Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2558
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2635
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2638 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
  -formView: Symfony\Component\Form\FormView {#2674 …}
  -form: Symfony\Component\Form\Form {#2824 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Make Me Know It"
      ]
      [
        "ordre" => 1
        "nom" => "2. Fever"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl of My Best Friend"
      ]
      [
        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
      ]
      [
        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278690536 {#1875
      date: 2010-07-09 15:48:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765371197 {#1868
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3099
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 271
    -nom: "Elvis Is Back !"
    -informationComplementaire: null
    -description: """
      - Elvis Presley "Elvis Is Back !" 200 gram 45 RPM double LP set !\r\n
      - Mastered from the original analog tapes by George Marino at Sterling Sound !\r\n
      - 1960 studio album is Presley's best full-length effort !\r\n
      \r\n
      "...His voice was in superb form, he was backed by the most sympathetic line-up in his career - including Scotty Moore, the Jordanaires, Hank Garland and DJ Fontana and the repertoire included 'Fever', 'The Girl Of My Best Friend', 'Reconsider Baby', 'Such A Night'." Sound Quality = 95% out of 100% - Ken Kessler, Hi-Fi News, December 2010\r\n
      \r\n
      "...This 45 RPM mastering by George Marino at Sterling Sound is astonishing. Yes, the double 45 RPM format is bound to yield a sonic improvement and I'd never bet against Kevin Gray and Steve Hoffman at AcousTech, but this sounds so far superior in almost every way". Music = 10/11; Sound = 10/11 - Michael Fremer, musicangle\r\n
      \r\n
      The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. Elvis Presley's first full-length release after leaving the Army, aptly titled Elvis Is Back! was the answer to Elvis fans waiting anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover!\r\n
      \r\n
      Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles "Are You Lonesome Tonight" and "It's Now Or Never" created a tidal wave of excitement. And the LP tracks like "Fever", "The Thrill Of Your Love", "Dirty, Dirty Feeling" and "Like A Baby" confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to "Fever" at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.\r\n
      \r\n
      While Presley's records, in the eyes of some reviewers, yielded inconsistencies (mostly songs he recorded at the suggestion of others to appeal to a certain audience or tie-in with a film), there's not one example of musical filler or a single forgettable performance on this 1960 gem.\r\n
      \r\n
      Until now, Elvis fans have satiated their desires with the prized DCC double LP edition (regularly commanding upwards of $200 on eBay) as well as the DCC gold disc (a rare find fetching $150 and more). Now no longer do you have to pay a premium to enjoy the magic of Presley's voice, rhythms and foundation-paving melodies. Mastered by George Marino, the King's best work has never sounded so intimate, detailed, present and alive. Images are true, tones are balanced, and the unbeatable warmth that only analog provides comes through unabated on every cut.\r\n
      \r\n
      Recorded over the course of two marathon sessions (one taking place in Hollywood and the other in Nashville), the sound is wonderfully natural and present. Every alluring shade, texture, and contour of Presley's voice comes into your room with sheer transparency.\r\n
      \r\n
      Buy a copy and order another to keep sealed as an investment for when these sought-after platters go out of print. You won't be sorry.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Elvis Presley (guitar, vocals), Scotty Moore, Hank Garland (guitar), Floyd Cramer (piano), Bob Moore (bass), Homer "Boots" Randolph (saxophone), D.J. Fontana, Murray Harman (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=U54D660U648&list=PLvDaQTRzMiRqlrvX4a2_ynOuIPW84dfZJ"
    -referenceProduit: "Analogue Productions AAPP 2231-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "1. Make Me Know It"
      ]
      [
        "ordre" => 1
        "nom" => "2. Fever"
      ]
      [
        "ordre" => 2
        "nom" => "3. The Girl of My Best Friend"
      ]
      [
        "ordre" => 3
        "nom" => "4. I Will Be Home Again"
      ]
      [
        "ordre" => 4
        "nom" => "5. Dirty, Dirty Feeling"
      ]
      [
        "ordre" => 5
        "nom" => "6. The Thrill of Your Love"
      ]
      [
        "ordre" => 6
        "nom" => "7. Soldier Boy"
      ]
      [
        "ordre" => 7
        "nom" => "8. Such a Night"
      ]
      [
        "ordre" => 8
        "nom" => "9. It Feels So Right"
      ]
      [
        "ordre" => 9
        "nom" => "10. Girl Next Door Went A'Walkig"
      ]
      [
        "ordre" => 10
        "nom" => "11. Like a Baby"
      ]
      [
        "ordre" => 11
        "nom" => "12. Reconsider Baby"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1278690536 {#1875
      date: 2010-07-09 15:48:56.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765371197 {#1868
      date: 2025-12-10 12:53:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-elvis-is-back-analogue-productions-aapp-2231-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, Moog synthesizer, piano),  Greg Lake (bass guitar, acoustic & electric guitar, lead vocals), Carl Palmer (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ao8VE79zjrk&list=PLhSg_4fG0FIyPico_S5XQ4XdQiBWdSwhV"
    -referenceProduit: "AMOB 576"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Barbarian"
      ]
      [
        "ordre" => 2
        "nom" => "2. Take a Pebble"
      ]
      [
        "ordre" => 3
        "nom" => "3. Knife-Edge"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. The Three Fates (a. Clotho b. Lachesis c. Atropos)"
      ]
      [
        "ordre" => 6
        "nom" => "2. Tank"
      ]
      [
        "ordre" => 7
        "nom" => "3. Lucky Man"
      ]
      [
        "ordre" => 8
        "nom" => ""
      ]
      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2058 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2051 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2053 …}
    -enregistreLe: DateTime @1756658044 {#2041
      date: 2025-08-31 16:34:04.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1765369768 {#2042
      date: 2025-12-10 12:29:28.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2055 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-emerson-lake-palmer-limited-numbered-edition-amob-576"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3213
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 2799
    -nom: "Emerson, Lake & Palmer  (Limited Numbered Edition)"
    -informationComplementaire: null
    -description: """
      - Emerson, Lake & Palmer "Emerson, Lake & Palmer" !\r\n
      - Supergroup takes hold with an extraordinary blend of vision and verve, lays foundation of progressive rock !\r\n
      - 180 gram 331/3 RPM (2 LP) brings to light the 1970 album's epic scope, tonal depth\r\n
      - 1/4" 15 ips analog copy to DSD 256 to analog console to lathe !\r\n
      - Pressed at Fidelity Record Pressings for superior sound !\r\n
      \r\n
      Supergroups existed before Emerson, Lake & Palmer formed in 1970. And, as we all know well, many came after. But few, if any, matched the English trio's chemistry and its elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after its original release.\r\n
      \r\n
      Mastered at MoFi's California studio, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition 180 gram 33 1/3 RPM LP of Emerson, Lake & Palmer presents the benchmark album in audiophile sound. Clear, dynamic, and balanced, this collectible edition honors the perfectionist approaches that both informed the playing and recording of the record.\r\n
