Components
4
Twig Components
12
Render Count
8
ms
Render Time
6.0
MiB
Memory Usage
Components
| Name | Metadata | Render Count | Render Time |
|---|---|---|---|
| GestionPanierFavoriComponents |
"App\Twig\Components\GestionPanierFavoriComponents"components/GestionPanierFavoriComponents.html.twig |
9 | 3.33ms |
| GestionEntetePageComponents |
"App\Twig\Components\GestionEntetePageComponents"components/GestionEntetePageComponents.html.twig |
1 | 2.75ms |
| ListePanier |
"App\Twig\Components\ListePanier"components/ListePanier.html.twig |
1 | 1.44ms |
| AjoutMailNewsletterComponent |
"App\Twig\Components\AjoutMailNewsletterComponent"components/AjoutMailNewsletterComponent.html.twig |
1 | 0.25ms |
Render calls
| GestionEntetePageComponents | App\Twig\Components\GestionEntetePageComponents | 6.0 MiB | 2.75 ms | |
|---|---|---|---|---|
| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionEntetePageComponents {#2570 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| ListePanier | App\Twig\Components\ListePanier | 6.0 MiB | 1.44 ms | |
|---|---|---|---|---|
| Input props | [ "listeModal" => true "categorieProduitEnum" => [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] ] |
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| Attributes | [] |
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| Component | App\Twig\Components\ListePanier {#2647 #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2650 …} -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -gestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +listePanier: null +listeModal: true +paysForme: null +paysSelectionne: null +selectedPays: null +fraisLivraison: 17.5 +montantTotal: 35.0 +tempsLivraison: 0 +quantite: 0 +categorieProduitEnum: [ "VINYLES" => "Vinyles" "MATERIEL_HIFI" => "Matériel HiFi" "ACCESSOIRES" => "Accessoires" "MASTER_TAPES" => "Master Tapes" ] -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} -formView: Symfony\Component\Form\FormView {#2686 …} -form: Symfony\Component\Form\Form {#2836 …} +formName: "pays" +formValues: [ "nom" => "" ] +isValidated: false +validatedFields: [] -shouldAutoSubmitForm: true } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.77 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#1921 -id: 2895 -nom: "Farewell, Angelina (60th Anniversary)" -informationComplementaire: null -description: """ - Joan Baez "Farewell, Angelina" !\r\n - The sixth album by folk icon Joan Baez !\r\n - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n - Pressed on 180 gram vinyl at Fidelity Record Pressing !\r\n - Housed in a tip-on jacket !\r\n \r\n Farewell, Angelina is the sixth studio album by folk icon, Joan Baez. Originally released in 1965, the album peaked at N° 10 on the Billboard 200. Featuring traditional folk standards alongside tracks written by Bob Dylan, Woody Guthrie, Pete Seeger, and more, No Depression hailed the album as "perhaps the finest sounding folk record ever." This album has been pressed on 180 gram vinyl at Fidelity Record Pressing with lacquers cut by Kevin Gray at Cohearent Audio, and is housed in a tip-on jacket. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Bruce Langhorne (electric guitar), Russ Savakus (bass), Richard Romoff (string bass), Ralph Rinzler (mandolin)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=fuhE4_jOLy0&list=RDfuhE4_jOLy0&start_radio=1" -referenceProduit: "Concord Craft Recording 0917" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Farewell, Angelina" ] [ "ordre" => 2 "nom" => "2. Daddy, You Been On My Mind" ] [ "ordre" => 3 "nom" => "3. It's All Over Now, Baby Blue" ] [ "ordre" => 4 "nom" => "4. The Wild Mountain Thyme" ] [ "ordre" => 5 "nom" => "5. Ranger's Command" ] [ "ordre" => 6 "nom" => "6. Colours" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. Satisfied Mind" ] [ "ordre" => 9 "nom" => "2. The River In The Pines" ] [ "ordre" => 10 "nom" => "3. Pauvre Ruteboeuf" ] [ "ordre" => 11 "nom" => "4. Sagt Mir Wo Die Blumen Sind" ] [ "ordre" => 12 "nom" => "5. A Hard Rain's A-Gonna Fall" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2077 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1951 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2065 …} -enregistreLe: DateTime @1761585533 {#1911 : 2025-10-27 17:18:53.0 UTC (+00:00) } -modifierLe: DateTime @1769693260 {#1904 : 2026-01-29 13:27:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-farewell-angelina-60th-anniversary-concord-craft-recording-0917" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3108 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#1921 -id: 2895 -nom: "Farewell, Angelina (60th Anniversary)" -informationComplementaire: null -description: """ - Joan Baez "Farewell, Angelina" !\r\n - The sixth album by folk icon Joan Baez !\r\n - Lacquers cut by Kevin Gray at Cohearent Audio !\r\n - Pressed on 180 gram vinyl at Fidelity Record Pressing !\r\n - Housed in a tip-on jacket !\r\n \r\n Farewell, Angelina is the sixth studio album by folk icon, Joan Baez. Originally released in 1965, the album peaked at N° 10 on the Billboard 200. Featuring traditional folk standards alongside tracks written by Bob Dylan, Woody Guthrie, Pete Seeger, and more, No Depression hailed the album as "perhaps the finest sounding folk record ever." This album has been pressed on 180 gram vinyl at Fidelity Record Pressing with lacquers cut by Kevin Gray at Cohearent Audio, and is housed in a tip-on jacket. """ -prixVente: "38.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Bruce Langhorne (electric guitar), Russ Savakus (bass), Richard Romoff (string bass), Ralph Rinzler (mandolin)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=fuhE4_jOLy0&list=RDfuhE4_jOLy0&start_radio=1" -referenceProduit: "Concord Craft Recording 0917" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Farewell, Angelina" ] [ "ordre" => 2 "nom" => "2. Daddy, You Been On My Mind" ] [ "ordre" => 3 "nom" => "3. It's All Over Now, Baby Blue" ] [ "ordre" => 4 "nom" => "4. The Wild Mountain Thyme" ] [ "ordre" => 5 "nom" => "5. Ranger's Command" ] [ "ordre" => 6 "nom" => "6. Colours" ] [ "ordre" => 7 "nom" => "Side B : " ] [ "ordre" => 8 "nom" => "1. Satisfied Mind" ] [ "ordre" => 9 "nom" => "2. The River In The Pines" ] [ "ordre" => 10 "nom" => "3. Pauvre Ruteboeuf" ] [ "ordre" => 11 "nom" => "4. Sagt Mir Wo Die Blumen Sind" ] [ "ordre" => 12 "nom" => "5. A Hard Rain's A-Gonna Fall" ] [ "ordre" => 13 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2077 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#1951 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2065 …} -enregistreLe: DateTime @1761585533 {#1911 : 2025-10-27 17:18:53.0 UTC (+00:00) } -modifierLe: DateTime @1769693260 {#1904 : 2026-01-29 13:27:40.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-farewell-angelina-60th-anniversary-concord-craft-recording-0917" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.35 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2098 -id: 737 -nom: "Diamonds and Rust in the Bullring" -informationComplementaire: null -description: """ - Mastered from the original analog tape by Kevin Gray at Cohearent Audio !\r\n - 180 gram vinyl plated and pressed at Quality Record Pressings !\r\n - Tip-on jacket by Stoughton Printing !\r\n \r\n The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection (side two of the LP and cassette, tracks seven through 12 of the CD) consists of songs sung in Spanish.\r\n \r\n "This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan Txoria Txori is about a sweet little bird... ! Want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully". - Joan Baez. Illustrations by Joan Baez, additional vocals Mercedes Sosa. