Symfony Profiler

App\Twig\Components\GestionEntetePageComponents {#2544
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "listeModal" => true
  "categorieProduitEnum" => [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
]

App\Twig\Components\ListePanier {#2621
  #container: Symfony\Component\DependencyInjection\Argument\ServiceLocator {#2624 …}
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entityManager: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -gestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -parameterBag: Symfony\Component\DependencyInjection\ParameterBag\ContainerBag {#130 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +listePanier: null
  +listeModal: true
  +paysForme: null
  +paysSelectionne: null
  +selectedPays: null
  +fraisLivraison: 17.5
  +montantTotal: 35.0
  +tempsLivraison: 0
  +quantite: 0
  +categorieProduitEnum: [
    "VINYLES" => "Vinyles"
    "MATERIEL_HIFI" => "Matériel HiFi"
    "ACCESSOIRES" => "Accessoires"
    "MASTER_TAPES" => "Master Tapes"
  ]
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
  -formView: Symfony\Component\Form\FormView {#2660 …}
  -form: Symfony\Component\Form\Form {#2810 …}
  +formName: "pays"
  +formValues: [
    "nom" => ""
  ]
  +isValidated: false
  +validatedFields: []
  -shouldAutoSubmitForm: true
}

[
  "produit" => App\Entity\Produit {#1820
    -id: 2281
    -nom: "Pretzel Logic - Box Set (2 LP) 45 RPM UHQR Clarity Vinyl"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Fagen (keyboards, vocals), Chuck Rainey, Timothy B. Schmit, Wilton Felder (bass), Walter Becker (bass, guitar), Ben Benay, Denny Diaz, Jeff Baxter (guitar), Dean Parks (guitar, banjo), David Paich, Michael Omartian (keyboards), Ernie Watts, Jerome Richardson, Plas Johnson (saxophone), Ollie Mitchell (trumpet), Victor Feldman (keyboards, percussion), Jeff Porcaro, Jim Gordon, Jim Hodder (drums).\r\n
      \r\n
      - "Pretzel Logic" Steely Dan's gold-selling third studio album now on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM 2 LP release limited to 15000 numbered copies !\r\n
      - Mastered directly from the original master tape by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Steely Dan's gold-selling third studio album Pretzel Logic, charted at N° 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number", which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.\r\n
      \r\n
      They enlisted prominent Los Angeles-based studio musicians to record Pretzel Logic, but used them only for occasional overdubs, except for drums, where founding drummer Jim Hodder was reduced to a backing singer, replaced by Jim Gordon and Jeff Porcaro on the drum kit for all of the songs on the album. Steely Dan's Jeff "Skunk" Baxter played pedal steel guitar and hand drums.\r\n
      \r\n
      Pretzel Logic has shorter songs and fewer instrumental jams than the group's 1973 album Countdown to Ecstasy. Steely Dan considered it the band's attempt at complete musical statements within the three-minute pop-song format. The album's music is characterized by harmonies, counter-melodies, and bop phrasing. It also relies often on straightforward pop influences. The syncopated piano line that opens "Rikki Don't Lose That Number" develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus.\r\n
      \r\n
      Rolling Stone praised the album, calling Steely Dan the "most improbable hit-singles band to emerge in ages".\r\n
      \r\n
      "When the band doesn't undulate to samba rhythms (as it did on 'Do It Again,' its first Top Ten single), it pushes itself to a full gallop (as it did on 'Reelin' in the Years,' its second). These two rhythmic preferences persist and sometimes intermingle, as on 'Rikki Don't Lose That Number,' which jumps in mid-chorus from 'Hernando's Hideaway' into 'Honky Tonk Women.' Great transition". - the review said.\r\n
      \r\n
      AllMusic gave the album 5 stars, with reviewer Stephen Thomas Erlewine noting that "instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date." Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay.\r\n
      \r\n
      The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, a photographer of musicians and Hollywood celebrities. She shot the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called "Miners' Gate".\r\n
      \r\n
      After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them N° 15 on its list of the 20 Greatest Duos of All Time.\r\n
      \r\n
      This stereo UHQR reissue will be limited to 15000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Donald Fagen (keyboards, vocals), Chuck Rainey, Timothy B. Schmit, Wilton Felder (bass), Walter Becker (bass, guitar), Ben Benay, Denny Diaz, Jeff Baxter (guitar), Dean Parks (guitar, banjo), David Paich, Michael Omartian (keyboards)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6KoFwNV07os"
    -referenceProduit: "Analogue Production UHQR 0011-45"
    -titreMorceau: [
      [
        "nom" => "1. Rikki Don't Lose That Number "
        "ordre" => 0
      ]
      [
        "nom" => "2. Night By Night "
        "ordre" => 1
      ]
      [
        "nom" => "3. Any Major Dude Will Tell You "
        "ordre" => 2
      ]
      [
        "nom" => "4. Barrytown "
        "ordre" => 3
      ]
      [
        "nom" => "5. East St. Louis Toodle-Oo "
        "ordre" => 4
      ]
      [
        "nom" => "6. Parker's Band "
        "ordre" => 5
      ]
      [
        "nom" => "7. Through With Buzz "
        "ordre" => 6
      ]
      [
        "nom" => "8. Pretzel Logic "
        "ordre" => 7
      ]
      [
        "nom" => "9. With A Gun "
        "ordre" => 8
      ]
      [
        "nom" => "10. Charlie Freak "
        "ordre" => 9
      ]
      [
        "nom" => "11. Monkey In Your Soul"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1664089888 {#1875
      date: 2022-09-25 07:11:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763502380 {#1868
      date: 2025-11-18 21:46:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pretzel-logic-box-set-2-lp-45-rpm-uhqr-clarity-vinyl-analogue-production-uhqr-0011-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3085
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#1820
    -id: 2281
    -nom: "Pretzel Logic - Box Set (2 LP) 45 RPM UHQR Clarity Vinyl"
    -informationComplementaire: null
    -description: """
      Musicians :\r\n
      Donald Fagen (keyboards, vocals), Chuck Rainey, Timothy B. Schmit, Wilton Felder (bass), Walter Becker (bass, guitar), Ben Benay, Denny Diaz, Jeff Baxter (guitar), Dean Parks (guitar, banjo), David Paich, Michael Omartian (keyboards), Ernie Watts, Jerome Richardson, Plas Johnson (saxophone), Ollie Mitchell (trumpet), Victor Feldman (keyboards, percussion), Jeff Porcaro, Jim Gordon, Jim Hodder (drums).\r\n
      \r\n
      - "Pretzel Logic" Steely Dan's gold-selling third studio album now on UHQR !\r\n
      - Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl !\r\n
      - 45 RPM 2 LP release limited to 15000 numbered copies !\r\n
      - Mastered directly from the original master tape by Bernie Grundman !\r\n
      - Pressed at Quality Record Pressings using 200 gram Clarity Vinyl !\r\n
      - Purest possible pressing and most visually stunning presentation and packaging !\r\n
      - Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing !\r\n
      \r\n
      Steely Dan's gold-selling third studio album Pretzel Logic, charted at N° 8 on the Billboard 200 and restored the group's radio presence with the single "Rikki Don't Lose That Number", which became the biggest pop hit of their career and peaked at No. 4 on the Billboard Hot 100. The 1974 album was produced by Gary Katz and was written primarily by Walter Becker (bass) and bandleader Donald Fagen (vocals, keyboards). The album marked the beginning of Becker and Fagen's roles as Steely Dan's principal members.\r\n
      \r\n
      They enlisted prominent Los Angeles-based studio musicians to record Pretzel Logic, but used them only for occasional overdubs, except for drums, where founding drummer Jim Hodder was reduced to a backing singer, replaced by Jim Gordon and Jeff Porcaro on the drum kit for all of the songs on the album. Steely Dan's Jeff "Skunk" Baxter played pedal steel guitar and hand drums.\r\n
      \r\n
      Pretzel Logic has shorter songs and fewer instrumental jams than the group's 1973 album Countdown to Ecstasy. Steely Dan considered it the band's attempt at complete musical statements within the three-minute pop-song format. The album's music is characterized by harmonies, counter-melodies, and bop phrasing. It also relies often on straightforward pop influences. The syncopated piano line that opens "Rikki Don't Lose That Number" develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus.\r\n
      \r\n
      Rolling Stone praised the album, calling Steely Dan the "most improbable hit-singles band to emerge in ages".\r\n
      \r\n
      "When the band doesn't undulate to samba rhythms (as it did on 'Do It Again,' its first Top Ten single), it pushes itself to a full gallop (as it did on 'Reelin' in the Years,' its second). These two rhythmic preferences persist and sometimes intermingle, as on 'Rikki Don't Lose That Number,' which jumps in mid-chorus from 'Hernando's Hideaway' into 'Honky Tonk Women.' Great transition". - the review said.\r\n
      \r\n
      AllMusic gave the album 5 stars, with reviewer Stephen Thomas Erlewine noting that "instead of relying on easy hooks, Walter Becker and Donald Fagen assembled their most complex and cynical set of songs to date." Dense with harmonics, countermelodies, and bop phrasing, Pretzel Logic is vibrant with unpredictable musical juxtapositions and snide, but very funny, wordplay.\r\n
      \r\n
      The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, a photographer of musicians and Hollywood celebrities. She shot the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called "Miners' Gate".\r\n
      \r\n
      After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them N° 15 on its list of the 20 Greatest Duos of All Time.\r\n
      \r\n
      This stereo UHQR reissue will be limited to 15000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.
