Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2585
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2662
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2665 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -formView: Symfony\Component\Form\FormView {#2701 …}
  -form: Symfony\Component\Form\Form {#2851 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1821
    -id: 3013
    -nom: "Brain Salad Surgery"
    -informationComplementaire: null
    -description: """
      - A Most Amazing Show : Emerson, Lake & Palmer’s Brain Salad Surgery Established Prog-Rock Standards, Features the Epic “Karn Evil 9” Suite and Visionary Rendition of Ginastera Piano Concerto !\r\n
      \r\n
      - Experience the 1973 Album in Audiophile Sound and Enjoy the Immersive Feel of the Original Double Gatefold Packaging: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Reveals the Copious Details, Textures, and Depth of the Exceptional Production !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      "Welcome back, my friends, to the show that never ends". \r\n
      \r\n
      Famously uttered by bassist-guitarist Greg Lake, those words encapsulate the theatricality, thrills, breadth, and fascination surrounding Brain Salad Surgery Emerson, Lake & Palmer's fourth studio album. Originally released in late 1973, it finds the trio taking front-to-back control of its situation and incorporating several studio firsts. The platinum-certified effort also stands as one of the greatest prog-rock feats in history. Its cohesive blend of musicianship, songwriting, and production set a standard that, decades later, remains revered amid fans and critics alike. \r\n
      \r\n
      Sourced from the original analog master tapes, housed in a deluxe double gatefold Stoughton jacket complete with a fold-out die-cut insert, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Brain Salad Surgery presents the record Emerson, Lake & Palmer member Carl Palmer deemed his favorite in audiophile sound. Clear, dynamic, and balanced, this collectible version honors the meticulous approaches that informed the playing and recording of the record.  \r\n
      \r\n
      Featuring black backgrounds and quiet surfaces, Mobile Fidelity’s reissue brings to light the epic scope, tonal depth, and high degree of virtuosity on display. Key characteristics textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you’ve owned multiple copies of this touchstone or seeking out your first copy, you’ll relish the presence, separation, imaging, and solidity that help make every passage come across as the group intended.  \r\n
      \r\n
      That care extends to the faithful reproduction of the original coveted packaging. Designed by iconic artist H.R. Giger, the cover visually combines an industrial machine with the top half of a human skull along with the now-recognizable ELP logo. A circular screen attached to the right panel opens to reveal another painting that shows a female face, braided hair, and lobotomy scars. On the inside panels, a portrait-style photo of each ELP member is seen within the circular space in Giger’s biomechanical illustration. \r\n
      \r\n
      Chosen for its foreboding look, an aesthetic Keith Emerson felt conveyed the vibe of his band’s music, Giger’s paintings are one aspect of many on Brain Salad Surgery that Emerson, Lake & Palmer ensured adhered to its exacting standards. To optimize the process of making an album from start to finish, the collective established its own label, Manticore Records. Emerson, Lake & Palmer also went whole hog on its rehearsal facilities. \r\n
      \r\n
      After the trio became frustrated by its inability to recreate large swaths of Trilogy recorded on 24 track consoles and filled with overdubs in the live environment, it committed to following an approach that would allow it to develop Brain Salad Surgery in organic fashion. To do so, it needed a space where it could play and write without constraints, and test out the material until it was satisfied. The solution : Emerson, Lake & Palmer purchased a cinema, removed the seats, and transformed it into a practice space.  \r\n
      \r\n
      When it came to the session work, Emerson, Lake & Palmer began at Olympic Studios and continued later that summer at Advision Studios. At the latter, the group became the first to use the then-cutting-edge polyphonic synthesizer in the context of a recording. You can hear it on “Jerusalem”, the band’s take on composer Hubert Parry’s choral adaptation of a William Blake poem. Another remarkable novelty : Palmer’s proto-electronic drums in the middle section of “Toccata”, which became a reality after the crew placed a microphone in each drum in order to trigger a synthesizer. \r\n
      \r\n
      All that results on “Toccata” the group’s thrilling interpretation of Alberto Ginastera’s first piano concerto symbolizes the cacophony, ambition, and brazenness coursing through the record. To state the obvious, Emerson, Lake & Palmer’s prodigious talents as instrumentalists were a given by the time Brain Salad Surgery arrived and quickly ascended to the top quadrant of the US and UK charts. But it’s doubtful the three friends ever played more collaboratively and inspired as they do here. \r\n
      \r\n
      You could write a thesis on “Karn Evil 9” alone. Nearly 30 minutes long and co-written by King Crimson co-founder Peter Sinfield, the prescient tale involving humans and computers evolves over three distinct movements. It finds the band pulling out all the stops, from Emerson’s Minimoog solo that mimics the character of a steelpan to the ferocious collective interplay that helps send the piece out with a flourish. \r\n
      \r\n
      Amid such elevated rock-fusion circumstance on Brain Salad Surgery, the group has the foresight to include a beautiful moment of contrast in the form of the ballad “Still.... You Turn Me On” as fine an example as any of Lake’s ability as a poetic songwriter and finessed guitarist. Emerson contributes atmospheric backgrounds via harpsichord and accordion; Palmer simply rattles a tambourine. Though not technically representative of the other fare on the record, the tune is archetypal of period Emerson, Lake & Palmer in how it demonstrates how far the group could swing from one extreme to another and do so with absolute conviction. \r\n
      \r\n
      A most amazing show, indeed. Step inside, step inside.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, Moog synthesizer, piano),  Greg Lake (bass guitar, acoustic & electric guitars, vocals), Carl Palmer (drums, percussion), Peter Sinfield, John Hendricks (lyrics), Pete Gage (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zfqyuba-BlA&list=RDzfqyuba-BlA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-619"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jerusalem"
      ]
      [
        "ordre" => 2
        "nom" => "2. Toccata 3."
      ]
      [
        "ordre" => 3
        "nom" => "Still.... You Turn Me On"
      ]
      [
        "ordre" => 4
        "nom" => "4. Benny the Bouncer"
      ]
      [
        "ordre" => 5
        "nom" => "5. Karn Evil 9 : 1st Impression - Part 1 "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Karn Evil 9 : 1st Impression - Part 2"
      ]
      [
        "ordre" => 8
        "nom" => "2. Karn Evil 9 : 2nd Impression"
      ]
      [
        "ordre" => 9
        "nom" => "3. Karn Evil 9 : 3rd Impression"
      ]
      [
        "ordre" => 10
        "nom" => "4. Andrew White Ted Dunbar Buster Williams Billy Hart Mtume Songai"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1773213397 {#1876
      date: 2026-03-11 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773213946 {#1869
      date: 2026-03-11 07:25:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-brain-salad-surgery-mobile-fidelity-sound-lab-mfsl-1-619"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3125
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#1821
    -id: 3013
    -nom: "Brain Salad Surgery"
    -informationComplementaire: null
    -description: """
      - A Most Amazing Show : Emerson, Lake & Palmer’s Brain Salad Surgery Established Prog-Rock Standards, Features the Epic “Karn Evil 9” Suite and Visionary Rendition of Ginastera Piano Concerto !\r\n
      \r\n
      - Experience the 1973 Album in Audiophile Sound and Enjoy the Immersive Feel of the Original Double Gatefold Packaging: Mobile Fidelity’s Numbered-Edition 180 gram 33 RPM LP Reveals the Copious Details, Textures, and Depth of the Exceptional Production !\r\n
      \r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      "Welcome back, my friends, to the show that never ends". \r\n
      \r\n
      Famously uttered by bassist-guitarist Greg Lake, those words encapsulate the theatricality, thrills, breadth, and fascination surrounding Brain Salad Surgery Emerson, Lake & Palmer's fourth studio album. Originally released in late 1973, it finds the trio taking front-to-back control of its situation and incorporating several studio firsts. The platinum-certified effort also stands as one of the greatest prog-rock feats in history. Its cohesive blend of musicianship, songwriting, and production set a standard that, decades later, remains revered amid fans and critics alike. \r\n
      \r\n
      Sourced from the original analog master tapes, housed in a deluxe double gatefold Stoughton jacket complete with a fold-out die-cut insert, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180 gram 33 RPM LP of Brain Salad Surgery presents the record Emerson, Lake & Palmer member Carl Palmer deemed his favorite in audiophile sound. Clear, dynamic, and balanced, this collectible version honors the meticulous approaches that informed the playing and recording of the record.  \r\n
      \r\n
      Featuring black backgrounds and quiet surfaces, Mobile Fidelity’s reissue brings to light the epic scope, tonal depth, and high degree of virtuosity on display. Key characteristics textures, nuances, effects, melodies, tempo changes that go hand-in-hand with the trio’s compositions and interplay are rendered amid broad soundstages and delivered with pinpoint detail. Whether you’ve owned multiple copies of this touchstone or seeking out your first copy, you’ll relish the presence, separation, imaging, and solidity that help make every passage come across as the group intended.  \r\n
      \r\n
      That care extends to the faithful reproduction of the original coveted packaging. Designed by iconic artist H.R. Giger, the cover visually combines an industrial machine with the top half of a human skull along with the now-recognizable ELP logo. A circular screen attached to the right panel opens to reveal another painting that shows a female face, braided hair, and lobotomy scars. On the inside panels, a portrait-style photo of each ELP member is seen within the circular space in Giger’s biomechanical illustration. \r\n