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Mercedes Sosa (vocals), John Acosta (cello), Laythan Armor (synthesizer, keyboards), Cesar Cancino (piano, cello), Jean Marie Ecay (guitar), Jose Agustin Guereu (bass), Costel Restea (cello), Begnat Amorena (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=fF7UZHud2HY" -referenceProduit: "Analogue Productions AAPF 080" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Diamonds and Rust" ] [ "ordre" => 2 "nom" => "2. Ain't Gonna Let Nobody Turn Me Around" ] [ "ordre" => 3 "nom" => "3. No Woman No Cry" ] [ "ordre" => 4 "nom" => "4. Famous Blue Raincoat" ] [ "ordre" => 5 "nom" => "5. Swing Low Sweet Chariot" ] [ "ordre" => 6 "nom" => "6. Let It Be" ] [ "ordre" => 7 "nom" => "Side B :" ] [ "ordre" => 8 "nom" => "1. El Preso Numero Nueve" ] [ "ordre" => 9 "nom" => "2. Llego Con Tres Heridas" ] [ "ordre" => 10 "nom" => "3. Txoria Txori" ] [ "ordre" => 11 "nom" => "4. Ellas Danzan Solas (Cueca Sola)" ] [ "ordre" => 12 "nom" => "5. Gracias A La Vida" ] [ "ordre" => 13 "nom" => "6. No Nos Moveran" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#2100 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …} -enregistreLe: DateTime @1420474605 {#2091 : 2015-01-05 16:16:45.0 UTC (+00:00) } -modifierLe: DateTime @1769693127 {#2092 : 2026-01-29 13:25:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-diamonds-and-rust-in-the-bullring-analogue-productions-aapf-080" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3224 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2098 -id: 737 -nom: "Diamonds and Rust in the Bullring" -informationComplementaire: null -description: """ - Mastered from the original analog tape by Kevin Gray at Cohearent Audio !\r\n - 180 gram vinyl plated and pressed at Quality Record Pressings !\r\n - Tip-on jacket by Stoughton Printing !\r\n \r\n The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection (side two of the LP and cassette, tracks seven through 12 of the CD) consists of songs sung in Spanish.\r\n \r\n "This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people pf Bilbao, who came out between thunderstorms to see me perform. The song in Catalan Txoria Txori is about a sweet little bird... ! Want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully". - Joan Baez. Illustrations by Joan Baez, additional vocals Mercedes Sosa. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Mercedes Sosa (vocals), John Acosta (cello), Laythan Armor (synthesizer, keyboards), Cesar Cancino (piano, cello), Jean Marie Ecay (guitar), Jose Agustin Guereu (bass), Costel Restea (cello), Begnat Amorena (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=fF7UZHud2HY" -referenceProduit: "Analogue Productions AAPF 080" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Diamonds and Rust" ] [ "ordre" => 2 "nom" => "2. Ain't Gonna Let Nobody Turn Me Around" ] [ "ordre" => 3 "nom" => "3. No Woman No Cry" ] [ "ordre" => 4 "nom" => "4. Famous Blue Raincoat" ] [ "ordre" => 5 "nom" => "5. Swing Low Sweet Chariot" ] [ "ordre" => 6 "nom" => "6. Let It Be" ] [ "ordre" => 7 "nom" => "Side B :" ] [ "ordre" => 8 "nom" => "1. El Preso Numero Nueve" ] [ "ordre" => 9 "nom" => "2. Llego Con Tres Heridas" ] [ "ordre" => 10 "nom" => "3. Txoria Txori" ] [ "ordre" => 11 "nom" => "4. Ellas Danzan Solas (Cueca Sola)" ] [ "ordre" => 12 "nom" => "5. Gracias A La Vida" ] [ "ordre" => 13 "nom" => "6. No Nos Moveran" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#2100 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2109 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2102 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2104 …} -enregistreLe: DateTime @1420474605 {#2091 : 2015-01-05 16:16:45.0 UTC (+00:00) } -modifierLe: DateTime @1769693127 {#2092 : 2026-01-29 13:25:27.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2106 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-diamonds-and-rust-in-the-bullring-analogue-productions-aapf-080" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.33 ms | |
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| Input props | [ "produit" => App\Entity\Produit {#2114 -id: 1100 -nom: "Recently" -informationComplementaire: null -description: """ - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n - 180 gram vinyl pressing by Quality Record Pressings !\r\n - Deluxe tip-on gatefold jacket !\r\n \r\n In 1987, the "Madonna of Folk" returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel - performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums.\r\n \r\n We've taken a classic and kicked it up a notch. Several notches, in fact. This 180 gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by QRP's master technician Gary Salstrom, topped off by a heavy cardboard gatefold jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better ?\r\n \r\n The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists.\r\n \r\n The track "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1954 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Caleb Quaye, Fred Tackett, Paul Jackson Jr. (guitar), Tony Wilkins (organ Hammon B3), Laythan Armor (piano, synthesizer), Cesar Cancino, John Hobbs (keyboards, synthesizer), Abraham Laboriel (bass), John Robinson (drums)…" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Wqkvx1adK6o" -referenceProduit: "Analogue Productions AAPP 112" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Brothers In Arms" ] [ "ordre" => 2 "nom" => "2. Recently" ] [ "ordre" => 3 "nom" => "3. Asimbonanga" ] [ "ordre" => 4 "nom" => "4. The Moon Is A Harsh Mistress" ] [ "ordre" => 5 "nom" => "5. James & The Gang" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Let Us Break Bread Together/Freedom" ] [ "ordre" => 8 "nom" => "2. MLK" ] [ "ordre" => 9 "nom" => "3. Do Right Woman, Do Right Man" ] [ "ordre" => 10 "nom" => "4. Biko" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#2100 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2115 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2117 …} -enregistreLe: DateTime @1482440924 {#2111 : 2016-12-22 21:08:44.0 UTC (+00:00) } -modifierLe: DateTime @1769692428 {#2112 : 2026-01-29 13:13:48.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-recently-analogue-productions-aapp-112" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3272 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2114 -id: 1100 -nom: "Recently" -informationComplementaire: null -description: """ - Mastered by Kevin Gray at Cohearent Audio from the original analog tapes !\r\n - 180 gram vinyl pressing by Quality Record Pressings !\r\n - Deluxe tip-on gatefold jacket !\r\n \r\n In 1987, the "Madonna of Folk" returned to U.S. record shops with a vengeance, delivering here interpretations of songs by Dire Straits, Johnny Clegg, U2 and Peter Gabriel - performers, writes AllMusic, whose political consciousness had been formed by listening to old Joan Baez albums.\r\n \r\n We've taken a classic and kicked it up a notch. Several notches, in fact. This 180 gram stunner, pressed at Quality Record Pressings, was expertly remastered by Kevin Gray at Cohearent Audio. Lacquer plating was by QRP's master technician Gary Salstrom, topped off by a heavy cardboard gatefold jacket from Stoughton Printing with vibrantly reproduced original artwork. How does it get any better ?\r\n \r\n The title track from Recently is a stunning Joan Baez original, where she boldly answers ex-husband David Harris' downbeat memoir of the '60s, Dreams Die Hard, as well as other '80s revisionists.