      \r\n
      Distinguished with black backgrounds, this reissue brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio's compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or seeking out your first version, you'll relish the presence, separation, imaging, and crispness that help make every song come across as if the group has set up shop in your listening space.\r\n
      \r\n
      Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake & Palmer achieved a rare feat in that its complex, cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records. It also landed a Top 50 single in the form of the ballad "Lucky Man", whose vocal harmonies, folksy strumming, multi-tracked instrumentation, and breakthrough Moog solo almost feel quaint in the face of the other fare on the album.\r\n
      \r\n
      Comprised of genre-defying originals and hybrid arrangements of two classical pieces, the album Rolling Stone originally and rightly said is "best heard as a whole" matches outrageous ambition with the otherworldly skills of three musicians who remain among the finest to ever pick up their respective instruments. While Emerson soon drew the lion's share of headlines for his ability on keys clavinet, Moog, piano, Hammond organ, and pipe organ included Greg Lake's aptitude on guitar and bass, along with well as Carl Palmer's monster talents behind the kit, created a three-headed hydra that devoured everything in front of it.\r\n
      \r\n
      That extends to the radical reinterpretation of Bela Bartok's "The Barbarian" that begins the LP, a performance that in less than four-and-a-half minutes runs the gamut from distorted to churchy to angular and blustery. More classical flourishes, keyboard wizardry, hard-rock heaviness, and gothic signatures emerge throughout "Knife-Edge", which reimagines music by Leos Janacek and J.S. Bach - and ultimately invites you to explore a cathedral of sound teeming with separate bursts of keys and percussion.\r\n
      \r\n
      And did someone say "drumming" ? Check out Palmer's monster salvo on "Tank", a rhythmic showcase that marches out with knee-bent notes and mirror-reflected passages. Or dive into the mythological suite "The Three Fates". Replete with three parts and Emerson playing the pipe organ at Royal Festival Hall, it shoots off sonic fireworks via sophisticated arpeggios, jazz improvisations, dancing counter-meters, sizzling chords, and a few explosions. Please don't hold anyone at MoFi responsible if your system cannot handle it; this is heady stuff.\r\n
      \r\n
      Indeed, everything on Emerson, Lake & Palmer is there for a purpose. Whether you aim to attempt to dissect all of the notes, shifts, and polyrhythmic bluster or just want to absorb this album as one living, breathing organism, this version invites you to do both as many times as you desire.
      """
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      - Featuring 13 Previously Unreleased 1963–1969 Session Outtakes !\r\n
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    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
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    -nom: "Anthology 4"
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    -description: """
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      - 180 gram triple LP vinyl !\r\n
      - Featuring 13 Previously Unreleased 1963–1969 Session Outtakes !\r\n
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[
  "produit" => App\Entity\Produit {#2084
    -id: 2758
    -nom: "Wonderland"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar), Yves Desrosiers (electric guitar, ukulele), Pierre Marchand (piano, keyboards), Philippe Leduc (upright bass), Conner Molander (bass, guitar, clapping, stomping, harmonium, vocals), Devon Portielje (guitar, vocals, clapping, stomping, acoustic guitar), Dylan Phillips (drums, vocals, clapping, stomping), Isaac Symonds (bass, drums, vocals, clapping, stomping), Jérôme Beaulieu (piano), Vince May (trumpet), Ashwin Sood (drums, percussion), William Cote (drums), Bulgarian Symphony Orchestra (orchestra on select tracks).\r\n
      \r\n
      Sarah McLachlan's new holiday album !\r\n
      \r\n
      Multi-platinum and Grammy Award-winning singer and songwriter Sarah McLachlan celebrates the most wonderful time of the year with the release of her new holiday album Wonderland, on Verve Records. Wonderland sparkles with fresh, inspired interpretations of 13 traditional and contemporary holiday classics.\r\n
      \r\n
      McLachlan, fresh off of a national summer concert tour with Josh Groban, has created a new holiday classic with Wonderland, her first holiday album since 2006's platinum Wintersong. Recorded last winter in Montreal and Vancouver with her longtime producer Pierre Marchand, Wonderland radiates the joy and magic of the holiday season with McLachlan's warm and vibrant soprano, a voice Rolling Stone praised for its "astonishing strength and clarity".\r\n
      \r\n
      "I love everything about Christmas and this record was a joy to make", said McLachlan\r\n
      \r\n
      The album features classics such as "Silver Bells" reimagined into a shimmering, orchestrated picturesque tale as well as "Angels We Have Heard On High", a percussive hymn of adoration and Randy Newman's forlorn "Snow" from the 1960s. Emmylou Harris contributes vocals on "Go Tell It On The Mountain", also featuring Martha Wainwright, and "Away In A Manager", a new holiday song reinvented as a country shuffle.\r\n
      \r\n
      Members of Canadian quartet, Half Moon Run, play on five tracks and helped McLachlan flesh out some of the arrangements, including "Huron Carol", Canada's oldest Christmas song. "They're all in their mid-to-late 20s. They're incredible musicians", McLachlan says. Rounding out the guests is the world famous Bulgarian Symphony Orchestra, who perform on three songs, including "Let It Snow", "Silver Bells", and "Huron Carol". McLachlan enlisted orchestral arranger Brian Byrne to handle the particulars. "We had decided early on that it would be great to have string arrangements", McLachlan says. "We left some space for that and sent the arrangements to him and said ‘Work your magic.' He did".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fgf4rZAd6pU&list=PLRqec2rdL6SByq1XryqHh08Nl2i9s-8Jd"
    -referenceProduit: "Verve Records 7301"
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        "ordre" => 3
        "nom" => "3. Let It Snow"
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        "ordre" => 4
        "nom" => "4. White Christmas"
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        "ordre" => 5
        "nom" => "5. O Come All Ye Faithful"
      ]
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        "ordre" => 6
        "nom" => "6. Go Tell It On The Mountain"
      ]
      [
        "ordre" => 7
        "nom" => "Side B : "
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        "ordre" => 8
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      ]
      [
        "ordre" => 9
        "nom" => "2. Winter Wonderland"
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      ]
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      [
        "ordre" => 13
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
    -label: Proxies\__CG__\App\Entity\Label {#2089 …}
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    -modifierLe: DateTime @1765124530 {#2079
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3315
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
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  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2084
    -id: 2758
    -nom: "Wonderland"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar), Yves Desrosiers (electric guitar, ukulele), Pierre Marchand (piano, keyboards), Philippe Leduc (upright bass), Conner Molander (bass, guitar, clapping, stomping, harmonium, vocals), Devon Portielje (guitar, vocals, clapping, stomping, acoustic guitar), Dylan Phillips (drums, vocals, clapping, stomping), Isaac Symonds (bass, drums, vocals, clapping, stomping), Jérôme Beaulieu (piano), Vince May (trumpet), Ashwin Sood (drums, percussion), William Cote (drums), Bulgarian Symphony Orchestra (orchestra on select tracks).\r\n
