]
      [
        "ordre" => 2
        "nom" => "2. A Child's Claim To Fame"
      ]
      [
        "ordre" => 3
        "nom" => "3. Everydays"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Expecting To Fly"
      ]
      [
        "ordre" => 6
        "nom" => "2. Bluebird"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Hung Upside Down"
      ]
      [
        "ordre" => 9
        "nom" => "2. Sad Memory"
      ]
      [
        "ordre" => 10
        "nom" => "3. Good Time Boy"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Rock & Roll Woman"
      ]
      [
        "ordre" => 13
        "nom" => "2. Broken Arrow"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2194 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2216 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2209 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2211 …}
    -enregistreLe: DateTime @1767298269 {#2205
      date: 2026-01-01 20:11:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767298738 {#2206
      date: 2026-01-01 20:18:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2213 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-buffalo-springfield-again-analogue-productions-atlantic-75-series-024-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2221
    -id: 2662
    -nom: "Pink Floyd At Pompei i - MCMLXXII"
    -informationComplementaire: null
    -description: """
      - Pink Floyd at Pompeii - MCMLXXII !\r\n
      - Groundbreaking 1972 film directed by Adrian Maben !\r\n
      - Capturing Pink Floyd performing an intimate concert at the ancient Roman amphitheatre in Pompeii, Italy !\r\n
      - Digitally remastered from the original 35 mm footage, with enhanced audio newly mixed by producer / musician Steven Wilson !\r\n
      - Double LP features Wilson's new stereo mix !\r\n
      - Includes two bonus tracks !\r\n
      \r\n
      "Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favorite band. They are my "Beatles", deeply ingrained in my musical DNA. I first saw Pompeii in a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honor to remix the soundtrack to accompany Lana Topham's incredible restoration of the film, which looks like it could've been filmed yesterday". - Steven Wilson\r\n
      \r\n
      Pink Floyd at Pompeii is a 1972 concert film directed by Adrian Maben featuring Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a blistering live set to an empty stadium, aside from themselves and the crew. The main footage is filmed in and around the amphitheatre over four days in October 1971. The film was re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon, along with interviews at Abbey Road Studios.\r\n
      \r\n
      Pink Floyd at Pompeii - MCMLXXII is an incredible document of a band on the cusp of superstardom. The film has been restored from the original 35mm cut negative from 1972 in 4K meaning the scan is direct from the film that was rolling in the cameras on that hot day in Pompeii.\r\n
      \r\n
      Filmed in October 1971 without an audience the performance was the first live concert to take place at Pompeii, and features "Echoes", "A Saucerful of Secrets", and "Set The Controls For The Heart Of The Sun", among others. The film has undergone a full restoration: hand restored, frame-by-frame, from the original 35 mm cut negative recently discovered within Pink Floyd's own archives.\r\n
      \r\n
      Lana Topham, Director of Restoration for Pink Floyd, said : "Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full (nearly) 90 minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after".\r\n
      \r\n
      Steven Wilson has remixed the soundtrack in Dolby Atmos, 5.1 and stereo. The stereo mix features on the new 2 LP vinyl set, while the Atmos and 5.1 mixes are included on a separate Blu-ray edition that includes two cuts of Pink Floyd at Pompeii : the 85 minute feature film and the 60 minute concert. The two bonus tracks on the stereo 2 LP are "Careful With that Axe, Eugene Alternate Take" and "A Saucerful of Secrets Unedited".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Roger Waters (bass & rhytthm guitar, gong, cymbals, piano, vocals),  David Gilmour lead & slide guitar, harmonica, vocals), Richard Wright (organ Hammond, organ Farfisa, piano, VCS 3, lead vocals), Nick Mason (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tKM_fepLwFg&list=OLAK5uy_kcYjIgl_7Yfzs3hBzzuQkm1PybZp73K44&index=2"
    -referenceProduit: "Legacy Records 2311"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Pompeii Intro"
      ]
      [
        "ordre" => 2
        "nom" => "2. Echoes - Part 1"
      ]
      [
        "ordre" => 3
        "nom" => "3. Careful With That Axe, Eugene"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Saucerful of Secrets"
      ]
      [
        "ordre" => 6
        "nom" => "2. Set the Controls for the Heart of the Sun"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. One of These Days"
      ]
      [
        "ordre" => 9
        "nom" => "2. Mademoiselle Nobs 3."