\r\n \r\n The track "Asimbognagna" was nominated for a Grammy Award for Best Contemporary Folk Recording. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1954 …} -musicienOrchestre: "Joan Baez (guitar, vocals), Caleb Quaye, Fred Tackett, Paul Jackson Jr. (guitar), Tony Wilkins (organ Hammon B3), Laythan Armor (piano, synthesizer), Cesar Cancino, John Hobbs (keyboards, synthesizer), Abraham Laboriel (bass), John Robinson (drums)…" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=Wqkvx1adK6o" -referenceProduit: "Analogue Productions AAPP 112" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Brothers In Arms" ] [ "ordre" => 2 "nom" => "2. Recently" ] [ "ordre" => 3 "nom" => "3. Asimbonanga" ] [ "ordre" => 4 "nom" => "4. The Moon Is A Harsh Mistress" ] [ "ordre" => 5 "nom" => "5. James & The Gang" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. Let Us Break Bread Together/Freedom" ] [ "ordre" => 8 "nom" => "2. MLK" ] [ "ordre" => 9 "nom" => "3. Do Right Woman, Do Right Man" ] [ "ordre" => 10 "nom" => "4. Biko" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#1946 …} -label: Proxies\__CG__\App\Entity\Label {#2100 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2122 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2115 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2117 …} -enregistreLe: DateTime @1482440924 {#2111 : 2016-12-22 21:08:44.0 UTC (+00:00) } -modifierLe: DateTime @1769692428 {#2112 : 2026-01-29 13:13:48.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2119 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-recently-analogue-productions-aapp-112" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2129 -id: 1089 -nom: "Jerry Garcia & David Grisman" -informationComplementaire: null -description: """ Garcia and Grisman Put on Virtuosic Performance, Make Way Through Pop Standards, Blues Classics, Folk Staples, Bluegrass Jaunts, and More !\r\n \r\n Unadorned with any post-production tricks or overdubs, Garcia/Grisman breathes with naturalism and presence. You will effortlessly detect the full body of the instruments, witness the woody grain textures, and get lost in the surprisingly velvety qualities of Garcia's lullaby-like singing. Our pressing also marks the first time this delightfully joyous affair has been issued in analog form. You will never hear a better-sounding Americana-styled recording.\r\n \r\n Pals since the mid-1960s, Garcia and Grisman bonded over their love for traditional folk and bluegrass. The two teamed up amidst what became a gold rush of top-notch productivity and creativity for Garcia. Partnering with bassist Jim Kerwin and percussionist / fiddler Joe Craven, the pair approaches every passage with innate ease, as if either musician could finish the others sentence. The affable chemistry and soothing interplay wash over a selection of songs as notable for their diversity as the way Garcia and "Dawg" turn them into the equivalent of old friends you haven't seen in years.\r\n \r\n Exquisite melodies and jewel-shaped notes decorate the simple, convivial structures of tunes that hop, jump, skip, skitter, and bop. The atmosphere is reminiscent of the legendary gypsy-jazz exchanges between Django Reinhardt and Stephane Grappelli, and equally sharp. Swirling with Middle Eastern modality, the closing 16-minute-plus rendition of Grisman's rippling "Arabia" complete with a section based on a Cuban fold theme is alone enough worth the price of admission to this sensational session. But there's so much more.\r\n \r\n The quartet delves into Celtic themes "Two Soldiers", jazz-grass "Grateful Dawg", old-world ballads "Russian Lullaby", and Appalachian flavors "Walkin' Boss" with nonpareil skill and soulfulness. Garcia and Grisman's tandem picking throughout epitomize sublime. And for many listeners, the duo's revised version of the Grateful Dead staple "Friend of the Devil" ranks as the finest-ever recorded, the pace patient, the narrative vocals heartfelt, and the synchronous solos tailor-made for the enveloping progression. Better yet, it's all captured in astonishing fidelity. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Jerry Garcia (guitar, vocals), David Grisman (mandolin), Jim Kerwin (bass), Joe Craven, percussion (fiddle)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JWzwTm2NfIE" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-430" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. The Thrill Is Gone" ] [ "ordre" => 2 "nom" => "2. Grateful Dawg" ] [ "ordre" => 3 "nom" => "3. Two Soldiers" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Friend of the Devil" ] [ "ordre" => 6 "nom" => "2. Russian Lullaby" ] [ "ordre" => 7 "nom" => "3. Dawg’s Waltz " ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Walkin’ Boss" ] [ "ordre" => 10 "nom" => "2. Rockin’ Chair" ] [ "ordre" => 11 "nom" => "Side D :" ] [ "ordre" => 12 "nom" => "1. Arabia" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …} -enregistreLe: DateTime @1480676443 {#2125 : 2016-12-02 11:00:43.0 UTC (+00:00) } -modifierLe: DateTime @1769540212 {#2124 : 2026-01-27 18:56:52.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jerry-garcia-david-grisman-mobile-fidelity-sound-lab-mfsl-2-430" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3318 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2129 -id: 1089 -nom: "Jerry Garcia & David Grisman" -informationComplementaire: null -description: """ Garcia and Grisman Put on Virtuosic Performance, Make Way Through Pop Standards, Blues Classics, Folk Staples, Bluegrass Jaunts, and More !\r\n \r\n Unadorned with any post-production tricks or overdubs, Garcia/Grisman breathes with naturalism and presence. You will effortlessly detect the full body of the instruments, witness the woody grain textures, and get lost in the surprisingly velvety qualities of Garcia's lullaby-like singing. Our pressing also marks the first time this delightfully joyous affair has been issued in analog form. You will never hear a better-sounding Americana-styled recording.\r\n \r\n Pals since the mid-1960s, Garcia and Grisman bonded over their love for traditional folk and bluegrass. The two teamed up amidst what became a gold rush of top-notch productivity and creativity for Garcia. Partnering with bassist Jim Kerwin and percussionist / fiddler Joe Craven, the pair approaches every passage with innate ease, as if either musician could finish the others sentence. The affable chemistry and soothing interplay wash over a selection of songs as notable for their diversity as the way Garcia and "Dawg" turn them into the equivalent of old friends you haven't seen in years.\r\n \r\n Exquisite melodies and jewel-shaped notes decorate the simple, convivial structures of tunes that hop, jump, skip, skitter, and bop. The atmosphere is reminiscent of the legendary gypsy-jazz exchanges between Django Reinhardt and Stephane Grappelli, and equally sharp. Swirling with Middle Eastern modality, the closing 16-minute-plus rendition of Grisman's rippling "Arabia" complete with a section based on a Cuban fold theme is alone enough worth the price of admission to this sensational session. But there's so much more.\r\n \r\n The quartet delves into Celtic themes "Two Soldiers", jazz-grass "Grateful Dawg", old-world ballads "Russian Lullaby", and Appalachian flavors "Walkin' Boss" with nonpareil skill and soulfulness. Garcia and Grisman's tandem picking throughout epitomize sublime. And for many listeners, the duo's revised version of the Grateful Dead staple "Friend of the Devil" ranks as the finest-ever recorded, the pace patient, the narrative vocals heartfelt, and the synchronous solos tailor-made for the enveloping progression. Better yet, it's all captured in astonishing fidelity. """ -prixVente: "99.