      """
    -prixVente: "299.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "Donald Fagen (keyboards, vocals), Chuck Rainey, Timothy B. Schmit, Wilton Felder (bass), Walter Becker (bass, guitar), Ben Benay, Denny Diaz, Jeff Baxter (guitar), Dean Parks (guitar, banjo), David Paich, Michael Omartian (keyboards)…"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: true
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=6KoFwNV07os"
    -referenceProduit: "Analogue Production UHQR 0011-45"
    -titreMorceau: [
      [
        "nom" => "1. Rikki Don't Lose That Number "
        "ordre" => 0
      ]
      [
        "nom" => "2. Night By Night "
        "ordre" => 1
      ]
      [
        "nom" => "3. Any Major Dude Will Tell You "
        "ordre" => 2
      ]
      [
        "nom" => "4. Barrytown "
        "ordre" => 3
      ]
      [
        "nom" => "5. East St. Louis Toodle-Oo "
        "ordre" => 4
      ]
      [
        "nom" => "6. Parker's Band "
        "ordre" => 5
      ]
      [
        "nom" => "7. Through With Buzz "
        "ordre" => 6
      ]
      [
        "nom" => "8. Pretzel Logic "
        "ordre" => 7
      ]
      [
        "nom" => "9. With A Gun "
        "ordre" => 8
      ]
      [
        "nom" => "10. Charlie Freak "
        "ordre" => 9
      ]
      [
        "nom" => "11. Monkey In Your Soul"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#1896 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2027 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#1901 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2015 …}
    -enregistreLe: DateTime @1664089888 {#1875
      date: 2022-09-25 07:11:28.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763502380 {#1868
      date: 2025-11-18 21:46:20.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2021 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-pretzel-logic-box-set-2-lp-45-rpm-uhqr-clarity-vinyl-analogue-production-uhqr-0011-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2044
    -id: 1866
    -nom: "Steppenwolf Gold : Their Great Hits"
    -informationComplementaire: null
    -description: """
      - 180 gram plating and pressing by Quality Record Pressings Now at 45 RPM !\r\n
      - Mastering by Kevin Gray at Cohearent Audio !\r\n
      - Mastered from the original analog tapes !\r\n
      - Praise for the 33 1/3 Analogue Productions reissue !\r\n
      \r\n
      "Perhaps the biggest surprise about this 1971 compilation, nearly a half-century after the band's heyday, is not the quality of the music that's obvious but the sonic impact. Most of us were introduced to this paradigm of gusty, semi-psychedelic rock via AM radio (or a certain hit road movie about two biker/hippies...), so few of us listened to 'Born To Be Wild' or 'Magic Carpet Ride' over good sound systems. But damn, the sound is solid, visceral, raunchy and detailed. John Kay's snarl, a wall of guitars, those much-loved pedal effects and 11 sure-fire classics... This reissue is truly a fitting tribute to keyboardist Goldy McJohn, who passed away last August". - Sound Quality : 85 % - Ken Kessler, Hi Fi News, April 2018\r\n
      \r\n
      Get your motor runnin' baby Steppenwolf's Gold : Their Great Hits took its title literally. The towering rock album success rang in at N° 24 on the Billboard Pop Albums chart and became certified gold for record sales in excess of 500000 units by the Record Industry Association of America (RIAA) in April 1971.\r\n
      \r\n
      AllMusic praised the production and engineering of most of the tracks and called it a "nearly perfect" introduction to the band. Acoustic Sounds and Analogue Productions want to introduce you to the most sonically perfect version of this historic album you've ever heard on vinyl. Our 180 gram reissue was remastered from the original analog tapes by Kevin Gray at Cohearent Sound and plated and pressed by Gary Salstrom and his crew at Quality Record Pressings, makers of the world's finest-sounding LPs. And now we've upped the ante even more for true audiophile bliss the 45 RPM 2 LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed.\r\n
      \r\n
      The Canadian-American rock band, named for Hermann Hesse's mystical novel, rocketed to worldwide fame after their third single "Born to Be Wild" dropped in 1968. The song and Steppenwolf's version of Hoyt Axton's "The Pusher" figured prominently in the 1969 counterculture cult film "Easy Rider", and both show up on Gold's track list. Two other singles on this stunning album compilation also cracked the Top 10 on the charts : "Magic Carpet Ride" and "Rock Me".\r\n
      \r\n
      "Magic Carpet Ride" was released in 1968 on the album The Second. It was written by band members John Kay and Rushton Moreve, peaked at N° 3 in the U.S. and stayed on the charts for 16 weeks, longer than any other Steppenwolf song.\r\n
      \r\n
      You also get the Don Covay soul cover "Sookie, Sookie", which got airplay on some soul stations nationwide, as well as rock 'n' roll radio. Gold also includes "Hey Lawdy Mama" the hit studio single from Steppenwolf Live.\r\n
      \r\n
      \r\n
      Steppenwolf enjoyed worldwide success from 1968 to 1972, when clashing personalities ultimately broke up the core group after a farewell concert in Los Angeles on Valentine's Day, 1972. Today, John Kay remains as the only original Steppenwolf member.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Kay (guitar, harmonica, vocals), Larry Byrom, Michael Monarch (guitar), Nick St. Nicholas, Rushton Moreve (bass guitar), George Biondo (bass guitar, vocals), Goldy McJohn (keyboards), Jerry Edmonton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cyKLMFGzi8E"
    -referenceProduit: "Analogue Productions AAPP 115-45"
    -titreMorceau: [
      [
        "nom" => "1. Born to Be Wild "
        "ordre" => 0
      ]
      [
        "nom" => "2. It's Never Too Late "
        "ordre" => 1
      ]
      [
        "nom" => "3. Rock Me "
        "ordre" => 2
      ]
      [
        "nom" => "4. Hey Lawdy Mama "
        "ordre" => 3
      ]
      [
        "nom" => "5. Move Over "
        "ordre" => 4
      ]
      [
        "nom" => "6. Who Needs Ya "
        "ordre" => 5
      ]
      [
        "nom" => "7. Magic Carpet Ride "
        "ordre" => 6
      ]
      [
        "nom" => "8. The Pusher "
        "ordre" => 7
      ]
      [
        "nom" => "9. Sookie, Sookie "
        "ordre" => 8
      ]
      [
        "nom" => "10. Jupiter's Child "
        "ordre" => 9
      ]
      [
        "nom" => "11. Screaming Night Hog"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1591253587 {#2041
      date: 2020-06-04 06:53:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763478858 {#2042
      date: 2025-11-18 15:14:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-steppenwolf-gold-their-great-hits-analogue-productions-aapp-115-45"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3199
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2044
    -id: 1866
    -nom: "Steppenwolf Gold : Their Great Hits"
    -informationComplementaire: null
    -description: """
      - 180 gram plating and pressing by Quality Record Pressings Now at 45 RPM !\r\n
      - Mastering by Kevin Gray at Cohearent Audio !\r\n
      - Mastered from the original analog tapes !\r\n
      - Praise for the 33 1/3 Analogue Productions reissue !\r\n
      \r\n
      "Perhaps the biggest surprise about this 1971 compilation, nearly a half-century after the band's heyday, is not the quality of the music that's obvious but the sonic impact. Most of us were introduced to this paradigm of gusty, semi-psychedelic rock via AM radio (or a certain hit road movie about two biker/hippies...), so few of us listened to 'Born To Be Wild' or 'Magic Carpet Ride' over good sound systems. But damn, the sound is solid, visceral, raunchy and detailed. John Kay's snarl, a wall of guitars, those much-loved pedal effects and 11 sure-fire classics... This reissue is truly a fitting tribute to keyboardist Goldy McJohn, who passed away last August". - Sound Quality : 85 % - Ken Kessler, Hi Fi News, April 2018\r\n
      \r\n
      Get your motor runnin' baby Steppenwolf's Gold : Their Great Hits took its title literally. The towering rock album success rang in at N° 24 on the Billboard Pop Albums chart and became certified gold for record sales in excess of 500000 units by the Record Industry Association of America (RIAA) in April 1971.\r\n
      \r\n
      AllMusic praised the production and engineering of most of the tracks and called it a "nearly perfect" introduction to the band. Acoustic Sounds and Analogue Productions want to introduce you to the most sonically perfect version of this historic album you've ever heard on vinyl. Our 180 gram reissue was remastered from the original analog tapes by Kevin Gray at Cohearent Sound and plated and pressed by Gary Salstrom and his crew at Quality Record Pressings, makers of the world's finest-sounding LPs. And now we've upped the ante even more for true audiophile bliss the 45 RPM 2 LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed.\r\n
      \r\n
      The Canadian-American rock band, named for Hermann Hesse's mystical novel, rocketed to worldwide fame after their third single "Born to Be Wild" dropped in 1968. The song and Steppenwolf's version of Hoyt Axton's "The Pusher" figured prominently in the 1969 counterculture cult film "Easy Rider", and both show up on Gold's track list. Two other singles on this stunning album compilation also cracked the Top 10 on the charts : "Magic Carpet Ride" and "Rock Me".\r\n
      \r\n
      "Magic Carpet Ride" was released in 1968 on the album The Second. It was written by band members John Kay and Rushton Moreve, peaked at N° 3 in the U.S. and stayed on the charts for 16 weeks, longer than any other Steppenwolf song.\r\n
      \r\n
      You also get the Don Covay soul cover "Sookie, Sookie", which got airplay on some soul stations nationwide, as well as rock 'n' roll radio. Gold also includes "Hey Lawdy Mama" the hit studio single from Steppenwolf Live.\r\n
      \r\n
      \r\n
      Steppenwolf enjoyed worldwide success from 1968 to 1972, when clashing personalities ultimately broke up the core group after a farewell concert in Los Angeles on Valentine's Day, 1972. Today, John Kay remains as the only original Steppenwolf member.