      \r\n
      Chosen for its foreboding look, an aesthetic Keith Emerson felt conveyed the vibe of his band’s music, Giger’s paintings are one aspect of many on Brain Salad Surgery that Emerson, Lake & Palmer ensured adhered to its exacting standards. To optimize the process of making an album from start to finish, the collective established its own label, Manticore Records. Emerson, Lake & Palmer also went whole hog on its rehearsal facilities. \r\n
      \r\n
      After the trio became frustrated by its inability to recreate large swaths of Trilogy recorded on 24 track consoles and filled with overdubs in the live environment, it committed to following an approach that would allow it to develop Brain Salad Surgery in organic fashion. To do so, it needed a space where it could play and write without constraints, and test out the material until it was satisfied. The solution : Emerson, Lake & Palmer purchased a cinema, removed the seats, and transformed it into a practice space.  \r\n
      \r\n
      When it came to the session work, Emerson, Lake & Palmer began at Olympic Studios and continued later that summer at Advision Studios. At the latter, the group became the first to use the then-cutting-edge polyphonic synthesizer in the context of a recording. You can hear it on “Jerusalem”, the band’s take on composer Hubert Parry’s choral adaptation of a William Blake poem. Another remarkable novelty : Palmer’s proto-electronic drums in the middle section of “Toccata”, which became a reality after the crew placed a microphone in each drum in order to trigger a synthesizer. \r\n
      \r\n
      All that results on “Toccata” the group’s thrilling interpretation of Alberto Ginastera’s first piano concerto symbolizes the cacophony, ambition, and brazenness coursing through the record. To state the obvious, Emerson, Lake & Palmer’s prodigious talents as instrumentalists were a given by the time Brain Salad Surgery arrived and quickly ascended to the top quadrant of the US and UK charts. But it’s doubtful the three friends ever played more collaboratively and inspired as they do here. \r\n
      \r\n
      You could write a thesis on “Karn Evil 9” alone. Nearly 30 minutes long and co-written by King Crimson co-founder Peter Sinfield, the prescient tale involving humans and computers evolves over three distinct movements. It finds the band pulling out all the stops, from Emerson’s Minimoog solo that mimics the character of a steelpan to the ferocious collective interplay that helps send the piece out with a flourish. \r\n
      \r\n
      Amid such elevated rock-fusion circumstance on Brain Salad Surgery, the group has the foresight to include a beautiful moment of contrast in the form of the ballad “Still.... You Turn Me On” as fine an example as any of Lake’s ability as a poetic songwriter and finessed guitarist. Emerson contributes atmospheric backgrounds via harpsichord and accordion; Palmer simply rattles a tambourine. Though not technically representative of the other fare on the record, the tune is archetypal of period Emerson, Lake & Palmer in how it demonstrates how far the group could swing from one extreme to another and do so with absolute conviction. \r\n
      \r\n
      A most amazing show, indeed. Step inside, step inside.
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Keith Emerson (keyboards, Hammond organ, Moog synthesizer, piano),  Greg Lake (bass guitar, acoustic & electric guitars, vocals), Carl Palmer (drums, percussion), Peter Sinfield, John Hendricks (lyrics), Pete Gage (backing vocals)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=zfqyuba-BlA&list=RDzfqyuba-BlA&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 1-619"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Jerusalem"
      ]
      [
        "ordre" => 2
        "nom" => "2. Toccata 3."
      ]
      [
        "ordre" => 3
        "nom" => "Still.... You Turn Me On"
      ]
      [
        "ordre" => 4
        "nom" => "4. Benny the Bouncer"
      ]
      [
        "ordre" => 5
        "nom" => "5. Karn Evil 9 : 1st Impression - Part 1 "
      ]
      [
        "ordre" => 6
        "nom" => "Side B : "
      ]
      [
        "ordre" => 7
        "nom" => "1. Karn Evil 9 : 1st Impression - Part 2"
      ]
      [
        "ordre" => 8
        "nom" => "2. Karn Evil 9 : 2nd Impression"
      ]
      [
        "ordre" => 9
        "nom" => "3. Karn Evil 9 : 3rd Impression"
      ]
      [
        "ordre" => 10
        "nom" => "4. Andrew White Ted Dunbar Buster Williams Billy Hart Mtume Songai"
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1897 …}
    -label: Proxies\__CG__\App\Entity\Label {#1911 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2028 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1902 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2016 …}
    -enregistreLe: DateTime @1773213397 {#1876
      date: 2026-03-11 07:16:37.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1773213946 {#1869
      date: 2026-03-11 07:25:46.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2022 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-brain-salad-surgery-mobile-fidelity-sound-lab-mfsl-1-619"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2047
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Natural Thing"
      ]
      [
        "ordre" => 2
        "nom" => "2. Long Train Runnin’"
      ]
      [
        "ordre" => 3
        "nom" => "3. China Grove"
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Dark Eyed Cajun Woman"
      ]
      [
        "ordre" => 6
        "nom" => "2. Clear as the Driven Snow"
      ]
      [
        "ordre" => 7
        "nom" => "Side C :"
      ]
      [
        "ordre" => 8
        "nom" => "1. Without You"
      ]
      [
        "ordre" => 9
        "nom" => "2. South City Midnight Lady"
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
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        "nom" => "1. Evil Woman"
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        "nom" => "4. The Captain and Me"
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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    -disponible: null
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    -slug: "vinyles-the-captain-and-me-2-lp-45-rpm-mobile-fidelity-sound-lab-mfsl-2-597"
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App\Twig\Components\GestionPanierFavoriComponents {#3239
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  +produit: App\Entity\Produit {#2047
    -id: 3008
    -nom: "The Captain and Me (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - The Album That Made the Doobie Brothers Superstars: The Captain and Me Features the Hits "China Grove" and "Long Train Runnin'", Even Balance Between Edgy Rock and Rustic Ballads !\r\n
      - Experience the 1973 Record in Definitive Sound: Mobile Fidelity's Numbered-Edition 180 gram 45 RPM (2 LP) Set Elevates Ted Templeman's Production and Comes Housed in a Stoughton Gatefold Jacket !\r\n
      - 1/4” / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe !\r\n
      \r\n
      Taking off on the commercial success of Toulouse Street, The Captain and Me propelled the Doobie Brothers to superstar status. Having spent an entire year on the charts after its March 1973 release, the band's third record features one classic after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that highlights the group's chemistry and songwriting prowess. And a guest turn on pedal steel by Steely Dan alum Jeff “Skunk” Baxter, who’d officially crack the Doobie Brothers’ lineup the following year. \r\n
      \r\n
      Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180 gram 45 RPM (2 LP) presents The Captain and Me in definitive sound. Given the luxurious room of a 45 RPM version for the first time and benefiting from the wider grooves, the music unfolds amid large soundstages replete with ultra-quiet backgrounds, vivid dynamics, and sharp imaging. Ted Templeman’s excellent production charms like never before. \r\n
      \r\n
      The organic sonics of The Captain and Me demonstrate why myriad listeners swear allegiance to 70s recordings. Facets that help make the album so welcoming voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace from beginning to end, well-placed percussive accents, warm tones, defined separation between the players come across on this collectible reissue with involving presence, openness, and realism. Everything sounds crisp and clear. Nothing is overdone or out of place, even with the addition of strings and synthesizers in places. \r\n
      \r\n
      No wonder why The Captain and Me stands as one the feel-good California quintet's signature works. Balanced between Tom Johnston's harder-edged contributions and Patrick Simmons' rustic excursions, the album displays a stunning array of high harmonies and interlocking rhythms. Laidback yet engaged, the stylistic combination belies the Doobies' roots as a Northern California bar band that played at afternoon jam sessions for members of the Hells Angels and parallels its evolution into a more polished, confident collective on par with mainstream peers the Eagles and the Allman Brothers Band.\r\n
      \r\n
      Such biker-meets-beach mentality informs the lead-off "Natural Thing" a midtempo tune that feeds of the tension between the acoustic and electric guitars while showing off the the band’s then-new incorporation of ARP synthesizers and on the skyward title track, which builds in energy as it moves towards a climax. And of course, there's the Top 15 smash "China Grove" and Top 10 hit "Long Train Runnin'". Each pop-rock hallmark rides memorable guitar riffs into the sunset. Each conjures the liberating feelings of wind blowing through your hair and three-day weekends. Each never gets old. \r\n
      \r\n
      By keeping their craft deceptively simple and thoroughly enjoyable, the Doobies understand music is supposed to be fun and that it needs to groove. And groove and sway The Captain and Me does without fail. You could say it keeps on movin’. Another key reason for its ageless charm : The playing of pianist Bill Payne. The Little Feat member appears on five cuts, including the romantic “South City Midnight Lady” (along with Baxter), polyrhythmic “Without You”, and blues corker “Dark Eyed Cajun Woman”. \r\n
      \r\n
      You’d likely never guess the Doobie Brothers made The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove its prior LP wasn’t a fluke. More than two million copies in sales, two massive singles, and Top 10 chart status did more than that. The Captain and Me sent the band on its way to Rock and Roll Hall of Fame stature and permanent standing as one of the great rock ‘n’ roll bands of its time.