      \r\n
      Sarah McLachlan's new holiday album !\r\n
      \r\n
      Multi-platinum and Grammy Award-winning singer and songwriter Sarah McLachlan celebrates the most wonderful time of the year with the release of her new holiday album Wonderland, on Verve Records. Wonderland sparkles with fresh, inspired interpretations of 13 traditional and contemporary holiday classics.\r\n
      \r\n
      McLachlan, fresh off of a national summer concert tour with Josh Groban, has created a new holiday classic with Wonderland, her first holiday album since 2006's platinum Wintersong. Recorded last winter in Montreal and Vancouver with her longtime producer Pierre Marchand, Wonderland radiates the joy and magic of the holiday season with McLachlan's warm and vibrant soprano, a voice Rolling Stone praised for its "astonishing strength and clarity".\r\n
      \r\n
      "I love everything about Christmas and this record was a joy to make", said McLachlan\r\n
      \r\n
      The album features classics such as "Silver Bells" reimagined into a shimmering, orchestrated picturesque tale as well as "Angels We Have Heard On High", a percussive hymn of adoration and Randy Newman's forlorn "Snow" from the 1960s. Emmylou Harris contributes vocals on "Go Tell It On The Mountain", also featuring Martha Wainwright, and "Away In A Manager", a new holiday song reinvented as a country shuffle.\r\n
      \r\n
      Members of Canadian quartet, Half Moon Run, play on five tracks and helped McLachlan flesh out some of the arrangements, including "Huron Carol", Canada's oldest Christmas song. "They're all in their mid-to-late 20s. They're incredible musicians", McLachlan says. Rounding out the guests is the world famous Bulgarian Symphony Orchestra, who perform on three songs, including "Let It Snow", "Silver Bells", and "Huron Carol". McLachlan enlisted orchestral arranger Brian Byrne to handle the particulars. "We had decided early on that it would be great to have string arrangements", McLachlan says. "We left some space for that and sent the arrangements to him and said ‘Work your magic.' He did".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (piano, keyboards, ukulele, acoustic guitar, vocals), Emmylou Harris, Martha Wainwright (vocals), Michel Pepin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
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    -extraitYoutube: "https://www.youtube.com/watch?v=fgf4rZAd6pU&list=PLRqec2rdL6SByq1XryqHh08Nl2i9s-8Jd"
    -referenceProduit: "Verve Records 7301"
    -titreMorceau: [
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        "nom" => "1. Away In A Manger"
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      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2093 …}
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    -modifierLe: DateTime @1765124530 {#2079
      date: 2025-12-07 16:22:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-wonderland-verve-records-7301"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2103
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
      Daryl Exnicious (bass, backing vocals), Hugh McMillan, Jocelyne Lanois, Alan Gevaert (bass), Deni Bonet (violin, viola), Peter “Harpy” Conway (harmonica), Michel Dupirre (percussion), Ronald Jones (drums, tambourine), Paul Brennan, Ashwin Sood (drums).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
    -referenceProduit: "Analogue Productions AAPP 052-45"
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        "nom" => "Side A : "
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      ]
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        "nom" => "3. The Paths of Thorns (Terms)"
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        "nom" => "1. I Will Not Forget You"
      ]
      [
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        "nom" => "2. Lost"
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        "nom" => "1. Back Door Man"
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        "nom" => "1. Home"
      ]
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
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    -photoProduit: Doctrine\ORM\PersistentCollection {#2111 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2104 …}
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    -modifierLe: DateTime @1765124362 {#2101
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2108 …}
    -disponible: null
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App\Twig\Components\GestionPanierFavoriComponents {#3368
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2103
    -id: 2755
    -nom: "Solace"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion), Bill Dillon (acoustic & electric guitars, mandolin, pedal steel guitar, guitorgan, billatron), Leo Nocentelli (electric guitar), \r\n
      Daryl Exnicious (bass, backing vocals), Hugh McMillan, Jocelyne Lanois, Alan Gevaert (bass), Deni Bonet (violin, viola), Peter “Harpy” Conway (harmonica), Michel Dupirre (percussion), Ronald Jones (drums, tambourine), Paul Brennan, Ashwin Sood (drums).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Into The Fire" and "Path Of Thorns" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits : Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      Solace, McLachlan's second album, is considerably more mature and musically sophisticated than her 1988 debut, the promising if limited Touch. In fact, this disc is a must-have for McLachlan fans whose first encounter with her work was with her extremely popular later releases, Fumbling Towards Ecstasy and Surfacing.\r\n
      \r\n
      "The opening track, 'Drawn to the Rhythm', is a habit-forming gem of a song that soars on her smooth and heady soprano and Ronald Jones's addictive drums (though the drone of the billatron in the chorus seems incongruous). The rumbling, electric 'Into the Fire' grooves with a funky bass line; the lovelorn 'Path of Thorns' and 'I Will Not Forget You' are straight-ahead and bluesy. Always wise beyond her years, McLachlan displays a new awakening with introspective songs such as the Sinead O'Connor-esque 'Lost" and "Shelter'. The hymnlike 'Mercy' is the least interesting song spare in comparison to the others but it is a wondrous showcase of her multifaceted voice. Without a doubt, Solace is a testament to McLachlan's ever-swelling talent". - Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (acoustic guitar, piano, vocals), Pierre Marchand (electric guitar, mandolin, bass, piano, organ, keyboards, accordion reeds, percussion)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=yFUR1VSVX-E&list=OLAK5uy_nKAZpxQ6xzoKWxlrGhMYx_NaXUwTKnmdw"
    -referenceProduit: "Analogue Productions AAPP 052-45"
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        "ordre" => 3
        "nom" => "3. The Paths of Thorns (Terms)"
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      [
        "ordre" => 4
        "nom" => "Side B : "
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        "nom" => "1. I Will Not Forget You"
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2116
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
      Jim Creeggan (acoustic bass), David Kershaw (Hammond organ), Jorane (cello, background vocals), Jerry Marotta (percussion ), Ashwin Sood (drums, percussion, loops, keyboard bass).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
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        "nom" => "Side B : "
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        "nom" => "2. Drifting"
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      [
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        "nom" => "3. Train Wreck"
      ]
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        "nom" => "Side C :"
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        "nom" => "1. Push"