      ]
      [
        "ordre" => 10
        "nom" => "Echoes - Part 2"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Careful With that Axe, Eugene - Alternate take"
      ]
      [
        "ordre" => 13
        "nom" => "2. A Saucerful of Secrets - Unedited"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1741681770 {#2218
      date: 2025-03-11 08:29:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767214960 {#2219
      date: 2025-12-31 21:02:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pink-floyd-at-pompei-i-mcmlxxii-legacy-records-2311"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3655
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2221
    -id: 2662
    -nom: "Pink Floyd At Pompei i - MCMLXXII"
    -informationComplementaire: null
    -description: """
      - Pink Floyd at Pompeii - MCMLXXII !\r\n
      - Groundbreaking 1972 film directed by Adrian Maben !\r\n
      - Capturing Pink Floyd performing an intimate concert at the ancient Roman amphitheatre in Pompeii, Italy !\r\n
      - Digitally remastered from the original 35 mm footage, with enhanced audio newly mixed by producer / musician Steven Wilson !\r\n
      - Double LP features Wilson's new stereo mix !\r\n
      - Includes two bonus tracks !\r\n
      \r\n
      "Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favorite band. They are my "Beatles", deeply ingrained in my musical DNA. I first saw Pompeii in a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honor to remix the soundtrack to accompany Lana Topham's incredible restoration of the film, which looks like it could've been filmed yesterday". - Steven Wilson\r\n
      \r\n
      Pink Floyd at Pompeii is a 1972 concert film directed by Adrian Maben featuring Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a blistering live set to an empty stadium, aside from themselves and the crew. The main footage is filmed in and around the amphitheatre over four days in October 1971. The film was re-released in 1974 with additional studio material of the band working on The Dark Side of the Moon, along with interviews at Abbey Road Studios.\r\n
      \r\n
      Pink Floyd at Pompeii - MCMLXXII is an incredible document of a band on the cusp of superstardom. The film has been restored from the original 35mm cut negative from 1972 in 4K meaning the scan is direct from the film that was rolling in the cameras on that hot day in Pompeii.\r\n
      \r\n
      Filmed in October 1971 without an audience the performance was the first live concert to take place at Pompeii, and features "Echoes", "A Saucerful of Secrets", and "Set The Controls For The Heart Of The Sun", among others. The film has undergone a full restoration: hand restored, frame-by-frame, from the original 35 mm cut negative recently discovered within Pink Floyd's own archives.\r\n
      \r\n
      Lana Topham, Director of Restoration for Pink Floyd, said : "Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full (nearly) 90 minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after".\r\n
      \r\n
      Steven Wilson has remixed the soundtrack in Dolby Atmos, 5.1 and stereo. The stereo mix features on the new 2 LP vinyl set, while the Atmos and 5.1 mixes are included on a separate Blu-ray edition that includes two cuts of Pink Floyd at Pompeii : the 85 minute feature film and the 60 minute concert. The two bonus tracks on the stereo 2 LP are "Careful With that Axe, Eugene Alternate Take" and "A Saucerful of Secrets Unedited".