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Jerry Garcia (guitar, vocals), David Grisman (mandolin), Jim Kerwin (bass), Joe Craven, percussion (fiddle)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=JWzwTm2NfIE" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-430" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. The Thrill Is Gone" ] [ "ordre" => 2 "nom" => "2. Grateful Dawg" ] [ "ordre" => 3 "nom" => "3. Two Soldiers" ] [ "ordre" => 4 "nom" => "Side B :" ] [ "ordre" => 5 "nom" => "1. Friend of the Devil" ] [ "ordre" => 6 "nom" => "2. Russian Lullaby" ] [ "ordre" => 7 "nom" => "3. Dawg’s Waltz " ] [ "ordre" => 8 "nom" => "Side C :" ] [ "ordre" => 9 "nom" => "1. Walkin’ Boss" ] [ "ordre" => 10 "nom" => "2. Rockin’ Chair" ] [ "ordre" => 11 "nom" => "Side D :" ] [ "ordre" => 12 "nom" => "1. Arabia" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2136 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …} -enregistreLe: DateTime @1480676443 {#2125 : 2016-12-02 11:00:43.0 UTC (+00:00) } -modifierLe: DateTime @1769540212 {#2124 : 2026-01-27 18:56:52.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-jerry-garcia-david-grisman-mobile-fidelity-sound-lab-mfsl-2-430" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
|||
| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2148 -id: 2917 -nom: "Verities & Balderdash" -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Mobile Fidelity Sound Lab)" -description: """ - The 1974 Folk-Rock Album That Impacted Generations: Harry Chapin’s Verities & Balderdash Features “Cat’s in the Cradle”, Personal Narratives, and Gorgeous Arrangements !\r\n - Hear the Singer-Songwriter’s Most Successful Record in Audiophile Sound for the First Time on Vinyl : Mobile Fidelity’s 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies !\r\n - ¼” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n \r\n How enduring is the signature song from Harry Chapin’s Verities & Balderdash? So timeless that it became the subject of a 2025 documentary in which artists from multiple generations weigh in on its impact on their lives and craft. “Cat’s in the Cradle” doubtlessly remains the main event on the singer-songwriter’s 1974 album. The legendary opening track also serves as a guidepost for the bold personal and social material that follows as well as the gorgeous folk-rock arrangements that underpin the New York native’s most commercially successful work. \r\n \r\n Sourced from the original master tapes, pressed at Fidelity Record Pressing, housed in a Stoughton jacket complete with a four-page insert, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180g 33RPM LP of Verities & Balderdash presents Chapin’s fourth full-length in audiophile quality for the first time on vinyl. Captured during a golden era for sonics and production, the Top 5 effort features remarkable tonal balance, instrumental separation, and organic naturalism. Those valued aspects come into supreme focus on this reissue, which plays with dead-quiet surfaces and a low noise floor.\r\n \r\n The newfound clarity, openness, and imaging underscore the lasting appeal of Chapin’s tender deliveries, soulful timbre, and careful phrasing. Every word comes across with incredible realism, while his underrated guitar playing occupies its own distinctive space. Also notable: The extension of the tasteful string accents; airiness of the backing vocals; depth and shape of the spare bass lines; and width and depth of the soundstaging. When on “Six String Orchestra” Chapin calls out names of instruments, they appear like magic, the band performing feet from you. Chapin has never sounded so lifelike on record. \r\n \r\n Certified double platinum, Verities & Balderdash resonated with the times and public. “Cat’s in the Cradle” reached No. 1 on the chart on its way to being inducted into the Grammy Hall of Fame. The romantic ballad “I Wanna Learn a Love Song” flirted with the Top 40 and wrapped listeners in the equivalent of a cozy blanket. The record’s other single, the mini-epic “What Made America Famous ?”, helped establish Chapin as one of the country’s most incisive and insightful commentators. \r\n \r\n Verities & Balderdash teems with situational devices and topical matters. Chapin observes everything from the polarization of the nation to changes in moral standards and cultural priorities. He investigates pressing themes without ever turning preachy or elevating himself above the matters at hand. On “Halfway to Heaven”, whose coda races to the finish and ranks as the most urgent moment on the record, Chapin inhabits the mind of his frustrated protagonist akin to an eagle-eyed novelist.\r\n \r\n Conveying emotions that range from melancholic to carefree, Chapin is as much of a singer as a storyteller. He assumes the voice of multiple characters within a single narrative. During the quirky “30000 Pounds of Bananas”, a tale based on a delivery-truck accident in 1965, Chapin alters his delivery, pronunciation, and diction to become an old man reflecting on the mishap and mess. The tempo, too, adjusts to match the speed of the vehicle Chapin describes. \r\n \r\n Adorned with timely laugh tracks to reinforce the bittersweet humor, the stripped-down “Six String Orchestra” takes everything up another notch, with Chapin intentionally missing guitar notes or playing a broken passage to illustrate the failures of the hopeful protagonist who doesn’t have what’s required to make it as an artist. \r\n \r\n Chapin, of course, did not have any such problem. The lynchpin of a career cut short by a tragic traffic incident, Verities & Balderdash is Exhibit A of the savvy craft, feeling, and perspective he lent to American music. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …} -musicienOrchestre: "Harry Chapin (acoustic guitar, lead vocals), John Wallace (electric & acoustic guitars), Steve Chapin (keyboards, vocals), Don Gohde –(bass guitar), Howie Fields (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=jmhoOp2fUzg&list=PLI8ijolyvFB2qiwvKZE9IqmToU2R-C-n7" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-614" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Cat’s in the Cradle" ] [ "ordre" => 2 "nom" => "2. I Wanna Learn a Love Song" ] [ "ordre" => 3 "nom" => "3. Shooting Star" ] [ "ordre" => 4 "nom" => "4. 30000 Pounds of Bananas" ] [ "ordre" => 5 "nom" => "5. She Sings Songs Without Words" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. What Made America Famous ?" ] [ "ordre" => 8 "nom" => "2. Vacancy" ] [ "ordre" => 9 "nom" => "3. Halfway to Heaven" ] [ "ordre" => 10 "nom" => "4. Six String Orchestra" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …} -enregistreLe: DateTime @1766487068 {#2145 : 2025-12-23 10:51:08.0 UTC (+00:00) } -modifierLe: DateTime @1769190353 {#2146 : 2026-01-23 17:45:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-verities-balderdash-mobile-fidelity-sound-lab-mfsl-1-614" } "detaillePage" => false ] |
|||
| Attributes | [] |
|||