      """
    -prixVente: "99.50"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Kay (guitar, harmonica, vocals), Larry Byrom, Michael Monarch (guitar), Nick St. Nicholas, Rushton Moreve (bass guitar), George Biondo (bass guitar, vocals), Goldy McJohn (keyboards), Jerry Edmonton (drums)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1138 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1140 …}
    -lpsMusic: 2
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=cyKLMFGzi8E"
    -referenceProduit: "Analogue Productions AAPP 115-45"
    -titreMorceau: [
      [
        "nom" => "1. Born to Be Wild "
        "ordre" => 0
      ]
      [
        "nom" => "2. It's Never Too Late "
        "ordre" => 1
      ]
      [
        "nom" => "3. Rock Me "
        "ordre" => 2
      ]
      [
        "nom" => "4. Hey Lawdy Mama "
        "ordre" => 3
      ]
      [
        "nom" => "5. Move Over "
        "ordre" => 4
      ]
      [
        "nom" => "6. Who Needs Ya "
        "ordre" => 5
      ]
      [
        "nom" => "7. Magic Carpet Ride "
        "ordre" => 6
      ]
      [
        "nom" => "8. The Pusher "
        "ordre" => 7
      ]
      [
        "nom" => "9. Sookie, Sookie "
        "ordre" => 8
      ]
      [
        "nom" => "10. Jupiter's Child "
        "ordre" => 9
      ]
      [
        "nom" => "11. Screaming Night Hog"
        "ordre" => 10
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2046 …}
    -label: Proxies\__CG__\App\Entity\Label {#1910 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2055 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2048 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2050 …}
    -enregistreLe: DateTime @1591253587 {#2041
      date: 2020-06-04 06:53:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763478858 {#2042
      date: 2025-11-18 15:14:18.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2052 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-steppenwolf-gold-their-great-hits-analogue-productions-aapp-115-45"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2060
    -id: 1199
    -nom: "With The Beatles"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 53 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      For Americans in the full grip of Beatlemania, this was the first album they could buy. With The Beatles (sold as Meet The Beatles ! in the U.S.) was the Fab Four's second British record. With the Beatles produced the singles "It Won't Be Long" and "All My Loving". John Lennon and Paul McCartney were on a songwriting roll that would be unmatched in rock history, and at this point they were still a real team. Like no other digital or analog edition, this LP pressing showcases how far the Fab Four really were beyond any of their peers.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster With The Beatles from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      Recorded in much the same fashion as Please Please Me, With The Beatles used close-miking techniques and a combination of direct and ambient sounds gathered from group microphones. There's a great rollicking liveliness and depth captured. Paying homage to Motown, the band sends up "Please Mister Postman", "Money (That's What I Want)", and "You Really Got a Hold On Me" with equal parts ragged urgency and poignant emotion. A batch of rich originals spans bittersweet ballads "All I've Got to Do" to shout-out-loud rock classics "It Won't Be Long".\r\n
      \r\n
      The set has been criticized by some for containing too many covers; yet it's a snapshot of the Beatles during the band's last connection to its Cavern Club days and avoids any dull moments. Again, the production emphasizes an in-the-studio feel, with minimal effects and few baffles. Now, hear just how hard the Beatles rocked in what's the equivalent of 3D sound. The strings of the band's guitars and pop of Ringo's 20-inch Ludwig kick drum resonate with punch, drive, and true-to-life imaging. It's all thanks to Capitol's meticulous mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, percussion, vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "EMI Records 2420"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. It Won't Be Long"
        "ordre" => 1
      ]
      [
        "nom" => "2. All I've Got To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. All My Loving"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Bother Me"
        "ordre" => 4
      ]
      [
        "nom" => "5. Little Child"
        "ordre" => 5
      ]
      [
        "nom" => "6. Till There Was You"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Mister Postman"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => ""
        "ordre" => 9
      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
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    -caracteristique: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1501570978 {#2057
      date: 2017-08-01 07:02:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763451197 {#2058
      date: 2025-11-18 07:33:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-beatles-emi-records-2420"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3250
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2060
    -id: 1199
    -nom: "With The Beatles"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 53 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      For Americans in the full grip of Beatlemania, this was the first album they could buy. With The Beatles (sold as Meet The Beatles ! in the U.S.) was the Fab Four's second British record. With the Beatles produced the singles "It Won't Be Long" and "All My Loving". John Lennon and Paul McCartney were on a songwriting roll that would be unmatched in rock history, and at this point they were still a real team. Like no other digital or analog edition, this LP pressing showcases how far the Fab Four really were beyond any of their peers.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster With The Beatles from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      Recorded in much the same fashion as Please Please Me, With The Beatles used close-miking techniques and a combination of direct and ambient sounds gathered from group microphones. There's a great rollicking liveliness and depth captured. Paying homage to Motown, the band sends up "Please Mister Postman", "Money (That's What I Want)", and "You Really Got a Hold On Me" with equal parts ragged urgency and poignant emotion. A batch of rich originals spans bittersweet ballads "All I've Got to Do" to shout-out-loud rock classics "It Won't Be Long".\r\n
      \r\n
      The set has been criticized by some for containing too many covers; yet it's a snapshot of the Beatles during the band's last connection to its Cavern Club days and avoids any dull moments. Again, the production emphasizes an in-the-studio feel, with minimal effects and few baffles. Now, hear just how hard the Beatles rocked in what's the equivalent of 3D sound. The strings of the band's guitars and pop of Ringo's 20-inch Ludwig kick drum resonate with punch, drive, and true-to-life imaging. It's all thanks to Capitol's meticulous mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, percussion, vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "EMI Records 2420"
    -titreMorceau: [
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        "nom" => "Side A : "
        "ordre" => 0
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      [
        "nom" => "1. It Won't Be Long"
        "ordre" => 1
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      [
        "nom" => "2. All I've Got To Do"
        "ordre" => 2
      ]
      [
        "nom" => "3. All My Loving"
        "ordre" => 3
      ]
      [
        "nom" => "4. Don't Bother Me"
        "ordre" => 4
      ]
      [
        "nom" => "5. Little Child"
        "ordre" => 5
      ]
      [
        "nom" => "6. Till There Was You"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Mister Postman"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => ""
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      ]
      [
        "nom" => ""
        "ordre" => 10
      ]
      [
        "nom" => ""
        "ordre" => 11
      ]
      [
        "nom" => ""
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
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      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2074 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2067 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2069 …}
    -enregistreLe: DateTime @1501570978 {#2057
      date: 2017-08-01 07:02:58.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763451197 {#2058
      date: 2025-11-18 07:33:17.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2071 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-with-the-beatles-emi-records-2420"
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  +optionPrix: null
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2079
    -id: 475
    -nom: "A Hard Day's Night"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Rolling Stone declares: "A Hard Day's Night opens with the most famous chord in all of rock 'n' roll: A radiant burst of 12-string guitar evoking the chaos and euphoria of Beatlemania at its height". The Richard Lester film of the same title showed the Beatles' charm. The soundtrack deepened listeners' sense of their musical genius in the off-kilter beauty of John Lennon's "If I Fell", the rockabilly bounce of Paul McCartney's "Can't Buy Me Love", and the great leap forward of George Harrison's guitar work on the 12 string Rickenbacker.\r\n
      \r\n
      The first Beatles album to feature all-original material, A Hard Day's Night affirmed the band's "top-of-the-world-ma" status. Galvanized by the arrival of new gear and methods in the recording studio, the Beatles captured a new magic, and this superb LP pressing showcases their success in a way never experienced before.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster A Hard Day's Night from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      With the addition of a REDD.51 mixing console at their disposal at Abbey Road, a device that increased the level of communication between producer, engineer, and band, the Beatles upped the ante not only in memorable songwriting and joyous emotion, but definitive sonics. And so now you can almost feel the repeat echo on the title track, a cue that regenerates delay and adds to the tune's spaciousness. Similarly, the harmonica shiver on "I Should've Known Better" rings out with amazing purity and expansive reach.\r\n
      \r\n
      Most significantly, the LP frames the fairly crisp top-end sound of Ringo's drums. Throughout, his strict orders to hit the snare solidly in the middle (and not on the rims) unfold in the form of involving rhythmic beats that now seem as if they're happening right in front of you. As for the unique 12-string jangle created by George Harrison's Rickenbacker 360-12 12-string guitar, employed for the first time on this 1964 effort, it positively sweeps over the soundstage, preceding the likes of the Byrds. And those voices. Mesmerizing.\r\n
      \r\n
      The album's title track, with its distinct, instantly recognisable opening chord, and the previously released "Can't Buy Me Love" both were transatlantic number-one singles for the band.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, piano, vocals),  Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, 12-string Rickenbacker guitar, vocals), Ringo Starr (drums, percussion, bongos, cowbell), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ua2tyckT9AQ&list=RDua2tyckT9AQ&start_radio=1"
    -referenceProduit: "EMI Records 2413"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Hard Day's Night"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Should Have Known Better"
        "ordre" => 2
      ]
      [
        "nom" => "3. If I Fell"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Happy Just to Dance With You"
        "ordre" => 4
      ]
      [
        "nom" => "5. And I Love Her"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Can't Buy Me Love"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Any Time at All"
        "ordre" => 9
      ]
      [
        "nom" => "2. I'll Cry Instead"
        "ordre" => 10
      ]
      [
        "nom" => "3. Things We Said Today"
        "ordre" => 11
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 12
      ]
      [
        "nom" => "5. You Can't Do That"
        "ordre" => 13
      ]
      [
        "nom" => "6. I'll Be Back"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
    -enregistreLe: DateTime @1320672300 {#2076
      date: 2011-11-07 13:25:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763408596 {#2077