      """
    -prixVente: "69.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Roger Waters (bass & rhytthm guitar, gong, cymbals, piano, vocals),  David Gilmour lead & slide guitar, harmonica, vocals), Richard Wright (organ Hammond, organ Farfisa, piano, VCS 3, lead vocals), Nick Mason (drums, percussion, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1192 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: true
    -extraitYoutube: "https://www.youtube.com/watch?v=tKM_fepLwFg&list=OLAK5uy_kcYjIgl_7Yfzs3hBzzuQkm1PybZp73K44&index=2"
    -referenceProduit: "Legacy Records 2311"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Pompeii Intro"
      ]
      [
        "ordre" => 2
        "nom" => "2. Echoes - Part 1"
      ]
      [
        "ordre" => 3
        "nom" => "3. Careful With That Axe, Eugene"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. A Saucerful of Secrets"
      ]
      [
        "ordre" => 6
        "nom" => "2. Set the Controls for the Heart of the Sun"
      ]
      [
        "ordre" => 7
        "nom" => "Side C : "
      ]
      [
        "ordre" => 8
        "nom" => "1. One of These Days"
      ]
      [
        "ordre" => 9
        "nom" => "2. Mademoiselle Nobs 3."
      ]
      [
        "ordre" => 10
        "nom" => "Echoes - Part 2"
      ]
      [
        "ordre" => 11
        "nom" => "Side D : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Careful With that Axe, Eugene - Alternate take"
      ]
      [
        "ordre" => 13
        "nom" => "2. A Saucerful of Secrets - Unedited"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2223 …}
    -label: Proxies\__CG__\App\Entity\Label {#2226 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2235 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2228 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2230 …}
    -enregistreLe: DateTime @1741681770 {#2218
      date: 2025-03-11 08:29:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767214960 {#2219
      date: 2025-12-31 21:02:40.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2232 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pink-floyd-at-pompei-i-mcmlxxii-legacy-records-2311"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2242
    -id: 2687
    -nom: "Close To The Edge"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Jon Anderson (lead vocals), Steve Howes (electric & acoustic guitar, sitar, backing vocals), Chris Squire (bass guitar, backing vocals), Rick Wakeman (keyboards (piano, Hammond organ, Mellotron, Minimoog, harpsichord, pipe organ), Bill Bruford (drums, percussion).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Yes' 1972 Atlantic Records masterpiece !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from a flat stereo copy of the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "Kevin Gray's take on this progressive rock masterpiece magnifies some of the album's more intricate elements. Between shimmering acoustics, textural electric sitar, and biting leads, Steve Howe's guitar work throughout this album is versatile as ever. There's impeccable separation to the harmonies, often positioning Jon Anderson's airy lead vocal perfectly in the center. If I had to pick one particular moment of wowness on this pressing that stood out above the rest, the 'Eclipse' movement from 'And You And I' was borderline tear-jerking. The accented kick drum, ethereal pedal steel guitar, and Mellotron sways majestically and meshes perfectly together... This Analogue Productions pressing was the first time in ages that I closed my eyes and locked in with pure enjoyment, something I resonated with when I first heard (The album) in my early adolescence". - Music = 11/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the full review here. \r\n
      \r\n
      "... at the first you're just aware of this clarity which is really quite startlingly good, you know... there is a noise floor, but it's it's vanishingly low... you'll hear other things that you haven't heard before because of it... the album is staggeringly good. It's, you know, it's one of the best prog rock one of the best albums ever made. Simple as that. In my opinion, it's absolutely beautiful. Absolutely stunningly beautiful. The Analogue Productions Atlantic 75th Anniversary takes that and it just it just removes a few decades and a few veils and a few levels away levels of detachment away from the studio setting. And it makes you feel like you really are in that studio listening". - Dave Denyer, YouTube video\r\n
      \r\n
      Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.\r\n
      \r\n
      The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.\r\n
      \r\n
      Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle perhaps even magic that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history".\r\n
      \r\n
      The album's centrepiece is the 18 minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru". Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.\r\n
      \r\n
      Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and N° 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.\r\n
      \r\n
      In 2020, Close to the Edge was ranked at N° 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Steve Howes (electric & acoustic guitar, sitar, backing vocals), Chris Squire (bass guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Close To The Edge Pt. 1 : "
      ]
      [
        "ordre" => 2
        "nom" => "a. The Solid Time Of Change"
      ]
      [
        "ordre" => 3
        "nom" => "b. Total Mass Retain"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Close To The Edge Pt. 2 :"
      ]
      [
        "ordre" => 6
        "nom" => "c. I Get Up, I Get Down"
      ]
      [
        "ordre" => 7
        "nom" => "d. Seasons Of Man"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. And You And I :"
      ]
      [
        "ordre" => 10
        "nom" => "a. Cord Of Life"
      ]
      [
        "ordre" => 11
        "nom" => "b. Eclipse"
      ]
      [
        "ordre" => 12
        "nom" => "c. The Preacher, The Teacher"
      ]
      [
        "ordre" => 13
        "nom" => "d. The Apocalypse"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Siberian Khatru"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1754298117 {#2238
      date: 2025-08-04 09:01:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767028759 {#2237
      date: 2025-12-29 17:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-close-to-the-edge-analogue-productions-atlantic-75-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3706
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2242
    -id: 2687
    -nom: "Close To The Edge"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Jon Anderson (lead vocals), Steve Howes (electric & acoustic guitar, sitar, backing vocals), Chris Squire (bass guitar, backing vocals), Rick Wakeman (keyboards (piano, Hammond organ, Mellotron, Minimoog, harpsichord, pipe organ), Bill Bruford (drums, percussion).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - Yes' 1972 Atlantic Records masterpiece !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from a flat stereo copy of the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "Kevin Gray's take on this progressive rock masterpiece magnifies some of the album's more intricate elements. Between shimmering acoustics, textural electric sitar, and biting leads, Steve Howe's guitar work throughout this album is versatile as ever. There's impeccable separation to the harmonies, often positioning Jon Anderson's airy lead vocal perfectly in the center. If I had to pick one particular moment of wowness on this pressing that stood out above the rest, the 'Eclipse' movement from 'And You And I' was borderline tear-jerking. The accented kick drum, ethereal pedal steel guitar, and Mellotron sways majestically and meshes perfectly together... This Analogue Productions pressing was the first time in ages that I closed my eyes and locked in with pure enjoyment, something I resonated with when I first heard (The album) in my early adolescence". - Music = 11/11; Sound = 10/11 - Dylan Peggin, TrackingAngle.com. Read the full review here. \r\n
      \r\n
      "... at the first you're just aware of this clarity which is really quite startlingly good, you know... there is a noise floor, but it's it's vanishingly low... you'll hear other things that you haven't heard before because of it... the album is staggeringly good. It's, you know, it's one of the best prog rock one of the best albums ever made. Simple as that. In my opinion, it's absolutely beautiful. Absolutely stunningly beautiful. The Analogue Productions Atlantic 75th Anniversary takes that and it just it just removes a few decades and a few veils and a few levels away levels of detachment away from the studio setting. And it makes you feel like you really are in that studio listening". - Dave Denyer, YouTube video\r\n
      \r\n
      Yes's 1972 3-track recording masterpiece, Close to the Edge, presents a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit.\r\n
      \r\n
      The first half of the 1970s was an especially fertile period for British progressive rock, laying claim to classics such as Tarkus, Selling England by the Pound, Larks' Tongues in Aspic, The Dark Side of the Moon, and Thick as a Brick. Collectively these and other works represent the best British progressive rock had to offer. Yet, many reviewers cite Close to the Edge as the ultimate prog rock album.\r\n
      \r\n
      Author and music journalist Will Romano writes: "Yes had previously penned epic tracks for The Yes Album and Fragile, but nothing on the magnitude of the musical gems appearing on Close to the Edge. It's something of a small miracle perhaps even magic that the virtuoso quintet crafted such a cohesive and compelling album during an often-hectic recording process that very nearly relegated this monumental work to the dustbin of history".\r\n
      \r\n