| Component | App\Twig\Components\GestionPanierFavoriComponents {#3369 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2148 -id: 2917 -nom: "Verities & Balderdash" -informationComplementaire: "AVAILABILITY : 28/02/2026 (subject Mobile Fidelity Sound Lab)" -description: """ - The 1974 Folk-Rock Album That Impacted Generations: Harry Chapin’s Verities & Balderdash Features “Cat’s in the Cradle”, Personal Narratives, and Gorgeous Arrangements !\r\n - Hear the Singer-Songwriter’s Most Successful Record in Audiophile Sound for the First Time on Vinyl : Mobile Fidelity’s 180 gram 33 RPM LP Is Strictly Limited to 3000 Numbered Copies !\r\n - ¼” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n \r\n How enduring is the signature song from Harry Chapin’s Verities & Balderdash? So timeless that it became the subject of a 2025 documentary in which artists from multiple generations weigh in on its impact on their lives and craft. “Cat’s in the Cradle” doubtlessly remains the main event on the singer-songwriter’s 1974 album. The legendary opening track also serves as a guidepost for the bold personal and social material that follows as well as the gorgeous folk-rock arrangements that underpin the New York native’s most commercially successful work. \r\n \r\n Sourced from the original master tapes, pressed at Fidelity Record Pressing, housed in a Stoughton jacket complete with a four-page insert, and strictly limited to 3000 numbered copies, Mobile Fidelity’s 180g 33RPM LP of Verities & Balderdash presents Chapin’s fourth full-length in audiophile quality for the first time on vinyl. Captured during a golden era for sonics and production, the Top 5 effort features remarkable tonal balance, instrumental separation, and organic naturalism. Those valued aspects come into supreme focus on this reissue, which plays with dead-quiet surfaces and a low noise floor.\r\n \r\n The newfound clarity, openness, and imaging underscore the lasting appeal of Chapin’s tender deliveries, soulful timbre, and careful phrasing. Every word comes across with incredible realism, while his underrated guitar playing occupies its own distinctive space. Also notable: The extension of the tasteful string accents; airiness of the backing vocals; depth and shape of the spare bass lines; and width and depth of the soundstaging. When on “Six String Orchestra” Chapin calls out names of instruments, they appear like magic, the band performing feet from you. Chapin has never sounded so lifelike on record. \r\n \r\n Certified double platinum, Verities & Balderdash resonated with the times and public. “Cat’s in the Cradle” reached No. 1 on the chart on its way to being inducted into the Grammy Hall of Fame. The romantic ballad “I Wanna Learn a Love Song” flirted with the Top 40 and wrapped listeners in the equivalent of a cozy blanket. The record’s other single, the mini-epic “What Made America Famous ?”, helped establish Chapin as one of the country’s most incisive and insightful commentators. \r\n \r\n Verities & Balderdash teems with situational devices and topical matters. Chapin observes everything from the polarization of the nation to changes in moral standards and cultural priorities. He investigates pressing themes without ever turning preachy or elevating himself above the matters at hand. On “Halfway to Heaven”, whose coda races to the finish and ranks as the most urgent moment on the record, Chapin inhabits the mind of his frustrated protagonist akin to an eagle-eyed novelist.\r\n \r\n Conveying emotions that range from melancholic to carefree, Chapin is as much of a singer as a storyteller. He assumes the voice of multiple characters within a single narrative. During the quirky “30000 Pounds of Bananas”, a tale based on a delivery-truck accident in 1965, Chapin alters his delivery, pronunciation, and diction to become an old man reflecting on the mishap and mess. The tempo, too, adjusts to match the speed of the vehicle Chapin describes. \r\n \r\n Adorned with timely laugh tracks to reinforce the bittersweet humor, the stripped-down “Six String Orchestra” takes everything up another notch, with Chapin intentionally missing guitar notes or playing a broken passage to illustrate the failures of the hopeful protagonist who doesn’t have what’s required to make it as an artist. \r\n \r\n Chapin, of course, did not have any such problem. The lynchpin of a career cut short by a tragic traffic incident, Verities & Balderdash is Exhibit A of the savvy craft, feeling, and perspective he lent to American music. """ -prixVente: "60.00" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1851 …} -musicienOrchestre: "Harry Chapin (acoustic guitar, lead vocals), John Wallace (electric & acoustic guitars), Steve Chapin (keyboards, vocals), Don Gohde –(bass guitar), Howie Fields (drums, percussion)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: true -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=jmhoOp2fUzg&list=PLI8ijolyvFB2qiwvKZE9IqmToU2R-C-n7" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-614" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A :" ] [ "ordre" => 1 "nom" => "1. Cat’s in the Cradle" ] [ "ordre" => 2 "nom" => "2. I Wanna Learn a Love Song" ] [ "ordre" => 3 "nom" => "3. Shooting Star" ] [ "ordre" => 4 "nom" => "4. 30000 Pounds of Bananas" ] [ "ordre" => 5 "nom" => "5. She Sings Songs Without Words" ] [ "ordre" => 6 "nom" => "Side B : " ] [ "ordre" => 7 "nom" => "1. What Made America Famous ?" ] [ "ordre" => 8 "nom" => "2. Vacancy" ] [ "ordre" => 9 "nom" => "3. Halfway to Heaven" ] [ "ordre" => 10 "nom" => "4. Six String Orchestra" ] [ "ordre" => 11 "nom" => "" ] [ "ordre" => 12 "nom" => "" ] [ "ordre" => 13 "nom" => "" ] [ "ordre" => 14 "nom" => "" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2159 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2152 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2154 …} -enregistreLe: DateTime @1766487068 {#2145 : 2025-12-23 10:51:08.0 UTC (+00:00) } -modifierLe: DateTime @1769190353 {#2146 : 2026-01-23 17:45:53.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2156 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-verities-balderdash-mobile-fidelity-sound-lab-mfsl-1-614" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2164 -id: 1948 -nom: "Nickel Creek" -informationComplementaire: null -description: "While Nickel Creek's earlier recordings showed off their musical prowess, the trio consider their self-titled 2000 release to be their official debut. Released on Sugar Hill Records and produced by Alison Krauss, the album incorporates elements of rock, alternative, jazz, and even classical. Featuring both traditional & original material, Nickel Creek showcases the band's unique style as well as their deft songwriting skills; highlights including "The Lighthouse's Tale" and "When You Come Back Down"." -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Chris Thile (banjo, mandolin, bouzouki, vocals), Scott Thile (electric & acoustic bass), Sean Watkins (guitar, mandolin, vocals), Sara Watkins (violin, strings, vocals)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=v2o0TYnHEUY" -referenceProduit: "Craft Recordings 0333" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Ode To A Butterfly " ] [ "ordre" => 2 "nom" => "2. The Lighthouse's Tale " ] [ "ordre" => 3 "nom" => "3. Out Of The Woods" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. In The House Of Tom Bombadil " ] [ "ordre" => 6 "nom" => "2. Reasons Why " ] [ "ordre" => 7 "nom" => "3. When You Come Back Down" ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Sweet Afton " ] [ "ordre" => 10 "nom" => "2. Cuckoo's Nest " ] [ "ordre" => 11 "nom" => "3. The Hand Song" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Robin And Marian " ] [ "ordre" => 14 "nom" => "2. The Fox " ] [ "ordre" => 15 "nom" => "3. Pastures New" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …} -enregistreLe: DateTime @1604655172 {#2161 : 2020-11-06 09:32:52.0 UTC (+00:00) } -modifierLe: DateTime @1768994941 {#2162 : 2026-01-21 11:29:01.