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        "nom" => "2. Answer"
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        "nom" => "3. Time"
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        "nom" => "Side D : "
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        "nom" => "1. Perfect Girl"
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        "nom" => "2. Dirty Little Secret"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
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App\Twig\Components\GestionPanierFavoriComponents {#3416
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2116
    -id: 2757
    -nom: "Afterglow"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass), Sean Ashby, Michel Pépin, Yves Desrosiers, Mark Jowett, Ethan Johns (guitar), Tony Levin, Daryl Johnson (bass guitar),  \r\n
      Jim Creeggan (acoustic bass), David Kershaw (Hammond organ), Jorane (cello, background vocals), Jerry Marotta (percussion ), Ashwin Sood (drums, percussion, loops, keyboard bass).\r\n
      \r\n
      - 180 gram double LP  45 RPM gatefold reissue from Analogue Productions !\r\n
      - Mastered by Bernie Grundman !\r\n
      - Plated and pressed at Quality Record Pressings !\r\n
      - Features "Fallen", "Stupid" and "World on Fire" !\r\n
      \r\n
      The Analogue Productions QRP pressing reissue treatment delivers sonics and luxury packaging second to none for discerning collectors. Now we've given three titles by Canadian songstress Sarah McLachlan this premier makeover and you reap the benefits: Solace, Mirrorball and Afterglow. Each on 45 RPM LP and Hybrid SACD.\r\n
      \r\n
      McLachlan's rebellion is hushed on Afterglow, her first studio album since 1997's Surfacing. "At times even the piano chords at the heart of the sound are tucked neatly beneath layer upon layer of strings and overdubbed voices. Listen to what’s being sung within this soothing aural bed, though, and hear the just-before-sleep murmurings of the quietest riot grrl : "I’m a train wreck waiting to happen... a wildfire born of frustration", "How stupid could I be.... you’re no good for me, but you’re the only one I see", "I have to push just to see how far you’ll go." The latter song "Push" resolves itself with the assurance, "You complete me". Ultimately, McLachlan fans will be comforted again by what turns out to be her reliably untroubled aesthetic". -Amazon.com
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Sarah McLachlan (electric guitar, piano, Rhodes piano, keyboards, vocals), Pierre Marchand – guitar, bass guitar, piano, keyboards, synthesizer bass)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=cpxZim7joMs&list=PLPaztBWnatcjLvllJJKTj4NdsuEpoqQMh"
    -referenceProduit: "Analogue Productions AAPP 054-45"
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        "nom" => "2. Drifting"
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      [
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        "nom" => "3. Train Wreck"
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        "nom" => "Side C :"
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        "nom" => "2. Dirty Little Secret"
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2086 …}
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    -modifierLe: DateTime @1765124138 {#2114
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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    -slug: "vinyles-afterglow-analogue-productions-aapp-054-45"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}

[
  "produit" => App\Entity\Produit {#2129
    -id: 1278
    -nom: "If I Could Only Remember My Name"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums), Jorma Kaukonen (electric guitar), Jack Casady (bass), Gregg Rolie (piano), Laura Allan (autoharp, vocals), Joni Mitchell (vocals), David Freiberg, Paul Kantner, Grace Slick (backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - If I Could Only Remember My Name —David Crosby's debut solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman  !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "We have a more natural-sounding record overall. The bass... is tightened up a bit. It actually sounds better than it does on the MoFi... Here it's given a little more tighteness and definition and it sounds wonderful. It involves you in a way that doesn't draw attention to itself... I'm pretty sure that anyone that has the Mofi that heard this closely in comparison on a good system would prefer the new cut... if you want to hear the best of what this record can offer the Atlantic 75 is a no-brainer". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "Compared to the original, which I love, this is clearer, it is more open, it is more dynamic I would say it's at least as good as the original but different. This does sound better, but to say that in any way the original sounded bad, would be really misrepresenting it. It is very, very lush very, very full". - Dave Denyer, YouTube video\r\n
      \r\n
      If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.\r\n
      \r\n
      The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds.\r\n
      \r\n
      AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice the epitome of hippie crooning and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T1WAfbjyOoI&list=RDT1WAfbjyOoI&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 019-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Music Is Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cowboy Movie"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Tamalpais High (At About 3)"
      ]
      [
        "ordre" => 5
        "nom" => "2. Laughing"
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. What Are Their Names"
      ]
      [
        "ordre" => 8
        "nom" => "2. Traction In The Rain"
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. Song With No Words (Tree With No Leaves)"
      ]
      [
        "ordre" => 11
        "nom" => "2. Orleans"
      ]
      [
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        "nom" => "3. I'd Swear There Was Somebody Here"
      ]
      [
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        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2131 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2143 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2138 …}
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    }
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      date: 2025-12-05 10:41:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2140 …}
    -disponible: null
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    -slug: "vinyles-if-i-could-only-remember-my-name-analogue-productions-atlantic-75-series-aapa-019-45"
  }
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]

App\Twig\Components\GestionPanierFavoriComponents {#3462
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2129
    -id: 1278
    -nom: "If I Could Only Remember My Name"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums), Jorma Kaukonen (electric guitar), Jack Casady (bass), Gregg Rolie (piano), Laura Allan (autoharp, vocals), Joni Mitchell (vocals), David Freiberg, Paul Kantner, Grace Slick (backing vocals).\r\n
      \r\n
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - If I Could Only Remember My Name —David Crosby's debut solo album !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered directly from the original master tape by Bernie Grundman  !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing !\r\n
      \r\n
      "We have a more natural-sounding record overall. The bass... is tightened up a bit. It actually sounds better than it does on the MoFi... Here it's given a little more tighteness and definition and it sounds wonderful. It involves you in a way that doesn't draw attention to itself... I'm pretty sure that anyone that has the Mofi that heard this closely in comparison on a good system would prefer the new cut... if you want to hear the best of what this record can offer the Atlantic 75 is a no-brainer". - Scott Wilson, The Pressing Matters, YouTube video\r\n