      """
    -prixVente: "99.50"
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    -musicienOrchestre: "Tom Johnston, Patrick Simmons (guitar, vocals), Tiran Porter (bass, backing vocals), John Hartman, Michael Hossack (drums, percussion), Bill Payne (keyboards), Jeff Baxter (pedal steel guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
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    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=ffGfxHxGj_g&list=RDffGfxHxGj_g&start_radio=1"
    -referenceProduit: "Mobile Fidelity Sound Lab MFSL 2-597"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
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        "nom" => "1. Natural Thing"
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        "nom" => "2. Long Train Runnin’"
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        "nom" => "3. China Grove"
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        "nom" => "2. Clear as the Driven Snow"
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[
  "produit" => App\Entity\Produit {#2063
    -id: 1941
    -nom: "Rumours"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock. If you don't want to pre-order the product you can ask to receive a back in stock notification email."
    -description: """
      - Cut by Kevin Gray and Steve Hoffman from the Original Analog Master Tapes ! \r\n
      - This Incredible Album From the '70s is Now Available on Two 180 Gram 45 RPM LPs & Pressed at Pallas !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 26 / 500 ! \r\n
      \r\n
      Nineteen times platinum in the U.S. alone, Rumours is one of the best-selling albums of all time. This Diamond Award winning, Grammy "Album Of The Year" masterpiece includes the hits "Dreams", "Go Your Own Way" and "You Make Loving Fun". All original artwork and packaging. This record was exceptionally recorded to begin with, and now with a remastering job from the original analog masters by the team of Kevin Gray and Steve Hoffman at AcousTech Mastering look out !!! This becomes one hot reissue !\r\n
      \r\n
      This audiophile deluxe version is pressed on two 180 gram LPs cut at 45 RPM (pressed at Pallas). It is packaged in a paper-wrapped Stoughton gatefold jacket with two-panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Stevie Nicks (vocals), John McVie (bass), Christine McVie (keyboards, synthesizer, vocals), Lindsey Buckingham (guitar, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=DubafeFeJ7Y"
    -referenceProduit: "Reprise Records 517787"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. Second Hand News"
      ]
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        "nom" => "2. Dreams"
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        "nom" => "3. Never Going Back Again"
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        "nom" => "1. Oh Daddy"
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        "nom" => "2. Gold Dust Woman"
      ]
    ]
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    }
    -modifierLe: DateTime @1771535523 {#2061
      date: 2026-02-19 21:12:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
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    -slug: "vinyles-rumours-reprise-records-517787"
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  +produit: App\Entity\Produit {#2063
    -id: 1941
    -nom: "Rumours"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock. If you don't want to pre-order the product you can ask to receive a back in stock notification email."
    -description: """
      - Cut by Kevin Gray and Steve Hoffman from the Original Analog Master Tapes ! \r\n
      - This Incredible Album From the '70s is Now Available on Two 180 Gram 45 RPM LPs & Pressed at Pallas !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 26 / 500 ! \r\n
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      Nineteen times platinum in the U.S. alone, Rumours is one of the best-selling albums of all time. This Diamond Award winning, Grammy "Album Of The Year" masterpiece includes the hits "Dreams", "Go Your Own Way" and "You Make Loving Fun". All original artwork and packaging. This record was exceptionally recorded to begin with, and now with a remastering job from the original analog masters by the team of Kevin Gray and Steve Hoffman at AcousTech Mastering look out !!! This becomes one hot reissue !\r\n
      \r\n
      This audiophile deluxe version is pressed on two 180 gram LPs cut at 45 RPM (pressed at Pallas). It is packaged in a paper-wrapped Stoughton gatefold jacket with two-panel insert.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Stevie Nicks (vocals), John McVie (bass), Christine McVie (keyboards, synthesizer, vocals), Lindsey Buckingham (guitar, vocals), Mick Fleetwood (drums, percussion)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
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    -extraitYoutube: "https://www.youtube.com/watch?v=DubafeFeJ7Y"
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    -titreMorceau: [
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        "nom" => "2. Gold Dust Woman"
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    -artiste: Proxies\__CG__\App\Entity\Artiste {#2065 …}
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    -enregistreLe: DateTime @1603608314 {#2060
      date: 2020-10-25 06:45:14.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1771535523 {#2061
      date: 2026-02-19 21:12:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2074 …}
    -disponible: null
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    -slug: "vinyles-rumours-reprise-records-517787"
  }
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[
  "produit" => App\Entity\Produit {#2082
    -id: 1823
    -nom: "The Cooker"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Lee Morgan "The Cooker" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      When listening to Lee Morgan blow his molten solo on "A Night In Tunisia", the opening track of The Cooker, it's hard to fathom that he was only 19 years old at the time. Recorded just two weeks after Morgan's dazzling performance on John Coltrane's masterpiece Blue Train in September 1957, The Cooker was in fact Morgan's fifth Blue Note album as a leader. BassistPaul Chambers and drummer Philly Joe Jones (both of whom also played on Blue Train) are joined by baritone saxophone master Pepper Adams and the great Bobby Timmons on piano on this superbly swinging session.\r\n
      \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Paul Chambers (bass), Pepper Adams (baritione saxophone), Bobby Timmons (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
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    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ed80NAOQc54"
    -referenceProduit: "Blue Note Tone Poet 7701"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
      [
        "ordre" => 1
        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. Heavy Dipper"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Just One Of Those Things"
      ]
      [
        "ordre" => 5
        "nom" => "2. Lover Man"
      ]
      [
        "ordre" => 6
        "nom" => "3. New-Ma"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
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    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
    -enregistreLe: DateTime @1583218180 {#2079
      date: 2020-03-03 06:49:40.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770797305 {#2080
      date: 2026-02-11 08:08:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-the-cooker-blue-note-tone-poet-7701"
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  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2082
    -id: 1823
    -nom: "The Cooker"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      - Lee Morgan "The Cooker" 180 gram gatefold LP !\r\n
      - Mastered by Kevin Gray at Cohearent Audio from the original master tape !\r\n
      - Plated and pressed at RTI !\r\n
      \r\n
      When listening to Lee Morgan blow his molten solo on "A Night In Tunisia", the opening track of The Cooker, it's hard to fathom that he was only 19 years old at the time. Recorded just two weeks after Morgan's dazzling performance on John Coltrane's masterpiece Blue Train in September 1957, The Cooker was in fact Morgan's fifth Blue Note album as a leader. BassistPaul Chambers and drummer Philly Joe Jones (both of whom also played on Blue Train) are joined by baritone saxophone master Pepper Adams and the great Bobby Timmons on piano on this superbly swinging session.\r\n
      \r\n
      \r\n
      Blue Note Records has announced the continuation of the acclaimed Tone Poet Audiophile Vinyl Reissue Series in 2020. Launched in 2019 in honor of the label's 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180 gram audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing "Old Style" gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note / Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.\r\n
      \r\n
      \r\n
      "The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded ! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session". - Joe Harley
      """
    -prixVente: "60.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Paul Chambers (bass), Pepper Adams (baritione saxophone), Bobby Timmons (piano), Philly Joe Jones (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Ed80NAOQc54"
    -referenceProduit: "Blue Note Tone Poet 7701"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
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        "nom" => "1. A Night In Tunisia"
      ]
      [
        "ordre" => 2
        "nom" => "2. Heavy Dipper"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Just One Of Those Things"
      ]
      [
        "ordre" => 5
        "nom" => "2. Lover Man"
      ]
      [
        "ordre" => 6
        "nom" => "3. New-Ma"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
    -label: Proxies\__CG__\App\Entity\Label {#2087 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2096 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2089 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2091 …}
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    }
    -modifierLe: DateTime @1770797305 {#2080
      date: 2026-02-11 08:08:25.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2093 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-cooker-blue-note-tone-poet-7701"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2101
    -id: 1942
    -nom: "The Sidewinder"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off in December 2020 with the release of two masterpieces pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      Lee Morgan's magnum opus The Sidewinder – recorded in 1963 and release in 1964 was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of five indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track. Morgan is in brilliant form throughout, playing with the brashness, confidence and soulfulness that had made him famous as a child prodigy in jazz.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Joe Henderson (tenor saxophone), Barry Harris (piano), Bob Cranshaw (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qJi03NqXfk8"
    -referenceProduit: "Blue Note Records 38869"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A : "
      ]
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        "ordre" => 1
        "nom" => "1. The Sidewinder "
      ]
      [
        "ordre" => 2
        "nom" => "2. Totem Pole"
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Gary's Notebook "