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-nickel-creek-craft-recordings-0333" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3420 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2164 -id: 1948 -nom: "Nickel Creek" -informationComplementaire: null -description: "While Nickel Creek's earlier recordings showed off their musical prowess, the trio consider their self-titled 2000 release to be their official debut. Released on Sugar Hill Records and produced by Alison Krauss, the album incorporates elements of rock, alternative, jazz, and even classical. Featuring both traditional & original material, Nickel Creek showcases the band's unique style as well as their deft songwriting skills; highlights including "The Lighthouse's Tale" and "When You Come Back Down"." -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Chris Thile (banjo, mandolin, bouzouki, vocals), Scott Thile (electric & acoustic bass), Sean Watkins (guitar, mandolin, vocals), Sara Watkins (violin, strings, vocals)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=v2o0TYnHEUY" -referenceProduit: "Craft Recordings 0333" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. Ode To A Butterfly " ] [ "ordre" => 2 "nom" => "2. The Lighthouse's Tale " ] [ "ordre" => 3 "nom" => "3. Out Of The Woods" ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. In The House Of Tom Bombadil " ] [ "ordre" => 6 "nom" => "2. Reasons Why " ] [ "ordre" => 7 "nom" => "3. When You Come Back Down" ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Sweet Afton " ] [ "ordre" => 10 "nom" => "2. Cuckoo's Nest " ] [ "ordre" => 11 "nom" => "3. The Hand Song" ] [ "ordre" => 12 "nom" => "Side D : " ] [ "ordre" => 13 "nom" => "1. Robin And Marian " ] [ "ordre" => 14 "nom" => "2. The Fox " ] [ "ordre" => 15 "nom" => "3. Pastures New" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2175 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2168 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2170 …} -enregistreLe: DateTime @1604655172 {#2161 : 2020-11-06 09:32:52.0 UTC (+00:00) } -modifierLe: DateTime @1768994941 {#2162 : 2026-01-21 11:29:01.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2172 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-nickel-creek-craft-recordings-0333" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.32 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2180 -id: 1949 -nom: "Why Should the Fire Die ?" -informationComplementaire: null -description: "As Nickel Creek integrated more rock and pop elements into their music, they went in a new direction with their 2005 album enlisting producers Eric Valentine and Tony Berg. Why Should The Fire Di e? features original material such as "When in Rome", "Helena" and "Jealous Moon". It also includes a cover of Bob Dylan's "Tomorrow Is a Long Time". The Billboard Top 20 album earned two Grammy nominations; Best Contemporary Folk Album and Best Country Instrumental Performance "Scotch & Chocolate"." -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Chris Thile (mandolin, bouzouki, guitar, banjo, vocals), Mark Schatz (bass), Sara Watkins (fiddle, vocals), Sean Watkins (guitar, piano, 12 string guitar, ukulele, vocals), Eric Valentine (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=KV4T3OREJ80" -referenceProduit: "Craft Recordings 0335" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. When In Rome " ] [ "ordre" => 2 "nom" => "2. Somebody More Like You " ] [ "ordre" => 3 "nom" => "3. Jealous of the Moon " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Scotch & Chocolate " ] [ "ordre" => 6 "nom" => "2. Can't Complain " ] [ "ordre" => 7 "nom" => "3. Tomorrow Is A Long Time " ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Eveline " ] [ "ordre" => 10 "nom" => "2. Stumptown " ] [ "ordre" => 11 "nom" => "3. Anthony " ] [ "ordre" => 12 "nom" => "4. Best of Luck " ] [ "ordre" => 13 "nom" => "Side D : " ] [ "ordre" => 14 "nom" => "1. Doubting Thomas " ] [ "ordre" => 15 "nom" => "2. First and Last Waltz " ] [ "ordre" => 16 "nom" => "3. Helena " ] [ "ordre" => 17 "nom" => "4. Why Should The Fire Die ?" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …} -enregistreLe: DateTime @1604671853 {#2177 : 2020-11-06 14:10:53.0 UTC (+00:00) } -modifierLe: DateTime @1768994822 {#2178 : 2026-01-21 11:27:02.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-why-should-the-fire-die-craft-recordings-0335" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3473 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2180 -id: 1949 -nom: "Why Should the Fire Die ?" -informationComplementaire: null -description: "As Nickel Creek integrated more rock and pop elements into their music, they went in a new direction with their 2005 album enlisting producers Eric Valentine and Tony Berg. Why Should The Fire Di e? features original material such as "When in Rome", "Helena" and "Jealous Moon". It also includes a cover of Bob Dylan's "Tomorrow Is a Long Time". The Billboard Top 20 album earned two Grammy nominations; Best Contemporary Folk Album and Best Country Instrumental Performance "Scotch & Chocolate"." -prixVente: "69.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Chris Thile (mandolin, bouzouki, guitar, banjo, vocals), Mark Schatz (bass), Sara Watkins (fiddle, vocals), Sean Watkins (guitar, piano, 12 string guitar, ukulele, vocals), Eric Valentine (drums)" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 2 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=KV4T3OREJ80" -referenceProduit: "Craft Recordings 0335" -titreMorceau: [ [ "ordre" => 0 "nom" => "Side A : " ] [ "ordre" => 1 "nom" => "1. When In Rome " ] [ "ordre" => 2 "nom" => "2. Somebody More Like You " ] [ "ordre" => 3 "nom" => "3. Jealous of the Moon " ] [ "ordre" => 4 "nom" => "Side B : " ] [ "ordre" => 5 "nom" => "1. Scotch & Chocolate " ] [ "ordre" => 6 "nom" => "2. Can't Complain " ] [ "ordre" => 7 "nom" => "3. Tomorrow Is A Long Time " ] [ "ordre" => 8 "nom" => "Side C : " ] [ "ordre" => 9 "nom" => "1. Eveline " ] [ "ordre" => 10 "nom" => "2. Stumptown " ] [ "ordre" => 11 "nom" => "3. Anthony " ] [ "ordre" => 12 "nom" => "4. Best of Luck " ] [ "ordre" => 13 "nom" => "Side D : " ] [ "ordre" => 14 "nom" => "1. Doubting Thomas " ] [ "ordre" => 15 "nom" => "2. First and Last Waltz " ] [ "ordre" => 16 "nom" => "3. Helena " ] [ "ordre" => 17 "nom" => "4. Why Should The Fire Die ?" ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2166 …} -label: Proxies\__CG__\App\Entity\Label {#1960 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2188 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2181 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2183 …} -enregistreLe: DateTime @1604671853 {#2177 : 2020-11-06 14:10:53.0 UTC (+00:00) } -modifierLe: DateTime @1768994822 {#2178 : 2026-01-21 11:27:02.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-why-should-the-fire-die-craft-recordings-0335" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.31 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2193 -id: 266 -nom: "Blonde on Blonde" -informationComplementaire: null -description: """ Musicians : \r\n Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards), Wayne Butler (trombone), Rick Danko, Henry Strzelecki (bass guitar), Paul Griffin (piano), Jerry Kennedy (guitar ), Charlie McCoy (bass guitar, guitar, harmonica, trumpet), Wayne Moss (guitar, vocals), Hargus “Pig” Robbins (piano, keyboards), Joe South (bass guitar, guitar), Kenneth A. Buttrey, Bobby Gregg (drums). \r\n \r\n - Bob Dylan "Blonde on Blonde" Hand-Numbered Limited Edition 180 gram 45 RPM (3 LP) Box Set from Mobile Fidelity !