      \r\n
      "Compared to the original, which I love, this is clearer, it is more open, it is more dynamic I would say it's at least as good as the original but different. This does sound better, but to say that in any way the original sounded bad, would be really misrepresenting it. It is very, very lush very, very full". - Dave Denyer, YouTube video\r\n
      \r\n
      If I Could Only Remember My Name was the debut solo record from David Crosby. Recorded in 1970 after the passing of his girlfriend Christine and released in February of 1971, the album explores themes including loss and disorientation. The album features a who's who of contributors from the San Francisco Bay area including Paul Kantner and Grace Slick of Jefferson Airplane, Jerry Garcia of the Grateful Dead, and Santana, and his cohort from Los Angeles including Graham Nash, Neil Young, and Joni Mitchell.\r\n
      \r\n
      The album has attained a cult status throughout the last 50 years, hailed for its spooky, psychedelic, and truly unique sounds.\r\n
      \r\n
      AllMusic gave the album 4.5 stars, with reviewer Stanton Swihart writing: "With his ringing, velvety voice the epitome of hippie crooning and inspired songwriting, he turns If I Could Only Remember My Name into a one-shot wonder of dreamy but ominous California ambience."\r\n
      \r\n
      All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180 gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "David Crosby, Graham Nash (guitar, vocals), Jerry Garcia (electric guitar), Neil Young (guitar, vocals, bass, vibraphone, congas), Phil Lesh (bass), Bill Kreutzmann, Mickey Hart, Michael Shrieve (drums)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
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    -extraitYoutube: "https://www.youtube.com/watch?v=T1WAfbjyOoI&list=RDT1WAfbjyOoI&start_radio=1"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 019-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Music Is Love"
      ]
      [
        "ordre" => 2
        "nom" => "2. Cowboy Movie"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
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        "ordre" => 4
        "nom" => "1. Tamalpais High (At About 3)"
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        "ordre" => 5
        "nom" => "2. Laughing"
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        "nom" => "Side C :"
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        "nom" => "1. What Are Their Names"
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        "nom" => "2. Traction In The Rain"
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      [
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        "nom" => "Side D : "
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        "nom" => "1. Song With No Words (Tree With No Leaves)"
      ]
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        "nom" => "2. Orleans"
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        "nom" => "3. I'd Swear There Was Somebody Here"
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        "nom" => ""
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        "nom" => ""
      ]
    ]
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[
  "produit" => App\Entity\Produit {#2148
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
    -titreMorceau: [
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        "ordre" => 1
        "nom" => "2. On Every Street"
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        "nom" => "9. Ticket to Heaven"
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        "nom" => "12. How Long"
      ]
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  +produit: App\Entity\Produit {#2148
    -id: 2399
    -nom: "On Every Street (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals), Phil Palmer (guitars), Vince Gill (guitar, backing vocals), Paul Franklin (pedal steel guitar, acoustic lap steel guitar), Chris White (flute, saxophones), Danny Cummings (percussion), Jeff Porcaro, Manu Katché (drums, percussion).\r\n
      \r\n
      - SOURCED FROM THE ORIGINAL MASTER TAPES: 2LP SET PRESENTS 1991 ALBUM IN 45RPM SPEED FOR FIRST TIME !\r\n
      - PCM Digital Master to Analog Console to Lathe !\r\n
      \r\n
      Dire Straits never made a big to-do about its final run. In classic understated British fashion, the band simply let its music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for its 15-year career.\r\n
      \r\n
      Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks – wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45 RPM speed.\r\n
      \r\n
      Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals – as well as the balanced accompaniment from his band mates. Here's a record on which you can hear the full blossom and decay of individual notes, and imagine the size and shape of the studio. It is in every regard a demonstration disc. And it happens to be filled with timeless fare.\r\n
      \r\n
      Remarkably, On Every Street almost never came to light. Dire Straits initially dissolved in September 1988 after touring behind its blockbuster Brothers in Arms and suffering the departure of two members. At the time, Knopfler professed his desire to work on solo material; bassist John Illsley also explored side projects. But Knopfler's decision in 1989 to form the country-leaning Notting Hillbillies reignited a spark to reconvene his primary band and craft a fresh batch of songs. Six years removed from Brothers in Arms, Knopfler, Illsley, keyboardist Alan Clark, and keyboardist Guy Fletcher teamed with A-list session pros – steel guitarist Paul Franklin, percussionist Danny Cummings, saxophonist Chris White, guitarist Phil Palmer included – to create what still stands as an unforgettable farewell.\r\n
      \r\n
      The platinum record brings the band full circle in that it returns Dire Straits to a quartet formation; finds the group refreshingly out of step with the era's prevailing trends; and sees Knopfler and Co. knocking out song after song with the deceptive ease of a punter tossing back a pint at a pub. That subtle cool, clever poise, and innate control signature traits that no other band ever matched dominate On Every Street. Knopfler's clean, virtuosic six-string escapades unfurl with dizzying melodicism and economical efficiency. Led by his winding fills and focused solos, Dire Straits traverse a hybrid landscape of rock, jazz, country, boogie, blues, and pop strains with near-faultless prowess.\r\n
      \r\n
      More than any other entry in the group's oeuvre, On Every Street welcomes quick detours down back alleys and into the depths of human souls. What makes it more brilliant is its staunch refusal to cater to commercial expectations or take advantage of prior successes; every passage feels true, every measure echoed in the service of song. It's evident in the humorous satire of "Heavy Fuel", closeted desperation of the witty "Calling Elvis", and shake-and-bake bounce of "The Bug". It pours from the album's darker corners, as on the high-and-lonesome melancholy of the title track and bruised emotionalism of "When It Comes to You".\r\n
      \r\n
      Hinting at the open-minded approaches and boundless curiosity he'd embrace as a solo artist, Knopfler doesn't limit himself when it comes to style or subject matter. Look no further than "You and Your Friend", a shuffle whose all-inclusive lyrics encourage an array of interpretative meanings. Another of the album's deep cuts, "Iron Hand", comes on as one of the band's most memorable moments the narrative addressing the abuses of power at the 1984 Battle of Orgreave during the U.K. miners' strike. Given cinematic heft by the expert production, the true-fiction account puts into perspective the richness, poetry, and depth of On Every Street.\r\n
      \r\n
      "Every victory has a taste that's bittersweet", sings Knopfler on the title track. At least that bittersweetness seldom sounded so damn good on record.