      date: 2025-11-17 19:43:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-hard-day-s-night-emi-records-2413"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3303
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2079
    -id: 475
    -nom: "A Hard Day's Night"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Rolling Stone declares: "A Hard Day's Night opens with the most famous chord in all of rock 'n' roll: A radiant burst of 12-string guitar evoking the chaos and euphoria of Beatlemania at its height". The Richard Lester film of the same title showed the Beatles' charm. The soundtrack deepened listeners' sense of their musical genius in the off-kilter beauty of John Lennon's "If I Fell", the rockabilly bounce of Paul McCartney's "Can't Buy Me Love", and the great leap forward of George Harrison's guitar work on the 12 string Rickenbacker.\r\n
      \r\n
      The first Beatles album to feature all-original material, A Hard Day's Night affirmed the band's "top-of-the-world-ma" status. Galvanized by the arrival of new gear and methods in the recording studio, the Beatles captured a new magic, and this superb LP pressing showcases their success in a way never experienced before.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster A Hard Day's Night from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      With the addition of a REDD.51 mixing console at their disposal at Abbey Road, a device that increased the level of communication between producer, engineer, and band, the Beatles upped the ante not only in memorable songwriting and joyous emotion, but definitive sonics. And so now you can almost feel the repeat echo on the title track, a cue that regenerates delay and adds to the tune's spaciousness. Similarly, the harmonica shiver on "I Should've Known Better" rings out with amazing purity and expansive reach.\r\n
      \r\n
      Most significantly, the LP frames the fairly crisp top-end sound of Ringo's drums. Throughout, his strict orders to hit the snare solidly in the middle (and not on the rims) unfold in the form of involving rhythmic beats that now seem as if they're happening right in front of you. As for the unique 12-string jangle created by George Harrison's Rickenbacker 360-12 12-string guitar, employed for the first time on this 1964 effort, it positively sweeps over the soundstage, preceding the likes of the Byrds. And those voices. Mesmerizing.\r\n
      \r\n
      The album's title track, with its distinct, instantly recognisable opening chord, and the previously released "Can't Buy Me Love" both were transatlantic number-one singles for the band.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, piano, vocals),  Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, 12-string Rickenbacker guitar, vocals), Ringo Starr (drums, percussion, bongos, cowbell), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ua2tyckT9AQ&list=RDua2tyckT9AQ&start_radio=1"
    -referenceProduit: "EMI Records 2413"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. A Hard Day's Night"
        "ordre" => 1
      ]
      [
        "nom" => "2. I Should Have Known Better"
        "ordre" => 2
      ]
      [
        "nom" => "3. If I Fell"
        "ordre" => 3
      ]
      [
        "nom" => "4. I'm Happy Just to Dance With You"
        "ordre" => 4
      ]
      [
        "nom" => "5. And I Love Her"
        "ordre" => 5
      ]
      [
        "nom" => "6. Tell Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Can't Buy Me Love"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Any Time at All"
        "ordre" => 9
      ]
      [
        "nom" => "2. I'll Cry Instead"
        "ordre" => 10
      ]
      [
        "nom" => "3. Things We Said Today"
        "ordre" => 11
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 12
      ]
      [
        "nom" => "5. You Can't Do That"
        "ordre" => 13
      ]
      [
        "nom" => "6. I'll Be Back"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2087 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2080 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2082 …}
    -enregistreLe: DateTime @1320672300 {#2076
      date: 2011-11-07 13:25:00.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763408596 {#2077
      date: 2025-11-17 19:43:16.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2084 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-a-hard-day-s-night-emi-records-2413"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2092
    -id: 944
    -nom: "Please Please Me"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals), George Harrison (lead & acoustic guitar, handclaps, backing vocals), Ringo Starr (drums, bongos, maracas, handclaps, lead vocals), George Martin (piano).\r\n
      \r\n
      - Cut at Abbey Road studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - "Love Me Do" and "P.S. I Love You" in mono !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 39 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins. Here is the Rosetta Stone of Beatlemania, encapsulated and sounding sweeter than ever.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Please Please Me from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      The Beatles recorded 10 of the 14 songs on Please Please Me at EMI's Abbey Road studio in just over 12 hours on February 11, 1963. Rolling Stone, which places the album 39th on its list of the 500 greatest albums of all time, notes that for productivity alone, it's one of the greatest first albums in rock. The Beatles had already invented a bracing new sound for a rock band an assault of thrumming energy and impeccable vocal harmonies and they nailed it using the covers and originals in their live repertoire: the Shirelles' "Boys" and Arthur Alexander's "Anna"; the Lennon-McCartney burners "There's a Place" and "I Saw Her Standing There". Fittingly, John Lennon finished the epochal all-day session shirtless and shredding what was left of his vocal cords on two takes of "Twist and Shout".\r\n
      \r\n
      On this remaster, for the first time you can detect the "leakage" encouraged to flow between the microphones as well as the results of the close-miking techniques designed to lighten up the sound and yet, leave it loose hence, the explosive vocals, partially a consequence of few microphone screens or baffles. You can distinguish the Gretsch Country Gentlemen 6122 from the Rickenbacker 425 guitars. Lennon's lose-control vocal blowout on "Twist and Shout" hits a new level of wow. All due to Capitol's skillful mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. Compression was used sparingly and only on the stereo versions to preserve the sanctity of the dynamics.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Igp2nllWoM&list=RD-Igp2nllWoM&start_radio=1"
    -referenceProduit: "EMI Records 2416"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Saw Her Standing There"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misery"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Please Me"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 9
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => "5. A Taste Of Honey"
        "ordre" => 13
      ]
      [
        "nom" => "6. There's A Place"
        "ordre" => 14
      ]
      [
        "nom" => "7. Twist And Shout"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2100 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2093 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2095 …}
    -enregistreLe: DateTime @1464852787 {#2089
      date: 2016-06-02 07:33:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763371047 {#2090
      date: 2025-11-17 09:17:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2097 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-please-please-me-emi-records-2416"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3351
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2092
    -id: 944
    -nom: "Please Please Me"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals), George Harrison (lead & acoustic guitar, handclaps, backing vocals), Ringo Starr (drums, bongos, maracas, handclaps, lead vocals), George Martin (piano).\r\n
      \r\n
      - Cut at Abbey Road studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - "Love Me Do" and "P.S. I Love You" in mono !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 39 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Once "Please Please Me" rocketed to number one, the Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins. Here is the Rosetta Stone of Beatlemania, encapsulated and sounding sweeter than ever.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Please Please Me from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings!\r\n
      \r\n
      The Beatles recorded 10 of the 14 songs on Please Please Me at EMI's Abbey Road studio in just over 12 hours on February 11, 1963. Rolling Stone, which places the album 39th on its list of the 500 greatest albums of all time, notes that for productivity alone, it's one of the greatest first albums in rock. The Beatles had already invented a bracing new sound for a rock band an assault of thrumming energy and impeccable vocal harmonies and they nailed it using the covers and originals in their live repertoire: the Shirelles' "Boys" and Arthur Alexander's "Anna"; the Lennon-McCartney burners "There's a Place" and "I Saw Her Standing There". Fittingly, John Lennon finished the epochal all-day session shirtless and shredding what was left of his vocal cords on two takes of "Twist and Shout".\r\n
      \r\n
      On this remaster, for the first time you can detect the "leakage" encouraged to flow between the microphones as well as the results of the close-miking techniques designed to lighten up the sound and yet, leave it loose hence, the explosive vocals, partially a consequence of few microphone screens or baffles. You can distinguish the Gretsch Country Gentlemen 6122 from the Rickenbacker 425 guitars. Lennon's lose-control vocal blowout on "Twist and Shout" hits a new level of wow. All due to Capitol's skillful mastering.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. Compression was used sparingly and only on the stereo versions to preserve the sanctity of the dynamics.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, handclaps, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, handclaps, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=-Igp2nllWoM&list=RD-Igp2nllWoM&start_radio=1"
    -referenceProduit: "EMI Records 2416"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. I Saw Her Standing There"
        "ordre" => 1
      ]
      [
        "nom" => "2. Misery"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "7. Please Please Me"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 9
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 10
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 11
      ]
      [
        "nom" => "4. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => "5. A Taste Of Honey"
        "ordre" => 13
      ]
      [
        "nom" => "6. There's A Place"
        "ordre" => 14
      ]
      [
        "nom" => "7. Twist And Shout"
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2100 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2093 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2095 …}
    -enregistreLe: DateTime @1464852787 {#2089
      date: 2016-06-02 07:33:07.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763371047 {#2090
      date: 2025-11-17 09:17:27.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2097 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-please-please-me-emi-records-2416"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2105
    -id: 419
    -nom: "Beatles For Sale"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original analog master tapes!\r\n
      \r\n
      The Beatles were working, it seemed, at least nine days a week in late 1964. As a biography reflects, they'd been touring constantly, had just released A Hard Day's Night in June and were rushed back into a recording studio the week after they returned from America to record a new album and single in time for Christmas. "They were rather war-weary", producer George Martin said. With little time to write original songs, almost half of the Beatles for Sale LP consisted of covers the group had been playing onstage for years. The same day the Beatles finished "Eight Days a Week", they knocked out seven complete tracks.\r\n
      \r\n
      Beatles For Sale was released in the U.K. in December 1964. Beatles '65, its U.S. counterpart, did not include "Eight Days a Week". The song was released as a single in the U.S. two months later, and it went to N° 1.\r\n
      \r\n