      ]
      [
        "ordre" => 5
        "nom" => "2. Boy, What A Night "
      ]
      [
        "ordre" => 6
        "nom" => "3. Hocus-Pocus"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1603796711 {#2098
      date: 2020-10-27 11:05:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770796558 {#2099
      date: 2026-02-11 07:55:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-sidewinder-blue-note-records-38869"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3394
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2101
    -id: 1942
    -nom: "The Sidewinder"
    -informationComplementaire: "This product is not in stock but should be available in the future. You can pre-order it now to get it as soon as the product is back in stock"
    -description: """
      Blue Note Classic Vinyl Reissue Series All-Analog 180 gram Vinyl LP Mastered by Kevin Gray Directly from the Original Master Tapes and Manufactured at Optimal in Germany !\r\n
      \r\n
      Blue Note Records is pleased to present the Blue Note Classic Vinyl Reissue Series, a continuation of their acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the label's 80th anniversary in 2019. The Classic Series will once again feature all-analog 180 gram vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal in Germany. The first 16 titles of the Classic Series will focus on the enduring classics of the Blue Note catalog, kicking off in December 2020 with the release of two masterpieces pianist McCoy Tyner's The Real McCoy and trumpeter Lee Morgan's The Sidewinder. The Classic Series will be on-going, running alongside the Tone Poet Audiophile Vinyl Reissue Series which is produced by Joe Harley.\r\n
      \r\n
      Lee Morgan's magnum opus The Sidewinder – recorded in 1963 and release in 1964 was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording turned out to be The Sidewinder, an assured and energetic set of five indelible Morgan originals featuring tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. The album became his biggest commercial success fueled by the irrepressible title track. Morgan is in brilliant form throughout, playing with the brashness, confidence and soulfulness that had made him famous as a child prodigy in jazz.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1905 …}
    -musicienOrchestre: "Lee Morgan (trumpet), Joe Henderson (tenor saxophone), Barry Harris (piano), Bob Cranshaw (bass), Billy Higgins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=qJi03NqXfk8"
    -referenceProduit: "Blue Note Records 38869"
    -titreMorceau: [
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        "nom" => "Side A : "
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        "nom" => "1. The Sidewinder "
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        "nom" => "2. Totem Pole"
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      [
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        "nom" => "Side B : "
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      [
        "ordre" => 4
        "nom" => "1. Gary's Notebook "
      ]
      [
        "ordre" => 5
        "nom" => "2. Boy, What A Night "
      ]
      [
        "ordre" => 6
        "nom" => "3. Hocus-Pocus"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2084 …}
    -label: Proxies\__CG__\App\Entity\Label {#2103 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2112 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2105 …}
    -typeMasterTape: null
    -marque: null
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    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2107 …}
    -enregistreLe: DateTime @1603796711 {#2098
      date: 2020-10-27 11:05:11.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770796558 {#2099
      date: 2026-02-11 07:55:58.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2109 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-sidewinder-blue-note-records-38869"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2117
    -id: 2992
    -nom: "Stan Getz and The Oscar Peterson Trio"
    -informationComplementaire: null
    -description: """
      - Stan Getz and The Oscar Peterson Trio "Stan Getz and The Oscar Peterson Trio" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Stan Getz and the Oscar Peterson Trio, released in 1958 on Verve Records, documents a rare meeting between two contrasting but complementary jazz greats: the cool-toned tenor saxophonist Stan Getz and the hard-driving Oscar Peterson Trio. Produced by Norman Granz and recorded in Hollywood in October 1957, the session finds Getz joining a veteran rhythm section already regarded as one of the most cohesive in jazz: Peterson on piano, Herb Ellis on guitar, and Ray Brown on bass.\r\n
      \r\n
      While Getz was often heard in more subdued or orchestrated contexts during this period, this session highlights his command of bebop language and small-group swing. Peterson's trio, known for its drive and responsiveness, adapts fluidly to Getz's tone and phrasing, yielding a session marked by relaxed interplay, rhythmic clarity, and understated virtuosity. The Verve Vault series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Oscar Peterson (piano), Ray Brown (double bass), Herb Ellis (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GXFf__8U0g8&list=PL0_C7flBc-D8_TzTCGqf7GIVbtEDn7C6b&index=2"
    -referenceProduit: "Venus Records 6300"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. I Want To Be Happy"
      ]
      [
        "ordre" => 2
        "nom" => "2. Pennies From Heaven"
      ]
      [
        "ordre" => 3
        "nom" => "3. Ballad Medley "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I’m Glad There’s You"
      ]
      [
        "ordre" => 6
        "nom" => "2. Tour’s End"
      ]
      [
        "ordre" => 7
        "nom" => "3. I was Doing All Right"
      ]
      [
        "ordre" => 8
        "nom" => "4. Bronx Blues"
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      [
        "ordre" => 9
        "nom" => ""
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
      [
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        "nom" => ""
      ]
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2126 …}
    -enregistreLe: DateTime @1770621309 {#2114
      date: 2026-02-09 07:15:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770621735 {#2115
      date: 2026-02-09 07:22:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-stan-getz-and-the-oscar-peterson-trio-venus-records-6300"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3440
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2117
    -id: 2992
    -nom: "Stan Getz and The Oscar Peterson Trio"
    -informationComplementaire: null
    -description: """
      - Stan Getz and The Oscar Peterson Trio "Stan Getz and The Oscar Peterson Trio" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Stan Getz and the Oscar Peterson Trio, released in 1958 on Verve Records, documents a rare meeting between two contrasting but complementary jazz greats: the cool-toned tenor saxophonist Stan Getz and the hard-driving Oscar Peterson Trio. Produced by Norman Granz and recorded in Hollywood in October 1957, the session finds Getz joining a veteran rhythm section already regarded as one of the most cohesive in jazz: Peterson on piano, Herb Ellis on guitar, and Ray Brown on bass.\r\n
      \r\n
      While Getz was often heard in more subdued or orchestrated contexts during this period, this session highlights his command of bebop language and small-group swing. Peterson's trio, known for its drive and responsiveness, adapts fluidly to Getz's tone and phrasing, yielding a session marked by relaxed interplay, rhythmic clarity, and understated virtuosity. The Verve Vault series is always mastered from analog tapes and pressed on 180 gram vinyl at Optimal.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Stan Getz (tenor saxophone), Oscar Peterson (piano), Ray Brown (double bass), Herb Ellis (guitar)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
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    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=GXFf__8U0g8&list=PL0_C7flBc-D8_TzTCGqf7GIVbtEDn7C6b&index=2"
    -referenceProduit: "Venus Records 6300"
    -titreMorceau: [
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        "nom" => "Side A :"
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        "nom" => "1. I Want To Be Happy"
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        "nom" => "2. Pennies From Heaven"
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        "nom" => "3. Ballad Medley "
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        "nom" => "Side B : "
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        "nom" => "1. I’m Glad There’s You"
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      [
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        "nom" => "2. Tour’s End"
      ]
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        "nom" => "3. I was Doing All Right"
      ]
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        "nom" => "4. Bronx Blues"
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2119 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2131 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2124 …}
    -typeMasterTape: null
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    -enregistreLe: DateTime @1770621309 {#2114
      date: 2026-02-09 07:15:09.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770621735 {#2115
      date: 2026-02-09 07:22:15.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2128 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-stan-getz-and-the-oscar-peterson-trio-venus-records-6300"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2136
    -id: 2991
    -nom: "Sonny Rollins Brass / Sonny Rollins Trio"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins Trio "Sonny Rollins Brass" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Brass/Trio, released in 1958 on Verve Records, is an unusual two-sided statement from saxophonist Sonny Rollins pairing a full brass ensemble session on one side with a stripped-down saxophone trio on the other. The first half features Rollins with a brass ensemble arranged and conducted by Ernie Wilkins, recorded in New York in July 1958. The lineup includes trumpeter Harry "Sweets" Edison, trombonists J.J. Johnson and Jimmy Cleveland, and tuba player Don Butterfield, supported by a rhythm section of pianist Dick Katz, guitarist Rene Thomas, bassist Henry Grimes, and drummer Roy Haynes.\r\n
      \r\n
      Together, they provide a swinging, harmonically rich backdrop for Rollins on standards such as "Who Cares ?" and "Love Is A Simple Thing". The second half was recorded days later in Los Angeles with bassist Henry Grimes and drummer Specs Wright a pared-down trio setting that emphasizes Rollins' rhythmic command and melodic elasticity. Tracks such as "Raincheck", "My One and Only Love", and "Just in Time" showcase his ability to move effortlessly between ballad interpretation and fleet improvisation.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Bob Cranshaw (bass), Jimmy Cleveland (trombone), Thad Jones (trumpet), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Eak-nREk508"
    -referenceProduit: "Verve Records 6301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Cares ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Is A Simple Thing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Grand Street"
      ]
      [
        "ordre" => 4
        "nom" => "4. Far Out East "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. What’s My Name ?"