      """
    -prixVente: "129.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (guitars, vocals), John Illsley (bass, backing vocals), Alan Clark (keyboards, string conductor), Guy Fletcher (keyboards, backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=_BuGhfzw5as"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-510"
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      ]
    ]
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[
  "produit" => App\Entity\Produit {#2164
    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), B. Bear (keyboards), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o8UfT2OWuis"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-467"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Once Upon A Time In the West"
      ]
      [
        "ordre" => 2
        "nom" => "2. News"
      ]
      [
        "ordre" => 3
        "nom" => "Side B :"
      ]
      [
        "ordre" => 4
        "nom" => "1. Where Do You Think You're Going ?"
      ]
      [
        "ordre" => 5
        "nom" => "2. Communique"
      ]
      [
        "ordre" => 6
        "nom" => "Side C : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Lady Writer"
      ]
      [
        "ordre" => 8
        "nom" => "2. Angel of Mercy"
      ]
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        "ordre" => 9
        "nom" => "3. Portobello Belle"
      ]
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        "nom" => "Side D : "
      ]
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        "ordre" => 11
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        "nom" => "2. Follow Me Home"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
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    -disponible: null
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    -slug: "vinyles-communique-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-467"
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App\Twig\Components\GestionPanierFavoriComponents {#3566
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2164
    -id: 1084
    -nom: "Communique - (2 LP)  45 RPM"
    -informationComplementaire: "Reissue 2023"
    -description: """
      - Dire Straits Communique on Numbered Limited Edition 180 gram 45 RPM (2 LP) from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Smooth, Effortless, Relaxed, Tuneful, and Deceivingly Simple : Dire Straits' Communique Teems With Technical Perfectionism, Southern-Styled Grooves, and Low-Key Blues. \r\n
      \r\n
      Reference-Level Detail, Depth, Soundstaging, Balance, and Presence : Communique Has Never Sounded Better.\r\n
      \r\n
      Mark Knopfler's Mesmerizing Textures, Intricate Lines, and Crisp Tones Pair With Engaging Storytelling and Tight Rhythms: Every Song an Example of Understated Virtuosity.\r\n
      \r\n
      The performances on Dire Straits' Communique are so smooth and effortless, they were originally criticized for replicating the blueprints of the band's breakout debut. Time, however, has a way of changing perspectives and exposing the truth. More than 35 years after its original release in June 1979, Communique rightfully takes its place as the group's most underrated record a nine-track set spiked with engaging storytelling, relaxed vibes, and deceiving simplicity.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Communique elevates Dire Straits' sophomore album to an even higher plane. Recorded in the Bahamas by Muscle Shoals veterans Barry Beckett and Jerry Wexler, the songs benefit from a laidback approach that makes guitarist/vocalist Mark Knopfler and company's stellar playing seem even more fluent – particularly when experienced on this collector's 45 RPM version, on which the wider grooves allow for more detail retrieval and deeper musical insight.\r\n
      \r\n
      Knopfler's mesmerizing guitar textures and composed vocals appear as if they're right in front of you, holding court amidst expansive soundstages and deep-black backgrounds. Details, imaging, and presence are on a level associated with the finest audiophile recordings. You'll be hard-pressed to find another LP with cleaner, pinpoint-accurate tones. Mobile Fidelity's LP also brings into transparent view Knopfler's seemingly perfect intricate lines as well as the simpatico accompaniment from his band mates. Whole, lively, and balanced, the bass and drums arrive with a solidity rarely heard on albums of this era. Communique has truly never sounded better.\r\n
      \r\n
      Of course, the audiophile sonics mean little if the artistic content is lacking. Needless to say, Dire Straits' technical perfectionism and creative elan prevail throughout. Knopfler's penchant for sketching cynical characters is further developed on moody tracks like "Where Do You Think You're Going" and "News", while Wexler's presence at the boards ensures the band keeps the rhythms extra tight. The quartet's low-key blues and swampy, Southern-styled grooves turn every song into an exercise in understated virtuosity.\r\n
      \r\n
      Refusing to give into excess, magnetic tunes such as "Lady Writer" and "Angel of Mercy" split a fine line between insinuating and insisting. The group shows off a combination of control, virtuosity, and tunefulness that harkens back to a rock n' roll's classic period while also pointing the way ahead. Need indisputable evidence of Dire Straits' compositional strengths ? Cue up the closing "Follow Me Home" on this pressing and get lost amidst the peacefulness of the gentle surf and chirping crickets that frame the song. Heavenly.\r\n
      \r\n
      The sequence serves as additional proof that Communique remains one of the best-sounding rock records ever made.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1857 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), B. Bear (keyboards), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=o8UfT2OWuis"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-467"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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      [
        "ordre" => 1
        "nom" => "1. Once Upon A Time In the West"
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        "ordre" => 2
        "nom" => "2. News"
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        "nom" => "1. Where Do You Think You're Going ?"