      Beatles For Sale was the last Beatles record to feature traces of the band's early rock and roll influences. Beatles For Sale also functions as a harbinger of what was to come, as John Lennon's songwriting reflects his embrace of Bob Dylan's folk rock. There's also a distinctive change in moods. The record opens with a trio of darker-flavored material, "No Reply", "I'm a Loser", and "Baby's In Black" much more despairing than anything the quartet had previously attempted.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster Beatles For Sale from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Recorded only four months after A Hard Day's Night, the effort involves much of the same repeat echo techniques yet also adds a few new wrinkles. "Everybody's Trying to Be My Baby" and "Rock and Roll Music" are enhanced with extra slap-back echo to pay homage to band's early influences. This pressing opens up the previous veil, allowing the effects to be more prevalent and detailed than ever before.\r\n
      \r\n
      In addition, there's a more solid drum foundation, thanks to Ringo's acquisition of a larger 22 inch Ludwig kick drum. Again, this LP pressing brings the instrumentation to the fore in a way never imaginable. Same goes for the myriad percussive accents and the nylon-string Jose Ramirez acoustic guitar that appears on several tracks. Combined with the move toward songwriting that addresses weariness and bleakness, shifts that balance the go-for-all romp of covers such as "Kansas City / Hey ! Hey ! Hey !", the Beatles turned in what was then their most diverse-and unexpected-record to date. You haven't experienced this 1964 classic until you've heard this pressing.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, tambourine, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_C1iFPJ1urI&list=RD_C1iFPJ1urI&start_radio=1"
    -referenceProduit: "EMI Records 2414"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. No Reply"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm A Loser"
        "ordre" => 2
      ]
      [
        "nom" => "3. Baby's In Black"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rock And Roll Music"
        "ordre" => 4
      ]
      [
        "nom" => "5. I'll Follow The Sun"
        "ordre" => 5
      ]
      [
        "nom" => "6. Mr. Moonlight"
        "ordre" => 6
      ]
      [
        "nom" => "7. Kansas City : Hey-Hey-Hey-Hey!"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Eight Days A Week"
        "ordre" => 9
      ]
      [
        "nom" => "2. Words Of Love"
        "ordre" => 10
      ]
      [
        "nom" => "3. Honey Don't"
        "ordre" => 11
      ]
      [
        "nom" => "4. Every Little Thing"
        "ordre" => 12
      ]
      [
        "nom" => "5. What You're Doing"
        "ordre" => 13
      ]
      [
        "nom" => "6. Everybody's Trying To Be My Baby"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …}
    -enregistreLe: DateTime @1298304933 {#2102
      date: 2011-02-21 16:15:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763369749 {#2103
      date: 2025-11-17 08:55:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beatles-for-sale-emi-records-2414"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3399
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2105
    -id: 419
    -nom: "Beatles For Sale"
    -informationComplementaire: null
    -description: """
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - The BEATLES ON VINYL - DONE RIGHT !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original analog master tapes!\r\n
      \r\n
      The Beatles were working, it seemed, at least nine days a week in late 1964. As a biography reflects, they'd been touring constantly, had just released A Hard Day's Night in June and were rushed back into a recording studio the week after they returned from America to record a new album and single in time for Christmas. "They were rather war-weary", producer George Martin said. With little time to write original songs, almost half of the Beatles for Sale LP consisted of covers the group had been playing onstage for years. The same day the Beatles finished "Eight Days a Week", they knocked out seven complete tracks.\r\n
      \r\n
      Beatles For Sale was released in the U.K. in December 1964. Beatles '65, its U.S. counterpart, did not include "Eight Days a Week". The song was released as a single in the U.S. two months later, and it went to N° 1.\r\n
      \r\n
      Beatles For Sale was the last Beatles record to feature traces of the band's early rock and roll influences. Beatles For Sale also functions as a harbinger of what was to come, as John Lennon's songwriting reflects his embrace of Bob Dylan's folk rock. There's also a distinctive change in moods. The record opens with a trio of darker-flavored material, "No Reply", "I'm a Loser", and "Baby's In Black" much more despairing than anything the quartet had previously attempted.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol/Apple turned to a crack team of engineers to remaster Beatles For Sale from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Recorded only four months after A Hard Day's Night, the effort involves much of the same repeat echo techniques yet also adds a few new wrinkles. "Everybody's Trying to Be My Baby" and "Rock and Roll Music" are enhanced with extra slap-back echo to pay homage to band's early influences. This pressing opens up the previous veil, allowing the effects to be more prevalent and detailed than ever before.\r\n
      \r\n
      In addition, there's a more solid drum foundation, thanks to Ringo's acquisition of a larger 22 inch Ludwig kick drum. Again, this LP pressing brings the instrumentation to the fore in a way never imaginable. Same goes for the myriad percussive accents and the nylon-string Jose Ramirez acoustic guitar that appears on several tracks. Combined with the move toward songwriting that addresses weariness and bleakness, shifts that balance the go-for-all romp of covers such as "Kansas City / Hey ! Hey ! Hey !", the Beatles turned in what was then their most diverse-and unexpected-record to date. You haven't experienced this 1964 classic until you've heard this pressing.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, tambourine, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=_C1iFPJ1urI&list=RD_C1iFPJ1urI&start_radio=1"
    -referenceProduit: "EMI Records 2414"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. No Reply"
        "ordre" => 1
      ]
      [
        "nom" => "2. I'm A Loser"
        "ordre" => 2
      ]
      [
        "nom" => "3. Baby's In Black"
        "ordre" => 3
      ]
      [
        "nom" => "4. Rock And Roll Music"
        "ordre" => 4
      ]
      [
        "nom" => "5. I'll Follow The Sun"
        "ordre" => 5
      ]
      [
        "nom" => "6. Mr. Moonlight"
        "ordre" => 6
      ]
      [
        "nom" => "7. Kansas City : Hey-Hey-Hey-Hey!"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Eight Days A Week"
        "ordre" => 9
      ]
      [
        "nom" => "2. Words Of Love"
        "ordre" => 10
      ]
      [
        "nom" => "3. Honey Don't"
        "ordre" => 11
      ]
      [
        "nom" => "4. Every Little Thing"
        "ordre" => 12
      ]
      [
        "nom" => "5. What You're Doing"
        "ordre" => 13
      ]
      [
        "nom" => "6. Everybody's Trying To Be My Baby"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2113 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2106 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2108 …}
    -enregistreLe: DateTime @1298304933 {#2102
      date: 2011-02-21 16:15:33.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763369749 {#2103
      date: 2025-11-17 08:55:49.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2110 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-beatles-for-sale-emi-records-2414"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2118
    -id: 1961
    -nom: "Rubber Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals), George Harrison (lead & acoustic guitar, sitar, tambura, lead & backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cymbals), George Martin (harmonium, piano).\r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Rubber Soul's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 5 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Released in 1965, Rubber Soul signified a sea change for the Beatles. The record marked the emergence of John Lennon and Paul McCartney's distinctive identities as songwriters. It featured an original "Nowhere Man" that went beyond the band's commonplace love themes. And its sound departed from the echo-laden nature of its predecessors, an intentional move that offset it from the multiple bands that had been copying the Beatles' style. Still, Rubber Soul retained a constant: It was yet another watershed collection of pop and rock by a group that redefined the genres as it went along.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Rubber Soul from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs.\r\n
      \r\n
      Hence, the definitive aspects of Rubber Soul are enjoyed like never before. Take George Martin's piano solo on "In My Life", half-speed overdubbed to make it sound like a harpsichord. Does it ever. Or Lennon's pronounced intakes of breath during the choruses to the sweet "Girl." You can practically feel the air moving into his lungs. The inimitable ringing of the sitar on "Norwegian Wood" becomes life-size. The unique tonalities of George Harrison's newly acquired Fender Bassman amplifier are seemingly visceral in appearance.\r\n
      \r\n
      Sonically, Rubber Soul claims a much drier sound, as the band elected to refrain from utilizing echo chambers and minimized the amount of reverb present on its earlier albums. The decision further distinguished the Beatles from their peers. And contributed to the impact of the music. Acoustically based, Rubber Soul is identified by hard-panned left-to-right channel production, which on this pressing throws the group's instrumentation and vocals into greater relief. Even if you've heard Rubber Soul a thousand times, you haven't truly experienced it until you hear this analog pressing.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting," a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
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    -extraitYoutube: "https://www.youtube.com/watch?v=GOQiNY4aFD8&list=RDGOQiNY4aFD8&start_radio=1"
    -referenceProduit: "EMI Records 2418"
    -titreMorceau: [
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        "ordre" => 0
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        "ordre" => 1
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    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
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    -modifierLe: DateTime @1763367903 {#2116
      date: 2025-11-17 08:25:03.0 UTC (+00:00)
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    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
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    -disponible: null
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  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2118
    -id: 1961
    -nom: "Rubber Soul"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals), George Harrison (lead & acoustic guitar, sitar, tambura, lead & backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cymbals), George Martin (harmonium, piano).\r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24-bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Rubber Soul's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - Rated 5 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180-gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes!\r\n
      \r\n
      Released in 1965, Rubber Soul signified a sea change for the Beatles. The record marked the emergence of John Lennon and Paul McCartney's distinctive identities as songwriters. It featured an original "Nowhere Man" that went beyond the band's commonplace love themes. And its sound departed from the echo-laden nature of its predecessors, an intentional move that offset it from the multiple bands that had been copying the Beatles' style. Still, Rubber Soul retained a constant: It was yet another watershed collection of pop and rock by a group that redefined the genres as it went along.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Rubber Soul from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs.\r\n
      \r\n
      Hence, the definitive aspects of Rubber Soul are enjoyed like never before. Take George Martin's piano solo on "In My Life", half-speed overdubbed to make it sound like a harpsichord. Does it ever. Or Lennon's pronounced intakes of breath during the choruses to the sweet "Girl." You can practically feel the air moving into his lungs. The inimitable ringing of the sitar on "Norwegian Wood" becomes life-size. The unique tonalities of George Harrison's newly acquired Fender Bassman amplifier are seemingly visceral in appearance.\r\n