      ]
      [
        "ordre" => 7
        "nom" => "2. If You Were The Only Girl In The World"
      ]
      [
        "ordre" => 8
        "nom" => "3. Manhattan"
      ]
      [
        "ordre" => 9
        "nom" => "4. Body & Soul"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2147 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2140 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2142 …}
    -enregistreLe: DateTime @1770620712 {#2133
      date: 2026-02-09 07:05:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770620846 {#2134
      date: 2026-02-09 07:07:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-rollins-brass-sonny-rollins-trio-verve-records-6301"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3491
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2136
    -id: 2991
    -nom: "Sonny Rollins Brass / Sonny Rollins Trio"
    -informationComplementaire: null
    -description: """
      - Sonny Rollins Trio "Sonny Rollins Brass" !\r\n
      - Part of the Verve Vault Series !\r\n
      - 180 gram vinyl pressed at Optimal in Germany !\r\n
      \r\n
      Brass/Trio, released in 1958 on Verve Records, is an unusual two-sided statement from saxophonist Sonny Rollins pairing a full brass ensemble session on one side with a stripped-down saxophone trio on the other. The first half features Rollins with a brass ensemble arranged and conducted by Ernie Wilkins, recorded in New York in July 1958. The lineup includes trumpeter Harry "Sweets" Edison, trombonists J.J. Johnson and Jimmy Cleveland, and tuba player Don Butterfield, supported by a rhythm section of pianist Dick Katz, guitarist Rene Thomas, bassist Henry Grimes, and drummer Roy Haynes.\r\n
      \r\n
      Together, they provide a swinging, harmonically rich backdrop for Rollins on standards such as "Who Cares ?" and "Love Is A Simple Thing". The second half was recorded days later in Los Angeles with bassist Henry Grimes and drummer Specs Wright a pared-down trio setting that emphasizes Rollins' rhythmic command and melodic elasticity. Tracks such as "Raincheck", "My One and Only Love", and "Just in Time" showcase his ability to move effortlessly between ballad interpretation and fleet improvisation.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Sonny Rollins (tenor saxophone), Bob Cranshaw (bass), Jimmy Cleveland (trombone), Thad Jones (trumpet), Ben Riley (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1120 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=Eak-nREk508"
    -referenceProduit: "Verve Records 6301"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Who Cares ?"
      ]
      [
        "ordre" => 2
        "nom" => "2. Love Is A Simple Thing"
      ]
      [
        "ordre" => 3
        "nom" => "3. Grand Street"
      ]
      [
        "ordre" => 4
        "nom" => "4. Far Out East "
      ]
      [
        "ordre" => 5
        "nom" => "Side B : "
      ]
      [
        "ordre" => 6
        "nom" => "1. What’s My Name ?"
      ]
      [
        "ordre" => 7
        "nom" => "2. If You Were The Only Girl In The World"
      ]
      [
        "ordre" => 8
        "nom" => "3. Manhattan"
      ]
      [
        "ordre" => 9
        "nom" => "4. Body & Soul"
      ]
      [
        "ordre" => 10
        "nom" => ""
      ]
      [
        "ordre" => 11
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2138 …}
    -label: Proxies\__CG__\App\Entity\Label {#2122 …}
    -style: App\Entity\Style {#1449 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2147 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2140 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2142 …}
    -enregistreLe: DateTime @1770620712 {#2133
      date: 2026-02-09 07:05:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770620846 {#2134
      date: 2026-02-09 07:07:26.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2144 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-sonny-rollins-brass-sonny-rollins-trio-verve-records-6301"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2152
    -id: 2982
    -nom: "Tony Joe White (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Tony Joe White "Tony Joe White" !\r\n
      - Southern soul, swamp rock, and the restless spirit of a changing America !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Tony Joe White, nicknamed the Swamp Fox, released his fourth album, and his first for Warner Bros. Records in 1971. The album was recorded over a two-week period in December 1970, in two different Memphis studios (one was Ardent Studios, where Big Star later recorded their influential power pop albums). His producer was none other than London-born Peter Asher, who had just produced James Taylor's early hits for the label (he would continue to produce hits for Taylor and Linda Ronstadt on his way to becoming one of the most successful producers of the '70s).\r\n
      \r\n
      AllMusic describes the songs on Tony Joe White as "standard and straightforward... White's husky southern warble remains the album's key focus. Still, White digs into the turbulence of the late '60s and early '70s with both heart and heat.\r\n
      \r\n
      "The Change" sets the tone, a smoky, spoken-word sermon that taps into the era's yearning for progress. "I Just Walked Away" (the album's standout single) balances Southern funk and raw emotional punch, while "The Daddy" and "Five Summers for Jimmy" reveal White's tender, introspective side. The autobiographical "A Night in the Life of a Swamp Fox" closes the album with a nod to the man behind the myth a road-weary musician caught between fame and freedom.\r\n
      \r\n
      Tony Joe White stands as a defining moment for one of music's most distinctive voices a swamp-rock masterpiece steeped in social reflection and Southern soul, raw and timelessly American.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, vocals), Barry Beckett (keyboards, piano), David Hood (bass guitar), Jimmy Johnson, Reggie Young (guitar), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T7SUe1v-JAM&list=PLEa1k6RJgELqlyEPgvXAcP-gCLDTHr5Y-"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 026-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. They Caught The Devil And Put Him In Jail In Eudora, Arkansas"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Change "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. My Kind Of Woman"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Daddy "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Five Summers For Jimmy"
      ]
      [
        "ordre" => 8
        "nom" => "2. A Night In The Life Of A Swamp Fox"
      ]
      [
        "ordre" => 9
        "nom" => "3. Traveling Bone "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. I Just Walked Away"
      ]
      [
        "ordre" => 12
        "nom" => "2. Copper Kettle"
      ]
      [
        "ordre" => 13
        "nom" => "3. Voodoo Village"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1770316977 {#2149
      date: 2026-02-05 18:42:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770317590 {#2150
      date: 2026-02-05 18:53:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tony-joe-white-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-026-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3542
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2152
    -id: 2982
    -nom: "Tony Joe White (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Tony Joe White "Tony Joe White" !\r\n
      - Southern soul, swamp rock, and the restless spirit of a changing America !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 180 gram 45 RPM double LP !\r\n
      - Mastered from the original master tape !\r\n
      - Pressed at Quality Record Pressings !\r\n
      - Tip-on old style gatefold double pocket jacket by Stoughton Printing !\r\n
      \r\n
      Tony Joe White, nicknamed the Swamp Fox, released his fourth album, and his first for Warner Bros. Records in 1971. The album was recorded over a two-week period in December 1970, in two different Memphis studios (one was Ardent Studios, where Big Star later recorded their influential power pop albums). His producer was none other than London-born Peter Asher, who had just produced James Taylor's early hits for the label (he would continue to produce hits for Taylor and Linda Ronstadt on his way to becoming one of the most successful producers of the '70s).\r\n
      \r\n
      AllMusic describes the songs on Tony Joe White as "standard and straightforward... White's husky southern warble remains the album's key focus. Still, White digs into the turbulence of the late '60s and early '70s with both heart and heat.\r\n
      \r\n
      "The Change" sets the tone, a smoky, spoken-word sermon that taps into the era's yearning for progress. "I Just Walked Away" (the album's standout single) balances Southern funk and raw emotional punch, while "The Daddy" and "Five Summers for Jimmy" reveal White's tender, introspective side. The autobiographical "A Night in the Life of a Swamp Fox" closes the album with a nod to the man behind the myth a road-weary musician caught between fame and freedom.\r\n
      \r\n
      Tony Joe White stands as a defining moment for one of music's most distinctive voices a swamp-rock masterpiece steeped in social reflection and Southern soul, raw and timelessly American.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tony Joe White (guitar, harmonica, vocals), Barry Beckett (keyboards, piano), David Hood (bass guitar), Jimmy Johnson, Reggie Young (guitar), Roger Hawkins (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T7SUe1v-JAM&list=PLEa1k6RJgELqlyEPgvXAcP-gCLDTHr5Y-"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 026-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. They Caught The Devil And Put Him In Jail In Eudora, Arkansas"
      ]
      [
        "ordre" => 2
        "nom" => "2. The Change "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. My Kind Of Woman"
      ]
      [
        "ordre" => 5
        "nom" => "2. The Daddy "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Five Summers For Jimmy"
      ]
      [
        "ordre" => 8
        "nom" => "2. A Night In The Life Of A Swamp Fox"
      ]
      [
        "ordre" => 9
        "nom" => "3. Traveling Bone "
      ]
      [
        "ordre" => 10
        "nom" => "Side D : "
      ]
      [
        "ordre" => 11
        "nom" => "1. I Just Walked Away"
      ]
      [
        "ordre" => 12
        "nom" => "2. Copper Kettle"
      ]
      [
        "ordre" => 13
        "nom" => "3. Voodoo Village"
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2154 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2166 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2159 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2161 …}