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        "nom" => "2. Communique"
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        "nom" => "Side C : "
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        "nom" => "1. Lady Writer"
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        "nom" => "3. Portobello Belle"
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        "nom" => "1. Single-Handed Sailor"
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[
  "produit" => App\Entity\Produit {#2177
    -id: 2680
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - A tribute by the New Orleans singer and pianist to his native city !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings ! \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals "Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee" and contemporary R&B written or played by the likes of Huey Piano Smith "Blow Wind Blow" and "Huey Smith Medley" and Earl King "Big Chief" and "Those Lonely Lonely Nights".\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      We expect this definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=fdKY7OAcvWw"
    -referenceProduit: "Analogue Productions (Atlantic 75 Series) AAPA 056-45"
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        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. Iko Iko"
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      [
        "ordre" => 2
        "nom" => "2. Blow Wind Blow"
      ]
      [
        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Somebody Changed The Lock"
      ]
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        "ordre" => 6
        "nom" => "2. Mess Around"
      ]
      [
        "ordre" => 7
        "nom" => "3. Let The Good Times Roll"
      ]
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        "nom" => "Side C : "
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        "ordre" => 9
        "nom" => "1. Junko Partner"
      ]
      [
        "ordre" => 10
        "nom" => "2. Stack-A-Lee"
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      [
        "ordre" => 11
        "nom" => "3. Tipitina"
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      [
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        "nom" => "Side D : "
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        "nom" => "1. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 14
        "nom" => "2. Huey Smith Medley :"
      ]
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      ]
      [
        "ordre" => 18
        "nom" => "3. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
    -label: Proxies\__CG__\App\Entity\Label {#2134 …}
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    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2185 …}
    -disponible: null
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    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-atlantic-75-series-aapa-056-45"
  }
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App\Twig\Components\GestionPanierFavoriComponents {#3612
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
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  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2177
    -id: 2680
    -nom: "Dr John's Gumbo"
    -informationComplementaire: null
    -description: """
      - Analogue Productions (Atlantic 75 Series) !\r\n
      - Celebrating the 75th Anniversary of Atlantic Records !\r\n
      - N° 404 on Rolling Stone's list of 500 Greatest Albums of All Time !\r\n
      - A tribute by the New Orleans singer and pianist to his native city !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Pressed at Quality Record Pressings ! \r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Dr. John's Gumbo is the fifth album by New Orleans singer and pianist Dr. John, a tribute to the music of his native city. The album is a collection of covers of New Orleans classics, played by a major figure in the city's music.\r\n
      \r\n
      Dr John's Gumbo was released in 1972 and is in many ways a tribute by Dr. John, aka the Night Tripper, to his hometown of New Orleans. It features excellent interpretations of New Orleans traditionals "Iko Iko", "Tipitina", "Junko Partner" and "Stack-O-Lee" and contemporary R&B written or played by the likes of Huey Piano Smith "Blow Wind Blow" and "Huey Smith Medley" and Earl King "Big Chief" and "Those Lonely Lonely Nights".\r\n
      \r\n
      Dr. John delivers a strong set of infectious songs drenched in good vibes and spiced with a pinch of voodoo. His eccentric (stage) appearance adds unique color to his stature as master of the ivories and as an entertainer.\r\n
      \r\n
      We expect this definitive deluxe 180 gram 45 RPM 2 LP Analogue Productions (Atlantic Series) reissue of Dr. John's Gumbo to be a cherished addition to the music collections of all fans of New Orleans classics.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Dr. John (guitar, piano, cornet, vocals), Jimmy Calhoun (bass), Alvin Robinson, Ken Klimak (guitar), Ronnie Barron (electric piano, organ), David Lastie, Harold Battiste, Lee Allen, Moe Bachamin (saxophone), Streamline (trombone), Freddie Staehle (drums)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=fdKY7OAcvWw"
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        "ordre" => 3
        "nom" => "3. Big Chief"
      ]
      [
        "ordre" => 4
        "nom" => "Side B :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Somebody Changed The Lock"
      ]
      [
        "ordre" => 6
        "nom" => "2. Mess Around"
      ]
      [
        "ordre" => 7
        "nom" => "3. Let The Good Times Roll"
      ]
      [
        "ordre" => 8
        "nom" => "Side C : "
      ]
      [
        "ordre" => 9
        "nom" => "1. Junko Partner"
      ]
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        "nom" => "2. Stack-A-Lee"
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      [
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        "nom" => "1. Those Lonely Lonely Nights"
      ]
      [
        "ordre" => 14
        "nom" => "2. Huey Smith Medley :"
      ]
      [
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        "nom" => "a. High Blood Pressure"
      ]
      [
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      ]
      [
        "ordre" => 17
        "nom" => "c. Well I'll Be John Brown"
      ]
      [
        "ordre" => 18
        "nom" => "3. Little Liza Jane"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2179 …}
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      date: 2025-12-04 07:27:38.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -slug: "vinyles-dr-john-s-gumbo-analogue-productions-atlantic-75-series-aapa-056-45"
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[
  "produit" => App\Entity\Produit {#2193
    -id: 1242
    -nom: "Making Movies"
    -informationComplementaire: null
    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
      - RECORD ONE : 1/4" / 30 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=64Ozpbxgzds"
    -referenceProduit: "MFSL 2-468"
    -titreMorceau: [
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        "nom" => "Side A :"
        "ordre" => 0
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        "nom" => "1. Tunnel of Love"
        "ordre" => 1
      ]
      [
        "nom" => "Side B : "
        "ordre" => 2
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      [
        "nom" => "1. Romeo and Juliet"
        "ordre" => 3
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      [
        "nom" => "2. Skateaway"
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      [
        "nom" => "Side C : "
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      [
        "nom" => "1. Expresso Love"
        "ordre" => 6
      ]
      [
        "nom" => "2. Hand in Hand"
        "ordre" => 7
      ]
      [
        "nom" => "Side D : "
        "ordre" => 8
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      [
        "nom" => "1. Solid Rock"
        "ordre" => 9
      ]
      [
        "nom" => "2. Les Boys"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
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    -typeMasterTape: null
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2198 …}
    -disponible: null
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    -infoMasterTape: null
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3665
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2193
    -id: 1242
    -nom: "Making Movies"
    -informationComplementaire: null
    -description: """
      - CO-PRODUCED BY JIMMY IOVINE, THEMATIC ALBUM SOARS WITH PERSONAL SONGWRITING AND EPIC ARRANGEMENTS !\r\n
      - RECORD ONE : 1/4" / 30 IPS analog copy to DSD 256 to analog console to lathe !\r\n
      - RECORD TWO : 1/4" / 30 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits Expand Musical Framework and Come Into Own on Making Movies: Co-Produced by Jimmy Iovine, Thematic Album Soars With Personal Songwriting and Epic Arrangements.  \r\n
      \r\n
      Cinematic Landscapes and Intricate Passages Sound Sublime : Mobile Fidelity 45 RPM (2 LP) Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics.\r\n
      \r\n
      Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic : Includes "Romeo and Juliet", "Tunnel of Love", "Solid Rock".\r\n
      \r\n
      Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM (2 LP) set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record which contains many Springsteen-esque elements – features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45 RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about.\r\n
      \r\n
      You know you're in the presence of sonic greatness as soon as the first few seconds of the opening "Tunnel of Love" pass, as the introductory passage built on organ and piano new additions to Dire Straits' palette intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD 130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve.\r\n
      \r\n
      Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks.\r\n
      \r\n
      The album's power isn't lost on Iovine, who later told Rolling Stone : "The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that".\r\n
      \r\n
      Indeed, the first five tracks "Tunnel of Love", "Romeo and Juliet", "Skateaway", "Expresso Love", "Hand in Hand" comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. Iovine and Knopfler's standout production puts it over the top.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1856 …}
    -musicienOrchestre: "Mark Knopfler (guitar, vocals), John Illsley (bass, vocals), Roy Bittan (keyboards), Pick Withers (drums, vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=64Ozpbxgzds"
    -referenceProduit: "MFSL 2-468"
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      [
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      [
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      [
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      [
        "nom" => "2. Les Boys"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
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  }
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}

[
  "produit" => App\Entity\Produit {#2206
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. Down To the Waterline"
        "ordre" => 1
      ]
      [
        "nom" => "2. Water of Love"
        "ordre" => 2
      ]
      [
        "nom" => "Side B : "
        "ordre" => 3
      ]
      [
        "nom" => "1. Setting Me Up"
        "ordre" => 4
      ]
      [
        "nom" => "2. Six Blade Knife"
        "ordre" => 5
      ]
      [
        "nom" => "3. Southbound Again"
        "ordre" => 6
      ]
      [
        "nom" => "Side C : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Sultans of Swing"
        "ordre" => 8
      ]
      [
        "nom" => "2. In the Gallery"
        "ordre" => 9
      ]
      [
        "nom" => "Side D :"
        "ordre" => 10
      ]
      [
        "nom" => "1. Wild West End"
        "ordre" => 11
      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1480662954 {#2203
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    }
    -modifierLe: DateTime @1764439558 {#2204
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dire-straits-2-lp-45-rpm-mfsl-2-466"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3713
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2637 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2206
    -id: 1085
    -nom: "Dire Straits - (2 LP)  45 RPM"
    -informationComplementaire: "Awaiting repress titles are in the process of being repressed by the label. No ETA is available at this time."