      \r\n
      Sonically, Rubber Soul claims a much drier sound, as the band elected to refrain from utilizing echo chambers and minimized the amount of reverb present on its earlier albums. The decision further distinguished the Beatles from their peers. And contributed to the impact of the music. Acoustically based, Rubber Soul is identified by hard-panned left-to-right channel production, which on this pressing throws the group's instrumentation and vocals into greater relief. Even if you've heard Rubber Soul a thousand times, you haven't truly experienced it until you hear this analog pressing.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting," a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, organ, lead & backing vocals), Paul McCartney (bass & acoustic guitar, piano, Hammond organ, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
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    -setBoxMusic: false
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    -preCommande: false
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    -extraitYoutube: "https://www.youtube.com/watch?v=GOQiNY4aFD8&list=RDGOQiNY4aFD8&start_radio=1"
    -referenceProduit: "EMI Records 2418"
    -titreMorceau: [
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        "ordre" => 0
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      [
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      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2126 …}
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    -modifierLe: DateTime @1763367903 {#2116
      date: 2025-11-17 08:25:03.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2123 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-rubber-soul-emi-records-2418"
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2131
    -id: 1282
    -nom: "Help !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals), George Harrison (lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cowbell, lead vocals), George Martin (piano). \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; the album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 331 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Help! was the soundtrack to the Beatles' second feature film. But more than that, the 1965 soundtrack helped carve out new musical directions for the band and served up dramatic strides in production technology. Help ! explored a tumultuous emotional bill of fare : Estrangement, sexual longing, uncertainty, infatuation and innocence. The group pounced on armada of available instruments acoustic guitars, bongos, electric pianos, flutes and even strings to deliver one of the greatest pop albums ever. And now it sounds bloody brilliant !\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Help! from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Yes, that means the timeless poignancy of "Yesterday" comes across with truly unimaginable heartbreaking sincerity. It means that the volume pedal George Harrison uses for the first time on "I Need You" and "Yes It Is" is fully discernible. It means that you can hear the woody cavity of he back of the acoustic Gibson guitar Ringo beats to add percussion to "I Need You". And yes, the fuzz-pedal bass track Paul McCartney added to the original on "Think for Yourself" his first overdub on record is preeminent. As is the soulfulness of the falsetto voices.\r\n
      \r\n
      The advances in sonics were largely made possible by new Studer J-37 four-track recorders. Not only does this new LP pressing present these enhancements like never before, it adds to our enjoyment and insight of the music, allowing listeners to, in a sense, get as close to what went down as possible. So, at the 1:10 mark of "I Need You", the moment when Lennon hits the rim of the snare drum comes alive, the happy accident possessing the same amount of body, richness, detail, and depth as the rest of the landmark music on this set. Capitol has outdone it self.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZNahS3OHPwA&list=RDZNahS3OHPwA&start_radio=1"
    -referenceProduit: "EMI Records 2415"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Help !"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Night Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got To Hide Your Love Away"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Need You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Another Girl"
        "ordre" => 5
      ]
      [
        "nom" => "6. You're Going To Lose That Girl"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ticket To Ride"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Act Naturally"
        "ordre" => 9
      ]
      [
        "nom" => "2. It's Only Love You Like Me Too Much"
        "ordre" => 10
      ]
      [
        "nom" => "3. Tell Me What You See"
        "ordre" => 11
      ]
      [
        "nom" => "4. I've Just Seen A Face"
        "ordre" => 12
      ]
      [
        "nom" => "5. Yesterday"
        "ordre" => 13
      ]
      [
        "nom" => "6. Dizzy Miss Lizzy"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
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        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
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    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1519282067 {#2128
      date: 2018-02-22 06:47:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763366551 {#2129
      date: 2025-11-17 08:02:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-help-emi-records-2415"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3495
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2131
    -id: 1282
    -nom: "Help !"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals), George Harrison (lead & acoustic guitar, backing vocals), Ringo Starr (drums, percussion, tambourine, maracas, cowbell, lead vocals), George Martin (piano). \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; the album's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Rolling Stone 500 Greatest Albums of All Time - rated 331 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24-bit digital masters sourced from the original master tapes !\r\n
      \r\n
      Help! was the soundtrack to the Beatles' second feature film. But more than that, the 1965 soundtrack helped carve out new musical directions for the band and served up dramatic strides in production technology. Help ! explored a tumultuous emotional bill of fare : Estrangement, sexual longing, uncertainty, infatuation and innocence. The group pounced on armada of available instruments acoustic guitars, bongos, electric pianos, flutes and even strings to deliver one of the greatest pop albums ever. And now it sounds bloody brilliant !\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster Help! from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Yes, that means the timeless poignancy of "Yesterday" comes across with truly unimaginable heartbreaking sincerity. It means that the volume pedal George Harrison uses for the first time on "I Need You" and "Yes It Is" is fully discernible. It means that you can hear the woody cavity of he back of the acoustic Gibson guitar Ringo beats to add percussion to "I Need You". And yes, the fuzz-pedal bass track Paul McCartney added to the original on "Think for Yourself" his first overdub on record is preeminent. As is the soulfulness of the falsetto voices.\r\n
      \r\n
      The advances in sonics were largely made possible by new Studer J-37 four-track recorders. Not only does this new LP pressing present these enhancements like never before, it adds to our enjoyment and insight of the music, allowing listeners to, in a sense, get as close to what went down as possible. So, at the 1:10 mark of "I Need You", the moment when Lennon hits the rim of the snare drum comes alive, the happy accident possessing the same amount of body, richness, detail, and depth as the rest of the landmark music on this set. Capitol has outdone it self.\r\n
      \r\n
      Help! and Rubber Soul were mastered using digital remixed versions that George Martin, the group’s producer, oversaw in 1986. Extensive testing was done before engineers copied the analog master tapes into digital files using 24-bit/192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music.\r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change ... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, electric piano, harmonica, tambourine, lead & backing vocals), Paul McCartney (bass guitar, piano, electric piano, acoustic guitar, lead & backing vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=ZNahS3OHPwA&list=RDZNahS3OHPwA&start_radio=1"
    -referenceProduit: "EMI Records 2415"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Help !"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Night Before"
        "ordre" => 2
      ]
      [
        "nom" => "3. You've Got To Hide Your Love Away"
        "ordre" => 3
      ]
      [
        "nom" => "4. I Need You"
        "ordre" => 4
      ]
      [
        "nom" => "5. Another Girl"
        "ordre" => 5
      ]
      [
        "nom" => "6. You're Going To Lose That Girl"
        "ordre" => 6
      ]
      [
        "nom" => "7. Ticket To Ride"
        "ordre" => 7
      ]
      [
        "nom" => "Side B : "
        "ordre" => 8
      ]
      [
        "nom" => "1. Act Naturally"
        "ordre" => 9
      ]
      [
        "nom" => "2. It's Only Love You Like Me Too Much"
        "ordre" => 10
      ]
      [
        "nom" => "3. Tell Me What You See"
        "ordre" => 11
      ]
      [
        "nom" => "4. I've Just Seen A Face"
        "ordre" => 12
      ]
      [
        "nom" => "5. Yesterday"
        "ordre" => 13
      ]
      [
        "nom" => "6. Dizzy Miss Lizzy"
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
      [
        "nom" => ""
        "ordre" => 16
      ]
      [
        "nom" => ""
        "ordre" => 17
      ]
      [
        "nom" => ""
        "ordre" => 18
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2139 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2132 …}
    -typeMasterTape: null
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    -optionPrixes: Doctrine\ORM\PersistentCollection {#2134 …}
    -enregistreLe: DateTime @1519282067 {#2128
      date: 2018-02-22 06:47:47.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763366551 {#2129
      date: 2025-11-17 08:02:31.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2136 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-help-emi-records-2415"
  }
  +optionPrix: null
  +quantite: 1
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  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2144
    -id: 1036
    -nom: "Magical Mystery Tour + (24 pg. Picture Book)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals),  Paul McCartney (piano, electric & acoustic guitar, bass, double bass, Mellotron, harmonium, bongos, conga, timpani, tambourine, percussion, vocals), George Harrison (electric & acoustic guitars, Hammond organ, harmonica, swarmandal, violin, timpani, maracas, percussion, handclaps, vocals), Ringo Starr (drums, maracas, finger cymbals, tambourine, handbell, percussion, vocals), George Martin (piano), Mal Evans (tambourine, percussion), Neil Aspinall (guiro, percussion), Terry Doran (maracas), Eddie Kramer (vibraphone), Orchestral Horn, Choir : David Mason, Elgar Howarth, Roy Copestake, John Wilbraham (trumpet), Sidney Sax, Jack Rothstein, Ralph Elman, Andrew McGee, Jack Greene, Louis Stevens, John Jezzard, Jack Richards (violin), Lionel Ross, Eldon Fox, Bram Martin, Terry Weil (cello), Neil Sanders, Tony Tunstall, Morris Miller (horns), Gordon Lewin (clarinet), The Mike Sammes Singers, with singers : Peggie Allen, Wendy Horan, Pat Whitmore, Jill Utting, June Day, Sylvia King, Irene King, G Mallen, Fred Lucas, Mike Redway, John O’Neill, F Dachtler, Allan Grant, D Griffiths, J Smith, J Fraser (choir), Christopher Taylor, Richard Taylor, Jack Ellory (flute), Ken Essex, Leo Birnbaum (viola).\r\n
      \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Magical Mystery Tour's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Packaging includes 24 page color book !\r\n
      - Rolling Stone 500 Greatest Songs of All Time - "Penny Lane" - Rated 456 / 500, "All You Need Is Love" - Rated 370 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24 bit digital masters sourced from the original master tapes!\r\n
      \r\n