\r\n - Mastered from the 1/2" / 30 IPS Analog Remix Master to DSD 64 to Analog Console to Lathe !\r\n - Pressed at RTI !\r\n - Recorded with one of the most ear-awakening lineups ever assembled : Al Kooper, "Pig" Robbins, Joe South, Kenny Buttrey, and The Band's Rick Danko and Robbie Robertson among musicians !\r\n - Vaudeville, pop, fiery rock 'n' roll, Memphis blues, folk-derived sagas among enriched palette of styles !\r\n - Ranked N° 9 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n - A Stereophile 2014 Record To Die For !\r\n \r\n Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. ttp://www.analogplanet.com/content/gruvy-awards\r\n \r\n Blonde on Blonde : A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Professor Sean Wilentz, historian-in-residence for Bob Dylan's website, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who've tried : "The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty-in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld" No lie.\r\n \r\n As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45 RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed "that thin, that wild mercury sound", the album's famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.\r\n \r\n Prized for a unique sound that cultural critic Greil Marcus tagged "the most glamorous record imaginable; listening you [can] see the checkered jester's suit Dylan had worn on stage for the nine previous, furious months", Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelity's reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you'll ever hear in plain sight.\r\n \r\n The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing. """ -prixVente: "179.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards), Wayne Butler (trombone)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 3 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dRLXZVojdhQ&list=RDdRLXZVojdhQ&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 3 - 45009" -titreMorceau: [ [ "nom" => "1. Rainy Day Women #12 & 35 " "ordre" => 0 ] [ "nom" => "2. Pledging My Time " "ordre" => 1 ] [ "nom" => "3. Visions Of Johanna " "ordre" => 2 ] [ "nom" => "4. One Of Us Must Know (Sooner or Later) " "ordre" => 3 ] [ "nom" => "5. I Want You " "ordre" => 4 ] [ "nom" => "6. Stuck Inside of Mobile with the Memphis Blues Again " "ordre" => 5 ] [ "nom" => "7. Leopard-skin Pill-box Hat " "ordre" => 6 ] [ "nom" => "8. Just Like A Woman " "ordre" => 7 ] [ "nom" => "9. Most Likely You Go You Way And I'll Go Mine " "ordre" => 8 ] [ "nom" => "10. Temporary Like Achilles " "ordre" => 9 ] [ "nom" => "11. Absolutely Sweet Marie " "ordre" => 10 ] [ "nom" => "12. 4th Time Around " "ordre" => 11 ] [ "nom" => "13. Obviously 5 Believers " "ordre" => 12 ] [ "nom" => "14. Sad Eyed Lady Of The Lowlands" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …} -enregistreLe: DateTime @1278690456 {#2190 : 2010-07-09 15:47:36.0 UTC (+00:00) } -modifierLe: DateTime @1760039982 {#2191 : 2025-10-09 19:59:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-blonde-on-blonde-mobile-fidelity-sound-lab-mfsl-3-45009" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3519 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2193 -id: 266 -nom: "Blonde on Blonde" -informationComplementaire: null -description: """ Musicians : \r\n Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards), Wayne Butler (trombone), Rick Danko, Henry Strzelecki (bass guitar), Paul Griffin (piano), Jerry Kennedy (guitar ), Charlie McCoy (bass guitar, guitar, harmonica, trumpet), Wayne Moss (guitar, vocals), Hargus “Pig” Robbins (piano, keyboards), Joe South (bass guitar, guitar), Kenneth A. Buttrey, Bobby Gregg (drums). \r\n \r\n - Bob Dylan "Blonde on Blonde" Hand-Numbered Limited Edition 180 gram 45 RPM (3 LP) Box Set from Mobile Fidelity !\r\n - Mastered from the 1/2" / 30 IPS Analog Remix Master to DSD 64 to Analog Console to Lathe !\r\n - Pressed at RTI !\r\n - Recorded with one of the most ear-awakening lineups ever assembled : Al Kooper, "Pig" Robbins, Joe South, Kenny Buttrey, and The Band's Rick Danko and Robbie Robertson among musicians !\r\n - Vaudeville, pop, fiery rock 'n' roll, Memphis blues, folk-derived sagas among enriched palette of styles !\r\n - Ranked N° 9 on Rolling Stone's list of the 500 Greatest Albums of All Time !\r\n - A Stereophile 2014 Record To Die For !\r\n \r\n Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. ttp://www.analogplanet.com/content/gruvy-awards\r\n \r\n Blonde on Blonde : A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know. Professor Sean Wilentz, historian-in-residence for Bob Dylan's website, comes as close to summing up its brilliance in his superb Bob Dylan In America as any who've tried : "The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beauty-in short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld" No lie.\r\n \r\n As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45 RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed "that thin, that wild mercury sound", the album's famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.\r\n \r\n Prized for a unique sound that cultural critic Greil Marcus tagged "the most glamorous record imaginable; listening you [can] see the checkered jester's suit Dylan had worn on stage for the nine previous, furious months", Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelity's reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres you'll ever hear in plain sight.\r\n \r\n The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing. """ -prixVente: "179.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Bob Dylan (guitar, harmonica, piano, vocals), Robbie Robertson (guitar, vocals), Al Kooper (organ, guitar), Bill Aikins (keyboards), Wayne Butler (trombone)..." -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1193 …} -lpsMusic: 3 -setBoxMusic: true -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=dRLXZVojdhQ&list=RDdRLXZVojdhQ&start_radio=1" -referenceProduit: "Mobile Fidelity Sound Lab MFSL 3 - 45009" -titreMorceau: [ [ "nom" => "1. Rainy Day Women #12 & 35 " "ordre" => 0 ] [ "nom" => "2. Pledging My Time " "ordre" => 1 ] [ "nom" => "3. Visions Of Johanna " "ordre" => 2 ] [ "nom" => "4. One Of Us Must Know (Sooner or Later) " "ordre" => 3 ] [ "nom" => "5. I Want You " "ordre" => 4 ] [ "nom" => "6. Stuck Inside of Mobile with the Memphis Blues Again " "ordre" => 5 ] [ "nom" => "7. Leopard-skin Pill-box Hat " "ordre" => 6 ] [ "nom" => "8. Just Like A Woman " "ordre" => 7 ] [ "nom" => "9. Most Likely You Go You Way And I'll Go Mine " "ordre" => 8 ] [ "nom" => "10. Temporary Like Achilles " "ordre" => 9 ] [ "nom" => "11. Absolutely Sweet Marie " "ordre" => 10 ] [ "nom" => "12. 4th Time Around " "ordre" => 11 ] [ "nom" => "13. Obviously 5 Believers " "ordre" => 12 ] [ "nom" => "14. Sad Eyed Lady Of The Lowlands" "ordre" => 13 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2195 …} -label: Proxies\__CG__\App\Entity\Label {#2134 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2204 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2197 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2199 …} -enregistreLe: DateTime @1278690456 {#2190 : 2010-07-09 15:47:36.0 UTC (+00:00) } -modifierLe: DateTime @1760039982 {#2191 : 2025-10-09 19:59:42.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2201 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-blonde-on-blonde-mobile-fidelity-sound-lab-mfsl-3-45009" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| GestionPanierFavoriComponents | App\Twig\Components\GestionPanierFavoriComponents | 6.0 MiB | 0.30 ms | |