    -description: """
      - Dire Straits Dire Straits on Numbered Limited Edition 180 gram 45 RPM 2 LP from Mobile Fidelity !\r\n
      - SMOOTH, EFFORTLESS, RELAXED, TUNEFUL, AND DECEIVINGLY SIMPLE !\r\n
      - 1/4" / 15 IPS analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Dire Straits' Self-Titled 1978 Debut Distinguished by Jazz-Inflected Mix of Folk, Blues, Country, and Rock: Guitarist Mark Knopfler Displays Uncanny Precision, Intricacy, and Texture. \r\n
      \r\n
      Breakout Dire Straits Album Includes "Sultans of Swing" and "Down to the Waterline" : Band's Shuffles, Boogies, and Ballads Spark With Crispness, Soulfulness, Coolness.\r\n
      \r\n
      Dire Straits' arresting self-titled debut arrived in the midst of punk's reign but couldn't have been further removed from the era's slash-and-burn style. Recorded in West London in February 1978, the band's tasteful, jazz-inflected set embraces folk, blues, and pub rock while also tracing a direct line back to the beat-oriented sound of early rock n' roll. Country and roots accents further distinguish the British quartet's stripped-down music from any 1970s peers, as does the transparent production, which has remained revered among audiophiles the world over – and which has never been better than on this meticulous analog pressing.\r\n
      \r\n
      Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180 gram 45 RPM 2 LP version of Dire Straits features natural tonalities, superb balances, you-are-there imaging, deep-black backgrounds, and pristine clarity. Even if you've heard this album hundreds of times before, you've never experienced it with such lifelike sonics and premium richness. This numbered, limited-edition collector's set immerses you within the smoky, laidback atmospherics of every song. This is how all vinyl should sound.\r\n
      \r\n
      Crucial to every arrangement, Mark Knopfler's winding guitar lines emerge with supreme transparency and multi-hued textural detail. His intricate playing comes across as if it's being transmitted via his 60s-era Fender Vibrolux amplifier placed right before you. The cleanliness, dimensions, and live feel are that good. His bandmates, too, benefit from the extra groove space afforded by this 45 RPM edition. Rhythms skate and swirl; percussive effects resonate with crispness and attack; the leading edges of notes naturally decay.\r\n
      \r\n
      Dire Straits' strong, well-edited batch of original material further enhances the overall enjoyment and makes the record one whose pleasures go far beyond the organic sonics. Just as Knopfler's narratives pour forth with poetic and surrealist texts, the musical settings – an intoxicating combination of easygoing shuffles, back-hall boogies, and pop-honed ballads – mirror the old-fashioned soulfulness inherent in the classic recordings of the late 50s and early 60s. The lyrics are equally captivating.\r\n
      \r\n
      Drawing from his time as a youth in Newcastle, Leeds, and London, Knopfler invests tunes with an autobiographical slant and emotional connectivity that become obvious the moment he opens his mouth to sing. "Down to the Waterline", "Wild West End", and "Lions" all feature colloquial touches that add to their reach. By extension, "In the Gallery" functions as a tribute to Leeds sculptor Harry Phillips (father of future Knoplfer collaborator, Steve Phillips) while the record's breakout smash, "Sultans of Swing", pays homage to struggling bar bands.\r\n
      \r\n
      Through it all, Dire Straits performs with a subtle cool and clever poise that no band ever matched. Just how good is the chemistry ? Bob Dylan heard the quartet and invited Knopfler and drummer Pick Withers to play on Slow Train Coming. But even Dylan himself didn't hear Dire Straits sound this magnetic back in its original heyday. Now, everyone can.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1904 …}
    -musicienOrchestre: "Mark Knopfler (lead & rhythm guitar, vocals), David Knopfler (rhythm guitar, vocals), John Illsley (bass, vocals), Pick Withers (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=w130cOePxo0"
    -referenceProduit: "MFSL 2-466"
    -titreMorceau: [
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      [
        "nom" => "Side B : "
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      [
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        "ordre" => 5
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      [
        "nom" => "3. Southbound Again"
        "ordre" => 6
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      [
        "nom" => "Side C : "
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      [
        "nom" => "1. Sultans of Swing"
        "ordre" => 8
      ]
      [
        "nom" => "2. In the Gallery"
        "ordre" => 9
      ]
      [
        "nom" => "Side D :"
        "ordre" => 10
      ]
      [
        "nom" => "1. Wild West End"
        "ordre" => 11
      ]
      [
        "nom" => "2. Lions"
        "ordre" => 12
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2150 …}
    -label: Proxies\__CG__\App\Entity\Label {#2049 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2214 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2207 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2209 …}
    -enregistreLe: DateTime @1480662954 {#2203
      date: 2016-12-02 07:15:54.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1764439558 {#2204
      date: 2025-11-29 18:05:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2211 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-dire-straits-2-lp-45-rpm-mfsl-2-466"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2405 …}
}