      "The Beatles are turning awfully funny, aren't they ?" That was the reaction of the Queen Majesty herself upon hearing or at least knowing of the existence of Magical Mystery Tour, a wild romp through psychedelic pop that sprung from the same period as Sgt. Pepper's. While some mistakenly view the album as a half-complete soundtrack, the record spills over with fantastic music-"I Am the Walrus", "Hello Goodbye", "Penny Lane", and the unforgettable suite "Strawberry Fields Forever" leading the charge. Put on your rose-colored glasses.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster the entire studio catalog from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Listeners get a front-row seat for the pitch-shifted vocals and backwards percussion infusing John Lennon's landmark "Strawberry Fields Forever". A monumental composition, the song possesses a warmth, breadth, and spaciousness on this analog pressing that will knock back even the most schooled Beatles aficionados. And of course, who doesn't want to get caught up in the feel-good chants of "All You Need Is Love", the accenting horns and spiraling orchestrations popping with immense color and texture. There's reason why.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24 bit / 192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24 bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage. The remasters have the absolute best sound quality, producing the quietest vinyl lacquers.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2M8DN8pZToM&list=RD2M8DN8pZToM&start_radio=1"
    -referenceProduit: "EMI Records 2465"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Magical Mystery Tour"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Fool On The Hill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flying"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blue Jay Way"
        "ordre" => 4
      ]
      [
        "nom" => "5. Your Mother Should Know"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Am The Walrus"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Hello, Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. Strawberry Fields Forever"
        "ordre" => 9
      ]
      [
        "nom" => "3. Penny Lane"
        "ordre" => 10
      ]
      [
        "nom" => "4. Baby You're A Rich Man"
        "ordre" => 11
      ]
      [
        "nom" => "5. All You Need Is Love"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2152 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2145 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2147 …}
    -enregistreLe: DateTime @1473015916 {#2141
      date: 2016-09-04 19:05:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763364635 {#2142
      date: 2025-11-17 07:30:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2149 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-magical-mystery-tour-24-pg-picture-book-emi-records-2465"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3543
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2144
    -id: 1036
    -nom: "Magical Mystery Tour + (24 pg. Picture Book)"
    -informationComplementaire: null
    -description: """
      Musicians : \r\n
      John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals),  Paul McCartney (piano, electric & acoustic guitar, bass, double bass, Mellotron, harmonium, bongos, conga, timpani, tambourine, percussion, vocals), George Harrison (electric & acoustic guitars, Hammond organ, harmonica, swarmandal, violin, timpani, maracas, percussion, handclaps, vocals), Ringo Starr (drums, maracas, finger cymbals, tambourine, handbell, percussion, vocals), George Martin (piano), Mal Evans (tambourine, percussion), Neil Aspinall (guiro, percussion), Terry Doran (maracas), Eddie Kramer (vibraphone), Orchestral Horn, Choir : David Mason, Elgar Howarth, Roy Copestake, John Wilbraham (trumpet), Sidney Sax, Jack Rothstein, Ralph Elman, Andrew McGee, Jack Greene, Louis Stevens, John Jezzard, Jack Richards (violin), Lionel Ross, Eldon Fox, Bram Martin, Terry Weil (cello), Neil Sanders, Tony Tunstall, Morris Miller (horns), Gordon Lewin (clarinet), The Mike Sammes Singers, with singers : Peggie Allen, Wendy Horan, Pat Whitmore, Jill Utting, June Day, Sylvia King, Irene King, G Mallen, Fred Lucas, Mike Redway, John O’Neill, F Dachtler, Allan Grant, D Griffiths, J Smith, J Fraser (choir), Christopher Taylor, Richard Taylor, Jack Ellory (flute), Ken Essex, Leo Birnbaum (viola).\r\n
      \r\n
      \r\n
      - Cut at Abbey Road Studios using non-limited 24 bit digital masters sourced from the original analog master tapes !\r\n
      - Pressed on 180 gram vinyl; Magical Mystery Tour's North American LP debut in stereo !\r\n
      - Optimum audiophile-quality sound from a first-rate team of producers and engineers !\r\n
      - Packaging includes 24 page color book !\r\n
      - Rolling Stone 500 Greatest Songs of All Time - "Penny Lane" - Rated 456 / 500, "All You Need Is Love" - Rated 370 / 500 !\r\n
      \r\n
      For years the most anticipated vinyl reissues have been from the one, the only Beatles catalog. Finally, after a delay due to the meticulousness of the remastering process and assorted other hurdles, that day has come. The Beatles catalog is getting the audiophile treatment! 180 gram vinyl pressings cut at Abbey Road Studios using the non-limited 24 bit digital masters sourced from the original master tapes!\r\n
      \r\n
      "The Beatles are turning awfully funny, aren't they ?" That was the reaction of the Queen Majesty herself upon hearing or at least knowing of the existence of Magical Mystery Tour, a wild romp through psychedelic pop that sprung from the same period as Sgt. Pepper's. While some mistakenly view the album as a half-complete soundtrack, the record spills over with fantastic music-"I Am the Walrus", "Hello Goodbye", "Penny Lane", and the unforgettable suite "Strawberry Fields Forever" leading the charge. Put on your rose-colored glasses.\r\n
      \r\n
      For its Beatles' Stereo Albums series on LP, Capitol / Apple turned to a crack team of engineers to remaster the entire studio catalog from the original sources. The team, including Guy Massey, Steve Rooke and Sam Okell with Paul Hicks and Sean Magee undertook a four-year restoration process for the LP versions, combining state-of-the-art equipment, vintage studio gear and rigorous testing to meet the highest fidelity standards and produce authentic unsurpassed sound rivaling the original LPs. There is no longer any need to pay hundreds of dollars for Japanese pressings !\r\n
      \r\n
      Listeners get a front-row seat for the pitch-shifted vocals and backwards percussion infusing John Lennon's landmark "Strawberry Fields Forever". A monumental composition, the song possesses a warmth, breadth, and spaciousness on this analog pressing that will knock back even the most schooled Beatles aficionados. And of course, who doesn't want to get caught up in the feel-good chants of "All You Need Is Love", the accenting horns and spiraling orchestrations popping with immense color and texture. There's reason why.\r\n
      \r\n
      Extensive testing was done before engineers copied the analog master tapes into digital files using 24 bit / 192 kHz resolution and a Prism A-D converter. Dust build-ups were removed from tape machine heads after the completion of each title. Artifacts such as electrical clicks, microphone vocal pops, excessive sibilance and poor edits were improved upon as long as they were judged not to damage the integrity of the songs. The 24/192 transfers were done to produce an archival copy of the tapes and then those files were reduced to 24/44.1 kHz files for final mastering. De-noising technology was applied in only a few necessary spots and on a sum total of less than five of the entire 525 minutes of Beatles music. \r\n
      \r\n
      The digital files were cut to lacquers at Abbey Road Studios. Engineer Sean Magee cut the LPs in chronological release order. He used the original 24 bit remasters rather than the 16-bit versions that were required for CD production. It was decided to use the remasters that had not undergone "limiting", a procedure to increase the sound level.\r\n
      \r\n
      Steps to eliminate vocal distortions and inner-groove distortions were addressed using a digital workstation. The latter can affect high-middle frequencies, producing a "mushy" sound noticeable on vocals. Using what Magee has described as "surgical EQ", problem frequencies were identified and reduced in level to compensate for this.\r\n
      \r\n
      Lastly, the first batches of test pressings made from the master lacquers that had been sent to two pressing plants were judged. Records with any noise or click appearing on more than one test pressing in the same place were rejected, on the grounds that undesired sound had been introduced either during the cutting or pressing stage. The remasters have the absolute best sound quality, producing the quietest vinyl lacquers.\r\n
      \r\n
      For producer Rick Rubin, The Beatles' recorded achievements are akin to a miracle. The most popular bands in the world today typically produce an album every four years, Rubin told a 2009 radio audience. That's two albums as an eight-year cycle. "And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can't be done. Truthfully, I think of it as proof of God, because it's beyond man's ability".
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (electric & acoustic guitar, piano, organ, Mellotron, electric piano, clavioline, harpsichord, banjo, harmonica, Jew’s harp, bongos, congas, percussion, handclaps, vocals)..."
    -sonMusic: App\Enum\SonMusicEnum {#1133 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=2M8DN8pZToM&list=RD2M8DN8pZToM&start_radio=1"
    -referenceProduit: "EMI Records 2465"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Magical Mystery Tour"
        "ordre" => 1
      ]
      [
        "nom" => "2. The Fool On The Hill"
        "ordre" => 2
      ]
      [
        "nom" => "3. Flying"
        "ordre" => 3
      ]
      [
        "nom" => "4. Blue Jay Way"
        "ordre" => 4
      ]
      [
        "nom" => "5. Your Mother Should Know"
        "ordre" => 5
      ]
      [
        "nom" => "6. I Am The Walrus"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Hello, Goodbye"
        "ordre" => 8
      ]
      [
        "nom" => "2. Strawberry Fields Forever"
        "ordre" => 9
      ]
      [
        "nom" => "3. Penny Lane"
        "ordre" => 10
      ]
      [
        "nom" => "4. Baby You're A Rich Man"
        "ordre" => 11
      ]
      [
        "nom" => "5. All You Need Is Love"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
      [
        "nom" => ""
        "ordre" => 15
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2065 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2152 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2145 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2147 …}
    -enregistreLe: DateTime @1473015916 {#2141
      date: 2016-09-04 19:05:16.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763364635 {#2142
      date: 2025-11-17 07:30:35.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2149 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-magical-mystery-tour-24-pg-picture-book-emi-records-2465"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2157
    -id: 1825
    -nom: "The Beatles' Second Album  (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "The Beatles' Second Album" (Mono) !\r\n
      - Audiophile 180 gram vinyl !\r\n
      - All-analog mastering !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville\r\n
      Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer !\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, Lead & backing vocals), Paul McCartney (bass guitar, lead & backing vocals), George Harrison (lead guitar, lead & backing vocals), Ringo Starr (drums, percussion, lead vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rb3NhD7kfA8&list=RDrb3NhD7kfA8&start_radio=1"
    -referenceProduit: "Capitol Records 5224"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Roll Over Beethoven"
        "ordre" => 1
      ]
      [
        "nom" => "2. Thank You Girl"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Really Got A Hold On Me"
        "ordre" => 3
      ]
      [
        "nom" => "4. Devil In Her Heart"
        "ordre" => 4
      ]
      [
        "nom" => "5. Money (That's What I Want)"
        "ordre" => 5
      ]
      [
        "nom" => "6. You Can't Do That"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Long Tall Sally"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Call Your Name"
        "ordre" => 9
      ]
      [
        "nom" => "3. Please Mister Postman"
        "ordre" => 10
      ]
      [
        "nom" => "4. I'll Get You"
        "ordre" => 11
      ]
      [
        "nom" => "5. She Loves You"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2168 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1583825832 {#2154