    -enregistreLe: DateTime @1770316977 {#2149
      date: 2026-02-05 18:42:57.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770317590 {#2150
      date: 2026-02-05 18:53:10.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2163 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-tony-joe-white-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-026-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2173
    -id: 2981
    -nom: "KC & The Sunshine Band (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - KC & The Sunshine Band "KC & The Sunshine Band" !\r\n
      - Includes the hits "Get Down Tonight", "That's The Way (I Like It)" and "Boogie Shoes" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      KC and the Sunshine Band got their start in Hialeah, Florida in 1973, starting out as KC and the Sunshine Junkanoo Band before dropping one of the words in their name, possibly to avoid spending the rest of their career being asked, "What's a Junkanoo ?" It was the 1975 release of "Get Down Tonight" from their self-titled album that sent KC and the Sunshine Band into the stratosphere.\r\n
      \r\n
      It wasn't the only future N° 1 hit to be included in the track listing: also in the mix was "That's the Way (I Like It)". So, for that matter, was the soon-to-be Top-40 hit "Boogie Shoes". Between those three tracks, it became virtually impossible to escape KC and the Sunshine Band during 1975... and that's the way Harry Casey liked it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Harry Wayne Casey (keyboards, lead vocals), Richard Finch (bass guitar), Jerome Smith, Whitney Smith (guitar), Mike Lewis (saxophone, keyboards), Fermin Goytisolo (percussion), Robert Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T9uaLat6c2Y&list=RDT9uaLat6c2Y&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 014-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Let It Go (Part One)"
      ]
      [
        "ordre" => 2
        "nom" => "2. That's The Way (I Like It) "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Get Down Tonight"
      ]
      [
        "ordre" => 5
        "nom" => "2. Boogie Shoes "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Ain't Nothin' Wrong"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm So Crazy ('Bout You) "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. What Makes You Happy"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Get Lifted 3. Let It Go (Part Two)"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
        "ordre" => 14
        "nom" => ""
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2175 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1444 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2184 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2177 …}
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
    -enregistreLe: DateTime @1770276892 {#2169
      date: 2026-02-05 07:34:52.0 UTC (+00:00)
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    -modifierLe: DateTime @1770277263 {#2168
      date: 2026-02-05 07:41:03.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2181 …}
    -disponible: null
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]

App\Twig\Components\GestionPanierFavoriComponents {#3593
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2173
    -id: 2981
    -nom: "KC & The Sunshine Band (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - KC & The Sunshine Band "KC & The Sunshine Band" !\r\n
      - Includes the hits "Get Down Tonight", "That's The Way (I Like It)" and "Boogie Shoes" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      KC and the Sunshine Band got their start in Hialeah, Florida in 1973, starting out as KC and the Sunshine Junkanoo Band before dropping one of the words in their name, possibly to avoid spending the rest of their career being asked, "What's a Junkanoo ?" It was the 1975 release of "Get Down Tonight" from their self-titled album that sent KC and the Sunshine Band into the stratosphere.\r\n
      \r\n
      It wasn't the only future N° 1 hit to be included in the track listing: also in the mix was "That's the Way (I Like It)". So, for that matter, was the soon-to-be Top-40 hit "Boogie Shoes". Between those three tracks, it became virtually impossible to escape KC and the Sunshine Band during 1975... and that's the way Harry Casey liked it.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Harry Wayne Casey (keyboards, lead vocals), Richard Finch (bass guitar), Jerome Smith, Whitney Smith (guitar), Mike Lewis (saxophone, keyboards), Fermin Goytisolo (percussion), Robert Johnson (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=T9uaLat6c2Y&list=RDT9uaLat6c2Y&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) 014-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Let It Go (Part One)"
      ]
      [
        "ordre" => 2
        "nom" => "2. That's The Way (I Like It) "
      ]
      [
        "ordre" => 3
        "nom" => "Side B : "
      ]
      [
        "ordre" => 4
        "nom" => "1. Get Down Tonight"
      ]
      [
        "ordre" => 5
        "nom" => "2. Boogie Shoes "
      ]
      [
        "ordre" => 6
        "nom" => "Side C :"
      ]
      [
        "ordre" => 7
        "nom" => "1. Ain't Nothin' Wrong"
      ]
      [
        "ordre" => 8
        "nom" => "2. I'm So Crazy ('Bout You) "
      ]
      [
        "ordre" => 9
        "nom" => "Side D : "
      ]
      [
        "ordre" => 10
        "nom" => "1. What Makes You Happy"
      ]
      [
        "ordre" => 11
        "nom" => "2. I Get Lifted 3. Let It Go (Part Two)"
      ]
      [
        "ordre" => 12
        "nom" => ""
      ]
      [
        "ordre" => 13
        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
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      [
        "ordre" => 16
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2175 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1444 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2179 …}
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    }
    -modifierLe: DateTime @1770277263 {#2168
      date: 2026-02-05 07:41:03.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
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[
  "produit" => App\Entity\Produit {#2191
    -id: 2965
    -nom: "Trio (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar), Mark O'Connor (acoustic guitar, fiddle, mandolin, viola), David Lindley (acoustic guitar, dulcimer, autoharp, Kona Hawaiian guitar, mandolin, zither Harpolek), Herb Pederson (banjo), Jodi Burnett (cello), Dennis Karmazyn (cello soloist), Marty Krystall (clarinet), Charles Veal (concertmaster), Steve Fishell (dobro, pedal steel guitar), Kenny Edwards (electric bass), Ry Cooder (electric guitar), Bill Payne, Bill Payne (electric & acoustic piano, Harmonium, Organ Hammond), Brice Martin (flute), Ilene "Novi" Novog (viola), Russ Kunkel (drums).\r\n
      \r\n
      - Dolly Parton, Linda Ronstadt, Emmylou Harris "Trio" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 2 x Grammy-winning album mastered from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      A landmark collaboration and one of the most celebrated albums in country music history, Trio brings together three transcendent voices Dolly Parton, Emmylou Harris, and Linda Ronstadt in a recording that's as emotionally rich as it is impeccably produced.\r\n
      \r\n
      Originally released in 1987, Trio was both a critical and commercial triumph, selling more than 4 million copies worldwide, topping the Billboard U.S. Country Albums chart for five consecutive weeks, and earning the Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was also nominated for Album of the Year. The album yielded four major country hits, highlighted by the haunting, harmony-driven remake of Phil Spector's classic "To Know Him Is to Love Him".\r\n
      \r\n
      Produced by legendary engineer George Massenburg, Trio is a masterclass in clarity, balance, and vocal blend. Every track showcases the trio's distinct personalities while achieving a near-perfect harmonic unity-three iconic artists elevating one another through tasteful arrangements, pristine acoustics, and song-first performances.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals rewarding insights for audiophiles, including greater nuance, texture and emotional depth with every listen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OjkihwNeCqA&list=PLUWP0osIt1ZmUuyceR9X_Qo7BDRou7npU"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Pain Of Loving You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Making Plans"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know Him Is To Love Him "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hobo's Meditation"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wildflowers"
      ]
      [
        "ordre" => 7
        "nom" => "3. Telling Me Lies "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. My Dear Companion"
      ]
      [
        "ordre" => 10
        "nom" => "2. Those Memories Of You"
      ]
      [
        "ordre" => 11
        "nom" => "3. I've Had Enough "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Rosewood Casket"
      ]
      [
        "ordre" => 14
        "nom" => "2. Farther Along"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1439 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2202 …}
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    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2197 …}
    -enregistreLe: DateTime @1770151418 {#2187
      date: 2026-02-03 20:43:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275880 {#2186
      date: 2026-02-05 07:18:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-005-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3644
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2191
    -id: 2965
    -nom: "Trio (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar), Mark O'Connor (acoustic guitar, fiddle, mandolin, viola), David Lindley (acoustic guitar, dulcimer, autoharp, Kona Hawaiian guitar, mandolin, zither Harpolek), Herb Pederson (banjo), Jodi Burnett (cello), Dennis Karmazyn (cello soloist), Marty Krystall (clarinet), Charles Veal (concertmaster), Steve Fishell (dobro, pedal steel guitar), Kenny Edwards (electric bass), Ry Cooder (electric guitar), Bill Payne, Bill Payne (electric & acoustic piano, Harmonium, Organ Hammond), Brice Martin (flute), Ilene "Novi" Novog (viola), Russ Kunkel (drums).\r\n
      \r\n