      The album's centrepiece is the 18 minute title track, with themes and lyrics inspired by the Herman Hesse novel Siddhartha. Side two contains two non-conceptual tracks, the folk-inspired "And You and I" and the comparatively straightforward rocker "Siberian Khatru". Original drummer Bill Bruford found the album particularly laborious to make, which culminated in his decision to quit the band after it was recorded, to join King Crimson.\r\n
      \r\n
      Close to the Edge became the band's greatest commercial success at the time of release. It peaked at No. 4 on the U.K. Albums Chart and N° 3 on the Billboard 200 in the United States, the highest position Yes has reached on the latter chart.\r\n
      \r\n
      In 2020, Close to the Edge was ranked at N° 445 on Rolling Stone's list of the 500 Greatest Albums of All Time.\r\n
      \r\n
      Mastered by Kevin Gray at Cohearent Audio. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Steve Howes (electric & acoustic guitar, sitar, backing vocals), Chris Squire (bass guitar, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Close To The Edge Pt. 1 : "
      ]
      [
        "ordre" => 2
        "nom" => "a. The Solid Time Of Change"
      ]
      [
        "ordre" => 3
        "nom" => "b. Total Mass Retain"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Close To The Edge Pt. 2 :"
      ]
      [
        "ordre" => 6
        "nom" => "c. I Get Up, I Get Down"
      ]
      [
        "ordre" => 7
        "nom" => "d. Seasons Of Man"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. And You And I :"
      ]
      [
        "ordre" => 10
        "nom" => "a. Cord Of Life"
      ]
      [
        "ordre" => 11
        "nom" => "b. Eclipse"
      ]
      [
        "ordre" => 12
        "nom" => "c. The Preacher, The Teacher"
      ]
      [
        "ordre" => 13
        "nom" => "d. The Apocalypse"
      ]
      [
        "ordre" => 14
        "nom" => "Side D : "
      ]
      [
        "ordre" => 15
        "nom" => "1. Siberian Khatru"
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2253 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2246 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2248 …}
    -enregistreLe: DateTime @1754298117 {#2238
      date: 2025-08-04 09:01:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767028759 {#2237
      date: 2025-12-29 17:19:19.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2250 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-close-to-the-edge-analogue-productions-atlantic-75-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

[
  "produit" => App\Entity\Produit {#2258
    -id: 2690
    -nom: "The Yes Album"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - One of the finest albums of the classic rock era !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Unbelieve achievement of modern mastering technique ! Breathtaking, this sounds unreal ! This is not from this earth, in a way". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.\r\n
      \r\n
      With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass / vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars / vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.\r\n
      \r\n
      This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace", the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.\r\n
      \r\n
      Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven guitar work of Steve Howe's "Clap", Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.\r\n
      \r\n
      The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached N° 4 in the United Kingdom and N° 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.\r\n
      \r\n
      Analogue Productions is proud to offer the definitive reissue deluxe 180 gram 45 RPM (2 LP) of The Yes Album. For Yes fans, this is a can't-miss addition to your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass guitar, vocals), Steve Howe (guitars, vocals), Tony Kaye (keyboards), Bill Bruford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9u-kcOm0DDQ&list=RD9u-kcOm0DDQ&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Yours Is No Disgrace"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. The Clap"
      ]
      [
        "ordre" => 4
        "nom" => "2. Starship Trooper :"
      ]
      [
        "ordre" => 5
        "nom" => "a. Life Seeker"
      ]
      [
        "ordre" => 6
        "nom" => "b. Disillusion"
      ]
      [
        "ordre" => 7
        "nom" => "c. Wurm"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I've Seen All Good People :"
      ]
      [
        "ordre" => 10
        "nom" => "a. Your Move"
      ]
      [
        "ordre" => 11
        "nom" => "b. All Good People"
      ]
      [
        "ordre" => 12
        "nom" => "2. A Venture"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Perpetual Change"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2259 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2261 …}
    -enregistreLe: DateTime @1754302449 {#2255
      date: 2025-08-04 10:14:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027765 {#2256