      date: 2020-03-10 07:37:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763326543 {#2155
      date: 2025-11-16 20:55:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-beatles-second-album-mono-capitol-records-5224"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3591
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2157
    -id: 1825
    -nom: "The Beatles' Second Album  (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "The Beatles' Second Album" (Mono) !\r\n
      - Audiophile 180 gram vinyl !\r\n
      - All-analog mastering !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville\r\n
      Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer !\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, Lead & backing vocals), Paul McCartney (bass guitar, lead & backing vocals), George Harrison (lead guitar, lead & backing vocals), Ringo Starr (drums, percussion, lead vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=rb3NhD7kfA8&list=RDrb3NhD7kfA8&start_radio=1"
    -referenceProduit: "Capitol Records 5224"
    -titreMorceau: [
      [
        "nom" => "Side A :"
        "ordre" => 0
      ]
      [
        "nom" => "1. Roll Over Beethoven"
        "ordre" => 1
      ]
      [
        "nom" => "2. Thank You Girl"
        "ordre" => 2
      ]
      [
        "nom" => "3. You Really Got A Hold On Me"
        "ordre" => 3
      ]
      [
        "nom" => "4. Devil In Her Heart"
        "ordre" => 4
      ]
      [
        "nom" => "5. Money (That's What I Want)"
        "ordre" => 5
      ]
      [
        "nom" => "6. You Can't Do That"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Long Tall Sally"
        "ordre" => 8
      ]
      [
        "nom" => "2. I Call Your Name"
        "ordre" => 9
      ]
      [
        "nom" => "3. Please Mister Postman"
        "ordre" => 10
      ]
      [
        "nom" => "4. I'll Get You"
        "ordre" => 11
      ]
      [
        "nom" => "5. She Loves You"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2168 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2161 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2163 …}
    -enregistreLe: DateTime @1583825832 {#2154
      date: 2020-03-10 07:37:12.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763326543 {#2155
      date: 2025-11-16 20:55:43.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2165 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-beatles-second-album-mono-capitol-records-5224"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2175
    -id: 1099
    -nom: "The Early Beatles (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "The Early Beatles" (Mono) !\r\n
      - Audiophile 180 gram vinyl !\r\n
      - All-analog mastering !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville !\r\n
      - Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4-panel insert with essay by American Beatles historian, Bruce Spizer. 180 gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, backing vocals), Ringo Starr (drums, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Capitol Records 5234"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 1
      ]
      [
        "nom" => "2. Twist And ShoutTwist And Shout"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Please Please Me"
        "ordre" => 8
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 9
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 10
      ]
      [
        "nom" => "4. A Taste Of Honey"
        "ordre" => 11
      ]
      [
        "nom" => "5. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2183 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2176 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2178 …}
    -enregistreLe: DateTime @1482390961 {#2171
      date: 2016-12-22 07:16:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763285613 {#2170
      date: 2025-11-16 09:33:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2180 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-early-beatles-mono-capitol-records-5234"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3639
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2175
    -id: 1099
    -nom: "The Early Beatles (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "The Early Beatles" (Mono) !\r\n
      - Audiophile 180 gram vinyl !\r\n
      - All-analog mastering !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville !\r\n
      - Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4-panel insert with essay by American Beatles historian, Bruce Spizer. 180 gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm guitar, harmonica, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, backing vocals), Ringo Starr (drums, backing vocals), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: null
    -referenceProduit: "Capitol Records 5234"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. Love Me Do"
        "ordre" => 1
      ]
      [
        "nom" => "2. Twist And ShoutTwist And Shout"
        "ordre" => 2
      ]
      [
        "nom" => "3. Anna (Go To Him)"
        "ordre" => 3
      ]
      [
        "nom" => "4. Chains"
        "ordre" => 4
      ]
      [
        "nom" => "5. Boys"
        "ordre" => 5
      ]
      [
        "nom" => "6. Ask Me Why"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Please Please Me"
        "ordre" => 8
      ]
      [
        "nom" => "2. P.S. I Love You"
        "ordre" => 9
      ]
      [
        "nom" => "3. Baby It's You"
        "ordre" => 10
      ]
      [
        "nom" => "4. A Taste Of Honey"
        "ordre" => 11
      ]
      [
        "nom" => "5. Do You Want To Know A Secret"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
      [
        "nom" => ""
        "ordre" => 14
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2183 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2176 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2178 …}
    -enregistreLe: DateTime @1482390961 {#2171
      date: 2016-12-22 07:16:01.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763285613 {#2170
      date: 2025-11-16 09:33:33.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2180 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-the-early-beatles-mono-capitol-records-5234"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}

[
  "produit" => App\Entity\Produit {#2190
    -id: 1599
    -nom: "Something New (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "Something New" (Mono) !\r\n
      - 180-gram audiophile vinyl !\r\n
      - Analog cut from the original 1964 mono master !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville !\r\n
      - Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer !\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4 panel insert with essay by American Beatles historian, Bruce Spizer. 180 gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead & acoustic guitar, vocals), Ringo Starr (drums, percussion), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JyQJrIF1nJ8&list=RDJyQJrIF1nJ8&start_radio=1"
    -referenceProduit: "Capitol Records 5244"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'll Cry Instead"
        "ordre" => 1
      ]
      [
        "nom" => "2. Things We Said Today"
        "ordre" => 2
      ]
      [
        "nom" => "3. Any Time At All"
        "ordre" => 3
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 4
      ]
      [
        "nom" => "5. Slow Down"
        "ordre" => 5
      ]
      [
        "nom" => "6. Matchbox"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Tell Me Why"
        "ordre" => 8
      ]
      [
        "nom" => "2. And I Love Her"
        "ordre" => 9
      ]
      [
        "nom" => "3. I'm Happy Just To Dance With You"
        "ordre" => 10
      ]
      [
        "nom" => "4. If I Fell"
        "ordre" => 11
      ]
      [
        "nom" => "5. Komm Gib Mir Deine Hand"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1552645110 {#2186
      date: 2019-03-15 10:18:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763284433 {#2185
      date: 2025-11-16 09:13:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-something-new-mono-capitol-records-5244"
  }
  "detaillePage" => false
]

App\Twig\Components\GestionPanierFavoriComponents {#3687
  -requestStack: Symfony\Component\HttpFoundation\RequestStack {#290 …}
  -entity: ContainerSfwNWTr\EntityManagerGhost614a58f {#156 …}
  -security: Symfony\Bundle\SecurityBundle\Security {#240 …}
  -urlGenerator: Symfony\Bundle\FrameworkBundle\Routing\Router {#135 …}
  -frontGestionPanier: App\Service\FrontGestionPanierFavori {#2623 …}
  -gestionSaleSetting: App\Service\GestionSaleSetting {#1783 …}
  +produit: App\Entity\Produit {#2190
    -id: 1599
    -nom: "Something New (Mono)"
    -informationComplementaire: null
    -description: """
      - The Beatles "Something New" (Mono) !\r\n
      - 180-gram audiophile vinyl !\r\n
      - Analog cut from the original 1964 mono master !\r\n
      - Lacquers cut from the original 1964 mono master by Kevin Reeves at East Iris Studios in Nashville !\r\n
      - Faithfully replicated artwork !\r\n
      - New 4 panel insert with essay by Bruce Spizer !\r\n
      \r\n
      Using the original 1964 mono master, new lacquers have been cut all-analog by Kevin Reeves at Nashville's East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new 4 panel insert with essay by American Beatles historian, Bruce Spizer. 180 gram audiophile pressing.\r\n
      \r\n
      Mastering Notes :\r\n
      \r\n
      Album was cut for vinyl from the original master tape using a completely analog signal path and with constant reference to first generation pressings of the original album. It was made using a Studer A80 master recorder with analog preview & program paths, and a Neumann VMS70 cutting lathe originally installed in Capitol Studios in 1971. This specific all-analog cutting technique allows faithful representation of the full musical range and dynamics present on the original tape.
      """
    -prixVente: "38.00"
    -delaiLivraison: App\Enum\TempsLivraisonEnum {#1864 …}
    -musicienOrchestre: "John Lennon (rhythm & acoustic guitar, harmonica, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead & acoustic guitar, vocals), Ringo Starr (drums, percussion), George Martin (piano)"
    -sonMusic: App\Enum\SonMusicEnum {#1132 …}
    -grammageMusic: App\Enum\GrammageMusicEnum {#1137 …}
    -rpmMusic: App\Enum\RPMMusicEnum {#1139 …}
    -lpsMusic: 1
    -setBoxMusic: false
    -limitedEdition: true
    -preCommande: false
    -selectionAAD: false
    -extraitYoutube: "https://www.youtube.com/watch?v=JyQJrIF1nJ8&list=RDJyQJrIF1nJ8&start_radio=1"
    -referenceProduit: "Capitol Records 5244"
    -titreMorceau: [
      [
        "nom" => "Side A : "
        "ordre" => 0
      ]
      [
        "nom" => "1. I'll Cry Instead"
        "ordre" => 1
      ]
      [
        "nom" => "2. Things We Said Today"
        "ordre" => 2
      ]
      [
        "nom" => "3. Any Time At All"
        "ordre" => 3
      ]
      [
        "nom" => "4. When I Get Home"
        "ordre" => 4
      ]
      [
        "nom" => "5. Slow Down"
        "ordre" => 5
      ]
      [
        "nom" => "6. Matchbox"
        "ordre" => 6
      ]
      [
        "nom" => "Side B : "
        "ordre" => 7
      ]
      [
        "nom" => "1. Tell Me Why"
        "ordre" => 8
      ]
      [
        "nom" => "2. And I Love Her"
        "ordre" => 9
      ]
      [
        "nom" => "3. I'm Happy Just To Dance With You"
        "ordre" => 10
      ]
      [
        "nom" => "4. If I Fell"
        "ordre" => 11
      ]
      [
        "nom" => "5. Komm Gib Mir Deine Hand"
        "ordre" => 12
      ]
      [
        "nom" => ""
        "ordre" => 13
      ]
    ]
    -artiste: Proxies\__CG__\App\Entity\Artiste {#2062 …}
    -label: Proxies\__CG__\App\Entity\Label {#2159 …}
    -style: App\Entity\Style {#1063 …}
    -photoProduit: Doctrine\ORM\PersistentCollection {#2198 …}
    -morceauMP3: Doctrine\ORM\PersistentCollection {#2191 …}
    -typeMasterTape: null
    -marque: null
    -typeMateriel: null
    -produitTestePar: null
    -adresseInternetTest: null
    -poids: null
    -unite: null
    -caracteristique: null
    -typeAccessoire: null
    -optionPrixes: Doctrine\ORM\PersistentCollection {#2193 …}
    -enregistreLe: DateTime @1552645110 {#2186
      date: 2019-03-15 10:18:30.0 UTC (+00:00)
    }
    -modifierLe: DateTime @1763284433 {#2185
      date: 2025-11-16 09:13:53.0 UTC (+00:00)
    }
    -categorie: App\Enum\CategorieProduitEnum {#1047 …}
    -produitComplementaires: Doctrine\ORM\PersistentCollection {#2195 …}
    -disponible: null
    -terminer: null
    -infoMasterTape: null
    -slug: "vinyles-something-new-mono-capitol-records-5244"
  }
  +optionPrix: null
  +quantite: 1
  +detaillePage: false
  -liveResponder: Symfony\UX\LiveComponent\LiveResponder {#2391 …}
}