      - Dolly Parton, Linda Ronstadt, Emmylou Harris "Trio" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - 2 x Grammy-winning album mastered from the original master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      A landmark collaboration and one of the most celebrated albums in country music history, Trio brings together three transcendent voices Dolly Parton, Emmylou Harris, and Linda Ronstadt in a recording that's as emotionally rich as it is impeccably produced.\r\n
      \r\n
      Originally released in 1987, Trio was both a critical and commercial triumph, selling more than 4 million copies worldwide, topping the Billboard U.S. Country Albums chart for five consecutive weeks, and earning the Grammy Award for Best Country Performance by a Duo or Group with Vocal. It was also nominated for Album of the Year. The album yielded four major country hits, highlighted by the haunting, harmony-driven remake of Phil Spector's classic "To Know Him Is to Love Him".\r\n
      \r\n
      Produced by legendary engineer George Massenburg, Trio is a masterclass in clarity, balance, and vocal blend. Every track showcases the trio's distinct personalities while achieving a near-perfect harmonic unity-three iconic artists elevating one another through tasteful arrangements, pristine acoustics, and song-first performances.\r\n
      \r\n
      Now, this classic shines brighter than ever. Mastered at 45 RPM and pressed on flat, ultra-quiet vinyl by Quality Record Pressings, this edition reveals rewarding insights for audiophiles, including greater nuance, texture and emotional depth with every listen.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Dolly Parton, Linda Ronstadt, Emmylou Harris (guitar, vocals), Kenny Edwards, Leland Sklar (acoustic bass), Albert Lee, (acoustic guitar, guitar Highstrung, mandolin, soloist ), John Starling (Rhythm & acoustic guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=OjkihwNeCqA&list=PLUWP0osIt1ZmUuyceR9X_Qo7BDRou7npU"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 005-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. The Pain Of Loving You"
      ]
      [
        "ordre" => 2
        "nom" => "2. Making Plans"
      ]
      [
        "ordre" => 3
        "nom" => "3. To Know Him Is To Love Him "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. Hobo's Meditation"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wildflowers"
      ]
      [
        "ordre" => 7
        "nom" => "3. Telling Me Lies "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. My Dear Companion"
      ]
      [
        "ordre" => 10
        "nom" => "2. Those Memories Of You"
      ]
      [
        "ordre" => 11
        "nom" => "3. I've Had Enough "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Rosewood Casket"
      ]
      [
        "ordre" => 14
        "nom" => "2. Farther Along"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2193 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1439 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2202 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2195 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2197 …}
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      date: 2026-02-03 20:43:38.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275880 {#2186
      date: 2026-02-05 07:18:00.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2199 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-trio-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-005-45"
  }
  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2209
    -id: 2966
    -nom: "His Band & The Street Choir (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Van Morrison (guitar, vocals), John Klingberg (bass guitar), John Payne (flute, saxophone), Jack Schroer (alto & baritone saxophone), Daaron “Dino” Martin (guitar), Bill Church (bass), Jef Labes (piano, organ), Dave Shaw (organ), Janet Planet, Ellen Schroer, Darlene Love, (backing vocals), Rick Shlosser (drums), Gary Mallaber (drums, percussion).\r\n
      \r\n
      - Van Morrison "His Band And The Street Choir" !\r\n
      - 1970 album includes "Domino", "Blue Money" and "Call Me Up In Dreamland" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Legendary Irish singer-songwriter Van Morrison produced two of the most famous albums of his career Astral Weeks and Moondance but overlooked is this gem because of its proximity to those two heavyweights. His Band And The Street Choir came into existence predominantly during the first half of 1970 at A&R Recording Studios in New York City, with recording wrapping up in July and August.\r\n
      \r\n
      Produced by Morrison himself, the album actually started out in Woodstock, New York, where he recorded some demos in a small church. By March, however, the album's session had begun in earnest in NYC. Some of the songs had actually been first recorded for those earlier two albums we mentioned, but Morrison decided to rewrite them and rearrange them for the new LP, since the musical sensibilities on His Band And The Street Choir were decidedly different from the albums that preceded it.\r\n
      \r\n
      As Stephen Thomas Erlewine wrote on Pitchfork., "The album gives an illusion of buoyant immediacy thanks in no small part to its heavy R&B kick. Where Moondance traded in jazz even its liveliest moment was named after a Duke Ellington song His Band And The Street Choir relied on soul and gospel, using folk almost as an accent".\r\n
      \r\n
      It's fair to say that critics at the time gushed over the album. "His Band And The Street Choir is a free album", Jon Landau wrote in his Rolling Stone review. "It was recorded with minimal over-dubbing and was obviously intended to show the other side of Moondance".\r\n
      \r\n
      His Band And The Street Choir captures Van Morrison at his most joyful and spontaneous a luminous counterpoint to the introspection of Moondance. This is the sound of a great artist unguarded, caught in the groove of the moment, with the energy of the studio practically spilling out of the grooves. \r\n
      \r\n
      If you love the sound of real instruments recorded with warmth and soul, Street Choir belongs in your collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Van Morrison (guitar, vocals), John Klingberg (bass guitar), John Payne (flute, saxophone), Jack Schroer (alto & baritone saxophone), Daaron “Dino” Martin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yiDcPUOD-vY&list=PL044l3x5bRzbZ0nPkDJ4lXczcgUKxav5Q"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Domino"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crazy Face"
      ]
      [
        "ordre" => 3
        "nom" => "3. Give Me A Kiss "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I've Been Working"
      ]
      [
        "ordre" => 6
        "nom" => "2. Call Me Up In Dreamland"
      ]
      [
        "ordre" => 7
        "nom" => "3. I'll Be Your Lover, Too "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Blue Money"
      ]
      [
        "ordre" => 10
        "nom" => "2. Virgo Clowns"
      ]
      [
        "ordre" => 11
        "nom" => "3. Gypsy Queen "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sweet Jannie"
      ]
      [
        "ordre" => 14
        "nom" => "2. If I Ever Needed Someone"
      ]
      [
        "ordre" => 15
        "nom" => "3. Street Choir"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2220 …}
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    -modifierLe: DateTime @1770275714 {#2204
      date: 2026-02-05 07:15:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2217 …}
    -disponible: null
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    -infoMasterTape: null
    -slug: "vinyles-his-band-the-street-choir-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-027-45"
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  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3695
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2209
    -id: 2966
    -nom: "His Band & The Street Choir (2 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Van Morrison (guitar, vocals), John Klingberg (bass guitar), John Payne (flute, saxophone), Jack Schroer (alto & baritone saxophone), Daaron “Dino” Martin (guitar), Bill Church (bass), Jef Labes (piano, organ), Dave Shaw (organ), Janet Planet, Ellen Schroer, Darlene Love, (backing vocals), Rick Shlosser (drums), Gary Mallaber (drums, percussion).\r\n
      \r\n
      - Van Morrison "His Band And The Street Choir" !\r\n
      - 1970 album includes "Domino", "Blue Money" and "Call Me Up In Dreamland" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      Legendary Irish singer-songwriter Van Morrison produced two of the most famous albums of his career Astral Weeks and Moondance but overlooked is this gem because of its proximity to those two heavyweights. His Band And The Street Choir came into existence predominantly during the first half of 1970 at A&R Recording Studios in New York City, with recording wrapping up in July and August.\r\n
      \r\n
      Produced by Morrison himself, the album actually started out in Woodstock, New York, where he recorded some demos in a small church. By March, however, the album's session had begun in earnest in NYC. Some of the songs had actually been first recorded for those earlier two albums we mentioned, but Morrison decided to rewrite them and rearrange them for the new LP, since the musical sensibilities on His Band And The Street Choir were decidedly different from the albums that preceded it.\r\n
      \r\n
      As Stephen Thomas Erlewine wrote on Pitchfork., "The album gives an illusion of buoyant immediacy thanks in no small part to its heavy R&B kick. Where Moondance traded in jazz even its liveliest moment was named after a Duke Ellington song His Band And The Street Choir relied on soul and gospel, using folk almost as an accent".\r\n
      \r\n
      It's fair to say that critics at the time gushed over the album. "His Band And The Street Choir is a free album", Jon Landau wrote in his Rolling Stone review. "It was recorded with minimal over-dubbing and was obviously intended to show the other side of Moondance".\r\n
      \r\n
      His Band And The Street Choir captures Van Morrison at his most joyful and spontaneous a luminous counterpoint to the introspection of Moondance. This is the sound of a great artist unguarded, caught in the groove of the moment, with the energy of the studio practically spilling out of the grooves. \r\n
      \r\n
      If you love the sound of real instruments recorded with warmth and soul, Street Choir belongs in your collection.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Van Morrison (guitar, vocals), John Klingberg (bass guitar), John Payne (flute, saxophone), Jack Schroer (alto & baritone saxophone), Daaron “Dino” Martin (guitar)..."