      date: 2025-12-29 17:02:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-yes-album-analogue-productions-atlantic-75-series"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3759
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2689 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1836 …}
  +produit: App\Entity\Produit {#2258
    -id: 2690
    -nom: "The Yes Album"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - One of the finest albums of the classic rock era !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original analog master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      "Unbelieve achievement of modern mastering technique ! Breathtaking, this sounds unreal ! This is not from this earth, in a way". - Michael Ludwigs, 45 RPM Audiophile, YouTube video\r\n
      \r\n
      After half a century of crafting an astonishing array of chart-topping albums and embarking on triumphant global tours, Yes's The Yes Album marks the origin of their meteoric rise, through the recording sessions for this 1971 masterpiece.\r\n
      \r\n
      With an ever interesting line-up of world class musicianship, this highly regarded chapter of Yes consisted of Jon Anderson (vocals), Chris Squire (bass / vocals), Bill Bruford (drums), Tony Kaye (keyboards) and the introduction of Steve Howe (guitars / vocals), The Yes Album was the band's breakthrough album, ultimately remaining on the sales charts for 34 weeks, selling more than 1 million copies.\r\n
      \r\n
      This important piece of music consists of six amazing Yes workouts such as the definitive album opener "Yours Is No Disgrace", the hard rocking "Starship Trooper" and the brilliant "I've Seen All Good People" plus the massive hit single "Your Move." From this moment on, there was no looking back for this superstar quintet.\r\n
      \r\n
      Yes enthusiasts were superlatively rewarded with even more progressive rock favorites as the brilliant acoustic driven guitar work of Steve Howe's "Clap", Chris Squire and Jon Anderson's superb "Perpetual Change" and the jazz-rock fusion of "A Venture" truly made this album a standout.\r\n
      \r\n
      The album was a critical success and a major commercial breakthrough for Yes, who had been at risk of being dropped by Atlantic due to the commercial failures of their first two albums. It reached N° 4 in the United Kingdom and N° 40 in the United States, and was later certified platinum by the Recording Industry Association of America for surpassing 1 million copies.\r\n
      \r\n
      Analogue Productions is proud to offer the definitive reissue deluxe 180 gram 45 RPM (2 LP) of The Yes Album. For Yes fans, this is a can't-miss addition to your album collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1917 …}
    -musicienOrchestre: "Jon Anderson (lead vocals), Chris Squire (bass guitar, vocals), Steve Howe (guitars, vocals), Tony Kaye (keyboards), Bill Bruford (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1186 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1193 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=9u-kcOm0DDQ&list=RD9u-kcOm0DDQ&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series)"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Yours Is No Disgrace"
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. The Clap"
      ]
      [
        "ordre" => 4
        "nom" => "2. Starship Trooper :"
      ]
      [
        "ordre" => 5
        "nom" => "a. Life Seeker"
      ]
      [
        "ordre" => 6
        "nom" => "b. Disillusion"
      ]
      [
        "ordre" => 7
        "nom" => "c. Wurm"
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. I've Seen All Good People :"
      ]
      [
        "ordre" => 10
        "nom" => "a. Your Move"
      ]
      [
        "ordre" => 11
        "nom" => "b. All Good People"
      ]
      [
        "ordre" => 12
        "nom" => "2. A Venture"
      ]
      [
        "ordre" => 13
        "nom" => "Side D : "
      ]
      [
        "ordre" => 14
        "nom" => "1. Perpetual Change"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2244 …}
    -label: Proxies\__CG__\App\Entity\Label {#2099 …}
    -style: App\Entity\Style {#1116 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2266 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2259 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2261 …}
    -enregistreLe: DateTime @1754302449 {#2255
      date: 2025-08-04 10:14:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1767027765 {#2256
      date: 2025-12-29 17:02:45.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1100 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2263 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-yes-album-analogue-productions-atlantic-75-series"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3955
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2457 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3956 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#4004 …}
  +isValidated: false
  +validatedFields: []
}