|---|---|---|---|---|
| Input props | [ "produit" => App\Entity\Produit {#2209 -id: 534 -nom: "Seductive Reasoning" -informationComplementaire: "" -description: """ Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n \r\n Maggie and Terre Roche are a well-rehearsed vocal team however : with a range from hazy, finely balanced voices singing as one, right up to pearly, radiant brilliance, the Roche sisters enthusiastically penned a songbook which is almost without exception their very own creation. Mechanical bluegrass music "Wigglin’ Man", a steam-train character "If You Emptied ..." and a somewhat crude and unrefined country aura make the subtle lyrics easily accessible to all, but the LP also offers the listener wonderfully ill-humoured verse "The Mountain People" and story-like prose "West Virginia". This is a truly exceptional album, and well worth being discovered !\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Maggie Roche (piano, guitar, vocals), Terre Roche (guitar, vocals), George Marge (electric clarinet), Ann Odell (strings), John Hall (electric guitar), Paul Simon (guitar), Jerry Masters (bass), The Muscle Shoals Rhythm Section" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=QbehOxVL4ic" -referenceProduit: "Columbia KC 33232" -titreMorceau: [ [ "nom" => "1. Telephone Bill" "ordre" => 7 ] [ "nom" => "1. Underneath the Moon" "ordre" => 1 ] [ "nom" => "2. Down the Dream" "ordre" => 2 ] [ "nom" => "2. Malachy's" "ordre" => 8 ] [ "nom" => "3. Burden of Proof" "ordre" => 9 ] [ "nom" => "3. Wigglin' Man" "ordre" => 3 ] [ "nom" => "4. The Mountain People" "ordre" => 10 ] [ "nom" => "4. West Virginia" "ordre" => 4 ] [ "nom" => "5. If You Empty Out All Your Pockets You Could Not Make the Change" "ordre" => 5 ] [ "nom" => "5. Jill of All Trades" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …} -label: Proxies\__CG__\App\Entity\Label {#2214 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …} -enregistreLe: DateTime @1345356393 {#2206 : 2012-08-19 06:06:33.0 UTC (+00:00) } -modifierLe: DateTime @1571578574 {#2207 : 2019-10-20 13:36:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-seductive-reasoning-columbia-kc-33232" } "detaillePage" => false ] |
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| Attributes | [] |
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| Component | App\Twig\Components\GestionPanierFavoriComponents {#3570 -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …} -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …} -security: Symfony\Bundle\SecurityBundle\Security {#240 …} -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …} -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2649 …} -gestionSaleSetting: App\Service\GestionSaleSetting {#1919 …} +produit: App\Entity\Produit {#2209 -id: 534 -nom: "Seductive Reasoning" -informationComplementaire: "" -description: """ Thanks to their undeniable musical talent, which allowed them to be taken seriously in the folk scene, the industrious Roche sisters’ career began when they were young. The duo began by singing Christmas carols, doo-wop song syllable puzzles, and tricky barbershop harmonies. They finally caught the attention of Paul Simon, who brought the gifted girls in as backup singers on his LP "There Goes Rhymin’ Simon", and was primarily responsible for the birth of their first recording. The lavishly produced album achieved high critical acclaim. Although it was a worthy professional debut, the public was hesitant to buy the album. The specialist magazine Rolling Stone commented drily and somewhat at a loss that the Roches weren’t everyone’s cup of tea.\r\n \r\n Maggie and Terre Roche are a well-rehearsed vocal team however : with a range from hazy, finely balanced voices singing as one, right up to pearly, radiant brilliance, the Roche sisters enthusiastically penned a songbook which is almost without exception their very own creation. Mechanical bluegrass music "Wigglin’ Man", a steam-train character "If You Emptied ..." and a somewhat crude and unrefined country aura make the subtle lyrics easily accessible to all, but the LP also offers the listener wonderfully ill-humoured verse "The Mountain People" and story-like prose "West Virginia". This is a truly exceptional album, and well worth being discovered !\r\n \r\n This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.\r\n \r\n Recording : 1973 in the Morgan Studios, London, and 1974 in the Muscle Shoals Studios, Sheffield, Alabama\r\n Production : Paul Simon, Paul Samwell-Smith, David Hood and Jimmy Johnson\r\n \r\n """ -prixVente: "32.50" -delaiLivraison: App\Enum\TempsLivraisonEnum {#1902 …} -musicienOrchestre: "Maggie Roche (piano, guitar, vocals), Terre Roche (guitar, vocals), George Marge (electric clarinet), Ann Odell (strings), John Hall (electric guitar), Paul Simon (guitar), Jerry Masters (bass), The Muscle Shoals Rhythm Section" -sonMusic: App\Enum\SonMusicEnum {#1186 …} -grammageMusic: App\Enum\GrammageMusicEnum {#1190 …} -rpmMusic: App\Enum\RPMMusicEnum {#1192 …} -lpsMusic: 1 -setBoxMusic: false -limitedEdition: true -preCommande: false -selectionAAD: false -extraitYoutube: "https://www.youtube.com/watch?v=QbehOxVL4ic" -referenceProduit: "Columbia KC 33232" -titreMorceau: [ [ "nom" => "1. Telephone Bill" "ordre" => 7 ] [ "nom" => "1. Underneath the Moon" "ordre" => 1 ] [ "nom" => "2. Down the Dream" "ordre" => 2 ] [ "nom" => "2. Malachy's" "ordre" => 8 ] [ "nom" => "3. Burden of Proof" "ordre" => 9 ] [ "nom" => "3. Wigglin' Man" "ordre" => 3 ] [ "nom" => "4. The Mountain People" "ordre" => 10 ] [ "nom" => "4. West Virginia" "ordre" => 4 ] [ "nom" => "5. If You Empty Out All Your Pockets You Could Not Make the Change" "ordre" => 5 ] [ "nom" => "5. Jill of All Trades" "ordre" => 11 ] [ "nom" => "Side A : " "ordre" => 0 ] [ "nom" => "Side B : " "ordre" => 6 ] ] -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …} -label: Proxies\__CG__\App\Entity\Label {#2214 …} -style: App\Entity\Style {#1116 …} -photoProduit: Doctrine\ORM\PersistentCollection {#2223 …} -morceauMP3: Doctrine\ORM\PersistentCollection {#2216 …} -typeMasterTape: null -marque: null -typeMateriel: null -produitTestePar: null -adresseInternetTest: null -poids: null -unite: null -caracteristique: null -typeAccessoire: null -optionPrixes: Doctrine\ORM\PersistentCollection {#2218 …} -enregistreLe: DateTime @1345356393 {#2206 : 2012-08-19 06:06:33.0 UTC (+00:00) } -modifierLe: DateTime @1571578574 {#2207 : 2019-10-20 13:36:14.0 UTC (+00:00) } -categorie: App\Enum\CategorieProduitEnum {#1100 …} -produitComplementaires: Doctrine\ORM\PersistentCollection {#2220 …} -disponible: null -terminer: null -infoMasterTape: null -slug: "vinyles-seductive-reasoning-columbia-kc-33232" } +optionPrix: null +quantite: 1 +detaillePage: false -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} } |
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| AjoutMailNewsletterComponent | App\Twig\Components\AjoutMailNewsletterComponent | 6.0 MiB | 0.25 ms | |
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| Input props | [] |
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| Attributes | [] |
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| Component | App\Twig\Components\AjoutMailNewsletterComponent {#3763 +email: "" -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2417 …} -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3764 …} -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3812 …} +isValidated: false +validatedFields: [] } |
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