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=yiDcPUOD-vY&list=PL044l3x5bRzbZ0nPkDJ4lXczcgUKxav5Q"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 027-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Domino"
      ]
      [
        "ordre" => 2
        "nom" => "2. Crazy Face"
      ]
      [
        "ordre" => 3
        "nom" => "3. Give Me A Kiss "
      ]
      [
        "ordre" => 4
        "nom" => "Side B : "
      ]
      [
        "ordre" => 5
        "nom" => "1. I've Been Working"
      ]
      [
        "ordre" => 6
        "nom" => "2. Call Me Up In Dreamland"
      ]
      [
        "ordre" => 7
        "nom" => "3. I'll Be Your Lover, Too "
      ]
      [
        "ordre" => 8
        "nom" => "Side C :"
      ]
      [
        "ordre" => 9
        "nom" => "1. Blue Money"
      ]
      [
        "ordre" => 10
        "nom" => "2. Virgo Clowns"
      ]
      [
        "ordre" => 11
        "nom" => "3. Gypsy Queen "
      ]
      [
        "ordre" => 12
        "nom" => "Side D : "
      ]
      [
        "ordre" => 13
        "nom" => "1. Sweet Jannie"
      ]
      [
        "ordre" => 14
        "nom" => "2. If I Ever Needed Someone"
      ]
      [
        "ordre" => 15
        "nom" => "3. Street Choir"
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2211 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2220 …}
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2215 …}
    -enregistreLe: DateTime @1770183967 {#2205
      date: 2026-02-04 05:46:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275714 {#2204
      date: 2026-02-05 07:15:14.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2217 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-his-band-the-street-choir-2-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-027-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

[
  "produit" => App\Entity\Produit {#2227
    -id: 2972
    -nom: "Wind & Wuthering (3 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Genesis "Wind & Wuthering" !\r\n
      - Includes "Your Own Special Way", "One for the Vine" and "Blood on the Rooftops" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      The eighth studio set from the U.K. band would prove the last with guitarist Steve Hackett, who with the core trio of keyboardist Tony Banks, bassist Mike Rutherford and vocalist/drummer Phil Collins brought Genesis's progressive rock phase to a memorable close.\r\n
      \r\n
      With Wind and Wuthering, Genesis reached a turning point and created one of the most hauntingly beautiful albums in their catalog. Released in 1976, this gold-certified masterpiece ushered in a new era for the band. A touch less whimsical than its predecessors, Wind and Wuthering trades fairy-tale fantasy for sweeping cinematic grandeur filled with atmosphere, precision, and emotional depth.\r\n
      \r\n
      The record delivers Genesis' first U.S. charting single, "Your Own Special Way," yet it's the album's darker corners the majestic "One for the Vine", the moody "Blood on the Rooftops", and the stirring instrumental passages that reveal the full power of the band's musicianship. Tony Banks has often called this his favorite Genesis album, admiring its mystery and its intricate musical design : "It's definitely the most musically complex of all our albums".\r\n
      \r\n
      For audiophiles, Wind and Wuthering is pure analog poetry a lush, immersive listen where every synth wash, guitar line, and drum flourish feels alive in the room. This is one to own, play, and rediscover again and again.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tony Banks (keyboards), Tony Banks (keyboards, synthesizers, piano, Mellotron), Phil Collins (drums, percussion, lead vocals), Mike Rutherford (bass guitar, 12 string guitar, electric guitar, bass pedals), Steve Hackett (electric & acoustic guitars)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SAxCjL9S-yg&list=RDSAxCjL9S-yg&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 004-45"
    -titreMorceau: [
      [
        "ordre" => 0
        "nom" => "Side A :"
      ]
      [
        "ordre" => 1
        "nom" => "1. Eleventh Earl Of Mar "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. One For The Vine "
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Your Own Special Way"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wot Gorilla ? "
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. All In A Mouse's Night "
      ]
      [
        "ordre" => 9
        "nom" => "Side E :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Blood On The Rooftops "
      ]
      [
        "ordre" => 11
        "nom" => "Side F : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Unquiet Slumbers For The Sleepers"
      ]
      [
        "ordre" => 13
        "nom" => "2. ...In That Quiet Earth"
      ]
      [
        "ordre" => 14
        "nom" => "3. Afterglow"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
      [
        "ordre" => 17
        "nom" => ""
      ]
      [
        "ordre" => 18
        "nom" => ""
      ]
      [
        "ordre" => 19
        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2238 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2231 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2233 …}
    -enregistreLe: DateTime @1770216802 {#2223
      date: 2026-02-04 14:53:22.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1770275671 {#2222
      date: 2026-02-05 07:14:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-wind-wuthering-3-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-004-45"
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]

App\Twig\Components\GestionPanierFavoriComponents {#3746
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2664 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1811 …}
  +produit: App\Entity\Produit {#2227
    -id: 2972
    -nom: "Wind & Wuthering (3 LP) 45 RPM"
    -informationComplementaire: null
    -description: """
      - Genesis "Wind & Wuthering" !\r\n
      - Includes "Your Own Special Way", "One for the Vine" and "Blood on the Rooftops" !\r\n
      - Part of the Acoustic Sounds 40 Series !\r\n
      - Releasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds !\r\n
      - Mastered from the original analog master tape !\r\n
      - 180 gram 45 RPM double LP pressed at Quality Record Pressings !\r\n
      - Housed in a Stoughton Printing tip-on gatefold jacket !\r\n
      \r\n
      The eighth studio set from the U.K. band would prove the last with guitarist Steve Hackett, who with the core trio of keyboardist Tony Banks, bassist Mike Rutherford and vocalist/drummer Phil Collins brought Genesis's progressive rock phase to a memorable close.\r\n
      \r\n
      With Wind and Wuthering, Genesis reached a turning point and created one of the most hauntingly beautiful albums in their catalog. Released in 1976, this gold-certified masterpiece ushered in a new era for the band. A touch less whimsical than its predecessors, Wind and Wuthering trades fairy-tale fantasy for sweeping cinematic grandeur filled with atmosphere, precision, and emotional depth.\r\n
      \r\n
      The record delivers Genesis' first U.S. charting single, "Your Own Special Way," yet it's the album's darker corners the majestic "One for the Vine", the moody "Blood on the Rooftops", and the stirring instrumental passages that reveal the full power of the band's musicianship. Tony Banks has often called this his favorite Genesis album, admiring its mystery and its intricate musical design : "It's definitely the most musically complex of all our albums".\r\n
      \r\n
      For audiophiles, Wind and Wuthering is pure analog poetry a lush, immersive listen where every synth wash, guitar line, and drum flourish feels alive in the room. This is one to own, play, and rediscover again and again.
      """
    -prixVente: "179.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1802 …}
    -musicienOrchestre: "Tony Banks (keyboards), Tony Banks (keyboards, synthesizers, piano, Mellotron), Phil Collins (drums, percussion, lead vocals), Mike Rutherford (bass guitar, 12 string guitar, electric guitar, bass pedals), Steve Hackett (electric & acoustic guitars)"
    -sonMusic: App\Enum\SonMusicEnum {#1114 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1118 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1121 …}
    -lpsMusic: 3
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: true
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=SAxCjL9S-yg&list=RDSAxCjL9S-yg&start_radio=1"
    -referenceProduit: "Analogue Productions (Acoustic Sounds 40 Series) AAPR 004-45"
    -titreMorceau: [
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        "ordre" => 0
        "nom" => "Side A :"
      ]
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        "ordre" => 1
        "nom" => "1. Eleventh Earl Of Mar "
      ]
      [
        "ordre" => 2
        "nom" => "Side B : "
      ]
      [
        "ordre" => 3
        "nom" => "1. One For The Vine "
      ]
      [
        "ordre" => 4
        "nom" => "Side C :"
      ]
      [
        "ordre" => 5
        "nom" => "1. Your Own Special Way"
      ]
      [
        "ordre" => 6
        "nom" => "2. Wot Gorilla ? "
      ]
      [
        "ordre" => 7
        "nom" => "Side D : "
      ]
      [
        "ordre" => 8
        "nom" => "1. All In A Mouse's Night "
      ]
      [
        "ordre" => 9
        "nom" => "Side E :"
      ]
      [
        "ordre" => 10
        "nom" => "1. Blood On The Rooftops "
      ]
      [
        "ordre" => 11
        "nom" => "Side F : "
      ]
      [
        "ordre" => 12
        "nom" => "1. Unquiet Slumbers For The Sleepers"
      ]
      [
        "ordre" => 13
        "nom" => "2. ...In That Quiet Earth"
      ]
      [
        "ordre" => 14
        "nom" => "3. Afterglow"
      ]
      [
        "ordre" => 15
        "nom" => ""
      ]
      [
        "ordre" => 16
        "nom" => ""
      ]
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        "ordre" => 17
        "nom" => ""
      ]
      [
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        "nom" => ""
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      [
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        "nom" => ""
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2229 …}
    -label: Proxies\__CG__\App\Entity\Label {#2157 …}
    -style: App\Entity\Style {#1453 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2238 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2231 …}
    -typeMasterTape: null
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    -modifierLe: DateTime @1770275671 {#2222
      date: 2026-02-05 07:14:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1046 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2235 …}
    -disponible: null
    -terminer: null
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    -slug: "vinyles-wind-wuthering-3-lp-45-rpm-analogue-productions-acoustic-sounds-40-series-aapr-004-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
}

App\Twig\Components\AjoutMailNewsletterComponent {#3946
  +email: ""
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2432 …}
  -componentValidator: Symfony\UX\LiveComponent\ComponentValidator {#3947 …}
  -validationErrors: Symfony\UX\LiveComponent\Component\ComponentValidationErrors {#3995 …}
  +isValidated: false
  +validatedFields: []
}